Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A woman in a white smock stands behnd the machine, apparently operating it. The machine is shown outside the bakery window. Signage in the window indicates that the scene might be in Brooklyn, N.Y. Photographer unidentified.
Local Numbers:
AC0439-0000004.tif (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
United States of America -- Wisconsin -- Walworth County -- Lake Geneva
Scope and Contents:
The folder includes a worksheet, historical pictures and information regarding previous owners, historical timeline of property, planting lists, planting plans, and landscape design.
General:
Located on approximately 100 acres, Windwood Garden was originally part of a 90-plus acre property that dates back to 1879 when R.T. Crane purchased it. During the early 1900s, the property was operated as the Crane's family compound with fruit orchards, vegetable gardens, a bakery laundry building and four greenhouses. The property was subdivided in 1933 to Maxwell House and A. F. Gartz. The western side of the divided property was purchased in 1948 by the current owner from A. F. Gartz and included the original house, vegetable garden, orchard and large expanses of lawn with a few flowers or shrubs. When the property was purchase, the property was very basic and showed signs of neglect. Brian Bader, arborist consultant, and Scott Byron, landscape architect, assisted the owners in creating a plan to conserve and transform the property into a small arboretum and then to further develop vistas from many different angles across the entire property.
The property includes woodlands and meadows populated with native spring wildflowers and large beds of daffodils. The wooded areas have many varieties of oaks, beech, maple, hemlock, walnut, hickory, lindens and butternut trees. A white okay tree is marked with a plaque by a University of Wisconsin arborist as the largeest white oka in Southeast Wisconsin. Decorative sculptures, benches, bridges, fountains, ponds and trails with plantings of trees, shrubs, perennials and wild grasses are also featured on the property.
In a 2014 garden tour handout for the Garden Club of America, the following areas were described as distinct areas of the home and garden: the manor House, the Country House, the Green Carriage House, the Caretaker's House, teh Stable, the Woodland Cottage, the White Oak Savannah, the Vegetable Garden, the Cooler House, the Pond, the Boat Deck, West Pier and East Pier.
Persons associated with the property include: R. T. Crane (former owner, 1879-1933); A. F. Gartz (former owner, 1933-1948); The Griffith family (owner, 1948- ), Scott Byron (landscape architect, 1985-present); Brian Bader (arborist consultant, University of Wisconsin, Madison Arboretum, 1996-1998).
Related Materials:
Windwood Garden related holdings consist of 1 folder (16 35 mm slides)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Caption: "Swampscott, Mass - Mrs. Mercedes M. Barnard of Quincy, Mass. is known all over the United States as one of the few successful women bakers, is the only woman baker to attend the Convention of New England bakers which is now being held at Swampscott." Woman wears hat, seated in rocking chair with newspaper outdoors.
Local Numbers:
RSN 18420
General:
Company catalog card included.
U&U caption in file box: 1939-A204.
Currently stored in box 3.1.71 [227B].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording
sound-tape reel (analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Date:
1971 July 5
General note:
DPA number 71.101.86
Local Numbers:
FP-1971-7RR-0086
General:
71.101.86
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1971.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The 1971 Festival introduced a new program that focused on laborlore: the language, beliefs, and customs that comprise the special folklore of American workers within trade unions. Such lore was seen by the Smithsonian as constantly growing and evolving along with changes in the workplace, but as continuing to serve a fundamental purpose to union workers. It was considered to bind people together and to give individuals a sense of dignity on the job and within their movement.
Four unions were invited to demonstrate such skills and lore: the Amalgamated Meat Cutters and Butcher Workmen of North America showed the lore of slaughterhouse workers and retail butchers; the Bakery and Confectionery Workers' International Union of America presented the skills of bakers, whether in factories or in small shops; the Glass Bottle Blowers Association of the United States and Canada offered demonstrations of the glassblowers' art; and the International Association of Bridge, Structural, and Ornamental Iron Workers erected the steel skeleton of a skyscraper on the National Mall.
The labor skills were complemented by narrative workshops in which members of one or several trades could compare their stories and customs, and by a diverse musical program of songs and theater that were used in labor organizing. The Union Workers' stage also hosted performances and workshops by musicians drawn from the Ohio program and the Performances program. Those participants are listed with their primary program, although recordings of their presentations on the Union Workers' stage are found here.
Richard Prentke served as Labor Program Coordinator and Ron Stanford as primary field researcher. In addition to the four unions that sponsored the 1971 program, it was made possible through the support of the American Federation of Musicians, Music Performance Trust Funds, Atlas Machine and Iron Works, Inc., Harnischfeger Company, and Karl·Koch Erecting Company.
Participants:
Amalgamated Meat Cutters and Butcher Workmen of North America
Hilton E. Hanna, Chairman of Exhibit
Max Cullen, Chicago, Illinois
William Mosca, Sr., Baltimore, Maryland
Lavor Taylor, 1896-1989, Ephraim, Utah
William P. Eaton, Washington, D.C.
Local 117, Baltimore, Maryland
Local 593, Washington, D.C.
Bakery and Confectionery Workers International Union of America
Albert K. Herling, Chairman of Exhibit
Adolph Grossman, Chairman of Exhibit
Murray Miller, workshop & baker, New York, New York
Henry Eickenauer, bread baker, New York, New York
Salvatore Guglielno, bread baker, New York, New York
Milton Summers, cake decorator, Bayonne, New Jersey
Lewis Cooperman, baker, New York, New York
Ernest Schenkman, baker, New York, New York
Alfred Clayburn, baker, New York, New York
Joe Frundt, baker, New York, New York
Glass Bottle Blowers Association of the United States and Canada
Alex Smith, Chairman of Exhibit
Val Hamer, Baltimore, Maryland
Thurman Wade, Baltimore, Maryland
Leslie Woodward, Barrington, New Jersey
International Association of Bridge, Structural, and Ornamental Iron Workers Union
Joseph Maloney, Chairman of Exhibit
Preston George, Chairman of Exhibit
Michael King, Birmingham, Alabama
Glenn M. Harston, Chicago, Illinois
Bruce Bloomingdale, Detroit, Michigan
John C. Toennis, Denver, Colorado
John Lee Peck, Houston, Texas
Elijo Frijos, Los Angeles, California
Vincent Coyle, Boston, Massachusetts
Union Workers' Workshops and Daytime Concerts
Archie Green, discussion leader
Discussants
Max Cullen
Adolf Grossman
Hilton E. Hanna
Val Hamer
Murray Miller
Performers
Jim Garland, 1905-1978, singer and guitarist
Joe Glazer, 1918-2006, singer and guitarist
Sarah Ogan Gunning, 1910-1983, singer
Utah Phillips, 1935-2008, singer and guitarist
Florence Reece, 1900-1986, singer
Teatro Chicano de Austin, Austin, Texas -- Teatro Chicano de Austin, Austin, TexasConnie Acosta, TexasMarie Acosta, 1949-, TexasJuan Chavida, TexasJo Fuentes, TexasRumel Fuentes, TexasSylvia Herrera, TexasAnita Loredo, TexasBob Perkins, TexasYolanda Perkins, TexasManuel Quiroz, TexasPaul Velez, Texas
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
MORRIS EAGERMAN, JEWISH BAKER, THIRD GENERATION, OWNS BAKERY, BAKES TRADITIONAL BREADS AND CAKES FOR RELIGIOUS AND CULTURAL EVENTS.
Date/Time and Place of an Event Note:
Recorded in: Massachusetts, United States, October 8, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, July 3, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH HECTOR QUINTEROS. BAKERY OWNER. STORY OF ESTABLISHING BAKERY IN D.C. TYPES OF BREAD, ROLE OF BREAD, BAKERS PROBLEMS WITH IMMIGRATION. SEE CADAVAL FW LOGS
Local Numbers:
FP-1988-CT-0801
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 9, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
INTERVIEW WITH MARIA OSORIO. OWNER OF BAKERY AND DELI CALLED EL AMIGO DELI, STORY OF STARTING BAKERY. STYLES AND ROLE OF BREAD, DISTRIBUTION TO LOCAL STORES. SEE CADAVAL FW LOGS
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 22, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
CARLTON HENRY JOSEPH- OPTIMUM SERVICES SYSTEMS; GODFREY DE LA ROSA- M AND L INTERNATIONAL BAKERY
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, March 11, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The Working Americans program explored and celebrated work-related traditions, looking at Americans not as people from a certain area of the country or from a particular culture, but in terms of how they made their living and what they needed to know to do their jobs. Each occupation has its own traditions and its own body of skills. In the Working Americans section, Festival-goers could meet and talk with members of many unions and organizations while they demonstrated the particular know-how essential to their varied tasks and while they shared, in the workshop areas, the particular tales and jokes that grow out of the nature of the work they do.
The Folklife of Transportation Workers Project celebrated the lore, lifestyles, and occupational skills of the American workers who operate, maintain, and regulate the nation's transport system. The airline pilot's complex take-off procedure, the flight attendant's responsibility for safety in the cabin, the railroader's ability to calculate and make complicated box-car switches could be found here; as well as bus and taxi drivers' tales of ways to handle over-demanding passengers, truck driving songs, and seafarers' yarns. Transportation workers keep the nation's economic lifeblood moving. They also harbor a rich lore, replete with heroes, tall tales, and songs, that was demonstrated within this program.
June 16-27, Workers Who Extract and Shape. Presentations included glass bottle blowing, glass engraving and horseshoe making.
July 1-11, Workers Who Build. This program celebrated the skills and folklore of the building and construction trades. Participants demonstrated building crafts such as carpentry, tile and terrazzo skills, and even the casting of plaster masks of visitors' faces.
July 14-25, Workers Who Clothe Us. Participants celebrated the skills and folklore of workers in the garment trades, with demonstrations of clothes design, bonnaz (machine embroidery), leather work, and industrial loom work.
July 28-August 8, Workers in Communications, Arts & Recreation. This theme celebrated the skills and folklore of the print and broadcast media, telephone communications, and performing arts. Members of the Graphic Arts International Union demonstrated newspaper printing, four-color printing, and book binding. Members of the United Paperworkers International Union demonstrated papermaking, and members of various performing arts groups gave workshops.
August 11-22, Workers in Professional & Technical Skills, Transportation. Presentations celebrated the skills and folklore of professionals who work in health and medical fields, the tobacco industry, and the print and copying industry. Demonstrations included hospital workers demonstrating operating room techniques, cigar rolling, pharmacists making compounds, and body repairmen working on cars. The Transportation area presented the occupational culture of the men and women who work in the various modes of transportation, including the railroads, metropolitan and long-distance buses, taxicabs, trucks, ships, and stations of the Coast Guard. In the Transportation area, the skills of railroad men, airline pilots, truck drivers and seamen were featured.
August 25-September 6, Workers Who Feed Us, Transportation. Participants celebrates the skills and folklore of people involved with various aspects of production, preparation, and distribution of food. Hotel and restaurant workers demonstrated decorative ice carving, specialty table settings, wine stewarding, and cold food decoration. The Transportation area presented the occupational culture of those who work in the various modes of transportation, including skills demonstrations by airline, railroad and metropolitan transit workers, as well as by Coast Guardsmen who showed ornamental rope work and knot tying.
Shirley Askew served as Program Coordinator, with Robert McCarl as Folklorist, Robert Porter as Field Research & Presentation Specialist, and Susan Donahue as Assistant Program Coordinator. Peter Seitel was Project Coordinator for the Transportation program, assisted by Jack Santino.
Sponsors included the AFL-CIO and its Affiliates, U.S. Department of Labor, and U.S. Department of Transportation.
Transportation fieldworkers:
John Drake, Elaine Eff, Jan Faul, Archie Green, Alice Lacy, Worth Long, Luis Kemnitzer
Presenters:
Benny Ambush, Karen Byrne, Debbie Dixon, Steve Hagberg, Marta Schley, Barbara Schwartz
Participants:
Workers Who Extract and Shape Products
Members of the following unions:
United Cement, Lime & Gypsum Workers International Union
Thomas F. Miechur, President
Glass Bottle Blowers Association of the United States and Canada
Harry A. Tulley, President
American Flint Glass Workers Union
George M. Parker, President
International Union of Journeymen Horseshoers of the United States and Canada
Duke Bonde, Jr., President
International Association of Machinists and Aerospace Workers
Floyd E. Smith, President
Molders and Allied Workers Union
Anton J. Trizna, President
American Federation of Musicians
Hal C. Davis, President
The Music Performance Trust Funds
Kenneth E. Raine, Trustee
Saul Broudy
Andy Cohen
Larry Hanks
Fred Holstein
John Kolstad
Lew London
Faith Petrick
Utah Phillips
Mark Ross
Jane Voss
Bodie Wagner
Pop Wagner
Workers Who Build
Members of the following unions:
International Union of Bricklayers and Allied Craftsmen
Thomas F. Murphy, President
United Brick and Clay Workers of America
Roy L. Brown, President
United Brotherhood of Carpenters and Joiners of America
William Sidell, President
International Brotherhood of Electrical Workers
Charles H. Pillard, President
International Union of Operating Engineers
J.C. Turner, President
International Association of Bridge and Structural Iron Workers
John H. Lyons, President
Laborers' International Union of North America
Angelo Fosco, President
International Union of Wood, Wire and Metal Lathers
Kenneth M. Edwards, President
Operative Plasterers and Cement Masons International Association of the United States and Canada
Joseph T. Power, President
United Association of Journeymen and Apprentices of the Plumbing and Pipe Fitting Industry of the United States and Canada
Martin J. Ward, President
Sheet Metal Workers International Union
Edward J. Carlough, President
Workers Who Clothe Us
Members of the following unions:
Amalgamated Clothing and Textile Workers Union
Murray H. Finley, President
International Ladies' Garment Workers Union
Sol C. Chaikin, President
International Leather Goods, Plastics and Novelty Workers Union
Ben Feldman, President
Amalgamated Meat Cutters and Butcher Workmen of North America, Furriers Division
Joseph Belsky, President
Workers in Communications, Arts and Recreation
Members of the following unions:
Actors' Equity Association
Theodore Bikel, President
Communications Workers of America
Glenn E. Watts, President
Graphic Arts International Union
Kenneth J. Brown, President
American Federation of Television and Radio Artists
Kenneth Harvey, President
National Association of Broadcast Employees and Technicians
Edward M. Lynch, President
International Association of Fire Fighters
William H. McClennan, President
American Guild of Musical Artists
Cornell MacNeil, President
American Guild of Variety Artists
Penny Singleton, Executive-President
Hebrew Actors' Union
Herman Yablokoff, President
Workers in Professional and Technical Skills and Services
Members of the following unions and organizations:
Amalgamated Clothing and Textile Workers Union
Murray H. Finley, President
The American Occupational Therapy Association, Inc.
Jerry A. Johnson, Ph.D., President
James J. Garibaldi, Executive Director
Ronald Stone, OTR; President
Virginia Occupational Therapy Association
Silbyl Levine, OTR; President
District of Columbia Occupational Therapy Association
International Association of Machinists, AFL-CIO, Local 1650
Bill Hampton
Kenneth Green
Lloyd Mann
Lloyd Crindlebaugh
F.E. Wood
Bill Hoppe
H.L. Norton
G.F. Roady
M.R. McCutchen
L.C. Leeds
Eddie Glaszczak, Platte City, Missouri
Bill Hoffman, Liberty, Missouri
B.J. Wilson
J.J. Kunrod
John McKim
Harry Powell
B.L. Yardley
N.C. Mosley
Gary Mason
S.M. Ballew
Tracy Bales
Wally Hayward
Dick Lincoln
Brotherhood of Locomotive Engineers
B.B. Thomas
B.M. Byrd
O.L. Williams
E.B. Dollar
G.L. Bridgeman
Charles Hughes
Ed Irby
Transport Workers Union, Maintenance, Local 514
R.N. Smythe
P.O. Young
H.V. Highberger
C.R. Burke
J.S. Lowe
B.L. Lamb
S.W. Hathcock
P.E. Corn
A.B. Williams
J. Shade
R.H. Stanley
W.D. Myers
A.D. Sorenson
J.L. Locut
W.C. Popejoy
R.J. Barker
B.M. Maris
S.H. Walden
R.C. Sagar
M.D. Harrell
B.L. Ewing
J.L. Guynn
T.R. Hopper
C.E. Quinn
K.L. Anderson
Truckers
Jim Ringer
Ray Bieri
Jack Hamilton
George Gordon
Edgar Graves
James Marshall
Artie Marshall
William Peoples, III
Margaret Brooks
Bernice McDonald
Doris Miller
Ed Miller
Lee Voorhies
Richard Voorhies
Timmy Voorhies
Dale Setzer
Harry Bavdakian
Sea Chanteys
Louis Killen
Gerret Warner
Jeff Warner
John Benson
Jeff Davis
John Roberts
Maintenance of Way
Simon Shaw
Al Marshall
Bob Dudley
Roy Johnson
Clifton Anderson
Robert Dudley
Henry Hawkins
Brotherhood of Railway Carmen, Locals 1395, 43, 468, 364, 175
C. Lightfoot
G. Butcher
S. Miedzienowski
W. Palmer
J. Palumbo
M. Walston
P. Lawson
W. Hardin
C. Green
S. Siadys
F. Burke
H. Lewin
Coast Guard
BMC C.D. Haywood
QM1 G.H. Hornbeck
BMC D.B. McMichael
ASM T.A. Hallmark
BM1 L.L. Proud
QM2 J.W. White
MK2 B.G. Borato
MK1 S.J. Halloran
Allied Pilots Association
Capt. Jenks
Jim Foringer
Capt. N. Schweitzer
W.J. Rogers
Capt. (Hap) Hazard
Al Voras
Transportation Workers Union Flight Attendants, Local 552
Karen Hill
Marti O'Rourke
Dee Dee Dougherty
Tootie Higgs
Judy Marek
Ed Gold
Ed Pagan
Linda Welker
Gussie Utting
Roy Brayton
Carol Peisinger
Fran Bollero
Carolyn Green
Mary Jo Kerr
Janet Piersan
United Transportation Union
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording
sound-tape reel (analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Mississippi
Date:
1974 July 6
Contents:
Askher and Dahduh Families--Lebanese music; Sparky Rucker--Kindhearted woman blues--Come on in my kitchen--Bakery truck is coming; Sam Chatmon--St. Louis blues--She's blackhearted and evil--P stands for push--Last chance shaking in the bed with me; Lonnie Pitchford--Stormy Monday--Wee baby blues; Son Thomas and Joe Cooper--Every day I have the blues--instr--Mississippi boogie
General note:
DPA number 74.101.38
Local Numbers:
FP-1974-7RR-0038
General:
CDR copy
74.101.38
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1974.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
