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Garbology

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2016-08-09T15:19:10.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianFM
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianFM
EDAN-URL:
edanmdm:yt_xMLAg2e1xoI

Facts on Funds, National Council of Negro Women booklet

Creator:
National Council of Negro Women  Search this
Collection Collector:
Whitehead, Henry Preston, 1917-2002  Search this
Extent:
1 Document (10 3/4 x 8 1/4 inches)
Type:
Archival materials
Documents
Date:
undated
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American women  Search this
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Council of Negro Women
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7aec9f810-c2a6-42f4-bac4-c8d5ef4a86ac
EDAN-URL:
ead_component:sova-acma-06-042-ref1900
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Facts on Funds, National Council of Negro Women booklet digital asset number 1

Workbook for the National Council of Negro Women, 23rd annual convention

Creator:
National Council of Negro Women  Search this
Collection Collector:
Whitehead, Henry Preston, 1917-2002  Search this
Extent:
1 Document (10 3/4 x 8 1/4 inches)
Type:
Archival materials
Documents
Workbooks
Place:
Washington (D.C.)
Date:
November 13-15, 1958
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African American women  Search this
Genre/Form:
Workbooks
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 3: Tomlinson D. Todd / 3.7: Subject Files / National Council of Negro Women
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7cca2c36f-e2c4-4a83-a9bb-94f84615543e
EDAN-URL:
ead_component:sova-acma-06-042-ref1901
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Workbook for the National Council of Negro Women, 23rd annual convention digital asset number 1
  • View Workbook for the National Council of Negro Women, 23rd annual convention digital asset number 2

Smithsonian Folklife Festival records: 1972 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Contracts
Slides (photographs)
Plans (drawings)
Notes
Digital images
Audiotapes
Video recordings
Business records
Audiocassettes
Memorandums
Negatives
Correspondence
Photographic prints
Videotapes
Sound recordings
Date:
June 30-July 4, 1972
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1972 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 4 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Maryland

Series 3: Southwest Indians

Series 4: Union Workers
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1972 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1972 Festival continued the pattern set by previous festivals, taking place for five days on the National Mall, between Madison Drive and Jefferson Drive and between 12th Street and 14th Street, south of the National Museum of History and Technology (see site plan). Maryland was the featured State, and the craft and music presentations on the main Festival site were complemented by activities at Hains Point in West Potomac Park that showed the rich maritime traditions of the Chesapeake Bay. Programs devoted to American Indians of the Southwest and to Union Workers (including the diverse musical traditions of working Americans) rounded out the Festival.

Seeking to strengthen the connection between the living presentations at the Festival and the exhibitions within the walls of Smithsonian museums, the 1972 Festival introduced an addition intended to heighten visitors' experience and strengthen the educational content. At numerous locations where skills and crafts were demonstrated, small signs entitled "Museum Guides" directed visitors to locations within the museums where a correlative view of the products and skills seen at the Festival could be reviewed in an historic context.

As in previous years, the 1972 Festival was produced by the Division of Performing Arts, where James R. Morris was Director and Richard Lusher was Deputy Director. Ralph Rinzler continued as Festival Director, with Gerald L. Davis as Assistant Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1972 Program Book included information on all of the programs, a schedule, and participant lists.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Forms Part Of:
Smithsonian Folklife Festival records: 1972 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Food habits  Search this
Folk festivals  Search this
Folk music  Search this
Folk art  Search this
arts and crafts  Search this
Folklore  Search this
occupational folklore  Search this
Genre/Form:
Contracts
Slides (photographs)
Plans (drawings)
Notes
Digital images
Audiotapes
Video recordings
Business records
Audiocassettes
Memorandums
Negatives
Correspondence
Photographic prints
Videotapes
Sound recordings
Citation:
Smithsonian Folklife Festival records: 1972 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1972
See more items in:
Smithsonian Folklife Festival records: 1972 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk547849ecd-2faf-43ae-88e3-10b923136d11
EDAN-URL:
ead_collection:sova-cfch-sff-1972
Online Media:

Oral history interview with V. V. Rankine

Interviewee:
Rankine, V. V., 1920-2004  Search this
Interviewer:
Kirwin, Liza  Search this
Names:
Betty Parsons Gallery  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
David Herbert Gallery  Search this
Institute of Contemporary Arts (Washington, D.C.)  Search this
Jefferson Place Gallery  Search this
Albers, Josef  Search this
Bader, Franz, 1903-1994  Search this
Brooks, James, 1906-1992  Search this
Callahan, Harry M.  Search this
Cunningham, Merce  Search this
Davis, Gene, 1920-1985  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Denney, Alice  Search this
Dorrance, Nesta  Search this
Downing, Thomas, 1928-1985  Search this
Duncan, Augustin  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gabo, Naum, 1890-1977  Search this
Gilliam, Sam, 1933-2022  Search this
Gorky, Agnes  Search this
Gorky, Arshile, 1904-1948  Search this
Graham, John, 1887-1961  Search this
Guston, Philip, 1913-1980  Search this
Halle, Kay  Search this
Hare, David, 1917-1992  Search this
Helburn, Theresa, 1887-1959  Search this
Johnson, Ray, 1927-1995  Search this
Kennedy, Kit  Search this
Kiesler, Frederick  Search this
Kinney, Gilbert H.  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Leopold, Richard  Search this
Louis, Morris, 1912-1962  Search this
Magruder, Esther  Search this
Merrill, Kevin  Search this
Nelson, Wretha  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Bonnie  Search this
Noland, Kenneth, 1924-2010  Search this
Ozenfant, Amédée, 1886-1966  Search this
Pace, Stephen, 1918-2010  Search this
Parsons, Betty  Search this
Penn, Arthur, 1922-  Search this
Phillips, Duncan, 1886-1966  Search this
Pollock, Jackson, 1912-1956  Search this
Rauschenberg, Robert, 1925-2008  Search this
Renault, Jean  Search this
Richman, Robert  Search this
Russo, Alexander  Search this
Sheridan, Walt  Search this
Sherman, Saul  Search this
Snelson, Kenneth, 1927-2016  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Sweeney, James Johnson, 1900-  Search this
Thomas, Dylan, 1914-1953  Search this
Truitt, Anne, 1921-2004  Search this
Warhol, Andy, 1928-1987  Search this
Yektai, Manoucher, 1922-  Search this
Youngerman, Jack, 1926-2020  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1990 Mar. 2-22
Scope and Contents:
An interview of V. V. Rankine conducted 1990 Mar. 2-22, by Liza Kirwin, for the Archives of American Art.
Rankine discusses the evolution of her nickname, V.V.; discovering her dyslexia; growing up in Boston; auditioning for a part in, "The Philadelphia Story"; her art studies with Amedee Ozenfant from 1944 to 1946; her studies at Black Mountain College with Josef Albers and Willem De Kooning in 1947; her friendship with Morris Louis and watching him work; living with her brother-in-law Arshile Gorky, in New York City; her first one-woman show at the David Herbert Gallery in New York in 1962; exhibiting at the Betty Parsons Gallery in New York and at the Jefferson Place Gallery in Washington, D.C.; Robert Richman and the Institute of Contemporary Arts; the relationship between her painting and her sculpture; favorite shapes and materials; and her summer home in East Hampton and artist friends there. Rankine also recalls Robert Rauschenberg, Jack Youngerman, Manoucher Yektai, Betty Parsons, Ibram Lassaw, Buckminster Fuller, Elaine De Kooning, Arthur Penn, Richard Leopold, John Cage, Merce Cunningham, Ken Noland, Morris Louis, Ray Johnson, Kenneth Snelson, David Hare, Frederick Kiesler, Raphael Soyer, Moses Soyer, Jean Renault, Agnes Gorky, Esther Magruder, James Johnson Sweeney, Jim Brooks, John Graham, Phillip Guston, Duncan Phillips, Theresa Helburn, Augustine Duncan, Tom Downing, Gene Davis, Alice Denney, Nesta Dorrance, Kevin Merrill, Sam Gilliam, Dylan Thomas, Kay Halle, Kit Kennedy, Naum Gabo, President Lyndon B. Johnson, Anne Truitt, Wretha Nelson, Franz Bader, Louise Nevelson, Andy Warhol, Jackson Pollock, Bonnie Newman, Alexander Russo, Walt Sheridan, Gilbert Kinney, Saul Sherman, Steve Pace, Lee Krasner, and others.
Biographical / Historical:
V.V. Rankine (1920-2004) was a painter and sculptor from Washington, D.C. Variable forms of the artist's name are notably E. R. (Elvine Richard) Rankine, Vivian Scott Rankine, and her married name, Mrs. Paul Scott.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hrs., 53 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Washington (D.C.)  Search this
Sculptors -- Washington (D.C.)  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.rankin90
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9962313c4-a6e1-43b3-b0a1-2b3ae06a7b90
EDAN-URL:
ead_collection:sova-aaa-rankin90
Online Media:

Los Angeles Art Association records

Creator:
Los Angeles Art Association  Search this
Names:
George Eastman House  Search this
Stendahl Art Galleries  Search this
Watts Towers Commission  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Engel, Jules  Search this
Kosa, Emil Jean, 1903-1968  Search this
Kuntz, Roger, 1926-1975  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Menches, Arnold  Search this
Selz, Peter Howard, 1919-2019  Search this
Wurdemann, Helen  Search this
Zajac, Jack, 1929-  Search this
Extent:
12.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Visitors' books
Scrapbooks
Date:
1922-1990
Summary:
The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.
Scope and Contents:
The Los Angeles Art Association records measure 12.6 linear feet and date from 1922-1990. Almost a third of the collection consists of artists' files containing a wide variety of materials documenting the association's relationship with numerous California and international artists. Also found are ten scrapbooks documenting exhibitions and events over the course of 50 years, administrative files, correspondence, subject files, exhibition files, financial and legal records, printed material, and photographic material depicting artists, events, and artwork. Scattered files of Executive Director Helen Wurdemann's are also found throughout the collection.

Administrative records include board of trustees' meeting minutes, membership correspondence, materials relating to publicity, visitor and artist registers, founding documents, and files on the history of the organization. Files about or created by Executive Director Helen Wurdemann are also found.

Correspondence, including greeting cards and notes, documents the LAAA's relationship with artists, other associations, museums, and collectors. Hans Burkhardt, Emil J. Kosa Jr., Roger Kuntz, Stanton MacDonald-Wright, Arnold Menches, and Peter Selz are among the correspondents.

Subject files compiled and maintained by the LAAA document special interests, events, and projects. There are files for various arts organizations, Stendhal Gallery, and the Watts Towers Commission.

Exhibition files are found for "Loan Exhibition of International Art" (1937), "Photographs of the George Eastman House Collection 1840-1915" (1968), "Independent Artists of Los Angeles" (1923), and "Top Flight Artists of Southern California" (1941), among others.

Almost a third of the collection consists of artists' files documenting the LAAA's relationship with many California and international artists over the years. Files are varied but often include artists' biographical information, resumes, photographs, price lists, artist statements, and printed materials. Artists include Hans Burkhardt, Jules Engel, and Jack Zajac, among many others.

Financial and legal records consist of daily and exhibition ledgers, art rental and sales files, audit reports and financial statements, billing receipts, bankruptcy legal papers, a prints price list, and miscellaneous financial notes.

Printed material consists of museum and LAAA bulletins, clippings, art school catalogs and brochures, exhibition announcements and catalogs, bulletins and newsletters from other organizations, periodicals, proofs of the "Loan Exhibition of International Art" (1937) exhibition catalog, and a limited edition copy of the book, Paintings by William Merritt Chase signed to the LAAA by B. M. Newhouse.

Photographs, slides, negatives, and copy prints depict LAAA events and gallery openings, artists and people, Executive Director Helen Wurdemann, and works of art by various artists. There are also photographs for publications and a photograph album of artwork by Douglass Parshall.

Ten scrapbooks document LAAA events and exhibitions through clippings, articles, photographs, notes and annotations, announcements, and printed materials.
Arrangement:
This collection is arranged as 9 series. Records are generally arranged by material type and chronologically thereafter.

Missing Title

Series 1: Administrative Records, 1925-1989 (Box 1; 0.75 linear feet)

Series 2: Correspondence, 1933-1990 (Boxes 1-2; 0.5 linear feet)

Series 3: Subject Files, 1924-1987 (Box 2; 0.5 linear feet)

Series 4: Exhibition Files, 1923-1982 (Boxes 2-3; 0.45 linear feet)

Series 5: Artists' Files, 1926-1986 (Boxes 3-6; 3.6 linear feet)

Series 6: Financial and Legal Records, 1932-1987 (Boxes 6-8; 1.6 linear feet)

Series 7: Printed Material, 1922-1987 (Boxes 8-9; 1.5 linear feet)

Series 8: Photographic Materials, 1925-1980 (Boxes 9-10, 13; 0.9 linear feet)

Series 9: Scrapbooks, 1934-1985 (Boxes 10-12, 14; 2.8 linear feet)
Biographical / Historical:
Originally founded as the Museum Patrons Association in 1925, the Los Angeles Art Association (LAAA) supported California artists and played an integral role in developing the Los Angeles art community.

The original intent of the Museum Patrons Association was to purchase works of art for the Los Angeles Museum of History, Science and Art. In 1933, the organization separated from the museum and was renamed the Los Angeles Art Association with a primary goal to connect to the broader Los Angeles art community through exhibitions, limited sales, rentals, events, and education. In 1944, with Helen Wurdemann (1892-1988) as Executive Director, the LAAA began to focus more on contemporary local artists, providing a place for the Southern California "hard-edge" abstractionist movement to flourish. In 1951, California painter Lorser Feitelson curated an exhibition of Hans Burkhardt, the LAAA's first solo exhibition of a local artist. Throughout its existence and continuing today, the LAAA has served as a place for arts education, outreach, and community-from its representation of artists studying under the GI bill between 1953 and 1965, to its participation in Monday night art-walks after its move to "Gallery Row" in 1960.
Provenance:
The Los Angeles Art Association records were donated to the Archives of American in 1990 and 1991 by Richard Campbell of the Los Angeles Art Association.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Exhibitions -- California -- Los Angeles  Search this
Artists -- California -- Los Angeles  Search this
Function:
Arts organizations -- California
Genre/Form:
Photographs
Visitors' books
Scrapbooks
Citation:
Los Angeles Art Association records, 1922-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.losangea
See more items in:
Los Angeles Art Association records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd967004-33e6-41c6-b364-9324d2974d86
EDAN-URL:
ead_collection:sova-aaa-losangea
Online Media:

Heritage of Pride, audit report

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 106, Folder 15
Type:
Archival materials
Date:
2011
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York / 15.3: Barna, Joseph T.
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81576d5cf-d0a1-41d1-91da-0a94984f0c48
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1459

Office of the Inspector General (OIG) - Audit of project management of NMAI mall museum, 2002

Container:
Box 5 of 9
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 10-184, National Museum of the American Indian (U.S.), Office of the Deputy Director, Departmental Records
See more items in:
Departmental Records
Departmental Records / Box 5
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa10-184-refidd1e2460

OIG - Audit of Information Control Systems at NMAI, 2002-2005 (2 folders)

Container:
Box 5 of 9
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 10-184, National Museum of the American Indian (U.S.), Office of the Deputy Director, Departmental Records
See more items in:
Departmental Records
Departmental Records / Box 5
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa10-184-refidd1e2471

NMAH - A - Audit - Inspector General

Container:
Box 4 of 27
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-091-refidd1e1603

NMAH - A - Audit

Container:
Box 10 of 27
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 10
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-091-refidd1e4828

NMAH - C - Collections Management Audit

Container:
Box 20 of 27
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 03-091, National Museum of American History, Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 20
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa03-091-refidd1e9970

1980 Audit: Recommendations

Container:
Box 16 of 55
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-089, Archives of American Art, Departmental Records
See more items in:
Departmental Records
Departmental Records / Box 16
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-089-refidd1e4220

SI Internal Audit: Management Controls

Container:
Box 47 of 55
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-089, Archives of American Art, Departmental Records
See more items in:
Departmental Records
Departmental Records / Box 47
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-089-refidd1e15904

Internal Audit

Container:
Box 16 of 55
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-089, Archives of American Art, Departmental Records
See more items in:
Departmental Records
Departmental Records / Box 16
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-089-refidd1e4421

11/19/1998 - Regents Audit & Review Committee Breakfast Meeting, SIB

Container:
Box 2 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-061, Smithsonian Institution, Office of Special Events and Protocol, Event Files
See more items in:
Event Files
Event Files / Box 2
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-061-refidd1e1353

4/21/1999 - Regents Audit and Review Committee Breakfast Meeting

Container:
Box 3 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-061, Smithsonian Institution, Office of Special Events and Protocol, Event Files
See more items in:
Event Files
Event Files / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-061-refidd1e1774

12/9/1999 - Regents Audit and Review Committee Breakfast Meeting

Container:
Box 4 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-061, Smithsonian Institution, Office of Special Events and Protocol, Event Files
See more items in:
Event Files
Event Files / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-061-refidd1e2664

4/4/2000 - Regents Audit and Review Committee Breakfast Meeting

Container:
Box 4 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-061, Smithsonian Institution, Office of Special Events and Protocol, Event Files
See more items in:
Event Files
Event Files / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-061-refidd1e3066

3/12/1998 - Regents Audit and Review Committee Meeting, SIB

Container:
Box 1 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 06-061, Smithsonian Institution, Office of Special Events and Protocol, Event Files
See more items in:
Event Files
Event Files / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-061-refidd1e363

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