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Session 2—Slavery in the Spanish Empire: The Philippines and the Southwest Borderlands

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National Museum of the American Indian  Search this
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2021-10-25T16:17:15.000Z
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Education  Search this
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Native Americans;American Indians  Search this
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National Museum of the American Indian
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Session 5—Kinship and Genocide in California

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National Museum of the American Indian  Search this
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2021-10-25T16:17:34.000Z
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Dirk Bouwmeester, "Towards quantum superpositions of a mirror"

Creator:
Smithsonian Astrophysical Observatory  Search this
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YouTube Videos
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2011-05-24T20:09:51.000Z
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Science & Technology  Search this
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Astronomy  Search this
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ITAMPhysics
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Smithsonian Astrophysical Observatory
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Kay WalkingStick and Jeff Chang: A Conversation

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National Museum of the American Indian  Search this
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2016-02-16T17:49:49.000Z
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Frederica de Laguna papers

Creator:
De Laguna, Frederica, 1906-2004  Search this
McClellan, Catharine  Search this
Swanton, John Reed, 1873-1958  Search this
Guédon, Marie Françoise  Search this
Emmons, George Thornton  Search this
Correspondent:
Stearns, Mary Lee  Search this
Aberle, David F. (David Friend), 1918-2004  Search this
Arensberg, Conrad M. (Conrad Maynadier), 1910-1997  Search this
Baird, Melissa  Search this
Balzer, Marjorie  Search this
Bersch, Gretchen  Search this
Birket-Smith, Kaj  Search this
Black, Lydia  Search this
Boas, Franz, 1858-1942  Search this
Chowning, Ann  Search this
Clark, J. Desmond (John Desmond), 1916-2002  Search this
Codere, Helen F., 1917-2009  Search this
Collins, Henry B. (Henry Bascom), 1899-1987  Search this
Colton, Harold Sellers, 1881-1970  Search this
Conklin, Harold C., 1926-2016  Search this
Corbett, John M.  Search this
Darnell, Regna  Search this
Dauenhauer, Nora  Search this
Dauenhauer, Richard  Search this
Davenport, William  Search this
Dockstader, Frederick J.  Search this
Drucker, Philip, 1911-1982  Search this
Du Bois, Cora Alice, 1903-1991  Search this
Duff, Wilson, 1925-  Search this
Fair, Susan  Search this
Fitzhugh, William W., 1943-  Search this
Foster, George McClelland, 1913-  Search this
Garfield, Viola Edmundson, 1899-1983  Search this
Giddings, James Louis  Search this
Gjessing, Gutorm, 1906  Search this
Grinev, Andrei V.  Search this
Hanable, William S.  Search this
Hara, Hiroko, 1934-  Search this
Haury, Emil W. (Emil Walter), 1904-1992  Search this
Heizer, Robert F. (Robert Fleming), 1915-1979  Search this
Helm, June, 1924-  Search this
Herskovits, Melville J. (Melville Jean), 1895-1963  Search this
Holtved, Erik  Search this
Jenness, Diamond, 1886-1969  Search this
Kahn, Mimi  Search this
Kan, Sergei  Search this
Krauss, Michael E., 1934-  Search this
Kroeber, A. L. (Alfred Louis), 1876-1960  Search this
Larsen, Helge, 1905-1984  Search this
Leer, Jeff  Search this
Lindgren, E. J. (Ethel John), 1904-1988  Search this
Lomax, Alan, 1915-2002  Search this
Low, Jean  Search this
Mathiassen, Therkel, 1892-1967  Search this
Mead, Margaret, 1901-1978  Search this
Olson, Wallace  Search this
Rainey, Froelich G. (Froelich Gladstone), 1907-1992  Search this
Riddell, Francis A. (Francis Allen), 1921-2002  Search this
Ritchie, William A. (William Augustus), 1903-1995  Search this
Schneider, William  Search this
Schumacher, Paul J. F.  Search this
Shinkwin, Anne D.  Search this
Spier, Leslie, 1893-1961  Search this
Spiro, Melford E., 1920-2014  Search this
Underhill, Ruth, 1883-1984  Search this
VanStone, James W.  Search this
Weiner, Annette B., 1933-  Search this
Weitzner, Bella, 1891?-1988  Search this
White, Leslie A., 1900-1975  Search this
Woodbury, Natalie Ferris Sampson  Search this
Woodbury, Richard B. (Richard Benjamin), 1917-2009  Search this
Workman, Karen Wood  Search this
Workman, William B.  Search this
Names:
American Anthropological Association  Search this
Bryn Mawr College  Search this
Photographer:
Smith, Harlan Ingersoll, 1872-1940  Search this
Extent:
2 Map drawers
38 Linear feet (71 document boxes, 1 half document box, 2 manuscript folders, 4 card file boxes, 1 flat box, and 1 oversize box)
Culture:
Yakutat Tlingit  Search this
Tutchone  Search this
Tsimshian  Search this
Indians of North America -- Subarctic  Search this
Tlingit  Search this
Tanana  Search this
Kawchodinne (Hare)  Search this
Ahtna (Ahtena)  Search this
Athapascan Indians  Search this
Northern Athabascan  Search this
Chugach  Search this
Kalaallit (Greenland Eskimo)  Search this
Indians of North America -- California  Search this
Eyak  Search this
Indians of North America -- Northwest Coast of North America  Search this
Degexit'an (Ingalik)  Search this
Arctic peoples  Search this
Type:
Collection descriptions
Archival materials
Map drawers
Manuscripts
Maps
Field notes
Correspondence
Photographs
Sound recordings
Place:
Alaska -- Archaeology
Aishihik (Yukon)
Angoon (Alaska)
Alaska -- Ethnology
Chistochina (Alaska)
Greenland
Copper River (Alaska)
Klukshu (Yukon)
Hoonah (Alaska)
Kodiak Island (Alaska)
Klukwan (Alaska)
Saint Lawrence River Valley
New Brunswick -- Archaeology
Yukon Island (Alaska)
Date:
1890-2004
bulk 1923-2004
Summary:
These papers reflect the professional and personal life of Frederica de Laguna. The collection contains correspondence, field notes, writings, newspaper clippings, writings by others, subject files, sound recordings, photographs, and maps. A significant portion of the collection consists of de Laguna's correspondence with family, friends, colleagues, and students, as well as her informants from the field. Her correspondence covers a wide range of subjects such as family, health, preparations for field work, her publications and projects, the Northwest Coast, her opinions on the state of anthropology, and politics. The field notes in the collection mainly represent de Laguna and her assistants' work in the Northern Tlingit region of Alaska from 1949 to 1954. In addition, the collection contains materials related to her work in the St. Lawrence River Valley in Ontario in 1947 and Catherine McClellan's field journal for her research in Aishihik, Yukon Territory in 1968. Most of the audio reels in the collection are field recordings made by de Laguna, McClellan, and Marie-Françoise Guédon of vocabulary and songs and speeches at potlatches and other ceremonies from 1952 to 1969. Tlingit and several Athabaskan languages including Atna, Tutchone, Upper Tanana, and Tanacross are represented in the recordings. Also in the collection are copies of John R. Swanton's Tlingit recordings and Hiroko Hara Sue's recordings among the Hare Indians. Additional materials related to de Laguna's research on the Northwest Coast include her notes on clans and tribes in Series VI: Subject Files and her notes on Tlingit vocabulary and Yakutat names specimens in Series X: Card Files. Drafts and notes for Voyage to Greenland, Travels Among the Dena, and The Tlingit Indians can be found in the collection as well as her drawings for her dissertation and materials related to her work for the Handbook of North American Indians and other publications. There is little material related to Under Mount Saint Elias except for correspondence, photocopies and negatives of plates, and grant applications for the monograph. Of special interest among de Laguna's writings is a photocopy of her historical fiction novel, The Thousand March. Other materials of special interest are copies of her talks, including her AAA presidential address, and the dissertation of Regna Darnell, a former student of de Laguna's. In addition, materials on the history of anthropology are in the collection, most of which can found with her teaching materials. Although the bulk of the collection documents de Laguna's professional years, the collection also contains newspaper articles and letters regarding her exceptional performance as a student at Bryn Mawr College and her undergraduate and graduate report cards. Only a few photographs of de Laguna can be found in the collection along with photographs of her 1929 and 1979 trips to Greenland.
Scope and Contents:
These papers reflect the professional and personal life of Frederica de Laguna. The collection contains correspondence, field notes, writings, newspaper clippings, writings by others, subject files, sound recordings, photographs, and maps.

A significant portion of the collection consists of de Laguna's correspondence with family, friends, colleagues, and students, as well as her informants from the field. Her correspondence covers a wide range of subjects such as family, health, preparations for field work, her publications and projects, the Northwest Coast, her opinions on the state of anthropology, and politics. Among her notable correspondents are Kaj Birket-Smith, J. Desmond Clark, Henry Collins, George Foster, Viola Garfield, Marie-Françoise Guédon, Diamond Jenness, Michael Krauss, Therkel Mathiassen, Catharine McClellan, and Wallace Olson. She also corresponded with several eminent anthropologists including Franz Boas, William Fitzhugh, J. Louis Giddings, Emil Haury, June Helm, Melville Herskovitz, Alfred Kroeber, Helge Larsen, Alan Lomax, Margaret Mead, Froelich Rainey, Leslie Spier, Ruth Underhill, James VanStone, Annette Weiner, and Leslie White.

The field notes in the collection mainly represent de Laguna and her assistants' work in the Northern Tlingit region of Alaska from 1949 to 1954. In addition, the collection contains materials related to her work in the St. Lawrence River Valley in Ontario in 1947 and Catharine McClellan's field journal for her research in Aishihik, Yukon Territory in 1968. Most of the audio reels in the collection are field recordings made by de Laguna, McClellan, and Marie-Françoise Guédon of vocabulary and songs and speeches at potlatches and other ceremonies from 1952 to 1969. Tlingit and several Athapaskan languages including Atna, Tutochone, Upper Tanana, and Tanacross are represented in the recordings. Also in the collection are copies of John R. Swanton's Tlingit recordings and Hiroko Hara's recordings among the Hare Indians. Additional materials related to de Laguna's research on the Northwest Coast include her notes on clans and tribes in Series VI: Subject Files and her notes on Tlingit vocabulary and Yakutat names specimens in Series 10: Card Files.

Drafts and notes for Voyage to Greenland, Travels Among the Dena, and The Tlingit Indians can be found in the collection as well as her drawings for her dissertation and materials related to her work for the Handbook of North American Indians and other publications. There is little material related to Under Mount Saint Elias except for correspondence, photocopies and negatives of plates, and grant applications for the monograph. Of special interest among de Laguna's writings is a photocopy of her historical fiction novel, The Thousand March.

Other materials of special interest are copies of her talks, including her AAA presidential address, and the dissertation of Regna Darnell, a former student of de Laguna's. In addition, materials on the history of anthropology are in the collection, most of which can found with her teaching materials. The collection also contains copies of photographs from the Harriman Alaska Expedition of 1899. Although the bulk of the collection documents de Laguna's professional years, the collection also contains newspaper articles and letters regarding her exceptional performance as a student at Bryn Mawr College and her undergraduate and graduate report cards. Only a few photographs of de Laguna can be found in the collection along with photographs of her 1929 and 1979 trips to Greenland.
Arrangement:
Arranged in 12 series: (1) Correspondence, 1923-2004; (2) Field Research, 1947-1968; (3) Writings, 1926-2001; (4) Teaching, 1922-1988; (5) Professional Activities, 1939-2001; (6) Subject Files, 1890-2002; (7) Writings by Others, 1962-2000; (8) Personal, 1923-2000; (9) Photographs, 1929-1986; (10) Card Files; (11) Maps, 1928-1973; (12) Sound Recordings, 1904-1973
Biographical / Historical:
Frederica Annis Lopez de Leo de Laguna was a pioneering archaeologist and ethnographer of northwestern North America. Known as Freddy by her friends, she was one of the last students of Franz Boas. She served as first vice-president of the Society for American Archaeology (SAA) from 1949 to 1950 and as president of the American Anthropological Association (AAA) from 1966-1967. She also founded the anthropology department at Bryn Mawr College where she taught from 1938 to 1972. In 1975, she and Margaret Mead, a former classmate, were the first women to be elected to the National Academy of Sciences.

Born on October 3, 1906 in Ann Arbor, Michigan, de Laguna was the daughter of Theodore Lopez de Leo de Laguna and Grace Mead Andrus, both philosophy professors at Bryn Mawr College. Often sick as a child, de Laguna was home-schooled by her parents until she was 9. She excelled as a student at Bryn Mawr College, graduating summa cum laude with a degree in politics and economics in 1927. She was awarded the college's prestigious European fellowship, which upon the suggestion of her parents, she deferred for a year to study anthropology at Columbia University under Boas. Her parents had recently attended a lecture given by Boas and felt that anthropology would unite her interests in the social sciences and her love for the outdoors.

After a year studying at Columbia with Boas, Gladys Reichard, and Ruth Benedict, de Laguna was still uncertain whether anthropology was the field for her. Nevertheless, she followed Boas's advice to spend her year abroad studying the connection between Eskimo and Paleolithic art, which would later became the topic of her dissertation. In the summer of 1928, she gained fieldwork experience under George Grant MacCurdy visiting prehistoric sites in England, France, and Spain. In Paris, she attended lectures on prehistoric art by Abbe Breuil and received guidance from Paul Rivet and Marcelin Boule. Engaged to an Englishman she had met at Columbia University, de Laguna decided to also enroll at the London School of Economics in case she needed to earn her degree there. She took a seminar with Bronislaw Malinowski, an experience she found unpleasant and disappointing.

It was de Laguna's visit to the National Museum in Copenhagen to examine the archaeological collections from Central Eskimo that became the turning point in her life. During her visit, she met Therkel Mathiassen who invited her to be his assistant on what would be the first scientific archaeological excavation in Greenland. She sailed off with him in June 1929, intending to return early in August. Instead, she decided to stay until October to finish the excavation with Mathiassen, now convinced that her future lay in anthropology. When she returned from Greenland she broke off her engagement with her fiancé, deciding that she would not able to both fully pursue a career in anthropology and be the sort of wife she felt he deserved. Her experiences in Greenland became the subject of her 1977 memoir, Voyage to Greenland: A Personal Initiation into Anthropology.

The following year, Kaj Birket-Smith, whom de Laguna had also met in Copenhagen, agreed to let her accompany him as his research assistant on his summer expedition to Prince William Sound and Cook Inlet. When Birket-Smith fell ill and was unable to go, de Laguna was determined to continue on with the trip. She convinced the University of Pennsylvania Museum to fund her trip to Alaska to survey potential excavation sites and took as her assistant her 20 year old brother, Wallace, who became a geologist. A close family, de Laguna's brother and mother would later accompany her on other research trips.

In 1931, the University of Pennsylvania Museum hired de Laguna to catalogue Eskimo collections. They again financed her work in Cook Inlet that year as well as the following year. In 1933, she earned her PhD from Columbia and led an archaeological and ethnological expedition of the Prince William Sound with Birket-Smith. They coauthored "The Eyak Indians of the Copper River Delta, Alaska," published in 1938. In 1935, de Laguna led an archaeological and geological reconnaissance of middle and lower Yukon Valley, traveling down the Tanana River. Several decades later, the 1935 trip contributed to two of her books: Travels Among the Dena, published in 1994, and Tales From the Dena, published in 1997.

In 1935 and 1936, de Laguna worked briefly as an Associate Soil Conservationist, surveying economic and social conditions on the Pima Indian Reservation in Arizona. She later returned to Arizona during the summers to conduct research and in 1941, led a summer archaeological field school under the sponsorship of Bryn Mawr College and the Museum of Northern Arizona.

By this time, de Laguna had already published several academic articles and was also the author of three fiction books. Published in 1930, The Thousand March: Adventures of an American Boy with the Garibaldi was her historical fiction book for juveniles. She also wrote two detective novels: The Arrow Points to Murder (1937) and Fog on the Mountain (1938). The Arrow Points to Murder is set in a museum based on her experiences at the University of Pennsylvania Museum and the American Museum of National History. Fog on the Mountain is set in Cook Inlet and draws upon de Laguna's experiences in Alaska. Both detective novels helped to finance her research.

De Laguna began her long career at Bryn Mawr College in 1938 when she was hired as a lecturer in the sociology department to teach the first ever anthropology course at the college. By 1950, she was chairman of the joint department of Sociology and Anthropology, and in 1967, the chairman of the newly independent Anthropology Department. She was also a visiting professor at the University of Pennsylvania (1947-1949; 1972-1976) and at the University of California, Berkeley (1959-1960; 1972-1973.)

During World War II, de Laguna took a leave of absence from Bryn Mawr College to serve in the naval reserve from 1942 to 1945. As a member of WAVES (Women Accepted for Voluntary Emergency Service), she taught naval history and codes and ciphers to women midshipmen at Smith College. She took great pride in her naval service and in her later years joined the local chapter of WAVES National, an organization for former and current members of WAVES.

In 1950, de Laguna returned to Alaska to work in the Northern Tlingit region. Her ethnological and archaeological study of the Tlingit Indians brought her back several more times throughout the 1950s and led to the publication of Under Mount Saint Elias in 1972. Her comprehensive three-volume monograph is still considered the authoritative work on the Yakutat Tlingit. In 1954, de Laguna turned her focus to the Atna Indians of Copper River, returning to the area in 1958, 1960, and 1968.

De Laguna retired from Bryn Mawr College in 1972 under the college's mandatory retirement policy. Although she suffered from many ailments in her later years including macular degeneration, she remained professionally active. Five decades after her first visit to Greenland, de Laguna returned to Upernavik in 1979 to conduct ethnographic investigations. In 1985, she finished editing George Thornton Emmons' unpublished manuscript The Tlingit Indians. A project she had begun in 1955, the book was finally published in 1991. In 1986, she served as a volunteer consultant archaeologist and ethnologist for the U. S. Forest Service in Alaska. In 1994, she took part in "More than Words . . ." Laura Bliss Spann's documentary on the last Eyak speaker, Maggie Smith Jones. By 2001, de Laguna was legally blind. Nevertheless, she continued working on several projects and established the Frederica de Laguna Northern Books Press to reprint out-of-print literature and publish new scholarly works on Arctic cultures.

Over her lifetime, de Laguna received several honors including her election into the National Academy Sciences in 1976, the Distinguished Service Award from AAA in 1986, and the Lucy Wharton Drexel Medal from the University of Pennsylvania in 1999. De Laguna's work, however, was respected by not only her colleagues but also by the people she studied. In 1996, the people of Yakutat honored de Laguna with a potlatch. Her return to Yakutat was filmed by Laura Bliss Spann in her documentary Reunion at Mt St. Elias: The Return of Frederica de Laguna to Yakutat.

At the age of 98, Frederica de Laguna passed away on October 6, 2004.

Sources Consulted

Darnell, Regna. "Frederica de Laguna (1906-2004)." American Anthropologist 107.3 (2005): 554-556.

de Laguna, Frederica. Voyage to Greenland: A Personal Initiation into Anthropology. New York: W.W. Norton Co, 1977.

McClellan, Catharine. "Frederica de Laguna and the Pleasures of Anthropology." American Ethnologist 16.4 (1989): 766-785.

Olson, Wallace M. "Obituary: Frederica de Laguna (1906-2004)." Arctic 58.1 (2005): 89-90.
Related Materials:
Although this collection contains a great deal of correspondence associated with her service as president of AAA, most of her presidential records can be found in American Anthropological Association Records 1917-1972. Also at the National Anthropological Archives are her transcripts of songs sung by Yakutat Tlingit recorded in 1952 and 1954 located in MS 7056 and her notes and drawings of Dorset culture materials in the National Museum of Canada located in MS 7265. The Human Studies Film Archive has a video oral history of de Laguna conducted by Norman Markel (SC-89.10.4).

Related collections can also be found in other repositories. The University Museum of the University of Pennsylvania holds materials related to work that de Laguna carried out for the museum from the 1930s to the 1960s. Materials relating to her fieldwork in Angoon and Yakutat can be found in the Rasmuson Library of the University of Alaska, Fairbanks in the papers of Francis A. Riddell, a field assistant to de Laguna in the early 1950s. Original photographs taken in the field in Alaska were deposited in the Alaska State Library, Juneau. Both the Archive of Folk Culture at the Library of Congress and the American Philosophical Library have copies of her field recordings and notes. The American Museum of Natural History has materials related to her work editing George T. Emmons' manuscript. De Laguna's papers can also be found at the Bryn Mawr College Archives.
Provenance:
These papers were donated to the National Anthropological Archives by Frederica de Laguna.
Restrictions:
Some of the original field notes are restricted due to Frederica de Laguna's request to protect the privacy of those accused of witchcraft. The originals are restricted until 2030. Photocopies may be made with the names of the accused redacted.
Rights:
Contact repository for terms of use.
Topic:
Language and languages -- Documentation  Search this
Anthropology -- History  Search this
Genre/Form:
Manuscripts
Maps
Field notes
Correspondence
Photographs
Sound recordings
Citation:
Frederica de Laguna papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1998-89
See more items in:
Frederica de Laguna papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3363424fd-e665-498b-a37c-9f4a81302a35
EDAN-URL:
ead_collection:sova-naa-1998-89
Online Media:

Robert F. Heizer papers

Correspondent:
Evans, Clifford, Jr.  Search this
Cook de Leonard, Carmen  Search this
Kubler, George  Search this
Payne, Melvin M.  Search this
Bushnell, Geoffrey  Search this
Carmichael, Leonard, 1898-1973  Search this
Coe, Michael Douglas  Search this
Coe, William R.  Search this
Bernal, Ignacio  Search this
Stirling, Matthew Williams, 1896-1975  Search this
Squier, Robert J.  Search this
Rainey, Froelich G. (Froelich Gladstone), 1907-1992  Search this
Wuchopi, Robert  Search this
Williams, Howel  Search this
Stuckenrath, Robert  Search this
Author:
Contreras, Eduardo  Search this
Healy, P. F.  Search this
Drucker, Philip, 1911-1982  Search this
Clewlow, C. William  Search this
Squier, Robert J.  Search this
Creator:
Heizer, Robert F. (Robert Fleming), 1915-1979  Search this
Photographer:
Stirling, Matthew Williams, 1896-1975  Search this
Extent:
16.75 Linear feet
Culture:
Olmec (archaeological culture)  Search this
Type:
Collection descriptions
Archival materials
Photographic slides
Maps
Letters
Writings
Notebooks
Processed materials
Photographs
Printed materials
Notes
Date:
1943-1978
bulk 1955-1970
Scope and Contents:
Robert F. Heizer was an anthropologist best known for his archeological work in California and Nevada and ethnographic work in California. A University of California Ph.D. (1941), he was on the Berkeley staff from 1946 to 1976, when he gained emeritus status. For many years he headed the Archeological Survey in California.

In 1955, Heizer extended his work into Mexican archeology with an expedition to La Venta with Philip Drucker, of the Bureau of American Ethnology, and Robert J. Squiers. The National Geographic Society, the Smithsonian, and the University of California sponsored the expedition. Its purpose was to follow up with large-scale excavations the preliminary work of Matthew W. Stirling of 1941 and Stirling and Waldo R. Wedel's work of 1943. Controversies concerning chronology took Heizer back to La Venta between 1967 and 1969. His interest in Middle American archeology continued until his death.

In 1957, Heizer began work at a site just west of the great pyramid at Cuicuilco. Involved was an investigation of a group of mounds threatened by lava quarrying. The site proved to be one of long occupation, back to around 2000 B.C. With James A. Bennyhoff, Heizer worked at the site in 1957, 1958, 1959, 1960, and 1962.

Virtually the entire collection of Heizer's papers in the National Anthropological Archives concerns the work at La Venta, the material relating to Cuicuilco representing a small miscellany. There are a few additional materials that concern Heizer's other activities, particularly in Middle America. Included are documents of an administrative nature concerning arrangements, management, and publications. There are also materials that came directly from the field work and studies of museum specimens. Also present are materials that concern controversies over Olmec chronology.

Heizer also collected notes, notebooks, photographs, cartographic material, and manuscripts from some of his colleagues and assistants on the La Venta expeditions. Included among these are materials of C. William Clewlow, Eduardo Contreras, Philip Drucker, and P.F. Healy. There are manuscripts of writings and reprints of publications from some of these and from students of Heizer. The photographic collections, considerable amounts of which are unidentified, include field negatives and prints of LaVenta, many other Olmec sites, and other archeological sites in Mexico and Middle America. There are also photographs collected from other archeologists, including Stirling.

Correspondents include James A. Bennyhoff, Ignacio Bernal, Geoffrey Bushnell, Leonard Carmichael, Michael D. Coe, William R. Coe, Carmen C. de Leonard, Philip Drucker, Clifford Evans, George Kubler, Melvin M. Payne, Froelich G. Rainey, Anna O. Shepard, Robert J. Squier, Matthew W. Stirling, Robert Stuckenrath, Howel Williams, and Robert Wuchopi.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
(1) Correspondence, 1954-1973; (2) notebooks, 1955-1968; (3) subject file, ca. 1954-1970; (4) writings, 1956-1974; (5) printed and processed material, ca. 1950s-1970s; (6) miscellany, 1955-1978; (7) maps and other cartographic material, 1955-1968; (8) drawings, n.d.; (9) photograph albums with negatives, n.d.; (10) photographs arranged by site, 1955-1969; (11) photographs of expeditions, 1955, 1967-1969; (12) miscellaneous photographs, n.d.; (13) slides, 1943-1971; (14) illustrations for Bureau of American Ethnology Bulletin 170, ca. 1957
Biographical Note:
Robert Fleming Heizer was an anthropologist best known for his archeological work in California and Nevada and ethnographic work in California. A University of California PhD (1941), he was on the staff at Berkeley from 1946 to 1976, when he assumed an emeritus status. For many years he headed the Archeological Survey in California. In 1955, Heizer extended his work into Mexican archeology with an expedition to La Venta that was led by him, Philip Drucker, of the Bureau of American Ethnology, and Robert J. Squiers. The expedition was sponsored by the National Geographic Society, the Smithsonian, and the University of California. Its purpose was to follow up with large-scale excavations the preliminary work of Matthew Williams Stirling of 1941 and Stirling and Waldo Rudolph Wedel of 1943.

Controversies concerning the chronology of the site led to Heizer's return to La Venta between 1967 and 1969. His interest in Middle American archeology continued in the meantime and afterward until his death.
Related Materials:
The National Anthropological Archives holds Photo Lot 77-59, Photograph of Robert F. Heizer at Palenque.

Papers relating to other aspects of Heizer's career are at the Bancroft Library of the University of California at Berkeley.
Provenance:
The papers were donated to the National Anthropological Archives by the terms of Dr. Heizer's will and placed in the archives in 1979. An addition to the collection was donated by Thomas R. Hester in 1980.
Restrictions:
The Robert F. Heizer papers are open for research.

Access to the Robert F. Heizer paper requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Archeology -- Olmec -- Mexico -- La Venta -- Middle America  Search this
Genre/Form:
Photographic slides
Maps
Letters
Writings
Notebooks
Processed materials
Photographs
Printed materials
Notes
Citation:
Robert F. Heizer papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1980-44
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3f1fb9309-b635-4369-9636-4e377456df0b
EDAN-URL:
ead_collection:sova-naa-1980-44

MS 4516 Philip Drucker papers

Creator:
Drucker, Philip, 1911-1982  Search this
Names:
Albert, John  Search this
Beardsley, Richard K. (Richard King), 1918-1978  Search this
Beynon, William  Search this
Fast, Edward G.  Search this
Garfield, Viola Edmundson, 1899-1983  Search this
Heizer, Robert F. (Robert Fleming), 1915-1979  Search this
Kroeber, A. L. (Alfred Louis), 1876-1960  Search this
Thompson, George E.  Search this
Tobin, J.E.  Search this
Uyeharan, Harry K.  Search this
Extent:
17 Boxes
17 Boxes
Culture:
Angaur  Search this
Haida  Search this
Nuxalk (Bellacoola)  Search this
Yoeme (Yaqui)  Search this
Tohono O'odham (Papago)  Search this
Chinook  Search this
Yurok  Search this
Karuk (Karok)  Search this
Likiep  Search this
Jaliut  Search this
Heiltsuk [Oowekeeno (Wikeno)]  Search this
Kili  Search this
Ebon  Search this
Samoans  Search this
Paipai (Pi-Pi/Pais)  Search this
Clackamas  Search this
Bikini  Search this
Haisla  Search this
Heiltsuk (Bella Bella)  Search this
Coos (Kusan)  Search this
Alsea  Search this
Nuu-chah-nulth (Nootka)  Search this
Kwakwaka'wakw (Kwakiutl)  Search this
Tsimshian  Search this
Tolowa  Search this
Payómkawichum (Luiseño)  Search this
Kumeyaay (Diegueño)  Search this
Micronesians  Search this
Xai'xais (Haihais/China Hat)  Search this
Type:
Collection descriptions
Archival materials
Place:
Kili (Marshall Islands)
Date:
1933-circa 1954
1933-circa 1954
Summary:
The processed material in this collection concerns work before 1955. Included are field notebooks, printed material, drafts of manuscripts, notes, catographic material, drawings, photograhs, writings, historical documents, and copies of United States government documents. Incorporated are notes (often comments and suggestion regarding Drucker's work) by Alfred Louis Kroeber, photographs of Nootka by R. Maynard, copies of papers by William Beynon and Viola Garfield, a catalog of an Alaskan Collection of Edward G. Fast, a field notebook relating to the British Columbia coast archeology survey by Richard King Beardsley, notes on Alsea by John Albert, and miscellaneous papers of various authors concerning Micronesia. The latter includes material by Harry K. Uyeharan on Angaur clan organization, J.E. Tobin on the Bikini, and George E. Thompson on education in American Samoa.
Scope and Contents:
These papers reflect the professional life of Dr. Philip Drucker (1911-1982), Assistant Curator for the U. S. National Museum, Ethnologist and Anthropologist for the Bureau of American Ethnology (BAE), Staff Anthropologist in the U. S. Navy, farmer, and professor at the Universities of Kentucky, Colorado, and Baylor. Included are notes and fieldnotes from his expeditions into the American Northwest, MesoAmerica, and Oceania, correspondence sent and received by Drucker, drafts and notes of some of his works, element lists, newspapers and newsletters he collected, papers and materials from others in the field, class notes and exams from his years of teaching, photographs, and maps.

Of primary concern are the materials dealing with the Northwest Coast, which contain his most detailed notes. Dr. Drucker was considered to be one of the foremost experts in that region. There is also considerable photographic material on MesoAmerica, the majority of which remains unprocessed. Also included are materials dealing with Southern California, South America, and Oceania.

Correspondents include Margaret Blackman, Joanna Chisholm, William Beynon, John Fox, E. Gartly Jaco, Elizabeth Tooker, Margaret Lantis, Joseph P. Benson, Kenneth Ames, Vera Rubin, Charles M. Tolbert, Robert E. Quirk, James R. Glenn, and Ward H. Goodenough.

The Drucker Papers also include notes, exams, and assignments from his classes as well as a number of papers dealing with topics not directly related to the main series. There are many photographs of the Northwest Coast and MesoAmerica, and a few maps from each of the main regions in which Drucker worked.
Arrangement:
(1) Northwest Coast native brotherhoods; (2) Northwest Coast Nootkan tribes; (3) Northwest Coast miscellaneous ethnology (on the Bellabella, Tsimshian, Kwakiutl, Bellacoola, Wikeno, Haida, Haisla, Xaihais, and Heiltsuk); (4) Northwwest Coast archeology; (5) Northwest Coast cultural element distribution; (6) Oregon Coast and Northern California (including material on the Coos, Alsea, Clckamas, Tolowa, Karuk, Chinook, Karok, and Yurok; (7) southern California (including material on the Diegueno, Akwa'ala, Yaqui, Papago, Luiseno); (8) southwest Yuman-Piman tribes; (9) miscellaneous North American ethnology; (10) Mesoamerican archeology; (11) Micronesia (including material on Kili, Likiep, Jaliut, Ebon, Angaur, and other islands); (12) unprocessed material
Biographical Note:
Chronology of the Life of Philip Drucker

January 13, 1911 -- Born in Chicago, Illinois

1927 -- Began degree program in Animal Husbandry at Colorado Agricultural College

1929 -- Changed to Liberal Arts program at Colorado College

Summer 1930 -- Field School in Archaeology with the University of New Mexico

1930 -- Began Anthropology Degree at the University of California, Berkeley

1932 -- A. B. Degree in Anthropology from the University of California, Berkeley

1933 -- Teaching Fellowship, Department of Anthropology, University of California, Berkeley

1934-1935 -- Social Science Research (SSRC) pre-doctoral fellowship "Study of Nootkan Indians"

1936 -- Ethnographic Survey of Northwest Coast for the University of California Program in "Cultural Element Distribution" Ph. D. In Anthropology, University of California, Berkeley

1938-1939 -- National Research Council (NRC) post-doctoral fellowship(Archaeological Survey of the Northwest Coast)

1940 -- Assistant Curator, United States National Museum (transferred to Bureau of American Ethnology)

1941-1942 -- Olmec Field Trips

1942 -- Commissioned Lt. (Jg) (Line) USNR; active duty

December 1945 -- Released from active duty Ethnologist, Bureau of American Ethnology, Smithsonian Institution

October 1948 -- Ordered to active duty, LCdr, USNR. Staff Anthropologist, Staff of Deputy High Commissioner, Trust Territory Of the Pacific Islands (Micronesia)

January 1952 -- Released from active duty Anthropologist for BAE

December 1955 -- Resigned BAE

1955-1966 -- Married Rosario and had two children, Felipe and Rosario Self-employed, farming operation, Vera Cruz, Mexico

October 1966 -- Sold farm and moved to San Andes Tuxtla, Vera Cruz

Spring 1967 -- Visiting professor of Anthropology, University of Kentucky

Summer 1968 -- Visiting professor of Anthropology, University of Colorado

1968-1969 -- Visiting professor of Anthropology, University of Kentucky

1969-1978 -- Professor of Anthropology, University of Kentucky

June 1978 -- Professor Emeritus, University of Kentucky

1978-1979 -- Distinguished Visiting Professor, Baylor University

1979—? -- Senior Scientist (Ethnography), Kentucky Longevity Study Project, University of Kentucky

February 28, 1982 -- Died in Lexington, Kentucky
Addl. KW Subj::
Tipai-Ipai, Karuk, Luiseno, Bella Coola (Nuxalk), Chinook, Coosan, Bella Bella (Heiltsuk), Kwakiutl (Kwakwaka'wakw), Nootka (Nuu-chah-nulth), Papago (Tohono O'odham), Kwakiutl (Kwakwaka'wakw), Papago (Tohono O'odham), Luiseno, Tipai-Ipai, Karuk
Provenance:
These materials were left by Drucker in his office at the Bureau of American Ethnology when he resigned in December, 1955, and were deposited in the Bureau of American Ethnology Archives ca. 1956 By M. W. Stirling, Chief, Bureau of American Ethnology.
Restrictions:
Manuscript 4516 is open for research.

Access to Manuscript 4516 requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Archeology -- Meso-America  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 4516, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4516
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw34664157a-4d7a-4b62-8ecf-c8c111494273
EDAN-URL:
ead_collection:sova-naa-ms4516

Geographical and Geological Survey of the Rocky Mountain Region stereographs of canyons on the Green and Colorado Rivers

Creator:
Geographical and Geological Survey of the Rocky Mountain Region (U.S.)  Search this
Names:
Geological Survey (U.S.)  Search this
Powell, John Wesley, 1834-1902  Search this
Thompson, A. H. (Almon Harris), 1839-1906  Search this
Washakie, approximately 1804-1900  Search this
Photographer:
Beaman, Edward O.  Search this
Fennimore, James  Search this
Hillers, John K., 1843-1925  Search this
Jackson, William Henry, 1843-1942  Search this
Extent:
45 Stereographs (albumen)
Culture:
Indians of North America -- Great Basin  Search this
Shoshone  Search this
Type:
Collection descriptions
Archival materials
Stereographs
Photographs
Place:
Colorado River Watershed (Colo.-Mexico)
Green River Watershed (Wyo.-Utah)
Date:
circa 1871
Scope and Contents note:
Stereographs published by the Geographical and Geological Survey of the Rocky Mountain Region, documenting canyons along the Green and Colorado Rivers and surveyors. Although the images in this collection are credited to Powell and A. H. Thompson, the primary photographers on these surveys were John K. Hillers, E. O. Beaman, and James Fennemore. There is also one stereograph of Washakie's camp, made by William Henry Jackson on September 4, 1871; it is from the series "Picturesque Views of Rocky Mountain Scenery."
Biographical/Historical note:
The geological survey of John Wesley Powell, first authorized in 1870, was known by several names before its final designation as the United States Geographical and Geological Survey of the Rocky Mountain Region. The photograph mounts in this collection refer to the "U.S. Topographical and Geological Survey of the Valley of the Colorado," a survey that continued Powell's earlier work in the basin of the Colorado River. John K. Hillers (1843-1925) was hired as a boatman for John Wesley Powell's second expedition down the Colorado River in 1871. Initially working as an assistant to team photographers E. O. Beaman and James Fennimore, Hillers eventually became the main photographer for the expedition in 1872.
Local Call Number(s):
NAA Photo Lot 76-131
Location of Other Archival Materials:
Photographs relating to the Powell surveys can be found in the National Anthropological Archives in Photo Lot 4605, Photo Lot 24, Photo Lot 33, Photo Lot 37, Photo Lot 140.
The Library of Congress, the Bancroft Library at the University of California at Berkeley, and the New York Public Library hold additional stereographs from the Geographical and Geological Survey of the Rocky Mountain Region.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Stereographs
Photographs
Citation:
Photo lot 76-131, Geographical and Geological Survey of the Rocky Mountain Region stereographs of canyons on the Green and Colorado Rivers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.76-131
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d638091c-7dea-4c7b-a602-91a4f4befd3f
EDAN-URL:
ead_collection:sova-naa-photolot-76-131

Oral history interview with Moira Roth

Interviewee:
Roth, Moira  Search this
Interviewer:
Heinemann, Sue  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
London School of Economics and Political Science -- Students  Search this
University of California, Berkeley -- Students  Search this
University of Vienna -- Students  Search this
Women's Caucus for Art  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Bernardi, Claudia  Search this
Chadwick, Whitney  Search this
Chicago, Judy, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Jacob, Mary Jane  Search this
Kaprow, Allan  Search this
Kozloff, Joyce  Search this
Lacy, Suzanne  Search this
Lippard, Lucy R.  Search this
Machida, Margo  Search this
Nochlin, Linda  Search this
Ringgold, Faith  Search this
Schapiro, Miriam, 1923-2015  Search this
Selz, Peter Howard, 1919-2019  Search this
Stevens, May  Search this
Extent:
5 Items (Sound recording, master: 5 memory cards (6 hr., 9 min.), secure digital, 1.25 in)
81 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Cornwall (England : County) -- Description and Travel
Europe -- description and travel
Date:
2011 April 22-24
Scope and Contents:
An interview of Moira Roth conducted 2011 April 22- 24, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History Project, at Roth's home, in Berkeley, California.
Roth discusses her childhood and family background; her "unconventional" mother attending the London School of Economics; her "romantic childhood" growing up in Cornwall, England; her family's move to Letchworth for her to attend St. Christopher, a Montessori school; taking in evacuees from London during the Battle of Britain in 1940; childhood colored with European culture, Jewish culture, and music; at 17 moving from England to Washington, D.C., to live with her Irish father who was working for the International Monetary Fund; her early "passion for travelling"; moving to New York City in 1952; meeting John Cage; her autobiographical writings; travels in Europe; studies at the University of Vienna and the London School of Economics; deciding to be a psychiatric social worker; majoring in sociology with a minor in art history; attending graduate school in art history; her interest in Duchamp; doctoral studies at the University of California, Berkeley; interviewing artists; her marriage to Bill Roth; teaching; early publications; performances at the Woman's Building in the late 1970s; editing the book "The Amazing Decade: Women & Performance Art in America, 1970-1980" (1983); traveling with Faith Ringgold; friendships with Linda Nochlin, May Stevens, Lucy Lippard and others; experimental theater; her interest in Noh theater; the Women's Caucus for Art at CAA; The Poor Farm contemporary art space; living in the Bay Area; "rethinking feminism in terms of Asian-American Women"; globalism; the fictional character she created, Rachel Marker; and other topics. She recalls Joyce Kozloff, Miriam Schapiro, Judy Chicago, Judy Baca, Claudia Bernardi, Eleanor Antin, Margo Machida, Mary Jane Jacob, Annika Marie, Whitney Chadwick, Suzanne Lacy, Allan Kaprow, Peter Selz, and others.
Biographical / Historical:
Moira Roth (1933- ) is an art historian and writer in Berkeley, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art historians -- California -- Interviews  Search this
Authors -- California -- Berkeley  Search this
Topic:
Art -- History -- Study and teaching  Search this
Asian American women  Search this
Britain, Battle of, Great Britain, 1940  Search this
Experimental theater  Search this
Feminism and art  Search this
Nō  Search this
Sociology -- Study and teaching  Search this
World War, 1939-1945  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.roth11
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99573b541-22b4-4db2-bf92-479464510b5f
EDAN-URL:
ead_collection:sova-aaa-roth11
Online Media:

Peter Howard Selz papers

Creator:
Selz, Peter Howard, 1919-2019  Search this
Names:
College Art Association of America  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
Marlborough Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
University of California, Berkeley. University Art Museum  Search this
Baykam, Bedri, 1957-  Search this
Beckmann, Max, 1884-1950  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Bury, Pol, 1922-2005  Search this
Calder, Alexander, 1898-1976  Search this
Chase-Riboud, Barbara  Search this
Christo, 1935-  Search this
Conner, Bruce, 1933-2008  Search this
Dubuffet, Jean, 1901-  Search this
Feininger, Lyonel, 1871-1956  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Graves, Morris, 1910-  Search this
Guston, Philip, 1913-1980  Search this
Hadzi, Dimitri, 1921-2006  Search this
Lebrun, Rico, 1900-1964  Search this
Lindner, Richard, 1901-1978  Search this
Lipchitz, Jacques, 1891-1973  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Onslow-Ford, Gordon  Search this
Paris, Harold, 1925-1979  Search this
Petlin, Irving, 1934-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Tinguely, Jean, 1925-  Search this
Extent:
31.5 Linear feet
0.696 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Date:
1929-2014
bulk 1950-2005
Summary:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.
Scope and Contents:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed and digital material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed and digital material, and writings. There is also 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. Some of the materials are in digital format.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.
Arrangement:
This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Missing Title

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37, 0.035 GB; ER01, ER12)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35, 0.520 GB; ER02-ER08)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38, 0.093 GB; ER09-ER11)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)
Biographical / Historical:
Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berkeley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.
Related Materials:
The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.
Provenance:
The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- California -- Berkeley  Search this
Art historians -- California -- Berkeley  Search this
Topic:
Realism  Search this
Political cartoons  Search this
Pop art  Search this
Environment (Art)  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art -- Germany  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Video recordings
Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ce9d9d14-7599-455d-828d-57077e76ef17
EDAN-URL:
ead_collection:sova-aaa-selzpete
Online Media:

Ed Gerjuoy, "Recollections of Oppenheimer and Schwinger"

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2011-04-11T18:52:55.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
ITAMPhysics
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
ITAMPhysics
EDAN-URL:
edanmdm:yt_QO7JdhkF5EM

Alice Waters

Artist:
Dave Woody, born 1971  Search this
Sitter:
Alice Waters, born 28 Apr 1944  Search this
Medium:
Inkjet print
Dimensions:
Image: 101.6 × 127.6 cm (40 × 50 1/4")
Sheet: 111.8 × 137.8 cm (44 × 54 1/4")
Frame: 124.8 × 149.2 × 7 cm (49 1/8 × 58 3/4 × 2 3/4")
Type:
Photograph
Date:
2010
Topic:
Costume\Jewelry\Necklace  Search this
Exterior  Search this
Nature & Environment\Clouds  Search this
Nature & Environment\Plant  Search this
Nature & Environment\Plant\Tree  Search this
Architecture\Fence  Search this
Costume\Dress Accessory\Scarf  Search this
Alice Waters: Female  Search this
Alice Waters: Natural Resource Occupations\Agriculturist  Search this
Alice Waters: Education and Scholarship\Educator  Search this
Alice Waters: Business and Finance\Businessperson\Entrepreneur  Search this
Alice Waters: Society and Social Change\Philanthropist  Search this
Alice Waters: Society and Social Change\Reformer\Activist  Search this
Alice Waters: Crafts and Trades\Culinary Arts\Chef  Search this
Alice Waters: Literature\Author  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; supported by a grant from the Donald W. Reynolds Foundation and by the Marc Pachter Commissioning Fund as part of the first prize, Outwin Boochever Portrait Competition 2009
Object number:
NPG.2011.75.1
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46f93adb6-6e7d-492d-a275-41e6e2ac12e7
EDAN-URL:
edanmdm:npg_NPG.2011.75.1

Jane Hanks papers related to William Keith, 1898-1905

Creator:
Hanks, Jane Richardson, 1908-2014  Search this
Subject:
Keith, William  Search this
Hogg, James  Search this
Richardson, Maud Wilkinson  Search this
Citation:
Jane Hanks papers related to William Keith, 1898-1905. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17488
(DSI-AAA_SIRISBib)389174
AAA_collcode_hanksjane
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_389174

Jane Hanks papers related to William Keith

Creator:
Hanks, Jane Richardson, 1908-  Search this
Names:
Hogg, James, 1770-1835  Search this
Keith, William, 1838-1911  Search this
Richardson, Maud Wilkinson, 1868-1946  Search this
Extent:
0.02 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1898-1905
Summary:
Papers kept by Jane Richardson Hanks relating to the friendship between her mother, Maud Wilkinson Richardson and the painter William Keith, measures 0.02 linear feet and consists of six items and date 1898 to 1905. Included is documentation on a painting Kilmeny that Keith gave to Wilkinson as a wedding gift upon her marriage to Leon J. Richardson in 1900. The painting, as well as Keith's nickname of "Kilmeny" for Maud were inspired by Maud's and Keith's admiration for the poem "Kilmeny" by Scottish author James Hogg written in 1813.
Scope and Contents:
Papers kept by Jane Richardson Hanks relating to the friendship between her mother, Maud Wilkinson Richardson and the painter William Keith measures 0.02 linear feet and consists of six items and date 1898 to 1905. Included is documentation on a painting Kilmeny that Keith gave to Wilkinson as a wedding gift upon her marriage to Leon J. Richardson in 1900. The painting, as well as Keith's nickname of "Kilmeny" for Maud were inspired by Maud's and Keith's admiration for the poem "Kilmeny" by Scottish author James Hogg written in 1813.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.

Series 1: Jane Hanks Papers related to William Keith, 1898-1905 (Folder 1; 6 Items)
Biographical / Historical:
Jane Richardson Hanks was the daughter of Maud Wilkinson Richardson (1868-1946), a friend of painter William Keith (1838-1911). Hanks was a noted anthropologist born August 2, 1908. She died July 27, 2014 in Bennington, Vermont. Maud married Leon J. Richardson in 1900. They lived in Berkeley, California.
Provenance:
Donated in 2017 by Michael L. Heslip, a painting conservator who received the material from Jane Hanks when Heslip was treating the painting Kilmeny, at the time owned by Hanks.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- California  Search this
Citation:
Jane Hanks papers related to William Keith, 1898-1905. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hanksjane
See more items in:
Jane Hanks papers related to William Keith
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw929dd9f62-1a02-416d-bc92-ffce7fa787bc
EDAN-URL:
ead_collection:sova-aaa-hanksjane

Frank and Lillian Gilbreth Collection

Creator:
Perkins, James Secor  Search this
Gilbreth, Frank Bunker, 1868-1924  Search this
Gilbreth, Lillian Moller, 1878-1972  Search this
Extent:
5 Cubic feet (19 boxes)
5 Cubic feet (19 boxes)
Type:
Collection descriptions
Archival materials
Videotapes
Betacam sp (videotape format)
Motion pictures (visual works)
Date:
1907-2000
bulk 1911-1924
Summary:
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Also included are slides dcoumenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.
Scope and Contents:
The collection consists primarily of glass plate slides (negative and positive), photo prints, and stereographs documenting the work undertaken by Frank and Lillian Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. As scientific managers, the Gilbreth's introduced new techniques to analyze work, the workplace, and work practices with the goal of eliminating waste to maximize productivity. The collection illustrates these new techniques and their application to a wide variety of studies. The collection is diverse and provides insight into understanding how Gilbreth approached his studies. Also included are slides documenting the Gilbreth Family, their travels, residences, and friends. The collection also contains the film "The Original Films of Gilbreth The Quest for the One Best Way," 1968 by James S. Perkins.

Series 1, Background Information, 1892-1997, includes biographical materials about Frank B. Gilbreth; copies of some of Frank Gilbreth's patents, 1892-1916; and printed materials, 1907-1997, that contain articles, newspaper and magazine clippings about Frank and Lillian Gilbreth and time and motion study generally. Black-and-white photo prints of Gilbreth or work Gilbreth documented from collections held at Purdue University and Ohio State University are included.

Series 2, Glass plate stereo slides, 1910-1924, consists of approximately 2,250 glass stereo slides photographed by Frank B. Gilbreth and others and intended for viewing through an optical viewing machine. Some are positive black and white, positive color, and negative black and white. The subject matter of the slides covers the work undertaken by Frank Gilbreth from 1910 to 1924 in the fields of motion study, shop efficiency, and factory organization. Many of the images serve as documentation for the studies the couple performed as they were hired by firms in an attempt to provide solutions to the problems of inefficiency. Also included are the Gilbreth Family, their travels, residences, and friends.

The slides are numbered sequentially. For example, a glass plate slide numbered 318949.001 will have a corresponding photoprint 318949.001 in Series 3, Photoprints of glass plate slides. Note: not all glass plate slides have corresponding photoprints. Additionally, there are Office of Photographics Services, Smithsonian Institution negative numbers assigned to many of the photo prints.

Some subject categories include:

Frank B. Gilbreth: working in motion laboratories, on factory inspections, seated in offices, with family and friends, in World War I uniform, watching and monitoring shop operations.

Lillian M. Gilbreth: with family, during university graduation ceremonies, traveling and working with Frank and observing office workers.

Gilbreth Family: family on the road in an automobile, at home seated around the dinner table, in the parlor, in the garden, and with friends and relatives.

Gilbreth ship travel: contains views on steamer voyages to Europe, deck scenes, arrivals, departures, ship officers and crew, and other passengers.

Automobile assembly study: internal and external views of a warehouse/factory, including large piles or rows of metal car frames and other parts.

Benchwork study: images of a male worker standing or sitting in a chair while filing an object secured in a vice at a workbench.

Betterment: images of efforts whcih contributed to industrial betterment (the Gilbreth chair, employee library, and the home reading box).

Bricklaying study: view of men wearing overalls and caps, shoveling, and men laying bicks.

Business and apparatus of motion study: views of lectures, meetings, film showings, demonstrations, charts, drawings, motion models, charts amd some equipment.

Disabled study: views of partially blind World War I veterans, amputees using special tytpewriter, assembling machinery, use of cructhes, and a one armed dentist.

Factory bench work: table-top machines assembly operations, hand tools, orderly arrangement of parts prior to and during assembly and a variety of bench vises.

Factory documentation: various images of the interior and edterior of factories including heavy machinery.

Golfing study: various cyclegraphs of a man swinging a golf club.

Grid boards: back drops used by Gikbreth to isolate and measure worker motions. This includes walls, floors, desktops, and drop cloths divided into grids of various densities and scales.

Handwriting and cyclegraphs: finger lights moving in patterns of script.

Ladders: include step ladders and painters' ladders shown in use near shelving.

Light assembly study: wide variety of images ranging from cyclegraphs of women working, to the factory floor as well as tools and machinery.

Materials handling study: different angles of an empty cart, a cart oiled high with boxes, and a man pushing a cart illustrating different body positions.

Military study: illustrate work on the Army foot meausring machine, gun parts, men holding a rifle.

Motion models: images of simple wire motionmodels.

Needle trade study: views of textile machinery and workers.

Office study: various shots inside of an office with tables, desks, drawers, files, and typewriters. Some of the images are cyclegraphs of femal and male workers performing tasks, such as writing, both tin the context of an office as well as in front of a grdidded background. There are several close-ups of an organizer containing penciles, paperclips, pins and rubberbands.

Packing: methods of placing and arranging goods in boxes, such as soap packing.

Panama-Pacific Exposition 1915: contains views of statuary, fountains, and architecture of the exposition held in San Francisco.

Pure light cyclegraphs: no workers or grids visible only finger lights in motion.

Rubber stamping study: hand movements and access to ink pads and stamps.

Scenic views: views of buildings, landscapes, street scenes, and fountains from around the world documenting Gilbreth's travels.

Shoe making study: laboratory studies of shoe assembly operations with an emphasis on workers access to component pieces.

Shop machinery: various shots of machines and workers working with machines.

Signage: include organizational flow charts, shop floor plans, route maps, office layouts, numbering systems, exhibit display boards illustrating Frank Gilbreth's efficiency studies and techniques.

Stacking: views of the art and science of stacking boxes, clothing, equipment, containers, and vertical storage without shelves.

Stock bins: consists of storage pips, paper, other raw materials, shelves, and corridoe shots.

Storage: images illustrate contrast between old techniques and new.

Surgical and dental studies: thester views of surgeons, assistants, nurses, hand motions in grasping, placing surgical instruments, dental work and self inspection of teeth.

Tool cribs: storage of hand tools in shops with an emphasis on easy access and easy inventorying.

Typing study: various views of femaile s under observation using Remington typewriters.

Series 3, Photoprints of glass plate slides, 1910-1924, consist of black and white photoprints of the glass plate slides depicting the fields of motion study, shop efficiency, and factory organization. Also included are the Gilbreth Family, their travels, residences, and friends.

Series 5, Stereographs,1911-1914,

Series 6, Audio Visual Materials, 1968, 2000, and undated, is divided into three subseries: Subseries 1, Audio visual documentation, 1968 and undated; Subseries 2, Moving Images, 1968 and undated; and Subseries 3, Audio Recordings, 1980, 1990,. 2000 and undated. The series contains several formats: 7" open reel-to-reel audio tape, 1/2" VHS, Beta Cam SP, DVD, audio cassette, one inch audio tape, and 16 mm film.

Subseries 1, Audio visual documentation, 1967-1968 and undated, consists of supplemental documentation for the film, "The Original Films of Gilbreth The Quest for the One Best Way." Specifically, there are brochures and other printed materials detailing what the film is about and how copies may be obtained. This subseries also contains a copy of the book Cheaper by the Dozen, 1948. The book was written by Frank Bunker Gilbreth, Jr. and Ernestine Gilbreth Carey and tells the biographical story of Frank Bunker Gilbreth and Lillian Moller Gilbreth, and their twelve children. The book was adapted to film by Twentieth Century Fox in 1950.

Subseries 2, Moving Images, 1967, consists of one title, "The Original Films of Gilbreth The Quest for the One Best Way." The film materials consist of the film's production elements: 16 mm black and white negative A-roll; 16mm black-and-white negative B-roll; and the optical track negative. Each is 800 feet in length.

The film presents a summary of work analysis films which were taken by Frank B. Gilbreth between 1919 and 1924 showing a number of industrial operations from which the motion study was developed. Demonstrates motion and fatigue study, skill study, plant layout and material handling, inventory control, production control, business procedures, safety methods, developing occupations for the handicapped, athletic training and skills, military training, and surgical operations as researched and developed by Gilbreth. Points out that Gilbreth created entirely new techniques on how to improve industrial efficiency, while at the same time significantly improving conditions for the workers. The film was produced by James S. Perkins in collaboration with Dr. Ralph M. Barnes and with commentary by Liilian M. Gilbreth and James S. Perkins. The film was presented on December 3, 1968 at the American Society of Mechanical Engineers Annual Meeting in New York. The formats for this title include: 16 mm, Beta Cam SP, and DVD. Additionally, there is a one inch audio tape recording for the film.

Subseries 3, Audio Recordings, 1980, 1990, 2000 and undated consist of a Smithsonian radio program titled "Inside the Smithsonian, Cheaper by The Dozen," from 1980 and an recording of Ernestine Gilbreth Casey discussing Gilbreth Family photographs from 2000. Hosted by [Ann Carroll?], "Inside the Smithsonian, Cheaper by The Dozen," featured Fred and Bill Gilbreth discussing their parents Frank and Lillian, Gilbreth, and the book Cheaper by the Dozen. The radio program coincided with the 100th Anniversary of the American Society of Mechancial Engineers (founded 1880)of which Lillian Gilbreth was the Society's first female member and showcased a single case exhibition at the Museum of History and Technology (now the National Museum of American History) titled "Frank and Lillian Gilbreth: Motion Engineers." Inside Smithosnian Radio was a weekly program produced by the Office of Telecommunications. The recording of Ernestine Gilbreth Carey was recorded on July 9, 2000 and documents Ms. Carey's identification and discussion of Gilbreth Family photographs. David Ferguson assisted in the discussion. A hard copy index to the photographs Ms. Carey discusses is available.
Arrangement:
The collection is arranged into six series.

Series 1: Background Materials, 1892-1997

Subseries 1.1: Frank B. Gilbreth, undated

Subseries 1.2: Frank B. Gilbreth patents, 1892-1916

Subseries 1.3: Printed Materials, 1907-1997

Series 2: Glass Stereo Slides (Positive), 1910-1924 and undated

Series 3: Photo prints of glass stereo slides, 1910-1924 and undated

Subseries 3.1: Photo Print Books, 1-9, undated

Subseries 3.2: Photo prints (duplicates), undated

Series 4: Stereo Autochromes, undated

Series 5: Stereograph Cards, 1911-1914

Series 6: Audio Visual Materials, 1968, 1990, 2000 and undated

Subseries 6.1, Audio visual documentation, 1968 and undated

Subseries 6.2: Moving images, 1968 and undated

Subseries 6.3: Audio recordings, 1980, 1990, 2000, and undated
Biographical / Historical:
Frank Gilbreth is best known for his work on the efficiency of motion. Working with his wife and professional partner Lillian Moller Gilbreth, he applied modern psychology to his work with management. His innovative motion studies were used on factory workers, typists and people with disabilities. Gilbreth established the link between psychology and education to be succesful management.

Frank Gilbreth was born in Fairfield, Maine on July 7, 1868. His parents, John and Martha Bunker Gilbreth were New Englanders. John Gilbreth ran a hardware business, but died when Frank was only three. Bearing the responsibilty of raising her children alone, Martha moved the family twice in search of quality education for her children. Ultimately she decided to school the children herself. In 1885, Frank graduated from English High School in Boston. Despite gaining admission into the Massachusetts Institute of Technology, Frank opted to enter the work world immediately as a bricklayer's apprentice with Whidden and Company, building contractors in Boston.

Smart and skilled, Gilbreth worked his way up in the company. He learned the trade quickly and soon was promoted to supervisor, foreman, and finally to the position of superintendent. To further his edcuation, he went to night school to study mechanical drawing.

At the age of 27, Gilbreth embarked upon his first business venture. He started his own contracting firm. His firm developed a fine reputation for quality work at a very rapid pace. He invented tools, scaffolding, and other contraptions to make the job easier. His company goals included the elimination of waste, the conservation of energy, and the reduction of cost. His work included canals, factories, houses, and dams. His clients came from all parts of the United States, and he performed some work in England.

In 1903, Frank Gilbreth met Lillian Moller (1903-1972) and married her on October 19, 1904. Lillian graduated from the University of California, Berkeley with a BA (1900) and MA (1902). She later earned a Ph.D from Brown University (1915), earning a dissertation titled The Psychology of Management. Lillian's academic work, large family and integral role in Frank's consulting business kept her busy. Her contributions to the business led to a greater understanding of an individual's welfare in the work world. This becamme a key idea to increasing productivity through scientific management techniques.

Working together, the couple became leaders in the new field of scientific management. They published books, gave lectures, and raised tweleve children together: Anne, Mary (1906--912), Ernestine, Martha, Frank Jr., William, Lillian, Frederick, Daniel, John, Robert and Jane. Some of Gilbreth's books include Fields System (1908); Concrete System (1908); Bricklaying System (1909; Motion Study (1911); and Primer of Scientific Management (1911). Gilbreth co-authored with Lillian: Time Study (1916); Fatigue Study (1916); Applied Motion Study (1917); and Motion Study for the Handicapped (1919).

It wasn't long before Gilbreth moved away from construction. Together with his wife, they focused on the link between psychology and motion. With her strong psychological background, and his interest in efficiency, the Gilbreth's opened the School of Scientific Management in 1913. The school was in session for four years. Numerous professional attended the school, and soon the Gilbreth's had established a reputation as consultant's to the new field of scientific management.

In 1912, Frank won a contract with the New England Butt Company in Providence, Rhode Island. There he installed his system of scientific management in a factory setting for the first time. Contracts with the Hermann-Aukam handkerchief manufacturing company in New Jersey and the Auergessellschaft Company in Germany followed. Using motion study, Gilbreth studied and reoganized the factories, attempting to find "the one best way" to do work.

Gilbreth traveled to Germany to continue his work was a scientific manager. He visited factories and hospitals, working to improve procedures and eliminate waste. Using micro-motion study and the chronocyclegraph procedure, he analyzed and dissected motion, discovering therblings, the seventeen fundamental units of any motion. World War I slowed Gilbreth's progress abroad, so he focused his consulting business on firms n the United States.

After World War I, Gilbreth's business thrived. in 1920, the American Society of Mechanical Engineers instituted its Management Division, something Gilbreth had been demanding for years. He was now a famous American engineer, gaining financial rewards as as professional honors.

Frank Gilbreth died suddenly of a heart attack on June 14, 1924, still in the middle of three contracts. He was honored after his death in 1944 by the American Society of Engineers and the American Management Association with the Gant Gold Medal. After Frank's death, Lillian moved the family to California where she continued to work on efficiency and health in industry issues. She was a respected buiness woman and was hired by several companies to train employees, study working conditions, and reduce fatigue. She lectured at several universities (Newark College of Engineering and the University of Wisconsin), and joined the faculty at Purdue University in 1935 as the first woman professor in the engineering school.

Frank and Lillian Gilbreth often used their large family (and Frank himself) as guinea pigs in experiments. Their family exploits are lovingly detailed in the 1948 book Cheaper by the Dozen, written by Frank Jr. and Ernestine Gilbreth Carey.
Related Materials:
Material in Other Institutions

Purdue University, Archives and Special Collections

Frank and Lillian Gilbreth papers, 1869-2000

The Gilbreth Papers documents the professional and personal lives of Frank Gilbreth and Lillian Gilbreth. The collection consists of personal papers, letters, correspondence, photographs, and other memorabilia that Lillian Gilbreth collected during her life regarding her youth, marriage, family, and career.

Collection of materials related to Lillian Gilbreth, 1964-2006

One folder of items relating to the life of Lillian Gilbreth, and her family, collected by her granddaughter, Lillian (Jill) Barley and Nancy Weston. Materials include clippings relating to the Lillian Gilbreth postage stamp (1984); obituaries and memorial programs for Peter Barney, Ernestine Carey, Lillian Gilbreth, Anne Gilbreth Barney, Charles Carey, and Frank Gilbreth Jr.; programs and photographs relating to Lillian Gilbreth's visit to Athens in 1964; and biographical information on Lillian Gilbreth.

Cornell University, Kheel Center for Labor-Management Documentation and Archives

Frank Gilbreth Papers on Microfilm, Collection Number: 5424 mf

Selected papers pertaining to industrial engineering. Original materials are held by Purdue University. Microfilm copied purchased from Purdue University in April 1968.
Provenance:
The collection materials were donated by several individuals: New Jersey Institute of Technology (1975); Frank B. Gilbreth, Jr., (1980); Ernestine Gilbreth Carey (1995); Daniel B. Gilbreth (1998); and James Secor Perkins in 2001.
Restrictions:
Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Series 2: Glass Stereo Slides are restricted. Boxes 3-9 were digitized in 2021. Researchers must use digital copies. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Motion study  Search this
Machinery industry  Search this
Machine shops  Search this
Industrial management  Search this
Industrial films  Search this
Industrial engineering  Search this
Genre/Form:
Videotapes
BetaCam SP (videotape format)
Motion pictures (visual works) -- 1930-1950
Citation:
Frank and Lillian Gilbreth Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0803
See more items in:
Frank and Lillian Gilbreth Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a48e652d-6387-4a23-98c0-299772c454d5
EDAN-URL:
ead_collection:sova-nmah-ac-0803
Online Media:

Water moon reflections essays in honor of Patricia Berger edited by Ellen Huang, Nancy G. Lin, Michelle McCoy, Michelle H. Wang

Honouree:
Berger, Patricia Ann  Search this
Editor:
Huang, Ellen (Ellen Chang)  Search this
Lin, Nancy G  Search this
McCoy, Michelle (Michelle Malina)  Search this
Wang, Michelle H  Search this
Author:
Return of Ten Thousand Dharmas: A Celebration in Honor of Patricia Berger (Symposium) (2017 : University of California, Berkeley)  Search this
Physical description:
xii, 310 pages illustrations (chiefly color) 23 cm
Type:
Books
Date:
2021
Topic:
Art, Asian  Search this
Art asiatique  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1161004

Tomás Ybarra-Frausto research material on Chicano art

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4916919-f4aa-4cd9-bf03-0335539ae06d
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers

Creator:
La Flesche, Francis, 1857-1932  Search this
Fletcher, Alice C. (Alice Cunningham), 1838-1923  Search this
Correspondent:
La Flesche family  Search this
Aldrich, Charles F.  Search this
Alexander, Hartley B.  Search this
Allen, James T.  Search this
Andrews, Gleorge L.  Search this
Armstrong, S.C.  Search this
Ashley, Robert H.  Search this
Atkins, John D.C.  Search this
Boas, Franz, 1858-1942  Search this
Bowditch, Charles P. (Charles Pickering), 1842-1921  Search this
Brinton, Daniel G. (Daniel Garrison), 1837-1899  Search this
Brown, George LeRoy  Search this
Burlin, Natalie Curtis, 1875-1921  Search this
Cadman, Charles Wakefield, 1881-1946  Search this
Copley, John T.  Search this
Dall, William Healey, 1845-1927  Search this
Dawes, E.S.  Search this
Densmore, Frances, 1867-1957  Search this
Dixon, Roland Burrage, 1875-1934  Search this
Dorsey, James Owen, 1848-1895  Search this
Dunbar, John Brown, 1841-1914  Search this
Ellinwood, F.F.  Search this
Farabee, William Curtis, 1865-1925  Search this
Farley, Caryl E.  Search this
Farley, Rosalie La Flesche  Search this
Farwell, Arthur  Search this
Fellowes, R.S.  Search this
Fewkes, Jesse Walter, 1850-1930  Search this
Fillmore, John Comfort, 1843-1898  Search this
Fillmore, L.H.  Search this
Fillmore, Thomas Hill  Search this
Freire-Marreco, Barbara W. (Barbara Whitchurch), 1879-1967  Search this
Gay, E. Jane  Search this
Griffith, Elmer C.  Search this
Guthrie, William Norman  Search this
Hale, Horatio, 1817-1896  Search this
Hall, C.C.  Search this
Hall, Charles Lemon, 1847-1940  Search this
Hearst, Phoebe Apperson, 1842-1919  Search this
Heth, H.  Search this
Hewett, Edgar L. (Edgar Lee), 1865-1946  Search this
Hewitt, J. N. B. (John Napoleon Brinton), 1859-1937  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Holmes, William Henry, 1846-1933  Search this
Hough, Walter, 1859-1935  Search this
Jackson, Sheldon, 1834-1909  Search this
Johnston, Catherine M.  Search this
Kincaid, William  Search this
La Flesche, Joseph  Search this
Lummis, Charles Fletcher, 1859-1928  Search this
MacCurdy, George Grant, 1863-1947  Search this
Mason, Otis Tufton, 1838-1908  Search this
Matthews, Washington, 1843-1905  Search this
McBeth, Kate C., 1832-1915  Search this
McBeth, Sue L., -1893  Search this
McCown, S.M.  Search this
McGee, W J, 1853-1912  Search this
McGuire, Joseph D. (Joseph Deakins), 1842-1916  Search this
Mead, Frances K.  Search this
Merriam, C. Hart (Clinton Hart), 1855-1942  Search this
Merrick, Fannie  Search this
Merrick, Jessie  Search this
Moon, Karl  Search this
Moore, Homer  Search this
Morgan, Caroline S.  Search this
Morgan, John T.  Search this
Murie, James R.  Search this
Myers, John L.  Search this
Nuttal, Maria Magdalena  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Petter, W.H.  Search this
Pettigrew, Frederick W., 1850-1901  Search this
Picotte, Susan La Flesche  Search this
Pratt, Richard Henry, 1840-1924  Search this
Price, Hiram  Search this
Proctor, Edna Dean, 1829-1923  Search this
Putnam, F. W. (Frederic Ward), 1839-1915  Search this
Quinn, Daniel  Search this
Robertson, Alice M.  Search this
Rogers, Emily F.  Search this
Sanborn, F. B. (Franklin Benjamin), 1831-1917  Search this
Seymour, Thomas Day  Search this
Spofford, Ainsworth Rand, 1825-1908  Search this
St. Cyr, Julia  Search this
Starr, Frederick  Search this
Stuart, James  Search this
Talbot, Emily  Search this
Teller, W.J.  Search this
Thaw, William  Search this
Tozzer, Alfred M. (Alfred Marston), 1877-1954  Search this
Wallaschek, Richard  Search this
Westcott, Edith  Search this
Wilkinson, G.W.  Search this
Wilkinson, Hattie M.  Search this
Willoughby, Charles Clark  Search this
Names:
Carr, Lucien, 1829-1915  Search this
Radin, Paul, 1883-1959  Search this
Extent:
19 Linear feet (50 boxes)
Culture:
Inunaina (Arapaho)  Search this
Sioux  Search this
A:shiwi (Zuni)  Search this
Ponca  Search this
Quechua  Search this
Quapaw Indians  Search this
Ho-Chunk (Winnebago)  Search this
Mexicans  Search this
Wichita  Search this
Zapotec  Search this
Muskogee (Creek)  Search this
Apache  Search this
Cherokee  Search this
Hopi Pueblo  Search this
Indians of North America -- California  Search this
Hitchiti Seminole  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southeast  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Caddo  Search this
Biloxi Indians  Search this
Omaha  Search this
Osage  Search this
Oto  Search this
Indians of North America -- Southwest, New  Search this
Ajachemem (San Juan de Capistrano Luiseño)  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Type:
Collection descriptions
Archival materials
Place:
Alaska
Date:
1873-1939
Summary:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Scope and Contents:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard University and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.

The papers have been divided into three general categories: the papers of Alice Cunningham Fletcher, the papers of Francis La Flesche, and the ethnographic research of Fletcher and La Flesche. The first two categories represent personal and professional materials of Fletcher and La Flesche. The third section holds the majority of the ethnographic material in the collection.

Of primary concern are Fletcher and La Flesche's ethnological investigations conducted among the Plains Indians, particularly the Omaha and Osage. Fletcher's Pawnee field research and her allotment work for the Bureau of Indian Affairs among the Omaha, Nez Perce, and Winnebago are represented in the collection. A substantial portion of the ethnographic material reflects Fletcher and La Flesche's studies of Native American music. Much of the correspondence in the papers of Fletcher and La Flesche is rich with information about the situation of Omaha peoples in the late nineteenth and early twentieth centuries.

Also included in the collection are documents related to Fletcher's work with the Archaeological Institute of America and the School for American Archaeology. Additionally, substantial amounts of Fletcher's early anthropological and historical research are found among her correspondence, lectures, anthropological notes, and early field diaries. La Flesche's literary efforts are also generously represented.
Arrangement:
The collection is divided into the following 3 series: 1) Alice Cunningham Fletcher papers, 1873-1925; 2) Francis La Flesche papers, 1881-1930; 3) Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche, 1877-1939.

Series 1: Alice Cunningham Fletcher papers is divided into the following 10 subseries: 1.1) Incoming correspondence, 1874-1923 (bulk 1882-1923); 1.2) Outgoing correspondence, 1873-1921; 1.3) Correspondence on specific subjects, 1881-1925; 1.4) Correspondence between Fletcher and La Flesche, 1895-1922; 1.5) Publications, 1882-1920; 1.6) Organizational records, 1904-1921; 1.7) General anthropological notes, undated; 1.8) Lectures, circa 1878-1910; 1.9) Diaries, 1881-1922; 1.10) Biography and memorabilia, 1878-1925.

Series 2: Francis La Flesche papers is divided into the following 6 subseries: 2.11) General correspondence, 1890-1929; 2.12) Correspondence on specific subjects, 1881-1930; 2.13) Publications, 1900-1927; 2.14) Literary efforts, undated; 2.15) Personal diaries, 1883-1924; 2.16) Biography and memorabilia, 1886-1930.

Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche is divided into the following 12 subseries: 3.17) Alaska, 1886-1887; 3.18) Earth lodges, 1882, 1898-1899; 3.19) Music, 1888-1918; 3.20) Nez Perce, 1889-1909; 3.21) Omaha, 1882-1922; 3.22) Osage, 1896-1939; 3.23) Pawnee, 1897-1910; 3.24) Pipes, undated; 3.25) Sioux, 1877-1896; 3.26) Other tribes, 1882-1922; 3.27) Publications collected, 1884-1905, undated; 3.28) Photographs, undated.
Biographical / Historical:
Alice Cunningham Fletcher (1838-1923) was an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology. Francis La Flesche (1856-1923) was an anthropologist with the Bureau of American Ethnology.

Chronology of the Life of Alice Cunningham Fletcher

1838 March 15 -- Born in Havana, Cuba

1873-1876 -- Secretary, American Association for Advancement of Women

1879 -- Informal student of anthropology, Peabody Museum, Harvard University

1881 -- Field trip to Omaha and Rosebud Agencies

1882 -- Assistant in ethnology, Peabody Museum, Harvard University

1882 -- Helped secure land in severalty to Omaha Indians

1882-1883 -- Begins collaboration with Francis La Flesche on the Peabody Museum's collection of Omaha and Sioux artifacts

1883-1884 -- Special Agent, Bureau of Indian Affairs, Omaha Agency

1886 -- Bureau of Education investigation of Alaskan native education

1887-1888 -- Special Disbursing Agent, Bureau of Indian Affairs, Winnebago Agency

1889-1892 -- Special Agent for allotment, Bureau of Indian Affairs, Nez Perce Agency

1890-1899 -- President, Women's Anthropological Society of America

1891-1923 -- Mary Copley Thaw Fellow, Peabody Museum, Harvard University

1892-1893 -- Department of Interior consultant, World's Columbian Exposition

1896 -- Vice-President, Section H, American Association for the Advancement of Science

1897 -- Collaborator, Bureau of American Ethnology

1899-1916 -- Editorial board, American Anthropologist

1900 -- Published Indian Story and Song from North America

1901-1902 -- Advisory committee, Anthropology Department, University of California at Berkeley

1903 -- President, Anthropological Society of Washington

1904 -- Published The Hako: A Pawnee Ceremony with James Murie

1904 -- Member, ethnology section, Louisiana Purchase Exposition

1905 -- President, American Folk-lore Society

1908-1913 -- Chair, Managing Committee of School of American Archaeology

1911 -- Honorary Vice-President, Section H, British Association for Advancement of Science

1911 -- Published The Omaha Tribe with Francis La Flesche

1913 -- Chair Emeritus, Managing Committee of School of American Archaeology

1915 -- Published Indian Games and Dances with Native Songs Arranged from American Indian Ceremonials and Sports

1923 April 6 -- Died in Washington, D.C.

Chronology of the Life of Francis La Flesche

1857 December 25 -- Born on Omaha Reservation near Macy, Nebraska

1879 -- Lecture tour, Ponca chief Standing Bear

1881 -- Interpreter, Senate Committee on Indian Affairs

1881-1910 -- Clerk, Bureau of Indian Affairs

1891 -- Informally adopted as Fletcher's son

1892 -- LL.B., National University Law School

1893 -- LL.M., National University Law School

1900 -- Published The Middle Five: Indian Boys at School

1906-1908 -- Marriage to Rosa Bourassa

1910-1929 -- Ethnologist, Bureau of American Ethnology

1911 -- Published The Omaha Tribe with Alice Fletcher

1921 -- Published The Osage Tribe, Part One

1922 -- Member, National Academy of Sciences

1922-1923 -- President, Anthropological Society of Washington

1925 -- Published The Osage Tribe, Part Two

1926 -- Honorary Doctor of Letters, University of Nebraska

1928 -- Published The Osage Tribe, Part Three

1932 -- Published Dictionary of the Osage Language

1932 September 5 -- Died in Thurston County, Nebraska

1939 -- Posthumous publication of War Ceremony and Peace Ceremony of the Osage Indians
Related Materials:
Additional material related to the professional work of Fletcher and La Flesche in the National Anthropological Archives may be found among the correspondence of the Bureau of American Ethnology (BAE) and the records of the Anthropological Society of Washington.

Sound recordings made by Fletcher and La Flesche can be found at the Library of Congress. The National Archives Records Administration hold the Records of the Bureau of Indian Affairs (BIA), including those relating to allotments in severalty for the Nez Perce by Alice Fletcher. The Nebraska Historical Society has diaries, letters and clippings regarding the La Flesche family, including correspondence of Francis La Flesche and Fletcher. The Radcliffe College Archives holds a manuscript account of Alice Fletcher's four summers with the Nez Perce (1889-1892). Correspondence between Fletcher and F. W. Putnam is also located at the Peabody Museum Archives of Harvard University.
Separated Materials:
Ethnographic photographs from the collection have been catalogued by tribe in Photo Lot 24.

Glass plate negatives from the collection have been catalogued by tribe in the BAE glass negatives collection (Negative Numbers 4439-4515).
Provenance:
The papers of Alice Cunningham Fletcher and Francis La Flesche have been received from an undocumented number of sources. Portions of Fletcher's ethnographic papers were donated to the archives by Mrs. G. David Pearlman in memory of her husband in 1959.
Restrictions:
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.

Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Pipes -- American Indian  Search this
Earth houses  Search this
Indians of North America -- Northeast  Search this
Music -- American Indian  Search this
Citation:
Manuscript 4558 Alice Cunningham Fletcher and Francis La Flesche papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4558
See more items in:
MS 4558 Alice Cunningham Fletcher and Francis La Flesche papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw364f28c11-4526-4a7d-9d44-1db060dad721
EDAN-URL:
ead_collection:sova-naa-ms4558
Online Media:

Melinda Wortz papers

Creator:
Wortz, Melinda  Search this
Names:
University of California, Irvine -- Faculty  Search this
University of California, Irvine. Department of Studo Art  Search this
University of California, Irvine. Fine Arts Gallery  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Ballatore-Nelson, Sandy  Search this
Barber, Daniel  Search this
Bell, Larry, 1939-  Search this
Christo, 1935-  Search this
DeLap, Tony, 1927-2019  Search this
Dine, Jim, 1935-  Search this
Eversley, Frederick, 1941-  Search this
Harding, Bill  Search this
Irwin, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Kauffman, Craig, 1932-2010  Search this
Livkin, Rena  Search this
Lodato, Peter  Search this
Marchesi, Cork  Search this
Marck, Marc van der  Search this
McCafferty, Jay David, 1948-  Search this
Moses, Ed, 1926-  Search this
Noguchi, Isamu, 1904-1988  Search this
Ox, Jack, 1948-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rinke, Klaus, 1939-  Search this
Rosler, Martha  Search this
Schwartz, Beth Ames  Search this
Small, Rena  Search this
Sonneman, Eve  Search this
Taylor, Elizabeth, 1932-2011  Search this
Tivey, Hap  Search this
Todd, Liza  Search this
Turrell, James  Search this
Valentine, DeWain, 1936-  Search this
Warner, Elsa  Search this
Wiener, Nina  Search this
Zaimo, Stephen  Search this
Extent:
17.45 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Date:
1958-1992
Summary:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.
Scope and Contents:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California Light and Space artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Wortz's biographical material includes annotated appointment books and calendars, resumes, and some family, financial, and legal records.

Correspondence files document Wortz's activities beyond her work at UCI, including scattered correspondence with artists such as Eleanor Antin, Daniel Barber, Christo, Craig Kauffman, Cork Marchesi, Martha Rosler, Eve Sonneman, Hap Tivey, and Elsa Warner. Correspondence also relates to arrangements for lectures, juries, panels, symposiums, and other professional activities in which Wortz participated.

Interviews include transcripts of four interviews conducted by Wortz with subjects including Peter Lodato and Dewain Valentine, and a sound recording of an interview with Nina Wiener.

Writings and notes include drafts, and some published copies, of articles and essays written for journals, magazines, and exhibition catalogs; Wortz's dissertation and thesis; notes; student essays and class notes; and scattered writings by others. Included in the published works are copies of Artweek containing articles by Wortz, and drafts and published copies of essays on Larry Bell, Robert Irwin, Jasper Johns, Jay McCafferty, Isamu Noguchi, Robert Rauschenberg, Klaus Rinke, Beth Ames Schwartz, and James Turrell.

Diaries document five separate overseas trips to locations including Asia in 1977, Paris in 1978, and the U.S.S.R., where Wortz delivered a paper on Robert Irwin, in 1989.

University of California, Irvine, records include Wortz's administrative files documenting her work on various committees, her directorship of the Fine Arts Gallery, including budget and exhibition records, her work as Chair of Studio Art, and her collaborations with other faculty, including Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small. Wortz's dossier files provide a thorough record of her accomplishments from the late 1970s-1990, and her UCI teaching files document the content of core art courses which she taught at UCI in the 1970s and 1980s.

Subject files provide additional documentation of Wortz's interest in particular artists and subjects, and include scattered correspondence with artists, as well as additional correspondence, reports, printed material, index card files, sound cassettes, and photographs, documenting her interests in art and politics, feminism, religion and spirituality, museum management and training, and other subjects.

Printed material includes announcements, catalogs, journals, newsletters, and material specifically documenting Wortz's activities.

Artwork includes a piece of floor covering from a Jim Dine exhibition, a booklet by Daniel Barber, Flams by Rena Livkin, and several pieces of unidentified artwork.

Photographs include photos of Wortz with her family and with UCI faculty including Tony DeLap, Craig Kauffman, and Ed Moses; photos of events with friends and family, including Hap Tivey's wedding to Liza Todd with Elizabeth Taylor in attendance; photos of artists including Frederick Eversley, Bill Harding, Jack Ox, and Stephen Zaimo; and photos of artwork by artists including Tony DeLap, Barbara Smith, Marc Van Der Marck, and others.
Arrangement:
The collection is arranged as ten series.

Missing Title

Series 1: Biographical Materials, 1966-1988 (0.25 linear feet; Boxes 1, 19)

Series 2: Correspondence, 1967-1992 (1.25 linear feet; Boxes 1-2, 18)

Series 3: Interviews, 1971-circa 1980s (6 folders; Boxes 2, 18)

Series 4: Writings and Notes, 1958-circa 1990 (4.25 linear feet; Boxes 2-6, 19)

Series 5: Diaries, 1977-1989 (6 folders; Box 6)

Series 6: University of California, Irvine, 1960-1991 (4.8 linear feet; Boxes 6-11, OV 20)

Series 7: Subject Files, circa 1960-1990 (4.25 linear feet; Boxes 11-15, 18)

Series 8: Printed Material, 1960s-1980s (1.8 linear feet; Boxes 15-16, 19)

Series 9: Artwork, circa 1960s-circa 1980s (3 folders; Boxes 17, 19)

Series 10: Photographs, 1960s-1980s (0.6 linear feet; Boxes 17, 19)
Biographical / Historical:
California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002), taught at the University of California, Irvine, from 1975, serving as Director of UCI's Fine Arts Gallery and Chair of the Department of Studio Art. Wortz's special area of interest was the work of the California "light and space" artists emerging in Los Angeles in the 1970s.

After attending Stanford University and graduating from Radcliffe College with a bachelors degree in art history, Wortz received her masters degree in art history from the University of California, Los Angeles, and her doctorate in theology and the arts from the Graduate Theological Union at Berkeley. Wortz taught at California State University and the University of California Extension in the early 1970s. At UCI her colleagues included Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small.

Wortz married Edward C. Wortz in the early 1970s, following her divorce from her first husband, Thomas G. Terbell, Jr. Edward Wortz's first career was as a research scientist working on NASA contracts in the air research industry in Colorado and California. Later he was involved in the arts and participated in collaborations with artists including Robert Irwin, Coy Howard, and James Turrell. He worked with Melinda Wortz to develop their personal collection of contemporary art.

Melinda Wortz was a prolific writer who wrote extensively for national art periodicals, including Arts Magazine, and Art News. She also wrote, and served as editor, for the California periodical Artweek from the 1960s to 1990s. She wrote numerous catalogs for artists including Larry Bell, Cork Marchesi, Doug Moran, Beth Ames Schwartz, and James Turrell; and published articles on Dan Flavin, Robert Irwin, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, Frank Stella, and others. She lectured at Brown University, the Center for Art, Salt Lake City, Contemporary Art Museum, La Jolla, the Massachusetts Institute of Technology, the San Diego Museum, Wellesley College, the Whitney Museum of American Art, and many other institutions. In 1989 she traveled to the U.S.S.R. to deliver a paper on Robert Irwin at the International Art Critics Association annual meeting.

In addition to her curatorial work at the UCI Fine Arts Gallery, where she organized exhibitions for artists including Alice Aycock, Jonathan Borofsky, Audrey Flack, Jack Ox, and Dennis Oppenheim, Wortz curated exhibitions for University of California sister colleges, Pasadena Art Museum, and others.

Wortz received UCI and National Endowment for the Arts grants in support of her writing, and served on advisory boards of the Contemporary Arts Forum, Los Angeles Institute of Contemporary Art, Santa Barbara, Robert Rauschenberg's foundation, Advisory Board of Change, Inc., the Pasadena Art Museum, and others.

Wortz was diagnosed with Alzheimers disease at the age of 50 and died in 2002.
Provenance:
The collection was donated by Edward C. Wortz, Melinda Wortz's husband, in 1994.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Art museum curators -- California -- Los Angeles  Search this
Gallery directors -- California -- Irvine  Search this
Topic:
Art, American -- California  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Women art historians  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wortmeli
See more items in:
Melinda Wortz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw905985e8b-dfa4-4162-a8bb-952942187c9f
EDAN-URL:
ead_collection:sova-aaa-wortmeli
Online Media:

Priscilla Reining papers

Creator:
Reining, Priscilla  Search this
Extent:
2 Boxes
60.25 Linear feet (145 boxes)
23 Computer storage devices (floppy discs, zip discs, data tapes, and magnetic tape)
6 Sound recordings
2 Map drawers
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Kikuyu (African people)  Search this
Minnesota Chippewa [Red Lake, Minnesota]  Search this
Haya (African people)  Search this
Type:
Collection descriptions
Archival materials
Computer storage devices
Sound recordings
Map drawers
Correspondence
Photographs
Electronic records (digital records)
Place:
Tanganyika
Tanzania
Kenya
Uganda
Niger
Burkina Faso
Bukoba District (Tanzania)
Date:
1916-2007
bulk 1934-2007
Summary:
The Priscilla Reining papers, 1916-2007, primarily document the professional life of Reining, a social anthropologist and Africanist who worked for the American Association for the Advancement of Science (AAAS) from 1974 to 1989. Her area of specialty was sub-Saharan Africa, specializing in desertification, land tenure, land use, kinship, population, fertility, and HIV/AIDS. During the 1970s, she pioneered the use of satellite imagery in conjunction with ethnographic data. She is also known for her ground-breaking research in the late 1980s that showed that uncircumcised men were more susceptible to contracting HIV/AIDS than circumcised men.

The collection contains correspondence, field research, research files, writings, day planners, teaching files, student files, photographs, maps, sound recordings, and electronic records. Reining's research files, particularly on the Red Lake Ojibwa, the Haya, HIV/AIDS, and satellite imagery, form a significant portion of the collection.
Scope and Contents:
These papers primarily document the professional life of Priscilla Reining. The collection contains correspondence, field research, research files, writings, day planners, teaching files, student files, photographs, maps, sound recordings, and electronic records.

Reining's research files, particularly on the Red Lake Ojibwa, the Haya, HIV/AIDS, and satellite imagery, form a significant portion of the collection. Her consultancy work is also well-represented, as well as her involvement in a large number of professional organizations. The collection also contains a great deal of material relating to her work on different programs and projects at AAAS, including the Committee on Arid Lands, Ethnography of Reproduction Project, and Cultural Factors in Population Programs. Also present in the collection are materials from her time as Urgent Anthropology Program Coordinator at the Smithsonian Institution, her files as an instructor and professor, and her files as a student at University of Chicago. Materials from her personal life can also be found in the collection, such as correspondence and childhood mementos.
Arrangement:
The Priscilla Reining papers are organized in 13 series: 1. Correspondence, 1944-2007; 2. Research, 1955-1970; 3. AAAS, 1971-1990; 4. Professional Activities, 5. 1957-2007; Daily Planners and Notebooks, 1960-2002; 6. Writings, 1952-1996; 7. Smithsonian Institution, 1964-1971; 8. University, 1958-1994; 9. Student, 1937-1975; 10. Biographical and Personal Files, 1934-2004; 11. Maps, 1916-1989, undated; 12. Photographs, circa 1950-1987, undated; 13. Electronic records.
Biographical / Historical:
Priscilla Copeland Reining was a social anthropologist and Africanist who worked for the American Association for the Advancement of Science (AAAS) from 1974 to 1989. Her area of specialty was sub-Saharan Africa, specializing in desertification, land tenure, land use, kinship, population, fertility, and HIV/AIDS. During the 1970s, she pioneered the use of satellite imagery in conjunction with ethnographic data. She is also known for her ground-breaking research in the late 1980s that showed that uncircumcised men were more susceptible to contracting HIV/AIDS than circumcised men.

Reining was born on March 11, 1923 in Chicago, Illinois. She studied anthropology at University of Chicago, where she earned both her A.B. (1945) and Ph.D. (1967) in anthropology. During her graduate studies, she studied peer group relations among the Ojibwa of the Red Lake Indian Reservation in Minnesota (1947, 1950-51). Her husband, Conrad Reining, accompanied her to the field, an experience that inspired him to also become an anthropologist.

In 1951-53 and 1954-55, Reining conducted fieldwork among the Haya of Bukoba District, Tanganyika (now known as Tanzania) as a Fellow of the East African Institute of Social Research. While research for her dissertation focused on the agrarian system of the Haya, Reining also conducted fertility surveys for the East African Medical Survey, studying the relationship between STDs and fertility in Buhaya and Buganda. During the 1980s, Reining became interested in AIDS when she observed that the Haya were dying from the disease at a much higher rate than neighboring groups. When she learned of a possible link between circumcision and the spread of HIV, she drew a map of circumcision practice among the ethnic groups of Africa and found that uncircumcised men were 86% more likely to contract HIV than circumcised men. These results were published in "The Relationship Between Male Circumcision and HIV Infection in African Populations" (1989), which she coauthored with John Bongaarts, Peter Way, and Francis Conant.

Beginning in the 1970s, Reining began exploring the use of satellite imagery in ethnographic research. In 1973, she used Landsat data to identify individual Mali villages, the first use of satellite data in anthropology (Morán 1990). That same year, as a consultant for USAID, she also used ERTS-1 imagery to estimate carrying capacity in Niger and Upper Volta (now known as Burkino Faso). She continued to apply satellite data in her research throughout her career, including in 1993, when she returned to Tanzania to study the environmental consequence of population growth and HIV/AIDS among the Haya.

In 1974, Reining joined the Office of International Science of AAAS as a research associate. She stayed on to become Project Director for the Cultural Factors in Population Programs and to direct a number of projects under the Committee on Arid Lands. She also served as Project Director of the Ethnography of Reproduction project, for which she conducted fieldwork in Kenya in 1976. In 1990, she left AAAS for an appointment as Courtesy Professor of African Studies at University of Florida.

Prior to working for AAAS, Reining worked at the Smithsonian Institution (1966, 1968-70), during which she was the coordinator for the Urgent Anthropology Program in the now defunct Center for the Study of Man. She also taught at University of Minnesota (1956-59), American University (1959-60), and Howard University (1960-64). In addition, she worked as a consultant for various organizations, including Department of Justice, Peace Corps, International Bank for Reconstruction & Development (IBRD), Food and Agriculture Organization, and Carrying Capacity Network.

Reining was also actively involved in various organizations. She served as Secretary of the AAAS Section H (Anthropology) and was a founding member of the American Anthropological Association (AAA) Task Force on AIDS. She was also a fellow of the African Studies Association, AAA, AAAS, East African Academy, Society for Applied Anthropology, and Washington Academy of Science. In 1990, she was honored with a Distinguished Service Award from AAA.

Reining died of lung cancer at the age of 84 on July 19, 2007.

Sources Consulted

PR Vita. Series 10. Biographical and Personal Files. Priscilla Reining Papers. National Anthropological Archives, Smithsonian Institution

Morán, Emilio F. 2000. The Ecosystem Approach in Anthropology: From Concept to Practice. Ann Arbor: University of Michigan. Page 359

Schudel, Matt. 2007. Anthropologist Broke Ground on AIDS, Satellite Mapping. Washington Post, July 29. http://www.washingtonpost.com/wp-dyn/content/article/2007/07/28/AR2007072801190.html (accessed December 8, 2011).

1923 -- Born March 11 in Chicago, Illinois

1944 -- Marries Conrad C. Reining

1945 -- Earns A.B. from University of Chicago

1947, 1950-51 -- Conducts field research on the Ojibwa of Red Lake Indian Reservation in Minnesota.

1949 -- Earns A.M. from University of Chicago

1951-1953, 1954-1955 -- Field research on Haya of Tanzania

1967 -- Earns Ph.D. from University of Chicago

1972 -- Returns to Tanzania for IBRD consultancy work

1974 -- Begins working at AAAS as a research associate in the Office of International Science

1975 -- Project Director, AAAS

1976 -- Field research on Kikuyu of Kenya for Ethnography of Reproduction

1986-89 -- Program Director, AAAS

1990 -- Courtesy Professor of African Studies at University of Florida Receives Distinguished Service Award from AAA

1993 -- Field research in Tanzania studying environmental consequences of population growth and HIV/AIDS among the Haya

2007 -- Dies of lung cancer at the age of 84 on July 19
Related Materials:
Additional materials at the NAA relating to Priscilla Reining can be found in the papers of Gordon Gibson and John Murra, as well as in the records of the Center for the Study of Man and the records of the Department of Anthropology. Photo Lot 97 contains two Haya photos taken by Reining that are not duplicated in this collection. The papers of her husband, Conrad Reining, are also at the NAA.

The archives of the American Association for the Advancement of Science also holds Reining's papers relating to her work for the organization.
Provenance:
These papers were donated to the National Anthropological Archives by Priscilla Reining's sons, Robert Reining and Conrad Reining, in 2009.
Restrictions:
The Priscilla Reining papers are open for research.

Some materials from the East African Medical Survey and Ethnography of Reproduction project contain personal medical history and are thus restricted. Grant applications sent to Reining to review are also restricted as well as her students' grades, and recommendation letters Reining wrote for her students. Electronic records are also restricted.

A small portion of the materials relating to Reining's Haya research, Ethnography of Reproduction project, and IBRD ujamaa research suffered severe mold damage. These materials have been cleaned and may be accessed. The legibility of some of the documents, however, is limited due to water and mold stains. Mold odor is also still present.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Northeast  Search this
AIDS (Disease)  Search this
Human ecology  Search this
Fertility, Human  Search this
Kinship  Search this
population  Search this
Landsat satellites  Search this
Remote sensing  Search this
Desertification  Search this
Genre/Form:
Correspondence
Sound recordings
Photographs
Electronic records (digital records)
Citation:
Priscilla Reining Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2009-25
See more items in:
Priscilla Reining papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw34d98c2cd-c075-443f-b007-9dd7cea86fe2
EDAN-URL:
ead_collection:sova-naa-2009-25

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