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Marvin E. Mundel Industrial Engineering Collection

Creator:
Mundel, Marvin Everett, 1916-1996 (industrial engineer)  Search this
Names:
A.O. Smith Company  Search this
Aji-no-moto Corporation  Search this
Albert Trostel and Sons  Search this
Aluminum Goods Manufacturing Comp  Search this
American Colortype Company  Search this
American Institute of Industrial Engineers  Search this
Asian Productivity organization  Search this
Barbar and Coleman  Search this
Bridgestone  Search this
Briggs & Stratton Corporation  Search this
Buffalo China Company  Search this
Cindahy Brothers Company  Search this
College of Technology Birmingham, England  Search this
E.I. du Pont de Nemours & Company  Search this
Gardner Board and Carton Company  Search this
Hamilton Manufacturing Company  Search this
Herbst Shoe Manufacturing Company  Search this
Japan Productivity Center  Search this
Japanese Management Association  Search this
Kanaki Gear Plant  Search this
Kanebo Spinning Co.  Search this
Kawasake Dockyard  Search this
Lockheed Shipbuilding and Construction Comp  Search this
Milwaukee Dental Research Group  Search this
Milwaukee Gas Company  Search this
Mitsubishi Heavy Industries Ltd.  Search this
Nihon Denso  Search this
Nippon Electric Company  Search this
Nippon Kokan Tsurumi  Search this
Pillsbury Mills  Search this
Purdue University  Search this
S.C. Johnson and Son  Search this
Society for the Advancement of Management  Search this
Stephan A. Young Company  Search this
Sumitomo  Search this
Walgreen's  Search this
Western Printing and Lithography Corp  Search this
Westover Engineers  Search this
Yanmar Diesel Engine Company  Search this
Deming, Edwards  Search this
Gambrell, C.B.  Search this
Extent:
15 Cubic feet (36 boxes)
75 Motion picture films
Type:
Collection descriptions
Archival materials
Motion picture films
Photographs
Field notes
Motion photographs
Diagrams
Loop films
Motion pictures (visual works)
Transparencies
Correspondence
Charts
Place:
United States Navy Long Beach Naval Shipyard
United States Rock Island Arsenal
Date:
1937-1996
Summary:
The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel, a well-known expert in the field of work management and productivity enhancement.
Scope and Contents:
The Marvin E. Mundel Industrial Engineering Collection contains correspondence, reports, data, notes, publications, books, charts, certificates, awards, writings, photographs, films and videos that document the life and career of Marvin Mundel and demonstrate his work practices and teaching techniques.

The collection is organized chronologically into eleven series: Biographical Materials, Writings, Industrial Engineering, Work Methods, Purdue University, Time and Motion Study, Government Work, Japanese Consulting, Asian Productivity Organization, Dupont Case Study, and Films and Videos. While the years in each series may overlap, the separation of series demonstrates the evolution of Mundel's work and teachings. Photographs can be found throughout the collection. Information about the film and video series is located in Appendix A.

Series 1, Biographical Materials, 1953-1996, consists of documentation about Mundel and his career. The series contains bibliographies and curriculum vitae, correspondence, documentation on his memberships in Industrial Engineering groups, photographs, and certificates.

Series 2, Writings, 1937-1994, brings together Mundel's papers, speeches, books, and publications. When possible, the writings are arranged chronologically. The remaining writings are arranged by topic. This series should not be considered a definitive bibliography of Mundel's writings.

Series 3, Industrial Engineering, 1954-1995, combines Mundel's research with correspondence to and from other Industrial Engineers. It also includes Mundel's contributions to the Encyclopedia Britannica on "Industrial Engineering," "Work Measurement," and "Memomotion."

Series 4, Work Methods, undated, contains documents such as forms, office procedure manuals, visual aids, and printed matter about office equipment that offer insight into Mundel's work methods and innovative methods of making his own office more efficient.

Series 5, Purdue University, 1951-1957, documents his teaching career at the Industrial Engineering Department as well correspondence from his trip to England where he taught classes on industrial engineering.

Series 6, Time and Motion Study, 1952-1984, includes notes, data, printed matter, correspondence, charts, and photographs from his consultant work for various companies. This series contains seven subseries: Subseries 1, Consulting Work, 1954-1966; Subseries 2, Correspondence, 1956-1960; Subseries 3, Course work, undated; Subseries 4, Equipment, undated; Subseries 5, Film, 1952-1984; Subseries 6, Memberships, 1970-1977; and Subseries 7, Research, 1957.

Subseries 1, Consulting work, 1954-1966, contains correspondence and data from the corporations that hired Mundel as a consultant. Subseries 2, Correspondence, 1956-1960, the contains letters to and from people with diverse interests in time and motion study. Many people wrote to Mundel asking for advice with projects. Visual aids and handouts make up Subseries 3, Course work. In order to create memomotion, Mundel needed to refine certain electrical and motor parts on the cameras and projectors with which he worked. Subseries 4, Equipment, undated, have brochures on many different kinds of motors and switches. Subseries 5, Film, 1952-1984, contains most of the documentation that relates directly to films and video cassettes in this collection. Mundel was active in many organizations related to industrial engineering that shared his interests in time and motion study. Finally, copies and clippings make up the research subseries, 1957.

Series 7, Government Work, 1952-1971, documents Mundel's work for the government, from his work at Rock Island Arsenal to seminars for NASA. This series contains correspondence, data, reports, course work, visual aids, and photographs. The consulting work is arranged in a chronological manner and, in some instances, alphabetically.

Series 8, Japanese Consulting, 1959-1987, documents Mundel's consulting work for Japanese corporations. The files are arranged alphabetically by company and contain research, data, charts, notes, reports, and correspondence about each manufacturing firm. His notebooks and trip files give insight into his cultural understanding of Japanese firms and his teaching practices. Of special interest are the notebooks that contain photographs and firsthand experiences of adapting to Japanese culture and understanding Japanese work practices.

Series 9, Asian Productivity Organization, 1973-1994, consists of year and country files of Mundel's seminars throughout the Far East. The course work, notes, visual aids, reports, and photographs demonstrate Mundel's shift in emphasis from work measurement to managerial organization. This series also contains books published by the Asian Productivity Organization (APO) that give a context to Mundel's work and writings.

Series 10, Dupont Case Study, 1978-1984, contains correspondence, data, notes, reports, research, and visual aids concerning one of the many American companies where Mundel consulted. Dupont was selected because of its prominence in the American business world.

Series 11, Films and Videos, circa 1939-1973, is comprised of 16mm films and 1⁄2" VHS videocassette tapes. The bulk of the series is 16mm films. The films relate to the documents in Series 6: Time and Motion Studies. There are six subseries: Rating Films, 1939-1973; Memomotion Films, circa 1948-1959; Multi-Image Loops, circa, 1956-1958; Instructional Films, circa 1939-1962; Travel Films, circa 1955-1958 and Papers, undated.

Films are labeled either OF, RF, OV, or RV, for Original Film, Reference Film, Original Video, and Reference Video, respectively. [Example: For "676.24 OF Roll Edge on Sheet Metal Disc, circa 1960 (REF. FILM 676.24 and REF. VIDEO 676.70)," 676 is the collection number; 24 is the item number; OF means original film; "Roll Edge on Sheet Metal Disc" is the title; 1960 is the date followed by any reference copies. In this case there are both a reference film and a reference video. The Archives Center will eventually have reference copies for all of the films. for researchers to view.

Subseries 1, Rating Films, circa 1939-1973, represents Mundel's work with rating or pace films. This technique films a worker doing a repetitive work unit and allows trained motion study analysts to establish time standards. These films show a wide variety of jobs held by both men and women, American workers and Japanese workers. There are three groups of films:

Demonstration Rating Films: These films have the same format as titles with 10 scenes of workers doing a work unit at different paces. The films are arranged according to Mundel's numerical system and retain the original titles. These films should be projected at 1000 frames per minute.

Poultry Rating Films: These are rating films that Mundel did for the USDA and the Consumer Protection Programs.

Miscellaneous Films: These are Mundel's rating films for Tung Sol, ASF, Woods Veterans Hospital, and Montfort. There is also a rating film taken by an English company.

Subseries 2, Memomotion Films, circa 1948-1959, includes memomotion examples that were incorporated into instructional films. Memomotion is a filming technique created by Mundel. Time and motion analysts film a non-repetitive or extended crew activity at one frame per second and then project the film at normal speed. In this manner, the analyst can record a longer work period at a fraction of the cost and be able to analyze the film much more quickly. Memomotion is often used in conjunction with work flow diagrams.

Subseries 3, Multi-Image Loops, circa 1956-1958, combines seven of Mundel's multi-image loops onto one film core. The films display twelve images of rating films at the same time. The worker in each image is working at a different pace (fastest in the top left-hand corner and the slowest in the bottom right-hand corner). Time and motion study analysts could watch the loops for as long as they needed to get an idea of what the range of paces for a certain job could be. The loops were disassembled and spliced together for preservation and viewing purposes.

Subseries 4, Instructional Films, circa 1939-1962, includes Mundel's attempts to educate others about his filming techniques and overall industrial engineering themes. The films teach ways to improve productivity through motion studies, how to make memomotion films, and the College of Technology, Birmingham, England's method of making microscope slides.

Subseries 5, Travel Films, circa 1955-1958, includes films that combine Mundel's love for travel and different cultures with film documentation of Japanese seminars.

Subseries 6, Papers, undated, contains papers directly related to the films. Of importance are the rating sheets which associate different percentages of efficiency to the paces in the film.
Arrangement:
This collection is divided into eleven series.

Series 1, Biographical Materials, 1953-1996

Series 2, Writings, 1937-1994

Subseries 1, Books, 1942-1994

Subseries 2, Papers, 1959-1989, undated

Subseries 3, Publications, 1937-1993, undated

Subseries 4, Speeches, undated

Subseries 5, University of Iowa Studies, 1938-1940

Series 3, Industrial Engineering, 1954-1995

Series 4, Work Methods, undated

Series 5, Purdue University, 1951-1957

Series 6, Time and Motion Study, 1952-1984

Subseries 1, Consulting Work, 1954-1966

Subseries 2, Correspondence, 1956-1960

Subseries 3, Course Work, undated

Subseries 4, Equipment, undated

Subseries 5, Film, 1952-1984

Subseries 6, Memberships-Industrial Management Society, 1970-1977

Subseries 7, Research, 1957

Series 7, Government Work, 1952-1971

Subseries 1, General, 1955-1967, undated

Subseries 2, Rock Island Arsenal, 1952-1958

Subseries 3, Consulting, 1959-1971

Subseries 4, Seminars, 1963-1969

Series 8, Japanese Consulting, 1959-1987

Subseries 1, Consulting, 1961-1980

Subseries 2, Correspondence, 1959-1980

Subseries 3, Keio University, 1960-1961

Subseries 4, Memberships, 1959-1987

Subseries 5, Notes, undated

Subseries 6, Photographs, undated

Subseries 7, Scrapbooks, 1960-1965

Subseries 8, Seminars, 1959-1967

Series 9, Asian Productivity Organization, 1973-1994

Subseries 1, Annual Reports, 1973-1994

Subseries 2, Books, 1985-1989

Subseries 3, General, 1976-1995, undated

Subseries 4, Seminars, 1973-1989

Subseries 5, Presentation Album of Jakarta Seminar, 1973

Series 10, DuPont Case Study, 1978-1984

Series 11, Films and Videos, circa 1939-1973

Subseries 1, Rating Films, circa 1939-1973

Subseries 2, Memomotion Films, circa 1948-1959

Subseries 3, Multi-Image Loops, circa 1956-1958

Subseries 4, Instructional Films, circa 1939-1962

Subseries 5, Travel Films, circa 1955-1958

Subseries 6, Papers, undated
Biographical / Historical:
Marvin Everett Mundel, born April 20, 1916, was a major figure in the fields of industrial engineering and time and motion studies. He is known particularly for his consulting work, seminars and teaching, as well as numerous publications based on his expertise in work management and productivity enhancement. He began his engineering career in 1936 with a B.S. in Mechanical Engineering from New York University (1936), followed by an M.S. and Ph.D. in Industrial Engineering earned in 1938 and 1939, respectively, from the State University of Iowa.

In the late 1930s and 1940s, work measurement studies were considered the state-of-the-art method for improving industrial production. Mundel continued and built upon the achievements of pioneers Frank and Lillian Gilbreth during his teaching career at both Bradley and Purdue Universities. He also conducted seminars at Marquette University Management Center and the University of Wisconsin's Extension Center in Milwaukee. In addition to his American teaching career, Mundel was a visiting professor at both the University of Birmingham in England and Keio University in Tokyo, Japan.

In 1952, Mundel started a consulting firm which aided corporations and governments in either work measurement consulting or, later in his career, industrial engineering consulting. His first clients were United States government agencies that wanted to gain control over lost revenue or manpower. His position from 1952 to 1953 at the Rock Island Arsenal in Illinois, as the first Director of the Army Management Engineering Training Program, transformed management techniques in the Army.

After his employment at Rock Island, Mundel began a series of consultant roles with corporations eager to standardize labor practices and make production more efficient. From 1953 to 1963, Mundel conducted time and motion studies at various manufacturing companies and developed techniques to measure work units. His most important contribution to the field of time and motion study was the development of memomotion, a stop-action filming technique used to determine time standards for work tasks.

Following his refinements of time and motion study, Mundel took his expertise to Japan where he offered his consultant services to various Japanese manufacturing firms during the 1960s. His interests evolved from time and motion studies to include work management and overall management organization consulting. During the 1960s and 1970s, Mundel also returned to government consulting in the United States with these new techniques, in offices such as the Bureau of the Budget and United States Department of Agriculture. This period marked an important evolution in Mundel's career, from time and motion study to work measurement and then to industrial consulting. Mundel was among the first consultants to export American management techniques to Japan, and, in his later career, to other Asian countries. He became an integral part of the Asian Productivity Organization, a group that helped developing Asian countries learn how to increase productivity. His seminars sought to provide corporations and governments with efficient management techniques so that Asia would become a strong economic center. Mundel was sensitive to cultural differences as well as varied methods of management and standards of productivity.

Mundel won the Gilbreth Award in 1982. He continued conducting seminars and writing books and articles well into the 1980s, until failing health prevented him from traveling. When Mundel died in 1996, he was well respected in the field of industrial engineering for his many contributions.
Provenance:
This collection was donated to the Archives Center at the National Museum of American History by Marvin Mundel's wife, Takako Mundel, in January, 1999.
Restrictions:
The collection is open for research use.
Rights:
Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Hospitals -- Materials management  Search this
Food processing plants  Search this
Industrial productivity -- measurements  Search this
Industrial films  Search this
Government consultants -- Asia -- Japan  Search this
Government productivity -- Japan  Search this
Machine shops  Search this
Slaughtering and slaughter-houses  Search this
Machinery industry  Search this
Punched card systems -- Machinery  Search this
Steel founding  Search this
Steel industry and trade  Search this
Plant layout  Search this
Diesel motor industry  Search this
Meat -- Packing  Search this
Shipbuilding industry  Search this
Meat inspection  Search this
Meat industry and trade  Search this
Pharmaceutical industry  Search this
Materials handling  Search this
Poultry -- Inspection  Search this
Dental offices  Search this
Box making  Search this
Greeting cards industry  Search this
United States Department of Agriculture  Search this
Refuse collection  Search this
Poultry industry  Search this
Shoe industry  Search this
Dental instruments and apparatus  Search this
Methods engineering  Search this
Industrial engineering -- 1930-2000  Search this
Chronophotography  Search this
Drafting table  Search this
Organizational effectiveness  Search this
Industrial management  Search this
Work measurement  Search this
Motion study  Search this
Genre/Form:
Photographs -- 20th century
Field notes
Motion photographs
Diagrams
Loop films
Motion pictures (visual works)
Transparencies
Correspondence -- 1930-1950
Charts
Citation:
Marvin E. Mundel Industrial Engineering Collection, 1937-1996, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0676
See more items in:
Marvin E. Mundel Industrial Engineering Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep885139741-4c32-4460-bb06-8cfb024e15c3
EDAN-URL:
ead_collection:sova-nmah-ac-0676
Online Media:

Jerome Caja papers, circa 1920-1995

Creator:
Caja, Jerome D., 1958-1995  Search this
Type:
Sketchbooks
Moving images
Sound recordings
Video recordings
Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
Topic:
Gay artists  Search this
Artists (LGBTQ)  Search this
AIDS (Disease)  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6515
(DSI-AAA_SIRISBib)215774
AAA_collcode_cajajero
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215774
Online Media:

Jerome Caja papers

Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Moving images
Sound recordings
Video recordings
Date:
circa 1920-1995
Summary:
The papers of painter Jerome Caja measure 7.9 linear feet and date from circa 1920 to 1995. The papers document his career as an artist in San Francisco through biographical material; correspondence with family, friends, art organizations, and galleries; poetry, prose, and other writings; exhbiition announcements, newspaper and magazine clippings, and other printed materials, gallery and exhibition files; artwork, including sketchbooks and numerous small paintings, sketches and drawings, photographs; audiovisual materials including film reels, vido and audio cassettes.
Scope and Contents:
The papers of painter Jerome Caja measure 7.9 linear feet and date from circa 1920 to 1995. The papers document his career as an artist in San Francisco through biographical material; correspondence with family, friends, art organizations, and galleries; poetry, prose, and other writings; exhbiition announcements, newspaper and magazine clippings, and other printed materials, gallery and exhibition files; artwork, including sketchbooks and numerous small paintings, sketches and drawings, photographs; audiovisual materials including film reels, vido and audio cassettes.

Biographical Material includes a family history, a short autobiography, school documents from elementary through college, yearbooks, identifications and certificates. Correspondence includes letters numerous letters from parents, letters from some brothers, and letters from friends. Writings consist primarily of short plays and skits by Caja, prose and poetry, a journal, and writings by friends. Gallery and Exhibition Files consist of correspondence, inventory and price lists, exhibition announcements and catalogs, and contracts from museums and galleries where Caja did exhibitions or auctions. Personal Business Records consist of price lists, invoices, receipts for works he sold to individuals or institutions. Printed Materials consist of newspaper and magazine clippings detailing Caja's exhibition or his involvement in the gay scene of San Francisco. There are also books with inscriptions that were given to Caja by friends, and there are publication materials that belonged to Caja.

Artwork primarily consists of numerous small drawings and sketches in ink, chalk, and nail polish. Also included are sketchbooks of Caja's drawings and oversized paintings and sketches. Photographs primarily consist of personal photos of Caja and his family during his childhood, photos of his grand parents and geat grandparents, and photos of nieces and nephews. There are also photos and slides of his ceramic work and some of his paintings and sketches. The majority of the photos are of Caja taking part in various events around San Francisco. Audio-Visual Materials consists of video cassettes, audio cassettes, and motion picture reels. Videos document Caja reading his book, Caja taking part in events in San Francisco, his artwork, and a movie that he was featured in. Audio cassettes consist primarily of music, but also of Caja reading stories. Film material consists of people working in an artist's workshop, a pool party, and a satirical narrative between children and their mother.
Arrangement:
The collection is arranged as nine series.

Series 1: Biographical Material, 1949-1994 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1980-1995 (0.5 linear feet; Box 1)

Series 3: Writings, circa 1980-1995 (0.3 linear feet; Box 1-2)

Series 4: Gallery and Exhibition Files, 1982-1995 (0.4 linear feet; Box 2)

Series 5: Personal Business Records, 1990-1995 (0.2 linear feet; Box 2)

Series 6: Printed Material, 1960-1995 (1.3 linear feet; Box 2-3, Box 9)

Series 7: Artwork, circa 1980-1995 (1.7 linear feet: Box 4-5, Box 9, OV 13-15, Artifact)

Series 8: Photographs, circa 1920-1995 (1.8 linear feet; Box 5-6, Box 9, OV 14)

Series 9: Audio-Visual Material circa 1980-1995 (1.4 linear feet; Box 7-8, FC 16-23)
Biographical / Historical:
Jerome Caja (1958-1995) was a painter who worked primarily in San Francisco, CA. Caja was born in Ohio in 1958 and attended Clevaland State University. He moved to San Francisco in the 1980s and attended the San Francisco Art Institute from which he graduated in 1984. Caja pushed the boundaries of gender, performance, and art in the nightclub scene in San Francisco during the late 1980s and early 1990s. Caja died from complications related to HIV in 1995, during height of the AIDS-Art-Activism era in San Francisco.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Jerome Caja conducted by Paul Karlstrom, August 23-September 29, 1995, and Letters from Jerome Caja to Anna van der Meulen, 1995.
Provenance:
The Jerome Caja papers were donated in two installments from 1994 to 1995. The first installment was donated by Jerome Caja in 1994, and the second installment was donated by Anna van der Meulen, executor of Caja's estate, in 1995.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Topic:
Gay artists  Search this
Artists (LGBTQ)  Search this
AIDS (Disease)  Search this
Genre/Form:
Sketchbooks
Moving images
Sound recordings
Video recordings
Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cajajero
See more items in:
Jerome Caja papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2f9d6a7-e986-4ec0-aad0-03ec1851addc
EDAN-URL:
ead_collection:sova-aaa-cajajero

Audio-Visual Material

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1.4 Linear feet (Boxes 7-8, FC 16-23)
Type:
Archival materials
Date:
circa 1980-1995
Scope and Contents:
Audio-Visual Materials consists of video cassettes, audio cassettes, and motion picture reels. Video cassettes consist of Caja reading his book, Caja taking part in events in San Francisco, his artwork, and a movie that he was featured in. Audio cassettes consist primarily of music from the Beatles, the Birds, but also of Caja reading stories. Film material consists of people working in an artist's workshop, a pool party, and a satirical narrative between children and their mother.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cajajero, Series 9
See more items in:
Jerome Caja papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fa4d32ac-50d6-4d8a-a77c-73c6f25593b4
EDAN-URL:
ead_component:sova-aaa-cajajero-ref140

"High Heel Wrestling" and "Jerome Caja Book"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Container:
Box 7, Folder 4
Type:
Archival materials
Moving Images [31027000856225]
Date:
circa 1992
Scope and Contents:
"High Heel Wrestling" is of events at a benenfit for Provention Point.

"Jerome Caja Book" is an interview between Paul Reed and Jerome Caja for a proposed book Reed was going to write. Reed did not end up writing the book.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b1d8d261-cc51-4fed-a623-8b183e6db3d7
EDAN-URL:
ead_component:sova-aaa-cajajero-ref141

"Miss Uranus '92" and "Vegas in Space"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Container:
Box 7, Folder 5
Type:
Archival materials
Moving Images [31027000856225]
Date:
1986, 1992
Scope and Contents:
"Miss Uranus '92" shows Caja in drag taking part in the yearly event at Uranus Club in San Francisco. "Vegas in Space" is a science fiction motion picture film in which Caja has a minor role.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b17b2669-c719-48bd-89d3-303d4f1a0338
EDAN-URL:
ead_component:sova-aaa-cajajero-ref142

"The Last Two Weeks in June" and "Untitled"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Container:
Box 7, Folder 6
Type:
Archival materials
Moving Images [31027000856225]
Date:
undated
Scope and Contents:
The Untitled tape features a talk show event at one of the gay clubs of San Francisco. Caja, dressed in drag, is the final guest. He talks about some of his artwork and exhibitions, including "Toilet Water" at Kiki. He also mentions donating papers to Archives of American Art.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9851c60b9-d966-4382-9f4e-6b609c939ce9
EDAN-URL:
ead_component:sova-aaa-cajajero-ref143

"Jerome Caja Paintings, etc." and "Electric City Jerome Dub Master"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Container:
Box 7, Folder 7
Type:
Archival materials
Moving Images [31027000856225]
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw971155443-4f6c-4dfb-a0ef-5fc49f0ba070
EDAN-URL:
ead_component:sova-aaa-cajajero-ref144

Notes Related to "How to Prevent Parent Abuse - Jerome Caja" Film Reel

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Container:
Box 7, Folder 8
Type:
Archival materials
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7f7ade5-4b28-4e81-9952-4c6a7aff5567
EDAN-URL:
ead_component:sova-aaa-cajajero-ref145

"Anita Colby Beauty Book Advertisement"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Film reel (Super 8mm)
Container:
Item FC16
Type:
Archival materials
Moving Images [31027000385621]
Film reels
Date:
undated
Scope and Contents:
The first portion is a pool party, and the second portion is about Anita Colby Beauty Book. The note on the film can says, "Jerome Trash."
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dbe65d93-e230-4c62-8cf9-014f0a532deb
EDAN-URL:
ead_component:sova-aaa-cajajero-ref146

Documentary

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Film reel (Super 8mm)
Container:
Item FC17
Type:
Archival materials
Moving Images [31027000386041]
Film reels
Date:
undated
Scope and Contents:
Reel features people working in an artist's workspace. Note on one side of film can says, "Jerome Caja" and note on the other side says, "Buck Rogers Sup 8 Fig B 79-075C.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw972b225ee-d7e6-48ea-b41d-6f09736257f8
EDAN-URL:
ead_component:sova-aaa-cajajero-ref147

"How to Prevent Parent Abuse"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Film reel (Super 8mm)
Container:
Item FC18
Type:
Archival materials
Moving Images [31027000385985]
Film reels
Date:
undated
Scope and Contents:
Film is a satirical narrative of a show-down between children and the.ir mother. Note on side one of film can says, "Jerome Caja I, How to do Film." Note on opposite side of can says, "How to Prevent Parent Abuse."

Notes related to this film are in Box 7, Folder 5.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f2fa28bd-caa5-48a2-b8cc-bd63c9017ff7
EDAN-URL:
ead_component:sova-aaa-cajajero-ref148

Untitled

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Film reel (Super 8mm)
Container:
Item FC19
Type:
Archival materials
Moving Images [31027000385803]
Film reels
Date:
undated
Scope and Contents:
Three film reels of people in an atrium. Notes on two of the cans say, "D Anna." Note on the third can says, "V-"
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e2111f80-1aa2-4acb-bacd-a42e9b5d52c1
EDAN-URL:
ead_component:sova-aaa-cajajero-ref149

Untitled

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Film reel (Super 8mm)
Container:
Item FC21
Type:
Archival materials
Moving Images [31027000385928]
Film reels
Date:
undated
Scope and Contents:
Two film reels showing footage of people at a possible rehearsal. The people are out of focus in both reels. Notes on first can say, "C e" "Jerome Caja Com." Note on second can says, "D. Paul V."
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw971e73b28-bf39-4071-a433-8055dd1f35ea
EDAN-URL:
ead_component:sova-aaa-cajajero-ref150

Beatles

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
3 Sound cassettes
Container:
Box 8, Item 1-3
Type:
Archival materials
Audio [31027000856118]
Sound cassettes
Date:
undated
Scope and Contents:
Mix tapes featuring songs by the Beatles.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9271e421c-dcb4-4544-952e-cfd7abdaca23
EDAN-URL:
ead_component:sova-aaa-cajajero-ref151

Birds

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Sound cassette
Container:
Box 8, Item 4
Type:
Archival materials
Audio [31027000856118]
Sound cassettes
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw981991d1a-26d1-4d13-96c6-ff78d0d8f787
EDAN-URL:
ead_component:sova-aaa-cajajero-ref152

"1. Day of the Sun" and "2. Bigiuius today"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Sound cassette
Container:
Box 8, Item 6
Type:
Archival materials
Audio [31027000856118]
Sound cassettes
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0550823-8ad7-47ec-b978-9394f87f3847
EDAN-URL:
ead_component:sova-aaa-cajajero-ref153

"Close Your Eyes"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
1 Sound cassette
Container:
Box 8, Item 5
Type:
Archival materials
Audio [31027000856118]
Sound cassettes
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e0c4d02d-9d73-41ed-952f-7065e20db3e2
EDAN-URL:
ead_component:sova-aaa-cajajero-ref154

"High God"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
2 Sound cassettes
Container:
Box 8, Item 7-8
Type:
Archival materials
Audio [31027000856118]
Sound cassettes
Date:
undated
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9baf22718-d443-4eb0-b25f-f443c28c0a5c
EDAN-URL:
ead_component:sova-aaa-cajajero-ref155

"Jerome Telling Stories"

Collection Creator:
Caja, Jerome, 1958-1995  Search this
Extent:
2 Sound cassettes
Container:
Box 8, Item 9-10
Type:
Archival materials
Audio [31027000856118]
Sound cassettes
Date:
undated
Scope and Contents:
Jerome telling stories.

Notes on Tape 1, Side 1: "Billy Goats," "Frog Prince," "Han and Gret" Notes on Tape 1, Side 2: "Gold Locks," "3 Pigs" "Cinderla pt 2" Notes on Tape 2, Side 1: ""Little Joe Hood" "Frog Prince" "Snow White 3 parts part 1" Notes on Tape 2, Side 2: "Snow White part 2" "Joe Ginder Beard Man" "Cindyralla part 1"
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jerome Caja papers, circa 1920-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Jerome Caja papers
Jerome Caja papers / Series 9: Audio-Visual Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90d6c75a0-4e29-4dd9-bad9-46405de6b533
EDAN-URL:
ead_component:sova-aaa-cajajero-ref156

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