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Kraushaar Galleries records, 1877-2006

Creator:
Kraushaar Galleries  Search this
Subject:
Wilson, Ralph L.  Search this
Fausett, Dean  Search this
Lasker, Joe  Search this
Murdock, Roland P.  Search this
Phillips, Duncan  Search this
Kuhn, Walt  Search this
Smith, Vernon  Search this
Robinson, Boardman  Search this
Lechay, James  Search this
Laurent, Robert  Search this
Hartell, John  Search this
Cantene, David  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Kraushaar, Antoinette M.  Search this
Harrison, Preston  Search this
Heliker, John  Search this
Williams, Esther  Search this
Luks, George Benjamin  Search this
Glackens, Edith  Search this
Navas, Elizabeth S.  Search this
DeLonga, Leonard  Search this
Evett, Kenneth Warnock  Search this
Halberstadt, Ernst  Search this
Prendergast, Maurice Brazil  Search this
Morris, Carl  Search this
Ruellan, Andrée  Search this
Smalley, David  Search this
Flannery, Vaughn  Search this
Cowles, Russell  Search this
Penney, James  Search this
Beal, Gifford  Search this
Bacon, Peggy  Search this
Beal, Reynolds  Search this
Hardy, Thomas  Search this
Glackens, William J.  Search this
Prendergast, Charles  Search this
Demuth, Charles  Search this
Albrizio, Humbert  Search this
Lachaise, Gaston  Search this
Bignou, Etienne  Search this
Kirsch, Frederick D. (Frederick Dwight)  Search this
Sloan, John  Search this
Allard, J.  Search this
Bouché, Louis  Search this
Juley, Peter A.  Search this
Stanley, Alix W.  Search this
Arnest, Bernard  Search this
Brueming, Karen  Search this
Miller, Harriette  Search this
Kraushaar, John F.  Search this
Guillaume, Paul  Search this
Art Institute of Chicago  Search this
Toledo Museum of Art  Search this
Cleveland Museum of Art  Search this
Wichita Art Museum  Search this
Whitney Museum of American Art  Search this
New Britain Institute  Search this
Ernest Brown and Co.  Search this
Carnegie Institute  Search this
University of Nebraska--Lincoln  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Photographs
Sketches
Drawings
Exhibition catalogs
Financial records
Notes
Sketchbooks
Topic:
Works of art  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Artists -- United States  Search this
Depressions -- 1929  Search this
Record number:
(DSI-AAA_CollID)7781
(DSI-AAA_SIRISBib)209946
AAA_collcode_kraugall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209946
Online Media:

Audio cassette tapes of Katharine Kuh and Daniel Catton Rich

Collection Creator:
Kuh, Katharine  Search this
Container:
Box 12, Folder 15
Type:
Archival materials
Date:
1977
Collection Restrictions:
Authorization to quote, publish or reproduce requires written permission until 2019. Contact the Archives of American Art Reference Services department for additional information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Katharine Kuh papers, 1875-1994, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
See more items in:
Katharine Kuh papers
Katharine Kuh papers / Series 9: Audio Recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuhkath-ref540

Audio Cassettes

Collection Creator:
Gray, Cleve  Search this
Container:
Box 6, Folder 56
Type:
Archival materials
Date:
1981-1989, undated
Scope and Contents note:
Cleve Gray Lecture, "Meaning in the Visual Arts"

Cleve Gray Lecture, Aldrich Museum

Cleve Gray and Faith Middleton, "Open Air New England," Connecticut Public Broadcasting, Inc.

Hans Richter [title illegible]
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Cleve Gray papers
Cleve Gray papers / Series 5: Audiovisual Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-grayclev-ref430

Lowery Stokes Sims papers

Creator:
Sims, Lowery Stokes  Search this
Extent:
24.4 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Video recordings
Date:
circa 1981-2017
Scope and Contents:
The papers of African American art historian, curator and art administrator, Lowery Stokes Sims, measure 24.5 linear feet and date from circa 1918-2017. Included are correspondence; photographs of Lowery and others at events; notes and journals;printed material; exhibition records and administrative records from the Metropolitan Museum of Art, The Studio Museum in Harlem, and the Museum of Art and Design and other organizations; VHS videos, DVD and audio cassettes of interviews with Sims regarding artists and exhibitions; and research files on artists.
Biographical / Historical:
Lowery Stokes Sims (1949-) is an African American art historian, curator and art administrator. Sims was the first African American Curator at the Metropolitan Museum of Art (1972-1999), then served as Executive Director, President then Adjunct Curator of the Permanent Collection of The Studio Museum in Harlem (2000-2007), and Senior Curator and then Chief Curator of the Museum of Art and Design (2007-2015).
Provenance:
The collection was donated in 2019 by Lowery Stokes Sims as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
This collection is access restricted; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Art museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American art  Search this
African American art museum curators  Search this
Genre/Form:
Sound recordings
Interviews
Video recordings
Identifier:
AAA.simslowe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-simslowe

Interviews

Collection Creator:
Perine, Robert  Search this
Extent:
0.9 Linear feet (Boxes 1-3)
Type:
Archival materials
Date:
circa 1979
Scope and Contents:
Found here are interviews Perine conducted with staff of the Chouinard Art Institute for use in his book. There are partial transcripts for some of the interviews. The series is arranged with the transcripts first in alphabetical order followed by the audio cassettes. Since there are multiple interviews on each cassette, the cassettes are in no particular order.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Perine research material on the Chouinard Art Institute, circa 1923-circa 1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.perirobe, Series 4
See more items in:
Robert Perine research material on the Chouinard Art Institute
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-perirobe-ref25

Printed Material and Related Items

Collection Creator:
Twardowicz, Stanley, 1917-  Search this
Extent:
(Box 1, OV 2; 0.6 linear feet)
Type:
Archival materials
Date:
1946-1981
Scope and Contents note:
Printed material and related items consist of exhibition announcements and catalogs, press clippings, and letters from associates and institutions such as the Whitney Museum of American Art and the Museum of Modern Art. Exhibition catalogs are from galleries in Rome, Italy and San Paulo, Brazil as well as local galleries and institutions. There are no files for the years 1971 and 1977.

Also found is an audio cassette recording of a 1974 interview with Twardowicz by Rob Carter done for WHPC radio in New York on the occasion of Twardowicz's exhibition at the Heckscher Museum in Huntington, Long Island and a VHS-C video "Stan's Painting Show," September, 1995, Lanning Gallery, Columbus, Ohio.

Of note are the April, 1956 letter advising Tardowicz that he has won a John Simon Guggenheim Memorial Foundation in Creative Painting (1956 file) and photocopies of two drawings of Tardowicz by an unidentified artist (1979 file).
Arrangement note:
This series retains the chronological order established by the creator.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Material created by Twardowicz: The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stanley Twardowicz papers, 1942-2009, bulk 1942-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.twarstan, Series 4
See more items in:
Stanley Twardowicz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-twarstan-ref28

Reuben Tam papers

Creator:
Tam, Reuben  Search this
Names:
Alan Gallery (Charles Alan)  Search this
Brooklyn Museum of Art  Search this
Coe Kerr Gallery  Search this
Downtown Gallery (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
Skowhegan School of Painting and Sculpture  Search this
Andrews, Dorothy, 1918-2008  Search this
Kienbusch, William, 1914-1980  Search this
Nesjar, Carl, 1920-  Search this
Solomon, Hyde, 1911-  Search this
Extent:
9.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Poems
Diaries
Scrapbooks
Watercolors
Drawings
Date:
1931-2006
Summary:
The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.
Scope and Contents:
The papers of landscape painter and educator Reuben Tam measure 9.2 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks. There is a 1.1 linear foot unprocessed addition to the collection donated in 2020 that includes 34 sketchbooks, circa 1940-1974, by Tam from his time in New York, Hawaii, Connecticut, Massachusetts, Oregon, Alaska and Canada.

Biographical material includes school documents, records of his tenure as an instructor at the Brooklyn Museum of Art School, artwork consignment and sales records, and slides and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.

Correspondence is with family, fellow artists, including William Kienbusch and Hyde Solomon, as well as art organizations, schools, and museums, such as Brooklyn Museum of Art School, Guggenheim Memorial Foundation, Maine Coast Artists group, and the Skowhegan School of Painting and Sculpture. Also found is correspondence with the three galleries which represented his work: Downtown Gallery, Alan Gallery, and Coe Kerr Gallery.

The collection includes five bound diaries as well as diary entries written by Reuben Tam on loose sheets of paper, primarily documenting the 1940s. Other writings include drafts of poetry, one notebook, miscellaneous notes, and essays by others.

Printed material consists of school publications, exhibition catalogs and announcements for solo and group shows, brochures, flyers, magazines, bulletins, and news clippings. Eight scrapbooks found in this collection also include newspaper clippings, exhibition announcements and catalogs, as well as event invitations, membership cards, and letters, documenting 40 years of Reuben Tam's career.

Photographs are of Reuben Tam, Tam with friends and family, and artwork. One photograph album contains photographs from Tam's visits to Maine from 1946 to 1948, and includes photographs of fellow artists Hyde Solomon, Carl Nesjar, Dorothy Andrews, and William Kienbusch. Artwork in the collection includes prints, drawings, and watercolors as well as seventeen large sketchbooks documenting the coastal landscape of Monhegan Island, Maine.
Arrangement:
The collection is arranged as 9 series:

Series 1: Biographical Material, 1934-1993 (Box 1; 0.4 linear feet)

Series 2: Correspondence, 1931-2006 (Box 1-4; 3.5 linear feet)

Series 3: Diaries, 1932-1974 (Box 4-5; 0.4 linear feet)

Series 4: Writings, 1939-1987 (Box 5; 7 folders)

Series 5: Printed Material, 1935-1997 (Box 5-6, 9; 1.2 linear feet)

Series 6: Photographs, circa 1930-1990 (Box 6-7, 9; 1.0 linear foot)

Series 7: Artwork, circa 1936-1975 (Box 7, 9-10, OV 11; 0.7 linear feet)

Series 8: Scrapbooks, 1938-1978 (Box 7-8; 0.9 linear feet)

Series 9: Unprocessed Addition, circa 1940-1974 (Box 12, OV13; 1.1 linear feet)
Biographical / Historical:
Reuben Tam (1916-1991) was a landscape painter and educator in New York, Maine, and Hawaii. Tam was born in Kapaa, Hawaii, in 1916. He received a degree in education in 1937 from the University of Hawaii and was briefly a public school teacher before attending graduate courses at the California School of Fine Arts. In 1941 he moved to New York and took courses in art history and philosophy at the New School for Social Research and Columbia University. Tam became affiliated with the Downtown Gallery in 1945 and was a prolific exhibitor in national and regional shows, winning critical praise as an abstract landscape painter. In 1948 he was awarded a Guggenheim Fellowship and first exhibited in the National Academy's annual exhibition in 1947.

Tam was an instructor at the Brooklyn Museum of Art School from 1946 to 1974. While there he taught advanced studies in painting and was chairman of the graduate painting department. He also served as a visiting professor at Oregon State University, Haystack, and Queens College, CUNY.

Beginning in 1948, Tam and his wife, Geraldine, spent summers at their home and studio on Monhegan Island, Maine. Tam's work was deeply influenced by coastal landscapes both in Maine and in his native Hawaii. In 1981 he and his wife moved back to Kapaa, Hawaii, where he continued to paint and exhibit his new works until his death in 1991.
Related Materials:
Reuben Tam papers, 1958-1966, are also located at Syracuse University.
Provenance:
Scrapbooks were lent for microfilming in 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow. 34 additional sketchbooks were donated in 2020 by the Geraldine King Tam Trust, via Cindy King, trustee and niece of Geraldine King Tam.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Painters -- Hawaii  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Educators -- Hawaii  Search this
Educators -- Maine  Search this
Educators -- New York (State)  Search this
Asian American artists  Search this
Genre/Form:
Sketchbooks
Sound recordings
Poems
Diaries
Scrapbooks
Watercolors
Drawings
Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tamreub
See more items in:
Reuben Tam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tamreub
Online Media:

Biographical Material

Collection Creator:
Tam, Reuben  Search this
Extent:
0.4 Linear feet (Box 1)
Type:
Archival materials
Date:
1934-1993
Scope and Contents:
This series contains biographical summaries and resumes documenting Reuben Tam's career, as well as his school records, diplomas, and teaching records, including extensive records of his tenure at the Brooklyn Museum of Art School. Also found are records of artwork sales and loans, various lists of artwork, and the consignment and purchase records for the galleries which represented Tam. Also of note is a slide show and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.
Arrangement:
Folders are arranged alphabetically.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tamreub, Series 1
See more items in:
Reuben Tam papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tamreub-ref15

Judith Saul Stix papers relating to Bessie Lowenhaupt

Creator:
Stix, Judith Saul  Search this
Names:
Lowenhaupt, Bessie  Search this
Extent:
5 Items
Type:
Collection descriptions
Archival materials
Date:
1961-1982
Scope and Contents:
Sound recordings and notes concerning painter Bessie Lowenhaupt. Included are an audio cassette of Lowenhaupt recorded during dinner with the Stix family, December 20, 1961 and notes about the conversation; an audio cassette of a radio interview with Bessie Lowenhaupt conducted by Stix for station KADI, Brookline, Mo., October 29, 1982, (broadcast October 31, 1982); biographical notes regarding Lowenphaut; and a list of her self portraits.
Biographical / Historical:
Stix: Writer; St. Louis, Mo.; b.1932. Lowenhaupt: Painter; Brookline, Mo.
Related Materials:
Additional holdings regarding Lowenphaut in the Western Historical Manuscripts Collection, University of Missouri, St. Louis, Mo.
Provenance:
Donated 2005 by Judith Saul Stix, author of "Bessie Lowenhaupt, from life: a very personal portrait", 1995.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Painters -- Missouri -- St. Louis -- Interviews  Search this
Identifier:
AAA.stixjudi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stixjudi

Transcript, Interview with Malcolm Warner

Collection Creator:
Sternberg, Harry, 1904-2001  Search this
Extent:
(See also audio cassettes in Series 7, Box 3)
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1994
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harry Sternberg papers, 1927-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Harry Sternberg papers
Harry Sternberg papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sterharr-ref15

Biographical Files

Collection Creator:
Sperry, Robert, 1927-1998  Search this
Extent:
(Box 1; 0.3 linear feet)
Type:
Archival materials
Date:
1954-circa 2000, undated
Scope and Contents note:
This series includes artist statements, curriculum vitae and resumes, as well as a complete biography listing all of Sperry's professional achievements. It also contains files on awards Robert Sperry received which typically include correspondence, brochures, and other related materials concerning the awards. There are two files on interviews, including a transcript for an interview conducted by the Archives of American Art for the Northwest Oral History Project and two audio cassettes of a radio interview. Also found are teaching evaluations, Patti Warashina's resume, and other miscellaneous materials. The series is arranged alphabetically by type of material, with miscellaneous materials at the end.
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Sperry papers, 1951-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sperrobe, Series 1
See more items in:
Robert Sperry papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sperrobe-ref13

Interview, Audio Cassette, "Private Talks with Public Artists,"

Collection Creator:
Sperry, Robert, 1927-1998  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1988
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Sperry papers, 1951-2002. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Sperry papers
Robert Sperry papers / Series 1: Biographical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sperrobe-ref21

Dee Shapiro research material relating to women artists

Creator:
Shapiro, Dee, 1936-  Search this
Names:
Soho Center for Visual Artists  Search this
Castanis, Muriel, 1926-2006  Search this
Golden, Eunice  Search this
Kozloff, Joyce  Search this
Sleigh, Sylvia  Search this
Spero, Nancy, 1926-2009  Search this
Stevens, May  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1975-1976
Scope and Contents:
Dee Shapiro research material relating to women artists measures 0.2 linear feet and dates from circa 1975-1976. The collection documents Shapiro's research on women artists, some used for an exhibition and book "Breaking the Sex Barrier in the Visual Arts". Included are untranscribed audio recordings containing six interviews on 3 audio cassettes and 7 CDs conducted by Dee Shapiro with artists Joyce Kozloff, May Stevens, Sylvia Sleigh, Muriel Castanis, Nancy Spero and Eunice Golden; a panel discussion at the Soho Center for Visual Arts by Amy Goldin; correspondence, slides and artists biographies of women; and notes for " A Chronology of Women Artists' Movement" by Lucy Lippard.
Biographical / Historical:
Dee Shapiro (1936- ) is an artist in Great Neck, N.Y. Shapiro was a member of a women's cooperative gallery in New York when she conducted research into the lives of women artists.
Provenance:
Donated 2014 and 2020 by Dee Shapiro.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.shapdee
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shapdee

An Evening with the Los Angeles Modernists

Creator:
Santa Barbara Museum of Art  Search this
Names:
Benjamin, Karl  Search this
Ehrlich, Susan, 1942-  Search this
Engel, Jules  Search this
Hammersley, Frederick, 1919-2009  Search this
Karlstrom, Paul J.  Search this
Mullican, Lee, 1919-1998  Search this
Wayne, June, 1918-2011  Search this
Extent:
2 Items (sound cassettes)
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1990
Scope and Contents:
A recording on two audio cassettes of "An Evening with the Los Angeles Modernists," November 7, 1990, held in conjunction with the exhibit "Turning the Tide: Early Los Angeles Moderns 1920-1950," organized by the Santa Barbara Museum of Art, Santa Barbara, California. Speakers include Susan Ehrlich, Paul Karlstrom, and artists Karl Benjamin, Jules Engel, Frederick Hammersley, June Wayne, and Lee Mullican.
Biographical / Historical:
Santa Barbara Museum of Art (established 1941) is an art museum in Santa Barbara, California.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California -- Los Angeles  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.santbarm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-santbarm

San Francisco Art Association and related organizational records

Creator:
San Francisco Art Association  Search this
Names:
California School of Design  Search this
Mark Hopkins Institute of Art  Search this
San Francisco Art Institute  Search this
San Francisco Museum of Art  Search this
Western Round Table of Modern Art (1949 : San Francisco, Calif.)  Search this
Bateson, Gregory  Search this
Boas, George, 1891-  Search this
Burke, Kenneth, 1897-  Search this
Duchamp, Marcel, 1887-1968  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Geddes, Norman Bel, 1893-1958  Search this
Goldwater, Robert John, 1907-1973  Search this
MacAgy, Douglas, 1913-  Search this
Milhaud, Darius, 1892-1974  Search this
Ritchie, Andrew Carnduff  Search this
Schoenberg, Arnold, 1874-1951  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959  Search this
Extent:
9 Microfilm reels
9 Sound cassettes (Sound recordings)
Type:
Collection descriptions
Archival materials
Microfilm reels
Sound cassettes
Date:
1871-1978
bulk 1871-1920
Scope and Contents:
Primarily records of the San Francisco Art Association (1871-1920), but also of the California School of Design (1873-1905) (briefly called the Mark Hopkins Institute of Art in 1893), the Palace of Fine Arts (1915-1945), The Western Round Table on Modern Art (1949), the San Francisco Art Institute (1911-1978), the San Francisco Museum of Art (1921-1970), and the Douglas MacAgy papers (1944-1950).
REELS 1288-1289: 3 vol. containing minutes of board of trustees meetings of the Association and Institute, 1871-1915, and minutes of the meetings of the board of directors of the California School of Design, 1873-1905.
REELS 2429-2433: Historical data contains material relating to the museum. San Francisco Art Association records include correspondence; photographs; membership records; organizational and registrarial records; reports; printed material; and materials regarding the Palace of Fine Arts. San Francisco Museum of Art section includes correspondence; minutes of board meetings; reports; legal documents; clippings; and printed materials. "Western Round Table on Modern Art" conference sponsored by SFAA, April 8-10, 1949, includes letters to organizer Douglas MacAgy regarding arrangements, publicity, and comments, including several from participants Gregory Bateson, Kenneth Burke, George Boas, Marcel Duchamp, Alfred Frankenstein, Norman Bel Geddes, Robert Goldwater, Darius Milhaud, Andrew Ritchie, Arnold Schoenberg, Mark Tobey, and Frank Lloyd Wright; Abstract of Proceedings; transcripts of the meeting edited by participants; clippings; and photographs. The microfilm also includes papers of Douglas MacAgy; and correspondence, clippings, and photographs of artists' models for the San Francisco Art Institute.
REELS 4962-4963: Files, primarily correspondence, from the director, J. Nilsen Laurvik, from the 43rd (1919) and 44th (1920) San Francisco Art Association Annual Art Exhibition of the Works of American Artists, pertaining to its organization, promotion and administration; and additional material relating to the "Western Round Table on Modern Art," including transcripts from the Apr. 8th session edited by participants, some with notes and letters, and a final draft of an edited version; a scrapbook of publicity clippings on the Round Table; and 30 photographs taken during the conference.
Also included are 9 audio cassettes (copied from original Webcor wire recordings) of the entire proceedings of the "Western Roundtable."
Biographical / Historical:
The San Francisco Art Association (SFAA) was founded in 1871 and incorporated in 1889. The California School of Design was established under the auspices of SFAA in 1874, changing its name to the Mark Hopkins Institute of Art in 1893 after the Mark Hopkins mansion was given to SFAA. It became the San Francisco Institute of Art in 1907, and the California School of Fine Arts in 1917. From 1916-1924, SFAA retained the Palace of Fine Arts, which had been part of the Panama-Pacific International Exposition. In 1921, SFAA incorporated the San Francisco Museum of Art (SFMA) into its administration although each retained autonomy. In 1961, SFAA merged with the School and was renamed the San Francisco Art Institute. A change in the constitutional by-laws officially dissolved the SFAA in 1966, leaving the SFAI and the SFMA. In 1976, SFMA changed its name to the San Francisco Museum of Modern Art.
On April 8-10, 1949, the SFAA sponsored the Western Round Table of Modern Art, organized by Douglas MacAgy for the purpose of bringing together a representation of the best informed opinion to discuss questions about art of the day.
Provenance:
Lent for microfilming 1977-1987 by the San Francisco Art Institute. The sound recordings were borrowed from the San Francisco Art Institute, recorded on cassette in 1987 and then the orginal wire tapes were subsequently returned to the San Francisco Art Institute.
Restrictions:
Patrons must use microfilm copy.
Topic:
Art -- Study and teaching -- California -- San Francisco  Search this
Function:
Art museums -- California -- San Francisco
Arts facilities -- California -- San Francisco
Art Schools -- California -- San Francisco
Identifier:
AAA.sanfraaa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sanfraaa

John Ferren, conducted by Irving Sandler

Collection Creator:
Sandler, Irving, 1925-  Search this
Extent:
1 Sound tape reel
Container:
Box 1, Item 13
Type:
Archival materials
Audio [31027000845194]
Sound tape reels
Date:
1963 February 4
Scope and Contents:
File also includes one audio cassette tape.
Collection Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Irving Sandler interviews and papers, 1944-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Irving Sandler interviews and papers
Irving Sandler interviews and papers / Series 1: Interviews
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sandirvi-ref14

Robert Pincus-Witten papers

Creator:
Pincus-Witten, Robert, 1935-2018  Search this
Extent:
12 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1950-2017
Scope and Contents:
The papers of art historian, critic and curator Robert Pincus-Witten measure 12.0 linear feet and date from 1950-2017. Included are biographical material consisting of diplomas, passports, address books, and calendars; writings including 43 journals and drafts of articles, essays and other writings by Pincus-Witten; correspondence with friends and colleagues; teaching files from City University of New York; research files on artists; photographs of family, friends, events and works of art; audio visual material including two reel-to-reel tapes recordings and 17 audio cassettes document panels that featured Pincus-Witten and interviews he conducted with artists; and printed material consisting of exhibition announcements, brochures, and clippings. Some writings are in digital format.
Biographical / Historical:
Robert Pincus-Witten (1935-2018) was an art historian, professor, critic, and curator in New York. Pincus-Witten taught at Queens College, part of the City University of New York (CUNY).
Provenance:
The papers were donated in 2019 by Leon Hecht, Robert Pincus-Witten's husband.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact References Services for more information.
Robert Picus-Witten's journals are ACCESS RESTRICTED; use requires written permission.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.pincrobe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pincrobe

Kenneth Noland papers relating to David Smith

Creator:
Noland, Kenneth, 1924-2010  Search this
Names:
Olitski, Jules, 1922-2007  Search this
Smith, David, 1906-1965  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
[ca. 1952-1984]
Scope and Contents:
Correspondence, printed material, photographs and an audio cassette relating to the sculptor David Smith and his works.
Letters from and about Smith; Smith's funeral bill; 7 snapshots taken by Stanley Twardowicz at the Noland home in 1964 of Noland, Smith and Jules Olitski; negatives of unidentified people; photographs and negatives of work by Smith; and clippings. Also included is a recorded interview with Leon Pratt, Smith's assistant (interviewer unidentified), 1960s.
Biographical / Historical:
Kenneth Noland (1924-2010) was a painter, educator in South Salem, New York, and friend of David Smith.
Provenance:
Donated 1988 by Kenneth Noland.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Sculptors -- New York (State) -- Bolton Landing  Search this
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Steel sculpture  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.nolakenn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nolakenn

Exhibition and Competition Files

Collection Creator:
National Society of Mural Painters (New York, N.Y.)  Search this
Extent:
2 Linear feet (Boxes 5-7)
Type:
Archival materials
Date:
1917-1998
Scope and Contents:
The bulk of this series consists of material relating to the three NSMP projects celebrating the 1976 U.S. Bicentennial, including the "Freedom Murals", "The Caravan of Freedom", and "Momentous Events in American History". Files include correspondence, printed material, plans, itineraries, scattered financial documents, applications, and some photographs documenting planning, execution of work by members, fundraising, and publicity. Included is an audio cassette recording entitled "Momentous Events at Nabisco." A file for the Mural Night Forum includes a letter and typed remarks given by Elizabeth McCausland. There is a videocassette recording of a dedication of a mural by David Garrison in Fort Madison, Iowa.
Arrangement:
This series is arranged in chronological order according to the earliest document found for a project. Folders containing material relating to the Bicentennial competitions likely include documents relating to all three projects.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Society of Mural Painters records, 1895 - circa 2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natimurp, Series 5
See more items in:
National Society of Mural Painters records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-natimurp-ref5

Elizabeth Olds

Collection Creator:
Prescott, Emma-Stina  Search this
Prescott, Kenneth Wade, 1920-  Search this
Extent:
0.6 Linear feet (Boxes 8-9)
Type:
Archival materials
Date:
1931-1992
Scope and Contents:
Found here is research material regarding artist Elizabeth Olds, including exhibition catalogs and other printed material, photographs and slides of her artwork, an appraisal of her artwork, and a thesis on her career. Also found are a few snapshots of Olds, primarily depicting her sketching outdoors. Recordings include one audio cassette of Olds interviewed by Kenneth Prescott and one videocassette of Olds interviewed at age 88 and a selection of works shown in her 1986 retrospective exhibition at the RGK Foundation.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Chapin and Greenbaum material: Authorization to publish, quote or reproduce requires written permission from Emma-Stina Prescott. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kenneth and Emma-Stina Prescott research material on artists, 1919-2001, bulk 1973-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.preskenn, Series 5
See more items in:
Kenneth and Emma-Stina Prescott research material on artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-preskenn-ref64

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