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Architectures non standard : exposition présentée au Centre Pompidou, Galerie Sud, 10 décembre 2003-1er mars 2004

Author:
Centre Georges Pompidou  Search this
Physical description:
223 p. : ill. (some col.) ; 29 cm
Type:
Exhibitions
Designs and plans
Date:
2003
C2003
20th century
Topic:
Visionary architecture  Search this
Architecture, Modern  Search this
Avant-garde (Aesthetics)--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_736123

Jean Crotti papers

Creator:
Crotti, Jean, 1878-1958  Search this
Names:
Blancpain, Paul  Search this
Braque, Georges, 1882-1963  Search this
Christian, 1895-1969  Search this
Cocteau, Jean, 1889-1963  Search this
Coudour, Henri  Search this
Crotti, Andre  Search this
Duchamp, Marcel, 1887-1968  Search this
Duchamp, Suzanne, 1889-1963  Search this
Dufy, Raoul, 1877-1953  Search this
Everling, Germaine  Search this
Gleizes, Albert, 1881-1953  Search this
Guillaume, Paul, 1891-1934  Search this
Matisse, Henri, 1869-1954  Search this
Nokache, Armand  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pach, Walter, 1883-1958  Search this
Picabia, Francis, 1879-1953  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Renoir, Pierre, 1885-1952  Search this
Reynolds, Mary, 1891-1950  Search this
Salmon, André, 1881-1969  Search this
Seuphor, Michel, 1901-1999  Search this
Severini, Gino, 1883-1966  Search this
Varese, Louise  Search this
Varèse, Edgard, 1883-1965  Search this
Villon, Jacques, 1875-1963  Search this
Waldemar George, 1893-  Search this
Extent:
1.7 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Date:
1913-1973
bulk 1913-1961
Summary:
The scattered papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913-1973, with the bulk of the material dated 1913-1961. Found within the papers are autobiographical notes and essays; correspondence with family and colleagues, among them Jean Cocteau, Andre Crotti, Suzanne Duchamp, Marcel Duchamp, Albert Gleizes, Christian a.k.a. Georges Herbiet, Henri Matisse, Francis Picabia, and Jacques Villon; notes and writings by Crotti and others; art work by Crotti and Paul Guillaume; a scrapbook; and additional printed material. Photographs are of Crotti, Suzanne Duchamp, Georges Braque, Pablo Picasso, and other family and friends; and of Crotti's art work. There are audio recordings on phonograph records of three interviews with Crotti and one with Mr. and Mrs. Paul Blancpain.
Scope and Content Note:
The papers of French Dada painter Jean Crotti measure 1.7 linear feet and date from 1913 to 1973, with the bulk of the materials dating from 1913-1961. Among the papers are autobiographical essays, correspondence with friends and family, including many letters from Marcel Duchamp, notes and writings by and about Crotti, printed materials, one scrapbook, drawings by Crotti and others, photographs of Crotti and his family and friends, photographs of artwork, and three audio recordings of interviews with Crotti.

Biographical material consists of autobiographical notes and an autobiographical manuscript Ma Vie.

Correspondence is with family members and colleagues. Correspondents include his brother Andr?©, wife Suzanne Duchamp, and other family members. There are eleven folders of correspondence between Suzanne's brother Marcel Duchamp and the Crotti family. A 1918 letter from Duchamp to Crotti is illustrated by Duchamp. Additional letters to Jean Crotti are from Jean Cocteau, Albert Gleizes, Georges Herbiet a.k.a. "Christian", Henri Matisse, Francis Picabia, and Jacques Villon. Three folders of letters from Georges Herbiet a.k.a. "Christian" include references to Francis Picabia and Germaine Everling and discussions of art criticism and Picabia's role in avant-garde art movements. Herbiet also describes a new painting procedure that he claims to have invented using a product that is impervious to acids, water, oil, or alcohol. There is a single letter from Jean Crotti to Pablo Picasso following their meeting in Cannes in which Crotti discusses a design with spheres and includes a sketch of his idea. There are also single letters to Crotti from Raoul Dufy, Walter Pach, and actor Pierre Renoir.

Notes and writings include poems, a script, and miscellaneous writings by Crotti concerning his art theories including "Tabu" and gemmail. Writings about Crotti are by miscellaneous authors including writers Waldemar George, Andr?© Salmon, and artists Armand Nakache, Am?©d?© Ozenfant, and Michel Seuphor.

Art work includes seven folders of drawings and an etching plate by Crotti, 83 drawings by Paul Guillaume, and portrait drawings of Crotti by Henri Coudour and Francis Picabia.

A scrapbook contains clippings, a letter from Paul Guillaume and a letter to Elizabeth Crotti from a friend describing a 1932 Jean Crotti exhibition in the Balzac Galleries in New York City, and a typescript "Una Collezione a Parigi" by Gino Severini.

Additional printed material includes clippings, exhibition announcements and catalogs for Crotti and others, reproductions of art work, and books Jean Crotti (1930) and Jean Crotti et la Primaut?© du Spirituel (1959) by Waldemar George.

Photographs are of Crotti, his family, friends, colleagues, and art work by Crotti and by Suzanne Duchamp. Of particular interest are photographs of composer Edgard Var?¨se and his wife Louise with Suzanne Duchamp, Jean Crotti, and art advocate Mary Reynolds in 1924, photographs of Crotti and Georges Braque examining a gemmail art work, and photographs of Crotti and Suzanne Duchamp talking with Pablo Picasso at Cannes and at the home of Bertrande Blancpain in 1957.

Sound recordings include two phonograph records of interviews with Jean Crotti, including topics "Assignment Switzerland" and "Assignment World." A third phonograph record contains an instantatneous disk recording of correspondence between Mr. and Mrs. Paul Blancpain as well as an additional interview with Crotti.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1954-1955 (Box 1; 3 folders)

Series 2: Correspondence, 1916-1961 (Box 1; 43 folders)

Series 3: Notes and Writings, 1924-1958 (Box 1; 27 folders)

Series 4: Art Work, 1913-1925 (Box 1, 3; 12 folders)

Series 5: Scrapbook, 1931-1935 (Box 1; 1 folder)

Series 6: Printed Material, 1921-1973 (Box 1, 2, 3; 0.5 linear feet)

Series 7: Photographs, 1920-1957 (Box 2; 25 folders)

Series 8: Sound Recordings, 1955 (Box 3; 1 folder)
Biographical Note:
Jean Crotti (1870-1958) was a Dadist painter who worked primarily in Paris, France and New York. He was married to Suzanne Duchamp, Marcel Duchamp's sister, and friends with notable avant-garde and Dada European and American painters of the period. He is also known for creating the "Gemmail" technique of layering colored glass that produced unique color combinations when illuminated.

Jean Crotti was born April 24, 1878 in Bulle, near Fribourg, Switzerland, the son of a painting contractor. The family moved to Fribourg in 1887.

Beginning in 1898, Crotti struggled with questions of a religious and spiritual nature while at the School of Decorative Arts in Munich. Dissatisfied there, he moved to Paris in 1901, where he spent a year studying at the Acad?©mie Julian under Tony-Robert Fleury and Jules Lefebvre. Still dissatisfied in 1902, he established a small independent studio in the Rue Fontaine.

Crotti exhibited a canvas at the Salon des Ind?©pendants in 1907, and was accepted as a member of the Salon d'Automne in 1909. From 1910 to 1912, he was influenced by Cubism and its offshoot, Orphism.

To escape from wartime Paris in 1914, Crotti and his first wife, Yvonne Chastel, moved to New York City where Crotti had his first solo exhibition at the Bourgeois Gallery. In 1915, Crotti met Francis Picabia and also shared a studio with Marcel Duchamp who was a major influence. Crotti began his Dada period and was included in an exhibition of French paintings at the Montross Gallery in New York, with Duchamp, Albert Gleizes, and Jean Metzinger.

Crotti separated from his first wife, Yvonne Chastel, in 1916 and returned to Paris alone. By 1917, Crotti's marriage had dissolved and he married Suzanne Duchamp in 1919. Crotti met Suzanne Duchamp, also a painter, through his friendship with her brother Marcel Duchamp. During this time, Crotti completed and exhibited paintings associated with the Dada movement. One of his more notable works was entitled Explacatif, bearing the word "Tabu" that expressed Crotti's concepts of mystery and infinity with spiritual overtones.

In 1935 Crotti began to research a new technique using layers of colored glass, referred to as "gemmail." The term is a contraction of "gem" referring to the colored glass and "enamel" referring to the method of affixing the pieces of glass to each other. After much experimentation, an "enamel" fixative was found that would permanently hold the glass pieces in place while still allowing light to shine through all the layers. Several prominent artists including Georges Braque and Pablo Picasso became interested in using this medium. Crotti had the process patented, but in 1955 ceded the rights to Roger Malherbe who adapted it to commercial uses.

Jean Crotti died on January 30, 1958 in Paris, France.
Separated Material:
Two sketches and a print were also lent by Andr?© Buckles in 1981 for microfilming on reels 2394-2395 and returned. This material is not described in the container listing of this finding aid.
Provenance:
The Jean Crotti papers were donated in two installments in 1981 by Andr?© Buckles and Alice Buckles Brown, Crotti's great-nephew and great-niece.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- France -- Paris -- Interviews  Search this
Topic:
Painting -- Technique  Search this
Art criticism  Search this
Dadaism  Search this
Avant-garde (Aesthetics)  Search this
Painters -- France -- Paris  Search this
Genre/Form:
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Citation:
Jean Crotti papers, 1913-1973, bulk 1913-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.crotjean
See more items in:
Jean Crotti papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-crotjean
Online Media:

Oral history interview with Harold Rosenberg

Interviewee:
Rosenberg, Harold, 1906-1978  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Office of War Information. Washington, D.C.  Search this
United States. Work Projects Administration  Search this
Baumbach, Harold, 1903-  Search this
Blume, Peter, 1906-1992  Search this
Breton, André, 1896-1966  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Gorky, Arshile, 1904-1948  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Krasner, Lee, 1908-1984  Search this
Lundeberg, Helen, 1908-1999  Search this
Léger, Fernand, 1881-1955  Search this
Matta, 1912-2002  Search this
Miró, Joan, 1893-  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Prestopino, Gregorio  Search this
Rothko, Mark, 1903-1970  Search this
Smith, David, 1906-1965  Search this
Tobey, Mark  Search this
Extent:
244 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 December 17-1973 January 28
Scope and Contents:
An interview of Harold Rosenberg conducted 1970 December 17-1973 January 28, by Paul Cummings for the Archives of American Art over nine sessions.
Rosenberg speaks on a wide variety of topics including Marxism and Communism; art criticism; teaching and the philosopy of art; how his interest in art developed over the years; getting his writings published and starting a magazine; what intrigues him about the avant-garde; when and why he started painting; action painting; the inaccuracies in art history about Avant-gardism and Surrealism; working as a mural painter for the College Art Association; moving from the WPA's art project to the writer's project, and becoming an art editor; what happened to the works of art done under the WPA after it ended; and moving to the Hamptons.
He speaks in detail on the New York art scene during the 1930s, 1940s, and 1950s; The Club; writing about art; politics and art; Shakespeare and literature's influence on art and vice versa; the various economic aspects of art; how the Depression affected him and the people he knew; the projects he worked on in the WPA; and working for the OWI after the WPA disbanded.
He recalls Mark Rothko, Harold Baumbach, Willem de Kooning, Robert Motherwell, Peter Blume, Helen Lundberg, André Breton, Arshile Gorky, Roberto Matta, Jackson Pollock, David Smith, Lee Krasner, Fernand Léger, Joan Miró, Jim Leshay, Stuart Davis, Bruce Inverarity, Barney Newman, Mark Tobey, Gregorio Prestopino, and many others.
Biographical / Historical:
Harold Rosenberg (1906-1978) was a writer and educator from New York, N.Y.
General:
Originally recorded on 5 sound tapes. Reformatted in 2010 as 9 digital wav files. Duration is 10 hr., 4 min.
Interview transcript is not in chronological order; arrangement designated by the interviewer Paul Cummings.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art -- Philosophy  Search this
Art -- Political aspects  Search this
Art and literature  Search this
Art criticism  Search this
Surrealism  Search this
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rosenb70
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rosenb70

Linda Farris Gallery records

Creator:
Linda Farris Gallery  Search this
Farris, Linda  Search this
Names:
Barry, Lynda, 1956-  Search this
Bruskin, Grisha, 1945-  Search this
Clough, Charles, 1951-  Search this
Landfield, Ronnie, 1947-  Search this
Luce, Charles, 1947-  Search this
Lucero, Michael, 1953-  Search this
Markovitz, Sherry  Search this
Nevelson, Louise, 1899-1988  Search this
Noah, Barbara  Search this
Pepper, Beverly  Search this
Extent:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Date:
1969-1995
Summary:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.
Scope and Contents:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials. Business correspondence is with galleries, dealers, publishers, museums, and other businesses. Administrative files are varied and include advertising and promotion materials, exhibition schedules, mailing lists, guest books, a scrapbook, and gallery history.

Artists' files are found for many contemporary American artists that interested Linda Farris or were represented by the gallery. The contents of each file vary but many include photographs and slides, writings, correspondence, and printed materials. Files for Lynda Barry, Grisha Brusking, Charles Clough, Ronnie Landfield, Charles Luce, Michael Lucerno, Sherry Markovitz, Louise Nevelson, Barbara Noah, and Beverly Pepper are particularly rich. Exhibition files are for Linda Farris Gallery exhibitions and include printed materials, correspondence, loan and consignment agreements, and photographs.

Event files cover anniversary celebrations, lectures, panel discussions, and receptions. There are 17 sound cassette recordings of "Art Now" lectures and "Focus" panel discussions. Scattered reference files contain collected materials on subjects of interest to the gallery. There are scattered financial, sales, and legal files. Sales records cover 1970-1979.

Linda Farris' personal papers contain printed materials about her and the gallery and other materials concerning her professional and curatorial work outside of the gallery. There is also a transcript of an oral history with Farris and a news interview.

Printed materials include published books and magazines, clippings and exhibition catalogs and announcements.

Photographs are scattered throughout adminstrative files, exhibition files, event files, and Linda Farris' personal papers.
Arrangement:
The collection is arranged as 8 series.

Series 1: Correspondence, 1975-1991, undated (Box 1; .7 linear feet)

Series 2: Administrative files, 1970-1995, undated (Box 1-2; 1 linear feet)

Series 3: Artists and Exhibition files, 1969-1995, undated (Box 2-9; 6.6 linear feet)

Series 4: Events files, 1971-1990, undated (Box 9; 0.6 linear feet)

Series 5: Reference files, 1969-1994, undated (Box 9-10; 0.6 linear feet)

Series 6: Financial, Sales and Legal files, 1970-1995 (Box 10; 0.4 linear feet)

Series 7: Linda Farris Papers, 1972-1995 (Box 10-11; .9 linear feet)

Series 8: Printed Materials, 1970-1995 (Box 11-13; 2 linear feet)
Biographical / Historical:
The Linda Farris Gallery was Seattle's leading venue for contemporary art during its twenty-five years of operation.

Linda Farris opened Gallery East in Bellevue in 1970, and a year later moved to Pioneer Square in Seattle, changing the name to Linda Farris Gallery in 1973. The gallery continued to present contemporary art there until closing in December 1995. Art dealer Linda Farris began representing a group of promising artists, all graduates of the University of Washington. Greg Kucera of the Greg Kucera Gallery noted in an article for the Seattle Weekly, "Their work could be loosely seen as a movement, complete with aesthetic interrelationships, convenient marriages, an unintelligible manifesto in the form of Dennis Evans' quirky pronouncements…" From the same article he states, "Her avant-garde gallery changed forever the nature of being an art dealer in Seattle." It was among the three or four most influential galleries in the Pacific Northwest.

The gallery held exhibitions of many nationally known contemporary artists, including Sam Francis, Louise Nevelson, and Robert Rauschenberg, as well as Northwest artists Jeffrey Bishop, Dennis Evans, Sherry Markovitz, Nancy Mee, Norie Sato, and Patti Warashina. The latter group started with the gallery and remained loyal at the time of its closing in 1995.

Art dealer, collector and free-lance curator Linda B. Farris (1944-2005), a native of San Francisco and a graduate of the University of California, Berkeley (1966), was an active participant in and style setter for the Seattle art world for the twenty-five years she was in business. As a member of the art community she actively supported the Henry Art Gallery at the University of Washington, Pilchuck Glass School, and Seattle Art Museum's Contemporary Art Council, and served on the boards of directors of Henry Art Gallery and Factory Visual Arts. Farris curated "Eight Seattle Artists" in 1981 for the Los Angeles Institute of Contemporary Art and "Self Portraits" in 1983 for the Los Angeles Municipal Art Gallery. She also led the movement to keep Henry Moore's "Vertebrae" from leaving Seattle, and instituted a series of talks, panel discussions, performances, and tours in her gallery, and in and around Seattle.

This note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
An oral history interview with Linda Farris conducted in 1975 by Sally Swenson, is located in the University of Washington University Libraries Digital Collections.
Provenance:
The Linda Farris Gallery records were donated to the Archives of American Art by owner Linda Farris in 1995 at the time she closed the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Avant-garde (Aesthetics)  Search this
Art galleries, Commercial -- Washington (State) -- Seattle  Search this
Art -- Washington (State) -- Exhibitions  Search this
Art, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Artists -- Northwestern States  Search this
Transcripts  Search this
Genre/Form:
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Citation:
Linda Farris Gallery records, 1969-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindfarr
See more items in:
Linda Farris Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lindfarr

William Innes Homer papers

Creator:
Homer, William Innes  Search this
University of Delaware. Dept. of Art History  Search this
Delaware Art Museum  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Benton, Thomas Hart, 1889-1975  Search this
Eakins, Thomas, 1844-1916  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Seurat, Georges, 1859-1891  Search this
Smith, David, 1906-1965  Search this
Walters, Carl, 1883-1955  Search this
Extent:
6.6 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1938-1980
Scope and Contents:
Correspondence, writings, notes, forms, printed material, exhibition records, research material and photographs.
REEL 2814: frames 561-576: Photocopies of letters from George Barker to Homer, 1961-1965, regarding Thomas Eakins.
UNMICROFILMED: Correspondence with dealers, patrons and museum curators concerning an exhibition of the sculpture of Carl Walters, 1956-1958, including some notes and a few photographs of Walter's sculpture; letters, mainly from artists; and a photocopy of Shinn's "Everett Shinn Treatment, #1 and #2, 1945-1978. Among the correspondents are: Ansel Adams, Peggy Bacon, Saul Baizerman, Maurice Becker, Thomas H. Benton, Charles Burchfield, Faber Birren, Mrs. Homer Boss, Imogen Cunningham, Nell Daniel, Andrew Dasburg, Randall Davey, Stuart Davis, Theodore Lux Feininger, Lyonel Feininger, Laura Gilpin, Edith Halpert, Jay Hambidge, Emil Holzhauer, Lotte Jacobi, Mrs. William Sargent Kendall, Leon Kroll, Julien Levy, Stanton Macdonald-Wright, Lewis Mumford, Georgia O'Keeffe, John H. Rhoades, Margery Ryerson, David Smith, Carl Sprinchorn, Edward Steichen, Mrs. Allen Tucker, and Carl Zigrosser. Also included are writings, notes, and printed material concerning the "Index of Dissertations and Theses in American Art" section of the Arts in America: A Bibliography (1979), edited by Bernard Karpel, covering years ca. 1930-1975.
Records of the 1975 exhibition "Avant-garde Painting and Sculpture in America, 1910-1925," organized by the Department of Art History and Division of Museum Studies, University of Delaware, in cooperation with the Delaware Art Museum. Included are correspondence regarding research, loans to the exhibition, and publicity; a grant proposal; photographs of artists, works of art, and installations of the exhibition; and an outline for the catalog.
Notebooks, 9 v. containing citations to dissertations and theses relating to American art, 1980-1997, compiled under Homer's direction, as a follow up to his "Index of Dissertations and Theses in American Art" section of the Bibliography of the Arts in America From Colonial Times to Modern Times (1979).
Homer's research material on Georges Seurat, ca. 1956-1980, including correspondence; essays, notes and draft writings; photocopies and microfilms of rare printed material; responses to questionnaires regarding ownership of paintings; bibliographies; biographical material on scientists and others who influenced Seurat; photographs and color transparencies of works by Seurat and his colleagues; and miscellany. Also included are correspondence and research notes on other Neo-Impressionists.
Biographical / Historical:
Art historian, educator; Newark, Del.; b. 1929. William Innes Homer is an art historian whose areas of expertise include European and American painting from 1865 to 1925 and American art after World War II. He has taught at Princeton University and Cornell University, but is most closely associated with the University of Delaware, where he is Professor Emeritus. He taught there from 1966 until his retirement in 1999.
Related Materials:
William Inned Homer papers are located at Georgia O'Keeffe Museum, Michael S. Engl Family Foundation Library and Archive.
Provenance:
Donated 1980-2004 by William Homer. Photocopies of letters from Barker to Homer were discarded after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Art historians -- Delaware  Search this
Educators -- Delaware  Search this
Topic:
Art, American  Search this
Art, American -- Exhibitions  Search this
Art, Modern -- 20th century -- United States -- Exhibitions  Search this
Avant-garde (Aesthetics)  Search this
Identifier:
AAA.homewill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-homewill

Los Angeles Museum of Art / Roger Wong Gallery records

Creator:
Los Angeles Museum of Art  Search this
Names:
Los Angeles Museum of Art  Search this
Roger Wong Gallery (Los Angeles, Calif.)  Search this
Bozzi, Julie  Search this
Burden, Chris, 1946-  Search this
Gale, Bill  Search this
Lightbody, Joyce, 1954-  Search this
Neher, Marilyn  Search this
Patterson, Pat  Search this
Stoecks, Volker  Search this
Van Kirkhoven, Annie Mie  Search this
Wong, Roger  Search this
Wood, Gary  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1966-1988
Summary:
The Los Angeles Museum of Art / Roger Wong Gallery records measure 4 linear feet and date from 1966 to 1988. Owned by Roger Wong, the gallery was located in Los Angeles, California and primarily exhibited avant-garde art. Biographical materials, correspondence, artists' files, administration records, financial and legal records, printed materials, and photographs document the gallery's operations.
Scope and Contents:
The Los Angeles Museum of Art / Roger Wong Gallery records measure 4 linear feet and date from 1966 to 1988. Owned by Roger Wong, the gallery was located in Los Angeles, California and primarily exhibited avant-garde art. Biographical materials, correspondence, artists' files, administration records, financial and legal records, printed materials, and photographs document the gallery's operations.

Biographical materials include a few miscellaneous documents such as a passport and estate papers.

Correspondence is with family, gallery owners, art collectors, friends, and artists such as Chris Burden, Pat Patterson, and Gary Wood regarding personal and professional matters.

Administration records consist of mailing lists, membership information, publicity materials, and assorted forms.

Artists' files include resumes, correspondence, photographs, price lists, announcements, and other material. Notable artists are Julie Bozzi, Bill Gale, Joyce Lightbody, Marilyn Neher, Volker Stoecks, Annie-Mie Van Kerkhoven, and others.

Financial and legal records consist of agreements and contracts with artists as well as documents related to the business of running the gallery such as leases, invoices, expenses, receipts, and utility bills.

Printed materials include reviews and clippings about the gallery and some miscellaneous newsletters and articles.

Photographs is a small series with images of Roger Wong, the entrance of the gallery, an unidentified art performance, and other subjects.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Materials, 1966-1985 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1969-1988 (0.6 linear feet; Box 1)

Series 3: Administrative Records, 1975-1982 (0.2 linear feet; Box 1)

Series 4: Artists' Files, 1974-1982 (1.1 linear feet; Boxes 1-2)

Series 5: Financial and Legal Records, 1973-1986 (1.7 linear feet; Boxes 3-4)

Series 6: Printed Materials, 1977-1988 (0.2 linear feet; Box 4)

Series 7: Photographs, 1974-1984 (0.1 linear feet; Box 4)
Biographical / Historical:
The Los Angles Museum of Art / Roger Wong Gallery specialized in avant-garde art and operated from the mid-1970s to the early 1980s.

Roger Wong (1945-1994) opened his eponymous gallery at 3808 Beverly Boulevard in Los Angeles, California around 1974. The Roger Wong Gallery often featured local artists and art installations. The gallery name was changed to the Los Angeles Museum of Art around 1978 and closed in 1982-1983.
Provenance:
The Los Angeles Museum of Art / Roger Wong Gallery records were donated in 1994 by John Chase, an art collector who was the recipient of all Roger Wong's art work.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- Economic aspects  Search this
Art galleries, Commercial -- California -- Los Angeles  Search this
Arts -- Experimental methods  Search this
Avant-garde (Aesthetics)  Search this
Genre/Form:
Photographs
Citation:
Los Angeles Museum of Art / Roger Wong Gallery records, 1966-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rogewong
See more items in:
Los Angeles Museum of Art / Roger Wong Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rogewong

Papers of and relating to John D. Graham

Creator:
Graham, John, 1887-1961  Search this
Names:
Graham, John, 1887-1961  Search this
Mayer, Jack  Search this
Extent:
Partial microfilm reel.
Type:
Collection descriptions
Archival materials
Interviews
Date:
[ca. 1950-1960]
Scope and Contents:
Corrected and annotated mss. by Graham "Art History" with related notes (ca. 350 p. total); an autobiographical sketch, entitled "Autoportrait" (3 p. typescript); and an 8 p. summary by Angus Deming of an interview she conducted with Graham, Sept. 1960 in Paris.
Biographical / Historical:
Jack Mayer was an art dealer and owner of Gallery Mayer, New York, which handled the work of painter John Graham. Graham, born Ivan Gratsianovitch Dombrovski in Kiev, Russia in 1886 (baptised in 1881, hence the use of that year on many authoritative sources), came to N.Y. in 1920 and was a central figure among American avant-garde artists, especially from the late 1920s to 1940s. Graham was also a collector of African art which inspired an interest in primitivism in his work. Graham moved to Mexico in 1936. In 1937 he published Systems and Dialectics of Art, stimulating American artists interest in primitive art.
Provenance:
Lent for microfilming by Jack Mayer, 1971.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Cubism  Search this
Surrealism  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Identifier:
AAA.grahjohp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grahjohp

John D. Graham notebook and sketchbook

Creator:
Graham, John, 1887-1961  Search this
Donor:
Stein, Gertrude, 1874-1946  Search this
Extent:
1 Item (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1944-1946
Scope and Contents:
Journal, ca. 1944-1946, containing notes and quotations on art, religion, love, some of it in French; and sketches, executed in an account book formerly kept by a William Hawkins, which has an entry as early as 1846. It was either purchased by or given to Graham and used as a sketchbook.
Biographical / Historical:
Painter, collector; New York and Mexico. Born Ivan Gratsianovitch Dombrovski in Kiev, Russia. His birthday is listed as 27 December, 1886 but after 1917 Russia adopted the Gregorian calendar changing the date to 7 January, 1887. He moved to New York in 1920, changing his name to John Dabrowsky Graham. He was a central figure among American avant-garde artists, especially from the late 1920's-1940's.
Provenance:
Lent for microfilming 1970 by Mrs. Gertrude Stein, owner of the Gertrude Stein Gallery, 998 Madison Ave., NYC. Presumably Stein acquired the notebooks in her work as an art dealer. Additional notebooks in the John Graham papers on microfilm at the Archives of American Art.
Restrictions:
Patrons must use microfilm copy.
Occupation:
Painters -- New York (State) -- New York  Search this
Painters -- Russia -- Kiev  Search this
Topic:
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Cubism  Search this
Expatriate painters -- New York (State) -- New York  Search this
Surrealism  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.grahjohd
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-grahjohd

skirt, 2-piece

Designer:
Gernreich, Rudi  Search this
Measurements:
overall, flat: 9 in x 22 1/2 in; 22.86 cm x 57.15 cm
overall, mounted: 9 in x 18 1/2 in x 10 in; 22.86 cm x 46.99 cm x 25.4 cm
Object Name:
Skirt, 2-Piece
Other Terms:
Skirt, 2-Piece; Lower Body; Main Dress; Unisex
Date made:
1970
Subject:
Fashion  Search this
Gender  Search this
Avant-garde (Aesthetics)  Search this
Gay liberation movement  Search this
Credit Line:
Estate of Rudi Gernreich
ID Number:
1986.0013.43
Accession number:
1986.0013
Catalog number:
1986.0013.43
See more items in:
Cultural and Community Life: Costume
Clothing & Accessories
Exhibition:
Girlhood
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-321a-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_375161
Online Media:

Civilizations : [exhibition] September 11-October 23, 1977, John Michael Kohler Arts Center, Sheboygan, Wisconsin

Author:
John Michael Kohler Arts Center  Search this
Physical description:
47 p. : ill. ; 28 cm
Type:
Exhibitions
Place:
United States
Date:
1977
C1977
20th century
Topic:
Ceramic sculpture  Search this
Art and history  Search this
Avant-garde (Aesthetics)  Search this
Call number:
NK4008 .J63 1977X
NK4008.J63 1977X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_124002

Bomb

Title:
Bomb magazine
Author:
X Motion Picture and Center for New Art Activities (New York, N.Y.)  Search this
Center for New Art Activities (New York, N.Y.)  Search this
Physical description:
v. : ill. ; 38 cm
Type:
Periodicals
Date:
1981
1981-
20th century
Topic:
Arts, Modern  Search this
Avant-garde (Aesthetics)--History--Periodicals  Search this
Call number:
NX458 .B65 fol
AP1.B695
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_656677

John D. Graham notebook and sketchbook, 1944-1946

Creator:
Graham, John D. (John Dabrowsky), ca. 1887-1961  Search this
Subject:
Stein, Gertrude  Search this
Type:
Sketchbooks
Topic:
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Cubism  Search this
Expatriate painters -- New York (State) -- New York  Search this
Surrealism  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)6628
(DSI-AAA_SIRISBib)215939
AAA_collcode_grahjohd
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215939

Papers of and relating to John D. Graham, [ca. 1950-1960]

Creator:
Graham, John D. (John Dabrowsky), ca. 1887-1961  Search this
Subject:
Graham, John  Search this
Mayer, Jack  Search this
Type:
Interviews
Topic:
Art -- Collectors and collecting  Search this
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Cubism  Search this
Surrealism  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6629
(DSI-AAA_SIRISBib)215940
AAA_collcode_grahjohp
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215940

Los Angeles Museum of Art / Roger Wong Gallery records, 1966-1988

Creator:
Los Angeles Museum of Art  Search this
Subject:
Bozzi, Julie  Search this
Burden, Chris  Search this
Gale, Bill  Search this
Lightbody, Joyce  Search this
Neher, Marilyn  Search this
Patterson, Pat  Search this
Stoecks, Volker  Search this
Van Kirkhoven, Annie Mie  Search this
Wong, Roger  Search this
Wood, Gary  Search this
Los Angeles Museum of Art  Search this
Roger Wong Gallery  Search this
Type:
Photographs
Topic:
Art galleries, Commercial -- Economic aspects  Search this
Art galleries, Commercial -- California -- Los Angeles  Search this
Arts -- Experimental methods  Search this
Avant-garde (Aesthetics)  Search this
Record number:
(DSI-AAA_CollID)6530
(DSI-AAA_SIRISBib)215799
AAA_collcode_rogewong
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215799
Online Media:

Linda Farris Gallery records, 1969-1995

Creator:
Linda Farris Gallery  Search this
Farris, Linda  Search this
Subject:
Nevelson, Louise  Search this
Lucero, Michael  Search this
Markovitz, Sherry  Search this
Landfield, Ronnie  Search this
Luce, Charles  Search this
Pepper, Beverly  Search this
Bruskin, Grisha  Search this
Noah, Barbara  Search this
Clough, Charles  Search this
Barry, Lynda  Search this
Type:
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Topic:
Avant-garde (Aesthetics)  Search this
Art galleries, Commercial -- Washington (State) -- Seattle  Search this
Art -- Washington (State) -- Exhibitions  Search this
Art, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Artists -- Northwestern States  Search this
Transcripts  Search this
Record number:
(DSI-AAA_CollID)6612
(DSI-AAA_SIRISBib)215921
AAA_collcode_lindfarr
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215921
Online Media:

Jean Crotti papers, 1913-1973, bulk 1913-1961

Creator:
Crotti, Jean Joseph, 1878-1958  Search this
Subject:
Villon, Jacques  Search this
Varese, Louise  Search this
Ozenfant, Amédée  Search this
Varèse, Edgard  Search this
Severini, Gino  Search this
Seuphor, Michel  Search this
Salmon, André  Search this
Reynolds, Mary  Search this
Renoir, Pierre  Search this
Picabia, Francis  Search this
Pach, Walter  Search this
Nokache, Armand  Search this
Matisse, Henri  Search this
Gleizes, Albert  Search this
Waldemar George  Search this
Christian  Search this
Braque, Georges  Search this
Blancpain, Paul  Search this
Crotti, Andre  Search this
Coudour, Henri  Search this
Cocteau, Jean  Search this
Everling, Germaine  Search this
Dufy, Raoul  Search this
Duchamp, Suzanne  Search this
Duchamp, Marcel  Search this
Guillaume, Paul  Search this
Picasso, Pablo  Search this
Type:
Scrapbooks
Drawings
Poems
Essays
Sound recordings
Photographs
Interviews
Topic:
Painting -- Technique  Search this
Art criticism  Search this
Dadaism  Search this
Avant-garde (Aesthetics)  Search this
Painters -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)7559
(DSI-AAA_SIRISBib)209719
AAA_collcode_crotjean
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209719
Online Media:

Oral history interview with Harold Rosenberg, 1970 December 17-1973 January 28

Interviewee:
Rosenberg, Harold, 1906-1978  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Motherwell, Robert  Search this
Baumbach, Harold  Search this
Gorky, Arshile  Search this
De Kooning, Willem  Search this
Pollock, Jackson  Search this
Blume, Peter  Search this
Krasner, Lee  Search this
Rothko, Mark  Search this
Inverarity, Robert Bruce  Search this
Matta  Search this
Miró, Joan  Search this
Breton, André  Search this
Léger, Fernand  Search this
Smith, David  Search this
Newman, Barnett  Search this
Tobey, Mark  Search this
Lundeberg, Helen  Search this
Prestopino, Gregorio  Search this
Davis, Stuart  Search this
United States  Search this
Club (New York, N.Y.)  Search this
Office of War Information.  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art -- Philosophy  Search this
Art -- Political aspects  Search this
Art and literature  Search this
Art criticism  Search this
Surrealism  Search this
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)12896
(DSI-AAA_SIRISBib)213056
AAA_collcode_rosenb70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213056

William Innes Homer papers, 1938-1980

Creator:
Homer, William Innes, 1929-  Search this
University of Delaware. Dept. of Art History  Search this
Subject:
Walters, Carl  Search this
Eakins, Thomas  Search this
Seurat, Georges  Search this
Smith, David  Search this
Adams, Ansel  Search this
Benton, Thomas Hart  Search this
Macdonald-Wright, Stanton  Search this
O'Keeffe, Georgia  Search this
Topic:
Art, American  Search this
Art, American -- Exhibitions  Search this
Art, Modern -- 20th century -- United States -- Exhibitions  Search this
Avant-garde (Aesthetics)  Search this
Record number:
(DSI-AAA_CollID)7837
(DSI-AAA_SIRISBib)210004
AAA_collcode_homewill
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210004

skirt, 2-piece

Designer:
Gernreich, Rudi  Search this
Measurements:
overall: flat: 8 3/4 in x 23 in; 22.225 cm x 58.42 cm
overall; overall, mounted: 9 in x 17 1/2 in x 11 in; 22.86 cm x 44.45 cm x 27.94 cm
Object Name:
Skirt, 2-Piece
Other Terms:
Skirt, 2-Piece; Lower Body; Main Dress; Unisex
Date made:
1970
Subject:
Fashion  Search this
Gender  Search this
Avant-garde (Aesthetics)  Search this
Gay liberation movement  Search this
ID Number:
1986.0013.42
Accession number:
1986.0013
Catalog number:
1986.0013.42
See more items in:
Cultural and Community Life: Costume
Clothing & Accessories
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a1-9bd1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_375160

New Jersey as non-site / Kelly Baum ; with contributions by Beatriz Colomina [and five others]

Author:
Baum, Kelly  Search this
Contributor:
Colomina, Beatriz  Search this
Host institution:
Princeton University Art Museum  Search this
Physical description:
159 pages : illustrations (some color) ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Place:
New Jersey
Date:
2013
20th century
Topic:
Arts, American  Search this
Avant-garde (Aesthetics)  Search this
Art, American  Search this
In art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1037726

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