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Gene Davis papers, 1920-2000, bulk 1942-1990

Creator:
Davis, Gene, 1920-1985  Search this
Subject:
Naifeh, Steven  Search this
Davis, Douglas  Search this
Seitz, William Chapin  Search this
Davis, Florence  Search this
Thomas, Alma  Search this
North, Percy  Search this
Nordland, Gerald  Search this
Wall, Donald  Search this
Colby, Carl  Search this
Greenberg, Clement  Search this
McGowin, Ed  Search this
Baro, Gene  Search this
United States.Department of Agriculture  Search this
Type:
Sound recordings
Interviews
Video recordings
Topic:
Color-field painting  Search this
Artists' studios  Search this
Reporters and reporting  Search this
Painting, Modern  Search this
Record number:
(DSI-AAA_CollID)7153
(DSI-AAA_SIRISBib)209287
AAA_collcode_davigene
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209287
Online Media:

[Gene Baro : miscellaneous uncataloged material]

Author:
Baro, Gene  Search this
Smithsonian Libraries Art and Artist Files Collection DSI  Search this
Subject:
Baro, Gene  Search this
Physical description:
folders ; 25 x 38 cm
Type:
Mixed archival materials
Vertical files
Artist files
Call number:
AAF--Baro, Gene
Restrictions & Rights:
Photocopies of items in the folder(s) are available upon request, subject to fees and other current copyright guidelines for reproduction.
FOLDER(S) DO NOT CIRCUATE. FOLDERS MUST BE CONSULTED ON SITE
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_731943

Gene Davis papers

Creator:
Davis, Gene, 1920-1985  Search this
Names:
White House (Washington, D.C.)  Search this
Baro, Gene  Search this
Colby, Carl  Search this
Davis, Douglas  Search this
Davis, Florence  Search this
Greenberg, Clement, 1909-1994  Search this
McGowin, Ed, 1938-  Search this
Naifeh, Steven, 1952-  Search this
Nordland, Gerald  Search this
North, Percy, 1945-  Search this
Seitz, William Chapin  Search this
Thomas, Alma  Search this
Wall, Donald  Search this
Extent:
17.7 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Date:
1920-2000
bulk 1942-1990
Summary:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, as well as his career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.
Scope and Contents:
The papers of the artist Gene Davis measure 17.7 linear feet and date from 1920-2000, with the bulk of materials dating from 1942-1990. Papers document Davis's personal life and his career as an artist and educator, and to a lesser degree his early career as a journalist in the 1940s and 1950s, through biographical materials, correspondence, interviews, business records, estate records, writings by and about Gene Davis, printed materials concerning Davis's art career, personal and art-related photographs, and artwork by Davis and others.

Biographical materials include birth and death certificates, awards, biographical narratives by Gene Davis and others, CVs, résumés, personal documents from Davis's family and childhood, documents related to his work as a White House correspondent, documentation related to his death and memorial service, and papers for the family pets. A video documentary about Davis by Carl Colby is found on one videocassette.

Correspondence is mainly of a professional nature, and correspondents include gallery and museum curators, private art collectors, publishers, fellow artists, art educators, academics, and students. Letters document exhibitions, sales, book projects, teaching jobs, visits to studios, local art community events in the Washington, D.C. area, and other projects. Significant correspondents include Gene Baro, Douglas Davis, Clement Greenberg, Gerald Nordland, William Seitz, Alma Thomas, and Donald Wall. Interviews and lectures include sound recordings and transcripts. Many of the interviews were broadcast or published. Also found is a single lecture by Davis given in 1969 at the National Collection of Fine Arts, Smithsonian Institution, entitled "Contemporary Painting." Sound recordings are found for three of the interviews and for the lecture, on 4 sound reels and 1 sound cassette.

Business records include artwork documentation, price lists, sales records, contracts, financial and legal records, gallery and museum files documenting sales and exhibitions, records related to the construction of Davis's home studio in 1970, and a few teaching records. Estate records mainly reflect Florence Davis's efforts to document the works of her husband, and to manage their exhibition, promotion, and sale after his death in April 1985. Estate records include an inventory of artworks, documentation of gifts to museums, correspondence, legal, and financial records. Writings include notes, drafts of essays, artist statements, and articles by Davis, and many articles by others about Davis. Several of Davis's articles reflect specifically on the Washington, D.C. art scene. Also found are drafts of monographs on Davis including one by Donald Wall (1975) and one by Steven Naifeh (1982). Records of Naifeh's book also include photographs of all black and white and color plates from the published book. Among the writings are also notes and research files of Percy North, who worked on an update to Naifeh's 1982 bibliography after Davis's death.

Printed materials include annual reports of museums, published arts-related calendars, auction catalogs, brochures from organizations with which Davis had some affiliation, exhibition announcements and invitations, exhibition catalogs, magazine articles, newspaper clippings, newsletters, posters, press releases, and other published material. Photographs include personal photographs of Gene and Florence Davis and their families, portraits of Gene Davis, photographs of Gene Davis with artworks and working in the studio, Davis' art classes and students, installations of site-specific works, conceptual and video works, exhibition openings, and photographs of artwork, both installed in exhibitions and individually photographed. Found among the photographs are also four videocassettes documenting the Gene Davis retrospective as installed at the Smithsonian National Museum of American Art in 1987.

Artwork includes photographs, drawings, moving images, and documentation of conceptual art. Works by Davis include documentation of the 1969 "Giveaway" with Douglas Davis and Ed McGowin, "The Artist's Fingerprints Except for One which belongs to someone else," documentation of his "Air Displacement" happening, a short film entitled "Patricia," and a video entitled "Video Puzzle." Other moving images include four reels of film of Davis's stripe paintings, and other experiments with motion picture film and photographs.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1930-1987 (0.6 linear feet; Boxes 1, 17)

Series 2: Correspondence, 1943-1990 (1.7 linear feet; Boxes 1-3)

Series 3: Interviews and Lectures, 1964-1983 (0.3 linear feet; Box 3)

Series 4: Business and Estate Records, 1942-1990 (1.6 linear feet; Boxes 3-5, 17, OV 20)

Series 5: Writings, 1944-1990 (2 linear feet; Boxes 5-6, 17, OV 19)

Series 6: Printed Material, 1942-1990 (5.5 linear feet; Boxes 7-11, 17-18, OV 20, FC 35-37)

Series 7: Photographs, 1920-2000 (3.8 linear feet; Boxes 11-15, 17, OV 19)

Series 8: Artwork, 1930-1985 (2.2 linear feet; Boxes 15-16, 18, FC 21-34)
Biographical / Historical:
Gene Davis (1920-1985) was a Washington, D.C.-based artist and educator who worked in a variety of media, including painting, drawing, collage, video, light sculpture, and conceptual art. Davis is best known for his vertical stripe paintings and his association with the Washington Color School.

Davis was born in 1920 in Washington, D.C. and began his career as a writer. In his twenties he wrote pulp stories and worked as a journalist, reporting for United Press International and serving as a White House correspondent for Transradio Press Service during the Truman administration. Later, he worked in public relations for the Automobile Association of America. A self-taught artist, Davis began painting while still working full-time as a writer, influenced by the prevailing abstract expressionist artists of the time, his frequent visits to the Corcoran Gallery and Phillips Collection in Washington, D.C., and by his friend and mentor, Jacob Kainen. His first one-man show was held in the lobby of the Dupont Theater in Washington in 1952. He had a drawing accepted in the Corcoran Area Show in 1953, and won several local art prizes in the 1950s. He began showing work regularly in galleries around Washington, such as the Watkins Gallery at American University, the Gres Gallery, and the Henri Gallery, and had solo exhibitions at Jefferson Place Gallery in 1959 and 1961. Many of the painters who made up what became known as the Washington Color School also showed there, including Kenneth Noland, Howard Mehring, and Sam Gilliam. In 1965, the Washington Gallery of Modern Art held a seminal exhibition entitled Washington Color Painters, which included Davis, Noland, Mehring, Morris Louis, Thomas Downing, and Paul Reed.

Davis began showing outside of Washington regularly in the 1960s, including the Poindexter and Fischbach galleries in New York City, and in several important group shows at museums such as the Museum of Modern Art, the Whitney Museum, and the San Francisco Museum of Modern Art. He had three works shown in the 1964 exhibition Post-Painterly Abstraction, organized by the influential art critic Clement Greenberg at the Los Angeles County Museum of Art. In the late 1960s, he began teaching art classes at the Corcoran School, and spent the summer of 1969 as artist in residence at Skidmore College's "Summer in Experiment" program.

Davis experimented with form continuously throughout his career, including a period of conceptual work in the late 1960s. In 1969 he participated in the "Giveaway," organized by Douglas Davis and Ed McGowin, in which multiple copies of a Davis painting were given away to invited guests in a gesture intended to subvert the art market. Davis also began experimenting with scale, creating a series of tiny paintings he called "Micro-paintings," which were exhibited at Fischbach Gallery in 1968. Around this time he also began working with film and video, recruiting models from his art classes to enact tightly choreographed movement pieces that played with rhythm and interval. Convinced by a lawyer that his videos were a liability without having obtained releases from the models, Davis destroyed all but one of his video works. The surviving video, "Video Puzzle," shows a foreshortened view of a model on the floor of a gallery spelling out a statement by Clement Greenberg at predetermined intervals.

Davis made several large-scale site-specific works using the stripe motif in public places. The first of these was created in the Bal Harbour, Florida, Neiman Marcus department store in 1970. Later works included Franklin's Footpath, executed in the road leading to the Philadelphia Museum of Art in 1972, and Niagara (1979) at ArtPark in Lewistown, NY, promoted at the time as the largest painting in the world. Interior large-scale works were created twice at the Corcoran Gallery, with Magic Circle (1975) and Ferris Wheel (1982), both executed in the museum's rotunda. Black Yo-Yo was created for the Cranbrook Academy in 1980, and Sun Sonata (1983), an illuminated wall of colored liquid-filled tubes, was created as an architectural feature of the Muscarelle Museum of Art in Williamsburg, Virginia. Plans for an unexecuted work called "Grass Painting," for a site near the Kennedy Center in Washington, D.C., were exhibited in the 1974 "Art Now" festival.

In the late 1970s and 1980s Davis consistently exhibited his work in several solo gallery shows a year, and also had numerous solo exhibitions in major museums. A major exhibition, Recent Paintings, was organized by the Walker Art Center in 1978, and traveled to the Corcoran Gallery of Art in 1979. A drawing retrospective was held at the Brooklyn Museum of art in 1983, and the same year the Washington Project for the Arts organized an exhibition entitled Child and Man: A Collaboration, featuring drawings Davis made in response to childrens' drawings. Davis died suddenly in April 1985 at the age of 65, and a major retrospective of his work was held at the Smithsonian National Museum of American Art in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Gene Davis conducted by Estill Curtis Pennington on April 23, 1981. A transcript is available on the Archives of American Art website.
Provenance:
Donated 1981 by Gene Davis and 1986 by his wife, Florence. Additional material donated 1991 and 1993 from Smithsonian American Art Museum via a bequest to them from the Gene and Florence Davis estate. Much of the 1993 addition was assembled by art historian Percy North at the request of Florence Davis. An additional folder of photographs of Davis taken in 1969 but printed in 2000 was later added to the collection.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Gene Davis papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Reporters and reporting -- Washington (D.C.)  Search this
Video artists -- Washington, D.C.  Search this
Conceptual artists -- Washington, D.C  Search this
Collagists -- Washington, D.C  Search this
Topic:
Color-field painting -- Washington (D.C.)  Search this
Painters -- Washington (D.C.)  Search this
Painting, Modern -- 20th century -- Washington (D.C.)  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Sound recordings
Transcripts
Photographs
Interviews
Video recordings
Citation:
Gene Davis papers, 1920-2000, bulk 1942-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.davigene
See more items in:
Gene Davis papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-davigene
Online Media:

Baro, Gene

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 173, Folder 43
Type:
Archival materials
Date:
1973, 1976, 1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 11: Consignment Records / 11.2: Consignments from Other Galleries
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5221

Bend Sinister

Artist:
Kenneth Noland, American, b. Asheville, North Carolina, 1924–2010  Search this
Medium:
Acrylic on canvas
Dimensions:
92 1/2 x 162 1/2 in. (235 x 411.5 cm)
Type:
Painting
Date:
(1964)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.3879
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Washington Color School/Formalist Abstraction
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2e29818a2-2a62-419c-8a74-c15c1bbde787
EDAN-URL:
edanmdm:hmsg_66.3879

Painting (Circus Horse)

Artist:
Joan Miró, Spanish, b. Barcelona, 1893–1983  Search this
Medium:
Oil and pencil on burlap
Dimensions:
76 3/4 x 110 3/8 in. (195 x 280.2 cm)
Type:
Painting
Date:
1927
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1972
Accession Number:
72.202
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Surrealism (European)
On View:
Hirshhorn Museum & Sculpture Garden (Washington, DC), 2nd Floor
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py21943ba3e-4f56-4938-b25f-2db9f685ec5f
EDAN-URL:
edanmdm:hmsg_72.202

Baro, Gene (1969 January 9), Digital Audio Recording

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
0.297 Gigabytes (One computer file)
Container:
Folder ER06
Type:
Archival materials
Gigabytes
Date:
2018
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Ruth Bowman papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce her unpublished writings and related research materials requires written permission from Ruth Bowman, 200 East 66th Street, Apt. B-2101, New York, New York 10021.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / WNYC "Views on Art" Radio Program
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1896

Baro, Gene

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 34, Folder 35
Type:
Archival materials
Date:
1976, 1977
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Jacob Kainen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 4: Diaries / 4.2: Diary Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref1498

Baro, Gene (see also Brooklyn Museum)

Collection Creator:
Kainen, Jacob  Search this
Kainen, Ruth Cole.  Search this
Container:
Box 2, Folder 26
Type:
Archival materials
Date:
1974-1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Jacob Kainen papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Kainen papers
Jacob Kainen papers / Series 2: Correspondence/Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kainjaco-ref57

Baro, Gene

Collection Creator:
Greenberg, Clement, 1909-1994  Search this
Container:
Box 1, Folder 62
Type:
Archival materials
Date:
1966-1968
Collection Restrictions:
Use of original papers requires an appointment. Some of the collection is ACCESS RESTRICTED: documents relating to the estate of David Smith; some correspondence with Peter Fuller, Nuala O'Faolain, and the Greenberg family; and sale and loan agreements. Contact the reference staff for more information about permission to use this portion of the collection.
Collection Rights:
The Clement Greenberg papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
The Clement Greenberg papers, 1937-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Clement Greenberg papers
Clement Greenberg papers / Series 3: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-greeclep-ref82

Baro, Gene

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
1 Sound tape reel
Container:
Box 16, Folder 6
Type:
Archival materials
Sound tape reels
Date:
1969 January 9
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Ruth Bowman papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce her unpublished writings and related research materials requires written permission from Ruth Bowman, 200 East 66th Street, Apt. B-2101, New York, New York 10021.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / WNYC "Views on Art" Radio Program
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1013

Gene Baro, 1924-1982 [Folder]

Additional name:
Baroff, Eugene  Search this
Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_9495

Robert Gordy, paintings & drawings, 1960-1980 / by Gene Baro

Author:
Baro, Gene  Search this
Gordy, Robert 1933-  Search this
New Orleans Museum of Art  Search this
Subject:
Gordy, Robert 1933-  Search this
Physical description:
112 p. : ill. (some col.) ; 24 cm
Type:
Books
Exhibitions
Date:
1981
Call number:
N40.1.G656 B2
N40.1.G656B2
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_141891

Paul Feeley : painting and sculpture / introduction by Lane Relyea and texts by Lawrence Alloway and Gene Baro

Author:
Feeley, Paul 1910-1966  Search this
Alloway, Lawrence 1926-1990  Search this
Baro, Gene  Search this
Matthew Marks Gallery  Search this
Lawrence Markey (Gallery)  Search this
Subject:
Feeley, Paul 1910-1966  Search this
Physical description:
112 p. : ill. (some col.) ; 23 cm
Type:
Books
Exhibitions
Date:
2002
C2002
Call number:
N6537.F35 A4 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_748058

Peter Milton : drawing toward etching / Gene Baro

Author:
Baro, Gene  Search this
Milton, Peter 1930-  Search this
Brooklyn Museum  Search this
Subject:
Milton, Peter 1930- Exhibitions  Search this
Physical description:
19 p. : ill., port. ; 23 cm
Type:
Books
Date:
1980
[1980]
Call number:
NE2012.M54 A4 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_643699

Twenty-first National Print Exhibition / by Gene Baro

Author:
Baro, Gene  Search this
Brooklyn Museum  Search this
Physical description:
204 p. : ill. ; 24 cm
Type:
Exhibitions
Place:
United States
Date:
1978
C1978
20th century
Topic:
Prints, American  Search this
Prints  Search this
Call number:
NE508 .B28
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_644435

Misch Kohn, the California years / Gene Baro ; The Brooklyn Museum

Author:
Baro, Gene  Search this
Kohn, Misch 1916-  Search this
Brooklyn Museum  Search this
Subject:
Kohn, Misch 1916- Exhibitions  Search this
Physical description:
24 p. : ill. ; 23 cm
Type:
Books
Date:
1981
C1981
Call number:
NE539.K6 A4 1981
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_652886

Juan Gonzalez

Author:
González, Juan 1942-1993  Search this
Baro, Gene  Search this
Frances Wolfson Art Gallery  Search this
Subject:
González, Juan 1942-1993  Search this
Physical description:
[24] p. : ill. ; 26 cm
Type:
Books
Exhibitions
Date:
1980
C1980
Call number:
N40.1.G6149 F73 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_692039

Twenty-second National Print Exhibition / Gene Baro

Title:
22nd National Print Exhibition
Author:
National Print Exhibition (22nd : 1981 : Brooklyn Museum)  Search this
Baro, Gene  Search this
Brooklyn Museum  Search this
Physical description:
100 p. : ill. ; 24 cm
Type:
Exhibitions
Place:
United States
Date:
1981
C1981
20th century
Topic:
Prints, American  Search this
Prints  Search this
Call number:
NE508 .N3 1981
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_501109

Misch Kohn : the California years / Gene Baro, the Brooklyn Museum

Author:
Baro, Gene  Search this
Kohn, Misch 1916-  Search this
Brooklyn Museum  Search this
Subject:
Kohn, Misch 1916- Exhibitions  Search this
Physical description:
24 p. : ill. (some col.) ; 23 cm
Type:
Books
Date:
1981
C1981
Call number:
N40.1.K79 B2 1981
N40.1.K79B2 1981
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_388471

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