Little Maggie --Cripple Creek --Keep my skillet good and greasy --Old Reuben --Careless love --John Henry --Way down on the island --Awake, awake ye drowsy sleepers -- Poor little Ellen --Arkansas traveller --Boston burglar --Good old mountain dew --Lost John --Pretty Polly --Finger ring -- Cumberland Gap --Fly around, my pretty little miss.
Track Information:
101 Little Maggie / Henry Gentry, Obray Ramsey. Banjo,Guitar.
102 Cripple Creek / George Pegram, Walter Parham. Banjo,Harmonica.
103 Keep My Skillet Good and Greasy / Harry West, Jeanie West. Banjo,Guitar.
104 Old Reuben / George Pegram, Walter Parham. Banjo,Harmonica.
105 Careless Love / Harry West, Jeanie West. Banjo,Guitar.
106 John Henry / George Pegram, Walter Parham. Banjo,Harmonica.
107 Way Down on the Island / Samantha Bumgarner. Banjo.
108 Awake, Awake Ye Drowsy Sleepers / Harry West, Jeanie West. Banjo,Guitar.
201 Poor Little Ellen / Henry Gentry, Obray Ramsey. Banjo,Guitar.
202 Arkansas Traveler / George Pegram. Banjo.
203 The Boston Burglar / Harry West, Jeanie West. Banjo,Guitar.
204 Good Old Mountain Dew / George Pegram, Walter Parham. Banjo,Harmonica.
205 Lost John / Harry West, Jeanie West. Banjo,Guitar.
206 Pretty Polly / Henry Gentry, Obray Ramsey. Banjo,Guitar.
207 Finger Ring / Harry West, Jeanie West. Banjo,Guitar.
208 Cumberland Gap / George Pegram, Walter Parham. Banjo,Harmonica.
209 Fly Around My Pretty Little Miss / Samantha Bumgarner. Banjo.
Local Numbers:
FW-ASCH-LP-0420
Riverside.12610
Publication, Distribution, Etc. (Imprint):
New York Riverside 195x
General:
Biographical and descriptive notes by Kenneth S. Goldstein on slipcase. Performer(s): Obray Ramsey, George Pegram, Harry West, "Aunt" Samantha Bumgarner, banjo ; with accompanying instrumentalists. Production notes: Recorded by Kenneth Goldstein and William A. Grant at the mountain folk dance amd music festival conducted by Bascom Lamar Lunsford in Asheville, North Carolina, in 1955; and in New York City (Harry West).
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Old Joe Clark (Wade Ward) -- Poor Ellen Smith (Estil C. Ball) -- Sourwood Mountain (Hobart Smith) -- The girl I left behind (Spencer Moore) -- John Henry (Glen Stoneman) -- Three little babes (Texas Gladden) -- Bonaparte's retreat (Norman Edmonds) -- June apple (Charlie Higgins & Wade Ward) -- Peg an' awl (Hobart Smith) -- Sally Anne (George Stoneman) -- The fox chase (Wade Ward, Bob Carpenter) -- The banks of the Ohio (Ruby Vass) -- Willow garden (Charlie Higgins, Wade Ward) -- Graveyard blues (Hobart Smith) -- Uncle Charlie's breakdown (Charlie Higgins & Wade Ward) -- The burglar man (Bob Carpenter) -- Fly around my blue-eyed girl (Hobart Smith) -- Single girl (Ruby Vass) -- Parson Burrs (Hobart Smith) -- Piney Woods gal (Charlie Higgins & Wade Ward) -- Hicks' farewell (Texas Gladden) -- Black Annie (Hobart Smith) -- The little schoolboy (Hobart Smith) -- Breaking up Christmas (Norman Edmonds) -- Whole heap a little horses (Texas Gladden) -- Cluck old hen (Wade Ward).
Track Information:
101 Three Nights Drunk (Child No. 274) / Carolyn Mainer Helmes, Glen Mainer, J. E. (Joseph E.) Mainer. Guitar,Fiddle,Banjo.
102 Sally Anne / George Stoneman. Banjo.
103 The House Carpenter (Child No. 243) / Almeda Riddle.
206 Sally Goodin / Neil Morris, Charlie Everidge. Mouth bow.
207 The Banks of the Ohio / Ruby Vass. Guitar.
Local Numbers:
FW-ASCH-LP-1686
Prestige/International.25003
Publication, Distribution, Etc. (Imprint):
Bergenfield, N.J. Prestige International 1961
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The rambling boy --Keep on the sunny side --Polly put the kettle on --Little Margaret --I am a pilgrim --Cripple creek -- Down by the sea shore --Song of the Frency Broad River -- God gave Noah the Rainbow sign --Shortenin' bread -- Wildwood flower --My Lord, what a morning --Lonesome road blues --Weeping willow.
Track Information:
101 The Rambling Boy / Banjo.
102 Keep on the Sunny Side / Banjo.
103 Polly Put the Kettle On / Banjo.
104 Lady Margaret (Mattie Groves) (Child No. 81) / Banjo.
105 I Am a Pilgrim / Banjo.
106 Cripple Creek / Banjo.
107 Down By the Sea Shore (I Never Will Marry) / Banjo.
201 Song of the French Broad River / Banjo.
202 God Gave Noah the Rainbow Sign / Banjo.
203 Shortening Bread / Banjo.
204 Wildwood Flower / Banjo.
205 My Lord, What a Morning / Banjo.
206 Lonesome Road Blues / Banjo.
207 Weeping Willow / Banjo.
Local Numbers:
FW-ASCH-LP-1721
Riverside.12649
Publication, Distribution, Etc. (Imprint):
New York Riverside
Date/Time and Place of an Event Note:
1957.
General:
Program notes, biography, and historical information by Kenneth S. Goldstein on container. Performer(s): Obray Ramsay, vocals and banjo. Production notes: Recorded at the Western North Carolina State Hospital, July 26-28, 1957.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Poor Jesse James --Go to Italy --The merry golden tree (Child #286) --I shall not be moved --The derby ram --The old man from the North country --The miller's will --Sundown --Fly around, my blue-eyed girl --Black Jack Davy (Child #200) -- Weeping willow tree --Swing low, chariot --The sailor on the deep blue sea --John Henry.
Track Information:
101 Poor Jesse James / Banjo.
102 Go to Italy / Banjo.
103 Merry Golden Tree (Golden Vanity) (Child No. 286) / Banjo.
104 I Shall Not Be Moved / Banjo.
105 The Derby Ram / Banjo.
106 Old Man from the North Country (Child No. 10) / Banjo.
107 The Miller's Will / Banjo.
201 Sundown / Banjo.
202 Fly Around My Blue Eyed Girl / Banjo.
203 Black Jack Davy (Child No. 200) / Banjo.
204 Weeping Willow Tree / Banjo.
205 Swing Low Sweet Chariot / Banjo.
206 The Sailor on the Deep Blue Sea / Banjo.
207 John Henry / Banjo.
Local Numbers:
FW-ASCH-LP-2399
Riverside.12645
Publication, Distribution, Etc. (Imprint):
New York Riverside 1959
General:
Program notes by Kenneth S. Goldstein and Bascom Lamar Lunsford on slipcase. Performer(s): Sung by Bascom Lamar Lunsford, assisted by Mrs. Freda English, with guitar acc. by the latter. Production notes: Recorded Sept. 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Country ham and red gravy--Rise when the rooster crows--Peek-a-boo--In the good old summertime--The gayest old dude that's out--He's up with the angels now--Honest confession is good for the soul--Only as far as the gate
Local Numbers:
FW-ASCH-7RR-3902
General:
Outtakes for Folkways RF 51/FWORF51 "Uncle Dave Macon" (1963) banjo master and an early star of the Grand Ol Opry. A collection of 78 dubs selected and arranged by Pete Seeger, these tracks were not used on RF 51.
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Cumberland mountain deer chase--On the Dixie bee line--Death of John Henry--Rock about my Saro Jane--Gray cat on a Tennessee farm--Way down the old plank road
Local Numbers:
FW-ASCH-7RR-3903
General:
Outtakes for RF 51/FWORF51 "Uncle Dave Macon," (1963) banjo master and an early star of the Grand Ole Opry. A collection of 78 dubs selected and arranged by Pete Seeger, these are tracks not used on RF 51, except for Cumberland Mountain Deer Race.
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Ellen Smith --Little birdie --The train a-pullin'; the crooked hill -- Galilee, the unclouded days --Hard times --East Virginia -- The cuckoo --Coal Creek march --The last pay day at Coal Creek --Ida red --Pretty Polly --The scoldin' wife --The house carpenter.
Track Information:
101 Poor Ellen Smith / Pete Steele. Banjo.
102 Coal Creek March / Pete Steele. Banjo.
103 Train A-Pullin' / Pete Steele. Banjo.
103 The Crooked Hill / Pete Steele. Banjo.
104 Hard Times / Pete Steele, Lilly Steele. Banjo.
105 The Scoldin' Wife / Pete Steele. Banjo.
106 Interview / Pete Steele. Banjo.
107 Ida Red / Pete Steele. Banjo.
108 Galiliee / Pete Steele, Lilly Steele. Banjo.
109 Unclouded Day / Pete Steele, Lilly Steele. Banjo.
110 East Virginia / Pete Steele. Banjo.
111 The Cuckoo Bird / Pete Steele, Lilly Steele. Banjo.
112 House Carpenter (Child No. 243)/ Pete Steele, Lilly Steele. Banjo.
113 Last Pay Day at Coal Creek / Pete Steele. Banjo.
114 Little Birdie / Pete Steele. Banjo.
115 Pretty Polly / Pete Steele. Banjo.
Local Numbers:
FW-ASCH-7RR-4997
General:
Folkways 3828
CDR copy;
Sung and played by Pete Steele. Production notes: Recorded by Ed Kahn in Hamilton, Ohio.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 Traditional Banjo Music / Arnie Solomon, Don Stover. Banjo.
103 Southern Mountain Music / Hazel Dickens. Guitar.
Local Numbers:
FP-1987-CT-0430
General:
Cubanakan; Don Stover; Arnie Solomon; Hazel Dickens,Bern Bryant, Carl Nelson, Frank Necessary Afro-Cuban Music; Traditional Banjo Music; Southern Mountain Music 2 Of 4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
This collection contains 73 open reel tapes, made by Eric H. Davidson between 1958-1984, featuring the traditional music of Southern Appalachia.
Scope and Contents:
The Eric H. Davidson audio recordings consists of 73 open reel tapes dating from 1958-1984, featuring field recordings made by Davidson and his colleagues (including Caleb Ellicott Finch, Paul Newman, Lyn Davidson, and Jane Rigg) featuring the traditional music of Southern Appalachia. The recordings were collected primarily in Grayson and Carroll counties in Southwestern Virginia, and adjacent counties in North Carolina.
Arrangement:
The Eric H. Davidson audio recordings are arranged in chronological order. Each open reel tape was assigned a unique number by Eric Davidson.
Biographical / Historical:
Eric H. Davidson was born in 1937, in New York City. He was primarily known as a pioneering developmental biologist, who revolutionized the research of and theoretical framework behind "the gene regulatory networks that perform complex biological processes, such as the transformation of a single-celled egg into a complex organism. His work helped to reveal how the DNA sequences inherited in the genome are used to initiate and drive forward the sequence of steps that result in development." (1)
Davidson's work in biology began at the age of 16, when he began conducting research with cell physiologist L. V. Heilbrunn, a family friend, at the Marine Biological Laboratory (MBL) in Woods Hole, Massachusetts. He began as a dish washer at the MBL, but was informed by Heilbrunn that he was also expected to have a research project. This project resulted in a published abstract in the Biological Bulletin on clotting in sand dollars.
Davidson earned his bachelor of arts degree from the University of Pennsylvania in 1958 and his doctorate from Rockefeller University in 1963. After working as a postdoctoral researcher and faculty member at Rockefeller, he moved to Caltech, where he would spend the rest of his career, beginning as a visiting assistant professor. He was named Norman Chandler Professor of Cell Biology in 1982 and remained there until his death.
His interest in old time music arose at nearly the same time as his interest in biology. His father, a well-known abstract painter, and mother were connected to several people who were hired to do research for the Works Progress Administration (WPA) of the late 1930's and 40's. At 14, he began to play the 5-string banjo after being introduced to the instrument through his exposure to recordings of Southern Appalachian music recorded as a part of the WPA, held at the Library of Congress.
In college, he played music in cafes. He also got a hold of the log of WPA recordings that were so influential to him. He began to stick pins in maps wherever the recordings were made, and began to notice that most of the pins were clustered in two counties in Southwestern Virginia--Grayson and Carroll counties--and adjacent counties in North Carolina.
In 1956, he began to take trips down to these areas during breaks from school to record musicians that had learned songs and skills through oral tradition, as opposed to the radio or records. He continued to go every year for many years, until the last person he knew had learned by oral tradition passed away. He formed close relationships with many notable musicians during these trips, including Wade Ward (from whom he learned the clawhammer banjo playing technique), Tommy Jarrell, Paul Joines, Glen Neaves, Vester Jones, Ed Spencer, Glen Smith, Cullen Galyean, and Bobby Harrison. He often recorded with his longtime collaborators Caleb Ellicott Finch, Paul Newman, Lyn Davidson, and Jane Rigg. Many of these recordings were released by Moses Asch as Folkways Records albums, produced by Davidson and his collaborators between 1962-1986.
Davidson was interested in the personal, musical, structural, traditional, and historical aspects of Southern Appalachian music. His fieldwork style was to continue to record a musician until they got tired or he'd run out of tape. Then he'd come back the next day, and the next year, and the year after that, until he had recorded everything that musician knew. This gave his work the characteristic of what he described as, borrowing from his scientific background, a longitudinal study. He was able to observe changes in the musical tradition of the region: the transition of traditional ballad singing from a cappella to string band accompaniment, the incorporation of the guitar into the string band ensemble, and the shift from clawhammer to three-finger banjo picking. In an oral history interview with Davidson conducted by the Ralph Rinzler Folklife and Collections in 2015, Davidson said that in his research, he could see how "ballads combine and recombine like genetic organisms in biology."
Davidson was also an accomplished banjo musician in his own right. He formed the Iron Mountain String Band together with Caleb Finch (fiddle), and Peggy Haine (guitar), releasing an album (FA 2473) on Folkways Records in 1973 consisting of songs and tunes learned from his many recording trips into Grayson and Carroll counties.
Eric Davidson died on September 1, 2015 at the age of 78.
1. "Developmental Biologist Eric H. Davidson Passes Away," Caltech News, September 4, 2015, accessed January 5, 2016, http://www.caltech.edu/news/developmental-biologist-eric-h-davidson-passes-away-47772.
Disclaimer:
Please note that some language in this collection is culturally insensitive or offensive to viewers. It is presented as it exists in the original material for the benefit of research and the historical record. The material reflects the culture and context in which it was created and not the views of the Smithsonian Institution.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Related Materials:
An oral history with Eric H. Davidson was conducted by the Ralph Rinzler Folklife Archives and Collections on April 26, 2015. Both the video and transcript is available for researchers. Contact archives staff for information.
Provenance:
Donated by Eric H. Davidson.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Fiddle tunes -- Appalachian Region, Southern Search this
Folk music -- Appalachian Region, Southern Search this
Banjo music -- Appalachian Region, Southern Search this
Recorded in: Washington, D.C, United States, June 25, 1986.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington, D.C, United States, July 3, 1986.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Mike Seeger--Shady grove; Bill Williams--John Henry--Old Joe Clark--Don't let the deal go down; Sam Bowles--I don't love nobody--Cripple creek; Ernest Hodges-- Cumberland gap--Coal Creek march
Track Information:
101 Appalachian / Mike Seeger.
102 Country Blues / Bill Williams.
103 null / Sam Bowles.
104 Old Time Banjo and Fiddle / Ernest Hodges. Banjo,Fiddle.
General note:
DPA number 71.101.1
Local Numbers:
FP-1971-10RR-0001
General:
CDR copy
71.101.01
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1971.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Snowbird in Ashbank Uncle John's waltz Flat footed Charlie Bob Murphy Milk cow blues Bucking mule Uncle John's rock Summerland First lady waltz Deep elm blues Draggin' the bow Hen cackle Plains, Georgia rock
Local Numbers:
FP-ARH-LP-5018
Arhoolie.5018
Publication, Distribution, Etc. (Imprint):
El Cerrito, CA Arhoolie 1977
Participant or Performer Note:
Uncle John Patterson med James Patterson
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music -- Appalachian Region, Southern Search this
Peach bottom creek--Cripple creek--Billy in the low ground--Pretty little willow--Sourwood mountain--Shout lu--Half shaved nigger--Poor Ellen Smith--Black Mountain--Uncle Eef got a coon--Sally Ann--Western county--Mississippi sawyer--John Hardy--Old Jimmy Sutton--Arkansas traveler--Old Reuben
Local Numbers:
FW-ASCH-7RR-4008
General:
CDR copy
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Richmond Square / Highlanders (Musical group), Charlie Poole.
102 Tennessee Blues / Highlanders (Musical group), Charlie Poole.
103 Don't Let Your Deal Go Down / Highlanders (Musical group), Charlie Poole.
104 Flop-Eared Mule / Highlanders (Musical group), Charlie Poole.
105 Kitty Waltz Yodel / Highlanders (Musical group), Charlie Poole.
106 May I Sleep in Your Barn Tonight, Mister? / Highlanders (Musical group), Charlie Poole.
107 Lynchburg Town / Highlanders (Musical group), Charlie Poole.
201 A Trip to New York / Highlanders (Musical group), Charlie Poole.
202 Sunset March / Highlanders (Musical group), Charlie Poole.
203 Railroad Blues / Highlanders (Musical group), Charlie Poole.
204 Under the Double Eagle / Highlanders (Musical group), Charlie Poole.
Local Numbers:
FP-RINZ-LP-0982
Arbor.201
Publication, Distribution, Etc. (Imprint):
Chicago, IL Arbor
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
