Search Results

Author:

Ott, Katherine  Search this

Editor:

Ott, Katherine  Search this

Serlin, David  Search this

Mihm, Stephen  Search this

Object Type:

Smithsonian staff publication

Year:

2002

Citation:

Ott, Katherine. 2002. "The Sum of Its Parts: An Introduction to Modern Histories of Prosthetics." In Artificial Parts and Practical Lives; Modern Histories of Prosthetics. Ott, Katherine, Serlin, David, and Mihm, Stephen, editors. 1–42. New York: New York University Press. https://doi.org/10.18574/nyu/9780814762431.003.0003.

Identifier:

119128

DOI:

https://doi.org/10.18574/nyu/9780814762431.003.0003

ISBN:

9780814761977

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_119128

Creator:

National Museum of the American Indian  Search this

Type:

Video recordings

Podcast

MIME Type:

video/mp4

Uploaded:

Sat, 22 APR 2017 11:05:00 EST

Topic:

Native Americans  Search this

American Indians  Search this

See more episodes:

Smithsonian National Museum of the American Indian Live Events in HD

Data Source:

National Museum of the American Indian

EDAN-URL:

edanmdm:podcasts_c543171eedd3ce00bf23ff6e3666b4b3

Creator:

National Museum of the American Indian  Search this

Type:

Video recordings

Symposia

Podcast

MIME Type:

video/mp4

Uploaded:

Fri, 07 Oct 2011 15:30:00 GMT

Topic:

Native Americans  Search this

American Indians  Search this

See more episodes:

Smithsonian National Museum of the American Indian Live Events

Data Source:

National Museum of the American Indian

EDAN-URL:

edanmdm:podcasts_6fbaab31681145f7d2e4f710f94082fe

Creator:

National Museum of the American Indian  Search this

Type:

Video recordings

Symposia

Podcast

MIME Type:

video/mp4

Uploaded:

Fri, 07 Oct 2011 15:30:00 GMT

Topic:

Native Americans  Search this

American Indians  Search this

See more episodes:

Smithsonian National Museum of the American Indian Live Events

Data Source:

National Museum of the American Indian

EDAN-URL:

edanmdm:podcasts_f746c822824d28c5358532c7ee37ddf3

Names:

Andrade-Watkins, Claire  Search this

Bambara, Toni Cade  Search this

Dash, Julie  Search this

Gerima, Haile  Search this

Greaves, William, 1953-2005  Search this

Gunn, Bill, 1934-1989  Search this

Jafa, Arthur  Search this

Jones, Robert Earl, 1904-2006  Search this

Massiah, Louis  Search this

Micheaux, Oscar, 1884-1951  Search this

Moses, Ethel  Search this

Robeson, Paul, 1898-1976  Search this

Sanchez, Sonia, 1934- (poet, reader)  Search this

Snead, James A., 1953-1989  Search this

Spence, Louise, 1945-  Search this

Tucker, Lorenzo  Search this

Donor:

Bowser, Pearl, 1931-  Search this

Extent:

approximately 100 Motion picture films

213 Sound cassettes (7 boxes)

Type:

Collection descriptions

Archival materials

Motion picture films

Sound cassettes

Sound cassette

Oral histories (document genres)

16mm motion picture film

Vhs (videotape format)

Place:

England

Harlem (New York, N.Y.)

Roanoke (Va.)

Memphis (Tenn.)

Date:

bulk 1920-2001

Biographical / Historical:

Pearl Bowser is a filmmaker, producer, author, lecturer, and highly acclaimed scholar of African American film who is recognized as an authority on the works of Oscar Micheaux, a noted writer, director, and producer of race films from 1919 to 1948.

Born Pearl Johnson on June 25, 1931, in Sugar Hill, Harlem, New York, she was named after her mother (also Pearl Johnson), a domestic worker who had been raised in a Catholic nunnery. On occasional Saturdays, the younger Pearl would accompany her mother to work in apartments in lower Manhattan, where she would assist her by folding handkerchiefs for a small allowance. After moving to a lower part of Harlem when she was about four years old, she met Harlem entrepreneur "Bumpy" Johnson, for whom she and other children in the neighborhood did odd jobs such as counting coins or attending to his ice-cream stand. Johnson, who would sometimes give the children joy rides in his Cadillac, occasionally allowed Pearl and the other children to borrow books from his extensive library, provided that they read them and submitted to a quiz.

As a child, Bowser had several racist encounters. For example, one of her white kindergarten teachers at her elementary school wore gloves in the classroom as to not touch Black pupils. She was also occasionally teased for having a gap between her teeth but felt insulated from sustained bullying because she had several older brothers who sometimes protected her. On a separate occasion, when she was about nine years old, her mother sent her on a trip from New York to the South to visit relatives. Although her mother had purchased tickets for her to be in a Pullman car, when she changed trains in Washington, DC., she was forced to ride in the car behind the engine, which left her covered in soot.

An avid reader, Pearl excelled in elementary and high school and received a scholarship to attend Brooklyn College, where she majored in biology. She supplemented her income by recording the numbers in one of Bumpy Johnson's shops. Disappointed with the quality of the education she was receiving, Bowser withdrew from Brooklyn College, eventually landing a job at CBS where she worked on a team that analyzed Nielsen ratings.

In 1955, Pearl married fellow New Yorker LeRoy Bowser. By the mid-1960s, although Pearl and LeRoy Bowser had separate interests, they both were working simultaneously in the civil rights movement. While LeRoy was active in Brooklyn CORE (Congress of Racial Equality) and went to the South in the summer to teach for what was the beginning of HeadStart, Pearl, along with other production activists, took to the streets documenting African American culture and issues—working to bring these films to schools. Additionally, Bowser wanted to write a cookbook to earn funds for Brooklyn's CORE organization. She was approached by David Davis, the editor of Tuesday Magazine. Tuesday had distribution in the Herald Tribune across the country as a Sunday supplement. As the urban-world magazine exploded in Black communities, "Joan" Bowser's two-page pictorials on Southern cooking with a set of recipes became very popular in the five years she wrote them. Bowser retained copyrights to the articles, and easily completed her cookbook a short time later.

Bowser's colleague at ABC, Charles Hobson, found a used book written by Peter Noble about Black films and Oscar Micheaux. The volume was slim and contained what little information contained in the Museum of Modern Art (MoMA) files. Hobson and his colleagues wanted to write a book about the topic, and they assigned Bowser to begin the research. As part of the project, Bowser went to California to interview actors who may have been in early Black films or may have worked with Micheaux. What she learned began her intensive scholarship into Micheaux and his fellow filmmakers.

In 1971, she organized her first film festival, the Black Film History Series. In 1979, she organized the nation's first American women's film festival in New York City. She also presented a major retrospective, Independent Black American Cinema 1920-1980, which toured the country during 1981 and 1982. She also directed the Journey Across Three Continents film and lecture series, which toured the country from 1983-1985. Bowser also served as president of the prestigious Flaherty Film Seminar in 1987. In 1989, she, alongside Grant Munro, programmed the 35th Flaherty Film Seminar, which featured films such as Finzan, Zajota and the Boogie Spirit, Daughters of the Dust, and many more. She has also been a judge at the world-renown Pan-African Film and Television Festival of Ouagadougou (FESCPACO) in Burkina Faso (formerly known as Upper Volta).

In the 1980s Bowser was awarded an independent artists grant by the Ford Foundation to travel west and collect oral histories from individuals in Oscar Micheaux's orbit, loosely following the route he would have travelled decades earlier. Stopping in cities such as Roanoke, Virginia; Memphis, Tennessee; and Jackson, Mississippi, she collected dozens of oral histories from actors, actresses etc. that knew Oscar Micheaux. Through this research she became an eminent figure in the Black independent film industry. Working as a programmer, she travelled around the United States and the world showing films by domestic and Black filmmakers within the Diaspora.

Despite her wealth of experience working as a programmer, it wasn't until the 1990s that Bowser made her directorial debut with the documentary film Midnight Ramble. Funded by American Experience, the film looks at African Americans and Hollywood movies from 1910 through the 1950s. In 2000, she, along with Louise Spence, co-authored Writing Himself into History: Oscar Micheaux, His Silent Films and His Audiences, a book about the pioneering filmmaker. Additionally, she is founder and director of Chamba Educational Film Services, a film distribution company that specialized in distributing films by African American filmmakers. In the early 1980s, she renamed her company/collection as African Diaspora Images, a collection of historical and contemporary films documenting Black film history. She subsequently joined Third World Newsreel, where she was director of their theater department.

In 2012, Pearl Bowser donated her extensive collection of books, sound cassettes, films, film memorabilia, and papers to the Smithsonian National Museum of African American History and Culture.

Sources:

1940 United States Federal Census; New York, New York, New York, population schedule, p. 61B, house number 1486, family 195, Pearl Bowser; Ancestry.com. 1940 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012 accessed: 10 Sept 2022); citing National Archives and Records Administration microfilm: m-t0627-02665

Bowser, Pearl. Pearl Bowser Oral History. Interview by Tuliza Fleming and Jennifer Lyon, July 21, 2011.

Provenance:

Acquired as a donation from Pearl Bowser in 2012.

Restrictions:

Collection is open for research. Access to collection materials requires an appointment.

Occupation:

Filmmakers  Search this

Actors -- Interviews  Search this

Topic:

Documentary films  Search this

Film festivals  Search this

African American actors  Search this

African American actresses  Search this

African diaspora  Search this

Race films  Search this

African American motion picture producers and directors  Search this

African American women authors  Search this

Meetings  Search this

Conferences  Search this

Lectures and lecturing  Search this

Amateur films  Search this

Motion picture soundtracks  Search this

Oral history  Search this

Radio broadcasts  Search this

Genre/Form:

Sound cassette

Oral histories (document genres)

16mm motion picture film

VHS (videotape format)

Citation:

Pearl Bowser Collection, National Museum of African American History and Culture

Identifier:

NMAAHC.A2012.79.AV

See more items in:

Pearl Bowser Audiovisual Collection

Archival Repository:

National Museum of African American History and Culture

GUID:

https://n2t.net/ark:/65665/io3209e9c6d-3045-4a0a-941e-6519385b18d5

EDAN-URL:

ead_collection:sova-nmaahc-a2012-79-av

Collection Creator:

Ellsworth, Scott, Dr.  Search this

Archives Center, National Museum of American History  Search this

Container:

Box 13, Folder 10

Type:

Archival materials

Scope and Contents:

Pepsi Research and Development authority, Purchase, New York

Collection Restrictions:

Collection is open for research. One oral history is restricted. Only reference copies of the audiovisual materials may be used. Several reels of television commercials have been digitized and are available in the Smithsonian Institution's Digital Asset Management System (DAMS).

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

The "Pepsi Generation" Oral History and Documentation Collection, Archives Center, National Museum of American History, Smithsonian Institution

See more items in:

The "Pepsi Generation" Oral History and Documentation Collection

The "Pepsi Generation" Oral History and Documentation Collection / Series 2: Interviewee Files (abstracts)

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep84ea33221-5505-4557-be24-adbe0a2496c4

EDAN-URL:

ead_component:sova-nmah-ac-0111-ref285

Creator:

Nahikian, Marie Satenik, 1946-  Search this

Names:

Barry, Marion, 1936-2014  Search this

Clarke, David "Dave", 1943-1997  Search this

Fauntroy, Walter E.  Search this

Hill, Fannie, 1923-1987  Search this

Pierce, Walter C., 1946-1991  Search this

Pinkett, Flaxie Madison, 1918-1995  Search this

Shackleton, Polly Shackleton, 1910-1997  Search this

Shia, Nancy, 1947-  Search this

Sizemore, Barbara , 1927-2004  Search this

Washington, Walter E., 1915-2003  Search this

Extent:

3.46 Linear feet (3 boxes)

Type:

Collection descriptions

Archival materials

Contact sheets

Photographs

Audio cassettes

Place:

Adams Morgan (Washington, D.C.)

Date:

1971-1998

Scope and Contents:

The papers of community organizer and affordable housing developer Marie Satenik Nahikian measure 3.46 linear feet and date from 1971 to 1998. The collection contains correspondence; certificates; photographs; newsletters; campaign ephemera; editions of various Washington, DC community newspapers; as well as recordings of Nahikian's speeches. The bulk of the collection contains documents pertaining to Nahikian's work with the Adams Morgan Organization.

The papers of community organizer and affordable housing developer Marie Satenik Nahikian measure 3.46 linear feet and date from 1971 to 1998. The collection includes copies of the Rock Creek Monitor, the newspaper of Dupont Circle, Adams Morgan and Mt. Pleasant communities of Washington, DC. Present in the collection are also proclamations, newspaper clippings, writings by Nahikian and materials related to her role for Advisory Neighborhood Commissioner for ANC-1C (in Adams Morgan) and unsuccessfully campaign for D.C. City Council.

Biographical / Historical:

Marie Satenik Nahikian was a co-founder and the first Executive Director of the Adams Morgan Organization (AMO – founded in 1972). Prior to Washington, DC having Home Rule, AMO put into practice a local, elected self-governance structure that advocated for issues of concern to neighborhood residents. AMO served as the main model for the Advisory Neighborhood Commissions that were created as part of Home Rule's implementation in Washington, DC. Marie S. Nahikian, particularly through her work with AMO, was a staunch advocate and partial architect of three landmark pieces of tenant rights and anti-displacement legislation in DC: the 1975 Rental Accommodations Act, the 1978 Residential Real Property Transfer Excise Tax, and the 1980 Rental Housing Conversion and Sale Act.

Nahikian successfully ran for Advisory Neighborhood Commissioner for ANC-1C (in Adams Morgan) and twice ran for D.C. City Council (unsuccessfully). She was appointed by Mayor Walter Washington (1915-2003) to serve two terms as a Tenant Commissioner on the D.C. Rental Accommodations Commission. She later served under Mayor Marion Barry (1936-2014) as head of the Tenant Purchase Program that enabled largely low- and moderate-income tenants to purchase and become cooperative owners of their buildings.

After leaving Washington, DC, she went on to work for Mayors in Philadelphia and New York City. Nahikian also worked in the U.S. Department of Housing & Urban Development under President Barack Obama.

Marie Satenik Nahikian currently hosts the Usable Past podcast, where activists share their stories of past and present organizing to create better lives for as many people as possible.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

The Marie Satenik Nahikian papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Urban Life  Search this

Community activists  Search this

Community Organizations  Search this

Newspapers -- Washington (D.C.).  Search this

Genre/Form:

Contact sheets

Photographs -- Black-and-white negatives -- 20th century

Audio cassettes -- 20th century

Citation:

Marie Satenik Nahikian papers, Anacostia Community Museum, Smithsonian Institution. Gift of Marie Satenikn Nahikian.

Identifier:

ACMA.06-123

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa76d1f22f0-800a-4d07-829f-f92dfb4a81cd

EDAN-URL:

ead_collection:sova-acma-06-123

Creator:

Richardson, Edgar Preston, 1902-1985  Search this

Richardson, Constance, 1905-  Search this

Names:

Archives of American Art  Search this

Castano Galleries (Boston, Mass.)  Search this

Detroit Institute of Arts  Search this

Henry Francis du Pont Winterthur Museum  Search this

Historical Society of Pennsylvania  Search this

Macbeth Gallery  Search this

National Collection of Fine Arts (U.S.)  Search this

National Portrait Gallery (Smithsonian Institution)  Search this

Pennsylvania Academy of the Fine Arts  Search this

Philadelphia Museum of Art  Search this

White House (Washington, D.C.)  Search this

Peale family  Search this

Allen, Joseph  Search this

Allston, Washington, 1779-1843  Search this

Andrews, Wayne  Search this

Aram, Siegfried F.  Search this

Bishop, Isabel, 1902-1988  Search this

Bostick, William A.  Search this

Bouché, Louis, 1896-1969  Search this

Boyd, Julian P. (Julian Parks), 1903-  Search this

Castano, Giovanni, 1896-1978  Search this

Cohn, Harold  Search this

Copeland, Lammot du Pont  Search this

Culver, Charles B. (Charles Beach), 1908-1967  Search this

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Flexner, James Thomas, 1908-2003  Search this

Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this

Fredericks, Marshall M., 1908-1998  Search this

Freeman, Michael W.  Search this

Garrison, Eve Josephson, 1903-2003  Search this

Groce, George C., 1899-  Search this

Hardy, Jeremiah Pearson, 1800-1889  Search this

Heil, Walter, 1890-1973  Search this

Hopper, Edward, 1882-1967  Search this

Jungwirth, Irene G. (Irene Gayas), 1913-  Search this

Krentzin, Earl, 1929-  Search this

Kuniyoshi, Yasuo, 1889-1953  Search this

Lee-Smith, Hughie  Search this

Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this

Lynes, Russell, 1910-1991  Search this

Marsh, Reginald, 1898-1954  Search this

Mast, Gerald, 1908-1971  Search this

McDermott, John Francis, 1902-  Search this

Middeldorf, Ulrich Alexander, 1901-  Search this

Morse, John D., 1906-  Search this

Moser, Liselotte, 1906-1983  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Oliver, Andrew, 1906-  Search this

Peale, Charles Willson, 1741-1827  Search this

Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this

Ripley, S. Dillon (Sidney Dillon), 1913-2001  Search this

Rockefeller, John D., 1906-  Search this

Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this

Rutledge, Anna Wells  Search this

Sellers, Charles Coleman, 1903-  Search this

Sheeler, Charles, 1883-1965  Search this

Simper, Fred, 1914-  Search this

Simpson, Corelli C. W.  Search this

Soria, Regina, 1911-  Search this

Spark, Victor D. (Victor David), 1898-1991  Search this

Speck, Walter, 1895-  Search this

Stevens, William B.  Search this

Valentiner, Wilhelm Reinhold, 1880-1958  Search this

Vose, Robert C. (Robert Churchill), 1911-1998  Search this

Watkins, Franklin Chenault, 1894-1972  Search this

Wedda, John  Search this

Woolfenden, William E. (William Edward), 1918-1995  Search this

Wyeth, Andrew, 1917-2009  Search this

Extent:

28.7 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Manuscripts

Interviews

Diaries

Transcripts

Sketches

Lectures

Place:

Detroit (Mich.)

Date:

1814-1996

bulk 1921-1996

Summary:

The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Scope and Contents:

The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.

Biographical / Historical:

Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).

Related Materials:

Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.

Separated Materials:

The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.

Provenance:

Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.

Restrictions:

Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Authors -- Michigan -- Detroit  Search this

Art historians -- United States  Search this

Topic:

Art -- Collectors and collecting  Search this

Painting, American  Search this

Art, American  Search this

Romanticism  Search this

Art -- History -- Study and teaching  Search this

Genre/Form:

Photographs

Manuscripts

Interviews

Diaries

Transcripts

Sketches

Lectures

Citation:

Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

Identifier:

AAA.richedga

See more items in:

E.P. (Edgar Preston) and Constance Richardson papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f0a154af-52ef-402b-b06d-60a290eec749

EDAN-URL:

ead_collection:sova-aaa-richedga

Creator:

Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this

Names:

American Federation of Arts  Search this

Archives of American Art  Search this

Corcoran Gallery of Art  Search this

Detroit Institute of Arts  Search this

Henry Francis du Pont Winterthur Museum  Search this

Kennedy Galleries  Search this

Kraushaar Galleries  Search this

M. Knoedler & Co.  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Midtown Galleries (New York, N.Y.)  Search this

Milwaukee Art Center  Search this

Museum of Modern Art (New York, N.Y.)  Search this

National Gallery of Art (U.S.)  Search this

Pennsylvania Academy of the Fine Arts  Search this

Philadelphia Museum of Art  Search this

United States Information Agency  Search this

University of Michigan. Museum of Art  Search this

Whitney Museum of American Art  Search this

Allston, Washington, 1779-1843  Search this

Arms, John Taylor, 1887-1953  Search this

Bailey, Grace  Search this

Bailey, Truman E., 1902?-1959  Search this

Bohrod, Aaron  Search this

Burchfield, Charles Ephraim, 1893-1967  Search this

Culver, Charles B. (Charles Beach), 1908-1967  Search this

Eakins, Thomas, 1844-1916  Search this

Evergood, Philip, 1901-1973  Search this

Fleischman, Barbara  Search this

Gentle, Esther, 1900-  Search this

Krentzin, Earl, 1929-  Search this

Marin, John, 1870-1953  Search this

Pollack, Peter, 1909-1978  Search this

Rattner, Abraham  Search this

Richardson, Constance, 1905-  Search this

Richardson, Edgar Preston, 1902-1985  Search this

Ryder, Albert Pinkham, 1847-1917  Search this

Sellers, Charles Coleman, 1903-  Search this

Watkins, Franklin Chenault, 1894-1972  Search this

Extent:

4.9 Linear feet

Type:

Collection descriptions

Archival materials

Typescripts

Photographs

Date:

1837-1984

bulk 1935-1979

Summary:

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

Scope and Contents:

The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

One folder of biographical material includes a biographical account and a certificate of appreciation from the Common Council for the City of Detroit.

The bulk of the collection is comprised of correspondence documenting the Fleischman's art related activities and interests primarily during the 1950s and 1960s. Individual correspondents include Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentle, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

Arts organizations and galleries represented in the correspondence include the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

Autograph letters purchased by the Fleischmans include letters written by artists Washington Allston (addressed to Thomas Sully), Albert Pinkham Ryder, and John Taylor Arms.

Exhibition files document the various exhibitions of art work from the Lawrence and Barbara Fleischman Collection at the University of Michigan Museum of Art; the Detroit Institute of Art; in Central and South America; in Greece, Israel and Russia; and at the Milwaukee Art Center. The files contain letters, notes, printed material, and photographs.

Three folders of notes and writings include "Introduction to Earl Krentzin Catalog" by Lawrence Fleischman and "Selection of Excerpts from the Soviet Press and Radio Attacking U. S. Culture" by unidentified authors.

Scattered printed material includes miscellaneous clippings and catalogs not connected with the Exhibition Files series. There is also a book John Marin: The Man and his Work by E. M. Benson that was autographed by Marin to the Fleischmans in 1953.

Photographs include portrait photographs of Lawrence Fleischman, photographs of Lawrence and Barbara Fleischman with colleagues, of art work from the Fleischman Collection, of Truman and Grace Bailey in their studio, and a copy photograph of Thomas Eakins as a boy.

Arrangement:

The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1958 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1984 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Autograph Letters, 1837-1942 (Box 4; 4 folders)

Series 4: Exhibition Files, 1953-1960 (Boxes 4-5, 7; 0.5 linear feet)

Series 5: Notes and Writings, 1957-1962 (Box 5; 3 folders)

Series 6: Printed Material, 1935-1969 (Box 5-6; 6 folders)

Series 7: Photographs, 1953-1965 (Box 6; 13 folders)

Biographical / Historical:

Lawrence Fleischman (1925-1997) of New York City was an American art collector, patron, philanthropist, and benefactor. He and his wife, Barbara Greenberg Fleischman, assembled an impressive collection of art and artifacts that they shared with the public as part of their philanthropic activities aimed at fostering a wider appreciation of the arts around the world.

Lawrence Fleischman was born on February 14, 1925 in Detroit, Michigan, the son of Stella and Arthur Fleischman, the owner of a large carpet business. He attended the Western Military Academy in Alton, Illinois, and studied engineering at Purdue University. In 1942, he interrupted his studies to volunteer for service in the U.S. Army during World War II. While serving in France, he met a doctor who further fostered Fleischman's ever growing interest in American art. Following the war, he graduated with a degree in physics from the University of Detroit. Fleischman met Barbara Greenberg in Detroit and they were married in 1948.

Beginning in the late 1940s, Fleischman established a fledgling television station, developed holdings in real estate, and began purchasing art work. Initially the Fleischmans collected undervalued 20th century American art and were friends with several artists, including John Marin, Charles Burchfield, Stuart Davis, and Ben Shahn. They also expanded the scope of their collection to include 19th century American works.

During the 1950s, Lawrence Fleischman realized how there were few American art historians and college departments, as well as a lack of primary source material. Fleischman worked with Edgar P. Richardson, then director of the Detroit Institute of Art, to raise funds and they founded the Archives of American Art at the Detroit Institute of Art in 1954. The Archives of American Art was, and still is, dedicated to the collection, preservation, and study of primary source records that document the history of the visual arts in the United States. Lawrence A. Fleischman is a founding Trustee of the AAA and served as the Chairman of the Board from 1958 to 1966. His wife, Barbara joined the Board of Trustees in 1997 and served as Chair from 2003 to 2007. She is a Trustee Emerita.

Lawrence Fleischman's business and philanthropic interests included the Arthur Fleischman Carpet Company, the Lee Plaza Hotel-Motel in Detroit, Art Adventurers, the Art School of the Society of Arts and Crafts in Detroit, the Friends of the Whitney Museum of American Art in New York, the Cultural Committee of the United States Information Agency, and the Art Commission of Detroit, which governed the Detroit Institute of Art. He also served as an officer of the Board for many of the arts-related organizations.

In 1996, the Fleischmans moved their family from Detroit to New York City, where Lawrence Fleischman became a partner in the Kennedy Galleries.

The Fleischmans philanthropic activities include generous support of the Metropolitan Museum of Art, the Detroit Institute of Art, the Cleveland Museum, the British Museum, the Vatican Museum, and lifelong support of the Archives of American Art.

Lawrence Fleischman died on January 31, 1997 in London, England. Barbara Fleischman lives in New York City and continues to be an active supporter of the visual arts.

Related Materials:

Among the Archives holdings are two oral history interviews with Lawrence A. Fleischman. The first was conducted by Paul Cummings in 1970 and the second conducted by Gail Stavitsky in 1994 . Both interviews have transcripts available.

Separated Materials:

The Archives of Art also holds microfilm of material lent for microfilming, the majority of which was later donated, except for five letters on reel D197. These include one postcard from Constance Richardson, 1956; one letter from Constance Richardson, 1957; one letter from Franklin Watkins, 1955; one letter from Lawrence Fleischman to Wilbur H. Hunter, 1960; and one letter from Richard D. Tucker, 1960. This material remains with lender and is not described in the collection container inventory.

Provenance:

The Lawrence and Barbara Fleischman papers were donated in several accretions by Lawrence and Barbara Fleischman from 1954 to 2007. Letters were also loaned for microfilming in 1965, but nearly all of them were subsequently donated.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- United States  Search this

Topic:

Painting, American  Search this

Art patrons Michigan Detroit  Search this

Artists' studios -- Photographs  Search this

Philanthropists  Search this

Art -- Collectors and collecting -- United States  Search this

Genre/Form:

Typescripts

Photographs

Citation:

Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.fleilawr

See more items in:

Lawrence and Barbara Fleischman papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92905ad60-9c85-493f-90b7-272f1486ef69

EDAN-URL:

ead_collection:sova-aaa-fleilawr

Interviewee:

Fleischman, Barbara  Search this

Interviewer:

Berman, Avis  Search this

Names:

Archives of American Art  Search this

Extent:

4 Items (Sound recording, master: 4 sound files (5 hr., 39 min.), digital, wav)

134 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2011 Dec. 27-2012 Jan. 23

Scope and Contents:

An interview with Barbara Fleischman conducted 2011 Dec. 27-2012 Jan. 23 by Avis Berman for the Archives of American Art.

Biographical / Historical:

Interviewee Barbara G. Fleischman (1924- ) is an art collector in New York and a member of the Archives of American Art's board of trustees. Interviewer Avis Berman (1949- ) is a writer in New York, N.Y.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This transcript is open for research. Access to the audio is restricted. Contact Reference Services for more information.

Rights:

Sound recording: Authorization to quote or reproduce for the purposes of publication requires written permission from Barbara Fleischman. Contact Reference Services for more information.

Topic:

Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this

Women art collectors  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.fleisc11

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a98e9b4d-a99b-4b1d-9451-6033ef815c66

EDAN-URL:

ead_collection:sova-aaa-fleisc11

Author:

Bell, Joshua A.  Search this

Editor:

McCarty, Cara  Search this

McQuaid, Matilda  Search this

Object Type:

Smithsonian staff publication

Year:

2014

Citation:

Bell, Joshua A. 2014. "Fish Trap." In Tools: Extending our Reach. McCarty, Cara and McQuaid, Matilda, editors. 54–55. New York: Cooper Hewitt.

Identifier:

135288

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_135288

Author:

Condell, Caitlin  Search this

Object Type:

Smithsonian staff publication

Year:

2015

Citation:

Condell, Caitlin. 2015. "For the Love of Letterpress." Cooper Hewitt Blog New York: Cooper Hewitt, Smithsonian Design Museum. May 10, 2015. https://www.cooperhewitt.org/2015/05/10/hendricus-theodorus-wijdeveld-letterpress-printing/.

Identifier:

163328

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_163328

Author:

Condell, Caitlin  Search this

Object Type:

Smithsonian staff publication

Year:

2015

Citation:

Condell, Caitlin. 2015. "Revolution in a Grid of Dots." Cooper Hewitt Blog New York: Cooper Hewitt, Smithsonian Design Museum. May 11, 2015. https://www.cooperhewitt.org/2015/05/11/gustav-klucis-halftone-process/.

Identifier:

163329

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_163329

Author:

Condell, Caitlin  Search this

Object Type:

Smithsonian staff publication

Year:

2015

Citation:

Condell, Caitlin. 2015. "Quality and Quantity." Cooper Hewitt Blog New York: Cooper Hewitt, Smithsonian Design Museum. May 12, 2015. https://www.cooperhewitt.org/2015/05/12/vincente-canet-cabellon-offset-lithography/.

Identifier:

163330

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_163330

Author:

Condell, Caitlin  Search this

Object Type:

Smithsonian staff publication

Year:

2015

Citation:

Condell, Caitlin. 2015. "Pushed Through a Screen." Cooper Hewitt, Smithsonian Design Museum New York: Cooper Hewitt, Smithsonian Design Museum. May 13, 2015. https://www.cooperhewitt.org/2015/05/13/andy-warhol-screenprinting/.

Identifier:

163331

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_163331

Author:

Condell, Caitlin  Search this

Object Type:

Smithsonian staff publication

Year:

2015

Citation:

Condell, Caitlin. 2015. "Let's Get Digital." Cooper Hewitt Blog New York: Cooper Hewitt, Smithsonian Design Museum. May 14, 2015. https://www.cooperhewitt.org/2015/05/14/shiro-shita-saori-digital-printing/.

Identifier:

163332

Data source:

Smithsonian Libraries and Archives

EDAN-URL:

edanmdm:slasro_163332

Creator:

National Museum of American History  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-11-12T17:00:15.000Z

YouTube Category:

Travel & Events  Search this

Topic:

American History  Search this

See more by:

SmithsonianAmHistory

Data Source:

National Museum of American History

YouTube Channel:

SmithsonianAmHistory

EDAN-URL:

edanmdm:yt_aRFLrD_4jzQ

Creator:

National Museum of American History  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2016-05-23T18:37:23.000Z

YouTube Category:

Education  Search this

Topic:

American History  Search this

See more by:

SmithsonianAmHistory

Data Source:

National Museum of American History

YouTube Channel:

SmithsonianAmHistory

EDAN-URL:

edanmdm:yt_daUmHLeBrl0

Creator:

Lemelson Center, National Museum of American History  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2018-01-12T20:48:49.000Z

YouTube Category:

Science & Technology  Search this

Topic:

American History  Search this

See more by:

LemelsonCenter

Data Source:

Lemelson Center, National Museum of American History

YouTube Channel:

LemelsonCenter

EDAN-URL:

edanmdm:yt_jfAmp7452i4

Creator:

Smithsonian Libraries  Search this

Type:

YouTube Videos

Uploaded:

2022-07-28T13:00:50.000Z

YouTube Category:

Education  Search this

Topic:

Library science  Search this

See more by:

SmithsonianLibraries

Data Source:

Smithsonian Libraries

YouTube Channel:

SmithsonianLibraries

EDAN-URL:

edanmdm:yt_-XnRq_NZzac