Search Results

Creator:

Mundel, Marvin Everett, 1916-1996 (industrial engineer)  Search this

Names:

A.O. Smith Company  Search this

Aji-no-moto Corporation  Search this

Albert Trostel and Sons  Search this

Aluminum Goods Manufacturing Comp  Search this

American Colortype Company  Search this

American Institute of Industrial Engineers  Search this

Asian Productivity organization  Search this

Barbar and Coleman  Search this

Bridgestone  Search this

Briggs & Stratton Corporation  Search this

Buffalo China Company  Search this

Cindahy Brothers Company  Search this

College of Technology Birmingham, England  Search this

E.I. du Pont de Nemours & Company  Search this

Gardner Board and Carton Company  Search this

Hamilton Manufacturing Company  Search this

Herbst Shoe Manufacturing Company  Search this

Japan Productivity Center  Search this

Japanese Management Association  Search this

Kanaki Gear Plant  Search this

Kanebo Spinning Co.  Search this

Kawasake Dockyard  Search this

Lockheed Shipbuilding and Construction Comp  Search this

Milwaukee Dental Research Group  Search this

Milwaukee Gas Company  Search this

Mitsubishi Heavy Industries Ltd.  Search this

Nihon Denso  Search this

Nippon Electric Company  Search this

Nippon Kokan Tsurumi  Search this

Pillsbury Mills  Search this

Purdue University  Search this

S.C. Johnson and Son  Search this

Society for the Advancement of Management  Search this

Stephan A. Young Company  Search this

Sumitomo  Search this

Walgreen's  Search this

Western Printing and Lithography Corp  Search this

Westover Engineers  Search this

Yanmar Diesel Engine Company  Search this

Deming, Edwards  Search this

Gambrell, C.B.  Search this

Extent:

15 Cubic feet (36 boxes)

75 Motion picture films

Type:

Collection descriptions

Archival materials

Motion picture films

Photographs

Field notes

Motion photographs

Diagrams

Loop films

Motion pictures (visual works)

Transparencies

Correspondence

Charts

Place:

United States Navy Long Beach Naval Shipyard

United States Rock Island Arsenal

Date:

1937-1996

Summary:

The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel, a well-known expert in the field of work management and productivity enhancement.

Scope and Contents:

The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel and demonstrate his work practices and teaching techniques.

The collection is organized chronologically into eleven series: Biographical Materials, Writings, Industrial Engineering, Work Methods, Purdue University, Time and Motion Study, Government Work, Japanese Consulting, Asian Productivity Organization, Dupont Case Study, and Films and Videos. While the years in each series may overlap, the separation of series demonstrates the evolution of Mundel's work and teachings. Photographs can be found throughout the collection. Information about the film and video series is located in Appendix A.

Series 1, Biographical Materials, 1953-1996, consists of documentation about Mundel and his career. The series contains bibliographies and curriculum vitae, correspondence, documentation on his memberships in Industrial Engineering groups, photographs, and certificates.

Series 2, Writings, 1937-1994, brings together Mundel's papers, speeches, books, and publications. When possible, the writings are arranged chronologically. The remaining writings are arranged by topic. This series should not be considered a definitive bibliography of Mundel's writings.

Series 3, Industrial Engineering, 1954-1995, combines Mundel's research with correspondence to and from other Industrial Engineers. It also includes Mundel's contributions to the Encyclopedia Britannica on "Industrial Engineering," "Work Measurement," and "Memomotion."

Series 4, Work Methods, undated, contains documents such as forms, office procedure manuals, visual aids, and printed matter about office equipment that offer insight into Mundel's work methods and innovative methods of making his own office more efficient.

Series 5, Purdue University, 1951-1957, documents his teaching career at the Industrial Engineering Department as well correspondence from his trip to England where he taught classes on industrial engineering.

Series 6, Time and Motion Study, 1952-1984, includes notes, data, printed matter, correspondence, charts, and photographs from his consultant work for various companies. This series contains seven subseries: Subseries 1, Consulting Work, 1954-1966; Subseries 2, Correspondence, 1956-1960; Subseries 3, Course work, undated; Subseries 4, Equipment, undated; Subseries 5, Film, 1952-1984; Subseries 6, Memberships, 1970-1977; and Subseries 7, Research, 1957.

Subseries 1, Consulting work, 1954-1966, contains correspondence and data from the corporations that hired Mundel as a consultant. Subseries 2, Correspondence, 1956-1960, the contains letters to and from people with diverse interests in time and motion study. Many people wrote to Mundel asking for advice with projects. Visual aids and handouts make up Subseries 3, Course work. In order to create memomotion, Mundel needed to refine certain electrical and motor parts on the cameras and projectors with which he worked. Subseries 4, Equipment, undated, have brochures on many different kinds of motors and switches. Subseries 5, Film, 1952-1984, contains most of the documentation that relates directly to films and video cassettes in this collection. Mundel was active in many organizations related to industrial engineering that shared his interests in time and motion study. Finally, copies and clippings make up the research subseries, 1957.

Series 7, Government Work, 1952-1971, documents Mundel's work for the government, from his work at Rock Island Arsenal to seminars for NASA. This series contains correspondence, data, reports, course work, visual aids, and photographs. The consulting work is arranged in a chronological manner and, in some instances, alphabetically.

Series 8, Japanese Consulting, 1959-1987, documents Mundel's consulting work for Japanese corporations. The files are arranged alphabetically by company and contain research, data, charts, notes, reports, and correspondence about each manufacturing firm. His notebooks and trip files give insight into his cultural understanding of Japanese firms and his teaching practices. Of special interest are the notebooks that contain photographs and firsthand experiences of adapting to Japanese culture and understanding Japanese work practices.

Series 9, Asian Productivity Organization, 1973-1994, consists of year and country files of Mundel's seminars throughout the Far East. The course work, notes, visual aids, reports, and photographs demonstrate Mundel's shift in emphasis from work measurement to managerial organization. This series also contains books published by the Asian Productivity Organization (APO) that give a context to Mundel's work and writings.

Series 10, Dupont Case Study, 1978-1984, contains correspondence, data, notes, reports, research, and visual aids concerning one of the many American companies where Mundel consulted. Dupont was selected because of its prominence in the American business world.

Series 11, Films and Videos, circa 1939-1973, is comprised of 16mm films and 1⁄2" VHS videocassette tapes. The bulk of the series is 16mm films. The films relate to the documents in Series 6: Time and Motion Studies. There are six subseries: Rating Films, 1939-1973; Memomotion Films, circa 1948-1959; Multi-Image Loops, circa, 1956-1958; Instructional Films, circa 1939-1962; Travel Films, circa 1955-1958 and Papers, undated.

Films are labeled either OF, RF, OV, or RV, for Original Film, Reference Film, Original Video, and Reference Video, respectively. [Example: For "676.24 OF Roll Edge on Sheet Metal Disc, circa 1960 (REF. FILM 676.24 and REF. VIDEO 676.70)," 676 is the collection number; 24 is the item number; OF means original film; "Roll Edge on Sheet Metal Disc" is the title; 1960 is the date followed by any reference copies. In this case there are both a reference film and a reference video. The Archives Center will eventually have reference copies for all of the films. for researchers to view.

Subseries 1, Rating Films, circa 1939-1973, represents Mundel's work with rating or pace films. This technique films a worker doing a repetitive work unit and allows trained motion study analysts to establish time standards. These films show a wide variety of jobs held by both men and women, American workers and Japanese workers. There are three groups of films:

Demonstration Rating Films: These films have the same format as titles with 10 scenes of workers doing a work unit at different paces. The films are arranged according to Mundel's numerical system and retain the original titles. These films should be projected at 1000 frames per minute.

Poultry Rating Films: These are rating films that Mundel did for the USDA and the Consumer Protection Programs.

Miscellaneous Films: These are Mundel's rating films for Tung Sol, ASF, Woods Veterans Hospital, and Montfort. There is also a rating film taken by an English company.

Subseries 2, Memomotion Films, circa 1948-1959, includes memomotion examples that were incorporated into instructional films. Memomotion is a filming technique created by Mundel. Time and motion analysts film a non-repetitive or extended crew activity at one frame per second and then project the film at normal speed. In this manner, the analyst can record a longer work period at a fraction of the cost and be able to analyze the film much more quickly. Memomotion is often used in conjunction with work flow diagrams.

Subseries 3, Multi-Image Loops, circa 1956-1958, combines seven of Mundel's multi-image loops onto one film core. The films display twelve images of rating films at the same time. The worker in each image is working at a different pace (fastest in the top left-hand corner and the slowest in the bottom right-hand corner). Time and motion study analysts could watch the loops for as long as they needed to get an idea of what the range of paces for a certain job could be. The loops were disassembled and spliced together for preservation and viewing purposes.

Subseries 4, Instructional Films, circa 1939-1962, includes Mundel's attempts to educate others about his filming techniques and overall industrial engineering themes. The films teach ways to improve productivity through motion studies, how to make memomotion films, and the College of Technology, Birmingham, England's method of making microscope slides.

Subseries 5, Travel Films, circa 1955-1958, includes films that combine Mundel's love for travel and different cultures with film documentation of Japanese seminars.

Subseries 6, Papers, undated, contains papers directly related to the films. Of importance are the rating sheets which associate different percentages of efficiency to the paces in the film.

Arrangement:

This collection is divided into eleven series.

Series 1, Biographical Materials, 1953-1996

Series 2, Writings, 1937-1994

Subseries 1, Books, 1942-1994

Subseries 2, Papers, 1959-1989, undated

Subseries 3, Publications, 1937-1993, undated

Subseries 4, Speeches, undated

Subseries 5, University of Iowa Studies, 1938-1940

Series 3, Industrial Engineering, 1954-1995

Series 4, Work Methods, undated

Series 5, Purdue University, 1951-1957

Series 6, Time and Motion Study, 1952-1984

Subseries 1, Consulting Work, 1954-1966

Subseries 2, Correspondence, 1956-1960

Subseries 3, Course Work, undated

Subseries 4, Equipment, undated

Subseries 5, Film, 1952-1984

Subseries 6, Memberships-Industrial Management Society, 1970-1977

Subseries 7, Research, 1957

Series 7, Government Work, 1952-1971

Subseries 1, General, 1955-1967, undated

Subseries 2, Rock Island Arsenal, 1952-1958

Subseries 3, Consulting, 1959-1971

Subseries 4, Seminars, 1963-1969

Series 8, Japanese Consulting, 1959-1987

Subseries 1, Consulting, 1961-1980

Subseries 2, Correspondence, 1959-1980

Subseries 3, Keio University, 1960-1961

Subseries 4, Memberships, 1959-1987

Subseries 5, Notes, undated

Subseries 6, Photographs, undated

Subseries 7, Scrapbooks, 1960-1965

Subseries 8, Seminars, 1959-1967

Series 9, Asian Productivity Organization, 1973-1994

Subseries 1, Annual Reports, 1973-1994

Subseries 2, Books, 1985-1989

Subseries 3, General, 1976-1995, undated

Subseries 4, Seminars, 1973-1989

Subseries 5, Presentation Album of Jakarta Seminar, 1973

Series 10, DuPont Case Study, 1978-1984

Series 11, Films and Videos, circa 1939-1973

Subseries 1, Rating Films, circa 1939-1973

Subseries 2, Memomotion Films, circa 1948-1959

Subseries 3, Multi-Image Loops, circa 1956-1958

Subseries 4, Instructional Films, circa 1939-1962

Subseries 5, Travel Films, circa 1955-1958

Subseries 6, Papers, undated

Biographical / Historical:

Marvin Everett Mundel, born April 20, 1916, was a major figure in the fields of industrial engineering and time and motion studies. He is known particularly for his consulting work, seminars and teaching, as well as numerous publications based on his expertise in work management and productivity enhancement. He began his engineering career in 1936 with a B.S. in Mechanical Engineering from New York University (1936), followed by an M.S. and Ph.D. in Industrial Engineering earned in 1938 and 1939, respectively, from the State University of Iowa.

In the late 1930s and 1940s, work measurement studies were considered the state-of-the-art method for improving industrial production. Mundel continued and built upon the achievements of pioneers Frank and Lillian Gilbreth during his teaching career at both Bradley and Purdue Universities. He also conducted seminars at Marquette University Management Center and the University of Wisconsin's Extension Center in Milwaukee. In addition to his American teaching career, Mundel was a visiting professor at both the University of Birmingham in England and Keio University in Tokyo, Japan.

In 1952, Mundel started a consulting firm which aided corporations and governments in either work measurement consulting or, later in his career, industrial engineering consulting. His first clients were United States government agencies that wanted to gain control over lost revenue or manpower. His position from 1952 to 1953 at the Rock Island Arsenal in Illinois, as the first Director of the Army Management Engineering Training Program, transformed management techniques in the Army.

After his employment at Rock Island, Mundel began a series of consultant roles with corporations eager to standardize labor practices and make production more efficient. From 1953 to 1963, Mundel conducted time and motion studies at various manufacturing companies and developed techniques to measure work units. His most important contribution to the field of time and motion study was the development of memomotion, a stop-action filming technique used to determine time standards for work tasks.

Following his refinements of time and motion study, Mundel took his expertise to Japan where he offered his consultant services to various Japanese manufacturing firms during the 1960s. His interests evolved from time and motion studies to include work management and overall management organization consulting. During the 1960s and 1970s, Mundel also returned to government consulting in the United States with these new techniques, in offices such as the Bureau of the Budget and United States Department of Agriculture. This period marked an important evolution in Mundel's career, from time and motion study to work measurement and then to industrial consulting. Mundel was among the first consultants to export American management techniques to Japan, and, in his later career, to other Asian countries. He became an integral part of the Asian Productivity Organization, a group that helped developing Asian countries learn how to increase productivity. His seminars sought to provide corporations and governments with efficient management techniques so that Asia would become a strong economic center. Mundel was sensitive to cultural differences as well as varied methods of management and standards of productivity.

Mundel won the Gilbreth Award in 1982. He continued conducting seminars and writing books and articles well into the 1980s, until failing health prevented him from traveling. When Mundel died in 1996, he was well respected in the field of industrial engineering for his many contributions.

Provenance:

This collection was donated to the Archives Center at the National Museum of American History by Marvin Mundel's wife, Takako Mundel, in January, 1999.

Restrictions:

The collection is open for research use.

Rights:

Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Hospitals -- Materials management  Search this

Food processing plants  Search this

Industrial productivity -- measurements  Search this

Industrial films  Search this

Government consultants -- Asia -- Japan  Search this

Government productivity -- Japan  Search this

Machine shops  Search this

Slaughtering and slaughter-houses  Search this

Machinery industry  Search this

Punched card systems -- Machinery  Search this

Steel founding  Search this

Steel industry and trade  Search this

Plant layout  Search this

Diesel motor industry  Search this

Meat -- Packing  Search this

Shipbuilding industry  Search this

Meat inspection  Search this

Meat industry and trade  Search this

Pharmaceutical industry  Search this

Materials handling  Search this

Poultry -- Inspection  Search this

Dental offices  Search this

Box making  Search this

Greeting cards industry  Search this

United States Department of Agriculture  Search this

Refuse collection  Search this

Poultry industry  Search this

Shoe industry  Search this

Dental instruments and apparatus  Search this

Methods engineering  Search this

Industrial engineering -- 1930-2000  Search this

Chronophotography  Search this

Drafting table  Search this

Organizational effectiveness  Search this

Industrial management  Search this

Work measurement  Search this

Motion study  Search this

Genre/Form:

Photographs -- 20th century

Field notes

Motion photographs

Diagrams

Loop films

Motion pictures (visual works)

Transparencies

Correspondence -- 1930-1950

Charts

Citation:

Marvin E. Mundel Industrial Engineering Collection, 1937-1996, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0676

See more items in:

Marvin E. Mundel Industrial Engineering Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep885139741-4c32-4460-bb06-8cfb024e15c3

EDAN-URL:

ead_collection:sova-nmah-ac-0676

Creator:

Caja, Jerome D., 1958-1995  Search this

Type:

Sketchbooks

Moving images

Sound recordings

Video recordings

Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Topic:

Gay artists  Search this

Artists (LGBTQ)  Search this

AIDS (Disease)  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6515

(DSI-AAA_SIRISBib)215774

AAA_collcode_cajajero

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_215774

Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

7.9 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Moving images

Sound recordings

Video recordings

Date:

circa 1920-1995

Summary:

The papers of painter Jerome Caja measure 7.9 linear feet and date from circa 1920 to 1995. The papers document his career as an artist in San Francisco through biographical material; correspondence with family, friends, art organizations, and galleries; poetry, prose, and other writings; exhbiition announcements, newspaper and magazine clippings, and other printed materials, gallery and exhibition files; artwork, including sketchbooks and numerous small paintings, sketches and drawings, photographs; audiovisual materials including film reels, vido and audio cassettes.

Scope and Contents:

The papers of painter Jerome Caja measure 7.9 linear feet and date from circa 1920 to 1995. The papers document his career as an artist in San Francisco through biographical material; correspondence with family, friends, art organizations, and galleries; poetry, prose, and other writings; exhbiition announcements, newspaper and magazine clippings, and other printed materials, gallery and exhibition files; artwork, including sketchbooks and numerous small paintings, sketches and drawings, photographs; audiovisual materials including film reels, vido and audio cassettes.

Biographical Material includes a family history, a short autobiography, school documents from elementary through college, yearbooks, identifications and certificates. Correspondence includes letters numerous letters from parents, letters from some brothers, and letters from friends. Writings consist primarily of short plays and skits by Caja, prose and poetry, a journal, and writings by friends. Gallery and Exhibition Files consist of correspondence, inventory and price lists, exhibition announcements and catalogs, and contracts from museums and galleries where Caja did exhibitions or auctions. Personal Business Records consist of price lists, invoices, receipts for works he sold to individuals or institutions. Printed Materials consist of newspaper and magazine clippings detailing Caja's exhibition or his involvement in the gay scene of San Francisco. There are also books with inscriptions that were given to Caja by friends, and there are publication materials that belonged to Caja.

Artwork primarily consists of numerous small drawings and sketches in ink, chalk, and nail polish. Also included are sketchbooks of Caja's drawings and oversized paintings and sketches. Photographs primarily consist of personal photos of Caja and his family during his childhood, photos of his grand parents and geat grandparents, and photos of nieces and nephews. There are also photos and slides of his ceramic work and some of his paintings and sketches. The majority of the photos are of Caja taking part in various events around San Francisco. Audio-Visual Materials consists of video cassettes, audio cassettes, and motion picture reels. Videos document Caja reading his book, Caja taking part in events in San Francisco, his artwork, and a movie that he was featured in. Audio cassettes consist primarily of music, but also of Caja reading stories. Film material consists of people working in an artist's workshop, a pool party, and a satirical narrative between children and their mother.

Arrangement:

The collection is arranged as nine series.

Series 1: Biographical Material, 1949-1994 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1980-1995 (0.5 linear feet; Box 1)

Series 3: Writings, circa 1980-1995 (0.3 linear feet; Box 1-2)

Series 4: Gallery and Exhibition Files, 1982-1995 (0.4 linear feet; Box 2)

Series 5: Personal Business Records, 1990-1995 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1960-1995 (1.3 linear feet; Box 2-3, Box 9)

Series 7: Artwork, circa 1980-1995 (1.7 linear feet: Box 4-5, Box 9, OV 13-15, Artifact)

Series 8: Photographs, circa 1920-1995 (1.8 linear feet; Box 5-6, Box 9, OV 14)

Series 9: Audio-Visual Material circa 1980-1995 (1.4 linear feet; Box 7-8, FC 16-23)

Biographical / Historical:

Jerome Caja (1958-1995) was a painter who worked primarily in San Francisco, CA. Caja was born in Ohio in 1958 and attended Clevaland State University. He moved to San Francisco in the 1980s and attended the San Francisco Art Institute from which he graduated in 1984. Caja pushed the boundaries of gender, performance, and art in the nightclub scene in San Francisco during the late 1980s and early 1990s. Caja died from complications related to HIV in 1995, during height of the AIDS-Art-Activism era in San Francisco.

Related Materials:

Also found in the Archives of American Art is an oral history interview with Jerome Caja conducted by Paul Karlstrom, August 23-September 29, 1995, and Letters from Jerome Caja to Anna van der Meulen, 1995.

Provenance:

The Jerome Caja papers were donated in two installments from 1994 to 1995. The first installment was donated by Jerome Caja in 1994, and the second installment was donated by Anna van der Meulen, executor of Caja's estate, in 1995.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California -- San Francisco  Search this

Topic:

Gay artists  Search this

Artists (LGBTQ)  Search this

AIDS (Disease)  Search this

Genre/Form:

Sketchbooks

Moving images

Sound recordings

Video recordings

Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.cajajero

See more items in:

Jerome Caja papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c2f9d6a7-e986-4ec0-aad0-03ec1851addc

EDAN-URL:

ead_collection:sova-aaa-cajajero

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1.4 Linear feet (Boxes 7-8, FC 16-23)

Type:

Archival materials

Date:

circa 1980-1995

Scope and Contents:

Audio-Visual Materials consists of video cassettes, audio cassettes, and motion picture reels. Video cassettes consist of Caja reading his book, Caja taking part in events in San Francisco, his artwork, and a movie that he was featured in. Audio cassettes consist primarily of music from the Beatles, the Birds, but also of Caja reading stories. Film material consists of people working in an artist's workshop, a pool party, and a satirical narrative between children and their mother.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.cajajero, Series 9

See more items in:

Jerome Caja papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fa4d32ac-50d6-4d8a-a77c-73c6f25593b4

EDAN-URL:

ead_component:sova-aaa-cajajero-ref140

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Container:

Box 7, Folder 4

Type:

Archival materials

Moving Images [31027000856225]

Date:

circa 1992

Scope and Contents:

"High Heel Wrestling" is of events at a benenfit for Provention Point.

"Jerome Caja Book" is an interview between Paul Reed and Jerome Caja for a proposed book Reed was going to write. Reed did not end up writing the book.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b1d8d261-cc51-4fed-a623-8b183e6db3d7

EDAN-URL:

ead_component:sova-aaa-cajajero-ref141

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Container:

Box 7, Folder 5

Type:

Archival materials

Moving Images [31027000856225]

Date:

1986, 1992

Scope and Contents:

"Miss Uranus '92" shows Caja in drag taking part in the yearly event at Uranus Club in San Francisco. "Vegas in Space" is a science fiction motion picture film in which Caja has a minor role.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b17b2669-c719-48bd-89d3-303d4f1a0338

EDAN-URL:

ead_component:sova-aaa-cajajero-ref142

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Container:

Box 7, Folder 6

Type:

Archival materials

Moving Images [31027000856225]

Date:

undated

Scope and Contents:

The Untitled tape features a talk show event at one of the gay clubs of San Francisco. Caja, dressed in drag, is the final guest. He talks about some of his artwork and exhibitions, including "Toilet Water" at Kiki. He also mentions donating papers to Archives of American Art.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9851c60b9-d966-4382-9f4e-6b609c939ce9

EDAN-URL:

ead_component:sova-aaa-cajajero-ref143

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Container:

Box 7, Folder 7

Type:

Archival materials

Moving Images [31027000856225]

Date:

undated

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw971155443-4f6c-4dfb-a0ef-5fc49f0ba070

EDAN-URL:

ead_component:sova-aaa-cajajero-ref144

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Container:

Box 7, Folder 8

Type:

Archival materials

Date:

undated

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c7f7ade5-4b28-4e81-9952-4c6a7aff5567

EDAN-URL:

ead_component:sova-aaa-cajajero-ref145

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Film reel (Super 8mm)

Container:

Item FC16

Type:

Archival materials

Moving Images [31027000385621]

Film reels

Date:

undated

Scope and Contents:

The first portion is a pool party, and the second portion is about Anita Colby Beauty Book. The note on the film can says, "Jerome Trash."

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9dbe65d93-e230-4c62-8cf9-014f0a532deb

EDAN-URL:

ead_component:sova-aaa-cajajero-ref146

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Film reel (Super 8mm)

Container:

Item FC17

Type:

Archival materials

Moving Images [31027000386041]

Film reels

Date:

undated

Scope and Contents:

Reel features people working in an artist's workspace. Note on one side of film can says, "Jerome Caja" and note on the other side says, "Buck Rogers Sup 8 Fig B 79-075C.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw972b225ee-d7e6-48ea-b41d-6f09736257f8

EDAN-URL:

ead_component:sova-aaa-cajajero-ref147

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Film reel (Super 8mm)

Container:

Item FC18

Type:

Archival materials

Moving Images [31027000385985]

Film reels

Date:

undated

Scope and Contents:

Film is a satirical narrative of a show-down between children and the.ir mother. Note on side one of film can says, "Jerome Caja I, How to do Film." Note on opposite side of can says, "How to Prevent Parent Abuse."

Notes related to this film are in Box 7, Folder 5.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f2fa28bd-caa5-48a2-b8cc-bd63c9017ff7

EDAN-URL:

ead_component:sova-aaa-cajajero-ref148

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Film reel (Super 8mm)

Container:

Item FC19

Type:

Archival materials

Moving Images [31027000385803]

Film reels

Date:

undated

Scope and Contents:

Three film reels of people in an atrium. Notes on two of the cans say, "D Anna." Note on the third can says, "V-"

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e2111f80-1aa2-4acb-bacd-a42e9b5d52c1

EDAN-URL:

ead_component:sova-aaa-cajajero-ref149

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Film reel (Super 8mm)

Container:

Item FC21

Type:

Archival materials

Moving Images [31027000385928]

Film reels

Date:

undated

Scope and Contents:

Two film reels showing footage of people at a possible rehearsal. The people are out of focus in both reels. Notes on first can say, "C e" "Jerome Caja Com." Note on second can says, "D. Paul V."

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw971e73b28-bf39-4071-a433-8055dd1f35ea

EDAN-URL:

ead_component:sova-aaa-cajajero-ref150

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

3 Sound cassettes

Container:

Box 8, Item 1-3

Type:

Archival materials

Audio [31027000856118]

Sound cassettes

Date:

undated

Scope and Contents:

Mix tapes featuring songs by the Beatles.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9271e421c-dcb4-4544-952e-cfd7abdaca23

EDAN-URL:

ead_component:sova-aaa-cajajero-ref151

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Sound cassette

Container:

Box 8, Item 4

Type:

Archival materials

Audio [31027000856118]

Sound cassettes

Date:

undated

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw981991d1a-26d1-4d13-96c6-ff78d0d8f787

EDAN-URL:

ead_component:sova-aaa-cajajero-ref152

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Sound cassette

Container:

Box 8, Item 6

Type:

Archival materials

Audio [31027000856118]

Sound cassettes

Date:

undated

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c0550823-8ad7-47ec-b978-9394f87f3847

EDAN-URL:

ead_component:sova-aaa-cajajero-ref153

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

1 Sound cassette

Container:

Box 8, Item 5

Type:

Archival materials

Audio [31027000856118]

Sound cassettes

Date:

undated

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9e0c4d02d-9d73-41ed-952f-7065e20db3e2

EDAN-URL:

ead_component:sova-aaa-cajajero-ref154

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

2 Sound cassettes

Container:

Box 8, Item 7-8

Type:

Archival materials

Audio [31027000856118]

Sound cassettes

Date:

undated

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9baf22718-d443-4eb0-b25f-f443c28c0a5c

EDAN-URL:

ead_component:sova-aaa-cajajero-ref155

Collection Creator:

Caja, Jerome, 1958-1995  Search this

Extent:

2 Sound cassettes

Container:

Box 8, Item 9-10

Type:

Archival materials

Audio [31027000856118]

Sound cassettes

Date:

undated

Scope and Contents:

Jerome telling stories.

Notes on Tape 1, Side 1: "Billy Goats," "Frog Prince," "Han and Gret" Notes on Tape 1, Side 2: "Gold Locks," "3 Pigs" "Cinderla pt 2" Notes on Tape 2, Side 1: ""Little Joe Hood" "Frog Prince" "Snow White 3 parts part 1" Notes on Tape 2, Side 2: "Snow White part 2" "Joe Ginder Beard Man" "Cindyralla part 1"

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Jerome Caja papers

Jerome Caja papers / Series 9: Audio-Visual Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90d6c75a0-4e29-4dd9-bad9-46405de6b533

EDAN-URL:

ead_component:sova-aaa-cajajero-ref156