Baouler Bush "Calamity song" --Baouler Bush "Celebration song" --Barrel drums and gong-gong --Prince's dance --Gold Coast talking drums --Anansi --Battle song --Muezzin's song -- Mossi chant --Children's songs --Two pagan dances --Song to Allah --Bambara dance --Mossi Emperor's court music -- Kissi flute music -- Kahira --Doubajabija --Malinker love song -- Two Buzi (Loma) harp songs --Mano work song --Fanti jamboree.
Track Information:
101 Spirit Songs of the Baoule Bush / Rattle (Musical instrument),Gong,Square drum,Circle drum.
"Portions of this LP are from the 78 rpm, 3-album set, "Tribal, Folk and Cafer Music of West Africa." Program notes on container. Performer(s): Performances are by various native musicians. Production notes: Recorded in West Africa 1949 by Arthur S. and Lois Alberts.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Bassa (Liberian and Sierra Leone people) Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Photocopies
Place:
Mali
Africa
Cameroon
Nigeria
Date:
circa 1983
Summary:
This collection is comprised of photographs collected by William W. Brill to document his personal collection of African art objects, which primarily contains masks, sculpted figures, and tools.
Scope and Contents:
This collection is comprised of photographs collected by William W. Brill to document his personal collection of African art objects, which primarily contains masks, sculpted figures, and tools. Masks documented are from the following peoples: Hemba, Lulua, Makonde, and Bbagani. Sculptural figures shown were created by the following groups: Bassa, Dogon, Kulango, Kuyu, Loma, Luba, Lunda, Punu, and Tabwa. Other objecs shown include an Asante comb, Asante royal staff, Baule animal head, Bete heddle pulley, Chokwe comb, Ijo staff, Kuba headrest, Lele staff, Ndengese axe handle, Senufo ceremonial container, Senufo wine strainer, Yela staff, Yoruba house post, Zulu comb, and Zulu hunter's staff. There are also images of musical instruments including bells, flutes, and rhythm pounders from Cameroon, Mali, Nigeria, and Zaire. Photographers represented include Tony Fitsch, Al Mozell and Bernard Pierre Wolff.
Biographical / Historical:
William W. Brill (1918-2003) received a B.A. from Yale University and was the president of the Mutual Real Estate Investment Trust in New York. He started collecting African art around 1960 and has donated several art objects to museums.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
For study purposes only. Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Kpanda dance (3:27) --Song to conclude the Kpanda dance (2:28) --Dance for the Queens' masks (6:27) --Dance of the elephant mask (3:36) --Dance of the excised girls (2:52) -- Music of a guardian spirit (3:52) --Little girls' sung games (4:24) --Song with forked harp accompaniment (3:09) --Song accompanied on the musical bow (3:23) --War song (3:19) -- Song with harp-lute accompaniment (3:36) --Song with sanza accompaniment (3:03) --Song of two little girls (2:31)
Track Information:
101 Kpanda dance.
102 Song to conclude the Kpanda dance.
103 Dance for the Queens' masks.
104 Dance of the elephant mask.
105 Dance of the excised girls.
106 Music of a guardian spirit.
107 Little girls' sung games.
108 Song with forked harp accompaniment.
109 Song accompanied on the musical bow.
110 War song.
111 Song with harp-lute accompaniment.
112 Song with sanza accompaniment.
113 Song of two little girls.
Local Numbers:
UNESCO.8048
Publication, Distribution, Etc. (Imprint):
Paris, France Audivis
Date/Time and Place of an Event Note:
Recorded in: Côte d'Ivoire.
General:
Commercial
Reissue of the LP of the same title issued in 1972 in the Musical Atlas series. Compact disc. Descriptive and ethnographic notes in English and French by Hugo Zemp (11 p.) in container.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
M 2 BLE 1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 26.
Slide No. M 2 BLE 1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
M 2 BLE 2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 27.
Slide No. M 2 BLE 2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 23.
Slide No. E 2 BLE 1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 35.
Slide No. E 2 BLE 1.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1.2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 31.
Slide No. E 2 BLE 1.2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 1.3 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 30.
Slide No. E 2 BLE 1.3 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 33.
Slide No. E 2 BLE 2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. E 2 BLE 2.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2.1.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. E 2 BLE 2.1.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 2.2 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 32.
Slide No. E 2 BLE 2.2 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 3 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 20.
Slide No. E 2 BLE 3 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"In the Baule version of the Goli dance, four pairs of masks appear two by two in a fixed order: first a pair of disc-faced masks (usually called Kple Kple), next a pair of animal helmet masks (Goli Glen), third a pair of horned face masks (Kpan Pre), and finally two human-faced masks with crested hairdos (Kpan). Masks of the Kple Kple and Kpan Pre are distinguished by color: the male mask is painted red, the female black." [Vogel S., 1997: Baule: African Art, Western Eyes, Yale University Press]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 2 BLE 3.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 21.
Slide No. E 2 BLE 3.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
