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Leslie Schinella Collection of Gene Krupa Materials

Collector:
Schillinger, Leslie  Search this
Names:
Goodman, Benny (Benjamin David), 1909-1986  Search this
Krupa, Gene, 1909-1973  Search this
Lombardo, Guy, 1902-1977  Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Photographs
Magazines (periodicals)
Concert programs
Date:
1945-1970.
Summary:
The collection consists of printed materials relating to Gene Krupa and other big band musicians and band leaders, including Guy Lombardo and Benny Goodman.
Scope and Contents:
The collection documents the musical career of Gene Krupa, including a biography from a magazine. There are four souvenir programs from concerts by notable musicians and orchestras. Two of these feature Gene Krupa. Others include Benny Goodman, Louis Armstrong, Ahmad Jamal, Dakota Staton, Guy Lombardo, Frankie Carle, Bob Crosby, Freddy Martin and Margaret Whiting. In addition, a list of hits from a radio station and a photograph of Krupa from a magazine are found among the materials.
Arrangement:
The collection is arranged in one series.
Biographical / Historical:
: Gene Krupa was born in Chicago, Illinois in 1909 to devout Roman Catholic parents who hoped he would enter the priesthood. He began playing drums professionally in the mid 1920s and in 1927 made his first recordings with Eddie Condon and other notable jazz musicians of the "Chicago" scene. After joining Benny Goodman's band in 1934, he became nationally famous. His interludes on the hit "Sing, Sing, Sing" were the first drum solos ever commercially recorded. With his own orchestra, he appeared in several movies during the Swing era of the 1940s and as himself in biographical films during the 1950s. Still performing in the 1960s, he also opened a music school. Gene Krupa died in 1973.
Related Materials:
Materials at the National Museum of American History

The Division of Culture and the Arts holds artifacts related to this collection including, twenty two pieces of a Slingerland drum set with accessories and a stool used by Gene Krupa when playing in the Benny Goodman orchestra in the 1930s. In addition, there is an album containing eleven sound recordings of Gene Krupa and his Orchestra. See Accession numbers 2010.0242 and 2010.3098.
Provenance:
Donated to the Archives Center in 2011 by Leslie Schillinger.
Restrictions:
Collection is open for research and access on site by appointmen. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply.
Topic:
Jazz  Search this
Big band music  Search this
Genre/Form:
Photographs -- 20th century
Magazines (periodicals) -- 20th century
Concert programs
Citation:
Leslie Schillinger Collection of Gene Krupa Materials, 1945-1970, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1220
See more items in:
Leslie Schinella Collection of Gene Krupa Materials
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1220
Online Media:

Jazz and Big Band Collection

Creator:
Morrow, Buddy  Search this
Mooney, Art  Search this
Timbrell, Tiny, 1917-1992  Search this
Stacy, Jess, 1904-1995  Search this
Wilson, Teddy, 1912-1986  Search this
Glen Gray Band  Search this
Gabler, Milt  Search this
Fields, Shep  Search this
Dick Jurgens  Search this
James, Harry  Search this
Horace Heidt  Search this
Lombardo, Guy, 1902-1977  Search this
Kay Kyser  Search this
Duchin, Eddy, 1909-1951  Search this
Goodman, Benny (Benjamin David), 1909-1986  Search this
McIntyre, Hal, -1959  Search this
Krupa, Gene, 1909-1973  Search this
Barron, Blue, 1912-2005  Search this
Elman, Ziggy  Search this
Cohasco, Inc.  Search this
Cugat, Xavier, 1900-1990  Search this
Names:
Anthony, Ray, 1922-  Search this
Armstrong, Louis, 1901-1971  Search this
Barnet, Charlie  Search this
Beneke, Tex  Search this
Brown, Les, 1912-2001  Search this
Brubeck, Dave  Search this
Calloway, Cab, 1907-  Search this
Christy, June, 1925-  Search this
Cole, Nat King, 1917-1965  Search this
Dorsey, Tommy, 1905-1956  Search this
Ellington, Duke, 1899-1974  Search this
Fitzgerald, Ella, 1917-1996  Search this
Frankie Laine  Search this
Garner, Erroll  Search this
Getz, Stan, 1927-1991  Search this
Gillespie, Dizzy, 1917-1993  Search this
Gray, Glen, 1906-1963  Search this
Henderson, Fletcher, 1897-1952  Search this
Herman, Woody, 1913-1987  Search this
Jordan, Louis, 1908-1975  Search this
Kaye, Sammy, 1910-1987  Search this
Kenton, Stan  Search this
Lee, Peggy  Search this
Lopez, Vincent, 1894-1975  Search this
Lunceford, Jimmie  Search this
MacRae, Gordon  Search this
Martin, Freddy, 1906-1983  Search this
May, Billy  Search this
Mercer, Johnny, 1909-1976  Search this
Miller, Glenn  Search this
Monroe, Vaughn, 1911-1973  Search this
Mulligan, Gerry  Search this
Norvo, Red, 1908-1999  Search this
Page, Patti  Search this
Ray McKinley  Search this
Rich, Buddy  Search this
Shaw, Artie, 1910-2004  Search this
Shore, Dinah, 1917-1994  Search this
Sinatra, Frank, 1915-1998  Search this
Spivak, Charlie  Search this
Vallée, Rudy, 1901-1986  Search this
Vaughan, Sarah, 1924-1990  Search this
Waring, Fred, 1900-1984  Search this
Webb, Chick, 1909-1939  Search this
Weems, Ted  Search this
Welk, Lawrence, 1903-1992  Search this
Whiteman, Paul, 1890-1967  Search this
Whiting, Margaret  Search this
Extent:
1.5 Cubic feet (1 box, 1 map folder)
Type:
Collection descriptions
Archival materials
Contracts
Postcards
Posters
Publicity photographs
Programs
Menus
Magazines (periodicals)
Tickets
Matchcovers
Motion picture stills
Handbills
Signatures (names)
Sheet music
Date:
1927 - 1966
Scope and Contents:
The collection consists of 235 pieces of music ephemera assembled by an anonymous California musicologist over several decades. The contents include such things as concert ticket stubs; show programs; handbills; publicity stills; record store posters; nightclub souvenirs; autographs; contracts, lobby cards; movie stills; postcards; fan and record industry magazines; sheet music; an oversize RKO theatre owners' advertising book for the 1942 sensation "Syncopation," starring Charlie Barnet, Benny Goodman, Harry James, Gene Krupa, et al; and miscellany such as matchbook covers and novelty promotional pieces. There are just a few letters in the collection. The collection contains materials representing both bands and band members, and individual artists. In many cases, there are only one or a few relevant items. Persons and acts represented include: Ray Anthony, Louis Armstrong, Charlie Barnet, Tex Beneke, Les Brown, Dave Brubeck, Cab Calloway, June Christy, Nat King Cole, Tommy Dorsey, Duke Ellington, Ella Fitzgerald, Erroll Garner, Stan Getz, Dizzy Gillespie, Benny Goodman, Glen Gray, Fletcher Henderson, Woody Herman, Harry James, Louis Jordan, Sammy Kaye, Stan Kenton, Gene Krupa, Kay Kyser, Frankie Laine, Peggy Lee, Guy Lombardo, Vincent Lopez, Jimmy Lunceford, Gordon MacRae, Freddy Martin, Billy May, Johnny Mercer, Glenn Miller, Vaughn Monroe, Gerry Mulligan, Red Norvo, Patti Page, Buddy Rich, Artie Shaw, Dinah Shore, Frank Sinatra, Charlie Spivak, Rudy Vallee, Sarah Vaughan, Fred Waring, Chick Webb, Ted Weems, Lawrence Welk, Paul Whiteman, Margaret Whiting, and Benny Goodman. In other cases, the collection contains an item or items (such as menus) that have been autographed. The collection contains autographs or autographed items for the following: Gene Krupa, Jess Stacy, Teddy Wilson, Blue Barron, Eddie Duchin, Shep Fields, Ziggy Elman, Glen Gray Band, Milt Gabler, Horace Heidt, Dick Jurgens, Kay Kyser, Guy Lombardo, Xavier Cugat, Hal McIntyre, Art Mooney, Buddy Morrow, Harry James and "Tiny" Timbrell.
Arrangement:
: 1 series.
Provenance:
Cohasco, Inc.,Purchase.,2016,ACNMAH 1388; Nonacc. No. pending.
Restrictions:
UNPROCESSED COLLECTION.
Unrestricted research access on site by appointment.,Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Musicians  Search this
Popular music  Search this
Music -- 20th century  Search this
Big band music  Search this
Jazz  Search this
Genre/Form:
Contracts
Postcards
Posters
Publicity photographs
Programs -- Concerts
Menus
Magazines (periodicals)
Tickets
Matchcovers
Motion picture stills
Handbills
Signatures (names)
Sheet music
Citation:
Jazz and Big Band Collection, 1927-1966, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1388
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1388
Online Media:

Ray McKinley Music and Ephemera

Collector:
McKinley, Ray, 1910-1995 (musician, bandleader)  Search this
Names:
Dorsey, Jimmy, Orchestra  Search this
McKinley, Ray, Orchestra  Search this
Miller, Glenn, Orchestra  Search this
Extent:
19.5 Cubic feet (56 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Ephemera
Music
Scrapbooks
Clippings
Date:
1945-1994
Scope and Contents:
The Ray McKinley Music and Ephemera consists of music, scores, sideman books, photographs, correspondence, news clippings and magazine articles, business records, awards, audio and videotapes, 45 rpm commercial recordings, and miscellaneous biographical notes. The records date from the the late nineteenth century to 1996 and document the professional music career and personal life of Ray McKinley (drummer, band leader, and vocalist). The collection is organized into three series; Series 1: Music ca. 1942-1990, Series 2: Ephemera ca. 1870-1996, and Series 3: Miscellaneous ca. 1943-1993. Materials in each series are arranged either alphabetically by music title or chronologically by date.

The following reference abbreviations are used in the container list to facilitate cross-referencing of materials in different subseries:

see: look for this title or material in the following location sa: see also: additional or related material is available in the following location aka: also known as OS: oversize score OP: oversize photograph
Arrangement:
The collection is divided into three series.

Series 1: Music

Series 2: Ephemera

Series 3: Audio Visual Materials
Biographical / Historical:
Ray McKinley was born on June 18, 1910 in Fort Worth, Texas, the son of Flora Newell McKinley and Raymond Harris McKinley, Sr. McKinley, Jr. entertained himself at an early age by "drumming" on whatever was available, and he received his first drum set at age nine from a family friend. His performing career had begun even earlier, at age six, with a snare drum solo for several thousand at the Elks Circus in the North Fort Worth Coliseum. At twelve he started playing professionally with local bands and orchestras. In an April, 1986 article in Modern Drummer, McKinley commented, "I wasn't that terrific, but everyone thought I was" (see Subseries 2B: Newsclippings and Magazine Articles). Whether deserved or not, his reputation was good enough that when the Jimmy Joy Orchestra came to town and was strapped for a substitute drummer, twelve-year-old McKinley got the job.

McKinley left town for the first time on a tour with the Duncan-Marin band in 1926. While performing in a Chicago nightclub, he was caught in the crossfire of a gang shoot-out and shot in the leg. During his convalescence, he wandered the clubs and listened in on sets. He met "Benny Pollack, Benny Goodman, Glenn Miller and others" (Ray McKinley, see Subseries 2F: Biographical Materials). He left the Duncan-Marin group in 1927 for the Beasley Smith orchestra, and joined the Tracy-Brown Orchestra in 1929. He played with Milt Shaw's Detroiters for a time in 1930, followed by a stint with Dave Bernie's band. With Bernie, he made two trips to England, "where he acquired a set of neckties and a Southern accent" (McKinley, Biographical Materials).

Glenn Miller asked McKinley to join him in Smith Ballew's band in 1932, and Miller later placed McKinley and four others with the Dorsey Brothers' Orchestra. When the Dorseys split, McKinley stayed with Jimmy Dorsey, although he was heavily recruited by other band leaders, including Tommy Dorsey and Benny Goodman. He became known as a vocalist as well as drummer in Jimmy Dorsey's band, and had Bing Crosby name him "one of the ten best vocalists in the country" (All-American Band Leaders, July, 1942). In 1939, at the suggestion of booking agent Willard Alexander, McKinley joined forces with Will Bradley (formerly Wilber Schwitsenberg) to form the "Will Bradley Orchestra featuring Ray McKinley." With McKinley on vocals and drums, the band's several hits included Beat Me Daddy, Eight to the Bar, Down the Road Apiece and Celery Stalks at Midnight. McKinley left in 1942 to form his own group, The Ray McKinley Orchestra. The band was very well-recieved, but broke up after only 8 months due to external factors including the outbreak of the second World War. McKinley placed many of his players with the Tommy Dorsey Orchestra just before he was drafted.

McKinley's old association with Glenn Miller paid off when Glenn took him on for his famous Army Air Force Band. McKinley says that Glenn Miller's band "was one of the two best musical organizations I had anything to do with as a player" (Modern Drummer). The Glenn Miller Band was sent to England in June, 1944. After Miller disappeared in 1944, McKinley fronted the band until its return to the United States in 1945. At this point, McKinley handed the reins to Tex Benecke and formed a new Ray McKinley Orchestra.

McKinley's new orchestra enjoyed great success, partially due to its young talent, including that of arrangers Eddie Sauter and Deane Kincaide. McKinley's showmanship and skills as leader, vocalist, and drummer also earned the band many fans. Some of their hits included Red Silk Stockings and Green Perfume, You Came a Long Way From St. Louis, and Arizay. Unfortunately, the group's inception coincided with the end of the big band era. McKinley adjusted the size and style of the band in attempts to satisfy public demand, but he finally disbanded the group when he suffered an attack of amoebic dysentery in 1951.

After his recovery, McKinley freelanced with different bands and in radio and television, mostly accepting appearances that kept him near his home in Connecticut. His last extended stint with any band came in 1956, when Willard Alexander persuaded the Glenn Miller Estate to sponsor a New Glenn Miller Orchestra with McKinley as its leader. The band played arrangements of old Miller favorites from the original music as well as more contemporary hits. This orchestra, like McKinley's earlier ones, was very successful, performing on television and travelling all over the world. In 1966, McKinley tired of the road and "retired". For the next thirty years, McKinley again stayed close to home, playing "gigs" with various bands, working as a musical consultant for Walt Disney World in 1971, and doing some television and recordings.

McKinley is remembered as a loving family man, screwball showman, and dedicated musician. In January, 1950,InternationalMusician said that McKinley was "known in the trade as a 'drummer's drummer'--just about the highest accolade one can receive." Many of his fellow musicians attest that his clean, energetic style of drumming provided the drive behind many of the bands he played with, while his technical skill and sense of humor produced the exciting solos that made him popular with the public. According to drummer Cliff Leeman, "Unlike many of the highly technical, showman drummers, McKinley combined elements of showmanship and thoughtful, feeling performance. He never ignored his timekeeping duties" (Modern Drummer, 1986). Both on the drums and as band leader, McKinley was a bit of a clown. For instance, the "vocal" in Celery Stalks at Midnight originated when McKinley, for no particular reason, "instead of playing a two bar solo on the drums...just yelled out, 'Celery Stalks along the highway!'" (McKinley, Big Band Jump Newsletter). Still, despite his antics and the fun he obviously had while on the stand, McKinley was deadly serious about music. His thoughts on drumming are evidence of this: "Once you have the techniques down and combine them with an inherent sense of rhythim--I believe you have to be born with it--you're well on your way to becoming a good drummer. If you don't have that bone-deep rhythmic sense, or 'feel', you should be doing something else. That may sound autocratic. But that's the way it is, as far as I'm concerned"( ModernDrummer).

McKinley was married in 1937 but divorced by 1942. He then married ballet dancer Gretchen Havemann in 1943, a few months into his tenure with the Glenn Miller Band. On April 7, 1949, they had daughter for whom Gretchen coined the name Jawn. A loving, happy couple, he and Gretchen celebrated their fiftieth wedding anniversary in 1993. In 1983, he and Gretchen began spending half of their year in a home in Florida and half in Canada. He died in 1995.
Separated Materials:
Ray McKinley drumset and two band stands are located in the Division of Music History.
Provenance:
Donated by Gretchen McKinley and Jawn McKinley Neville on February 2, 1998.
Restrictions:
Collection is open for research.
Rights:
Copyright restrictions. Contact the Archives Center for information.
Topic:
Big band music -- 1940-2000  Search this
Jazz musicians  Search this
Musicians  Search this
Music -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Ephemera -- 20th century
Music -- 1940-2000
Scrapbooks -- 20th century
Clippings -- 20th century
Citation:
Ray McKinley Music and Ephemera, ca 1945-1994, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0635
See more items in:
Ray McKinley Music and Ephemera
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0635
Online Media:

Liberty Brass Band - "Liberty Funeral March" [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2015-01-17T02:10:24.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_LqesitxVuQI

Hot 8 Brass Band on Overcoming Adversity Through Music [Behind The Scenes Documentary]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
YouTube Videos
Uploaded:
2014-11-10T18:59:29.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_YScY7Y-ZBH0

John Philip Sousa

Artist:
Brown Brothers Studio, active c. 1900s - 1940s  Search this
Sitter:
John Philip Sousa, 6 Nov 1854 - 6 Mar 1932  Search this
Medium:
Gelatin silver print
Dimensions:
Image/Sheet: 12 x 16.3cm (4 3/4 x 6 7/16")
Type:
Photograph
Date:
c. 1925
Topic:
Exterior  Search this
Costume\Dress Accessory\Eyeglasses\Pince-nez  Search this
Music\Musical instrument\Conductor's baton  Search this
John Philip Sousa: Male  Search this
John Philip Sousa: Performing Arts\Performer\Musician\Composer  Search this
John Philip Sousa: Performing Arts\Performer\Musician\Violinist  Search this
John Philip Sousa: Performing Arts\Performer\Musician\Conductor  Search this
John Philip Sousa: Performing Arts\Performer\Musician\Bandmaster  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2001.45
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b6509b7a-6809-415e-94a0-a2570dcd7bca
EDAN-URL:
edanmdm:npg_NPG.2001.45

Helen May Butler Collection

Creator:
Young, Helen May Butler  Search this
Source:
Musical Instruments, Division of (NMAH, SI)  Search this
Names:
Helen May Butler's Ladies Military Band.  Search this
United States. Congress. Senate -- 1930-1940  Search this
Butler, Helen May  Search this
Former owner:
Musical Instruments, Division of (NMAH, SI)  Search this
Extent:
1 Cubic foot (3 boxes, one oversize folder)
Type:
Collection descriptions
Archival materials
Programs
Scrapbooks
Sheet music
Correspondence
Advertising fliers
Postcards
Posters
Clippings
Photographs
Place:
Saint Louis (Mo.) -- 1890-1920
Boston (Mass.)
Charleston (S.C.)
Buffalo (N.Y.)
Date:
1899-1937
bulk 1902-1902
Scope and Contents:
The materials cover the career of a woman bandmaster with an all women's traveling military band from 1898-1913, with the bulk of the material ca. 1902. Contents include clippings, photographs, programs, sheet music, hand noted music, posters, post cards, advertising fliers, letters, telegram, biographical article announcing candidacy for U.S. Senate seat in 1936, and "The Flood of 1937" section of the Cincinnati Post, February 13, 1937. Bands included Helen May Butler's Ladies Military Band, Talma Ladies Orchestra, U.S. Talma Ladies Military Band.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Helen May Butler, woman bandmaster, directed an all-women traveling military band from 1898 to 1913. "Music for the American people, by American composers, played by American girls" was one of the band's mottoes. Born in New Hamphire in 1873, she pursued a variety of musical studies and became an accomplished performer in both violin and cornet. She announced candidacy for a U.S. Senate seat in 1936.
Provenance:
Collections donated by Helen May Butler Young, June 1962.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women musicians -- 1890-1920  Search this
Bands (Music) -- 1890-1920  Search this
Bandmasters -- 1890-1920  Search this
advertising  Search this
Music -- Performance -- 1890-1920  Search this
Musicians -- 1890-1920  Search this
Floods  Search this
Brass bands -- 1890-1920  Search this
Genre/Form:
Programs
Scrapbooks
Sheet music
Correspondence -- 1930-1950
Advertising fliers -- 1890-1920
Postcards
Posters -- 1880-1900
Clippings -- 1890-1920
Photographs -- 1900-1950
Citation:
Helen May Butler Collection, 1899-1937, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0261
See more items in:
Helen May Butler Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0261
Online Media:

Smithsonian Folklife Festival records: 1971 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Culture:
Areyto  Search this
Moko Jumbie Dance  Search this
Type:
Collection descriptions
Archival materials
Videotapes
Audiotapes
Audiocassettes
Contracts
Memorandums
Correspondence
Business records
Notes
Plans (drawings)
Digital images
Video recordings
Slides (photographs)
Negatives
Photographic prints
Sound recordings
Place:
Caribbean Area
Puerto Rico
Virgin Islands
Date:
July 1-5, 1971
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1971 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Northwest Coast Indians

Series 3: Ohio

Series 4: Performances

Series 5: Union Workers
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1971 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The Festival of American Folklife, since its initiation in 1967, sought to present varied folk traditions representing a broad spectrum of our nation's cultural groups. It was the Smithsonian's hope and belief that the 1971 Festival would deepen and advance public appreciation of the richness and viability of American grass-roots creativity.

The 1971 Festival featured the State of Ohio, Pacific Northwest Coast Indians and Alaskan Eskimos, and the American worker as a part of organized labor. It took place for five days on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of History and Technology and the National Museum of Natural History (see site plan).

Evening programs took place in two locations: Indian Pow Wows were held in the Indian Area at 13th Street opposite the National Museum of History and Technology nightly except July 4th when a powwow was held on the Washington Monument Grounds. Evening concerts took place on the Main Stage located in front of the National Museum of Natural History. The Main Stage also hosted its own performers and others drawn from one of the Festival's three other programs; the resulting recordings constitute a separate subseries below.

The 1971 Festival was once again produced by the Division of Performing Arts, where James R. Morris was Director and Richard Lusher was Deputy Director. Ralph Rinzler continued as Festival Director, with Gerald L. Davis as Assistant Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1971 Program Book included information on all of the programs, a participant list, and schedule.
Festival speakers and consultants:
Roger Abrahams, Daniel Barnes, Mike Cooney, Hazel Dickens, Josh Dunson, Kenneth S. Goldstein, Archie Green, Richard Hulan, Martin Koenig, George Mitchell, Patrick Mullen, Hoyle Osborne, Ethel Raim, Alice Foster Seeger, Bob Siggins, Frances Utley, Arthur Walker
Forms Part Of:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folk music  Search this
Food habits  Search this
Folklore  Search this
World music  Search this
arts and crafts  Search this
Folk festivals  Search this
Folk art  Search this
Taino Indians  Search this
limbo (dance)  Search this
Steel bands (Music)  Search this
Genre/Form:
Videotapes
Audiotapes
Audiocassettes
Contracts
Memorandums
Correspondence
Business records
Notes
Plans (drawings)
Digital images
Video recordings
Slides (photographs)
Negatives
Photographic prints
Sound recordings
Citation:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1971
See more items in:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1971

Smithsonian Folklife Festival records: 1974 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
459 Sound tape reels (approximate)
Type:
Collection descriptions
Archival materials
Sound tape reels
Plans (drawings)
Audiotapes
Digital images
Memorandums
Audiocassettes
Negatives
Photographic prints
Sound recordings
Business records
Notes
Videotapes
Video recordings
Slides (photographs)
Contracts
Correspondence
Cha-chas (music)
Lindy (dance)
Jitterbug (dance)
Place:
Caribbean Area
Trinidad and Tobago
Puerto Rico
Cuba
Date:
July 3-14, 1974
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1974 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 9 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: African Diaspora

Series 3: Children's Program

Series 4: Family Folklore

Series 5: Festival Stage

Series 6: Native Americans

Series 7: Old Ways in the New World

Series 8: Regional America

Series 9: Working Americans
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1974 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
With the 1974 Festival of American Folklife (July 3-7 and July 10-14, 1974), the seven programs that would constitute the Bicentennial Festival were all in place. As in 1973, the Festival took place in the western part of the National Mall alongside the Reflecting Pool, between 17th and 23rd Streets, and between Constitution Avenue N.W. and Independence Avenue S.W. (see site plan). It was co-organized by the Smithsonian Institution, Division of Performing Arts (James R. Morris, Director; Richard Lusher) and the National Park Service (Ronald H. Walker, Director). Ralph Rinzler was Director of the Folklife Program and the Festival.

The 1974 Festival included seven programs, with a Festival Stage bringing together performers from other programs and, in the second week, its own participants. The 1974 Program Book was supplemented by daily folios with additional information on that day's programs.
Forms Part Of:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Folk art  Search this
Folk festivals  Search this
Food habits  Search this
Folk music  Search this
Folklore  Search this
arts and crafts  Search this
World music  Search this
occupational folklore  Search this
Orisha religion  Search this
African diaspora  Search this
Afro-Caribbeans  Search this
Steel bands (Music)  Search this
Calypso (Music)  Search this
Mambos -- (Music)  Search this
Genre/Form:
Plans (drawings)
Audiotapes
Digital images
Memorandums
Audiocassettes
Negatives
Photographic prints
Sound recordings
Business records
Notes
Videotapes
Video recordings
Slides (photographs)
Contracts
Correspondence
Cha-chas (Music)
Lindy (Dance)
Jitterbug (Dance)
Citation:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1974
See more items in:
Smithsonian Folklife Festival records: 1974 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_collection:sova-cfch-sff-1974
Online Media:

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Kenneth A. Gibson, American, born 1932  Search this
Clifton Herman Johnson, American, 1921 - 2008  Search this
New York Giants, American, founded 1925  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Chi Delta Mu Fraternity, Inc., American, founded 1913  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
Howard University Medical Alumni Association, Inc., American, founded 1871  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Insurance Association, American, founded 1921  Search this
Whitney Moore Young Jr., American, 1921 - 1971  Search this
National Urban League, American, founded 1910  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
369th Veterans Association, American  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
Sigma Gamma Rho Sorority, Inc., founded 1922  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Delta Sigma Theta Sorority, American, founded 1913  Search this
National Council of Negro Women, founded 1935  Search this
President Richard M. Nixon, American, 1913 - 1994  Search this
Roy White, American, born 1943  Search this
Franklin Augustine Thomas, American, born 1934  Search this
Gail Fisher, American, 1935 - 2000  Search this
Hal Christopher Frederick, American, born 1934  Search this
Greg Morris, American, 1933 - 1996  Search this
Joan Murray  Search this
Edie Huggins, American, 1935 - 2008  Search this
National Dental Association, American, founded 1913  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
Nettie B. Smith, American  Search this
Shriners International, American, founded 1870  Search this
Daughters of Isis, American, founded 1910  Search this
Gladys W. Dixon, American, born 1901  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
National Negro Business League, American, 1901 - 1966  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
National Association of Market Developers, American, founded 1953  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 11 × 9 1/16 × 5/16 in. (28 × 23 × 0.8 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Place depicted:
Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America
Date:
1971
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Caricature and cartoons  Search this
Communities  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Medicine  Search this
Men  Search this
Political organizations  Search this
Politics (Practical)  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
U.S. History, 1969-2001  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.5
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5e80a74f0-5c78-4d88-80e0-f11edfdd1eea
EDAN-URL:
edanmdm:nmaahc_2012.167.5
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Empress of the Blues, (painting)

Painter:
Bearden, Romare 1911-1988  Search this
Medium:
Acrylic and pencil on paper mounted on paperboard
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1996.71
Date:
1974
Topic:
Abstract  Search this
Figure group  Search this
Performing Arts--Music--Band  Search this
Performing Arts--Music--Voice  Search this
Control number:
IAP 08586408
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477036

[1st Brigade Band, G.U.O of O.F. Band, with drums in front : panoramic acetate film photonegative]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Creator:
Defender (film manufacturer)  Search this
Names:
Garnet Patterson High School (Washington, D.C.)  Search this
Grand United Order of Odd Fellows  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 3, Folder 17
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Banquet camera photographs
Photographs
Date:
circa 1934-1935
Scope and Contents:
Scan Number: 618ns0177549pg.tif
No ink on negative. Photo taken in front of Garnet-Patterson Junior High School. Defender Safety Base.
General:
From original negative Box 5893524A.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bands (Music) -- 1930-1940  Search this
Portraits, Group -- 1930-1940 -- Washington (D.C.).  Search this
Friendly societies  Search this
Genre/Form:
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref167

[Coleridge Davis and his Hardy Brothers Washingtonians, surrounding piano on stage, banner in back : acetate film photonegative.]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Creator:
Defender (film manufacturer)  Search this
Names:
Hardy Brothers Washingtonians  Search this
Davis, Coleridge  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet, 10" x 20".)
Container:
Box 14, Folder 41
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Portraits
Banquet camera photographs
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
1932
Scope and Contents:
Scan Number: 618ns0177474.tif
No ink on negative. "Defender Safety Base" edge imprint.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American musicians  Search this
Musicians  Search this
Entertainers  Search this
Bands (Music)  Search this
Genre/Form:
Portraits -- African American men
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref835

[Club Prudhom orchestra, in band box : acetate film photonegative.]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Club Prudhom  Search this
Club Prudhom orchestra  Search this
Calloway, Elmer  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 14, Folder 46
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Banquet camera photographs
Photographs
Date:
undated
Scope and Contents:
Scan Number: 618ns0177470pg.tif
The man standing in the center holding a cigarette and holder is thought to be Elmer Calloway, leader of the Club Prudhom orchestra and brother of Cab Calloway. Ink on negative: "Scurlock Photo". No manufacturer's mark on film edge.
General:
No labeled temporary storage box.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bands (Music)  Search this
Entertainers  Search this
African American musicians  Search this
Nightclubs  Search this
Musicians -- Washington (D.C.)  Search this
Genre/Form:
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref845

Banquet of Local 148, National Federation of Post Office Clerks. Oct. 9 1931. Washington, D.C. [cellulose acetate photonegative, banquet camera format]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Names:
National Federation of Post Office Clerks  Search this
Postal Clerks' union, Local 148  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 12" x 20".)
Container:
Box 14, Folder 65
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Banquet camera photographs
Panoramas
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
1931 October 9
Scope and Contents:
Scan Number: AC0618.004.0001355.tif
Group of men and women in evening dress seated at a u-shaped dining table set with food and floral decorations. A band is seated on a stage in the background. Ink on negative: caption and "Scurlock Photo". No edge imprint. No Scurlock number. Pencil retouching on faces.
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Postal service -- Employees -- 1930-1940 -- Washington (D.C.)  Search this
Dinners and dining -- 1930-1940  Search this
Table setting and decoration  Search this
Bands (Music) -- 1930-1940  Search this
Trade-unions -- 1930-1940 -- Washington (D.C.)  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Panoramas
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref883

Masonic Band F.A.A.M., Washington, D.C. Verdi M. Jones, President, Clarence A. Nixon, Mgr. Edward Minor, Director, Richard A. Whaley, Asst. Mgr. [acetate film photonegative, banquet camera format.]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 15, Folder 6
Type:
Archival materials
Photographs
Panoramas
Banquet camera photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
undated
Scope and Contents:
Scan Number: 618ns0243765pg.tif
Group of men in tuxedos seated with instruments facing the conducter standing elevated in front in a Masonic lodge room. Ink caption and Scurlock signature on negative. Manufacturer's mark on film edge: Eastman-Safety-Kodak
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Freemasonry  Search this
Masons (Secret order)  Search this
Evening dress  Search this
Bands (Music) -- 1930-1940  Search this
Portraits, Group -- African Americans  Search this
African American freemasonry  Search this
Ceiling decorations  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Panoramas
Banquet camera photographs -- 1930-1940
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref916

Columbia Lodge No. 85 I.B.P.O.E.W. [Improved, Benevolent, Protective Order of Elks of the World] Washington D.C. [acetate film photonegative, banquet camera format.]

Photographer:
Scurlock, Addison N., 1883-1964  Search this
Names:
Improved, Benevolent, Protective Order of Elks of the World  Search this
Subseries Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item
Container:
Box 15, Folder 20
Type:
Archival materials
Photographs
Panoramas
Banquet camera photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
undated
Scope and Contents:
Scan Number: 618ns0243770pg.tif
Columbia Lodge No. 85's band (12 members) standing on stage with instruments and hats on. Caption on drum and Scurlock signature on negative. Manufacturer's mark on film edge: Eastman-Kodak code notch (?)
Subseries Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Portraits, Group -- African Americans  Search this
Bands (Music) -- 1930-1940  Search this
Evening dress  Search this
Performance stages  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Panoramas
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.12: Banquet Negatives
Scurlock Studio Records, Subseries 4.12: Banquet Negatives / 4.12: Banquet Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-12-ref946

FTS 31089 Down Yonder: Old Time String Band Music from Georgia

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 48, Folder 36
Type:
Archival materials
Date:
1982
Scope and Contents Note:
Record labels, liner notes copy and final, label proofs, photographs, receipts
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_048_036
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
ead_component:sova-cfch-asch-ref16022

Cyrus Trobbe Music Collection

Collector:
Trobbe, Cyrus (musician)  Search this
Names:
Curran Theater  Search this
Geary Theater  Search this
KFRC (radio station)  Search this
San Francisco Light Opera  Search this
San Francisco Symphony Orchestra  Search this
Extent:
300 Cubic feet (322 record boxes)
Type:
Collection descriptions
Archival materials
Scrapbooks
Programs
Disc recordings
Card catalog
Sheet music
Place:
San Francisco (Calif.)
Date:
ca. 1900-1982.
Scope and Contents:
Includes: published music scores (1920-1980) collected by Cy Trobbe, scrapbooks documenting his music career (1919-1980), programs from musical presentations in San Francisco (1913-1980), disc recordings of Trobbe's radio broadcasts on KFRC in 1938; and a card catalog assembled by Trobbe of his collection, arranged by type of music.
Arrangement:
Divided into 5 series: (1) Collected music, (2) Scrapbooks, (3) Printed Programs, (4) Disc Recordings, (5) Card Catalog.
Biographical / Historical:
Trobbe was a musician and a leader of musical groups in the San Francisco Bay area for some sixty years. He was born in London and came to the U.S. shortly before 1920. Trobbe found regular work as a violinist and a group leader, assembling musical groups varying in size from small dance orchestras to large theater orchestras. He became a faculty member of what is now San Francisco State University soon after WW II.
Provenance:
Collection donated by Mrs. Cyrus Trobbe, September 30, 1986.
Restrictions:
Collection stored off site. Call 202-633-3270 to inquire about special arrangements to view collection.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio broadcasts  Search this
Sound Recordings and Reproductions  Search this
Musicians -- 20th century  Search this
Musical performances  Search this
Bands (Music) -- 20th century  Search this
Theater  Search this
Genre/Form:
Scrapbooks -- 20th century
Programs
Disc recordings
Card catalog
Sheet music
Citation:
Cyrus Trobbe Music Collection, 1913-1982, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0242
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0242

Astronaut Ed White's Funeral Service

Collection Creator:
Kapp, Michael  Search this
Container:
Box 23, Item 118
Type:
Archival materials
Audio
Date:
January 31, 1967
Scope and Contents:
West Point, New York, January 31, 1967, funeral service for Lieutenant Colonel Edward White (USAF). General hubbub with band music playing in the background, music gets louder as the band approaches and fades as the band moves away. tape pauses. Resumes at two and a half minutes. General hubbub. And then "Neare? to Thee ? plays. The Methodist "Prayer for the Dead" is read. All recite the "Our Father." 21 gun salute. "Taps" is played. The band plays. Fly over of the "Missing Man" formation. Tape pause. Tape resumes at 14:30 with the honor guard maneuvering in the background. Another tape pause resumes at 15:30 with general hubbub and wild sound of the crowd.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Space Program Oral History Collection [Kapp], Acc. NASM.XXXX.0138, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Space Program Oral History Collection [Kapp]
United States Space Program Oral History Collection [Kapp] / Series 1: Audio
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0138-ref817

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