Travelin' light.--Easy living.--That old devil moon.--You're my thrill.--Crazy she calls me.--When your lover has gone.--Mean to me.--These foolish things.--There's no greater love.--Don't explain.
Local Numbers:
FW-ASCH-LP-2900
Trip.5569
Publication, Distribution, Etc. (Imprint):
Trip
General:
Chet Baker, flugelhorn; Alan Ross, Henry Freeman, Seldon Powell, Leon Cohen, Wilford Holcombe, reeds; Everett Barksdale, guitar; Hank Jones, piano; Richard Davis, bass; Connie Kay, drums; Jimmy Mundy, arranger.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Jazz club photographs by noted Jazz photographer Herman Leonard.
Scope and Contents:
This collection consists of 110 black-and-white photographic prints depicting musicians performing at various American and European jazz clubs between 1948 and 1991. The collection contains mounted and unmounted 11" x 14" and 16" x 20" prints made by Leonard. Artists represented among these photographs are Billie Holiday, Charlie Parker, Dizzy Gillespie, Duke Ellington, Frank Sinatra, Lester Young, Louis Armstrong, Miles Davis, and Thelonious Monk. The photographs are organized into three series: Series 1: 11"x 14" prints, Series 2: 16" x 20" prints, and Series 3: Addenda. The series are arranged alphabetically by performer's last name. Unmatted 16" x 20" prints can be found in box 2 but are listed alphabetically by performer.
Biographical / Historical:
Herman Leonard (1923‑2010) was born in Allentown, Pennsylvania and served as a military photographer in Burma during World War II. He earned his Bachelor of Fine Arts Degree in photography from Ohio University and began working with Yousuf Karsh, a Canadian portraitist. Settling in New York in 1949, Leonard began photographing jazz musicians at various jazz clubs on Broadway and Fifty‑Second Streets, and in Harlem for such publications as Cosmopolitan, Esquire, Life, Look, Playboy, and Time. He later to Paris to begin a fashion and advertising business. He also continued photographing jazz musicians. In 1988 Leonard presented his first exhibition, "Images of Jazz," in London. This show established his reputation as a leading photographer of jazz and sparked further shows and publications.
Provenance:
The Herman Leonard Photographs were donated to the National Museum of American History by Mr. Leonard on December 17, 1991 and in 2006.
Restrictions:
Collection is open for research.
Rights:
The Archives Center does not own the rights to the Leonard photographs. All requests for permission to use these photographs for non‑museum purposes must be addressed to: Herman Leonard Photography, LLC, 530 South Lake Avenue #503, Pasadena, CA 91101 (818) 509-8987.
The Archives Center does not own the rights to the Leonard photographs. All requests for permission to use these photographs for non‑museum purposes must be addressed to: Herman Leonard Photography, LLC, 530 South Lake Avenue #503, Pasadena, CA 91101 (818) 509-8987.
Collection Citation:
Herman Leonard Photographic Collection, 1948-1993, Archives Center, National Museum of American History.
The Archives Center does not own the rights to the Leonard photographs. All requests for permission to use these photographs for non‑museum purposes must be addressed to: Herman Leonard Photography, LLC, 530 South Lake Avenue #503, Pasadena, CA 91101 (818) 509-8987.
Collection Citation:
Herman Leonard Photographic Collection, 1948-1993, Archives Center, National Museum of American History.
The Archives Center does not own the reproduction rights to the music of the Bill Holman Collection. All requests for performance or publication of Mr. Holman's compositions and/or arrangements should be directed to Bill Holman at 323-466-8809.
Collection Citation:
Bill Holman Collection, 1951-2000, Archives Center, National Museum of American History
The Archives Center does not own the reproduction rights to the music of the Bill Holman Collection. All requests for performance or publication of Mr. Holman's compositions and/or arrangements should be directed to Bill Holman at 323-466-8809.
Collection Citation:
Bill Holman Collection, 1951-2000, Archives Center, National Museum of American History
Photographic prints taken by photographer William Claxton (October 12, 1927-October 11, 2008) of jazz musicians.
Scope and Contents:
Collection consists of twenty-eight photographic prints processed in 1999 by a professional laboratory for photographer William Claxton. The prints document jazz artists in recording sessions and performing throughout the United States. It is divided into two series: Series 1, Duke Ellington, 1955-1960, and Series 2, Other Artists, 1955-1970.
Arrangement:
The collection is divided into two series.
Series 1: Duke Ellington, 1955-1960
Series 2: Other Artists, 1951-1970
Materials in the Archives Center, National Museum of American History:
Archives Center, National Museum of American History
Duke Ellington Collection, NMAH.AC.0301
William H. Quealy Collection of Duke Ellington Recordings, NMAH.AC.0296
Duke Ellington Oral History Project, NMAH.AC.0368
Billy Strayhorn Ephemera Collection, NMAH.AC.0383
Collection of Duke Ellington Ephemera and Related Audio-visual Materials, NMAH.AC.0386
Robert Udkoff Collection of Duke Ellington Ephemera, NMAH.AC.0388
Frank Driggs Collection of Duke Ellington Photographic Reference Prints, NMAH.AC.0389
New York Chapter of the Duke Ellington Society Collection, NMAH.AC.O390
Felix Grant Collection, NMAH.AC.0410
Carter Harman Collection of Interviews with Duke Ellington, NMAH.AC.0422
Archives Center Collection of Music Transcriptions of Duke Ellington Compositions, Carter Harman NMAH.AC.0430
Jazz Oral History Collection about Duke Ellington, NMAH.AC.0431
Herman Leonard Photoprints, NMAH.AC.0445
Don Brown Collection of Duke Ellington Recordings, NMAH.AC.0472
Betty McGettigan Collection of Duke Ellington Memorabilia, NMAH.AC.0494
Dr. Theodore Shell Collection of Duke Ellington Ephemera, NMAH.AC.0502
Jay McCarter Phonograph Record Collection, NMAH.AC.0541
Tom Whaley Collection, NMAH.AC.0652
Edward and Gaye Ellington Collection of Duke Ellington Materials, NMAH.AC.0704
Andrew Homzy Collection of Duke Ellington Stock Arrangements, NMAH.AC.0740
John Gensel Collection of Duke Ellington Materials, NMAH.AC.0763
W. Royal Stokes Collection of Music Publicity Photoprints, Interviews and Posters, NMAH.AC.0766
Milt Gabler Papers, NMAH.AC.0849
Paquito D'Rivera Music Manuscripts and Photograph, NMAH.AC.0891
Charismic Productions Records of Dizzy Gillespie, NMAH.AC.0979
Floyd Levin Jazz Reference Collection, NMAH.AC.1222
Al Celley Collection of Duke Ellington Materials, NMAH.AC.1240
James Moody Papers, NMAH.AC.1405
Provenance:
The National Museum of American History purchased the collection on March 31, 1999.
Restrictions:
Collection is open for research. Gloves required with unprotected photographs.
Rights:
Copyright restrictions. Contact staff for information.
Topic:
Musicians -- 1950-1960 -- United States Search this
