This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edna Andrade Papers, 1917-circa 1986. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of this collection received federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C.
Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Beverly Hallam Papers, 1899-2013. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
George Tooker papers, circa 1851-2010. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Giovanni Martino and Martino family papers, 1913-2013. Archives of American Art, Smithsonian Institution..
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Polly Thayer (Starr) papers, 1846-2008, bulk 1921-2008. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Polly Thayer Starr Charitable Trust
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Humberto Dionisio papers, 1919-1990. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Blayton-Taylor papers, 1929-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
Mair, Francis M., 1916-1991 (commercial artist) Search this
Container:
Box 37, Folder 15
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Copyright for a portion of the collection held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
Francis M. Mair Papers, 1938-1990, Archives Center, National Museum of American History. Gift of LaVeda Mair.
Mair, Francis M., 1916-1991 (commercial artist) Search this
Container:
Box 78, Folder 4
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Copyright for a portion of the collection held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
Francis M. Mair Papers, 1938-1990, Archives Center, National Museum of American History. Gift of LaVeda Mair.
Mair, Francis M., 1916-1991 (commercial artist) Search this
Container:
Box 101, Folder 10
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research.
Collection Rights:
Copyright for a portion of the collection held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
Francis M. Mair Papers, 1938-1990, Archives Center, National Museum of American History. Gift of LaVeda Mair.
1 Sound recording (1/4" tape, seven-inch reel, recorded at 7.5 ips, 29 minutes 48 seconds)
Container:
Box 24
Type:
Archival materials
Audio
Sound recordings
Date:
created: 9/12/1974, aired: 9/15/1974
Scope and Contents:
(All songs by Ernest Tubb); "The Passing of Jimmy Rodgers"; "I'll Get Along Some How" (1940); "Blue Eye Elene" (c.1940s); "Walking the Floor Over You"; "My Rainbow Trail"; "Our Baby's Book" (1938); "I Cared For You More Than I Knew" (written by Mrs. Jimmy Rodgers)
Collection Restrictions:
Collection is open for research and access to user copies of tapes, on site by appointment.
Collection Rights:
Copyright restrictions. Fritzi and Madi Horstman retain all rights to these recordings. Contact the Archives Center for more information.
Collection Citation:
Dorothy Horstman Oral History Field and Radio Show Recordings, 1959-1999, Archives Center, National Museum of American History.
The biographical material series contains resumes and biographical statements, autograph books, awards and certificates including plaques, family papers, mix tapes, a guest book from an unidentified event, a baby book, and passports.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Blayton-Taylor papers, 1929-2016. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
Found here are the papers documenting Babette Martino's career as a painter, including awards, professional correspondence, fellowship records, exhibition catalogs, publications, and a portfolio containing images of her work. Additionally, her papers include a few personal items such as her baby book and photographs depicting Babette as a child, with family, and at events.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Giovanni Martino and Martino family papers, 1913-2013. Archives of American Art, Smithsonian Institution..
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The Festival overall was intended to make Americans aware of the beauty and value of the traditions that form so large a part of our national culture. Within this large structure, the Family Folklore program complemented the other Festival areas by helping visitors discover and recognize their own particular traditions, the home-based folkways that decorate life and make it meaningful. In this area, a group of folklorists interviewed interested festival goers about the customs, sayings, and stories in their own families. On display were samples of the many traditional ways in which Americans preserve and remember their past - family photo albums, baby books, scrapbooks, family history quilts, charm bracelets, and others.
A small theater continuously showed two Smithsonain films: one that treated home movies as an American folk art, another on the ways members of a family relate to each other through folklore. Finally, the program displayed a book in progress, a history of America through family stories, with the hope that Festival goers would contribute their own memories.
The program was coordinated by Steven Zeitlin (Program Coordinator), together with Sandra Gross (Folklore Coordinator), Holly Cutting-Baker (Folklore Specialist), and Amy Kotkin (American Culture Specialist).
Folklore interviewers:
Deborah Autorino, Lynda Burack, Robert Clayton, Susan Davis, Lina Lore Gross, Amy Shuman, Paul Wagner
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Found in this series are awards and certificates given to Grace Albee, including cased medals; biographical sketches and resumes; scattered personal business records; and family history records including a baby book kept by Albee beginning with the birth of her first son in 1914, and a narrative of the Arnold family in Rhode Island. A file concerning Albee's patron and friend William B. Connor includes letters about and from Connor and clippings.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Grace Albee papers, 1890-1971. Archives of American Art, Smithsonian Institution.
Sponsor:
To process this collection, this project received Federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women's History Initiative and the National Collections Program
Booklet with cover illustration of mother holding baby next to cheek. Stamped: "THE PROCTER & / GAMBLE LIBRARY".
Titled inside cover: "How To Bring Up a Baby: A Handbook for Mothers".
Local Numbers:
Ivorydata4 1592
0307910397 (Scan No. for cover)
Former Title or Title Variations:
How to Bring Up a Baby: A Handbook for Mothers.
Restrictions:
Unrestricted research use on site by appointment. Reproduction restrictions due to copyright.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ivory Soap Collection, 1883-1998, undated; Archives Center, National Museum of American History. Gift of Procter & Gamble.
Use of origininal material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mildred Constantine papers, 1945-2008. Archives of American Art, Smithsonian Institution.
(Brenda Kuhn baby book; Ogunquit, ME; Fort Lee, NJ; Adirondaks)
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walt Kuhn Family papers and Armory Show records, 1859-1984. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Terra Foundation for American Art.
The Helen Peterson collection includes correspondence, notes, miscellaneous administrative documents, financial records, calendars, questionnaires, notes from interviews, survey forms, copies of resolutions, proceedings, speeches, programs, press releases, printed and processed material, and many other types of documents. Mainly these relate to Petersons's career and special interests between 1953 and 1970. There are also a few documents that concern the organizations which Peterson served for periods preceding or following her periods in office. Of special interest are the materials related to the NCAI, many of which supplement the records in that organization's files. The collection also includes documents that concern a wide range of Indian interests and activities.
Scope and Content:
These papers reflect the professional and personal life of Helen L. Peterson from her birth in 1915 until her 80th Birthday in 1995. Peterson worked for the National Congress of American Indians (NCAI), 1953 through 1961; the City and County of Denver Commission on Community Relations (CCR), 1962 to 1970; and American Indian Development, Inc. (AID), 1967 to 1970. Peterson worked for the Bureau of Indian (BIA), 1970 through 1985. She was founder of the Church of the Four Winds which started as the Ecumenical Indian Congregation. She was leader of the Church of the Four Winds starting in 1989. She also served as chair of the National Committee of Indian Work (NCIW) beginning in 1980. Peterson also served as chair of the Province of the Pacific (Province VIII) Indian Commission.
Professional materials in this collection include information from Peterson's time working for NCAI, CCR, AID, BIA, Church of the Four Winds/Ecumenical Indian Congress, Province of the Pacific, and NCIW. Personal materials in the collection include personal documentations (baby book, yearbooks, etc.), personal letters, personal photographs, and news articles about her personal life, among other materials related to her personal life.
Arrangement note:
The Helen Peterson papers are organized into 13 Series. Series 1: National Congress of American Indians (NCAI) is divided into four subseries; Subseries 1.1: Executive Council, Subseries 1.2: NCAI Conventions, Subseries 1.3: Chronological Correspondence, Subseries 1.4: Subject Files. Series 2: Commission on Community Relations (CCR), City and County of Denver, Colorado is divided into three subseries; Subseries 2.1: Subject Files, Subseries 2.2: Denver Indian Study Project, Subseries 2.3: Jobs for Indians. This is followed by Series 3: American Indian Development, Inc. (AID), Series 4: White Buffalo Council, Series 5: Bureau of Indian Affairs (BIA). Series 6: Religious Organizations is divided into five subseries; Subseries 6.1: Church of the Four Winds, Subseries 6.2: Province of the Pacific (Province VIII), Subseries 6.3: Episcopal Church, Subseries 6.4: Other Religious Organizations, Subseries 6.5: Subject Files. This is followed by Series 7: Organizations, Series 8: Events and Series 9: Individuals. Series 10: Newspapers and Newsletters is divided into three subseries; Subseries 10.1: Native American Owned Newspapers and Newsletters, Subseries 10.2: Indian Related News Items, Subseries 10.3 Religious News Items. This is followed by Series 11: Indian Tribes, Series 12: Miscellaneous Subject Files and Series 13: Personal Materials.
Biographical/Historical note:
Helen L. Peterson, born in 1915 on the Pine Ridge Reservation, was an enrolled member of the Oglala Sioux tribe. She attended Chadron State College in 1932, beginning an educational process that included course work at Colorado State College of Education and the University of Colorado. She received a B.S. degree in Business Education from Chadron State College in 1957. In 1935 she began working with the Department of Agriculture's Resettlement Administration, a New Deal Agency. She served as director of the Rocky Mountain Council on Inter-American Affairs at the University of Denver Social Science Foundation and set up the Colorado Inter-American Field Service Program which later came under the Extension Division of the University of Colorado.
In 1948, she was appointed as the first director of the Mayor's Committee on Human Relations in Denver, Colorado. As the "Commission on Human Relations," the committee became a permanent part of city government in 1949 transitioning to the "Commission on Community Relations" in 1959. Peterson acted as an adviser to the United States Delegation to the Second Inter-American Indian Conference in Cuzco, Peru in 1949 and in 1953 she was selected as the executive director of the National Congress of American Indians (NCAI), a position she held through 1961. During these years, NCAI experienced tremendous growth, becoming firmly established as a national organization during her tenure.
Peterson returned to Denver in 1962 as the director of the Commission on Community Relations. From 1967 to 1970 she served as part-time executive director to American Indian Development, Inc. She was appointed Assistant to the Commissioner of the Bureau of Indian Affairs in 1970 and remained with the Bureau of Indian Affairs until 1985.
Throughout her career, Peterson was an active member in the Episcopal Church and in later years served various Episcopal organizations. She was a chair of the National Committee of Indian Work (NCIW) beginning in 1980, chair of the Province of the Pacific (Province VIII) Indian Commission, and founder of the Ecumenical Indian Congregation. Ecumenical Indian Congress became the Church of the Four Winds in 1989. During that year Peterson became the chair of Church of the Four Winds.
Peterson received many awards and honors throughout her life. In 1955, Peterson was named "Outstanding American Indian of 1955" at the Anadarko Exposition. She received an honorary doctorate of humane letters from the University of Colorado in 1973. She was also the recipient of distinguished service awards from Columbia University, the Bureau of Indian Affairs, the National Congress of American Indians, the White Buffalo Council of Denver, the Multnomah County Commissioners, and the National Institute for Women of Color. She passed away on July 10, 2000.
Provenance:
This collection was received by the National Anthropological Archives from Helen Peterson in June 1987. It was then transferred from NAA to the National Museum of the American Indian Archive Center in 2007.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Identification of specific item; Date (if known); Helen L. Peterson Papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
