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Lawrence and Barbara Fleischman papers, 1837-1984, bulk 1935-1979

Creator:
Fleischman, Lawrence Arthur, 1925-1997  Search this
Subject:
Sellers, Charles Coleman  Search this
Ryder, Albert Pinkham  Search this
Burchfield, Charles Ephraim  Search this
Rattner, Abraham  Search this
Richardson, Edgar Preston  Search this
Richardson, Constance  Search this
Pollack, Peter  Search this
Watkins, Franklin Chenault  Search this
Bailey, Grace  Search this
Arms, John Taylor  Search this
Allston, Washington  Search this
Evergood, Philip  Search this
Eakins, Thomas  Search this
Culver, Charles B. (Charles Beach)  Search this
Bohrod, Aaron  Search this
Bailey, Truman E.  Search this
Krentzin, Earl  Search this
Gentle, Esther  Search this
Fleischman, Barbara  Search this
Marin, John  Search this
University of Michigan. Museum of Art  Search this
United States Information Agency  Search this
Whitney Museum of American Art  Search this
Archives of American Art  Search this
Kraushaar Galleries  Search this
American Federation of Arts  Search this
National Gallery of Art (U.S.)  Search this
Detroit Institute of Arts  Search this
Corcoran Gallery of Art  Search this
M. Knoedler & Co.  Search this
Kennedy Galleries  Search this
Henry Francis du Pont Winterthur Museum  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
Milwaukee Art Center  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Type:
Typescripts
Photographs
Citation:
Lawrence and Barbara Fleischman papers, 1837-1984, bulk 1935-1979. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Art patrons Michigan Detroit  Search this
Artists' studios -- Photographs  Search this
Philanthropists  Search this
Art -- Collectors and collecting -- United States  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)10245
(DSI-AAA_SIRISBib)213339
AAA_collcode_fleilawr
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213339
Online Media:

Session 1 Global and National Contexts of Indian Bondage

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
Lectures
YouTube Videos
Uploaded:
2021-10-25T16:16:41.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_8okAIJxirAk

Nation to Nation: 13 Great Nations Keep Their Word - Philip J. Deloria

Creator:
National Museum of the American Indian  Search this
Type:
Symposia
YouTube Videos
Uploaded:
2014-09-23T18:03:29.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_kp1lNpE3Khw

Flint is family in three acts LaToya Ruby Frazier ; Shea S. Cobb, Amber N. Hasan, Douglas R. Smiley, community members of Flint, Michigan ; edited by Michal Raz-Russo ; with contributions by Michal Raz-Russo, Leigh Raiford, Peter W. Kunhardt, Jr

Title:
Flint is family in three acts LaToya Ruby Frazier
Artist:
Frazier, LaToya Ruby 1982-  Search this
Writer of supplementary textual content:
Raz-Russo, Michal  Search this
Raiford, Leigh  Search this
Kunhardt, Peter W  Search this
Author:
Gordon Parks Foundation  Search this
Physical description:
321 pages illustrations (some color) 33 x 28 cm
Type:
Books
Pictorial works
Photobooks
Place:
Michigan
Flint
Flint (Mich.)
Date:
2022
Topic:
Photography, Artistic  Search this
Documentary photography  Search this
Photographie artistique  Search this
Photographie documentaire  Search this
art photography  Search this
documentary photography  Search this
Social conditions  Search this
Environmental conditions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1156754

Official program and catalog, Society of Philatelic Americans, 54th Annual Convention : Detroit-Leland Hotel, Detroit, Michigan, Sept. 17, 18, and 19, 1948 / Michigan Stamp Club, host club

Title:
Society of Philatelic Americans, 54th Annual Convention
Author:
Society of Philatelic Americans Convention (54th : 1948 : Detroit, Mich.)  Search this
Michigan Stamp Club  Search this
Physical description:
[16] p. : ill. ; 23 cm
Type:
Congresses
Place:
United States
Date:
1948
[1948]
Topic:
Stamp collecting  Search this
Postage stamps  Search this
Call number:
HE6189 .S63 1948
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_506230

52nd Annual Convention program : Aug. 31-Sept. 3, 1937, Detroit, Michigan / American Philatelic Society

Title:
Fifty-second Annual Convention program
Annual Convention program
Author:
American Philatelic Society Convention (52nd : 1937 : Detroit, Mich.)  Search this
Physical description:
24 p. : ill. ; 23 cm
Type:
Congresses
Place:
United States
Date:
1937
[1937]
Topic:
Stamp collecting  Search this
Postage stamps  Search this
Call number:
HE6189 .A512 1937
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_506237

Official program : 31st annual convention, American Philatelic Society : August 12, 13, 14, 1924 Detroit, Michigan

Title:
31st annual convention, American Philatelic Society
Thirty-first annual convention, American Philatelic Society
Author:
American Philatelic Society Convention (31st : 1924 : Detroit, Michigan)  Search this
Physical description:
[16] p. : ill. ; 23 cm
Type:
Congresses
Place:
United States
Date:
1924
Topic:
Stamp collecting  Search this
Postage stamps  Search this
Call number:
HE6189 .A512 1924
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_512538

Detroit, 138 square miles / Julia Reyes Taubman ; foreword by Elmore Leonard

Title:
Detroit, one hundred thirty-eight square miles
Detroit, one hundred and thirty-eight square miles
Author:
Reyes Taubman, Julia  Search this
Herron, Jerry 1949-  Search this
Leonard, Elmore 1925-  Search this
Museum of Contemporary Art Detroit  Search this
Physical description:
487 p. : chiefly col. ill. ; 24 x 29 cm
Type:
Books
Pictorial works
Place:
Detroit (Mich.)
Date:
2011
Topic:
Buildings, structures, etc  Search this
Social life and customs  Search this
Call number:
F574.D443 R49 2011
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_995825

Ebony Vol. XXII No. 9

Published by:
Johnson Publishing Company, American, 1942 - 2019  Search this
Subject of:
Alex Haley, American, 1921 - 1992  Search this
Muhammad Ali, American, 1942 - 2016  Search this
Veronica Porché Ali, American, born 1955  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 13 x 10 x 3/16 in. (33 x 25.4 x 0.5 cm)
Type:
magazines (periodicals)
Place made:
820 South Michigan Avenue, Chicago, Cook County, Illinois, United States, North and Central America
Date:
July 1977
Topic:
African American  Search this
Advertising  Search this
Africa  Search this
Black Press  Search this
Identity  Search this
Mass media  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2011.117.13.5
Restrictions & Rights:
© Ebony Media Group LLC. Permission required for use.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Exhibition:
A Changing America: 1968 and Beyond
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Concourse 1, C1 053
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd518925d18-f720-49f2-8d36-a6d06204224b
EDAN-URL:
edanmdm:nmaahc_2011.117.13.5
Online Media:

Oral history interview with Helen Zell

Interviewee:
Zell, Helen, 1942-  Search this
Interviewer:
Berman, Avis  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Extent:
110 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2016 December 5-6
Scope and Contents:
An oral history interview with Helen Zell conducted 2016 December 5-6, by Avis Berman, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection, at Zell's home, in Chicago, Illinois.
Zell discusses growing up as a Jewish Northerner in Baton Rouge, Louisiana; her parents and their extended family and the impact on her of visiting with her father's bohemian relatives in Brooklyn; her early interest in reading and English studies; her enthusiasm for collecting and organizing paper dolls and books as a young girl; the family's relocation to Rockville Centre, New York on Long Island; her visit as a teenager to Europe and the Rome Olympics with her grandparents; her college years at the University of Michigan, where she met her first husband, James Fadim; her work as an editor for the American Society for Microbiology; the couple's meeting and socializing with Sam and Janet Zell at the University of Michigan; their move to Chicago in 1967; her first purchases of art at the Old Town Art Fair in Chicago; her work as the general manager for the Chicago String Ensemble; her work on the Women's Board at the Museum of Contemporary Art in Chicago; her divorce from her first husband and her return to school to study interior design at the Harrington Institute and her subsequent work as an interior designer; her deeper involvement with Chicago-based art collectors through her work at the MCA. Zell also describes her reintroduction to Sam Zell after many years apart at an art fair in Chicago in 1995; their burgeoning relationship and his desire to help her acquire and develop an art collection, initially concentrating on Surrealist work; their marriage and acquisition of a neighboring apartment in their condominium building which they renovated in order to create space for their growing collection; the expansion of their collection into photography; her enthusiasm for the work of Joseph Cornell, Louise Bourgeois and Lee Bontecou, among others; the assistance of the gallerist Alan Koppel in acquiring work for the collection; her feelings about loaning from the collection for exhibitions; the valuable assistance of curators and dealers in expanding her knowledge and expertise; and her and her husband's feelings about eventually creating a legacy for their collection. Zell also recalls Robert Natkin; Grace Hokin; Bud Holland; Helyn Goldenberg; Marilynn Alsdorf; Allen Turner; Stefan Edlis; Gael Neeson; Kevin Consey; Madeline Grynsztejn; Elizabeth Smith as well as Michael Heltzer; Meredith Palmer; John Vinci; David Tunkl; Lynne Warren; and Wilbur Ross, among others.
Biographical / Historical:
Helen Zell (1942- ) is a philanthropist and art collector in Chicago, Illinois. Avis Berman (1949- ) is an art historian and author in New York, New York.
General:
Originally recorded as 2 digital wav sound files. Duration is 4 hr., 53 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is access restricted; written permission is required. Contact Reference Services for more information.
Topic:
Philanthropists -- Illinois -- Chicago -- Interviews  Search this
Women art collectors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.zellh16
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d82fb9cd-749a-4486-839f-bf2e134d2928
EDAN-URL:
ead_collection:sova-aaa-zellh16

Lawrence and Barbara Fleischman papers

Creator:
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Names:
American Federation of Arts  Search this
Corcoran Gallery of Art  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Kennedy Galleries  Search this
Kraushaar Galleries  Search this
M. Knoedler & Co.  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Midtown Galleries (New York, N.Y.)  Search this
Milwaukee Art Center  Search this
Museum of Modern Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
United States Information Agency  Search this
University of Michigan. Museum of Art  Search this
Whitney Museum of American Art  Search this
Allston, Washington, 1779-1843  Search this
Arms, John Taylor, 1887-1953  Search this
Bailey, Grace  Search this
Bailey, Truman E., 1902?-1959  Search this
Bohrod, Aaron  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Fleischman, Barbara  Search this
Gentle, Esther, 1900-  Search this
Krentzin, Earl, 1929-  Search this
Marin, John, 1870-1953  Search this
Pollack, Peter, 1909-1978  Search this
Rattner, Abraham  Search this
Richardson, Constance, 1905-  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellers, Charles Coleman, 1903-  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Extent:
4.9 Linear feet
Type:
Collection descriptions
Archival materials
Typescripts
Photographs
Date:
1837-1984
bulk 1935-1979
Summary:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.
Scope and Contents:
The papers of art collectors, art patrons, and philanthropists Lawrence and Barbara Fleischman measure 4.9 linear feet and date from 1837 to 1984, with the bulk of the materials dating from 1935-1979. The papers are comprised mostly of correspondence with artists, museums, and arts organizations. Also found are scattered biographical materials, artists' autograph letters purchased by the Fleischmans, exhibition files, notes and writings, printed material, and photographs.

One folder of biographical material includes a biographical account and a certificate of appreciation from the Common Council for the City of Detroit.

The bulk of the collection is comprised of correspondence documenting the Fleischman's art related activities and interests primarily during the 1950s and 1960s. Individual correspondents include Aaron Bohrod, Charles E. Burchfield, Charles B. Culver, Philip Evergood, Earl Krentzin, John Marin, Jr., Abraham Rattner and Esther Gentle, Peter Pollack, Edgar P. and Constance Richardson, Charles Coleman Sellers, and Franklin Watkins. One letter from Charles E. Burchfield includes four etching plates used to create the color print of Hot September Wind.

Arts organizations and galleries represented in the correspondence include the American Federation of Arts, the Archives of American Art, the Arts Commission of the City of Detroit, the Corcoran Gallery of Art, the Detroit Institute of Art, Kennedy Galleries, M. Knoedler and Co., Inc., Kraushaar Galleries, the Metropolitan Museum of Art, the Midtown Galleries, the Museum of Modern Art, the National Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Philadelphia Museum of Art, the School of the Society of Arts and Crafts, the United States Information Agency, the Whitney Museum of American Art, and the Winterthur Museum.

Autograph letters purchased by the Fleischmans include letters written by artists Washington Allston (addressed to Thomas Sully), Albert Pinkham Ryder, and John Taylor Arms.

Exhibition files document the various exhibitions of art work from the Lawrence and Barbara Fleischman Collection at the University of Michigan Museum of Art; the Detroit Institute of Art; in Central and South America; in Greece, Israel and Russia; and at the Milwaukee Art Center. The files contain letters, notes, printed material, and photographs.

Three folders of notes and writings include "Introduction to Earl Krentzin Catalog" by Lawrence Fleischman and "Selection of Excerpts from the Soviet Press and Radio Attacking U. S. Culture" by unidentified authors.

Scattered printed material includes miscellaneous clippings and catalogs not connected with the Exhibition Files series. There is also a book John Marin: The Man and his Work by E. M. Benson that was autographed by Marin to the Fleischmans in 1953.

Photographs include portrait photographs of Lawrence Fleischman, photographs of Lawrence and Barbara Fleischman with colleagues, of art work from the Fleischman Collection, of Truman and Grace Bailey in their studio, and a copy photograph of Thomas Eakins as a boy.
Arrangement:
The collection is arranged as 7 series:

Missing Title

Series 1: Biographical Material, 1958 (Box 1; 1 folder)

Series 2: Correspondence, 1949-1984 (Boxes 1-4, 7; 3.8 linear feet)

Series 3: Autograph Letters, 1837-1942 (Box 4; 4 folders)

Series 4: Exhibition Files, 1953-1960 (Boxes 4-5, 7; 0.5 linear feet)

Series 5: Notes and Writings, 1957-1962 (Box 5; 3 folders)

Series 6: Printed Material, 1935-1969 (Box 5-6; 6 folders)

Series 7: Photographs, 1953-1965 (Box 6; 13 folders)
Biographical / Historical:
Lawrence Fleischman (1925-1997) of New York City was an American art collector, patron, philanthropist, and benefactor. He and his wife, Barbara Greenberg Fleischman, assembled an impressive collection of art and artifacts that they shared with the public as part of their philanthropic activities aimed at fostering a wider appreciation of the arts around the world.

Lawrence Fleischman was born on February 14, 1925 in Detroit, Michigan, the son of Stella and Arthur Fleischman, the owner of a large carpet business. He attended the Western Military Academy in Alton, Illinois, and studied engineering at Purdue University. In 1942, he interrupted his studies to volunteer for service in the U.S. Army during World War II. While serving in France, he met a doctor who further fostered Fleischman's ever growing interest in American art. Following the war, he graduated with a degree in physics from the University of Detroit. Fleischman met Barbara Greenberg in Detroit and they were married in 1948.

Beginning in the late 1940s, Fleischman established a fledgling television station, developed holdings in real estate, and began purchasing art work. Initially the Fleischmans collected undervalued 20th century American art and were friends with several artists, including John Marin, Charles Burchfield, Stuart Davis, and Ben Shahn. They also expanded the scope of their collection to include 19th century American works.

During the 1950s, Lawrence Fleischman realized how there were few American art historians and college departments, as well as a lack of primary source material. Fleischman worked with Edgar P. Richardson, then director of the Detroit Institute of Art, to raise funds and they founded the Archives of American Art at the Detroit Institute of Art in 1954. The Archives of American Art was, and still is, dedicated to the collection, preservation, and study of primary source records that document the history of the visual arts in the United States. Lawrence A. Fleischman is a founding Trustee of the AAA and served as the Chairman of the Board from 1958 to 1966. His wife, Barbara joined the Board of Trustees in 1997 and served as Chair from 2003 to 2007. She is a Trustee Emerita.

Lawrence Fleischman's business and philanthropic interests included the Arthur Fleischman Carpet Company, the Lee Plaza Hotel-Motel in Detroit, Art Adventurers, the Art School of the Society of Arts and Crafts in Detroit, the Friends of the Whitney Museum of American Art in New York, the Cultural Committee of the United States Information Agency, and the Art Commission of Detroit, which governed the Detroit Institute of Art. He also served as an officer of the Board for many of the arts-related organizations.

In 1996, the Fleischmans moved their family from Detroit to New York City, where Lawrence Fleischman became a partner in the Kennedy Galleries.

The Fleischmans philanthropic activities include generous support of the Metropolitan Museum of Art, the Detroit Institute of Art, the Cleveland Museum, the British Museum, the Vatican Museum, and lifelong support of the Archives of American Art.

Lawrence Fleischman died on January 31, 1997 in London, England. Barbara Fleischman lives in New York City and continues to be an active supporter of the visual arts.
Related Materials:
Among the Archives holdings are two oral history interviews with Lawrence A. Fleischman. The first was conducted by Paul Cummings in 1970 and the second conducted by Gail Stavitsky in 1994 . Both interviews have transcripts available.
Separated Materials:
The Archives of Art also holds microfilm of material lent for microfilming, the majority of which was later donated, except for five letters on reel D197. These include one postcard from Constance Richardson, 1956; one letter from Constance Richardson, 1957; one letter from Franklin Watkins, 1955; one letter from Lawrence Fleischman to Wilbur H. Hunter, 1960; and one letter from Richard D. Tucker, 1960. This material remains with lender and is not described in the collection container inventory.
Provenance:
The Lawrence and Barbara Fleischman papers were donated in several accretions by Lawrence and Barbara Fleischman from 1954 to 2007. Letters were also loaned for microfilming in 1965, but nearly all of them were subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- United States  Search this
Topic:
Painting, American  Search this
Art patrons Michigan Detroit  Search this
Artists' studios -- Photographs  Search this
Philanthropists  Search this
Art -- Collectors and collecting -- United States  Search this
Genre/Form:
Typescripts
Photographs
Citation:
Lawrence and Barbara Fleischman Papers, 1837-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fleilawr
See more items in:
Lawrence and Barbara Fleischman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92905ad60-9c85-493f-90b7-272f1486ef69
EDAN-URL:
ead_collection:sova-aaa-fleilawr
Online Media:

Isabel Bishop papers

Creator:
Bishop, Isabel, 1902-1988  Search this
Names:
American Society of Painters, Sculptors and Gravers  Search this
New Society of Artists (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Bacon, Peggy, 1895-1987  Search this
Blume, Peter, 1906-1992  Search this
Brooks, Van Wyck, 1886-1963  Search this
Canaday, John, 1907-1985  Search this
Chappell, Warren, 1904-  Search this
Ciardi, John, 1916-  Search this
Cunningham, Merce  Search this
Delevante, Sidney, 1894-  Search this
Deutsch, Babette, 1895-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Evergood, Philip, 1901-1973  Search this
Ferber, Edna, 1887-1968  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Force, Juliana, 1876-1948  Search this
Hoffman, Malvina, 1887-1966  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Johnson, Una E.  Search this
Kearns, James  Search this
Kitaj, R. B.  Search this
Kroll, Leon, 1884-1974  Search this
Laning, Edward, 1906-1981  Search this
Lattimore, Richmond Alexander, 1906-1984  Search this
Leighton, Clare, 1899-  Search this
Marsh, Reginald, 1898-1954  Search this
Moore, Marianne, 1887-1972  Search this
Mumford, Lewis, 1895-1990  Search this
Neel, Alice, 1900-1984  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Porter, Fairfield  Search this
Rattner, Abraham  Search this
Schmidt, Katherine, 1898-1978  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Tooker, George, 1920-2011  Search this
Van Veen, Stuyvesant  Search this
Vonnegut, Kurt  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Westcott, Glenway  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Date:
1914-1983
Summary:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies.
Scope and Content Note:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. Scattered biographical documents include awards and a file on her participation in art juries.

Bishop was friends with many artists and cultural figures and her correspondence includes letters to and from artists such as John Taylor Arms, Peggy Bacon, Peter Blume, Warren Chappell (many letters from Chappell are illustrated), Sidney Delevante, Edwin Dickinson, Philip Evergood, John Folinsbee, Malvina Hoffman, Jo Hopper, James Kearns, Leon Kroll, Clare Leighton, Jack Levine, Alice Neel, Hobson Pittman, Fairfield Porter, Abraham Rattner, Katherine Schmidt, Henry Schnakenberg, Raphael Soyer, George Tooker, Stuyvesant Van Veen, Franklin Watkins, Mahonri Young, and William Zorach. Bishop not only corresponded with artists but also many poets, authors, historians, and dancers, such as Van Wyck Brooks, John Canaday, John Ciardi, Merce Cunningham, Babette Deutsch, Edna Ferber, Richmond Lattimore, Marianne Moore, Lewis Mumford, Kurt Vonnegut, and Glenway Westcott. Also found are letters from many galleries, museums, and schools which exhibited or purchased her work, including curators Juliana Force and Una Johnson.

Bishop kept files from her affiliations with the American Society of Painters, Sculptors, and Gravers and the New Society of Artists, containing mostly membership and financial records, and a file on a UNESCO conference. Unfortunately, files documenting her membership and vice presidency of the National Institute of Arts & Letters are not found here.

A small amount of Bishop's writings and notes include essays about friends and artists Reginald Marsh and Warren Chappell. Printed material consists of exhibition catalogs and announcements, news clippings, magazines, and a design by G. Alan Chidsey for a book about Bishop. Photographs depict Bishop with her husband and in her studio, her artwork, and also include three photographs of her friend, Reginald Marsh.

Original artwork includes eight small sketchbooks, loose pen and ink sketches, intaglio prints, watercolor figure studies, and a drawing of Bishop by Aaron Bohrod.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1943-1975 (Box 1; 4 folders)

Series 2: Correspondence, 1939-1983 (Box 1; 0.6 linear feet)

Series 3: Organization Files, 1924-1937, 1951-1952 (Box 1; 0.2 linear feet)

Series 4: Writings & Notes, 1937-1960s (Box 1; 4 folders)

Series 5: Printed Material, 1930-1979 (Box 2; 0.6 linear feet)

Series 6: Photographs, 1914, circa 1920s-1975 (Box 2, OV 5; 0.2 linear feet)

Series 7: Artwork, circa 1940s-1970s (Box 2-4, OV 5; 0.4 linear feet)
Biographical Note:
Isabel Bishop (1902-1988) was born in Cincinnati, Ohio to John Remsen Bishop and Anna Bartram Newbold Bishop. Shortly after her birth the family moved to Detroit, Michigan. As a child Bishop took art classes and had a growing interest in drawing. In 1918 at the age of 16 she left home and moved to New York City where she enrolled in the School of Applied Design for Women to be an illustrator. However, her real interest was in painting, not the graphic arts, and she enrolled in the Art Students League in 1920. There she studied with Kenneth Hayes Miller and Guy Pene du Bois and met many young artists, including Reginald Marsh and Edwin Dickinson, both of whom became close friends. She took classes until 1924 and rented a studio and living space on 14th Street in a neighborhood where many artists maintained studios at the time.

Bishop began exhibiting her work and participated in artist groups, including the Whitney Studio Club and the New Society of Artists. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. In 1932 Bishop began showing her work frequently at the newly opened Midtown Galleries, where her work would be represented throughout her career.

In 1934 she married Harold Wolff, a neurologist, and moved with him to Riverdale, New York. Bishop kept her studio in Manhattan, moving from 14th Street to Union Square. She remained in her Union Square studio for fifty years (1934-1984). From 1936 to 1937 she taught at the Art Students League and in 1940 her son Remsen was born. In 1941 she was named a member of the National Academy of Design and from 1944 to 1946 she was the Vice President of the National Institute of Arts & Letters, the first woman to hold an executive position with that organization. She wrote articles and joined other artists in speaking out in support of realist painting and against the abstract style that was dominating the New York art scene.

During her long career which lasted into the 1980s, Bishop exhibited in numerous group and solo exhibitions, traveled throughout the U. S. as an exhibition juror, and won many awards for her work, including the award for Outstanding Achievement in the Arts presented by President Jimmy Carter in 1979.
Related Material:
Also found at the Archives of American Art are three oral history interviews with Isabel Bishop, April 15, 1959, May 29, 1959, and November 12-December 11, 1987.

The Whitney Museum of American Art and Midtown Galleries loaned additional Bishop papers to the Archives for microfilming on reels NY59-4 and NY59-5. These items were returned to the lenders after microfilming and are not described in the container listing of this finding aid.
Provenance:
The collection was donated in several installments by Isabel Bishop from 1959 to 1983.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Book illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Realism  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Citation:
Isabel Bishop papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bishisab
See more items in:
Isabel Bishop papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9509a0a9a-9a45-4bf3-973e-4699c03f6ed8
EDAN-URL:
ead_collection:sova-aaa-bishisab
Online Media:

Oral history interview with A. Alfred Taubman

Interviewee:
Taubman, A. Alfred  Search this
Interviewer:
Berman, Avis  Search this
Names:
Art Collectors: A Project in Partnership with the Center for the History of Collecting in America at The Frick Collection  Search this
Acquavella, William R.  Search this
Hoffmann, Josef Franz Maria, 1870-1956  Search this
Lichtenstein, Roy, 1923-1997  Search this
Meier, Richard, 1934-  Search this
Pei, I. M., 1917-  Search this
Extent:
2 Items (Sound recording: 2 sound files (2 hr., 28 min.), digital, wav)
53 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2013 June 6 - July 13
Scope and Contents:
An oral history interview with A. Alfred Taubman 2013 June 6-July 13, conducted by Avis Berman, for the Archives of American Art and the Center for the History of Collecting in America at the Frick Art Reference Library of The Frick Collection.
Taubman speaks of growing up in Pontiac; Michigan, his love of drawing; attending the University of Michigan; his early interest in architecture; collecting stamps; his father's involvement with farming; importance of learning drawing; his experiences with dyslexia; moving to Detroit and having kids; collecting artwork; meeting artists and dealers; his involvement with the Detroit Institute of Arts; financial troubles in Detroit; Detroit history; Josef Hoffmann furniture; his time in jail; Sotheby's financial trouble and selling works of art; his children and grandchildren; his houses; displaying artwork; his interest in sculpture; the competition of collecting; sculptures in shopping malls; his friendship with Roy and Dorothy Lichtenstein; collecting artwork and working with William R. Acquavella; his time owning Sotheby's and its impact on collecting; missing out on purchasing a blue period Picasso; collecting in depth and types of work he doesn't often collect; Russian artwork; Ms. Taubman's collecting interests; his time on the board of the Whitney Museum of American Art; working with I.M. Pei; commissioning Richard Meier to build a house; and changes that he brought to Sotheby's. Taubman also recalls Carlos Lopez, Reva Kolodney, Barbara Fleischman, Bill Poplack, Richard Bellamy, Leo Castelli, Green Gallery, Henry Geldzahler, Robert Rauschenberg, Mark di Suvero, James Rosenquist, OK Harris Gallery, Antoine Poncét, Domenico di Pace Beccafumi, Detroit Institute of Arts, Coleman Young, Richard Gerstl, Gustav Klimt, Egon Schiele, Michael Graves, Jean Arp, John Chamberlain, College for Creative Studies, Sam Sachs, Arman, Crutchfield, Paul von Ringelheim, Roy Lichtenstein, Seymour Evans, Richard Feigen, Illeana Sonnabend, Larry Gagosian, Pablo Picasso, Niarchos, Balthus, Edward Hopper, Marsha Miro, Tom Armstrong, I.M. Pei, Vincent Ponte, and Richard Meier.
Biographical / Historical:
Interviewee A. Alfred Taubman (1924-2015) was an art collector, entrepreneur, and philanthropist in Bloomfield Hills, Michigan. Interviewer Avis Berman (1949- ) is an art historian and author in New York, New York.
Related Materials:
The Archives of American Art also holds the papers of A. Alfred Taubman.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Contact Reference Services for more information.
Sound recording: ACCESS RESTRICTED; written premission required.
Topic:
Art -- Collectors and collecting -- Michigan  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.taubma13
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fe33ece0-8c7b-426f-9dbb-f10c4f1cad68
EDAN-URL:
ead_collection:sova-aaa-taubma13
Online Media:

The Michigan alumnus

Former owner:
Freer, Charles Lang 1854-1919 DSI-F  Search this
Author:
University of Michigan Alumni Association  Search this
Physical description:
v. : ill. ; 26 cm
Type:
Periodicals
Date:
1894
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_842120

Philately

Author:
Wilder, Baasil  Search this
Editor:
Laguardia, Cheryl  Search this
Object Type:
Smithsonian staff publication
Year:
2022
Citation:
Wilder, Baasil. 2022. "Philately." In Magazines for Libraries. 31st edition ed. Laguardia, Cheryl, editor. Ann Arbor, Michigan: ProQuest LLC.
Identifier:
167220
ISBN:
9781600306891
Series Standard Number:
0000-0914
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_167220

Thomas Gorczyca, "Radiative, relativistic, & electric field effects....

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2011-08-04T14:52:54.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
ITAMPhysics
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
ITAMPhysics
EDAN-URL:
edanmdm:yt_SkwwU4YM3zs

Diary

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1926
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.3: Robinson, Frank A.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84cfeef02-beb2-4607-aa01-532ed0d558f2
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref99

Space Shuttle

Author:
Neal, Valerie  Search this
Editor:
Trefil, James  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Neal, Valerie. 2014. "Space Shuttle." In Discoveries in Modern Science: Exploration, Invention, Technology. Trefil, James, editor. Farmington Hills, Michigan: MacMillan Reference USA, a part of Cengage Learning.
Identifier:
166007
ISBN:
9780028662473
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_166007

Space Station: Salyut to ISS

Author:
Neal, Valerie  Search this
Editor:
Trefil, James  Search this
Object Type:
Smithsonian staff publication
Year:
2014
Citation:
Neal, Valerie. 2014. "Space Station: Salyut to ISS." In Discoveries in Modern Science: Exploration, Invention, Technology. Trefil, James, editor. Farmington Hills, Michigan: MacMillan Reference USA, a part of Cengage Learning.
Identifier:
166008
ISBN:
9780028662473
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_166008

Fred Karger Papers

Creator:
Karger, Fred, 1950-  Search this
Extent:
5 Cubic feet (15 boxes, 2 map folders)
Type:
Collection descriptions
Archival materials
Brochures
Magazines (periodicals)
Newsletters
Newspaper clippings
Posters
Television scripts
Place:
California -- Motion pictures
Date:
1950-2015, undated
Summary:
Papers documenting Fred Karger's acting career, his activism for marriage equality, preservation of the Boom Boom Room (Laguna Beach, California) and other LGBT concerns, Karger's political consulting, and his candidacy for United States President, 2012, as the first openly gay candidate of a major political party.
Content Description:
The Fred Karger Papers consist mostly of secondary materials, film scripts, newspapers, periodicals, and clippings documenting activist and former presidential candidate Fred Karger's brief film and television acting career, his activism for preservation of the Boom Boom Room (originally the South Seas) at the Coast Inn, "Save the Boom", and material from his candidacy for president in 2012. The papers contain material related to Karger's activism for marriage equality and other LGBT concerns.

The collection includes material relating to his childhood education, such as school photographs; his acting career, scripts from television shows and motion pictures he appeared in; and brochures and flyers from his political activism, including boycotts of businesses supporting Proposition 8 (protecting "traditional marriage") in California. The bulk of material relates to Karger's efforts to save the Boom Boom Room (Laguna Beach, California) credited with being the oldest gay bar in West of the Mississippi. The collection includes protest posters, some hand made; columns, articles, clippings and magazines containing articles by and about Karger, some gay-oriented, others not. Material from his presidential campaign is also included such as yard signs, posters, and posters from the 2014 documentary, Fred. There is also a framed letter from Richard M. Nixon.

There are also vintage magazines and newspaper articles covering major events, such as President John F. Kennedy's assassination and the attack on 9/11.
Arrangement:
These papers are arranged into four series.

Series 1: Activism and Presidential Campaign, 1988-2014, undated

Series 2: Theatrical Scripts, 1971-1976

Series 3: Newspapers and Magazines, 1963-2025

Series 4: Photographs and Ephemera, 1950-2010, undated
Biographical / Historical:
Portions of this biography were supplied by the donor, Fred Karger.

Fred S. Karger was born on Januray 31, 1950 in Glencoe, Illinois, the son of Richard (1911-1998) and Jean Foreman Karger (1918-2003). He attended primary and secondary schools in Glencoe. In the mid-1970s Karger pursued an acting career in Los Angeles, California. He later pursued a career in political consulting.

"Fred Karger is an American political consultant, LGBTQ rights activist, author, political pundit, writer, public speaker, former actor and 2012 presidential candidate for the Republican nomination for President. Karger has worked on ten presidential campaigns and served as a senior consultant during the campaigns of President's Ronald Reagan, George H. W. Bush and Gerald Ford.

Karger was a partner in the Dolphin Group, a California based political consulting firm for 27 years. He retired in 2004 and has since worked as an LGBTQ activist. He began in 2006 trying to save a Laguna Beach, California landmark gay bar, the Boom Boom Room.

In 2008 he founded Californians Against Hate, now Rights Equal Rights and led boycotts of four of the biggest donors to California's Proposition 8. He successfully settled three of those boycotts. Immediately after Prop 8 passed, Fred called for the State of California to investigate The Church of Jesus Christ of Latter-Day Saints (Mormon Church) and later the states of Maine, Iowa, Hawaii and California to investigate the rabidly anti-gay National Organization for Marriage (NOM). In the summer of 2012, he launched the ongoing global Boycott of Amway after its owners, the DeVos family, contributed $750,000 to NOM.

Fred's running for the Republican nomination for president in 2012 made him the first openly gay presidential candidate from a major political party in American history, helping to pave the way for Mayor Pete Buttigieg's run in 2020." [Fred Karger Biography, AC/NMAH Control File, AC1439]

During his presidential campaign Karger appeared on six ballots; New Hampshire, Michigan, Puerto Rico, Maryland, California, and Utah. He campaigned in over 30 states and received, "widespread praise for paving the way for future LGBT candidates." Karger has been interviewed on many local, national, and international television, radio, and webcast programs. His autobiography, Fred Who? was published in 2011.
Provenance:
Donated to the Archives Center, National Museum of American History, Smithsonian Institution by Fred Karger in November 2017.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gay activists  Search this
Homosexuality  Search this
Lesbian and gay experience  Search this
LGBT  Search this
Political activists  Search this
Political campaigns  Search this
Presidential campaigns  Search this
Presidential candidates  Search this
Protest  Search this
Genre/Form:
Brochures
Magazines (periodicals)
Newsletters
Newspaper clippings
Posters
Television scripts
Citation:
Fred Karger Papers, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.1439
See more items in:
Fred Karger Papers
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83a324618-1842-4d58-891e-d85129e19037
EDAN-URL:
ead_collection:sova-nmah-ac-1439

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