Skip to main content Smithsonian Institution

Search Results

Collections Search Center
18,347 documents - page 5 of 500Result pages are truncated to 500.

The Art of Storytelling: Concow-Maidu Poet Janice Gould 1

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2016-03-02T19:39:40.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_78Tg2rM3wx4

The Art of Storytelling: Concow-Maidu Poet Janice Gould 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2016-03-02T19:33:52.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_MB0o3eMjf0c

"Hide/Seek: Difference and Desire in American Portraiture" Lecture - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
Lectures
YouTube Videos
Uploaded:
2010-10-06T16:29:29.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_x7fVQOgRQig

Designing on the Front Lines | Episode 9

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2020-07-13T17:48:01.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_DCjoLIzNpZk

Stage Design: All the World Wondered

Designer:
Henry Dreyfuss , American, 1904 – 1972  Search this
Author:
John Wexley, American, 1907–1985  Search this
Medium:
Graphite, red crayon, pen and black ink on paper
Dimensions:
50.5 × 75.7 cm (19 7/8 × 29 13/16 in.)
Type:
theater
Drawing
Object Name:
Drawing
Made in:
New York, NY, USA
Date:
December 30, 1929
Credit Line:
Gift of University of California, Los Angeles
Accession Number:
1973-15-119
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40c8aa50a-32c3-44e0-b9f8-474f12d05268
EDAN-URL:
edanmdm:chndm_1973-15-119

Elevations for Scenic Design: All the World Wondered

Designer:
Henry Dreyfuss , American, 1904 – 1972  Search this
Author:
John Wexley, American, 1907–1985  Search this
Type:
theater
Drawing
Object Name:
Drawing
Date:
December 30, 1929
Credit Line:
Gift of University of California, Los Angeles
Accession Number:
1973-15-120
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq47770eccc-f32e-4a95-ae33-ead91f269576
EDAN-URL:
edanmdm:chndm_1973-15-120

Scenic Design: All the World Wondered

Designer:
Henry Dreyfuss , American, 1904 – 1972  Search this
Author:
John Wexley, American, 1907–1985  Search this
Type:
theater
Drawing
Object Name:
Drawing
Date:
January 31, 1929
Credit Line:
Gift of University of California, Los Angeles
Accession Number:
1973-15-121
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq45f312120-fa61-44fc-abcc-24565ff30250
EDAN-URL:
edanmdm:chndm_1973-15-121

Scenic Design: All the World Wondered

Designer:
Henry Dreyfuss , American, 1904 – 1972  Search this
Author:
John Wexley, American, 1907–1985  Search this
Type:
theater
Drawing
Object Name:
Drawing
Date:
December 31, 1929
Credit Line:
Gift of University of California, Los Angeles
Accession Number:
1973-15-122
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq453532b88-bcaf-403a-a123-c7b5e2756afa
EDAN-URL:
edanmdm:chndm_1973-15-122

Rana luteiventris, Thompson, 1913, Colombia spotted frog

Author:
Reaser, Jamie K.  Search this
Pilliod, David  Search this
Editor:
Lannoo, Michael  Search this
Object Type:
Smithsonian staff publication
Year:
2005
Citation:
Reaser, Jamie K. and Pilliod, David. 2005. "Rana luteiventris, Thompson, 1913, Colombia spotted frog." In Amphibian Declines: The Conservation Status of United States Species. Lannoo, Michael, editor. 559–563. Berkeley, California: University of California Press.
Identifier:
170804
ISBN:
978-0520235922
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_170804

Effects of cold water and aridity on Baja California mangrove survival and ecophysiological traits

Author:
Bardou, Rémi  Search this
Pullen, Jamie  Search this
Cavanaugh, Kyle C.  Search this
Parker, John D.  Search this
Object Type:
Smithsonian staff publication
Year:
2024
Citation:
Bardou, Rémi, Pullen, Jamie, Cavanaugh, Kyle C., and Parker, John D. 2024. "Effects of cold water and aridity on Baja California mangrove survival and ecophysiological traits." Journal of Ecology, https://doi.org/10.1111/1365-2745.14264.
Identifier:
171553
DOI:
https://doi.org/10.1111/1365-2745.14264
ISSN:
0022-0477
Data source:
Smithsonian Libraries and Archives
EDAN-URL:
edanmdm:slasro_171553

Conan the Barbarian No. 34

Maker:
Marvel Comics  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 6 3/4 in x 10 1/4 in; x 17.145 cm x 26.035 cm
Object Name:
comic book
Place made:
United States: New York, New York City
Date made:
1973
1974
1975
1976
1972
Subject:
Comics  Search this
Fantasy  Search this
Credit Line:
Gift of George R. Zug
ID Number:
2013.3039.101
Nonaccession number:
2013.3039
Catalog number:
2013.3039.101
See more items in:
Culture and the Arts: Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-ef5e-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1449916

Conan the Barbarian No. 35

Maker:
Marvel Comics  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 6 3/4 in x 10 1/4 in; x 17.145 cm x 26.035 cm
Object Name:
comic book
Place made:
United States: New York, New York City
Date made:
1973
1974
1975
1976
1972
Subject:
Comics  Search this
Fantasy  Search this
Credit Line:
Gift of George R. Zug
ID Number:
2013.3039.102
Nonaccession number:
2013.3039
Catalog number:
2013.3039.102
See more items in:
Culture and the Arts: Entertainment
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ad-ef5f-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1449917

Gyorgy Kepes papers

Creator:
Kepes, Gyorgy, 1906-2001  Search this
Names:
Center for Advanced Visual Studies  Search this
Illinois Institute of Technology  Search this
Saidenberg Gallery  Search this
Triennale di Milano (Milan, Italy)  Search this
Arnheim, Rudolf  Search this
Bertoia, Harry  Search this
Blee, Michael  Search this
Boghosian, Varujan  Search this
Brazdys, Konslancija  Search this
Burgess, Lowry, 1940-  Search this
Burnham, Jack, 1931-  Search this
Calder, Alexander, 1898-1976  Search this
Chermayeff, Serge, 1900-  Search this
Dreyfuss, Henry, 1904-1972  Search this
Eames, Charles  Search this
Eames, Ray  Search this
Egawa, Kazuhiko  Search this
Entwhistle, Clive  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-  Search this
Gropius, Walter, 1883-1969  Search this
Hayter, Stanley William, 1901-1988  Search this
Hélion, Jean, 1904-1987  Search this
Johnson, Philip, 1906-2005  Search this
Kepes, Juliet  Search this
Kowalski, Piotry  Search this
Lynch, Kevin, 1918-1984  Search this
McLuhan, Marshall, 1911-1980  Search this
Mead, Margaret, 1901-1978  Search this
Moholy-Nagy, László, 1895-1946  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Nusberg, Lev, 1937-  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Piene, Otto, 1928-  Search this
Read, Herbert Edward, Sir, 1893-1968  Search this
Richards, I. A. (Ivor Armstrong), 1893-1979  Search this
Rickey, George  Search this
Saarinen, Eero, 1910-1961  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Tacha, Athena, 1936-  Search this
Takis, Vassilakis  Search this
Tange, Kenzō, 1913-  Search this
Thiel, Philip  Search this
Tovish, Harold, 1921-2008  Search this
Tsʻai, Wen-ying, 1928-  Search this
Wolff, Robert Jay, 1905-  Search this
Wurster, William Wilson  Search this
Zvilna, Jēkabs, 1913-1997  Search this
Faculty:
Massachusetts Institute of Technology  Search this
Extent:
21.2 Linear feet
Type:
Collection descriptions
Archival materials
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Place:
Times Square (New York, N.Y.)
Date:
1909-2003
bulk 1935-1985
Summary:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.
Scope and Contents:
The papers of Hungarian-born artist, art theorist, and educator, Gyorgy Kepes, measure 21.2 linear feet and date from 1909-2003, with the bulk of the material dating from the 1935-1985. The papers document Kepes's career as an artist and educator, and as founder of the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (M.I.T.), through biographical material, correspondence, writings by Kepes and others, project files, exhibition files, printed material, sketchbooks, artwork, sound recordings and motion picture films, and photographic material.

Correspondence provides a wide range of documentation on all aspects of Kepes's career including his collaborations and friendships with artists, architects, writers, scientists, and fellow educators including Rudolf Arnheim, Alexander Calder, Henry Dreyfuss, Charles and Ray Eames, Clive Entwhistle, R. Buckminster Fuller, Walter Gropius, S. W. Hayter, Jean Hélion, Laszlo and Sibyl Moholy-Nagy, Lev Nussberg, Robert Osborn, George Rickey, Saul Steinberg, Kenzo Tange, Robert Jay Wolff, and Jekabs Zvilna. Correspondence also documents the evolution of Kepes's vision for the Center for Advanced Visual Studies, which he established in 1967, and his subsequent leadership of CAVS at M.I.T. Records document his collaborations with students and fellows including Lowry Burgess, Jack Burnham, Piotry Kowalski, Margaret Mead, Otto Piene, Alan Sonfist, Athena Tacha, Vassilakis Takis, Philip Thiel, Harold Tovish, and Wen-Ying Tsai. Correspondents also include people who contributed to Kepes's Vision + Value series, including Michael Blee, Kazuhiko Egawa, Jean Hélion, and others. Correspondence includes three motion picture films, including what appears to be an early version of Powers of Ten by Charles and Ray Eames.

Writings include notes and manuscripts for articles and essays in which Kepes explored ideas evident in his books The New Landscape and Language of Vision, and submitted to publications such as Daedalus, Design, Domus, and Leonardo. Writings also include manuscripts for lectures, and draft manuscripts documenting Kepes's collaborative work with fellow M.I.T. professor Kevin Lynch on city planning, which culminated in Lynch's research project "The Perceptual Form of the City."

A small group of "Times Square Project" files documents Kepes's proposal for a lightscape in Times Square that was ultimately not realized.

Teaching files include sound recordings of circa five symposia and discussions held at M.I.T., the Illinois Institute of Technology, and elsewhere, some featuring Kepes and including Philip Johnson, Eero Saarinen and others.

Exhibition files include documentation of three exhibitions, including Light as a Creative Medium (1968) and a Kepes exhibition at Saidenberg Gallery (1968). They also record Kepes's involvement in designing the 1968 Triennale di Milano.

Printed material includes a substantial collection of announcements and catalogs for Kepes exhibitions, lectures, and other events, and includes catalogs and announcements for scattered exhibitions of his wife, artist and illustrator, Juliet Kepes. Clippings from newspapers and magazines include articles about Kepes, and contain some copies of published writings and designs by him. The series also includes sound recordings and motion picture films containing original material for a CBS television series "The 21st Century," probably as part of the episode "Art for Tomorrow," which appear to feature M.I.T. fellows Jack Burnham and Vassilakis Takis. Another motion picture film of an Italian documentary "Operazione Cometa" can also be found here.

Two sketchbooks contain pen and ink and painted sketches by Kepes. Artwork by Kepes includes original poster designs, caricatures, and many pencil, and pen and ink sketches and paintings on paper and board, including designs for stained glass. Artwork by others includes ink on mylar sketches by D. Judelson and Konstancija Brazdys, and a sketch by Harold Tovish. Also found are circa seventeen motion picture films and four sound recordings, the majority of which are untitled and by unidentified artists, but include films by M.I.T. fellows Otto Piene, Vassilakis Takis, Philip Thiel, Harold Tovish, Wen-Ying Tsai, and others.

Photographs are of Kepes, Juliet Kepes, and other family members; students, colleagues, and friends, including R. Buckminster Fuller, Serge Chermayeff, Harry Bertoia, Varujan Boghosian, Alexander Calder, Marchall McLuhan, Margaret Mead, Herbert Read, I. A. Richards, Saul Steinberg, and William Wurster; and of Kepes in his studio. There are also photos of exhibition installations in which Kepes's work appeared or which he designed, and photos of his artwork and of images for publications which he wrote or edited. Photos by others include artwork by established artists and work by students, as well as photographs arranged by subjects such as cityscapes, forms found in nature, light patterns, mechanical devices, and photomicrographs. A collection of lantern slides with similar content to the photos of artwork and photos by subject is also found in this series and includes a lantern slide of Picasso creating a design with light.
Arrangement:
The collection is arranged as eleven series.

Series 1: Biographical Material, circa 1940-circa 1980 (0.25 linear feet; Boxes 1, 28)

Series 2: Correspondence, 1936-1984 (5.7 linear feet; Boxes 1-7, 28 OV 33, FCs 39-41)

Series 3: Interviews and Transcripts, 1954-1970 (4 folders; Box 7)

Series 4: Writings and Notes, 1948-circa 1980s (1.4 linear feet; Boxes 7-8, 28)

Series 5: Times Square Project Files, 1972-1974 (6 folders; Box 9)

Series 6: Teaching Files Sound Recordings, circa 1953-1972 (0.7 linear feet; Box 9)

Series 7: Exhibition Files, 1958-1973 (0.4 linear feet; Boxes 9-10)

Series 8: Printed Material, circa 1922-1989 (3.6 linear feet; Boxes 10-12, 28-29, OVs 35, 37, FCs 42-49)

Series 9: Sketchbooks, circa 1940s-circa 1970s (2 folders; Box 12)

Series 10: Artwork and Moving Images, circa 1924-2003 (2.5 linear feet; Boxes 12, 13, OVs 33-36, 38, FCs 50-62)

Series 11: Photographs, 1909-1988 (10.4 linear feet; Boxes 13-32)
Biographical / Historical:
Painter, designer, art theorist, and educator, Gyorgy Kepes (1906-2001), was born in Selyp, Hungary, and studied at the Royal Academy of Fine Arts, Budapest. He worked with Moholy-Nagy in Berlin and London before joining him at the New Bauhaus (later the Chicago Institute of Design) in 1937.

Kepes taught courses at the New Bauhaus from 1937 to 1945, and published Language of Vision in 1944, summarizing the educational ideas and methods he had developed during his time at the institute. In 1946 he accepted a teaching position at the Massachusetts Institute of Technology (M.I.T.) where he initiated a program in visual design.

In 1956 Kepes published The New Landscape in Art and Science, in which he presented images from nature that were newly accessible due to developments in science and technology, and explored his ideas for a common language between science and the visual arts.

In 1965, these ideas were apparent in Kepes's proposal of an expanded visual arts program at M.I.T., which would "build new as yet undetermined bridges between art and engineering and science," according to the minutes of an M.I.T. Art Committee meeting in March of that year. Kepes's vision dovetailed with M.I.T.'s vested interest in promoting the arts, and faculty and administrators were open to the argument that "The scientific-technical enterprise needs schooling by the artistic sensibilities." In 1967, they appointed Kepes Director of M.I.T.'s Center for Advanced Visual Studies (CAVS).

Kepes retired from the regular faculty at M.I.T. in 1967, to focus on his role as director of CAVS, where he worked to provide artists with opportunities for exploring new artistic forms on a civic scale through a working dialogue with scientists and engineers. Early fellows of the center included Maryanne Amacher, Joan Brigham, Lowry Burgess, Jack Burnham, Piotry Kowalski, Otto Piene, Vassilakis Takis, and Wen-Ying Tsai.

In 1965-1966 Kepes edited a six-volume series entitled Vision + Value, published by George Braziller, Inc. Each volume featured essays that centered around a core theme: The Education of Vision; Structure in Art and Science; The Nature and Art of Motion; Module, Symmetry, Proportion, Rhythm; Sign, Image, Symbol; and Man-Made Object. Contributions came from prominent artists, designers, architects, and scientists of the time including Rudolf Arnheim, Saul Bass, Marcel Breuer, John Cage, R. Buckminster Fuller, Johannes Itten, Marshall McLuhan, and Paul Rand.

Kepes experimented widely with photography, producing abstract images through the application of fluids and objects to photographic paper. He also took commercial work throughout his career, producing designs for all kinds of objects, including books and stained glass windows for churches. He returned to painting in the 1950s, and his development as a painter continued throughout his career at M.I.T., where he remained until his retirement in 1974, and beyond. His paintings, which were abstract and often incorporated organic shapes and hints of landscapes, can be found in museums such as the Brooklyn Museum of Art, the Corcoran Gallery of Art, and the Whitney Museum of American Art.

Kepes received many awards during his lifetime, including a Guggenheim Fellowship (1958); the Gold Star Award of the Philadelphia College of Art (1958); the National Association of Art Colleges Annual Award (1968); the California College of Art Award (1968); and the Fine Arts Medal from the American Institute of Architects (1968). In 1973 he was elected into the National Academy of Design as an associate member, and became a full academician in 1978. He was a member of the National Institute of Arts and Letters and Fellow of the American Academy of Arts and Sciences.
Related Materials:
Additional papers of Gyorgy Kepes can be found at Stanford University and the Massachusetts Institute of Technology Center for Advanced Visual Studies Special Collection.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 1211) including ninety-eight letters to Kepes from colleagues, 1946-1974. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Gyorgy Kepes lent papers for microfilming in 1974 and donated material to the Archives of American Art in a series of gifts between 1974 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
Authorization to publish, quote, or reproduce requires written permission from Juliet Kepes Stone or Imre Kepes. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Philosophy  Search this
Artists' studios--Photographs  Search this
City planning  Search this
Educators--Massachusetts--Cambridge  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Caricatures
Designs
Photographs
Sketchbooks
Sketches
Sound recordings
Citation:
Gyorgy Kepes papers, 1909-2003, bulk 1935-1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kepegyor
See more items in:
Gyorgy Kepes papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f863f285-f429-48f1-ba6e-fb74702c12ba
EDAN-URL:
ead_collection:sova-aaa-kepegyor

Arts of the American Indian [Exhibition at the] Triton Museum of Art, Santa Clara, California, April 9 - May 15, 1972

Author:
Triton Museum of Art  Search this
Physical description:
[19] pages illustrations 28 cm
Type:
Exhibitions
Exhibition catalogs
Place:
North America
Date:
1972
Topic:
Exhibition catalogs  Search this
Indian arts  Search this
Catalogues d'exposition  Search this
exhibition catalogs  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1165711

Bannermen tales (zidishu) Manchu storytelling and cultural hybridity in the Qing dynasty Elena Suet-Ying Chiu

Author:
Chiu, Elena Suet-Ying 1974-  Search this
Physical description:
xiv, 366 pages illustrations 24 cm
Type:
Books
Criticism, interpretation, etc
History
Place:
China
Chine
Date:
2018
1644-1912
Topic:
Zidishu--History and criticism  Search this
Cultural fusion and the arts--History  Search this
Songs, Manchu--History and criticism  Search this
Double appartenance (Sciences sociales) et arts--Histoire  Search this
Civilization  Search this
Cultural fusion and the arts  Search this
Songs, Manchu  Search this
Zidishu  Search this
Literatur  Search this
Mandschu  Search this
Manchu literature--History and criticism  Search this
Performance art--History  Search this
Civilisation  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1165011

Solon H. Borglum and Borglum family papers, 1864-2002

Creator:
Borglum, Solon Hannibal, 1868-1922  Search this
Subject:
Davies, Monica Borglum  Search this
Davies, A. Mervyn (Alfred Mervyn)  Search this
Borglum, Gutzon  Search this
Borglum, Emma Vignal  Search this
Type:
Sketches
Citation:
Solon H. Borglum and Borglum family papers, 1864-2002. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, American -- United States  Search this
Sculptors -- Connecticut -- Wilton  Search this
Sculpture -- Study and teaching  Search this
World War, 1914-1918  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6772
(DSI-AAA_SIRISBib)208898
AAA_collcode_borgsolo
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208898
Online Media:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989

Creator:
McCoy, Esther  Search this
Subject:
Rand, Marvin  Search this
Grotz, Dorothy  Search this
Gill, Irving  Search this
Jones, A. Quincy (Archie Quincy)  Search this
Barragán, Luis  Search this
Dreiser, Theodore  Search this
Bradbury, Ray  Search this
Hollein, Hans  Search this
Ain, Gregory  Search this
Ellwood, Craig  Search this
Davidson, Julius Ralph  Search this
Watanabe, Makoto  Search this
Maybeck, Bernard R.  Search this
Neutra, Richard Joseph  Search this
Worlidge, T. (Thomas)  Search this
Schindler, R. M. (Rudolph M.)  Search this
Shulman, Julius  Search this
Soriano, Rafael  Search this
O'Gorman, Juan  Search this
Historic American Buildings Survey  Search this
University of California, Los Angeles. School of Architecture and Urban Planning  Search this
Society of Architectural Historians  Search this
Type:
Diaries
Etchings
Photographs
Sound recordings
Interviews
Video recordings
Slides (photographs)
Transcripts
Drawings
Memoirs
Citation:
Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.
Topic:
Architecture, Modern -- 20th century -- Mexico  Search this
Architects -- Italy  Search this
Architecture, Domestic -- California  Search this
Authors -- California  Search this
Architecture, Modern -- 20th century -- California  Search this
Architecture, Modern -- 20th century -- Europe  Search this
Architects -- California  Search this
Feminism and art  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Architecture & Design  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)5502
(DSI-AAA_SIRISBib)210977
AAA_collcode_mccoesth
Theme:
Latino and Latin American
Architecture & Design
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210977
Online Media:

Beatrice Wood papers, 1894-1998, bulk 1930-1990

Creator:
Wood, Beatrice, 1893-1998  Search this
Subject:
Arensberg, Walter  Search this
Arensberg, Louise S. (Louise Stevenson)  Search this
Duchamp, Marcel  Search this
Hoag, Stephen Asa  Search this
John Waller, Fine Ceramics (Firm : Los Angeles, Calif.)  Search this
Zachary Waller Gallery (Los Angeles, Calif.)  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
Type:
Interviews
Diaries
Drawings
Sketchbooks
Drawings
Citation:
Beatrice Wood papers, 1894-1998, bulk 1930-1990. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women ceramicists  Search this
Scrapbooks  Search this
Women painters  Search this
Women authors  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9363
(DSI-AAA_SIRISBib)211559
AAA_collcode_woodbeat
Theme:
Diaries
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211559
Online Media:

John Weatherwax papers relating to Frida Kahlo and Diego Rivera, 1928-1988, bulk 1931-1933

Creator:
Weatherwax, John M. (John Martin), 1900-1984  Search this
Subject:
Sinclair, Upton  Search this
Scheyer, Galka E.  Search this
Rivera, Diego  Search this
Packard, Emmy Lou  Search this
Kahlo, Frida  Search this
Type:
Photographs
Citation:
John Weatherwax papers relating to Frida Kahlo and Diego Rivera, 1928-1988, bulk 1931-1933. Archives of American Art, Smithsonian Institution.
Topic:
Popol vuh  Search this
Artists -- California -- San Francisco  Search this
Mural painting and decoration, Mexican -- Influence  Search this
Mural painting and decoration, American -- Foreign influences  Search this
Mayas  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)9609
(DSI-AAA_SIRISBib)211815
AAA_collcode_weatjohn
Theme:
Latino and Latin American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211815
Online Media:

Oral history interview with Suzanne La Follette, 1976 January 27

Interviewee:
La Follette, Suzanne, 1893-1983  Search this
Interviewer:
Karlstrom, Paul J., 1941-  Search this
Subject:
Pach, Walter  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Suzanne La Follette, 1976 January 27. Archives of American Art, Smithsonian Institution.
Topic:
Art publishing  Search this
Women journalists  Search this
Women art historians  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12755
(DSI-AAA_SIRISBib)212336
AAA_collcode_lafoll76
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212336
Online Media:

Modify Your Search







or


Narrow By