Search Results

Sponsor:

Civilian Conservation Corps (U.S.)  Search this

Collection Creator:

National Association of Civilian Conservation Corps Alumni  Search this

Ward, C.E.  Search this

Civilian Conservation Corps (U.S.)  Search this

Bidwell, Timothy  Search this

Bires, Andrew, G.  Search this

Extent:

1 Item (Silver gelatin on paper.)

Type:

Archival materials

Local Numbers:

AC0930-0000063.tif (AC Scan No.)

Collection Restrictions:

This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Civilian Conservation Corps Collection, Archives Center, National Museum of American History

See more items in:

Civilian Conservation Corps (CCC) Collection

Civilian Conservation Corps (CCC) Collection / Series 4: C.E. Ward, 3rd Corps / Instruction Manuals and Guides Regarding Education

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d6e0d363-e727-4b3e-a801-5d7f7c3d2661

EDAN-URL:

ead_component:sova-nmah-ac-0930-ref3758

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1892

Local Numbers:

NAA INV.06862900

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw353757347-11db-4473-8b5e-081710459482

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1145

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1892

Local Numbers:

NAA INV.06863000

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3a630c62b-0036-4c92-ab0e-f15008d03d31

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1146

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1892

Local Numbers:

NAA INV.06863100

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw33b24197e-4e70-48de-a477-277df651915c

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1147

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

26 MAY 1894

Local Numbers:

NAA INV.06863400

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw332f969a2-57c4-4938-9887-8662c130aa03

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1150

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 005 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06921600

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw38713718d-1bc4-4e0c-a4ae-984fa5b60451

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1733

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 005 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06921700

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw366bf0836-79e7-43c0-9f69-0c80d247093d

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1734

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 005 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06921800

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3842fa803-1f86-4d6d-8548-8195c0f76edb

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1735

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 005 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06922000

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3b47731d3-e32c-480d-b9cc-23c5038bd906

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref1737

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1880

Local Numbers:

NAA INV.06803700

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw310e3902b-2d83-4b21-9bb1-748aa78f31a1

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref550

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06809500

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw30397b001-0cb2-4509-92a0-c0e25a89a353

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref610

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06828400

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle/Carlisle Indian Industrial School

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw31fe1915f-ad7a-4f83-8ea6-e3433f363b1b

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref799

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 008 in x 010 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06828500

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle/Carlisle Indian Industrial School

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3bf196213-606e-4b80-bdf0-6c0037b8ccff

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref800

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 005 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06828700

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3981e019f-71de-4114-86df-c706ded51de4

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref802

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 005 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06829100

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw380bd72c4-a088-46a0-bf22-83d33088481f

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref806

Creator:

Choate, John N., of Carlisle, Pennsylvania  Search this

Collection Creator:

Choate, J. N. (John N.), 1848-1902  Search this

Extent:

1 Item (gelatin glass negative, 003 in x 007 in)

Type:

Archival materials

Photographs

Date:

1879

Local Numbers:

NAA INV.06829200

Local Note:

Black and white gelatin glass negative

Place:

Pennsylvania -- Carlisle

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

Photo lot 81-12, John N. Choate photographs of Carlisle Indian School, National Anthropological Archives, Smithsonian Institution

See more items in:

John N. Choate photographs of Carlisle Indian School

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw368a7ec03-829f-4d49-ae15-d834802b42b8

EDAN-URL:

ead_component:sova-naa-photolot-81-12-ref807

Creator:

Procter & Gamble Company  Search this

Leyendecker, J. C., 1874-1951  Search this

Smith, Jessie Willcox, 1863-1935  Search this

Elliott, Elizabeth Shippen Green  Search this

Extent:

10 Cubic feet (30 boxes)

Type:

Collection descriptions

Archival materials

Advertisements

Photomechanical reproductions

Date:

1883-1998

Summary:

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

Scope and Contents:

The collection consists of print advertising and publications covering almost the entire history of Ivory Soap. Researchers may use this collection to examine the evolution of advertising strategies and techniques from the very early days of mass-produced brand-name consumer products to the present. From the beginning, Ivory advertisements proclaimed the product's "99 and 44/100%" purity, its ability to float, and its versatility. The collection, however, is much more than a glimpse into advertising history. It is an extremely rich resource for a wide range of cultural studies. Ivory advertising was primarily aimed at women, and it contains many images of women, babies, and young children. The depictions reflect contemporary attitudes toward class structure, race, immigrants and residents of other countries, cleanliness, and domestic relationships. The advertisements often play upon the guilt of women, suggesting that their main concerns should be their husbands, children, and dishpan hands. Many advertisements associate cleanliness with social and religious propriety, physical fitness, and athleticism. There also are many images of men and women performing every-day tasks in gender-defined situations.

Arrangement:

The collection is arranged into two series.

Series 1: Ivory Soap Products Advertisements, 1883-1998, undated

Series 2: Publications, 1883-1969, undated

Biographical / Historical:

In 1837, candle maker William Procter and soap maker James Gamble formed a partnership in Cincinnati, Ohio, to sell their products. The new company prospered, and by 1859 Procter & Gamble sales reached one million dollars. Contracts with the United States Army during the Civil War to supply soap and candles increased Procter & Gamble's customer base and reputation. In 1879, James Norris Gamble, son of the founder, developed an inexpensive pure white soap. A factory worker who forgot to shut off the soap-making machine when he left for lunch inadvertently improved the product. When he returned, the soap mixture was frothy due to the air that had been whipped into it, and the resulting soap cakes floated in water. There was immediate demand for the "floating soap." After considering many names for the new product, Harley Procter, son of the founder, finally named the soap "Ivory" after Psalms 45:8: "All thy garments smell of myrrh and aloes and cassia, out of the ivory palaces whereby they have made thee glad." Chemical analyses of the soap in 1882 revealed that 56/100 of the ingredients were not pure soap. Harley Procter subtracted that amount from one hundred and the slogan "99 and 44/100% pure" was born. The first ads appeared in 1882 in The Independent, a weekly newspaper.

Innovations in production, distribution, and market research contributed to Procter & Gamble's success. Procter & Gamble also developed other products such as Ivory Flakes, Chipso (the first dishwasher soap), and Crisco. By 1945, Procter & Gamble had become a nearly $350 million company. The company also was an innovator in advertising, developing creative print advertisements aimed at different target groups, sponsoring radio shows and comic strips, and airing its first television commercial (for Ivory Soap) during the first televised major league baseball game. Procter & Gamble is now a global company, selling more than 250 products, including Ivory Soap, to five billion customers in 130 countries.

Related Materials:

Several collections in the Archives Center have materials relating to Ivory Soap. The J. Walter Wilkinson Papers contain art he created for Ivory Soap advertisements. The Ivory Soap 1940 Essay Contest Collection consists of documents relating to the contest and its winner, Helen Nixon. The Procter & Gamble Product Packaging Collection, 1940s-1970s, includes Ivory brand products. The Warshaw Collection of Business Americana's "Soap" subject category contains documents relating to Procter & Gamble and other manufacturers. About twenty-five per cent of the advertisements in this collection are reproduced in the Archives Center's digital image library.

Separated Materials:

Artifacts donated to the Division of Medicine and Science.

Provenance:

Procter & Gamble donated this collection to the Archives Center, National Museum of American History, Smithsonian Institution on October 24, 2001.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

advertising  Search this

Soap  Search this

Genre/Form:

Advertisements -- 20th century

Photomechanical reproductions

Advertisements -- 19th century

Citation:

Ivory Soap Collection, 1883-1998, undated; Archives Center, National Museum of American History. Gift of Procter & Gamble.

Identifier:

NMAH.AC.0791

See more items in:

Ivory Soap Advertising Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep88550648b-e85c-4b62-9ccb-f8e6872e4a86

EDAN-URL:

ead_collection:sova-nmah-ac-0791

Collector:

Rouland, Donald  Search this

Extent:

1.5 Cubic feet (3 boxes)

Type:

Collection descriptions

Archival materials

Placemats

Menus

Ephemera

Programs

Date:

citca 1940-1990

Summary:

Collection consists of restaurant placemats and menus (including some from hotels, motels, and tourist venues), and baseball and miscellaneous programs.

Scope and Contents:

The collection consists of placemats, menus, and programs. The placemats are arranged alphabetically and are printed with menus, maps, historical trivia, and tourist attractions. They are printed in color and black and white and are approximately 11" x 15" or smaller.

The menus are arranged alphabetically by name of restaurant and are approximately 11" x 17" or smaller.

The programs are divided into two subseries—baseball programs and miscellaneous—and are arranged alphabetically. The miscellaneous programs include a theatre show Hello Hollywood Hello! and materials from the Illinois State Fair. Not all materials are dated.

Arrangement:

The materials are arranged into three series.

Series 1: Place Mats

Series 2: Menus

Series 3: Programs

Provenance:

Collection donated by Donald Rouland,1998.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Motels  Search this

Taverns (Inns)  Search this

Restaurants  Search this

Baseball  Search this

Genre/Form:

Placemats

Menus

Ephemera -- 1940-1970

Programs

Citation:

Donald Rouland Ephemera Collection, circa 1940-circa 1990, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0705

See more items in:

Donald Rouland Ephemera Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8925b8a5a-cf0e-4031-9d86-5227be7ec7d9

EDAN-URL:

ead_collection:sova-nmah-ac-0705

Creator:

Romeike, Henry, 1855-1903  Search this

Extent:

0.5 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Scrapbooks

Clippings

Date:

1856-1916

Summary:

Collection consists of one scrapbook of clippings documenting events covered in British and American newspapers from 1856-1916.

Scope and Contents:

The clippings (apparently collected by the Romeike service) cover a wide range of subjects and are taken from British and United States newspapers. The clippings include straight news stories; 1856 elections in California, sports stories on rowing and baseball, a report on the number of foreign warships in Chinese waters. There are also "feature" stories such as tourism by Americans in England (1874), iron and steel use in gun barrels, a description of a contempory comet (date unstated) and a general discussion of the nature of comets. Sermons, poems and long letters (California Correspondence") published in 1856 are also included.

Biographical / Historical:

Henry Romeike (1855-1903) was born in Riga, Hatvia, was educated in Prussia and founded the press clipping service industry in London. In 1887 he came to the United States and became head of a clipping service that bore his name. Henry Romeike, Incorporated of New York advertised itself as "the first established and most complete newspaper cutting bureau in the world".

Provenance:

Immediate source of acquisition unknown.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Genre/Form:

Scrapbooks

Clippings

Citation:

Henry Romeike Clipping Scrapbook, 1856-1916, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0338

See more items in:

Henry Romeike Clipping Scrapbook

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8462d46fb-3387-49e8-bf1a-1689fee51737

EDAN-URL:

ead_collection:sova-nmah-ac-0338

Creator:

Ellington, Duke, 1899-1974  Search this

Names:

Duke Ellington Orchestra  Search this

Washingtonians, The.  Search this

Ellington, Mercer Kennedy, 1919-1996 (musician)  Search this

Strayhorn, Billy (William Thomas), 1915-1967  Search this

Collector:

National Museum of American History (U.S.). Division of Musical History  Search this

Extent:

400 Cubic feet

Type:

Collection descriptions

Archival materials

Phonograph records

Papers

Photographic prints

Posters

Sound recordings

Scrapbooks

Music

Clippings

Awards

Audiotapes

Place:

New York (N.Y.) -- 20th century

Harlem (New York, N.Y.) -- 20th century

Washington (D.C.) -- 20th century

Date:

1903 - 1989

Summary:

The collection documents Duke Ellington's career primarily through orchestrations (scores and parts), music manuscripts, lead sheets, transcriptions, and sheet music. It also includes concert posters, concert programs, television, radio, motion picture and musical theater scripts, business records, correspondence, awards, as well as audiotapes, audiodiscs, photographs, tour itineraries, newspaper clippings, magazines, caricatures, paintings, and scrapbooks.

Scope and Contents:

Dating approximately from the time Duke Ellington permanently moved to New York City in 1923 to the time the material was transferred to the Smithsonian Institution in 1988, the bulk of the material in the Duke Ellington Collection is dated from 1934-1974 and comprises sound recordings, original music manuscripts and published sheet music, hand-written notes, correspondence, business records, photographs, scrapbooks, news clippings, concert programs, posters, pamphlets, books and other ephemera. These materials document Ellington's contributions as composer, musician, orchestra leader, and an ambassador of American music and culture abroad. In addition, the materials paint a picture of the life of a big band maintained for fifty years and open a unique window through which to view an evolving American society.

The approximate four hundred cubic feet of archival materials have been processed and organized into sixteen series arranged by type of material. Several of the series have been divided into subseries allowing additional organization to describe the content of the material. For example, Series 6, Sound Recordings, is divided into four subseries: Radio and Television Interviews, Concert Performances, Studio Dates and Non-Ellington Recordings. Each series has its own scope and content note describing the material and arrangement (for example; Series 10, Magazines and Newspaper Articles, is organized into two groups, foreign and domestic, and arranged chronologically within each group). A container list provides folder titles and box numbers.

The bulk of the material is located in Series 1, Music Manuscripts, and consists of compositions and arrangements by Duke Ellington, Billy Strayhorn and other composers. Series 6, Sound Recordings also provides a record of the performance of many of these compositions. The materials in Series 2, Performances and Programs, Series 3, Business Records, Series 8, Scrapbooks, Series 9, Newspaper Clippings, Series 11, Publicity and Series 12, Posters provide documentation of specific performances by Duke Ellington and His Orchestra. Ellington was a spontaneous and prolific composer as evidenced by music, lyrical thoughts, and themes for extended works and plays captured on letterhead stationery in Series 3, Business Records, in the margin notes of individual books and pamphlets in Series 14, Religious Materials and Series 15, Books, and in the hand-written notes in Series 5, Personal Correspondence and Notes.

During its fifty-year lifespan, Duke Ellington and His Orchestra were billed under various names including The Washingtonians, The Harlem Footwarmers and The Jungle Band. The soloists were informally called "the band", and Series 3 includes salary statements, IOU's, receipts and ephemera relating to individual band members. Series 1, Music Manuscripts contains the soloists' parts and includes "band books" of several soloists (for example; Harry Carney and Johnny Hodges) and numerous music manuscripts of Billy Strayhorn. The changing role of Strayhorn from arranger hired in 1938 to Ellington's main collaborator and composer of many well-known titles for Duke Ellington and His Orchestra including "Take The A' Train" and "Satin Doll" can be traced in these music manuscripts. Series 7, Photographs and Series 2, Performances and Programs contain many images of the band members and Strayhorn. This Collection also documents the business history of Duke Ellington and His Orchestra. Series 3, Business Records contains correspondence on letterhead stationery and Series 11, Publicity contains promotional material from the various booking agencies, professional companies, and public relations firms that managed the Orchestra.

The materials in the Duke Ellington Collection provide insight into public and institutional attitudes towards African Americans in mid-twentieth-century America. The business records in Series 3 beginning in 1938 and published sheet music in Series 1 depict Duke Ellington's progression from an African-American musician who needed "legitimization" by a white publisher, Irving Mills, to a businessmen who established his own companies including Tempo Music and Duke Ellington, Incorporated to control his copyright and financial affairs. Programs from the segregated Cotton Club in Series 2, Performances And Programs and contracts with no-segregation clauses in Series 3: Business Records further illustrate racial policies and practices in this time period. The public shift in perception of Duke Ellington from a leader of an exotic "Jungle Band" in the 1930s to a recipient of the Congressional Medal Of Freedom in 1970 is evidenced in Series 2, Performances And Programs, Series 12, Posters, Series 7, Photographs and Series 13, Awards. Reviews and articles reflecting Ellington's evolving status are also documented in Series 8, Newspaper Clippings, Series 9, Scrapbooks, Series 10, Newspaper and Magazine Articles.

The materials in the Duke Ellington Collection reflect rapid technological changes in American society from 1923-1982. Sound recordings in Series 6 range from 78 phonograph records of three minutes duration manufactured for play on Victrolas in monaural sound to long-playing (LP) phonograph records produced for stereo record players. Television scripts in Series 4, programs in Series 2 and music manuscripts (for example, Drum Is A Woman) in Series 1 demonstrate how the development of television as a means of mass communication spread the Orchestra's sound to a wider audience. The availability of commercial air travel enabled the Ellington Orchestra to extend their international performances from Europe to other continents including tours to Asia, Africa, South America and Australia and archival material from these tours is included in every series.

Series 4, Scripts and Transcripts and Series 6, Audio Recordings contain scripts and radio performances promoting the sale of United States War bonds during World War II, and Series 7, Photographs includes many images of Duke Ellington and His Orchestra's performances for military personnel revealing the impact of historic events on Duke Ellington and His Orchestra. Series 2: Programs and Performances, Series 9, Newspaper clippings and Series 8, Scrapbooks document the 1963 Far East tour aborted as a result of President John F. Kennedy's assassination.

The Duke Ellington Collection contains works by numerous twentieth-century music, literature, and art luminaries. Series 1, Music Manuscripts contains original music manuscripts of William Grant Still, Eubie Blake, Mary Lou Williams, and others. Series 4, Scripts and Transcripts contains a play by Langston Hughes, and Series 12, Posters contains many original artworks.

Arrangement:

Series 1: Music Manuscripts, circa 1930-1981, undated

Series 2: Performances and Programs, 1933-1973, undated

Series 3: Business Records, 1938-1988

Series 4: Scripts and Transcripts, 1937-1970

Series 5: Personal Correspondence and Notes, 1941-1974, undated

Series 6: Sound Recordings, 1927-1974

Series 7: Photographs, 1924-1972, undated

Series 8: Scrapbooks, 1931-1973

Series 9: Newspaper Clippings, 1939-1973, undated

Series 10: Magazine Articles and Newspaper Clippings, 1940-1974

Series 11: Publicity, 1935-1988

Series 12: Posters and Oversize Graphics, 1933-1989, undated

Series 13: Awards, 1939-1982

Series 14: Religious Material, 1928-1974

Series 15: Books, 1903-1980

Series 16: Miscellaneous, 1940-1974

Biographical / Historical:

A native of Washington, DC, Edward Kennedy Ellington was born on April 29, 1899. Edward was raised in a middle-class home in the Northwest section of Washington described by his sister Ruth--younger by sixteen years--as a "house full of love." Ellington himself wrote that his father J.E. (James Edward) raised his family "as though he were a millionaire" but Edward was especially devoted to his mother, Daisy Kennedy Ellington. In 1969, thirty-four years after his mother's death, Ellington accepted the Presidential Medal of Freedom with these words, "There is nowhere else I would rather be tonight but in my mother's arms." Both his parents played the piano and Ellington began piano lessons at the age of seven, but like many boys he was easily distracted by baseball.

In his early teens, Ellington sneaked into Washington clubs and performance halls where he was exposed to ragtime musicians, including James P. Johnson, and where he met people from all walks of life. He returned in earnest to his piano studies, and at age fourteen wrote his first composition, "Soda Fountain Rag" also known as "Poodle Dog Rag." Ellington was earning income from playing music at seventeen years of age, and around this time he earned the sobriquet "Duke" for his sartorial splendor and regal air. On July 2, 1918, he married a high school sweetheart, Edna Thompson; their only child, Mercer Kennedy Ellington, was born on March 11, 1919. Duke Ellington spent the first twenty-four years of his life in Washington's culturally thriving Negro community. In this vibrant atmosphere he was inspired to be a composer and learned to take pride in his African-American heritage.

Ellington moved to New York City in 1923 to join and eventually lead a small group of transplanted Washington musicians called "The Washingtonians," which included future Ellington band members, Sonny Greer, Otto Hardwicke and "Bubber" Miley. Between 1923 and 1927, the group played at the Club Kentucky on Broadway and the ensemble increased from a quintet to a ten-piece orchestra. With stride pianist Willie "The Lion" Smith as his unofficial guide, Ellington soon became part of New York's music scene; Smith proved to be a long-lasting influence on Duke's composing and arranging direction. At the Club Kentucky, Ellington came under the tutelage of another legendary stride pianist, "Fats" Waller. Waller, a protege of Johnson and Smith, played solos during the band's breaks and also tutored Ellington who began to show progress in his compositions. In November 1924, Duke made his publishing and recording debut with "Choo Choo (I Got To Hurry Home)" released on the Blu-Disc label. In 1925, he contributed two songs to Chocolate Kiddies, an all-black revue which introduced European audiences to black American styles and performers. By this time Ellington's family, Edna and Mercer, had joined him in New York City. The couple separated in the late 1920's, but they never divorced or reconciled.

Ellington's achievements as a composer and bandleader began to attract national attention while he worked at the Cotton Club in Harlem, New York City, from 1927 to 1932. The orchestra developed a distinctive sound that displayed the non-traditional voicings of Ellington's arrangements and featured the unique talents of the individual soloists. Ellington integrated his soloists' exotic-sounding trombone growls and wah-wahs, their high-squealed trumpets, their sultry saxophone blues licks and Harlem's street rhythms into his arrangements. In the promotional material of the Cotton Club, the band was often billed as "Duke Ellington and His Jungle Band." With the success of compositions like "Mood Indigo," and an increasing number of recordings and national radio broadcasts from the Cotton Club, the band's reputation soared.

The ten years from 1932 to 1942 are considered by some major critics to represent the "golden age" for the Ellington Orchestra, but it represents just one of their creative peaks. These years did bring an influx of extraordinary new talent to the band including Jimmy Blanton on double bass, Ben Webster on tenor saxophone, and Ray Nance on trumpet, violin and vocals. During this ten year span Ellington composed several of his best known short works, including "Concerto For Cootie," "Ko-Ko," "Cotton Tail," "In A Sentimental Mood," and Jump For Joy, his first full-length musical stage revue.

Most notably, 1938 marked the arrival of Billy Strayhorn. While a teenager in Pittsburgh, Pennsylvania, Strayhorn had already written "Lush Life," "Something To Live For" and a musical, Fantastic Rhythm. Ellington was initially impressed with Strayhorn's lyrics but realized long before Billy's composition "Take the A' Train" became the band's theme song in 1942 that Strayhorn's talents were not limited to penning clever lyrics. By 1942, "Swee' Pea" had become arranger, composer, second pianist, collaborator, and as Duke described him, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine." Many Ellington/Strayhorn songs have entered the jazz canon, and their extended works are still being discovered and studied today. Strayhorn remained with the Ellington Organization until his death on May 30, 1967.

Ellington had often hinted of a work in progress depicting the struggle of blacks in America. The original script, Boola, debuted in Carnegie Hall in November of 1943, retitled Black, Brown and Beige. The performance met with mixed reviews, and although Ellington often returned to Carnegie Hall the piece was never recorded in a studio, and after 1944 was never performed in entirety again by the Ellington Orchestra. Nonetheless, it is now considered a milestone in jazz composition.

After World War II the mood and musical tastes of the country shifted and hard times befell big bands, but Ellington kept his band together. The band was not always financially self-sufficient and during the lean times Ellington used his songwriting royalties to meet the soloists' salaries. One could assign to Ellington the altruistic motive of loyalty to his sidemen, but another motivation may have been his compositional style which was rooted in hearing his music in the formative stage come alive in rehearsal. "The band was his instrument," Billy Strayhorn said, and no Ellington composition was complete until he heard the orchestra play it. Then he could fine tune his compositions, omit and augment passages, or weave a soloist's contribution into the structure of the tune.

In 1956, the American public rediscovered Duke and the band at the Newport Jazz Festival in Rhode Island. The searing performances of tenor saxophonist Paul Gonsalves on "Diminuendo and Crescendo In Blue," his premiere soloist, alto saxophonist Johnny Hodges on "Jeep's Blues", and the crowd's ecstatic reaction have become jazz legend. Later that year Duke landed on the cover of Time magazine. Although Ellington had previously written music for film and television (including the short film, Black and Tan Fantasy in 1929) it wasn't until 1959 that Otto Preminger asked him to score music for his mainstream film, Anatomy of a Murder, starring Jimmy Stewart. Paris Blues in 1961, featuring box-office stars Paul Newman and Sidney Poitier in roles as American jazz musicians in Paris, followed.

Ellington's first performance overseas was in England in 1933, but the 1960s brought extensive overseas tours including diplomatic tours sponsored by the State Department. Ellington and Strayhorn composed exquisite extended works reflecting the sights and sounds of their travels, including the Far East Suite, 1966. They wrote homages to their classical influences; in 1963, they adapted Tchaikovsky's Nutcracker Suite and celebrated Shakespeare's works with the suite Such Sweet Thunder in 1957. With Ella Fitzgerald, they continued the Norman Granz Songbook Series. Ellington also began to flex his considerable pianist skills and recorded albums with John Coltrane (1963), Coleman Hawkins (1963), Frank Sinatra, and Money Jungle (1963) with Charles Mingus and Max Roach. The First Sacred Concert debuted in San Francisco's Grace Cathedral in 1965. In his final years, Ellington's thoughts turned to spiritual themes and he added a Second (1968) and Third (1973) Concert of Sacred Music to his compositions.

In his lifetime, Duke received numerous awards and honors including the highest honor bestowed on an American civilian, the Congressional Medal Of Freedom. In 1965, Ellington was recommended for a Pulitzer Prize to honor his forty years of contribution to music but the recommendation was rejected by the board. Most likely he was disappointed, but his response at the age of sixty-six was, "Fate is being kind to me. Fate doesn't want me to be famous too young."

Ellington never rested on his laurels or stopped composing. Whenever he was asked to name his favorite compositions his characteristic reply was "the next five coming up," but to please his loyal fans Ellington always featured some of his standards in every performance. Even on his deathbed, he was composing the opera buffo called Queenie Pie.

Duke Ellington died on May 24, 1974 at seventy-five years of age. His funeral was held in New York's Cathedral of St. John The Divine; he was buried in Woodlawn Cemetery. His long-time companion Beatrice "Evie" Ellis was buried beside him after her death in 1976. He was survived by his only child, Mercer Kennedy Ellington, who not only took up the baton to lead the Duke Ellington Orchestra but assumed the task of caring for his father's papers and his legacy to the nation. Mercer Ellington died in Copenhagan, Denmark on February 8, 1996, at the age of seventy-six. Ruth Ellington Boatwright died in New York on March 6, 2004, at the age of eighty-eight. Both Mercer and Ruth were responsible for shepherding the documents and artifacts that celebrate Duke Ellington's genius and creative life to their current home in the Smithsonian Institution's National Museum of American History.

Related Materials:

Materials in the Archives Center

William H. Quealy Collection of Duke Ellington Recordings (AC0296)

Rutgers University Collection of Radio Interviews about Duke Ellington (AC0328)

Duke Ellington Oral History Project (AC0368)

Duke Ellington Collection of Ephemera and realated Audiovisual Materials (AC0386)

Annual International Conference of the Duke Ellington Study Group Proceedings (AC0385)

Robert Udkoff Collection of Duke Ellington Ephemera (AC0388)

Frank Driggs Collection of Duke Ellington Photographic Prints (AC0389)

New York Chapter of the Duke Ellington Society Collection (AC390)

Earl Okin Collection of Duke Ellington Ephemera (AC0391)

William Russo Transcription and Arrangement of Duke Ellington's First Concert of Sacred Music (AC0406)

Ruth Ellington Collection of Duke Ellington Materials (AC0415)

Music manuscripts in the Ruth Ellington Collection complement the music manuscripts found in the Duke Ellington Collection.

Carter Harman Collection of Interviews with Duke Ellington (AC0422)

Betty McGettigan Collection of Duke Ellington Memorabilia (AC0494)

Dr. Theodore Shell Collection of Duke Ellington Ephemera (AC0502)

Edward and Gaye Ellington Collection of Duke Ellington Materials (AC0704)

Andrew Homzy Collection of Duke Ellington Stock Music Arrangements (AC0740)

John Gensel Collection of Duke Ellington Materials (AC0763)

Al Celley Collection of Duke Ellington Materials (AC1240)

Materials at Other Organizations

Institute of Jazz Studies

Separated Materials:

Artifacts related to this collection are in the Division of Culture and the Arts (now Division of Cultural and Community Life) and include trophies, plaques, and medals. See accessions: 1989.0369; 1991.0808; 1993.0032; and 1999.0148.

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Provenance:

The collection was purchased through an appropriation of Congress in 1988.

Restrictions:

Collection is open for research but the original and master audiovisual materials are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Copyright restrictions. Consult the Archives Center at archivescenter@si.edu or 202-633-3270.

Paul Ellington, executor, is represented by:

Richard J.J. Scarola, Scarola Ellis LLP, 888 Seventh Avenue, 45th Floor, New York, New York 10106. Telephone (212) 757-0007 x 235; Fax (212) 757-0469; email: rjjs@selaw.com; www.selaw.com; www.ourlawfirm.com.

Occupation:

Composers -- 20th century  Search this

Topic:

Big bands  Search this

Pianists  Search this

Bandsmen -- 20th century  Search this

Jazz -- 20th century -- United States  Search this

Musicians -- 20th century  Search this

Music -- Performance  Search this

African American entertainers -- 20th century  Search this

African Americans -- History  Search this

Popular music -- 20th century -- United States  Search this

Music -- 20th century -- United States  Search this

African American musicians  Search this

Genre/Form:

Phonograph records

Papers

Photographic prints

Posters

Sound recordings

Scrapbooks -- 20th century

Music -- Manuscripts

Clippings

Awards

Audiotapes

Citation:

Duke Ellington Collection, Archives Center, National Museum of American History

Sponsor:

Processing and encoding partially funded by a grant from the Council on Library and Information Resources.

Identifier:

NMAH.AC.0301

See more items in:

Duke Ellington Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep850a376a1-6b6d-48bc-9076-cffef76fea2c

EDAN-URL:

ead_collection:sova-nmah-ac-0301