Search Results

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Extent:

1 Item (album (120 photoprints))

Culture:

Qajar dynasty -- Iran -- 1794-1925  Search this

Type:

Collection descriptions

Archival materials

Albumen prints

Photograph albums

Photographic prints

Studio portraits

Photographs

Place:

Asia

Iran

Bandar Anzalī (Iran)

Iṣfahān (Iran)

Tehran (Iran)

Date:

undated

Scope and Contents:

Black leather bound album of 119 albumen prints and one silver gelatin print. Prints are likely produced by the studio of photographer Antoin Sevruguin in the 1870s and 80s in his early career in Iran. Includes handwritten captions in Persian. Many of the prints have an unusually purplish tone.

Arrangement:

images indexed by original order in the album

Biographical / Historical:

Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin returned to Iran in the early 1870s accompanied by his two brothers, establishing a photography studio first in Tabriz and then Tehran. His studio's ties to Tbilisi, however, persisted through the years; many of the early portraits of Dervishes and women have been simultaneously attributed to Antoin Sevruguin and Dimitri Yermakov, the Georgian photographer who is often referred to as Sevruguin's mentor from Tbilisi. Many of Antoin Sevruguin's photographs were published as early as 1885 in travelogues, journals and books indicating that by that time he had a fully established practice in Tehran's Ala al-Dawla street, with ties to the court of Nasir al-Din Shah Qajar. Often unacknowledged as the producer of published images in his own time - the 1902 photographic survey of Persepolis being the most glaring of such authorial misrepresentations - he was nevertheless celebrated and acknowledged for his artistic vision and his keen eye for composition, achieving the Medal of Lion and Sun from Nasir al-Din Shah, the 1897 Medal of Honour in the Brussels International Exposition, and the 1900 Medal of Honour in Paris International Exposition. Reflecting a career that spans nearly half a century, Sevruguin's diverse body of work includes studio portraits of families, women and dervishes, survey photographs of archeological sites, objects, landscapes and architecture, and photographs of royalty, high officials and ceremonies of the Qajar court. The range of his output not only demonstrates his own pictorial concerns and artistic abilities but also the divergent interests of his clients. Despite numerous devastating incidents throughout his career - the loss of more than half of his negatives in a 1908 blast and fire, an unsuccessful attempt at diversifying into cinematography in the 1910s, and the confiscation of the remainder of his negatives in the mid-1920s to name a few - his studio remained operational even after his death in 1933. A number of negatives from the Sevruguin studio can be dated to the years after Antoin's death, indicating that the Sevruguin studio continued to be commercially viable. As one of the most prolific early commercial photographers in Iran, Antoin Sevruguin's artistic legacy has since proved far more enduring.

Local Numbers:

FSA A2015.09

Provenance:

Purchase; 2015.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Qajar dynasty, -- Iran, -- 1794-1925  Search this

Architecture  Search this

Clothing and dress  Search this

Landscapes  Search this

Hairstyles  Search this

headgear  Search this

Jewelry  Search this

Military  Search this

Musical instruments  Search this

Palaces  Search this

Portrait photography  Search this

Religious buildings  Search this

Royalty (Nobility)  Search this

Street vendors  Search this

Women  Search this

Genre/Form:

Albumen prints

Photograph albums

Photographic prints

Studio portraits

Photographs

Citation:

Album of Persian Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C.

Identifier:

FSA.A2015.09

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_collection:sova-fsa-a2015-09

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Kākh-i Gulistān (Tehran, Iran)  Search this

Nāsir al-Dīn Shāh, Shah of Iran, 1831-1896  Search this

Sevruguin, Antoin, 1851-1933  Search this

Extent:

1 Item (album (99 photoprints), b&w, 31.2 cm. x 41.6 cm. (sheet))

62 albumen prints (b&w, 25 cm. x 20 cm. or smaller)

Culture:

Qajar dynasty -- Iran -- 1794-1925  Search this

Type:

Collection descriptions

Archival materials

Albumen prints

Photograph albums

Photographic prints

Studio portraits

Place:

Asia

Iran

Bandar Anzalī (Iran)

Iṣfahān (Iran)

Qazvīn (Iran)

Qum (Iran)

Rasht (Iran)

Tehran (Iran)

Date:

undated

Scope and Contents:

A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.

Arrangement:

Images indexed by original photographic print number.

Biographical / Historical:

Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin returned to Iran in the early 1870s accompanied by his two brothers, establishing a photography studio first in Tabriz and then Tehran. His studio's ties to Tbilisi, however, persisted through the years; many of the early portraits of Dervishes and women have been simultaneously attributed to Antoin Sevruguin and Dimitri Yermakov, the Georgian photographer who is often referred to as Sevruguin's mentor from Tbilisi. Many of Antoin Sevruguin's photographs were published as early as 1885 in travelogues, journals and books indicating that by that time he had a fully established practice in Tehran's Ala al-Dawla street, with ties to the court of Nasir al-Din Shah Qajar. Often unacknowledged as the producer of published images in his own time - the 1902 photographic survey of Persepolis being the most glaring of such authorial misrepresentations - he was nevertheless celebrated and acknowledged for his artistic vision and his keen eye for composition, achieving the Medal of Lion and Sun from Nasir al-Din Shah, the 1897 Medal of Honour in the Brussels International Exposition, and the 1900 Medal of Honour in Paris International Exposition. Reflecting a career that spans nearly half a century, Sevruguin's diverse body of work includes studio portraits of families, women and dervishes, survey photographs of archeological sites, objects, landscapes and architecture, and photographs of royalty, high officials and ceremonies of the Qajar court. The range of his output not only demonstrates his own pictorial concerns and artistic abilities but also the divergent interests of his clients. Despite numerous devastating incidents throughout his career - the loss of more than half of his negatives in a 1908 blast and fire, an unsuccessful attempt at diversifying into cinematography in the 1910s, and the confiscation of the remainder of his negatives in the mid-1920s to name a few - his studio remained operational even after his death in 1933. A number of negatives from the Sevruguin studio can be dated to the years after Antoin's death, indicating that the Sevruguin studio continued to be commercially viable. As one of the most prolific early commercial photographers in Iran, Antoin Sevruguin's artistic legacy has since proved far more enduring.

Local Numbers:

FSA A2011.03

Provenance:

Purchase; 2011.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Qajar dynasty, -- Iran, -- 1794-1925  Search this

Architecture  Search this

Clothing and dress  Search this

Criminal procedure  Search this

Landscapes  Search this

Executions and executioners  Search this

Hairstyles  Search this

headgear  Search this

Jewelry  Search this

Military  Search this

Musical instruments  Search this

Palaces  Search this

Portrait photography  Search this

Religious buildings  Search this

Royalty (Nobility)  Search this

Shrines  Search this

Street vendors  Search this

Thrones  Search this

Women  Search this

Genre/Form:

Albumen prints

Photograph albums

Photographic prints

Studio portraits

Citation:

Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C.

Identifier:

FSA.A2011.03

See more items in:

Stephen Arpee Collection of Sevruguin Photographs

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_collection:sova-fsa-a2011-03

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Sevruguin, Antoin, 1851-1933  Search this

Collection Creator:

Sevruguin, Antoin, 1851-1933  Search this

Extent:

1 albumen print (b&w, 16.8 cm. x 10.6 cm.)

Type:

Archival materials

Albumen prints

Photograph albums

Photographic prints

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880s - 1930

Scope and Contents:

"As the entrance city of European travellers, Anzali port in the north side of Iran has been a subject of photographs and lithographs from around 1870s." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Albumen print, faded on the outer boundaries."

- On the mount, below the photographic print, handwritten caption (inked) in English reads, "Port of Anzelli."

Arrangement:

Page four of an album of 99 mounted albumen prints with attractive leather covers and embossed green star-and-crescent design.

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, although his family studio continued for some time as a commercial enterprise.

Local Numbers:

FSA A2011.03 A.04b

General:

Title and Summary notes are provided by Shabnam Rahimi-Golkhandan, FSg research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Landscapes  Search this

Genre/Form:

Albumen prints

Photograph albums

Photographic prints

Collection Citation:

Stephen Arpee Collection of Sevruguin Photographs. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C.

Identifier:

FSA.A2011.03, Item FSA A2011.03 A.04b

See more items in:

Stephen Arpee Collection of Sevruguin Photographs

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a2011-03-ref62

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Nāsir al-Dīn Shāh, Shah of Iran, 1831-1896  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.7 cm. x 12.7 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. The port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antoine Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 13.(?): Garden by river." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 13."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.13.02

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Landscapes  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.13.02

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10064

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.9 cm. x 12.9 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1930s

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass negative is broken and missing the left lower corner."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 16.2: View of Town." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 16."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.16.02

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.16.02

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10098

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.9 cm. x 13 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1930s

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio. The image shows a building much older than the other buildings of the same site, most probably dated back to late 19th century. However, the lamp post on the far left side of the image is identical to the ones in the other images of the series." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 18.7: Building." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 18."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.18.07

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.18.07

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10121

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.8 cm. x 12.8 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1930s

Scope and Contents:

"The image is most probably part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 19.12: Street view." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 19."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.19.12

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.19.12

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10134

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 18 cm. x 12.7 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1930s

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "All the four sides are rugged. The bottom cut sowed through a scratched number."

- Faded handwritten number (inked, probably by Antoin Sevruguin) reads, "12??."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) reads, "1749."

- Scratched handwritten number (inked, probably by Antoin Sevruguin) non readable.

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 25.2: Ships and docks." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 25."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.25.02

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Transportation  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.25.02

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10182

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.9 cm. x 12.9 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1930s

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The glass is very light and thin."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 25.4: (?)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 25."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.25.04

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.25.04

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10184

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 21.5 cm. x 16.5 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The structure is octagonal in plan with multiple views of the seashore." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "Very thick glass all four sides of which is chopped off. Remnants of paper and glue on the right side of the negative on a slanted line."

- Handwritten number (inked, probably by Antoin Sevruguin) reads, "349."

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 47.8: Beach tower (?) (peeling)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 47."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.47.08

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.47.08

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10449

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.7 cm. x 12.7 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antoine Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 56.10: Train station (?)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 56."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.56.10

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.56.10

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10551

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.7 cm. x 12.7 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "524-527) Pahlevi, new city." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 60.3: Town." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 60."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.60.03

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.60.03

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10589

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.9 cm. x 12.9 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "524-527) Pahlevi, new city." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 60.4: Tehran ? - Pahlevi, new city (524-527)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 60."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.60.04

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.60.04

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10590

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.9 cm. x 12.9 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- FSg curatorial research specialist remark on Antoin Sevruguin photo condition reads, "The top edge is chopped off."

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "524-527) Pahlevi, new city." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 60.5: Avenue." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 60."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.60.05

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.60.05

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-04-ref10591

Creator:

Sevruguin, Antoin, 1851-1933  Search this

Names:

Islamic Archives  Search this

Sevruguin, Antoin, 1851-1933  Search this

Smith, Myron Bement, 1897-1970  Search this

Collection Creator:

Smith, Myron Bement, 1897-1970  Search this

Collection Source:

Blake, Marion Elizabeth  Search this

Extent:

1 glass negative (b&w, 17.8 cm. x 12.8 cm.)

Type:

Archival materials

Glass negatives

Place:

Asia

Iran

Bandar Anzalī (Iran)

Date:

1880-1930

Scope and Contents:

"The image is part of a series of photos from the port and its new constructions. The photos depict the official buildins of Bandar-I Anzali (also called Bandar-I Pahlavi) or Anzali port. One of the images in the series shows one of the buildings with a sing on top that reads: "[...] Nazmiyya - Bandar-i Pahlavi". the port of Anzali on the south edge of the Caspian sea and to the north of Tehran was renamed to Pahlavi in 1934. As such the photo mush have been taken after the death of Antione Sevruguin and by someone associated with his studio." [Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Curatorial Research Assistant]

- Handwritten information on slip of paper (from a 1943-1944 cash book, produced by the Bathni Brothers, Tehran) reads, "524-527) Pahlevi, new city." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information]

- Myron Bement Smith handwritten caption in English reads, "47.P; Box 60.4: (?)." [Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P: Antoine Sevruguin, glass negatives, Iran]

Arrangement:

According to Myron B. Smith handwritten document (Myron Bement Smith Collection, Subseries 2.1: Islamic Archives History, Collection Information; Box 60; Folder 44: 47 P Antoine Sevruguin, glass negatives, Iran), Antoin Sevruguin's 696 glass negatives, at the time of their acquisition, were arranged into 61 boxes without any apparent organization. Today they are housed in archival document boxes, essentially duplicating the original arrangement, and stored on shelves. This glass negative was included into "Box 60."

Biographical / Historical:

Antoin Sevruguin is one of the early pioneers of commercial photography in Iran. He arrived in Iran from Tbilisi, Georgia in the mid 1870s to set up shop in Ala al-Dawla street in Tehran. From the early days, Sevruguin's studio was trusted both by the Qajar court and by foreign visitors to Iran. Highly regarded for their artistic ingenuity outside Iran, Sevruguin's photographs of 'ethnic types,' architecture and landscape, and depictions of daily life of Tehran found their way into foreign travelogues, magazines and books. As such, he stands alone in a relatively large group of early Iranian photographers for being recognized and celebrated outside the boundaries of the country. Antoin Sevruguin passed away in 1933, leaving behind only a fraction of his large collection of glass negatives, which is currently in the Archives of the Freer Gallery of Art and Arthur M. Sackler Gallery.

Local Numbers:

FSA A.4 2.12.GN.60.06

General:

Title and summary note are provided by Shabnam Rahimi-Golkhandan, FSg curatorial research specialist.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Architecture  Search this

Genre/Form:

Glass negatives

Collection Citation:

The Myron Bement Smith Collection. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.

Identifier:

FSA.A.04, Item FSA A.4 2.12.GN.60.06

See more items in:

Myron Bement Smith Collection

Myron Bement Smith Collection / Series 2: The Islamic Archives / 2.12: Antoin Sevruguin Photographs / 2.12.01: Glass Plate Negatives / Glass Plate Negatives: Sets 1-61

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

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