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Astâr al-awwâlîn: The Qur’anic Handwritten Tradition and its Beginnings

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Youtube videos
Uploaded:
2017-01-03T22:59:30Z
Topic:
Art, Asian  Search this
Youtube Category:
Education  Search this
See more by:
FreerSackler
YouTube Channel:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
EDAN-URL:
edanmdm:yt_IYOf5iNGQtQ

American History (After Hours): The Judgement of Paris and American Wine

Creator:
National Museum of American History  Search this
Type:
Youtube videos
Uploaded:
2016-05-23T18:37:23Z
Topic:
American History  Search this
Youtube Category:
Education  Search this
See more by:
SmithsonianAmHistory
YouTube Channel:
SmithsonianAmHistory
Data Source:
National Museum of American History
EDAN-URL:
edanmdm:yt_daUmHLeBrl0

Les Trésors des églises de France, Musée des arts décoratifs, Paris, 1965. [Introduction par Jean Taralon]

Author:
Musée des arts décoratifs (France)  Search this
Physical description:
xxxii, 464 p., illus., plates (part col.) 21 cm
Type:
Exhibitions
Date:
1965
Topic:
Christian art and symbolism  Search this
Church decoration and ornament  Search this
Call number:
NK2190 .T798 1965
NK2190.T798 1965
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_355456

Melinda Wortz papers, 1958-1992

Creator:
Wortz, Melinda, 1940-2002  Search this
Subject:
Lodato, Peter  Search this
Livkin, Rena  Search this
Zaimo, Stephen  Search this
Valentine, De Wain  Search this
Bell, Larry  Search this
DeLap, Tony  Search this
Ox, Jack  Search this
Noguchi, Isamu  Search this
Wiener, Nina  Search this
Marchesi, Cork  Search this
Sonneman, Eve  Search this
Baca, Judith Francisca  Search this
Kauffman, Craig  Search this
Dine, Jim  Search this
Ballatore-Nelson, Sandy  Search this
Todd, Liza  Search this
Rosler, Martha  Search this
Rauschenberg, Robert  Search this
Marck, Marc van der  Search this
Rinke, Klaus  Search this
Tivey, Hap  Search this
Schwartz, Beth Ames  Search this
Turrell, James  Search this
Harding, Bill  Search this
Christo  Search this
McCafferty, Jay David  Search this
Moses, Ed  Search this
Johns, Jasper  Search this
Taylor, Liz  Search this
Warner, Elsa  Search this
Barber, Daniel  Search this
Irwin, Robert  Search this
Antin, Eleanor  Search this
Small, Rena  Search this
Eversley, Frederick  Search this
University of California, Irvine.Fine Arts Gallery  Search this
University of California, Irvine  Search this
University of California, Irvine.Department of Studo Art  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Women art historians  Search this
Paris (France)  Search this
Curators  Search this
Art, Modern  Search this
Soviet Union  Search this
Record number:
(DSI-AAA_CollID)6475
(DSI-AAA_SIRISBib)215662
AAA_collcode_wortmeli
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215662
Online Media:

Josef Presser and Agnes Hart papers, 1913-1980, bulk 1940-1980

Creator:
Presser, Josef, 1909-1967  Search this
Hart, Agnes, 1912-1979  Search this
Subject:
Smedley, Agnes  Search this
Kuniyoshi, Yasuo  Search this
Blanch, Arnold  Search this
Hopkinson, Charles  Search this
Walkowitz, Abraham  Search this
Fraser, Vera  Search this
Hart, Agnes  Search this
Ames, Elizabeth  Search this
Artists Equity Association  Search this
Art Students League (New York, N.Y.)  Search this
New York University  Search this
Woodstock Artists Association  Search this
Port of New York Authority  Search this
Prospect Hill School (New Haven, Conn.)  Search this
Dalton School (New York, N.Y.)  Search this
Central Cown Art Center  Search this
Parnassus Square  Search this
Type:
Sketchbooks
Topic:
Painters  Search this
Painting, Modern  Search this
Artists' studios  Search this
Record number:
(DSI-AAA_CollID)8949
(DSI-AAA_SIRISBib)211136
AAA_collcode_presjose
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211136
Online Media:

Sylvia Shaw Judson papers, 1897-1981

Creator:
Haskins, Sylvia Shaw Judson, 1897-1978  Search this
Topic:
Women  Search this
Quaker women  Search this
Egypt  Search this
Record number:
(DSI-AAA_CollID)9638
(DSI-AAA_SIRISBib)211846
AAA_collcode_hasksylv
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211846

Louis M. Eilshemius printed material, 1897-1941

Creator:
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Subject:
Eilshemius, Louis M. (Louis Michel),  Search this
Eilshemius, Louis M. (Louis Michel)  Search this
Topic:
Three arts' friend  Search this
Art  Search this
Painters  Search this
Record number:
(DSI-AAA_CollID)9679
(DSI-AAA_SIRISBib)211887
AAA_collcode_eilsloup
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211887

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Waegen, Rolf Hans  Search this
Glaenzer, Eugene  Search this
de Hauke, César  Search this
Seligmann, Jacques  Search this
Seligmann, René  Search this
Parker, Theresa D.  Search this
Mackay, Clarence Hungerford  Search this
Liechtenstein, House of  Search this
Schiff, Mortimer L.  Search this
Haardt, Georges  Search this
La Fresnaye, Roger de  Search this
Seligman, Germain  Search this
Arenberg  Search this
Seligmann, Arnold  Search this
Trevor, Clyfford  Search this
MM. Jacques Seligmann & fils  Search this
Eugene Glaenzer & Co  Search this
Gersel  Search this
Germain Seligmann & Co  Search this
De Hauke & Co., Inc  Search this
Topic:
Art  Search this
Art, European  Search this
World War, 1939-1945  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art galleries, Commercial  Search this
Art, Renaissance  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 8
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 9
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 10
Online Media:

Solon H. Borglum and Borglum family papers

Creator:
Borglum, Solon Hannibal, 1868-1922  Search this
Names:
Borglum, Emma Vignal, 1864-1934  Search this
Borglum, Gutzon, 1867-1941  Search this
Davies, A. Mervyn (Alfred Mervyn)  Search this
Davies, Monica Borglum, 1903-1997  Search this
Extent:
11.5 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Date:
1864-2002
Summary:
The Solon H. Borglum and Borglum family papers date from 1864 to 2002 and measure 11.5 linear feet. The collection documents Solon Borglum's personal life and his career as a sculptor specializing in Western themes through biographical material, family and general correspondence, writings and notes, research for his biography, financial and business letters, printed material, photographs and artwork.
Scope and Contents:
The Solon H. Borglum and Borglum family papers date from 1864 to 2002 and measure 11.5 linear feet. The collection documents Solon Borglum's personal life and his career as a sculptor specializing in Western themes through biographical material, family and general correspondence, writings and notes, research for his biography, financial and business letters, printed material, photographs and artwork.

Biographical material contains documents providing information on the Borglum Family history as well as Solon's military service and memorial. Also found is a leather portfolio of ephemera kept by Emma Borglum. Family correspondence includes numerous letters between Solon and Emma and various members of their extended family. The letters discuss family events, everyday life, Solon's military service, and family history. General Correspondence pertains to Solon's career as an artist and includes his incoming and outgoing correspondence with galleries, foundries, patrons, fellow artists such as Augustus Saint-Gaudens, and others. Later correspondence from galleries, museums, foundries, historical societies, and other individuals and organizations, is addressed to his daughter Monica Borglum and concerns Solon's artwork and legacy after his death. Writings and notes include material written by Solon Borglum and material written by others. Solon's writings include project proposals as well as essays, lectures, and other notes on the topics of his own works of art, art and form, and his participation in World War I. Also found are Solon's diary, notebooks, and address books kept during the last five years of his life. Writings by others include writings by Emma and others about Solon Borglum, as well as guest books for the Silvermine Group of Artists.

Series five contains documents compiled by Monica Borglum Davies and her husband A. Mervyn Davies for a biography Solon Borglum. Included are their research files and notes as well as heavily edited drafts of book sections and draft manuscripts and notes. Financial and business records document Solon's professional career and legacy, including project contracts and financial proposals, account books, ledgers, receipts, and items regarding the Solon H. Borglum Sculpture and Education Fund. Printed material contains items about Solon Borglum's career and artwork compiled by his daughter, Monica Davies, and includes exhibition catalogs, exhibition announcements, brochures, programs, clippings, reports, and other publications. Also included is the textbook Sound Construction.

This collection also contains numerous photographs, including Solon's personal and family photographs, and photographs of his artwork. Family and personal photographs consist of photos of Solon taken throughout his career, including his time in military service, photos of his family and friends, various studios and residences including Rocky Ranch, and of him and and Emma at the Crow Creek Reservation. Artwork is comprised of sketches Solon made for his sculptural works and for Sound Construction. Also found are sketches by Emma and Gutzon Borglum, including a sketch of Solon, and artwork by others such as artist Robert Fulton Logan.
Arrangement:
The collection is arranged into 9 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1866, 1895-1922, undated (Box 1, 13; 10 folders)

Series 2: Family Correspondence, 1885-1972, undated (Box 1; 0.4 linear feet)

Series 3: General Correspondence, 1871-1989, undated (Box 1-2; 1.0 linear foot)

Series 4: Writings and Notes, 1871-1983, undated (Box 2-3; 1.0 linear foot)

Series 5: Solon Borglum Biography, 1870-1975, undated (Box 3-8; 5.3 linear feet)

Series 6: Financial and Business Records, 1898-1998, undated (Box 8, 13; 0.2 linear feet)

Series 7: Printed Material, 1879-2002, undated (Box 9, 13-14; 1.1 linear feet)

Series 8: Photographs, 1864-1986 (Box 9-13, MGP 1, MGP 3, OV 15-16; 2.0 linear feet)

Series 9: Artwork, 1890-1921, undated (Box 12-13; 0.3 linear feet)
Biographical Note:
Solon Hannibal Borglum was born in Ogden, Utah in 1868. His father Jens (James) Borglum and wife Ida emigrated to America in 1864, as Mormon converts. James took a second wife Christina who was the mother of Solon and his older brother John Gutzon de la Mothe. Christina left the family after just a few years, when James left the Mormon Church. James and Ida raised the large family, which included Solon, Gutzon, Miller, Arnold, August, Anna, Harriet, Theodora and Frank. Solon spent most of his childhood in Fremont, Nebraska, and in 1893 he became a ranch hand in Southern California. At this time he also developed an interest in art which he shared with his brother Gutzon, who was studying painting in Los Angeles.

From 1885 to 1893 Solon ran a ranch on his father's land in central Nebraska, but also took painting lessons from artist J. Laurie Wallace. After spending a short time at his brother's studio in Sierra Madre, and living as an artist in Santa Ana, he studied at the Cincinnati Art Academy under Louis T. Rebisso from 1895 to 1897. Solon then went to Paris where he met sculptor Augustus Saint-Gaudens who persuaded him to study sculpture at the Academie Julian. He studied there under Denys Puech and won numerous awards for works exhibited both in France and the United States. In 1898 Solon married Emma Vignal in Paris. They spent four months at the Crow Creek Reservation in South Dakota, an experience that greatly influenced his work. In 1901 Solon was elected to the National Sculpture Society, later becoming its vice president, and set up a studio in New York. Despite his success, such as winning the gold medal at the Art Palace at the 1904 World's Fair, confusions began between him and his brother Gutzon who decided to also become a sculptor. In 1906 he moved with his wife and children, Paul and Monica, to a farm in Connecticut called "Rocky Ranch." Artist Paul Manship became his student helper and lived with the family. Solon received commissions to do many monuments and memorials, but also continued to exhibit his work and participate in the local Silvermine Group of Artists.

From 1916 to 1917 Solon taught at the Beaux-Arts Institute of Design in New York and also developed ideas for an art textbook called Sound Construction, which he worked on with his student assistant Mildred Archer Nash. In 1918, he enlisted in the YMCA for overseas war work, attached to the Third and Fifth French Army. While there he was also the Director of Sculpture at the specially organized American Expeditionary Forces Art Training Center. When he returned home, he decided to establish the School of American Sculpture in New York City. He ran the school with great success, and gave many lectures on art and his experiences overseas until his sudden death after an appendectomy in January of 1922. His legacy was carried on by his wife Emma until her death in 1934, at which point his daughter Monica and her husband, A. Mervyn Davies, oversaw the exhibition of his artwork, and in 1974 published his biography Solon H. Borglum: "A Man Who Stands Alone".
Related Material:
The Archives also holds several collections related to the Borglum family, including the Gutzon Borglum collection, available on microfilm only, reel 3056. This collection includes correspondence, printed material, and photographs. Originals reside at the San Antonio Museum of Art. Also found are the Gutzon Borglum letters to John A. Stewart (available on microfilm reel D8, frames 359-362) and the Harriet Collins Allen papers relating to Solon Borglum. The Library of Congress also holds papers of Solon Hannibal Borglum and is the primary repository of the papers of Gutzon Borglum.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N69-98 and 1054) including a scrapbook of new clippings, other printed material, writings, and correspondence, much of which was included in subsequent donations. Loaned materials not donated at a later date are not described in the container listing of this finding aid.
Provenance:
Most of the materials in the collection were originally loaned by the Borglum family between 1969-1975 and microfilmed. Much of the same material was later donated in several accretions between circa 1991-2004 by various family members David Borglum, Harriet M. Borglum, Alfred Davies, Harold Davies, Monica B. Davies, Linda Borglum Fry, and Gwynneth Kelly. In 1979 approximately 200 photographs were transferred from the Smithsonian American Art Museum Library to AAA, which had received them from Monica Borglum Davies.
Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
Solon Borglum and the Borglum family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculpture, American -- United States  Search this
Sculptors -- Connecticut -- Wilton  Search this
Sculpture -- Study and teaching  Search this
World War, 1914-1918  Search this
Genre/Form:
Sketches
Citation:
Solon H. Borglum and Borglum family papers, 1864-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.borgsolo
See more items in:
Solon H. Borglum and Borglum family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-borgsolo
Online Media:

La administración pública de Méjico Breve estudio comparativo entre el sistema de administración de hacienda en Francia y el establecido en Méjico, precedido de una explicación sumaria sobre los demás ramos de la administración pública en general de uno y otro país escrito para la Exposición de París en 1889 por Emiliano Busto ... (Avec la traduction française)

Author:
Busto, Emiliano http://id.loc.gov/vocabulary/relators/aut  Search this
Physical description:
2 volume in 1 35 cm
Type:
Books
History
Place:
France
Mexico
Date:
1889
1871-1918
Topic:
Finance, Public--History  Search this
Finance, Public  Search this
Politics and government  Search this
Call number:
JL1231.B8X 1889
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_287142

Handbook to the British Indian section By George C.M. Birdwood

Author:
Birdwood, George C. M (George Christopher Molesworth) Sir 1832-1917 http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n89215893 http://viaf.org/viaf/5292866  Search this
Author:
Great Britain Royal Commission for the Paris exhibition, 1878  Search this
Exposition universelle de 1878 (Paris, France) http://id.loc.gov/authorities/names/n86860208 http://viaf.org/viaf/167885906  Search this
Subject:
Paris Universal Exposition of 1878  Search this
Exposition universelle (1878 : Paris)  Search this
Exposition universelle (1878 : Paris, France)  Search this
Physical description:
vii, [1], 126p front., plates 22cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Place:
India
Inde
Frankrike
Paris
Date:
1878
1800-talet
Topic:
Art objects  Search this
Exhibitions  Search this
Artisanat  Search this
Världsutställningar  Search this
Call number:
T802.G113X 1878
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_287150

Notice des principaux objets d'histoire naturelle conservés dans les galeries du Muséum du Jardin des plantes de Paris a l'usage des personnes qui les visitent : on y a joint quelques réflexions sur la vie et les ouvrages du Comte de Buffon

Author:
Jaume Saint-Hilaire, Jean-Henri 1772-1845 http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/no2018166730 http://viaf.org/viaf/22260291  Search this
Author:
Muséum national d'histoire naturelle (France) http://id.loc.gov/authorities/names/n80097456 http://viaf.org/viaf/167627203  Search this
Subject:
Muséum national d'histoire naturelle (France)  Search this
Muséum national d'histoire naturelle (France) http://id.worldcat.org/fast/00547434  Search this
Physical description:
216 pages 18 cm. (12 mo)
Type:
Catalogs and collections
Guidebooks
Museum catalogues
Place:
France
Date:
1801
Topic:
Natural history  Search this
Natural history--Catalogs and collections  Search this
Natural History  Search this
Call number:
QH70.F8 P23 1801
QH70.F8 P23n 1801
QH70.F8P23 1801
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_287459

Paris, Mobilier national : soieries Empire / Jean Coural, avec la collaboration de Chantal Gastinel-Coural et Muriel Müntz de Raïssac

Author:
Coural, Jean  Search this
Gastinel-Coural, Chantal  Search this
Müntz de Raïssac, Muriel  Search this
France Mobilier national  Search this
Subject:
France Mobilier national Catalogs  Search this
Physical description:
586 p. : ill. ; 24 cm
Type:
Catalogs
Place:
France
Date:
1980
19th century
Topic:
Silk--History--Catalogs  Search this
Decoration and ornament--Empire style  Search this
Call number:
NK8949.A1 C6X
NK8949.A1C6X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_146941

Simon Lissim Papers

Collector:
Lissim, Simon, 1900-  Search this
Cooper-Hewitt Design Archives  Search this
Names:
Carl Sorensen & Son  Search this
Castleton China, Inc.  Search this
City University of New York. City College  Search this
Claude Boulme, Inc.  Search this
Cooper-Hewitt Design Archive  Search this
Georg Jensen, Inc.  Search this
Jonals & Co.  Search this
Lenox China (Firm)  Search this
Manufacture nationale de Sèvres  Search this
Boulme, Claude  Search this
Donor:
Dee, Elaine Evans  Search this
Author:
Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921-  Search this
Extent:
1.5 Cubic feet
Type:
Collection descriptions
Archival materials
Photostats
Scrapbooks
Clippings
Correspondence
Contracts
Drawings
Photographs
Slides
Catalogs
Brochures
Invoices
Press releases
Date:
1924 - 1981
Scope and Contents:
This collection covers the period 1924-81 and consists of exhibition catalogs, correspondence, photographs, slides, drawings, photostats, contracts, book proofs, and related biographical material on Lissim. Extensive material on the designer's work for the Sevres porcelain factory includes correspondence, original contracts, photographs of porcelains and designs for porcelains, slides, drawings, and invoices.

Most of the material relating to Sevres is in French. A copy of the brochure for the Exposition Internationale des Arts Decoratifs et Industriels Modernes, 1925, is included, which features many of his designs. Also included are his designs for commencement caps and gowns, and other related ephemera for the City University of New York's City College.

The collection contains a mock-up of his 1952 publication, "How to be an Artist", which describes different techniques and how to apply them to greeting cards, porcelains, and textiles. Copies of the introduction and biographical sections of his book "An Artist's Interpretation of Nature", published in 1958 are included.

A scrapbook consists of articles, reviews, personal correspondence, press releases, and brochures. Among Lissim's personal correspondence are letters exchanged with Prince Philip of England, an avid collector of his work. Material on Lissim's work for the theater consists of exhibition brochures, correspondence, and lists of institutions in possession of his work. In addition, the collection contains photographs of Lissim's designs for jewelry, flatware, and textiles.
Biographical / Historical:
Porcelain, theater, and metalwork designer. Born, Kiev, Russia, 1900. Lissim left Russia in 1919 and moved to Paris where he resided until 1940. In all of Lissim's designs, his appreciation for nature is apparent in his use of fish, birds, flowers, and other motifs.

In 1921, he began designing scenery and costumes for the Theatre de l'Oeuve in Paris. In 1924, he created his first designs for the Sevres porcelain factory. His relationship with Sevres lasted for more than 40 years and some of his designs are still being produced. His work achieved a gold medal at the 1929 Exposition Internationale Des Arts Decoratifs et Industriels Modernes in Barcelona. Lissim made his first journey to the United States in 1935, and by 1936, his designs for the theater were featured in exhibitions in this country. His porcelains were featured in exhibitions at The Smith College Museum of Art, 1939, and Georg Jensen, Inc., 1941.

Lissim became Head of the Art Education Project at the New York Public Library in 1942. In 1947 he began teaching at the City Univerity of New York's City College campus, where he also designed commencement costumes for the Chancellor, President, and Chief Marshal. In 1952, Lissim became an art consultant for Castleton China, Inc. in New Castle, Pennsylvania. His work was featured in the exhibition, "A Designer's Interpretation of Nature", held at the American Museum of Natural History in New York in 1953. In 1954, Lissim created his first silver pieces of jewelry and flatware manufactured by Carl Sorensen & Son, Copenhagen, Denmark. In the early 60s, Lissim created three designs for plates that were executed by Claude Boulme. He continued to work and hold exhibitions at his studio in Dobbs Ferry, New York, until his death in 1981.
Related Archival Materials:
Cooper-Hewitt, National Design Museum, Applied Arts Department

A Lenox vase, plates, cups, and saucers. A sterling silver pin, paperweight, and cutlery.

Cooper-Hewitt, National Design Museum, Department of Drawings and Prints

Designs for plates, vases, and other porcelain pieces, silver cutlery, stage designs, playing cards, and greeting cards. Drawings of commencement robes, a gavel, and a mace designed for City College. Poster for the Musée Céramique de Sévres.

Additional archival materials can be found at The New York Public Library, Theater Division; City University of New York, City College Archives; and Columbia University Libraries, Bakhmeteff Archive, New York City.

Porcelains designed by Lissim are in the collections of the following museums: Musee des Arts Decoratifs, Paris; The Victoria and Albert Museum, London; The Metropolitan Museum of Art, New York City; The Brooklyn Museum, Brooklyn, New York; and The Museum of the City of New York, New York City, among others.
Provenance:
These materials were donated to Cooper-Hewitt by the museum's former Curator of Drawings and Prints, Elaine Evans Dee, in 1996. Transferred to the Archives Center in 2012.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Theater designers  Search this
Theater design -- History -- 20th century  Search this
Porcelain design -- History -- 20th century -- France  Search this
Designers -- Porcelain  Search this
Genre/Form:
Photostats
Scrapbooks
Clippings
Correspondence
Contracts
Drawings
Photographs -- 20th century
Slides
Catalogs
Brochures
Invoices
Press releases
Citation:
Simon Lissim Papers, 1924-1981, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1276
See more items in:
Simon Lissim Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1276

Hubbard Harpsichord Records

Creator:
Frank Hubbard  Search this
Names:
Hubbard Harpischords, Inc.  Search this
Extent:
30 Cubic feet (76 boxes)
Type:
Collection descriptions
Archival materials
Business records
Newsletters
Photographs
Project files
Financial records
Legal documents
Account books
Correspondence
Research
Manuals
Design drawings
Place:
Framingham (Mass.)
Massachusetts
Date:
1930-2003
bulk 1949-2003
Summary:
The collection documents approximately fifty years of the Hubbard Harpsichord business. The records include correspondence, financial and accounting materials, sales and promotional materials, records, newsletters, dealer files, project files, photographs, research files on European instruments, kit manuals, and design drawings.
Scope and Contents:
The collection documents the approximately fifty years of the Hubbard Harpsichord business. The records include correspondence, financial and accounting materials, sales and promotional materials, records, newsletters, dealer files, project files, photographs, research files on European instruments, kit manuals, and design drawings.

Series 1, Correspondence, 1949-2003, consists of letters among representatives of the company, individuals, churches, seminary schools, musical societies, companies, universities, harpsichord owners and enthusiasts. The correspondence is rich with information about historical issues, construction techniques, ownership genealogy, the early music movement, and Hubbard's importance to the historical building movement. The correspondence is handwritten and typed. There are some loose papers, notes, and postcards. Requests for information on the harpsichord manual kit, harpsichord purchases, and questions/answers pertaining to the building of harpsichords comprise the majority of the series. There are also invoices, checks, and publications such as the Wall Street Journal, the New York Review, and Saturday Review. Correspondents include the Smithsonian Institution, Harvard University, Yale University, a number of professional harpsichordists, and dealers of the company. The series is arranged in chronological order, then alphabetically by correspondent's last name or business name.

Series 2, Business Files, 1965-2000, is divided into three subseries: Subseries 1, Annual Meetings and Reports, 1965-2000; Subseries 2, Corporate Affairs, 1960-1997, and Subseries 3, Employee Files, 1967-1997.

This series documents both the development of Frank Hubbard Harpsichords Kit, Inc., the company created to sell "do-it-yourself" kits, and Frank T. Hubbard Harpsichords, the finished instruments company. Hubbard headed the finished instruments company, officially established in 1973, until his death, while Lawrence C. Erdmann headed the kits company. The issue of what role the two separate companies should take was a prominent question before and after Hubbard's death. Diane Hubbard, Hubbard's wife, began running the company after Hubbard's death in 1976 until her retirement in 2000. This series is arranged topically, then in chronological order.

Subseries 1, Annual Meetings and Reports, 1965-2000, documents many of the issues the company faced at the corporate level. Minutes, corporate resolutions, and correspondence highlight yearly financial and operational activities, financial and operations projections, consolidation of the two companies, review of leadership positions, proposed investments, incoming stockholders and activities of the board of directors, and acquired leases.

Subseries 2, Corporate Affairs, 1960-1997, includes property leases the company held from its founding at Moody Street in 1959, until the 1980's. This subseries documents stockholder, stock purchases by Phil Cooper, a major shareholder in the company in the 1990's. Other items include the Hubbard Memorial Committee which documents a memorial concert, the establishment of the Historical Harpsichord Monograph essays, and some of Hubbard's publications. Dr. Howard Schott, author of the Historical Harpsichords series, and Dr. John D. Montgomery, chairman of the Frank Hubbard Memorial Committee are frequent correspondents. A finished instruments schedule documents (Box 21/folder 9), through notes and correspondence, the length of time it took to complete building the harpsichord. The same box holds records of the company's acquisition of a clavichord business (Box 21/folder 10), and a 1997 business plan (Box 21/folder 11).

Subseries 3, Employee Files, 1967-1996, consists of correspondence among representatives of the company, college students searching for internships, and job applicants seeking positions. The materials document the continually changing structure and hierarchy of the company through notes and correspondence. There are materials relating to the employment of Michel Van Hecke, an apprentice craftsman in the late 1960's, and Robert A. Murphy, a piano craftsman, in 1984, which document the company's hiring process over time.

Series 3, Frank Hubbard Harpsichords Kit, Inc., 1964-1997, is divided into three subseries: Subseries 1, Kit Instructions, 1964-1989, undated, Subseries 2, Price Lists and Costs, 1974-1999, undated, and Subseries 3, Catalogues of Hubbard Harpsichords, 1984-1997.

Determined to offer instruments of authenticity and perfection, Hubbard initially created a finished instruments company. In 1963, Hubbard also developed a kit manual which anyone with basic woodworking skills could follow in order to build their own harpsichord. This series is arranged topically, then chronologically.

Subseries 1, Kit Instructions, 1964-1989, undated, consists of the pioneering kit manuals Hubbard promoted while waiting for finished instrument orders. The earliest manual, 1964, is a general purpose harpsichord manual that is most likely an early kit for a French harpsichord. Others include the Flemish harpsichord, fortepiano by Johann Andreas Stein, a German maker of keyboard instruments, English bentside spinet, 17th century Flemish Ottavino, Flemish virginal-museler spinet, and Flentrop chamber organ.

Subseries 2, Price Lists and Costs, 1974-1999, undated, consists of the costs, price, and inventories related to the production of kit manuals.

Subseries 3, Catalogues of Hubbard Harpsichords, 1984-1997, contains Hubbard harpsichord catalogues and price list booklets. Orders for kits are with the packing lists under sales and promotional materials.

Series 4, Research, 1930-1973, is divided into eight subseries: Subseries 1, Notebooks, 1932-1973, undated; Subseries 2, Correspondence and Notes, 1955-1956, undated; Subseries 3 Drawings, 1950-1959; Subseries 4, Publications and Manuscripts, 1930-1974, undated; Subseries 5, Photographs, undated; Subseries 6, Card Files, undated; Subseries 7, Samples, undated; and Subseries 8, Miscellaneous, 1934-1960, undated.

Research files document Hubbard's efforts to perfect his skills building harpsichords in the 1940's and 1950's. Hubbard journeyed to archives in small towns and gathered information there. He also worked as an apprentice at Arnold Dolmetsch's workshop and later with Hugh Gough in England. This research eventually resulted in instruments that had all the qualities of their older models. This series is arranged topically, then chronologically.

Subseries 1, Notebooks, 1932-1973, includes Work and Ideas of Arnold Dolmestch, which paved the way for building harpsichords based on historical principles. Other notebooks include the Ruckers Taskin (an eighteenth century Flemish harpsichord) and Hubbard's notebook on the alteration of a Hemsch Harpsichord in 1972. There are some notebooks titled by volume that relate to the Hubbard and Dowd Company.

Subseries 2, Correspondence and Notes, 1955-1961, undated, consists of letters and technical notes such as workshop methods, the Ruckers Taskin, and notes from the Harding Museum. The majority of correspondence and notes are unidentified.

Subseries 3, Drawings, 1950-1959, undated, consists of tracings, rubbings, templates, and Hubbard and Dowd drawings of harpsichord designs and harpsichord parts. Some drawings depict the construction of harpsichords by earlier builders. The drawings are unprocessed.

Subseries 4, Publications and Manuscripts, 1930-1974, undated, includes loose pages of an "Ars Organi sketch," articles by Edwin W. Ripin, and loose pages of the French Encyclopedia. There are publications in French, such as a biographical note on the "Blanchet" describing Parisian harpsichord makers. Illustrated London News, Le Soir Illustre, Christian Science Monitor, and Cincinnati Enquirer magazine articles are also included.

Subseries 5, Photographs, undated, consists of unidentified photographs of harpsichords.

Subseries 6, Card Files, undated, consists of index cards documenting instruments examined and instrument makers. There is an index for the cards.

Subseries 7, Samples, undated contains DeQuoco harpsichord iron strings, wood samples, DeQuoco harpsichord wire, and soft iron wire samples.

Subseries 8, Miscellaneous Items, 1934-1960, undated, includes a map of Central Europe, sheet music, museum procedure forms, concert programs, Successor Brocco Instruments, a 1950's instrument maker of the fortepiano, and promotional material for instrument makers.

Series 5, Sales and Promotional Materials, 1961-2000, is divided into six subseries: Series 1, Sales Journals, 1983-1998, Series 2, Instruments on order, 1968-1987, Series 3, Dealer files, 1975-1990, Series 4, Packing lists, 1970-2000, Series 5, Promotional files, 1961-2001, and Series 6, Catalogs of Other Instruments. It is arranged topically then chronologically.

Subseries 1, Sales Journals, 1983-1998, consists of loose pages of expenses and receipts for the instruments produced by the company in the 1980's and 1990's. These include the French harpsichord, the English Bentside Spinet, fortepiano, virginal, ottavino, and organ.

Subseries 2, Instruments on Order, 1968-1987, includes correspondence between representatives of the company and individuals, companies, musical societies, and colleges relating primarily to orders for finished instruments. Requests for kit orders and replacement parts are included. There are also instrument-on-order tracking sheets, invoices, and shipping orders and forms that document the orders that were placed.

Subseries 3, Dealer Files, 1975-1990, contains correspondence between Hubbard representatives and dealers, both domestic and international, who promoted Hubbard harpsichords. The customs broker company, T.D. Downing, is also represented. Other materials include tracking sheets, shipping forms invoices, bills, checks, inventory lists, mail, telegrams, and certificates of insurance between the Hubbard Harpsichords Company and dealers. Dealers include Japanese companies like Arai and Company and German individuals like Klevers. Dealers from Australia, Belgium, Canada, England, Finland, France, Germany, Israel, Italy, Japan, Netherlands, New Zealand, Norway, Sweden, Switzerland, and United States are also represented.

Subseries 4, Packing Lists, 1970-2000, consists of the kit orders placed for the French harpsichord, English bentside spinet, fortepiano, virginal, ottavino, and organ the company produced. Some packing lists indicate the number of kits the company packed each year. The numbers on the folders indicate the number of kits produced by the company.

Subseries 5, Promotional Files, 1961-2001, includes correspondence and catalogs from festivals, exhibitions, workshops, and projects that helped the company reach out to the wider public. The Boston Early Music Festival, for which Diane Hubbard was a board member, is well represented. Workshops in skills such as voicing, tuning, repair, and general woodworking classes helped amateur craftsman receive instructions for harpsichord-related activities. The special projects document other activities and venues, such as high school projects, and other activities by the Hubbard's to share their knowledge of, and enthusiasm for, harpsichords.

Subseries 6, Catalogs of Other Instruments, undated, consists of competitors' catalogs for early instruments. Hubbard's notable competitors include Wallace Zuckerman (Zuckerman harpsichords), and Hubbard's former business partner, William Dowd. The subseries is arranged alphabetically by competitor name.

Series 6, Financial Records, 1976-2000, consists of general financial documents, balance sheets, tax information, and payrolls.

Materials include account receivables, kits work in progress, monthly expense budgets, accounts payable, cash disbursements, write-offs and cancellations, bad debts, finished instrument orders and sales, miscellaneous income, monthly totals from sales journals, cash disbursements petty cash statements, kits ordered and shipped, restorations and fixed assets. Balance sheets, tax information, payroll documents, and related income statements complement the general financial documents to document the company's finances. The materials are arranged chronologically, then topically.

Series 7, Legal Records, 1959-1987, undated, consists of memoranda, notes, correspondence, and financial materials relating to legal cases and commercial acquisitions for the Hubbard Harpsichord Company from the 1970's to 1980's. The series is divided into five subseries: Subseries 1, Notes of John Ashby, 1968-1977; Subseries 2, Notes of Henry S. Healy, 1973-1978; Subseries 3, Belt v. Hubbard, 1963-1977; Subseries 4, Correspondence, 1963-1979; and Subseries 5, Acquisitions and Mergers, 1959-1987.

Subseries 1, Notes of John Ashby, 1968-1977, consists of notes of the company's lead attorney John H. Ashby pertaining to legal agreements between Hubbard and Erdmann, Hubbard's estate, Belt v. Hubbard, and general financial matters.

Subseries 2, Notes of Henry S. Healy, 1973-1978, consists of the notes of Henry S. Healy regarding the company's acquisition of commercial real estate and leases.

Subseries 3, Belt v. Hubbard, 1963-1977, consists of correspondence, memos, notes, affidavits, pleading matters, and pending matters used in the Belt v. Hubbard case.

Subseries 4, Correspondence, 1963-1979, consists of general correspondence. Wallets five through nine deal with merger acquisitions and sublease agreements during the 1970's and 1980's. Reviews of the company's financial operations are included in accountant reports, tax returns, and documents for the board of directors meetings.

Series 8, Soundboard Newsletters, 1979-1999, consists of a yearly newsletter with information about the company's activities for harpsichord enthusiasts.

Series 9, Photographs, 1968-1993, undated, consists of two albums of harpsichord photos and slides at events and concert halls.

Series 10, Drawings, undated (unprocessed)
Arrangement:
The collection is arranged into nine series.

Series 1: Correspondence, 1949-2003

Series 2: Business Files, 1965-2000

Subseries 2.1: Annual meetings and reports, 1965-2000

Subseries 2.2: Corporate Affairs, 1960-1997

Subseries 2.3: Employee Files, 1967-1996

Series 3, Frank Hubbard Harpsichord Kits, Inc., 1964-1997, undated

Subseries 3.1: Kit Instructions, 1964-1989, undated

Subseries 3.2: Price lists and costs, 1974-1999, undated

Subseries 3.3: Instruments on order, 1968-1987

Subseries 3.4: Catalogues of Hubbard Harpsichords, 1984-1997

Series 4: Research, 1930-1974

Subseries 4.1: Notebooks, 1932-1973, undated

Subseries 4.2: Correspondence and Notes, 1955-1961, undated

Subseries 4.3: Drawings, 1950-1959, undated (partially processed)

Subseries 4.4: Publications and Manuscripts, 1930-1974, undated

Subseries 4.5: Photographs, undated

Subseries 4.6: Card Files, undated

Subseries 4.7: Samples, undated

Subseries 4.8: Miscellaneous, 1934-1960, undated

Series 5: Sales and Promotional Materials, 1961-2001, undated

Subseries 5.1: Sales Journals, 1983-1998

Subseries 5.2: Dealer Files, 1975-1990

Subseries 5.3: Instruments on Order, 1968-1987

Subseries 5.4: Packing Lists, 1970-2000

Subseries 5.5: Promotional Files, 1961-2001

Subseries 5.6: Catalogs of Other Instruments, undated

Series 6: Financial Records, 1976-2000

Series 7: Legal Records, 1959-1987, undated

Subseries 7.1: Notes of John Ashby, 1968-1977

Subseries 7.2: Notes of Henry S. Healy, 1973-1978

Subseries 7.3: Belt v. Hubbard Materials, 1963-1977

Subseries 7.4: Correspondence, 1963-1979

Subseries 7.5: Acquisitions and Mergers, 1959-1987

Series 8: Soundboard Newsletters, 1979-1999

Series 9: Photographs, 1968-1993, undated
Biographical / Historical:
Frank Twombly Hubbard (1920-1976) was an American early instruments maker who with William R. Dowd (1922-2008) and the German harpsichord maker Martin Skowroneck, resurrected historical methods of harpsichord building. Many harpsichord makers in the United States are in debt to Frank Hubbard, his research, and his work with Dowd which became central to the twentieth century revival of harpsichord building in the United States.

Born on May 15, 1920, in New York, Hubbard graduated from Harvard University (Bachelor's, 1942; Master of Arts, 1947). At Harvard, Hubbard met William Dowd (1922-2008) who also had an interest in early instruments. Together they constructed a clavichord, an early stringed keyboard instrument used during the fifteenth to eighteenth centuries. Hubbard and Dowd both decided to leave Harvard to pursue instrument making. In 1947, Dowd went to work with John Challis in Michigan, while Hubbard went to England and became an apprentice at the workshop of Arnold Dolmetsch in Haslemere. Not learning much about the historic harpsichord, Hubbard worked with Hugh Gough in London in 1948. During his one-year stay with Gough, he was able to visit collections of early keyboard instruments around Europe and study the instruments of fifteenth to eighteenth century harpsichord makers.

Hubbard returned to the United States in 1949 and founded a workshop with Dowd, called Hubbard and Dowd, Inc., in Boston, Massachusetts, which was dedicated to building harpsichords on historical principles. Hubbard and Dowd restored harpsichords in public and private collections (including the Smithsonian) which helped improve their own techniques of design and construction. In 1958 the partnership ended and Hubbard formed his own workshop, Frank Hubbard Harpsichords, Inc. on the Lyman Estate in Waltham, Massachusetts. Dowd opened a larger workshop in Cambridge, Massachusetts.

Hubbard held several fellowships--a Fulbright Fellowship (1957), American Philosophical Society Grant (1958) and the Belgium American Educational Foundation CRB Fellowship (1958)--to examine instrument collections in Europe. From 1967 to 1968, he set up the restoration workshop for the Musee Instrumental at the Paris Conservatoire. In the 1970s, he taught courses at Harvard and Boston Universities. Hubbard wrote Three Centuries of Harpsichord Making in 1965. Ralph Kirkpatrick, a harpsichordist, wrote, "Hubbard unquestionably knows more about the history and construction of harpsichords than anyone alive today."

Hubbard developed a harpsichord in 1963 based on a 1769 French harpsichord which was sold as a "do-it-yourself" kit. It included a manual and all the crucial parts. Any person with a good grasp of woodworking and basic knowledge of harpsichord making, with dedication and careful work, was able to produce a fine instrument. Other kit designs followed in subsequent decades, and were marketed and sold under the name of Frank Hubbard Harpsichord Kits, Inc.

Frank Hubbard died on February 26, 1976 in Wellesley, Massachusetts. Operations at the Hubbard shop continued under the direction of Hubbard's wife, Diane Hubbard until 2000. Diane Hubbard died in 2009. Approximately 300 instruments were built in the shop, and nearly 4,000 kits were sold to customers around the world.
Related Materials:
Materials at the National Museum of American History

Materials in the Archives Center

Dowd Harpsichord Collection, 1949-1997 (AC0593)

The Division of Culture and the Arts

The division has a Hubbard clavichord and harpsichords built by other makers.
Provenance:
The collection was donated by Hendrik Broekman, President, Hubbard Harpsichords, Inc., on September 20, 2011.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instrument makers  Search this
Harpsichord makers  Search this
Harpsichord  Search this
Musical instruments  Search this
Genre/Form:
Business records -- 20th century
Newsletters -- 20th century
Photographs -- 1950-2000
Project files
Financial records -- 20th century
Legal documents -- 20th century
Account books -- 20th century
Correspondence -- 20th century
Research -- 20th century
Manuals
Design drawings -- 20th century
Citation:
Hubbard Harpsichord Records, 1930-2003, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1256
See more items in:
Hubbard Harpsichord Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1256
Online Media:

Clement Haupers and Clara Gardner Mairs papers, 1918-1983

Creator:
Haupers, Clement Bernard, 1900-1982  Search this
Mairs, Clara Gardner, 1878-1963  Search this
Subject:
High, Patsy Reed  Search this
Smith, Erik Johan  Search this
Neiman, LeRoy  Search this
Flexer, Alida  Search this
Greenman, Frances Cranmer  Search this
Oja, Alexander  Search this
Rea, James Edward  Search this
Brewer, Floyd  Search this
Booth, Cameron  Search this
Boratko, Andre  Search this
Federal Art Project (Minn.)  Search this
St. Paul Arts and Crafts Center  Search this
Type:
Drawings
Interviews
Topic:
Federal aid to the arts  Search this
Record number:
(DSI-AAA_CollID)9929
(DSI-AAA_SIRISBib)212476
AAA_collcode_haupclem
Theme:
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212476

Folio from a Yusuf u Zulaykha by Jami (d. 1492); verso: Potiphar and Zulaykha enthroned; recto: text

Author:
Jami (died 1492)  Search this
Medium:
Opaque watercolor, ink, and gold on paper
Dimensions:
H x W: 28 x 18.8 cm (11 x 7 3/8 in)
Type:
Manuscript
Origin:
Khurasan, Iran
Date:
circa 1575
Period:
Safavid period
Topic:
Safavid period (1501 - 1722)  Search this
zither  Search this
percussion instrument  Search this
Yusuf  Search this
Zulaykha  Search this
Iran  Search this
Arts of the Islamic World  Search this
Henri Vever collection  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
Accession Number:
S1986.162
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye305a5fbcc-ab7f-4a20-b345-4eb27a00a9c6
EDAN-URL:
edanmdm:fsg_S1986.162
Online Media:

Folio from a Yusuf u Zulaykha by Jami (d. 1492); recto: Zulaykha's maids entertain Yusuf in the garden; verso: text

Author:
Jami (died 1492)  Search this
Medium:
Opaque watercolor, ink, and gold on paper
Dimensions:
H x W (overall): 28.2 x 18.6 cm (11 1/8 x 7 5/16 in)
H x W (image): 19.2 x 11.3 cm (7 9/16 x 4 7/16 in)
Type:
Manuscript
Painting
Origin:
Khurasan, Iran
Date:
circa 1575
Period:
Safavid period
Topic:
Safavid period (1501 - 1722)  Search this
garden  Search this
Yusuf  Search this
Zulaykha  Search this
Iran  Search this
Arts of the Islamic World  Search this
Henri Vever collection  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
Accession Number:
S1986.163
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye36ff025fa-98d0-4684-9588-b87a5748af3d
EDAN-URL:
edanmdm:fsg_S1986.163
Online Media:

Folio from a Yusuf and Zulaykha by Jami (d. 1492); Zulaykha bound by the golden chain

Author:
Jami (died 1492)  Search this
Medium:
Opaque watercolor, ink and gold on paper
Dimensions:
H x W (painting): 15.2 × 9.1 cm (6 × 3 9/16 in)
Type:
Manuscript
Origin:
Shiraz, Iran
Date:
circa 1570-1580
Period:
Safavid period
Topic:
Safavid period (1501 - 1722)  Search this
woman  Search this
Zulaykha  Search this
Iran  Search this
Arts of the Islamic World  Search this
Henri Vever collection  Search this
bondage  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
Accession Number:
S1986.205
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye32a68734a-4951-405b-a20c-57d35b4c31e9
EDAN-URL:
edanmdm:fsg_S1986.205

Folio from a Khamsa (Quintet) by Nizami (d. 1209); recto: illuminated text: The story of Nushirwan and his vizier; verso: Nushirwan listens to the owls

Author:
Nizami (1145-1207)  Search this
Medium:
Opaque watercolor, ink and gold on paper
Dimensions:
H x W: 30 x 19.9 cm (11 13/16 x 7 13/16 in)
Type:
Manuscript
Origin:
Tabriz, Iran
Date:
circa 1525
Period:
Safavid period
Topic:
owl  Search this
Safavid period (1501 - 1722)  Search this
illumination  Search this
Iran  Search this
Arts of the Islamic World  Search this
Henri Vever collection  Search this
WWII-era provenance  Search this
Credit Line:
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
Accession Number:
S1986.214
Restrictions & Rights:
Usage conditions apply
Related Online Resources:
Google Cultural Institute
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3367ff866-727f-4d8f-9540-c325ddbae193
EDAN-URL:
edanmdm:fsg_S1986.214
Online Media:

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