Poor Ellen Smith (frag)--Little birdie--Train pullin up a crooked hill--Galilee--Unclouded day--Shady grove--Song of hard times--Going round this world, baby mine--East Virginia--The cuckoo bird--war was a ragin' for Johnny--Coal Creek march--Last payday at Coal Creek--Ida Red--Pretty Polly--Scoldin' wife--House carpenter
Local Numbers:
FW-ASCH-7RR-6007
FLP.135512
Date/Time and Place of an Event Note:
Recorded in: United States, Indiana.
General:
Pete Steele, Kentucky folksinger and banjoist, and his wife Lilly Steele on vocals on two songs. Includes same recordings found on "Banjo Tunes and Songs" FW03828. Most songs preceded by an explanation by Steele.
Folkways 3828
CDR copy
Restrictions:
Restrictions on access. Listening only. No Duplication Allowed.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Children of the Lord --Bingo was his name --Daughter will you marry? --If all the rain drops --Be kind to your teachers --The younger generation --John Jacob Jingleheimer Schmitt --I was born 10,000 years ago (Just the facts, Ma'am) --Happy Jackie Junior --Spring would be / There was a little man -- Oh, when Pop was a little boy --Hard luck blues --Kevin Barry --Putting on the style --Finegan, Beginigin.
Track Information:
101 Children of the Lord / Banjo.
102 Bingo Was His Name / Song Swappers, Erik Darling, Pete Seeger. Banjo.
103 Daughter Will You Marry? / Song Swappers, Erik Darling, Pete Seeger. Banjo.
104 If All the Rain Drops / Song Swappers, Erik Darling, Pete Seeger. Banjo.
105 Be Kind to Your Teachers / Song Swappers, Erik Darling, Pete Seeger. Banjo.
106 The Younger Generation / Song Swappers, Erik Darling, Pete Seeger. Banjo.
107 John Jacob Jingleheimer Schmitt / Song Swappers, Erik Darling, Pete Seeger. Banjo.
108 I Was Born 10,000 Years Ago (Just the Facts, Ma'am) / Song Swappers, Erik Darling, Pete Seeger. Banjo.
201 Happy Jackie Junior / Song Swappers, Erik Darling, Pete Seeger. Banjo.
202 Spring Would Be, There Was a Little Man / Song Swappers, Erik Darling, Pete Seeger. Banjo.
203 Oh, When Pop Was a Little Boy / Song Swappers, Erik Darling, Pete Seeger. Banjo.
204 Hard Luck Blues (dedicated to all contrary children) / Song Swappers, Erik Darling, Pete Seeger. Banjo.
205 Kevin Barry / Song Swappers, Erik Darling, Pete Seeger. Banjo.
206 Putting on the Style / Song Swappers, Erik Darling, Pete Seeger. Banjo.
207 Finegan, Beginigin / Song Swappers, Erik Darling, Pete Seeger. Banjo.
Local Numbers:
FW-ASCH-LP-3338
FLP.43595
FLP.43595 ;.Folkways.728
Publication, Distribution, Etc. (Imprint):
New York Folkways 1955
General:
Texts (4 p.) inserted. Performer(s): Sung by children ranging in age from 6 to 11, directed and accompanied by Pete Seeger and Erik Darling, with the Song Swappers.
The enthusiasm and informality of summer camp songs are here captured by a group of six to eleven year-old children whose performance is directed by iconic folksinger Pete Seeger (1919-2014), who also arranged the songs. Pete's banjo further enlivens the proceedings, while enhancing the musicality of the singing by the enthusiastic but untrained youngsters. In addition, folksinger/banjoist Erik Darling (1933 - 2008), perhaps best known for his recording (as leader of the Rooftop Singers) of the number one singles hit, "Walk Right In," in 1963, performs five camp songs as solo numbers. The liner notes consist of the lyrics of the songs, enabling the listener to join in the fun.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
A collection relating to the vaudeville musical group, Ed Hayes and his Banjo Girls: a photograph album, a scrapbook, route sheets, programs, Actors' Equity Association cards, clippings, and a map.
Arrangement:
1 series.
Biographical / Historical:
A vaudeville act consisting of Ed Hayes, his wife, Vivian Chenoweth Hayes, and Frances Roberts.
Provenance:
Collection donated to the Division of Musical History, National Museum of American History.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of American History (U.S.). Division of Musical History Search this
Extent:
12 Cubic feet (28 boxes)
Type:
Collection descriptions
Archival materials
Sheet music
Sound recordings
Photographs
Ephemera
Correspondence
Place:
New York (N.Y.)
Date:
1883-1980
Summary:
The bulk of the collection is music for the five-string banjo, often with piano and/or second banjo accompaniments. Almost no sheets have cover illustrations. Many editions are British and rarely have copyright dates.
Scope and Contents note:
The collection documents banjoist Paul Cadwell (1889 1985). Most of the material originally belonged to him; exceptions to this include photographs of Frances Reed (Cadwell's first wife), travel ephemera of Frances Reed, banjo music of William Brewer, and banjo history writings of Brewer. British banjoist William Brewer corresponded regularly with Cadwell through the 1950s. Though they never met, a close friendship developed between the men. After Brewer's death, Brewer's son mailed his father's banjo materials to Cadwell (see correspondence from Basil Brewer). Series 8, "Reed Travel Ephemera," is largely unrelated to both Cadwell and the banjo most items date from before Reed's marriage to Cadwell. This series is unprocessed as of this writing. Most of Cadwell's audio recordings (both discs and tapes) fell outside the museum's collections scope and so were not kept. A complete inventory, however, has been attached at the end of this register.
The bulk of the collection consists of music for the five string banjo, often with piano and/or second banjo accompaniments. The Cadwell and the Brewer banjo music have been placed in separate subseries. The Cadwell music is organized alphabetically by title of composition; much of this material is fragile and a majority of the music is in manuscript rather than published scores. The Brewer subseries maintains his careful organization: alphabetical by composer or arranger separating the American from the British composers/ arrangers. Almost no sheets have cover illustrations. Many of the editions are British (which rarely give a copywrite date).
Bluegrass and folk banjo music from the second half of the 20th century, when written, was written in tablature. "Classic" five-string banjo music is written in standard notation with some adaptations. The Brooks and Denton compositions were given in both standard notation and tablature and an arrangement of "Dueling Banjos" is in tablature. All other banjo compositions are written in standard notation. Some compositions are in C notation, others were transposed to A. Earlier in the 19th century, the banjo sounded in A and the music was written in A. With the technological changes in banjo construction of the late 19th century, the pitch of the banjo went up and generally sounded in C. The British were quick to switch to C notation, but American banjoists, wedded to tradition, were slow to make the change.
Cadwell had music in both C and A notation; presumably, he could play both. Adaptations to standard notation include the following indications for which finger should pluck the string: + = thumb, = first finger, = second finger. "12 B " indicates that the marked section should be played using a barre at the 12th fret. A sixteenth note flag up high G (high E in A notation) is used when the note should be played on the short thumb string.
Most of the music is for standard five-string banjo. There is a small amount of music for four-string tenor or plectrum banjo (as well as a few selections for mandolin and guitar). Two forms of the five string banjo appear in the music collection: the banjeurine and the zither banjo. The banjeurine was popular in banjo clubs, slightly smaller, tuned higher, and usually played lead. The zither banjo is peculiar to Britain. The two highest strings are of metal and the lower strings of the "classic" standard gut, nylon, or wound silk. The banjo has a resonator, but unlike American banjos with resonators, the head sits flush with the resonator. Many of the British compositions are labeled for zither banjo and are intended to take advantage of the peculiarities of that instrument's sound.
Arrangement:
The collection has been organized into the following series:
Series 1: Correspondence, 1941-1976
Series 2: Photographs, circa 1895-1980
Series 3: Ephemera, 1922-1978
Series 4: Banjo Music, circa 1883-1975
Series 5: Magazines and Journals, 1886-1977
Series 6; Banjo History Sources, circa 1951-1975
Series 7: Audio Recordings, circa 1895-1976
Series 8: Reed Travel Ephemera, circa 1930-1970
The Cadwell music is organized alphabetically by title of composition; much is fragile and in manuscript rather than published scores. The Brewer subseries maintains his careful organization: alphabetical by composer or arranger, separating American from British composers/arrangers.
Biographical/Historical note:
Paul Cadwell was born in 1889 in Westfield, New Jersey. He lived nearly all of his life in New Jersey and New York City. He began playing banjo at the age of ten. His first teacher was Fred Van Eps, a young man who already had been making commercial recordings of banjo ragtime and popular tunes. Van Eps continued to record frequently through the 1920s.
From the 1880s to the 1910s most American Universities and all of the Ivy League schools had banjo clubs. These organizations played orchestra style with various sizes of banjos. Cadwell played with college banjo clubs at both Princeton (class of 1910) and Harvard Law School. After law school, Cadwell studied for a time in England at Trinity College, Oxford. He spent his adult life working as a lawyer and in various business dealings.
After his schooling, Cadwell continued to perform on the five string banjo. In the 1920s he organized and performed in minstrel shows for the American Legion and the Masonic Lodge. During the 1930s he played occasionally on the "Dutch Masters" radio hour as a member of the "Van Eps Trio." Cadwell began his involvement with American folk music in the 1940s playing for the American Folk Dance Society and on NBC radio for "Music of the New World." During the 1950s, Cadwell became involved in the folk music revival and he befriended revivalist and bluegrass musicians, notably Roger Sprung.
In 1949, a group of older "finger style" five string banjoists created a formal organization; the American Banjo Fraternity (ABF) still meets twice a year in Lewistown, Pennsylvania though the original banjo notables are now deceased. Paul Cadwell, Fred Van Eps, Alfred Farland, Harry Denton, Bill Bowen, and Frank Bradbury (names familiar to fans of this style of banjo playing) were all members. Cadwell was a bit younger than the others and also had never made his living playing vaudeville or making commercial recordings as had these other men. The heyday of their music surely had passed, but they banded together to keep the tradition.
Cadwell sensed in the folk revival of the 1950s a revitalization of the five string banjo. Most of the other ABF members saw these young banjo players as a threat to their music; they played with metal stringed instruments and with what seemed to them a simplistic technique. The correspondence in series 1 traces the painful conflict between Cadwell and the ABF members over the folk music revival. Cadwell continued to perform in folk revival events into the 1970s.
Cadwell married Frances Reed in 1956 (they had been a couple, though, for many years). Many of the photographs in series 2 and most of the travel ephemera of series 8 were hers. In 1965 he married Joyce. Paul Cadwell died in 1985.
Related Materials:
The Division of Culture and the Arts (now Division of Cultural and Community Life) holds related musical instrument parts (banjo head, banjo strings, and banjo bridges).
Provenance:
Collection donated by Joyce Cadwell, 1991.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection documents the life and career of jazz musician, arranger, songwriter, and bandleader Maceo Jefferson. It includes biographical documents such as birth and marriaige certificates and passports; letters, mostly relating to the music business and including carbon copies of letters sent by Jefferson; photographs, many inscribed, including photographs of performers from the early jazz era; a hymnal used by Jefferson; several pieces of published sheet music written by Jefferson; concert programs, including a hand-made one for a concert given inside a Nazi internment camp where Jefferson was detained for two years; lyrics to songs; some business records, many in French; legal records; recordings, including 78 rpm records; and music manuscripts, which comprise roughly three fourths of the collection. Additionally, Jefferson's wife, Yvonne Runtz Jefferson, was a costume designer, and there are photographs relating to her work in the collection.
Arrangement:
The collection is arranged into seven series.
Series 1: Personal Papers, 1891-1978, undated
Series 2: Correspondence, 1909-1976, undated
Series 3: Business Records and Performance Materials, 1932-1971, undated
Series 4: Legal Records, 1920s-1970s, undated
Series 5: Music Manuscripts, Published Sheet Music, and Folios, 1891-1972, undated
Subseries 5.1: Jefferson Compositions, 1920-1972, undated
Subseries 5.2: Compositions by Other Composers, 1921-1971, undated
Subseries 5.3: Sheet Music, 1891-1970, undated
Subseries 5.4: Folios, Songbooks and Instruction, 1870s-1950s
Series 6: Photographs, 1800s-1960s
Series 7: Recordings, undated
Biographical / Historical:
Maceo Buchannan Jefferson was born on July 14, 1898 in Beaufort, South Carolina to Reverend Paul William Jefferson and Julia Rose Singleton. The oldest of five children, Jefferson showed an early aptitude for both banjo and guitar. He enlisted in the Navy on April 6, 1917 and was released from service on December 24, 1919. According to the 1920 census, Jefferson lived in Portsmouth Monroe Ward, Portsmouth, Virginia as a laborer with the Seaboard Coast Line Railroad. During this time, he played with Gus Perry at the Limelight's Nightclub. Jefferson then moved to Norfolk, Virginia for two years before moving to Washington, DC. As noted in his resume, while in the District of Columbia Jeffersone, he performed with the J. R. Branson Orchestra in a dance hall on U Street and the Roscoe Lee Orchestra at the Better Old Club. He married Riccolin E. Sutherland on October 21, 1922. Jefferson spent another two years in a nightclub in Washington, where he met Duke Ellington and joined his band, the Washingtonians. By early 1923, Jefferson had joined Wilber Sweatman, and worked in a succession of nightclubs and theaters in New York, Brooklyn, and New Jersey. He also accompanied singer Ethel Waters on a recording session for Columbia Records. In 1926, he joined the Lew Leslie Blackbirds Plantation Orchestra and went on a European tour in 1927 with the band and singer Florence Mills. Jefferson joined Leon Abbey's band in 1928, and eventually relocated to Paris, France. During this time, he performed with several jazz bands and musicians including Louis Armstrong before returning to New York where he played in Willie "The Lion" Smith's band and toured with W. C. Handy. The late 1930s and 1940s found him back in France where he married a Parisian woman, Yvonne Josephine Stephanie Runtz, in 1937. Jefferson toured with different bands in France, England, Scotland, Belgium, Holland, Switzerland, and Italy until the end of May 1940. In June, he drove a truck for the American Hospital of Paris to the base hospital of Angouleme for which he received no salary. From August to November, Jefferson worked for the American Red Cross as a driver transporting the sick and, injured, and distributing medicine and food. Jefferson resumed his musical career arranging, composing, copying, and playing music from December 1940-December 1941. His career took a dramatic turn when the Nazis, under the Vichy government, imprisoned him, three days after the United States declared war on Germany. Jefferson spent twenty-seven months in prison camp stalag 122 in Compiegne, France and while imprisoned led an orchestra. In 1944, the Nazis released and sent Jefferson back to the United States where he lived in New York before relocating to Bridgeport, Connecticut. In the latter part of his life and musical career, he focused on composition and developing new arrangements for old songs. He never fully regained his health after his time in the concentration camp. Jefferson died on June 15, 1974 in Bridgeport, Connecticut.
Related Materials:
Materials in the Archives Center
Duke Ellington Collection (AC0301)
Duncan Schiedt Jazz Collection (AC1323)
W. C. Handy Collection (AC0132)
Gottlieb and Bodansky Family Papers (AC1245)
Provenance:
Donated to the Archives Center in 2015 by Jefferson's grand-nephew Thomas Cargill and his wife Darlene Johnson Cargill.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
British banjoist and composer (See Subseries 4.2). (7 items)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Paul Cadwell Banjo Collection, 1883-1980, Archives Center, National Museum of American History.
Robert White, British banjoist and composer (see series 4). (6 items)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Paul Cadwell Banjo Collection, 1883-1980, Archives Center, National Museum of American History.
Two letters to banjoist "Ernest" describing problems with the American Banjo Fraternity, one on a health matter, and one on a Princeton alumni matter. (4 items)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Paul Cadwell Banjo Collection, 1883-1980, Archives Center, National Museum of American History.
Most of the photoprints are of gatherings of the American Banjo Fraternity and include such banjo notables as Fred Van Eps, Alfred Farland, Bill Bowen, Harry Denton, and of course Cadwell. Most are 8 X 10 B/W prints. (12 items)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Paul Cadwell Banjo Collection, 1883-1980, Archives Center, National Museum of American History.
C notation solos arranged by ragtime recording banjoist Fred Van Eps. Folios for banjo and piano accompaniment. (6 items)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Paul Cadwell Banjo Collection, 1883-1980, Archives Center, National Museum of American History.
Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age.
Series 20, Newspapers contains approximately 4,900 pieces of sheet music and other materials documenting the development of and popular attitudes towards the playing of music in the United States.
An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.
Scope and Contents note:
Series 21, Musical Instruments, 1824-1981, undated, contains approximately 4,900 pieces of sheet music and other materials documenting the development of and popular attitudes towards the playing of music in the United States. Numerous teaching manuals are included. The dates always refer to copyright of the music and not to the subject on the cover, musician's life, or other events. There are three boxes of Ephemera, described following the container list. The Musical Instruments series is arranged by type of instrument and is divided into twenty-five subseries, 21.1-21.25. Piano will be done in a separate series.
Subseries 1, Accordion, 1902-1964, undated, contains arrangements for solo accordion and accordion bands. Also included are two folders of French, German, and Swiss songs and folios.
Subseries 2, Banjo, 1853-1975, undated, includes music with "banjo" in the title and other items with images of racial stereotypes. Also included are general songs and folios. Also see subseries 11, Guitar, and subseries 15, Mandolin. Subseries 3, Cello, 1891-1935, undated, contains one folder of music with "cello" in the title or pictured on the cover, three folders with compositions for the cello, and several folders of folios.
Subseries 4, Clarinet, 1905-1958, undated, includes a few compositions and several folios.
Subseries 5, Concertina, 1905-1941, undated, contains one folder with "concertina" titles and one folio.
Subseries 6, Cornet, 1848-1924, undated, contains music specifically for, or referring to, the cornet. Also see subseries 21, Trumpet.
Subseries 7, Double Bass, 1939-1955, contains one folder with a few items with images of a double bass (bass fiddle) on the cover.
Subseries 8, Drums, 1867-1971, undated, includes Gene Krupa covers, general songs about drums, and method books.
Subseries 9, Fiddle, 1893-1981, undated, contains music and folios with "fiddle" in the title. Also see subseries 23, Violin.
Subseries 10, Flute, 1847-1936, undated, contains a few compositions for flute and several folios.
Subseries 11, Guitar, 1824-1977, undated, contains arrangements for Hawaiian String Guitar and early and late Spanish Guitar. Also see subseries 2, Banjo and subseries 15, Mandolin.
Subseries 12, Harmonica, 1904-1974, undated, contains songs with "harmonica" in the title and/or images of the harmonica on the cover, and folios.
Subseries 13, Harp, 1866-1976, undated, contains songs with "harp" in the title and/or images of the harp on the cover.
Subseries 14, Hurdy Gurdy, 1899-1969, contains songs with "hurdy gurdy" in the title.
Subseries 15, Mandolin, 1843-1954, undated, contains songs with "mandolin" in the title and/or pictured on the cover, arrangements for mandolin orchestra, and folios and method books.
Subseries 16, Music Boxes, 1848-1979, undated, contains songs with "music box" in the title and/or pictured on the cover.
Subseries 17, Organ, 1856-1973, undated, contains songs with "organ," "hand organ," or "organ grinder" in the title and/or pictured on the cover; arrangements for cabinet, pipe, and theater organs; numerous compositions with organists on the covers; and folios and method books.
Subseries 18, Saxophone, 1907-1953, contains songs with "saxophone" in the title and/or pictured on the cover, arrangements for saxophone, and folios and method books.
Subseries 19, Tambourine, 1854-1960, contains songs with "tambourine" in the title and/or pictured on the cover.
Subseries 20, Trombone, 1906-1957, contains songs with "trombone" in the title and/or pictured on the cover, arrangements for trombone and baritone, and folios.
Subseries 21, Trumpet, 1904-1945, undated, contains songs with "trumpet" in the title and/or pictured on the cover, and a method book for cornet and trumpet.
Subseries 22, Ukulele, 1915-1964, undated, contains songs with banjoist Cliff Edwards on the cover, general songs with "ukulele" in the title and/or pictured on the cover, and folios.
Subseries 23, Violin, 1843-1957, undated, contains songs with "violin" in the title and/or pictured on the cover, arrangements for violin, and folios and method books.
Subseries 24, Zither, 1970-1951, undated, contains songs with "zither" in the title and/or pictured on the cover and folios and method books.
Subseries 25, Various Instruments, 1835-1968, undated, contains two folders with songs and folios for various wind instruments not included in the previous subseries, and one folder of miscellaneous instruments.
Ephemera, The ephemera materials comprise several folders in Ephemera Box 67, which include souvenir programs, and articles about musicians and instruments.
Arrangement:
Arranged in 26 subseries.
21.1: Accordion
21.2: Banjo
21.3: Cello
21.4: Clarinet
21.5: Concertina
21.6: Cornet
21.7: Double Bass
21.8: Drums
21.9: Fiddle
21.10: Flute
21.11: Guitar
21.12: Harmonica
21.13: Harp
21.14: Hurdy Gurdy
21.15: Mandolin
21.16: Music Boxes
21.17: Organ
21.18: Saxophone
21.19: Tambourine
21.20: Trombone
21.21: Trumpet
21.22: Ukulele
21.23: Violin
21.24: Zither
21.25: Various Instruments
21.26: Ephemera
Materials in Other Organizations:
Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana
This collection contains duplicates of materials in the Smithsonian collection, as well as materials acquired by Mr. DeVincent after the donation to the Smithsonian. The phonograph records described above were transferred to the University of Missouri at Kansas City.
Materials in the Archives Center, National Museum of American History:
Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211)
Forms Part Of:
Series 21: Musical Instruments forms part of the
Sam DeVincent Collection of Illustrated American Sheet Music
.
An ongoing, updated list of DeVincent topical series is available via the Smithsonian finding aid portal.
Provenance:
This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Includes: eight Oahu Publishing items and a souvenir program from the July 1952 51st Annual Convention of the American Guild of Banjoists, Mandolinists, and Guitarists.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
These compositions use ragtime rhythms and forms but date before the general use of the term and the true establishment of the genre. Included are several compositions by noted banjoist George Lansing. All of the sheets are for solo piano, and it should be noted that some of these compositions were written for banjo before piano. (20 items)
Series Restrictions:
Collection is open for research.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
Today's Virginians include people whose ancestors have always been here, descendants of the original Jamestown settlers, the progeny of the first West Africans, and more recent immigrants from Africa, Southeast Asia, and Central America. They live and work from Virginia's Atlantic coast to its Appalachian Mountains, from remote coal-mining towns in the southwest to bustling suburbs in the north. But no matter how deep their roots, Virginians strive with dedication and innovation to document and present their cultural heritage, adapting tradition to change and using the past to inform the present and future.
The 2007 Festival explored three "roots" of Virginia's culture: Native American, English, and African American. These groups supported the growth of a diverse, yet unified society in what would become Virginia. At the Festival, present-day Virginians were joined by delegations from Kent County, England (one of the counties from which the original settlers came and the burial place of Pocahontas) and West Africa (an area from which many enslaved Africans came to Virginia). By demonstrating and performing many parallel cultural traditions side by side, craftspeople, musicians, cooks, agriculturalists, and maritime experts demonstrated that different cultures can have much in common and can borrow from each other to forge a nation. Festival presentations were organized around three themes:
Continuing the Past. -- Many traditions in Virginia; Kent County, England; and West Africa remain "unbroken" within families and communities. A number of crafts, such as pottery, blacksmithing, wood carving, and needlework, span the generations; craftspeople interpret and produce them according to their own tastes and market demand. Festival visitors could interact with contemporary adherents of these ancient traditions.
Transforming the Past. -- While tracing the roots of Virginia culture, historians find many tradition bearers who, by necessity or desire, refashion their skills. For example, in Virginia, as well as in Kent County, England, fruit farmers find it hard to keep their businesses profitable because of cheaper imports; many have quit farming and have sold their land to developers. Growers have responded and now gourmet cooks can find heirloom varieties of Virginia apples at farmers' markets. The growers bring the taste of Virginia's past to the present and make it profitable and sustainable.
Researching and Interpreting the Past. -- The ability to research and interpret the past requires years of study, determination, and "learning by doing." Digging up the past is the professional passion of archaeologists at sites such as Historic Jamestowne. Family and community researchers collect oral histories and search for clues in archives and databases. Festival visitors could listen as they explained their work, and could pose questions about adapting such skills to their own lives.
Betty J. Belanus was Curator of the program, and Diana N'Diaye was Curator of African/African American Roots. Dorey Butter was Program Coordinator and Beverly Simons was Program Assistant. For Jamestown 2007, Jeanne Zeidler was Executive Director and Amy Ritchie was Manager of Statewide Programs and Smithsonian Project Manager. For Kent, England, Rebecca Casson was Head of Kent Virginia Development; Hollie Snelson was Smithsonian Project Manager; and Leila Maggs was Smithsonian Project Coordinator.
The program was produced in partnership with Jamestown 2007: America's 400th Anniversary and the Kent County Council. The Smithsonian Institution's National Museum of African American History and Culture was the Smithsonian Institution partner. Lead supporters of Jamestown 2007 included the Norfolk Southern Corporation, the Colonial Williamsburg Foundation, Verizon, and Anheuser-Busch Companies. Other supporters included AirTran Airways, Dominion, James City County, Philip Morris USA, SunTrust, and Wolseley PLC/Ferguson Enterprises Inc.
Researchers:
Advisors
Howard Bass, Ann Bay, Mary Briggs, Lonnie Bunch, George Carter, Rex Ellis, Anthony Gualtieri, Portia James, Gail Lowe, Helen Schierbeck, Gabriella Tayac, Esther Washington, C. Brian Williams, Chris Williams, CiCi Williamson
Virginia fieldworkers
Harold Anderson, Olivia Cadaval, Mary Eckstein, Roland Freeman, Ywonne Edwards Ingram, Jon Lohman, Kip Lornell, Roddy Moore, Jennifer Neely, Vanessa Thaxton-Ward, Richard Vidutis, Vaughan Webb, Karenne Wood
Senegal fieldworkers
Abdoulaye Camera, Gorgui N'Diaye
Kent, England fieldworkers
Teri Brewer, Paul Cowdell, Hannah McNorton, George Monger
Presenters:
Harold Anderson, Olivia Cadaval, Paul Cowdell, Marjorie Hunt, Paula Johnson, Jon Lohman, Kip Lornell, Hannah McNorton, George Monger, Roddy Moore, Jeff Place, Mark Puryear, Gabriella Tayac, Vaughan Webb, Chris Williams, CiCi Williamson, Karenne Wood
Participants:
AGRICULTURE AND ENTERPRISE
Fruit Growing
Tom Burford, 1935-, Monroe, Amherst County, Virginia
Margaret Burns, 1941-, Herne Bay, Kent, England
Philip Johnson "PJ" Haynie III, 1977-, Hague, Northumberland County, Virginia
Paul Saunder, Piney River, Nelson County, Virginia
Saunders Brothers, Piney River, Nelson County, Virginia
Charlotte Shelton, 1936-, Vintage Virginia Apples, Charlottesville, Albemarle County, Virginia
Virginia Wineries Association, Alexandria, Virginia
Ham, Peanuts, and Cattle
Babacar Bâ, Ndjilasséme, Senegal
Ciré Bâ, Ndjilasséme, Senegal
Dee Dee Darden, Smithfield, Isle of Wight County, Virginia
Tommy Darden, Smithfield, Isle of Wight County, Virginia
Sam Edwards, 1956-, Edwards and Sons, Surry, Surry County, Virginia
Stuart Gibbons, 1952-, Canterbury, Kent, England
Henry Goodrich, 1965-, Wakefield, Suffolk County, Virginia
Virginia-Carolina Peanut Promotions, Nashville, Nash County, North Carolina -- Virginia-Carolina Peanut Promotions, Nashville, Nash County, North CarolinaWilliam Bain, Wayne Barnes, Dell Cotton, Melissa Everett, Natalie Everett, Randy Everett, Fred Felts, Martha Felts, Linda Hass, Gail Moody Milteer, Brad Monahan, Drew Monahan, Janet Monahan, Kevin Monahan, Betsy Owens, Donna Pittman, John Pittman
Horse Crafts
Marc Stevenson, rocking horse maker, Bethersden, Kent, England
Tony Stevenson, 1956-, rocking horse maker, Bethersden, Kent, England
Theresa Trussell, 1952-, horse trainer, Kent, England
Danny Wingate, 1951-, saddle & harness maker, Elk Creek, Grayson County, Virginia
Outdoor Crafts
Norman Amos, 1925-, snake cane carver, Callands, Pittsylvania County, Virginia
Susan Bridges, 1954-, forager, food processor, Meadows of Dan, Patrick County, Virginia
Grayson Chesser, 1942-, decoy carver, Sanford, Accomack County, Virginia
Pat Harrison, 1957-, birdcall maker, Covington, Alleghany County, Virginia
John Arthur Leonard, 1964-, decoy carver, Chincoteague, Accomack County, Virginia
Metal Crafts
Mbaye Fall, blacksmith, Ndjilasseme, Senegal
Billy Phelps, 1950-, blacksmith, Woodlawn, Carroll County, Virginia
Kelly Smyth, 1953-, marine blacksmith, Chadds Ford, Delaware County, Pennsylvania
Godfrey South, 1960-, blacksmith, Eynsford, Kent, England
Rural Crafts
Clyde Jenkins, 1954-, split-oak basket maker, Stanley, Page County, Virginia
Yoro Kébé, woodcarver, Ndjilasseme, Senegal
John Waller, 1971-, woodcarver, basket weaver, Blackham, Kent, England
Robert M. Watson, Jr., woodworker, Williamsburg, Virginia
Tobacco and Hops
Bob Cage, 1923-, tobacco auctioneer, South Boston, Halifax County, Virginia
Jim Crawford, 1951-, tobacco auctioneer, Roanoke, Virginia
Colin Felton, 1945-, hop picker, Kent, England
Derek Hitcham, 1942-, beer brewer, Kent, England
Kevin Owen, 1970-, tobacco farmer, Chatham, Pittsylvania County, Virginia
Bobby Wilkerson, 1941-, tobacco farmer, Ringgold, Pittsylvania County, Virginia
Working Dogs
Debbie Johnson, 1956-, dog trainer, Gladys, Campbell County, Virginia
Roy Johnson, 1935-, dog trainer, Gladys, Campbell County, Virginia
BUILDING ARTS
Jimmy Price, 1952-, mason, restorer, Monroe, Amherst County, Virginia
Peter Massey, master carpenter, house mover, Ashford, Kent, England
Colin McGhee, thatcher, Staunton, Virginia
Charles McRaven, 1935-, restorer, Free Union, Virginia
Linda McRaven, 1945-, restorer, Free Union, Virginia
Judy Hill, glass painter, Rochester, Kent, England
Keith Hill, stained glass conservator, Rochester, Kent, England
DECORATIVE CRAFTS
Car Culture
Larry Rathburn, 1948-, car builder, Catawba, Roanoke County, Virginia
Tom Van Nortwick, 1955-, designer, pinstriper, Ferrum, Franklin County, Virginia
Pottery
Fatou Wade, potter, Ndjilasséme, Senegal
Quilting Stories
54-40 African American Quilters Guild, Hampton, Virginia
Virginia Quilt Museum, Harrisonburg, Virginia -- Virginia Quilt Museum, Harrisonburg, VirginiaJoan Knight, 1945-, Harrisonburg, VirginiaJulia Renken, 1951-, Fairfax, VirginiaLoretta Shinol, 1940-, Springfield, VirginiaHelen L. Spittle, 1942-, Springfield, Virginia
Virginia Tribal Crafts
Lee Lovelace, 1987-, tribal artist, Mechanicsville, Hanover County, Virginia
Mildred Gentle Rain Moore, 1934-, blackware potter, Pamunkey Indian Reservation, King William County, Virginia
Debora Littlewing Moore, 1967-, blackware potter, dancer, West Point, King William County, Virginia
Randy Robinson, 1982-, scratchboard artist, Southampton County, Virginia
George Whitewolf, 1942-, basket weaver, Lynchburg, Virginia
Karenne Wood, 1960-, linguist, beader, poet, dancer, Charles City, Charles City County, Virginia
FOODWAYS AND GARDENS
Cooking
Janice Canaday, 1957-, cook, caterer, Williamsburg, Virginia
Dawn Chesser, 1947-, cook, Saxis, Accomack County, Virginia
Amanda Cottrell, 1941-, cook, Ashford, Kent, England
Frances Davis, 1949-, cook, Rocky Mount, Franklin County, Virginia
Maïmouna Diène, cook, Ndjilasséme, Senegal
Mo Joslin, 1948-, cook, Tilmanstone, Kent, England
Patrice Olivon, 1957-, cook, Arlington County, Virginia
Clevie H. Wingate, 1951-, cook, Elk Creek, Grayson County, Virginia
Brunswick Stew
John D. Clary and The Proclamation Stew Crew, Lawrenceville, Brunswick County, Virginia -- John D. Clary and The Proclamation Stew Crew, Lawrenceville, Brunswick County, VirginiaJames P. Batchelor, Lawrenceville, VirginiaTim Bendall, Petersburg, VirginiaChiles Cridlin, Richmond, VirginiaRodney Elmore, Bracey, VirginiaLonnie Moore, Lawrenceville, Virginia
Gardening
George Carter, formal gardener, North Elmham, Norfolk, England
Sophia Sidney, formal gardener, Tonbridge, Kent, England
Michael Twitty, 1977-, provision gardener, Rockville, Montgomery County, Maryland
Tyrone Mangum, 1983-, school gardener, Hampton, Virginia
MARITIME TRADITIONS
Boat Building
Raynell Smith, 1948-, Deltaville Boat Builders, Deltaville, Middlesex County, Virginia
Steve Smith, 1945-, Deltaville Boat Builders, Deltaville, Middlesex County, Virginia
Jamie Smith, Smith's Marine Railway, Dare, York County, Virginia
Tim Smith, 1954-, Smith's Marine Railway, Dare, York County, Virginia
Alan Staley, 1945-, wooden boat builder, Faversham, Kent, England
Harbor Crafts and Activities
Ted Boscana, carpenter, Williamsburg, Virginia
Linda Benson, rope maker, Chatham Historic Dockyard, Chatham, Kent, England
Brenda O'Donovan, 1954-, rope maker, Chatham Historic Dockyard, Chatham, Kent, England
Marshall Scheetz, cooper, Williamsburg, Virginia
Historic Maritime Projects
Alexandria Seaport/Thomas Jefferson High School Project, Alexandria, Virginia
Reedville Fishermen's Museum/John Smith Boat Project, Reedville, Northumberland County, Virginia -- Reedville Fishermen's Museum/John Smith Boat Project, Reedville, Northumberland County, VirginiaRichard W. Bradt, Midlothian, VirginiaGordon Burgess, Reedville, VirginiaBill Rogers, Heathsville, VirginiaLionel Whitcomb, Reedville, Virginia
Sultana Shipyard/John Smith Boat Project, Chestertown, Kent County, Maryland
Working the Water
Danny K. Bowden, 1956-, gill-netter, crabber, guide, Chincoteague, Accomack County, Virginia
Marie Hill, oystering, Hobson Village, Suffolk County, Virginia
Mary Hill, 1960-, oystering, Hobson Village, Suffolk County, Virginia
Andy Riches, oystering, Whitstable, Kent, England
Ken Thomas, 1952-, gill-netter, fisher, Dungeness, Kent, England
Virginia Institute for Marine Science (VIMS), Gloucester Point, Gloucester County, Virginia -- Virginia Institute for Marine Science (VIMS), Gloucester Point, Gloucester County, VirginiaWyatt Vaughan, Farmville, VirginiaLester Vincent Williams, Prospect, Virginia
Gerald Anderson, 1953-, instrument-maker, Troutdale, Grayson County, Virginia
Dave Arthur, 1942-, musician, singer, Towbridge Wells, Kent, England
Husnu Aydogdu, 1948-, instrument maker, singer, Arlington County, Virginia
"Big Day Out" Powwow
Gretchen Bulova and dancers, Gadsby's Tavern Museum, Alexandria, Virginia
John Cephas, 1930-, guitarist, singer, Bowling Green, Caroline County, Virginia
La Chanchona de los Hermanos Lobo, Northern Virginia -- La Chanchona de los Hermanos Lobo, Northern VirginiaEfrain Lobo, 1967-, violin, Leesburg, VirginiaEliseo Lobo, vihuelaOsmar Lobo, conga, guïroOsmin Lobo, bassTrinidad Lobo, violin, Arlington, Virginia
The Church of God and Saints of Christ, Alexandria, Virginia
Cheikh Hamala Diabaté and Ensemble, Bambare, Mali -- Cheikh Hamala Diabaté and Ensemble, Bambare, MaliCheick Hamala Diabate, ngoni, Adelphi, MarylandFamouro Diabate, New York, New YorkMakany Kouyate, New York, New YorkBala Tounkara, New York, New York
Rex M. Ellis, 1951-, historian, Williamsburg, Virginia
Brien Fain, singer, banjoist, Stuart, Patrick County, Virginia
Scott Fore, guitarist, Radford, Virginia
Gospel Traveliers, Junior Traveliers, and Gospel Travelettes, Farmville, Prince Edward County, Virginia
Wayne Henderson and Friends, 1947-, Mouth of Wilson, Grayson County, Virginia
Lined-out Hymn Singers, Dillwyn, Buckingham County, Virginia
Linda Lay and Springfield Exit -- Linda Lay and Springfield ExitDavid Lay, Winchester, VirginiaLinda Lay, 1962-, Winchester, VirginiaSammy ShelorRicky Simpkins, Laurel, Maryland
Madison Hummingbirds, shout band, Portsmouth, Virginia
Jim Marshall, singer-songwriter, Hillsville, Carroll County, Virginia
The Midnight Ramblers, bluegrass band -- The Midnight Ramblers, bluegrass bandCherise Bates, 1990-, Wise, VirginiaPaula Bates, 1961-, Wise, VirginiaTony Bates, 1947-, Wise, VirginiaAustin Boggs, 1989-, Wise, VirginiaMarcus Johnson, 1989-, St. Paul, VirginiaAbe Mullins, 1988-, Dungannon, Virginia
The Millen Family, glee club harmony -- The Millen Family, glee club harmonyDonald Brian Levett, 1936-, Smarden, Ashford, Kent County, EnglandGerald Millen, 1926-, Bethersden, Ashford, Kent County, EnglandHilary David Millen, 1955-, Bethersden, Ashford, Kent County, EnglandHoward Batt Millen, 1928-, Bethersden, Ashford, Kent County, EnglandNeil Barrington Thrift Ridley, 1948-, Bethersden, Ashford, Kent County, England
Lucky Moyo, 1966-, Music for Change, Canterbury, Kent, England
Lonesome Will Mullins & The Virginia Playboys, Clintwood, Dickenson County, Virginia -- Lonesome Will Mullins & The Virginia Playboys, Clintwood, Dickenson County, VirginiaJarrod ChurchDuran DuttonRandy DuttonTom IsaacsWill Mullins, Clintwood, VirginiaKody Norris
Bou Counta Ndiaye Ensemble, Senegal -- Bou Counta Ndiaye Ensemble, SenegalBou Counta Ndiaye, Pikine, Daker, SenegalMamadou Ngoma Ndiaye, Pikine, Dakar, SenegalSidy Ndiaye, Department of Thies, SenegalBassirou Seck, Department of Diourbel, Senegal
New Ballard's Branch Bogtrotters, Galax, Virginia -- New Ballard's Branch Bogtrotters, Galax, VirginiaEddie Bond, 1971-, fiddle, Fries, VirginiaJosh Eller, mandolin, Galax, VirginiaLeon Frost, banjo, Galax, VirginiaDennis Hall, guitar, Galax, VirginiaJesse Morris, bass, Abingdon, Virginia
Reverend Frank Newsome, 1942-, Regular Baptist hymn-singer, Haysi, Dickenson County, Virginia
No Speed Limit, Galax, Virginia -- No Speed Limit, Galax, VirginiaStevie Barr, Galax, VirginiaRyan BlevinsAmber CollinsJacob Eller, Galax, VirginiaJosh Pickett
Vera Oye Yaa-Anna, 1949-, storyteller, Washington, D.C.
The Paschall Brothers, a cappella religious singers, Chesapeake, Virginia -- The Paschall Brothers, a cappella religious singers, Chesapeake, VirginiaTarrence Paschall, Sr., 1959-, Chesapeake, VirginiaTarrence Paschall, Jr., 1984-, Chesapeake, VirginiaFrank Paschall, Jr., 1953-, Chesapeake, VirginiaWilliam Paschall, 1963-, Norfolk, VirginiaRenard Freeman Sr., 1964-, Chesapeake, VirginiaRenard Freeman, Jr., 1987-, Chesapeake, VirginiaJohnny Lewis, 1949-, Virginia Beach, Virginia
Buddy Pendleton, 1935-, fiddle, Basset, Henry County, Virginia -- Buddy Pendleton, 1935-, fiddle, Basset, Henry County, VirginiaRobin Kauffman, 1979-, fiddle, Basset, Henry County, Virginia
Tim Laycock, 1952-, playwright, Kent, England
Sonia Ritter, 1958-, playwright, Kent, England
Kinney Rorrer and The New North Carolina Ramblers, old-time string band, Danville, Virginia -- Kinney Rorrer and The New North Carolina Ramblers, old-time string band, Danville, VirginiaDarren Moore, 1976-, guitar, autoharp, Keeling, VirginiaKinney Rorrer, 1946-, banjo, Danville, VirginiaJeremy Stephens, 1984-, guitar, fiddle, Danville, VirginiaKirk Sutphin, 1968-, fiddle, Walkertown, North Carolina
The Sama Ensemble, Persian music, Vienna, Fairfax County, Virginia -- The Sama Ensemble, Persian music, Vienna, Fairfax County, VirginiaGiti AbrishamiBahman AmeenAli Analouei, 1954-, drumsSofi BastaniBehzan BibizadehSteve BloomAudrey ElizabethHayedeh EradatArjan GanjiNeda HosseiniPuneh HosseiniNaser KhorasaniMohsen SalehiNeema ShabestariNazanin Zolriyasatein
Jeffrey Scott, 1965-, Piedmont blues guitarist, Culpeper, Culpeper County, Virginia
La Sensual, salsa band, Northern Virginia -- La Sensual, salsa band, Northern VirginiaBrenda Lee Bonano, maracas, Woodbridge, VirginiaRolando Marcos, keyboards,Woodbridge, Virginia
Ron Short, 1965-, guitar, singer-songwriter, Big Stone Gap, Wise County, Virginia
Spencer Strickland, mandolin maker, Troutdale, Grayson County, Virginia
Los Tecuanis, tiger dancer, Manassas, Virginia
Speedy Tolliver, fiddler, Arlington County, Virginia -- Speedy Tolliver, fiddler, Arlington County, VirginiaAndrew Acosta, Falls Church, VirginiaJohn Kaparakis, Arlington, VirginiaWilliam Patrick McCauley, Front Royal, Virginia
Larnell Starkey and the Spiritual Seven, gospel singers, Wirtz, Franklin County, Virginia -- Larnell Starkey and the Spiritual Seven, gospel singers, Wirtz, Franklin County, VirginiaDarledia Alexander, 1959-, Wirtz, VirginiaTravis Moore, 1996-Danny Starkey, 1954-Eric Starkey, 1980-Larnell Starkey, 1948-Tim Starkey, 1970-Walter Starkey, 1951-, Wirtz, VirginiaOtario Wells, 1995-Coleman Wright, 1956-
Virginia Tribal Dancers -- Virginia Tribal DancersPowhatan Red Cloud-Owen, 1948-, dancer, Charles City, Charles City County, VirginiaTara Danielle Bradby, 1984-, Providence Forge, VirginiaRufus Elliott, 1984-, Monroe, VirginiaDebora Littlewing Moore, 1967-, West Point, VirginiaQuinton Talbott, 1995-, Big Island, VirginiaKarenne Wood, 1960-, Charles City, Virginia
Whitetop Mountain Band -- Whitetop Mountain BandThornton Spencer, fiddle, Mouth of Wilson, Grayson County, VirginiaEmily Spencer, 1952-, banjo, Mouth of Wilson, Grayson County, VirginiaMartha Spencer, 1985-, guitar, fiddle, banjo, Mouth of Wilson, Grayson County, VirginiaDeborah Bramer, bass, Fancy Gap, VirginiaJackson Cunningham, 1977-, mandolin, Christiansburg, VirginiaSpencer Pennington, 1934-, guitar, Warrensville, North Carolina
Phil Wiggins, 1954-, harmonica player, Takoma Park, Montgomery County, Maryland
Colonial Williamsburg, Williamsburg, Virginia -- Colonial Williamsburg, Williamsburg, VirginiaTed Boscana, Williamsburg, VirginiaMarshall Scheetz, Williamsburg, VirginiaTerry ThonRobert Watson, Williamsburg, Virginia
Liz Finn, archivist, Kent Archives, Canterbury, Kent, England
Julius Fuller, fraternity historian, Hampton, Virginia
Historic Jamestowne, Jamestown, James City County, Virginia
Jamestown Settlement, Jamestown, James City County, Virginia
Pamplin Historical Park and The National Museum of the Civil War Soldier, Petersburg, Virginia -- Pamplin Historical Park and The National Museum of the Civil War Soldier, Petersburg, VirginiaDaniel Beasley, 1978-, Petersburg, VirginiaAaron Bradford, 1983-, Petersburg, VirginiaJeffrey Dean, 1950-, Petersburg, VirginiaBrian Musselwhite, 1972-, Petersburg, VirginiaAl Neale, Petersburg, VirginiaWisteria Perry, 1975-, Petersburg, VirginiaAndrew Talkov, 1972-, Petersburg, Virginia
Virginia Raye, 1974-, sorority historian, Alexandria, Virginia
Paula Royster, 1966-, genealogist, Fredericksburg, Virginia
Smithsonian Anacostia Community Museum, Sperryville and Richmond Virginia Projects
Historic Archaeology
Enid Allison, 1957-, environmental archaeologist, Kent, England
Amanda Danning, sculptor, painter, woodcarver, Bay City, Texas
Marion Green, 1952-, archaeologist, Kent, England
Jamestown 2007 Community Program, Jamestown, James City County, Virginia
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2007 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The 1971 Ohio program featured some 150 participants invited to demonstrate their talents, skills and knowledge. The State of Ohio funded more extensive fieldwork than the Festival had been able to undertake in the past. The bounty from which the State presentation was drawn supported organizers' belief that all areas of the nation, no matter how urbanized or industrialized, contained a wealth of folk culture. Even though the fieldwork in Ohio spanned seven months time, Festival researchers did not imagine the results to be definitive. Choices were necessarily influenced by a fieldworker's intuition causing him or her to drive down a certain street to ask the right question at the right time, which led to a particular person's door.
Each year, the program book noted, the Festival became a broader representation of what people do and involved more of the special folklife of large communities of people. At the 1971 Festival, for example, there were several industrial craftspeople from glass factories in the Ohio River valley. There was one who cut glass in traditional patterns, and another who was a mold maker who chiseled similar patterns into the heavy steel molds from which pressed glass is made. In this way, the 1971 program sought to expand its view of craftsmanship beyond the family artisans or cottage industries that had predominated in previous Festivals.
The 1971 Ohio program was sponsored by the Governor of Ohio, the Ohio Congressional Delegation, the State of Ohio Development Office, and the Governor's Advisory Committee on Partnership for People.
Fieldworkers:
Daniel R. Barnes, Ray Browne, John Charles Camp, Carlos Drake, Richard Hulan, Stuart Kerr, Martin Koenig, Vince Leo, Larry Lissner, Mack McCormick, George Mitchell, Patrick Mullen, Ethel Raim Zinsar, Mike Seeger, Nancy Sweezy, Francis Utley, Art Walker, Barry James Ward, David Weber
Participants:
Craftspeople
Ralph Aling, 1897-1995, weaver, Millersburg, Ohio
John Ascherl, 1912-2010, stained glass cutter, Hinkley, Ohio
Michael Ascherl, 1889-1975, stained glass cutter, Sheffield, Ohio
Earl Taylor and the Stoney Mountain Boys -- Earl Taylor and the Stoney Mountain BoysEarl Taylor, 1929-1984, mandolin, Norwood, OhioJim McCall, 1932-, guitar, Norwood, OhioTim Spradlin, 1951-1996, banjo, Lucasville, OhioGerald Evans, fiddle, Ohio
Ukrainian -- chutsl -- music -- Ukrainian chutsl musicGregory Kowal, brass, OhioJohn Heckewelder Memorial Church Congregation, Brass Choir, congregational singing, Ohio
Robert Junior Lockwood, 1915-2006, blues singer and guitarist, Cleveland, Ohio
Sam Bowles, banjoist and Dobro player, West Union, Ohio
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.