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Gallery 256 records

Creator:
Gallery 256 (Provincetown, Mass.)  Search this
Names:
Barnet, Will, 1911-2012  Search this
Botkin, Henry, 1896-1983  Search this
Browne, Byron, 1907-1961  Search this
Busa, Peter, 1914-1985  Search this
Campbell, Kenneth, 1913-  Search this
Candell, Victor, 1903-1977  Search this
Clendenin, Eve, 1900-  Search this
Kupferman, Lawrence Edward, 1909-1982  Search this
Manso, Leo  Search this
Moy, Seong  Search this
Nevelson, Louise, 1899-1988  Search this
Schwartz, Therese, 1927-  Search this
Stout, Myron, 1908-1987  Search this
Von Wicht, John, 1888-1970  Search this
Woodruff, Hale, 1900-1980  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1953-1955
Scope and Contents:
The scattered records of the Provincetown, Massachusetts cooperative art gallery Gallery 256 measure 0.2 linear feet and date from its founding in 1953 to its closing in 1955. Included are: a list of addresses of members Will Barnet, Henry A. Botkin, Byron Browne, Peter Busa, Kenneth Campbell, Victor Candell, Eve Clendenin, Lawrence Kupferman, Leo Manso, Seong Moy, Louise Nevelson, Therese Schwartz, Myron S. Stout, John Von Wicht and Hale Woodruff; a statement regarding the legal status of "group 256" as a voluntary association and its relationship to "gallery 256"; an account book of members' expenses, dues and commissions, 1954; a ledger of sales and attendance; a bank checkbook and deposit slip, 1954-1955; 4 cancelled checks; 2 invoices, 1955; 2 financial statements of receipts and disbursements, 1954; an attendance book containing names and addresses; and a file on Louise Nevelson containing a magazine clipping, and an exhibition announcement, both of 1954, and 1 photograph of each of the following sculptures: "The Figure that Walked on the Mt. Tops," "Figure from the Great Beyond," "Portrait of a Friend," and "Ancient Cat Form."
Biographical / Historical:
Gallery 256 (est. 1953-closed 1955) was a cooperative art gallery in Provincetown, Mass.
Provenance:
The donor, Myron Stout, was the secretary of Gallery 256.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Artist-run galleries  Search this
Identifier:
AAA.gall256
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gall256

Waldorf panel on sculpture

Creator:
Waldorf panel on sculpture (1965 : New York, N.Y.)  Search this
Names:
Agostini, Peter  Search this
Barnet, Will, 1911-2012  Search this
De Kooning, Elaine  Search this
Ferber, Herbert, 1906-1991  Search this
Ferren, John, 1905-1970  Search this
Judd, Donald, 1928-1994  Search this
Kiesler, Frederick  Search this
Lassaw, Ibram, 1913-2003  Search this
Mallary, Robert, 1917-1997  Search this
Marsicano, Nicholas, 1908-1991  Search this
Nevelson, Louise, 1899-1988  Search this
Noguchi, Isamu, 1904-1988  Search this
Oldenburg, Claes, 1929-  Search this
Pavia, Philip, 1915-2005  Search this
Reinhardt, Ad, 1913-1967  Search this
Rosenthal, Rachel, 1926-  Search this
Schwartz, Sal  Search this
Segal, George, 1924-2000  Search this
Slivka, David, 1913-  Search this
Wines, James, 1932-  Search this
Extent:
6 sound tapes ((partially transcribed), 7 in.)
Type:
Collection descriptions
Archival materials
Sound tapes
Sound recordings
Interviews
Date:
1965 February 17 and March 17
Scope and Contents:
A two part panel discussion on sculpture (6 7" tapes), partially transcribed on 141 pages. Participants are Peter Agostini, Will Barnet, Elaine De Kooning, Herbert Ferber, John Ferren, Donald Judd, Frederick Kiesler, Ibram Lassaw, Robert Mallary, Nicholas Marsicano, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Philip Pavia (organizer), Ad Reinhardt, Rachel Rosenthal, Sal Schwartz, George Segal, David Slivka, and James Wines.
Biographical / Historical:
The Waldorf Panel on Sculpture was organized by Philip Pavia, who chose the name in homage to the informal artists' discussions held at the Waldorf Cafeteria on 6th St. in the early to mid 1940s, and which later formed the nucleus to the artists' group known as the Club.
Provenance:
Provenance unknown.
Restrictions:
Use of original recordings requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- United States  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Sculpture, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.waldpane
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waldpane

Anne Bowen Parsons collection of interviews on art

Interviewer:
Parsons, Anne Bowen  Search this
Names:
Artists' Union (New York, N.Y.)  Search this
Club (New York, N.Y.)  Search this
Federal Art Project  Search this
Baker, Mildred, 1905-  Search this
Barnet, Will, 1911-2012  Search this
Benson, Emanuel, 1904-1971  Search this
Brooks, James, 1906-1992  Search this
Burlin, Paul, 1886-1969  Search this
Cavallon, Giorgio, 1904-1989  Search this
De Kooning, Willem, 1904-1997  Search this
Ernst, Jimmy, 1920-1984  Search this
Geist, Sidney  Search this
Gottlieb, Adolph, 1903-1974  Search this
Greene, Balcomb, 1904-1990  Search this
Gwathmey, Robert, 1903-1988  Search this
Hacker, Seymour  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Kadish, Reuben, 1913-1992  Search this
Krasner, Lee, 1908-1984  Search this
Lasker, Joe  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Jack, 1915-2010  Search this
Marca-Relli, Conrad, 1913-2000  Search this
McNeil, George, 1908-1995  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Morris, George L. K., 1905-1975  Search this
Nakian, Reuben, 1897-1986  Search this
Pavia, Philip, 1915-2005  Search this
Schanker, Louis, 1903-1981  Search this
Shahn, Ben, 1898-1969  Search this
Stamos, Theodoros, 1922-1997  Search this
Thaw, Eugene Victor  Search this
Tworkov, Jack  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
30 Items (transcripts)
Type:
Collection descriptions
Archival materials
Interviews
Date:
1967-1968
Scope and Contents:
The interviews are of artists, educators, art administrators, and dealers. Topics covered include the Federal Art Project, the Artists' Union, the Club, the influence of French emigre artists, and political activism among artists. The transcripts range from 1 to 4 pages in length.
Interviewees include: Mildred Baker, Will Barnet, Emanuel Benson, James Brooks, Paul Burlin, Giorgio Cavallon, Willem de Kooning, Jimmy Ernst, Sidney Geist, Adolph Gottlieb, Balcomb Greene, Robert Gwathmey, Seymour Hacker, Carl Holty, Harry Holtzman, Reuben Kadish, Lee Krasner, Joe Lasker, Ibram Lassaw, Jack Levine, Conrad Marca-Relli, George McNeil, Dorothy Canning Miller, George L.K. Morris, Reuben Nakian, Phillip Pavia, Louis Schanker, Ben Shahn, Theodoros Stamos, Eugene Victor Thaw, Jack Tworkov, and Esteban Vincente.
Provenance:
Donated in 1985 by Anne Bowen Parsons' son, Randall T. Parsons.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, American  Search this
Art and state  Search this
Artists -- Interviews  Search this
Art dealers -- Interviews  Search this
Art teachers -- Interviews  Search this
Museum curators -- Interviews  Search this
Museum directors -- Interviews  Search this
Painters -- Interviews  Search this
Printmakers -- Interviews  Search this
Publishers -- Interviews  Search this
Sculptors -- Interviews  Search this
Genre/Form:
Interviews
Identifier:
AAA.parsanne
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parsanne

Will Barnet gallery showing at Hirschl and Adler

Creator:
Barnet, Will, 1911-2012  Search this
Subject:
Hirschl & Adler Galleries  Search this
Type:
Motion Picture Film
Date:
circa 1966
Topic:
Art gallery  Search this
Record number:
(DSI-AAA)20742
See more items in:
Will Barnet papers, 1897
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_20742

John Von Wicht to Will Barnet

Creator:
Von Wicht, John, 1888-1970  Search this
Barnet, Will, 1911-2012  Search this
Type:
Correspondence
Date:
1956 August 14
Record number:
(DSI-AAA)5715
See more items in:
Will Barnet papers, 1897
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5715

Oral history interview with Will Barnet, 1968 January 15

Interviewee:
Barnet, Will, 1911-2012  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
American Abstract Artists  Search this
Art Students League (New York, N.Y.)  Search this
Cooper Union Museum for the Arts of Decoration  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Art, Modern -- 20th century -- United States  Search this
Politics in art -- United States  Search this
Surrealism -- Influence  Search this
Art teachers -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12742
(DSI-AAA_SIRISBib)211999
AAA_collcode_barnet68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211999

Oral history interview with Will Barnet, 1964 January 20-1964 February 17

Interviewee:
Barnet, Will, 1911-2012  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Art, American  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13072
(DSI-AAA_SIRISBib)214610
AAA_collcode_barnet64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214610

Oral history interview with Will Barnet, 1993 April 9

Interviewee:
Barnet, Will, 1911-2012  Search this
Interviewer:
Polcari, Stephen  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12011
(DSI-AAA_SIRISBib)215753
AAA_collcode_barnet93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215753
Online Media:

Will Barnet papers, 1897

Creator:
Barnet, Will, 1911-2012  Search this
Subject:
Booth, Cameron  Search this
Pearson, Henry  Search this
Savelli, Angelo  Search this
Sternberg, Harry  Search this
Barnet, Peter. Will Barnet: artist and teacher  Search this
Von Wicht, John  Search this
Art Students League (New York, N.Y.)  Search this
Waddell Gallery  Search this
Esther-Robles Gallery  Search this
Type:
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Topic:
Painters -- New York (State) -- New York  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Printmakers -- New York (State) -- New York  Search this
Art teachers  Search this
Record number:
(DSI-AAA_CollID)8871
(DSI-AAA_SIRISBib)211056
AAA_collcode_barnwill
Theme:
Sketches & Sketchbooks
Art Theory and Historiography
Lives of American Artists
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211056
Online Media:

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Jack Levine papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijack
Online Media:

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
Online Media:

Oral history interview with Mischa Richter

Topic:
New masses
New Yorker (New York, N.Y. : 1925)
Interviewee:
Richter, Mischa, 1910-2001  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Museum of Fine Arts, Boston. School  Search this
Yale University. School of Fine Arts  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Levine, Jack, 1915-2010  Search this
Reinhardt, Ad, 1913-1967  Search this
Steig, William, 1907-  Search this
Zimmerman, Harold K., 1905-1941  Search this
Extent:
3 Items (sound cassettes 2 hr., 43 min.), analog.)
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1994 September 27-28
Scope and Contents:
An interview with Mischa Richter conducted 1994 September 27-28, by Robert F. Brown, for the Archives of American Art.
Richter tells of his life as the only child of a prosperous Jewish family in Kharkov, Ukraine, where he showed early precocity in drawing. He remembers the Russian Revolution, being taken to Poland in 1921, and then in 1922 to New York and Boston. He discusses his education in Boston, including drawing lessons with Harold Zimmerman at which he got to know Hyman Bloom and Jack Levine; and classes at the Museum School in Boston from 1929 to 1930.
He speaks of his long-time friendship with Will Barnet, attending Yale School of Fine Arts, 1930-1934, and painting a WPA mural for the Boston Boys Club in 1935. He remembers meeting Will Steig, deciding to become a cartoonist, and selling enough drawings to leave the WPA to work as art editor for "The New Masses," where he became close friends with Ad Reinhardt. He discusses becoming a contract cartoonist in 1940 for "The New Yorker;" his avoidance of art dealers, because they demand steady production yet have no known goals, unlike a magazine; his abhorrence of taking himself, or others, too seriously; the perils of early success and the pettiness of many matters in the art community of Provincetown, Mass.; and the nature of his paintings.
Biographical / Historical:
Mischa Richter (1910-2001) was a painter and cartoonist from New York, N.Y. and Provincetown, Mass. Richter was born in the Ukraine. He came to the United States in 1922, attending special art classes for gifted students at the Museum of Fine Arts, Boston, and subsequently graduating from the Yale School of Fine Arts in 1934. After working on the WPA art project as a mural painter in New York, he turned to cartooning, doing editorial and humorous cartoons for the daily newspaper, PM, and then becoming art editor for the New Masses. In 1941 he began his longtime affiliation with the New Yorker, as well as producing daily panels, "Strictly Richter" and "Bugs Baer" for King Features. In the 1970s and 1980s, Richter did numerous drawings for the OpEd page of the New York Times. Died March 23, 2001, at age 90.
General:
Sound quality is poor.
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 43 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Cartooning  Search this
Jewish artists -- Interviews  Search this
Painters -- Massachusetts -- Provincetown -- Interviews  Search this
Cartoonists -- Massachusetts -- Provincetown -- Interviews  Search this
Magazine illustration -- 20th century  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.richte94
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richte94

Oral history interview with Sylvan Cole

Interviewee:
Cole, Sylvan  Search this
Interviewer:
Berman, Avis  Search this
Names:
Associated American Artists  Search this
Barnet, Will, 1911-2012  Search this
Drewes, Werner, 1899-1985  Search this
Florsheim, Richard A., 1916-1979  Search this
Frankenthaler, Helen, 1928-2011  Search this
Hockney, David  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Johnson, Una E.  Search this
Kainen, Jacob  Search this
Levine, Jack, 1915-2010  Search this
Lewenthal, Reeves, 1909-1987  Search this
Lieberman, William Slattery, 1924-  Search this
Motherwell, Robert  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
83 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2000 June-October
Scope and Contents:
An interview of Sylvan Cole conducted 2000 June-October, by Avis Berman, for the Archives of American Art.
The interviews took place over five sessions in New York, New York. Cole discusses the history of Associated American Artists, the gallery for whom he began working in 1946, and its marketing techniques, customer base, and personalities, such as its founder, Reeves Lewenthal. He also traces his own development as a dealer in prints after he left AAA and recalls many artists and other figures in the art world, including Will Barnet, Werner Drewes, Richard Florsheim, Helen Frankenthaler, David Hockney, Hans Hofmann, Edward Hopper, Una Johnson, Jacob Kainen, Jack Levine, William S. Lieberman, Robert Motherwell, and Raphael Soyer.
Biographical / Historical:
Sylvan Cole (1918-2005) was an art dealer and writer of New York, New York.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 7 hr., 6 min.
Sound quality is fair; beginning and endings of tapes tend to be garbled and low.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Prints -- Marketing  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cole00
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cole00

Oral history interview with Will Barnet

Interviewee:
Barnet, Will, 1911-2012  Search this
Interviewer:
Baker, Richard Brown  Search this
Extent:
216 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 January 20-1964 February 17
Scope and Contents:
An interview of Will Barnet conducted 1964 January 20-1964 February 17, by Richard Brown Baker, for the Archives of American Art.
Biographical / Historical:
Will Barnet (1911-2012) is a painter and printmaker from New York, New York.
General:
Originally recorded 3 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 10 hr., 37 min.
Partially transferred from original acetate tape reels.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Art, American  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barnet64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barnet64

Oral history interview with Will Barnet

Interviewee:
Barnet, Will, 1911-2012  Search this
Interviewer:
Polcari, Stephen  Search this
Extent:
1 Sound cassette (Sound recording, analog)
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1993 April 9
Scope and Contents:
An interview of Will Barnet conducted 1993 April 9, by Stephen Polcari, for the Archives of American Art, in Barnet's studio, at 15 Gramercy Park, New York. Barnet talks about his education at the Boston Museum School and the Art Students League; art education after the Abstract Expressionists; the development of his own work between the 1930's and the 1970's; his involvement with the Indian Space movement; and his work with the Florsheim and Elizabeth Foundations and the Creative Artists Network.
Biographical / Historical:
Will Barnet (1911- ) is a painter and printmaker from New York, New York.
General:
Originally recorded 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 28 min.
Sound quality is poor.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Horace N. Goldsmith Foundation.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.barnet93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barnet93

Waddell Gallery records

Creator:
Waddell Gallery  Search this
Names:
Art Dealers Association of America  Search this
Finch College. Museum of Art  Search this
Whitney Museum of American Art  Search this
Abrams, Harry N.  Search this
Barnet, Will, 1911-2012  Search this
Baschet, Bernard  Search this
Baschet, Francois, 1920-2014  Search this
Bergmann-Michel, Ella, 1896-1972  Search this
Canaday, John, 1907-1985  Search this
Clague, John, 1928-  Search this
Costa, Toni, 1935-  Search this
Dallègret, François, 1937-  Search this
Franck, Frederick, 1909-  Search this
Genauer, Emily, 1910-2002  Search this
Giobbi, Edward  Search this
Harloff, Guy, 1933-  Search this
Healey, John, b. 1894  Search this
Hein, Piet, 1905-  Search this
Hoeydonck, Paul van, 1925-  Search this
Jacquet, Alain, 1939-  Search this
Kanovitz, Howard  Search this
Kawashima, Takeshi, 1930-  Search this
Liikala, Bob  Search this
Lucien, Frank  Search this
Machlin, Sheldon M., 1918-1975  Search this
Mallory, Ronald  Search this
Michel, Robert, 1897-1983  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Mueller, George Ludwig, 1929-  Search this
Neuberger, Roy R.  Search this
Nicola, 1934-  Search this
Perry, Charles O., 1929-  Search this
Reiback, Earl  Search this
Scarfe, Gerald  Search this
Schoffer, Nicolas, 1912-  Search this
Simons, Vera  Search this
Ungerer, Tomi, 1931-  Search this
Vansier, Boris  Search this
Waddell, Richard H., d. 1974  Search this
Wise, Howard  Search this
Extent:
6.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Date:
1961-1978
Summary:
The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.
Scope and Contents:
The records of the Waddell Gallery, a contemporary art gallery that was located in New York City, date from 1961 to 1978 and measure 6.5 linear feet. The records include administrative files, correspondence, artists' files, and sales and stock records.

Administrative files consist of employment applications, event guest lists, leases and agreements, printed materials, publicity, schedules, typography samples, and scattered photographs of Richard Waddell with curator Dorothy Miller, artists Francois Baschet and Will Barnet, and art dealer Howard Wise.

Correspondence is with art collectors, art critics, art writers, organizations, colleges and museums, publications, and others. Correspondents include Harry Abrams, Art Dealers Association, John Canaday, Finch College Museum of Art, Frank Lucien, Emily Genauer, Roy Neuberger, Howard Wise, Whitney Museum, among many others.

Artists' files also include correspondence, in addition to printed materials, shipping and loan information, photographs, exhibition material, and resumes. Files are found for Will Barnet, Bernard Baschet, John Clague, Toni Costa, Francois Dallegret, Frederick Franck, Edward Giobbi, Guy Harloff, John Healey, Piet Hein, Alain Jacquet, Howard Kanovitz, Aleksandra Kasuba, Takeshi Kawashima, Bob Liikala, Sheldon Machlin, Ronald Mallory, Robert Michel and Ella Bergmann, George Mueller, Nicola, Charles Perry, Earl Reiback, Gerald Scarfe, Nicolas Schöffer, Vera Simons, Paul Van Hoeydonck, Boris Vansier, and Tomi Ungerer, among others.

Sales and stock records include appraisal documentation, inventories, price lists, shipping information and index cards and bound volumes of sales records, including a sales record of Andrew Wyeth's Uprooted Tree.
Arrangement:
The collection is arranged as 4 series.

Series 1: Administrative Files, 1966-1973 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1963-1973 (1.0 linear feet; Boxes 1-2)

Series 3: Artists' Files, 1961-1978 (3.2 linear feet; Boxes 2-5, OV 8)

Series 4: Sales and Stock Records, 1964-1973 (2.1 linear feet; Boxes 5-7)
Biographical / Historical:
The Waddell Gallery was established in 1963 by Richard Hughes Waddell in New York City, New York. The gallery represented contemporary American and European artists, notably Will Barnet. The gallery operated on 15 East 57th Street and later on 50 West 57th Street until 1973, one year before Waddell's untimely death in 1974. The gallery focused on representing contemporary American and European artists such as Will Barnet, Francois Dallegret, Edward Giobbi, Sheldon Machlin, and Paul Van Hoeydonck. Additionally, Waddell held benefits to support civil rights and served as a trustee of the Tuskegee Institute.
Provenance:
The Waddell Gallery records were donated in 1977 by the Estate of Richard Waddell, through Richard's father, Chauncey L. Waddell and brother, Theodore Waddell and in 1986 by Louise Tolliver Deutschman, former director of the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Waddell Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art critics  Search this
Art, Modern -- 20th century  Search this
Genre/Form:
Gallery records
Citation:
Waddell Gallery records, 1961-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.waddgall
See more items in:
Waddell Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waddgall
Online Media:

Dorothy and Herbert Vogel papers

Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Names:
Kunsthalle Bielefeld  Search this
Andre, Carl, 1935-  Search this
Antonakos, Stephen, 1926-2013  Search this
Artschwager, Richard, 1923-  Search this
Aycock, Alice  Search this
Barnet, Will, 1911-2012  Search this
Bochner, Mel, 1940-  Search this
Cadere, André, 1934-1978  Search this
Chernow, Ann, 1936-  Search this
Christo, 1935-  Search this
Cyphers, Peggy, 1954-  Search this
DeMonte, Claudia, 1947-  Search this
Francisco, Richard, 1942-  Search this
Graham, Dan, 1942-  Search this
Groth, Jan, 1938-  Search this
Hazlitt, Don, 1948-  Search this
Highstein, Jene, 1942-2013  Search this
Jean-Claude, Martha, 1919-2001  Search this
Kawara, On  Search this
LeWitt, Sol, 1928-2007  Search this
Mangold, Robert, 1937-  Search this
Mangold, Sylvia Plimack, 1938-  Search this
Pozzi, Lucio, 1935-  Search this
Renouf, Edda  Search this
Ryman, Robert, 1930-  Search this
Schultz, Barbara  Search this
Seawright, Sandy  Search this
Tabler, Bernadine  Search this
Taschler, Lori, 1959-  Search this
Tuttle, Richard, 1941-  Search this
Umlauf, Lynn  Search this
Extent:
47.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1960s-2009
Summary:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.
Scope and Contents:
The papers of contemporary art collectors Dorothy and Herbert Vogel measure 47.5 linear feet and date from the 1960s to 2009. Found is scattered general correspondence, artists' files, subject files, business records, and printed material relating to the Vogel Collection. Artists' and subject files create the bulk of the collection, the majority of which is printed material but includes some correspondence from artists.

Scattered general correspondence is with friends, acquaintances, and corporate entities.

Files for artists represented in the Vogel Collection include Carl Andre, Stephen Antonakos, Richard Artschwager, Alice Aycock, Will Barnet, Mel Bochner, Andre Cadere, Ann Chernow, Christo and Jeanne-Claude, Peggy Cyphers, Claudia DeMonte, Richard Francisco, Dan Graham, Jan Groth, Don Hazlitt, Jene Highstein, On Kawara, Sol Lewitt, Sylvia and Robert Mangold, Lucio Pozzi, Edda Renouf, Robert Ryman, Barbara Schultz, Lori Taschler, Richard Tuttle, and Lynn Umlauf among many others. Materials within artists' files may include printed material, correspondence, writings and notes, and scattered business records.

Subject files are found for Dorothy and Herbert Vogel's friends and colleagues within the art world including art historians, writers, gallerists, dealers, and collectors. Extensive letters are from Sandy Seawright and Bernadine Tabler. Exhibition related materials are found among the files.

Scattered business records of the Vogel Collection document exhibitions of the collection at U.S. institutions and at the Kunsthalle Bielefeld Museum in Germany.

Printed materials include clippings, posters, and exhibition catalogs and announcements.
Arrangement:
The collection is arranged as 5 series:

Series 1: Correspondence, 1971-1987 (0.3 linear feet; Box 1)

Series 2: Artists' Files, 1963-2009 (30.4 linear feet; Boxes 1-31)

Series 3: Subject Files, 1969-2008 (9.8 linear feet; Boxes 31-41)

Series 4: Vogel Collection Business Records, 1974-1988 (0.3 linear feet; Box 41)

Series 5: Printed Material, 1960s-2000s (6.7 linear feet; Boxes 41-47, OV48-58)
Biographical / Historical:
Dorothy (1935- ) and Herbert Vogel (1922-2012) were contemporary art collectors in New York City, New York. The middle-class couple bought and collected art for forty-five years and amassed an extensive collection.

A life-long New Yorker, Herbert Vogel was born in 1922 and dropped out of school to work in a garment factory. After joining the U.S. Army, Vogel became a postal clerk and began to frequent Greenwich Village's Cedar Bar, a popular bar of the arts crowd. Vogel developed a deep appreciation for art and for the artists themselves.

In 1960, he met librarian Dorothy Faye Hoffman and they quickly fell in love. During their honeymoon, they visited the National Gallery of Art in Washington, D.C. Dorothy and Herb's first purchase was a sculpture by John Chamberlain. On their civil servant salary, the Vogels continued to collect and purchase art, beginning with young artists of the 1960s and 1970s while bypassing the dealer system of the New York City art scene. The result was a collection of 5,000 pieces which had to fit in their one-bedroom apartment.

In 1992, the Vogels donated the bulk of their collection to the National Gallery of Art, with fifty pieces intended to go to a museum or institution in each of the United States. Herbert Vogel died in 2012 in Manhattan and is survived by Dorothy.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 2435) including three notebooks containing clippings, articles, press releases, exhibition catalogs and announcements. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Dorothy and Herbert Vogel donated their papers in several accretions from 1980 to 2009 and lent three notebooks for microfilming in 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Dorothy and Herbert Vogel papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- Collectors and collecting -- New York (State) -- New York  Search this
Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vogedoro
See more items in:
Dorothy and Herbert Vogel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vogedoro
Online Media:

Susan Conway Gallery records

Creator:
Susan Conway Gallery (Washington, D.C.)  Search this
Names:
Susan Conway Conservation Studio  Search this
Aho, Eric, 1966-  Search this
Barnet, Will, 1911-2012  Search this
Baskin, Leonard, 1922-2000  Search this
Dehner, Dorothy, 1901-1994  Search this
Doyle, Mary Ellen, 1938-  Search this
Honeycutt, Brece  Search this
Merrill, Ross M.  Search this
Natzler, Gertrud  Search this
Natzler, Otto  Search this
Oliphant, Pat, 1935-  Search this
Scott, Sam  Search this
Sorel, Edward, 1929-  Search this
Extent:
23.9 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Visitors' books
Date:
circa 1928, 1940s-2003
bulk 1987-2003
Summary:
The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.
Scope and Contents:
The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

The exhibitions and sales of artwork by artists represented by the gallery are documented through biographies, correspondence, exhibition printed materials, newspaper clippings, notes, price lists, photographs and slides, sales invoices, and shipping records. Artists of interest include Eric Aho, Will Barnet, Leonard Baskin, Dorothy Dehner, Mary Ellen Doyle, Brece Honeycutt, Ross M. Merrill, Otto and Gertrud Natzler, Sam Scott and Edward Sorel. Sales records can also be found in Client Files, along with correspondence with individual clients and galleries, notes, and shipping records.

Nearly half of the collection documents the exhibitions, loans, promotion and sales of Patrick Oliphant's artwork. Materials found include contracts, correspondence with galleries, museums, and clients, exhibition printed materials, notes, scattered photographs, price lists, proposals, sales invoices, and shipping records. Much of the material relates to Oliphant's numerous traveling exhibitions, including "Oliphant: The New World Order in Drawing and Sculpture," "Oliphant's Presidents: 25 Years of Caricatures," and "Seven Presidents."

Administrative and Miscellaneous Records includes records related to the daily operation of the gallery space and promotion of the gallery, such as contracts, a guest book, documents created for Conway's public talks, scattered documentation regarding gifts of artwork, and other miscellaneous records.

The bulk of the printed materials are Susan Conway Gallery exhibition announcements. Also found are some catalogs, clippings and a brochure. The records of the Susan Conway Conservation Studio include condition reports, correspondence with clients, notes, and photographs and slides of artwork.

None of the gallery records of the Santa Fe location are included in this collection. The outlying dates of this collection include older photographs and a negative found in the Artists' Files.
Arrangement:
The collection is arranged as 7 series.

Series 1: Artists' Files, circa 1928, circa 1940s-2003 (7.6 linear feet; Boxes 1-8, 26, OV 27, ER01; 0.001 GB)

Series 2: Client Files, 1987-2003 (1.85 linear feet; Boxes 8-10, 26)

Series 3: Exhibition and Loan Files, 1987-2003 (0.85 linear feet; Boxes 10-11)

Series 4: Records Regarding Patrick Oliphant, 1976-2003 (11.5 linear feet; Boxes 11-22, 26, OV 27, ER02; 0.001 GB)

Series 5: Administrative and Miscellaneous Records, 1978-2003 (0.5 linear feet; Box 22)

Series 6: Printed Materials, 1987-2002 (0.4 linear feet; Box 23, OV 27)

Series 7: Susan Conway Conservation Studio Records, before 1970s-1993 (1.2 linear feet; Boxes 23-26)
Biographical / Historical:
The Susan Conway Gallery was founded by Susan Conway in the Georgetown neighborhood of Washington, D.C., in 1987. In 1991, the gallery relocated in Georgetown to the Glackens House, former home of painter William Glackens. In 1998, Conway opened a second location in Santa Fe, New Mexico. Prior to opening the gallery, Conway ran her own fine arts conservation studio.

The gallery represents modern and contemporary artists including Eric Aho, Will Barnet, Leonard Baskin, Dorothy Dehner, Mary Ellen Doyle, Brece Honeycutt, Ross M. Merrill, Otto and Gertrud Natzler, Sam Scott and Edward Sorel. The gallery is also the sole fine arts representative of sculpture, painting, and drawings by Patrick Oliphant, a Pulitzer Prize winning political cartoonist.
Provenance:
The Susan Conway Gallery records were donated by Susan Conway in 2004 and 2007.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Susan Conway Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- Washington (D.C.)  Search this
Genre/Form:
Photographs
Visitors' books
Citation:
Susan Conway Gallery records, circa 1928, circa 1940s-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.susacong
See more items in:
Susan Conway Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-susacong
Online Media:

Bertha Schaefer papers and gallery records

Creator:
Schaefer, Bertha, 1895-1971  Search this
Names:
Bertha Schaefer Gallery (New York, N.Y.)  Search this
New Bertha Schaefer Gallery (New York, N.Y.)  Search this
Barnet, Will, 1911-2012  Search this
Ben-Zion  Search this
Duchamp, Marcel, 1887-1968  Search this
Greene, Balcomb, 1904-1990  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Reinhardt, Ad, 1913-1967  Search this
Vasilieff, Nicholas  Search this
Zóbel, Fernando  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketches
Photographs
Date:
1909-1975
bulk 1940-1965
Summary:
The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks.
Scope and Contents:
The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks. Also found here are oversized blue prints and sketched plans of interior design projects, as well as a number of oversized photographic prints and stereo slides. Correspondence contains handwritten notes by many notable artists, including Marcel Duchamp, Pablo Picasso, Jackson Pollock, Ad Reinhardt, and Fernando Zobel, with a bulk of the letters from Balcomb Greene.

Separated into three series, the Bertha Schaefer Gallery records document the artists represented by and function of the Bertha Schaefer Gallery. The Bertha Schaefer papers pertain to Bertha Schaefer as an interior designer through a large number of photographic materials and client files. Six scrapbooks document artists Will Barnet, Ben-Zion, Balcomb Greene, and Nicolai Vasilieff, as well as the Bertha Schaefer gallery and the New Bertha Schaefer Gallery.
Arrangement:
This collection is arranged as 3 series. Records are generally arranged by material type and chronologically thereafter.

Series 1: Bertha Schaefer Gallery Records, 1909-1971 (0.8 linear feet; Box 1)

Series 2: Bertha Schaefer Papers, 1914-1971 (2.6 linear feet; Boxes 1-3, 6-7, OV 8-9)

Series 3: Scrapbooks, 1944-1975 (1.2 linear feet; Boxes 3-5)
Biographical / Historical:
Bertha Schaefer (1895-1971) was an interior designer and director of the Bertha Schaefer Gallery in New York, New York. Schaefer was born in Yazoo City, Mississippi to Emil and Julia (Marx) Schaefer. She received her B.A. on June 1, 1914 from Mississippi State College for Women, and received a diploma for interior decorating from the Parsons School of Design in New York City. In 1924, after living in Paris for 5 months, she opened Bertha Schaefer Interiors in New York. In 1944, she opened the Bertha Schaefer Gallery of Contemporary Art, which featured American and European paintings and sculpture. "The Modern House Comes Alive" (1947-1948) is one of the key exhibitions she created. Schaefer designed furniture for Joe Singer of M. Singer and Sons Furniture Company in New York, 1950-1961.

Schaefer won design awards from the Museum of Modern Art (1952) and the Decorators Club of New York (1959). In 1958, she was given an award of recognition from the U.S. Department of State for her gallery's assistance in the American program for the Brussels Universal and International Exhibition, and an outstanding achievement in interior design award from the American Institute of Interior Designers. She was a member of several design organizations, including: the American Institute of Decorators, the Home Lighting Forum, the Illuminating Engineers Society, the American Federation of the Arts, and the Art Dealers Association of America. She was the president of the Decorators Club of New York from 1947-1948 and 1955-1957.

Schaefer was one of the first people to use fluorescent lighting in domestic spaces, with Percy Block as her first client, in 1939. In honor of Edison's birthday in 1953, she designed a bathroom for General Electric, applying new developments in lighting. She died on May 24, 1971, after which the gallery was renamed the New Bertha Schaefer Gallery.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Bertha Schaefer conducted by Paul Cummings, April 20-22, 1970.
Separated Materials:
The Archives of American Art also holds material lent for microfilming. Reel N69-115 is comprised of papers concerning Alfred H. Maurer, including a scrapbook about Maurer from 1946 to 1969. Reel N70-60 contains material concerning Hale Woodruff, including correspondence, sketches and drawings, articles, photographs, catalogs, announcements, clipping, notes kept while a student of Diego Rivera, and a scrapbook. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
The Bertha Schaefer papers and gallery records were donated in several installments from 1969 to 1974 by Bertha Schaefer and Bertha Schaefer Gallery Inc. She also loaned material for microfilming in 1970. Paul Creamer donated three scrapbooks from the Bertha Schaefer Gallery and the New Bertha Schaefer Gallery in 1979. Additional material was donated in 1984 by Syracuse University.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Bertha Schaefer papers and gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Gallery directors  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Sculptors  Search this
Interior decoration -- New York (State) -- New York  Search this
Gallery owners  Search this
Interior decorators  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketches
Photographs
Citation:
Bertha Schaefer papers and gallery records, 1909-1975, bulk 1940-1965. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schabert
See more items in:
Bertha Schaefer papers and gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schabert

Mischa Richter papers

Creator:
Richter, Mischa, 1910-2001  Search this
Names:
Barnet, Will, 1911-2012  Search this
Marantz, Irving, 1912-1972  Search this
Reinhardt, Ad, 1913-1967  Search this
Steig, William, 1907-  Search this
Extent:
0.4 Linear feet
0.3 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1915-1994
Scope and Contents:
Biographical data; certificates and awards; letters, including one notifying Richter of his appointment to the Executive Council of the National Cartoonists Society; an original greeting card from Irving Marantz; photographs of Richter and his work; notes on cartooning; exhibition material; and clippings and other printed material.
ADDITION: Biographical information; an autobiograpical memoir, 36 p., 1994; letters, 1930-1987; a pencil sketch from a plaster cast of sculpture, 1928, and a pencil sketch for a mural, 1935; photographs of Richter and others; clippings, ca. 1935-1984; exhibition material, ca. 1958-1967; and printed material, undated and 1940-1982. Among Richter's correspondents are cartoonists Milton Caniff and William Steig, and artists Ad Reinhardt and Will Barnet.
Biographical / Historical:
Cartoonist, painter; New York, N.Y. and Provincetown, Mass. Richter was born in the Ukraine. He came to the United States in 1922, attending special art classes for gifted students at the Museum of Fine Arts, Boston, and subsequently graduating from the Yale School of Fine Arts in 1934. After working on the WPA art project as a mural painter in New York, he turned to cartooning, doing editorial and humorous cartoons for the daily newspaper, PM, and then becoming art editor for the New Masses. In 1941 he began his longtime affiliation with the New Yorker, as well as producing daily panels, "Strictly Richter" and "Bugs Baer" for King Features. In the 1970s and 1980s, Richter did numerous drawings for the OpEd page of the New York Times. Died March 23, 2001, at age 90.
Provenance:
Donated 1993-1996 by Mischa Richter. Additions are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Cartoonists  Search this
Topic:
Cartooning  Search this
Political cartoons  Search this
Greeting cards  Search this
Identifier:
AAA.richmisc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richmisc

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