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Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Gallery Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Motion pictures (visual works)
Scrapbooks
Sketchbooks
Diaries
Photographs
Sketches
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Topic:
Women artists -- California  Search this
Women artists -- France -- Paris  Search this
Sculptors -- California  Search this
Interviews  Search this
Awards  Search this
Transcripts  Search this
Articles  Search this
Designers -- California  Search this
Drafts (documents)  Search this
Art -- Study and teaching  Search this
Poetry  Search this
Scripts  Search this
Notebooks  Search this
Artists' studios  Search this
Art -- Economic aspects  Search this
Art patronage  Search this
Educators -- California  Search this
Jewelry -- Design  Search this
Sculptors -- France -- Paris  Search this
Genre/Form:
Drawings
Motion pictures (visual works)
Scrapbooks
Sketchbooks
Diaries
Photographs
Sketches
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-falkclai
Online Media:

Japanese American Documentary Collection

Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Former owner:
Armed Forces History, Division of (NMAH, SI).  Search this
Names:
Japanese Americans Citizens League  Search this
Emi, Frank  Search this
Hashimoto, M.  Search this
Kamikawa, Juichi  Search this
Kamikawa, Kazu, Mrs.  Search this
Kawashiri  Search this
Kihari, Shigeya  Search this
Matsumoto  Search this
Miyake, Takashi  Search this
Oliver, Floyd A.  Search this
Ozamoto, T.  Search this
Vogel, Mabel Rose  Search this
Wakabayashi, Ron  Search this
Extent:
1 Cubic foot (3 boxes and 1 oversized folder)
Type:
Collection descriptions
Archival materials
Typescripts
Passports
Albums
Books
Cartoons (humorous images)
Christmas cards
Comic books
Newsletters
Panoramas
Personal papers
Photograph albums
Photographs
Posters
Ration books
Scrapbooks
Telegrams
Place:
Minidoka
Manzanar
Idaho
Amache (Calif.)
California -- 1940-1950
Date:
1900s-1993
Scope and Contents:
The collection is an assortment of souvenirs and memorabilia, which have survived the years since World War II. Many of them, Christmas cards, high school graduation programs, notes to friends, snapshots, and photographic prints in the form of dance programs reflect the interests and concerns of all teenagers. There are camp newsletters and Japanese passports, identification cards, ration books, meal passes, posters; a photograph album contains both family photographs and a record of achievements of members of the Kamikawa family. There is a transcript of a taped interview with Mrs. Kamikawa, who was nearly 90 in February 1982, the time of the interview. A book, Lone Heart Mountain by Estelle Ishigo, portrays in text and sketches life in the relocation centers.

The collection has been filed under the name of each donor rather than by subject such as passports, newsletters, photographs. With very few exceptions the material is in good condition. The historical sketch of the Matsumoto family tree in the photograph album is badly damaged.
Arrangement:
1 series, arranged alphabetically by donor.
Biographical / Historical:
On December 7, 1941, the Japanese bombed Pearl Harbor and the United States went to war. On February 19, 1942, President Franklin Delano Roosevelt issued Executive Order 9066 authorizing the military to exclude "any and all persons" from designated areas of the United States to protect the national defense. Thus, without the imposition of martial law, the military were given authority over the civilian population.

Under this order, nearly 120,000 men, women and children of Japanese ancestry, nearly two thirds of who were United States citizens, were forced out of their homes and into detention camps in isolated areas of the west. Many of them spent the years of the war living under armed guards, and behind barbed wire. Children spent their school days in the camps, young men left to volunteer or be drafted for military service. The War Relocation Authority administered the camps.

This collection of documentary materials relates to the involuntary relocation of Japanese Americans was collected by the Division of Armed Forces History in connection with the exhibit A More Perfect Union: Japanese Americans and the United States Constitution at the National Museum of American History in 1988. The donors either were members of the Japanese American Citizens League or reached through the League. Interesting and revealing information is available about a few of the donors. They were primarily teenagers or young adults at the time of the relocation and the materials in the collection reflect their interests and concerns. Juichi Kamikawa, who had completed a year of college in Fresno, California, graduated from the Corcoran School of Art in Washington, D.C. after the war and became a respected artist. His family record is one of distinction in both Japan and the United States for several generations. Masuichi Kamikawa, his father, received the Order of the Sacred Treasure from the Japanese Emperor for outstanding contributions to the cultural heritage of Japan. Among achievements cited were his work in merchandizing and banking in Fresno, California. Mary Tsukamoto is one of the contributors to the video conversations in the exhibit. She is a retired teacher who was 27 years old in 1942 and a long time resident of Florin, California. Along with her entire family, she was sent to the center at Jerome, Arkansas. Mabel Rose Vogel taught high school at one of the camps, Rowher Center, Arkansas.
Related Materials:
The Division of Armed Forces History will have additional documents collected for the exhibit, A More Perfect Union, described above, that may be useful. Another collection on this topic in the Archives Center is collection #450, the Gerald Lampoley Collection of Japanese American Letters, 1942 1943, a collection of six letters written by Japanese Americans to their former teacher. Researchers may also refer to the records of the War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, in the National Archives. Further, the National Headquarters of the Japanese American Citizens League in San Francisco, California, and the Japanese American National Museum in Los Angeles, California, maintain related collections.
Provenance:
Donated by a number of Japanese Americans, many of whom are members of the Japanese American Citizens League, headquartered in San Francisco. This material was acquired for inclusion in the exhibition, A More Perfect Union, described above, but was not placed on display for one reason or another. In certain instances, items in this collection were omitted from the exhibit if they were considered too fragile or too sensitive to prolonged exposure to light. It is possible that related items, currently on display, ultimately will be transferred to the Archives Center; if this occurs, it would be useful to distinguish between the two groups of exhibited and undisplayed materials. Transferred from the Division of Armed Forces History, June 1988.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Military history, Modern  Search this
Concentration camps -- 1942-1945 -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Typescripts -- 1940-1950
Passports
Albums -- 1940-1950
Books
Cartoons (humorous images) -- 20th century
Christmas cards
Comic books
Newsletters -- 1940-1950
Panoramas
Personal papers -- 1940-1950
Photograph albums -- 1940-1950
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Posters -- 1940-1960
Ration books
Scrapbooks -- 1900-1950
Telegrams -- 1940-1950
Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0305
See more items in:
Japanese American Documentary Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0305
Online Media:

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- Photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schimerl

Ethel Mary Albert Papers

Creator:
Albert, Ethel Mary, 1918-1989  Search this
Extent:
8.33 Linear feet (24 boxes)
8 Sound tape reels
Culture:
Burundians  Search this
Type:
Collection descriptions
Archival materials
Sound tape reels
Slides (photographs)
Place:
Burundi
Date:
1940s-1960s
Summary:
Ethel M. Albert was an ethnologist whose research focused on communication and speech, and values and ethics. She pursued these themes cross-culturally across a wide spectrum of social classes, ethnic groups and locations. She received a PhD in philosophy from the University of Wisconsin in 1949 and taught a several institutions of higher learning before becoming a faculty member of Northwestern University in 1966. The Ethel Mary Albert papers consist of writings, photographs and sound recordings produced during the course of Albert's ethnological studies as Ford Fellow in Burundi in the late 1950s; field research among the Navaho; and materials related to a later cross cultural study of fatalism.
Scope and Contents:
This collection is mainly comprised of Albert's papers produced in the course of her ethnological studies as Ford Fellow in Burundi in the late 1950s; field research among the Navaho; and materials related to a later cross cultural study of fatalism.

Among her field notes and extensive personal journals produced during her stay in Burundi are collections of Kirundi texts, including fables and stories, many of which were produced in direct cooperation with (and in a few cases authored by) some of her more literate informants. She also collected a wide spectrum of biographies. During her time in Central Africa, she interviewed many people from both major ethnic groups (Tutsi and Hutu) and accumulated photographic portraits of many of her biographical subjects.

Her collection of photographic slides number more than 300. They depict a wide range of the activities of village life (such as traditional dances, dress, children, cows, and agricultural activities) as well as portraits of the King and Queen of Urundi.

Albert also conducted ethnographic fieldwork among the Navaho. From that period, her papers include material relating to a study of values in five cultures; these appear in Vogt and Albert's People of Rimrock (1967).

Another important group of materials consists of manuscripts and notes relating to Albert's study of fatalism. In these notes and manuscripts she relates her previous 5 ethnographic studies to her philosophical knowledge in the production of a cross-cultural study of the values and life ways associated with fatalism, resignation and determinism.

This collection contains many of her completed essays and articles, both published and unpublished. Albert also produced sound recordings related to her field work in Burundi.
Arrangement note:
The collection is arranged in 14 series: (1) Rundi Projects Reports and Journals; (2) Rundi Ethnography; Rough Notes; (3) Rundi Biographies; (4) Rundi Texts; (5) Photographic Slides; (6) Study of Fatalism; (7) Study of Values in Five Cultures; (8) Miscellaneous Notes; (9) Unpublished Writings; (10) Published Articles; (11) Bibliography; (12) Unpublished Drafts of Manuscripts; (13) Miscellany; (14) Sound Recordings
Biographical/Historical note:
Ethel M. Albert was born on March 28, 1918. She received her B.A. from Brooklyn College in 1942 and her M.A. from Columbia University in 1947. She was awarded a PhD in philosophy from the University of Wisconsin in 1949. She taught philosophy at Brooklyn College (1946-1947) and Syracuse University (1949-1952). She later taught speech at the University of California at Berkeley (1958-1966) and anthropology and speech at Northwestern University (1966-1977). From 1958-66, she served as chair of the committee for African Studies (a part of the Institute of International Studies). She was chair of the anthropology department at Northwestern University from 1972-73.

Albert's ethnographic research focused on communication and speech, and values and ethics. She pursued these themes cross-culturally across a wide spectrum of social classes, ethnic groups and locations. She carried out work among the Navaho while serving as a research associate with the Laboratory of Social Relations at Harvard University (1953-1955). As a Ford Foundation fellow (1955-1957), she carried out ethnographic studies of the Tutsi, Hutu and Twa peoples of Burundi, from which she produced numerous notes and writings. Albert died at the age of 71 in October of 1989, in Sarasota, Florida.

Chronology of the life of Ethel Mary Albert

1918 -- Born on the 28th of March in New Britain, CT.; daughter of Zundel and Dorothy (Eisenstadt) Sokolsky

1942 -- Receives her B.A. from Brooklyn College

1947 -- Receives her M.A. from Columbia University

1946-1947 -- Instructor of philosophy at Brooklyn College

1949 -- Awarded a PhD in philosophy from the University of Wisconsin

1949-1952 -- Instructor of philosophy at Syracuse University

1953-1955 -- Research associate with the Laboratory of Social Relations at Harvard University; carries out work among the Navahos

1955-1957 -- Carries out an ethnographic study of the Rundi Culture in central Africa as a Ford Foundation Fellow in the Overseas African Program

1957-1958 -- Fellow at the Center for Advanced Study in the Behavioral Sciences, Stanford, California

1958-1966 -- Instructor of speech at the University of California at Berkeley

1960,1961 -- Assistant Director for ethnology, National Science Foundation Project on Educational Resources in Anthropology

1963-1965 -- Chairman of committee for African studies (Institute of International Studies), University of California at Berkeley

1964-1965 -- Appointed vice-chairman of the speech department at the University of California at Berkeley

1966-1977 -- Professor of anthropology and speech at Northwestern University

1973 -- Chairman of anthropology and speech department, Northwestern University
Provenance:
These papers were bequeathed to the National Anthropological Archives by Ethel Mary Albert and were accessioned in 1990.
Restrictions:
The Ethel Mary Albert papers are open for reaearch.
Rights:
Contact the Repository for terms of use.
Topic:
Ethnologies  Search this
Rundi language  Search this
Genre/Form:
Slides (photographs)
Citation:
Ethel Mary Albert Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1990-30
See more items in:
Ethel Mary Albert Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1990-30
Online Media:

Oral history interview with John Valadez, 1996 November 25-1997 May 12

Interviewee:
Valadez, John, 1951-  Search this
Valadez, John, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano art movement  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13565
(DSI-AAA_SIRISBib)216424
AAA_collcode_valade96
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216424

Oral history interview with John Valadez

Interviewee:
Valadez, John, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Extent:
159 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1996 November 25-1997 May 12
Scope and Contents:
An interview of John Valadez conducted 1996 November 25-1997 May 12, by Jeffrey Rangel, in Valadez's studio, Los Angeles, California, for the Archives of American Art.
John Valadez, muralist and painter, was born in Lincoln Heights, a suburb of Los Angeles. Growing up in Huntington Park, he assimilated into the multi-cultural community and throughout his school years did not have any strong ethnic ties. His strong, hard-working mother, instilled in her son values of truth and fair play, and kept him from getting involved in gangs. After graduating from Hunting Park High School and attending East Los Angeles College, where his artistic talents were encouraged by his instructors, he became a part of the developing Chicano Art community. He went on to California State University, Long Beach, continuing his art studies there. During the summers, he directed the summer mural program at the Long Beach Community Center, where he executed his first murals (which have since been painted over). Valadez is a photo-realist, who gets his imagery or "Image Bank" from Mexican tabloids. He is one of the leading Chicano painters.
Biographical / Historical:
John Valadez (1951-) is a muralist and painter from Los Angeles, California.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 14 digital wav files. Duration is 6 hr., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Smithsonian Institution Latino Fund.
Rights:
Authorization to quote or reproduce for the purposes of publication requires written permission from John Valadez. Contact Reference Services for more information.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano art movement  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.valade96
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-valade96

Oral history interview with Frank Romero, 1997 January 17-March 2

Interviewee:
Romero, Frank, 1941-  Search this
Romero, Frank, 1941-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard  Search this
Voulkos, Peter  Search this
Four (Art group)  Search this
Otis Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13587
(DSI-AAA_SIRISBib)216102
AAA_collcode_romero97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216102
Online Media:

Oral history interview with Frank Romero

Interviewee:
Romero, Frank  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Los Four (Art group)  Search this
Otis Art Institute -- Students  Search this
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard, 1907-1989  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 January 17-March 2
Scope and Contents:
An interview of Frank Romero conducted 1997 January 17-March 2, by Jeffrey Rangel, for the Archives of American Art, in Romero's studio, in Los Angeles, Calif.
Romero discusses his growing up in East Los Angeles and his large extended family; his earliest art studies in the public schools; attending the Otis Art Institute where he studied with Joe Mugnaini and had contact with Millard Sheets and Peter Voulkos; the "very polyglut culture" of East Los Angeles; the influences of television, western movies, rock-and-roll, and rhythm and blues on his early musical/artistic taste; time spent in New York; returning to Los Angeles in 1969; and his marriage and family.
He describes his move into Carlos Almaraz's house which became the informal meeting place of the artist group Los Four (Almaraz, Romero, Gilbert Sanchez Lujan, and Roberto "Beto" de la Rocha); the Los Four show at the Los Angeles County Museum of Art in 1974; and the stylistic aesthetics of Los Four.
Romero describes the "boys club" nature of Chicano art centers; his contributions to the Chicano art movement; his relationship to the Chicano/Mexican culture and mainstream U.S. culture; murals done by members of Los Four for the Inner City Mural Program; his work for the Metropolitan Transit Authority; the Murals of Aztlan exhibit in 1981 at the Craft and Folk Art Museum; and his shows at the ARCO Center for the Visual Arts. He concludes with his assessment of the Chicano arts movement, the relationship between economic and art cycles, and the role of the more established artists to those of a younger generation.
Biographical / Historical:
Frank Romero (1941- ) is a painter from Los Angeles, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview provided by the Smithsonian Institution Latino Pool Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.romero97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-romero97

Oral history interview with Celia Alvarez Muñoz

Interviewee:
Muñoz, Celia Alvarez, 1937-  Search this
Interviewer:
Cordova, Cary  Search this
Creator:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Names:
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Garcia, Rupert, 1941-  Search this
Hayden, Dolores  Search this
Huerta, Benito, 1952-  Search this
Limón, Damiana Esparza  Search this
Lippard, Lucy R.  Search this
Massey, Robert, 1921-  Search this
Ruiz, Vicky  Search this
Souza, Al, 1944-  Search this
Walker, Ashley, 1913-  Search this
Extent:
70 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 Feb. 7-28
Scope and Contents:
An interview of Celia Alvarez Muñoz conducted 2004 Feb. 7-28, by Cary Cordova, for the Archives of American Art, in Arlington, Tex.
Muñoz speaks of her early childhood and close relationship to her maternal grandmother Damiana Esparza Limón; travels to California in high school; Father Rahm, the youth center, and the opportunity to go to college; Dr. Robert Massey who was an etcher and took Muñoz under his wing; her zeal graduating from Texas Western University; teaching art to school children; her marriage; experimenting with photography; the theory of deconstruction; being a writer; the "Enlightenment" series, which began in graduate school; spirituality and philosophy; Dolores Hayden and the University of California at Los Angeles program in architecture and urban planning; her consciousness of feminism; meeting Lucy Lippard and discussing her evolution; language and the multiple meanings of words; the significance of architecture within her work; the Dallas/Fort Worth airport project; the importance of her family and their support throughout her life; Xeroxing and use of transparencies; and the Latino Cultural Center in Dallas. Muñoz also recalls Al Souza, Ashley Walker, Rupert Garcia, Vicky Ruiz, Benito Huerta, and others.
Biographical / Historical:
Celia Alvarez Muñoz (1937- ) is an artist from Arlington, Tex. Cary Cordova (1970- ) is an art historian from Austin, Tex.
General:
Originally recorded on 7 sound discs and 1 compact disc. Reformatted in 2010 as 14 digital wav files. Duration is 7 hrs., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Authors -- Texas  Search this
Photographers -- Texas  Search this
Topic:
Art -- Technique  Search this
Feminism and art  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.munoz04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-munoz04

Beatrice Wood papers, 1894-1998, bulk 1930-1990

Creator:
Wood, Beatrice, 1893-1998  Search this
Wood, Beatrice, 1893-1998  Search this
Subject:
Nin, Anaïs  Search this
Rosencrantz, Esther  Search this
Roché, Henri Pierre  Search this
Arensberg, Walter  Search this
Arensberg, Louise S. (Louise Stevenson)  Search this
Duchamp, Marcel  Search this
Hoag, Stephen Asa  Search this
Hapgood, Elizabeth Reynolds  Search this
John Waller, Fine Ceramics (Firm : Los Angeles, Calif.)  Search this
Zachary Waller Gallery (Los Angeles, Calif.)  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
Type:
Drafts (documents)
Interviews
Photographs
Illustrated letters
Notes
Watercolors
Diaries
Transcripts
Lithographs
Short stories
Illustrations
Designs
Drawings
Bookplates
Topic:
Art -- Philosophy  Search this
Authors -- California  Search this
Glazes -- Formulae  Search this
Women artists -- California  Search this
Art -- Economic aspects  Search this
Actresses -- United States  Search this
Ceramicists -- California  Search this
Art, Modern -- 20th century -- California  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9363
(DSI-AAA_SIRISBib)211559
AAA_collcode_woodbeat
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211559
Online Media:

Maurice Tuchman interviews, 1976

Creator:
Tuchman, Maurice, 1936-  Search this
Tuchman, Maurice, 1936-  Search this
Subject:
Diebenkorn, Richard  Search this
Los Angeles County Museum of Art  Search this
Type:
Interviews
Sound recordings
Record number:
(DSI-AAA_CollID)9943
(DSI-AAA_SIRISBib)212494
AAA_collcode_tuchmaur
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212494

Melinda Wortz papers, 1958-1992

Creator:
Wortz, Melinda, 1940-2002  Search this
Wortz, Melinda, 1940-2002  Search this
Subject:
Eversley, Frederick  Search this
Taylor, Elizabeth  Search this
Livkin, Rena  Search this
Turrell, James  Search this
Tivey, Hap  Search this
Baca, Judith Francisca  Search this
DeLap, Tony  Search this
Antin, Eleanor  Search this
Christo  Search this
Dine, Jim  Search this
McCafferty, Jay David  Search this
Sonneman, Eve  Search this
Ox, Jack  Search this
Todd, Liza  Search this
Marck, Marc van der  Search this
Rinke, Klaus  Search this
Rosler, Martha  Search this
Irwin, Robert  Search this
Johns, Jasper  Search this
Valentine, De Wain  Search this
Kauffman, Craig  Search this
Zaimo, Stephen  Search this
Small, Rena  Search this
Warner, Elsa  Search this
Bell, Larry  Search this
Moses, Ed  Search this
Lodato, Peter  Search this
Wiener, Nina  Search this
Schwartz, Beth Ames  Search this
Barber, Daniel  Search this
Noguchi, Isamu  Search this
Rauschenberg, Robert  Search this
Harding, Bill  Search this
Marchesi, Cork  Search this
Ballatore-Nelson, Sandy  Search this
University of California, Irvine  Search this
Type:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Topic:
Gallery directors -- California -- Los Angeles  Search this
Art, American -- California  Search this
Art galleries, University and college -- California -- Irvine  Search this
Curators -- California -- Los Angeles  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6475
(DSI-AAA_SIRISBib)215662
AAA_collcode_wortmeli
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215662
Online Media:

Oral history interview with Irving Block, 1965 April 16

Interviewee:
Block, Irving, 1910-1986  Search this
Block, Irving, 1910-1986  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Art -- Philosophy  Search this
Art -- Societies, etc.  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12145
(DSI-AAA_SIRISBib)213320
AAA_collcode_block65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213320
Online Media:

Oral history interview with Ted Gilien, 1965 Mar. 3

Interviewee:
Gilien, Ted, 1914-1967  Search this
Gilien, Ted, 1914-1967  Search this
Interviewer:
McGlynn, Betty Lochrie Hoag, 1914-2002  Search this
Subject:
Bocour, Leonard  Search this
Levine, Jack  Search this
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art and state  Search this
Federal aid to the arts  Search this
Art and war  Search this
Mural painting and decoration  Search this
Muralists -- California -- Interviews  Search this
Painters -- California -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12806
(DSI-AAA_SIRISBib)213487
AAA_collcode_gilien65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213487

Oral history interview with Harry Gamboa, Jr, 1999 Apr. 1-16

Interviewee:
Gamboa, Harry, 1951-  Search this
Gamboa, Harry, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Chicano artists  Search this
Chicano movement  Search this
Latino and Latin American artists  Search this
Photography  Search this
Theme:
Latino and Latin American  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)13552
(DSI-AAA_SIRISBib)216608
AAA_collcode_gamboa99
Theme:
Latino and Latin American
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216608
Online Media:

Oral history interview with Rita González, 2020 August 21

Interviewee:
González, Rita, 1971-  Search this
González, Rita, 1971-  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Subject:
Pandemic Oral History Project  Search this
Los Angeles County Museum of Art  Search this
Type:
Interviews
Video recordings
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)21972
AAA_collcode_gonzalr20
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_21972

Oral history interview with Eve Babitz, 2000 June 14

Interviewee:
Babitz, Eve, 1943-  Search this
Babitz, Eve, 1943-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Topic:
Artists' models -- California -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12164
(DSI-AAA_SIRISBib)223023
AAA_collcode_babitz00
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_223023
Online Media:

Oral history interview with Celia Alvarez Muñoz, 2004 Feb. 7-28

Interviewee:
Muñoz, Celia Alvarez, 1937-  Search this
Muñoz, Celia Alvarez, 1937-  Search this
Interviewer:
Cordova, Cary  Search this
Subject:
Garcia, Rupert  Search this
Hayden, Dolores  Search this
Huerta, Benito  Search this
Limón, Damiana Esparza  Search this
Lippard, Lucy R.  Search this
Massey, Robert  Search this
Ruiz, Vicky  Search this
Souza, Al  Search this
Walker, Ashley  Search this
Recuerdos Orales: Interviews of the Latino Art Community in Texas  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Technique  Search this
Feminism and art  Search this
Hispanic American women authors  Search this
Hispanic American women artists  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Photography  Search this
Record number:
(DSI-AAA_CollID)12446
(DSI-AAA_SIRISBib)247378
AAA_collcode_munoz04
Theme:
Latino and Latin American
Women
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247378
Online Media:

Oral history interview with Gerald Nordland, 2004 May 25-26

Interviewee:
Nordland, Gerald, 1927-  Search this
Nordland, Gerald, 1927-  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Lachaise, Gaston  Search this
Gorky, Arshile  Search this
Johnston, Ynez  Search this
Diebenkorn, Richard  Search this
University of Southern California.  Search this
Type:
Sound recordings
Interviews
Topic:
Curators -- Interviews  Search this
Art, American -- California -- San Francisco  Search this
Art, American -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Art, American -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)11679
(DSI-AAA_SIRISBib)249051
AAA_collcode_nordla04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249051
Online Media:

Oral history interview with Adrian Saxe, 2007 October 10-15

Interviewee:
Saxe, Adrian Anthony, 1943-  Search this
Saxe, Adrian Anthony, 1943-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Ceramicists -- California -- Los Angeles -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13666
(DSI-AAA_SIRISBib)274770
AAA_collcode_saxe07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_274770

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