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Oral history interview with Lyle Ashton Harris

Interviewee:
Harris, Lyle Ashton, 1965-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
American Academy in Rome -- Students  Search this
California Institute of the Arts -- Students  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Wesleyan University (Middletown, Conn.) -- Students  Search this
Whitney Museum of American Art  Search this
Baker, Houston A., Jr., 1943-  Search this
Barton, Nancy, (Artist)  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Butler, Cornelia H.  Search this
Carby, Hazel V.  Search this
Collier, Jim  Search this
Gates, Henry Louis, Jr.  Search this
Geer, Tommy  Search this
Goldin, Nan, 1953-  Search this
Gonzalez-Torres, Felix, 1957-1996  Search this
Gray, Todd, 1954-  Search this
Grayson, John, 1943-  Search this
Hemphill, Essex  Search this
Julien, Isaac  Search this
Lord, Catherine, 1949-  Search this
Mapplethorpe, Robert  Search this
Mays, Vickie M.  Search this
O'Dench, Ellen  Search this
O'Meally, Jackie  Search this
O'Meally, Robert G., 1948-  Search this
Riggs, Marlon T.  Search this
Seeley, J.  Search this
Sekula, Allan  Search this
Tate, Greg  Search this
Tilton, Jack  Search this
Watson, Simon  Search this
Wilson, Millie  Search this
Woodman, Francesca, 1958-1981  Search this
Extent:
6 Items (Sound recording: 6 sound files (8 hr., 6 min.), digital, wav)
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- London -- Description and Travel
Ghana -- Description and Travel
Netherlands -- Amsterdam -- Description and Travel
New York (N.Y.) -- Description and Travel
Tanzania -- Description and Travel
Date:
2017 March 27-29
Scope and Contents:
An interview with Lyle Ashton Harris, conducted 2017 March 27 and 29, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Harris's studio and home in New York, New York.
Harris speaks of his childhood in the Bronx; his family's influence on his race-consciousness; living in Tanzania for two years as a child and the effects on his understanding of race and sexuality; his grandfather's extensive photographic archive; contact with the South African diaspora through his step-father; attending Wesleyan University; formative experiences in London, Amsterdam, and New York in the mid-1980s; his education and development as a photographer; attending CalArts and encountering West Coast AIDS activism; encountering systemic racism in Los Angeles; close friendships with Marlon Riggs and Essex Hemphill; exhibitions of his work in New York in the early 1990s; the production of his Ektachrome Archive and his impulse to photograph daily life; his work on the Black Community AIDS Research and Education (Black C.A.R.E.) project in Los Angeles; participating in the Whitney Museum's Independent Study Program; being diagnosed with HIV and remaining asymptomatic; attending the Dia Black Popular Culture Conference in 1992; photographing and mounting "The Good Life" in 1994 and "The Watering Hole" in 1996; issues of blackness and queerness in his photographic work; his residency at the American Academy in Rome in 2000; moving to Accra, Ghana for seven years in 2005; his pedagogy as an art professor; his thoughts on the lack of voices of color in the Visual Arts and the AIDS Epidemic Oral History Project and in the larger power structures of the art world; and his hope that his artistic legacy will be evaluated in its proper context. Harris also recalls Jackie and Robert O'Meally, Jay Seeley, Ellen O'Dench, Francesca Woodman, Jean-Michel Basquiat, Jim Collier, Robert Mapplethorpe, Allan Sekula, Hazel Carby, Isaac Julien, Catherine Lord, Millie Wilson, Todd Gray, John Grayson, Tommy Gear, Marlon Riggs, Essex Hemphill, Felix Gonzalez-Torres, Nancy Barton, Vickie Mays, Connie Butler, Greg Tate, Henry Louis Gates, Houston Baker, Nan Goldin, Jack Tilton, Simon Watson, and others.
Biographical / Historical:
Lyle Ashton Harris (1965- ) is an artist who works in video, photography, and performance in New York, New York. Alex Fialho (1989- ) is a curator and arts writer and works as Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Performance artists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Video artists -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Racism  Search this
African American artists  Search this
Gay artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.harris17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harris17

Oral history interview with Rosalyn Drexler

Interviewee:
Drexler, Rosalyn  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Garth Greenan Gallery  Search this
Hunter College -- Students  Search this
Kornblee Gallery  Search this
Reuben Gallery  Search this
Alloway, Lawrence, 1926-1990  Search this
Baraka, Amiri, 1934-2014  Search this
Barthelme, Donald  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bruce, Lenny  Search this
Carmines, Al  Search this
Cornell, Joseph  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Dine, Jim, 1935-  Search this
Doyle, Tom  Search this
Drexler, Sherman  Search this
Geldzahler, Henry  Search this
Gilman, Richard, 1923-2006  Search this
Hess, Thomas B.  Search this
Hesse, Eva, 1936-1970  Search this
Hirshhorn, Joseph H.  Search this
Karp, Ivan C., 1926-2012  Search this
Katz, Alex, 1927-  Search this
Kent, Allegra  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Kroll, Jack  Search this
Marx, Chico, 1887-1961  Search this
Monroe, Marilyn, 1926-1962  Search this
Neel, Alice, 1900-1984  Search this
Newman, Barry  Search this
Perelman, S. J. (Sidney Joseph), 1904-1979  Search this
Rosenberg, Harold, 1906-1978  Search this
Samaras, Lucas, 1936-  Search this
Sontag, Susan, 1933-2004  Search this
Teer, Barbara Ann, 1937-2008  Search this
Warhol, Andy, 1928-1987  Search this
Youskevitch, Igor, 1912-1994  Search this
Extent:
82 Pages (Transcript)
5 Items (Sound recording: 5 sound files (3 hr., 26 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 May 17-June 2
Scope and Contents:
An interview with Rosalyn Drexler conducted 2017 May 17 and June 2 by Christopher Lyon, for the Archives of American Art, at Garth Greenan Gallery in New York, New York.
Drexler discusses her childhood in the Bronx; her experiences studying dance and music; her higher education at Hunter College; attending films and the Yiddish Theater; meeting her husband Sherman Drexler; her time as a professional wrestler; her memories of traveling to the South and encountering Jim Crow segregation; she describes learning about art from Sherman Drexler and her joint exhibition with Sherman; her early work in sculpture; participating in Happenings with Jim Dine; joining Anita Reuben's gallery; her debut as a playwright; her experience writing "I am the Beautiful Stranger;" the changing public perception of her and being classified as an artist; her decision to become a painter and appropriating images for her work; the influence of S. J. Perelman on her plays; her play about Joseph Cornell and ballerina Allegra Kent, and interviewing Allegra Kent; her recent artwork and preparing for her 2017 show at Garth Greenan Gallery; her artwork from the 1980s and 1990s; her comedy writing and sense of humor. Drexler also recalls Chico Marx, Jack Newfield, Igor Youskevitch, Ivan Karp, Anita Reuben, Lucas Samaras, Richard Gilman, Al Carmines, Amiri Baraka, Barbara Ann Teer, Franz Kline, Elaine De Kooning, Bill de Kooning, Andy Warhol, Jack Kroll, Lawrence Alloway, Tom Hess, Barney Newman, Harold Rosenberg, Susan Sontag, Joe Hirshhorn, Henry Geldzahler, Donald Barthelme, Kornblee Gallery, Eva Hesse, Tom Doyle, William Klein, Marilyn Monroe, Alex Katz, Alice Neel, Basquiat, Saturday Night Live, and Lenny Bruce, among others.
Biographical / Historical:
Rosalyn Drexler (1926- ) is a sculptor, playwright, and novelist in New York, New York. Christopher Lyon (1949- ) is a writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- New York (State) -- New York  Search this
Playwrights -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women wrestlers  Search this
Wrestling  Search this
Segregation -- United States  Search this
Women artists  Search this
Women sculptors  Search this
Women painters  Search this
Happenings (Art)  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.drexle17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-drexle17

Oral history interview with George Condo

Interviewee:
Condo, George  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Devo (Musical group)  Search this
Massachusetts College of Art -- Students  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bishofberger, Bruno  Search this
Clements, Dawn  Search this
Dagley, Mark  Search this
Dahn, Walter, 1954-  Search this
Haring, Keith  Search this
Herman, Roger  Search this
Hughes, Frederick W., 1943-2001  Search this
Kantor, Ulrike  Search this
Kelly, Gene, 1912-1996  Search this
Sharp, Willoughby  Search this
Smith, Rupert Jasen  Search this
Tyrrell, Susan  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
5 Items (sound files (3 hr., 19 min.) Audio, digital, wav)
88 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Date:
2017 May 5-June 20
Scope and Contents:
An interview with George Condo conducted 2017 May 5 and June 20, by Christopher Lyon, for the Archives of American Art, at Condo's studio in New York, New York.
Condo speaks of his childhood and adolescence in New England; his Italian grandparents and heritage; his early obsession with drawing; the mathematical dimension of his mind; his Catholic upbringing and its influence on his art; exposure to literature, art, and music through his family; his decision to pursue visual art rather than music; the influence of jazz on his approach to making art; his understanding of tradition and originality; the influence of a wide range of literature on his approach to making art; dropping out of Mass College of Art; playing in a Boston punk rock band called The Girls in the late 1970s; moving to New York in 1981; working on Andy Warhol's silk-screening assembly line; moving to Los Angeles in 1982; being shown in Ulrike Kantor's gallery with Roger Herman's help; formative trips to Europe in the 1980s; important romantic relationships; changes in the New York art world in the 1990s; developing the concept of Artificial Realism; and his appreciation for the old masters of painting. Condo also recalls Dawn Clements, Keith Haring, Jean-Michel Basquiat, Devo, Mark Dagley, Rupert Smith, Fred Hughes, Susan Tyrrell, Gene Kelly, Willoughby Sharp, Walter Dahn, Bruno Bischofberger, and others.
Biographical / Historical:
George Condo (1957- ) is a contemporary visual artist working in New York, New York. Christopher Lyon (1949- ) is a publisher and writer in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- New York (State) -- New York  Search this
Jazz  Search this
Music  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photo-realism  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Punk rock music  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.condo17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-condo17

Richard D. Marshall papers

Creator:
Marshall, Richard, 1947-2014  Search this
Names:
Lever House (New York, N.Y.)  Search this
Museum of Contemporary Art, San Diego  Search this
Whitney Museum of American Art  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bourgeois, Louise, 1911-2010  Search this
Calder, Alexander, 1898-1976  Search this
Mapplethorpe, Robert  Search this
Mitchell, Joan, 1926-1992  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pierson, Jack, 1960-  Search this
Ruscha, Edward  Search this
Extent:
15.8 Linear feet
26.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Photographs
Video recordings
Date:
1969-2014
Summary:
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and born-digital material primarily reflect Marshall's work outside his role at the Whitney Museum. The exhibition and research files make up the bulk of the collection and document his independent curatorial and writing projects on artists Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Jack Pierson, and Ed Ruscha, as well as his role in building the Lever House Art Collection. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.
Scope and Contents:
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and digital material predominantly reflect Marshall's work outside his role at the Whitney Museum. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.

Thirteen interviews with artists are in the form of transcripts and sound recordings. Interviews are with many artists that Marshall had organized exhibitions for, including Louise Bourgeois, Robert Mapplethorpe, Ed Ruscha, and many featured in the exhibition New Image Painting at the Whitney in 1978.

Exhibition and research files may contain correspondence with artists, galleries, and museums; writings and notes; printed and research material; press packages; photographic material; and administrative documentation related to exhibition logistics, such as floors plans, items lists, consignment records, and shipping receipts. The most robust files and groups of files relate to the artists that Marshall worked with repeatedly over the course of his career, including Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Joan Mitchell, Georgia O'Keeffe, Jack Pierson, and Ed Ruscha. Files relating to the Lever House Art Collection are also found here. The series contains sound and video recordings, as well as digital records containing broadcasts, documentaries, exhibition related material, writings, photographic material, and promotional material about artists from galleries.

Client files include correspondence, invoices, photographic material, floor plans, digital records, and other documentation related to Marshall's business as an independent art consultant.

Other professional files consists of business cards, Museum of Contemporary Art San Diego (MCASD) Board of Trustee's files, and photographic material Marshall accumulated as art editor of the Paris Review.

Printed and digital material consists of books, exhibition announcements, catalogs, press packages, posters, and other material. Material relates to artists and movements Marshall was interested in.

Photographic material is of artworks and is largely unsorted and not identified with any specific project. Formats include black and white photographs, slides, digital photographs, and transparencies.
Arrangement:
The collection is arranged as seven series

Series 1: Interviews, 1972-2009 (0.4 linear feet; Box 1, 0.173 GB; ER01)

Series 2: Exhibition and Research Files, circa 1970-2014 (11.5 linear feet; Box 1-12, OV 17-19, 23.40 GB; ER02-ER49)

Series 3: Client Files, 1998-2014 (1.5 linear feet; Box 12-14, 0.077 GB; ER50-ER51)

Series 4: Other Professional Files, circa 1980-2014 (0.9 linear feet; Box 14)

Series 5: Printed Material, 1969-2014 (0.5 linear feet; Box 15, OV 20, 2.27 GB; ER52)

Series 6: Photographic Material, 1990s-2000s (0.9 linear feet; Box 15-16, 0.145 GB; ER53)

Series 7: Unidentified Electronic Records, circa 2005 (1 folder; 1 folder)
Biographical / Historical:
Richard D. Marshall (1947-2014) was a New York-based curator and art consultant. Born in Los Angeles, Marshall attended the University of California, Irvine, and in 1973 moved to New York to attend the Independent Study Program at the Whitney Museum. He then became a curator at the Whitney from 1974-1993, organizing many biennials and solo exhibitions. While at the Whitney, Marshall also worked as art editor of the Paris Review (1975-1990), and organized exhibitions at other institutions of artists including Louise Bourgeois, Alexander Calder, and Robert Mapplethorpe. In 2003, he became curator of The Lever House Art Collection in New York, and worked with collectors Aby Rosen and Alberto Mugrabi to commission works for the lobby of the building by Tom Sachs, Urs Fischer, Liza Lou, Paula Hayes, and others. Marshall has also published monographs on Ed Ruscha, Jack Pierson, Alex Katz, Georgie O'Keeffe, Joan Mitchell, and Kenny Scharf.
Provenance:
Donated in 2015 by the Richard D. Marshall Estate, via William T. Georgis, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art consultants -- New York -- New York  Search this
Topic:
Transcripts  Search this
Curators -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Photographs
Video recordings
Citation:
Richard D. Marshall papers, 1969-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsrich
See more items in:
Richard D. Marshall papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marsrich
Online Media:

Oral history interview with Frank Holliday

Interviewee:
Holliday, Frank  Search this
Interviewer:
Kerr, Theodore  Search this
Names:
Andy Warhol's Factory (New York, N.Y.)  Search this
Club 57 (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
North Carolina School of the Arts -- Students  Search this
School of Visual Arts (New York, N.Y.) -- Students  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Beckley, Bill, 1946-  Search this
Bidlo, Mike  Search this
Collum, Bill  Search this
Esper, William  Search this
Garibay, Art  Search this
Haring, Keith  Search this
Lowe, Michael  Search this
Milk, Harvey  Search this
Murray, Elizabeth, 1940-  Search this
Post, Henry  Search this
Taafe, Philip  Search this
Extent:
5 Items (Sound recording: 5 sound files (5 hr., 18 min.), digital, wav)
136 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 January 24-26
Scope and Contents:
An interview with Frank Holliday conducted 2017 January 24 and 26, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Holliday Studios in New York, New York.
Holliday speaks of a beautiful relationship with his Grandmother Holliday; growing up in suburbia with a glamorous mother and industrialist father; being encouraged to draw and paint constantly to keep busy and out of trouble; realizing at a young age that art can bring happiness and cheer to others; feeling free and open until society told him he was different and the resulting need to protect himself by trying to be super-masculine; attending junior high in Greensboro, North Carolina during integration and becoming a young politician bringing people and groups together; studying ballet at the North Carolina School of the Arts during high school; continuing his study in New York City until visiting the Museum of Modern Art and deciding he was destined to be a painter; moving to San Francisco at age 18 to live among gay people; the utopian counter-culture that existed before AIDS; making art constantly through photography, film, painting; the theft of much of his early work over the years; realizing he needed to return to New York to escape his street-oriented lifestyle in San Francisco; attending School of Visual Arts; studying gay men semiotically through signs and social cues with Keith Haring and Bill Beckley; working at Warhol's Factory on Union Square and Interview magazine; the genesis of Club 57; imagining his sets at Club 57 as installations with live people; the appeal of his projects being anti-everything; learning about a "gay cancer" and his then-boyfriend becoming sick and dying from an unknown brain issue; living under the assumption that he was HIV-positive for eight years before falling extremely ill with pneumonia; learning of his HIV/AIDS diagnosis two weeks before "the cocktail" came out in 1996; his breakthrough show "Trippin' in America" in 2001; the process of getting sober six years before his diagnosis; learning to make art without the feeling the need to rely on drugs for creativity; meeting his partner of nineteen years and learning to feel worthy of love; self-hatred and homophobia after getting sober; gaining a tremendous respect and appreciation for the gay community living bravely just as they were; witnessing the World Trade Center towers collapse on 9/11; answering a Craigslist ad and being cast in a movie; acting in several films including "American Gangster;" trading three years of acting lessons with Bill Esper for one painting; how acting helped with his painting; comparing his body being tuned to painting as a dancer's is to music; how living with AIDS has made him very aware of the physical-ness of his body and what it means to be alive; the importance of leaving his mark on his art; academia taking over the art world; feeling looked over in retrospectives of AIDS artists, but identifying more as a human with a disease than as an "AIDS artist;" and purposefully leaving room in his paintings to allow the viewer to enter and experience. Holliday also recalls Harvey Milk, Michael Lowe, Mike Bidlo, Philip Taaffe, Jean-Michel Basquiat, Art Garibay, Henry Post, Bill Collum, and Elizabeth Murray.
Biographical / Historical:
Frank Holliday (1957- ) is a painter in New York. New York. Theodore Kerr (1979- ) is a writer and organizer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Actors -- New York (State) -- New York  Search this
Topic:
AIDS (Disease) and the arts  Search this
Gay artists -- New York (State) -- New York -- Interviews  Search this
AIDS (Disease)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Photography  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.hollid17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hollid17

Ben Buchanan photographs of artists

Creator:
Buchanan, Ben  Search this
Names:
Basquiat, Jean-Michel, 1960-1988  Search this
Extent:
12 Items
Type:
Collection descriptions
Archival materials
Date:
circa 1985-2015
Scope and Contents:
Nine black and white photographs of artists taken by Ben Buchanan at a party at Mr. Chow Restaurant, Manhattan, New York and at Area nightclub, Manhattan, New York, 1985, and three color photographs taken by Buchanan in 2015 of a model dressed in the guestbook from the party (a signed body leotard originally worn by performer Bernard Zette portraying The Human Guestbook during the event).
Biographical / Historical:
Ben Buchanan is a photographer in New York, New York and London England. Buchanan was the staff photographer for Area and photographed many artists' events.
Provenance:
Donated 2016 by Ben Buchanan.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The donor has retained all intelletual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Identifier:
AAA.buchben
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-buchben

Jean-Michel Basquiat : works in black and white : Robert Miller Gallery [New York], November [1993]-January 6, 1994

Author:
De Bord, Matthew  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988  Search this
Type:
Articles
Exhibitions
Date:
1995
Call number:
NX1 .N738
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_494705

Jean-Michel Basquiat : Whitney Museum of American art

Author:
Heartney, Eleanor 1954-  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988  Search this
Type:
Articles
Exhibitions
Date:
1993
Call number:
N1 .A782
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_495343

Urban street stories

Author:
Ogunwa, Denrele  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988  Search this
Type:
Articles
Exhibitions
Date:
1996
Call number:
DT491 .W516
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_500237

Film review : Basquiat : an American success [crossed out] story, Miramax Films

Author:
Coleman, Beth  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 Drama  Search this
Type:
Articles
Date:
1996
Topic:
Artists, Black, in motion pictures  Search this
Call number:
NX1 .N737
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_531728

Downtown 81 : a tribute to Jean Michel Basquiat : Mangoes, Washington, D.C., December 6-8, 2001

Author:
Ongiri, Amy Abugo  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 In motion pictures  Search this
Type:
Articles
Date:
2002
Call number:
NX1 .N737
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_754023

Represent'n : the young generation in African American art

Author:
Oguibe, Olu 1964-  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 Criticism and interpretation  Search this
Ligon, Glenn 1960- Criticism and interpretation  Search this
Colescott, Robert 1925- Criticism and interpretation  Search this
Charles, Michael Ray 1967- Criticism and interpretation  Search this
Type:
Articles
Date:
2004
20th century
Topic:
African American artists  Search this
Call number:
NX180.P67 O48 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_761050

Basquiat at the Brooklyn Museum : March 11-June 5, 2005

Author:
Murray, Soraya  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988  Search this
Type:
Articles
Exhibitions
Date:
2007
Call number:
NX1 .N737
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_912925

Diaspora aesthetics : exploring the African diaspora in the works of Aaron Douglas, Jacob Lawrence and Jean-Michel Basquiat

Author:
Lemke, Sieglinde  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Douglas, Aaron Criticism and interpretation  Search this
Lawrence, Jacob 1917-2000 Criticism and interpretation  Search this
Basquiat, Jean-Michel 1960-1988 Criticism and interpretation  Search this
Type:
Articles
Date:
2008
Call number:
N72.G55 M47 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_930138

Logiques urbaines dans les arts plastiques : de la filiation de Jean-Michel Basquiat au Sénégal

Author:
Mbaye, Massamba  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 Influence  Search this
Cissé, Soly 1969-  Search this
Guèye, Camara 1970-  Search this
Fall, Samba 1977-  Search this
Ndiaye, Birame 1968-  Search this
Type:
Articles
Place:
Senegal
Dakar
Date:
2008
Topic:
Painters  Search this
Call number:
N7399.S4 A787 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_946837

"Cut and mix" : Jean-Michel Basquiat in retrospect / Jordana Moore Saggese

Author:
Saggese, Jordana Moore  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 Criticism and interpretation  Search this
Type:
Articles
Date:
2011
Call number:
NX1 .N737
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_977161

Activating heaven : the Jean-Michel Basquiat in retrospect Robert Farris Thompson

Author:
Thompson, Robert Farris  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 Criticism and interpretation  Search this
Type:
Articles
Date:
2011
1985
Call number:
E29.N3 T47 2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_996585

Jean-Michel Basquiat : royalty, heroism, and the streets Robert Farris Thompson

Author:
Thompson, Robert Farris  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Basquiat, Jean-Michel 1960-1988 Criticism and interpretation  Search this
Type:
Articles
Date:
2011
Call number:
E29.N3 T47 2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_996592

Jean Michael Basquiat : artist file, [photographs]

Artist:
Basquiat, Jean Michel 1960-1988  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF000194
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_136945

Basquiat-isms Jean-Michel Basquiat ; edited by Larry Warsh

Author:
Basquiat, Jean-Michel 1960-1988  Search this
Editor:
Warsh, Larry  Search this
Physical description:
xiv, 125 pages 15 cm
Type:
Books
Quotations
Date:
2019
Topic:
Creation (Literary, artistic, etc.)  Search this
21.02 history of painting  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1109530

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