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Correspondence with James W Fosburgh

Collection Creator:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1950 April 7-1958 July 15
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Collection Citation:
R. Kirk Askew papers, 1942-1958. Archives of American Art, Smithsonian Institution.
See more items in:
R. Kirk Askew papers
R. Kirk Askew papers / Series 1: R. Kirk Askew Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1a49b13-3727-4bb9-86f8-2f03fe243cee
EDAN-URL:
ead_component:sova-aaa-asker-ref7

Correspondence with Stephen Greene

Collection Creator:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1945 March 31-1954 December 17
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Collection Citation:
R. Kirk Askew papers, 1942-1958. Archives of American Art, Smithsonian Institution.
See more items in:
R. Kirk Askew papers
R. Kirk Askew papers / Series 1: R. Kirk Askew Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1ae2d2b-d3b3-475c-89b8-68907e33f65a
EDAN-URL:
ead_component:sova-aaa-asker-ref8

Correspondence with Edward Melcarth

Collection Creator:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1942-1945
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Collection Citation:
R. Kirk Askew papers, 1942-1958. Archives of American Art, Smithsonian Institution.
See more items in:
R. Kirk Askew papers
R. Kirk Askew papers / Series 1: R. Kirk Askew Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7f56f07-3319-4de2-a109-25a2cb5498c2
EDAN-URL:
ead_component:sova-aaa-asker-ref9

Peter Blume papers

Creator:
Blume, Peter, 1906-1992  Search this
Names:
American Academy of Arts and Letters  Search this
American Artists' Congress  Search this
Boston College  Search this
Connecticut Council of the Arts  Search this
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Blankenhorn, Heber, 1884-1956  Search this
Blume, Grace  Search this
Boursa, Harry  Search this
Burke, Kenneth, 1897-  Search this
Cowley, Malcolm, 1898-  Search this
De Vries, Peter, 1910-1993  Search this
Eisenstaedt, Alfred  Search this
Getlein, Frank  Search this
Godsoe, Robert  Search this
Hirsch, Joseph, 1910-1981  Search this
Kelly, Michael A.  Search this
Miller, Arthur, 1915-2005  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Soyer, Raphael, 1899-1987  Search this
Trapp, Frank  Search this
Extent:
7.6 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Sound recordings
Interviews
Drawings
Photographs
Prints
Transcriptions
Lectures
Scrapbooks
Sketches
Date:
1870-2001
Summary:
The papers of New York and Connecticut painter Peter Blume date from 1870 to 2001 and measure 7.6 linear feet. Found are biographical materials; correspondence with family, friends, colleagues, galleries and institutions, and writers; writings on art by Blume and others; subject files regarding organizations, works of art, exhibitions, and reference files; personal business records; printed material; two scrapbooks; photographs of Blume, family, friends, and works of art; extensive artwork; and material relating to Blume's wife's family, the Cratons.
Scope and Contents:
The papers of New York and Connecticut painter Peter Blume date from 1870 to 2001 and measure 7.6 linear feet. Found are biographical materials; correspondence with family, friends, colleagues, galleries and institutions, and writers; writings on art by Blume and others; subject files regarding organizations, works of art, exhibitions, and reference files; personal business records; printed material; two scrapbooks; photographs of Blume, family, friends, and works of art; extensive artwork; and material relating to Blume's wife's family, the Cratons.

Biographical materials include an award, obituaries, a travel itinerary, and sound recordings and transcripts of interviews of Peter Blume by Alfred H. Barr, Boston College, Harry Boursa, and Visionary Company Magazine.

Correspondence is professional and personal. Letters are from friends, family, artists, writers, galleries, and institutions. Notable correspondents include Kirk Askew, Malcolm Cowley, Peter DeVries, Joseph Hirsch, and Frank A. Trapp, among others. Also found is Grace Blume's correspondence which includes letters to and from Peter Blume and letters from Grace to her family members and friends. The bulk of Grace Blume's correspondence concerns her travels with Blume.

Writings and notes by Blume include a travel journal, lists of works of art, lectures, talks and other writings on art, artists, and friends. Writings by others include theses and scholarly papers about Blume, and include writings by Heber Blankenhorn, Kenneth Burke, Malcolm Cowley, Robert Ulrich Godsoe, Frank Getlein, Michael A. Kelly, and Frank A. Trapp. Also found is criticism on The Rock by school children.

Blume's subject files cover the American Academy of Arts and Letters, American Artists Congress, Heber Blankenhorn, works of art by Blume, exhibitions, and the Connecticut Council on the Arts. Also found are reference files consisting of photographs of artwork by others and clippings.

Personal business and financial records consist of business correspondence with galleries and museums; sales and consignment records; scattered price lists; and receipts and invoices relating to the building and running of Blume's house in Connecticut.

Printed materials include clippings, exhibition announcements and catalogs for solo and group shows, magazines featuring articles about Blume, posters, and reproductions of works of art.

Scrapbooks include a fragment of a scrapbook from 1942-1944 and a clippings scrapbook from 1934-1939.

Photographs include portraits and snapshots of Peter Blume, Grace Blume, family, friends, travel, parties, pets, homes, landscapes, exhibitions, and works of art. There are also photos of the Askews, the Blankenhorns, the Cowleys, Alfred Eisenstaedt, the Holstens, the Josephsons, Arthur Miller, Georgia O'Keeffe, the Sobys, and Raphael Soyer.

Artwork by Peter Blume includes completed drawings, sketches, doodles, prints, and preliminary drawings for many of his works. Of note are extensive sketches of heads, and preliminary drawings for Recollection of the Flood.

Craton family papers consist of geneological material relating to Grace Blume's brother, James Craton and his wife Catherine Sears Craton. Found are vital records; military records for James and Marshall Craton; correspondence; scattered financial records; clippings; and family photographs.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, circa 1950-1992 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1926-1992 (1.8 linear feet; Box 1-3)

Series 3: Writings and Notes, 1929-1986 (0.5 linear feet; Box 3, 9)

Series 4: Subject Files, circa 1930-1988 (0.5 linear feet; Box 3-4)

Series 5: Personal Business and Financial Records, 1934-1983 (0.6 linear feet; Box 4, 9)

Series 6: Printed Material, 1930-1990 (0.7 linear feet; Box 4-5, 9, OV 15-16)

Series 7: Scrapbooks, 1934-1944 (3 folders; Box 5)

Series 8: Photographs, 1917-circa 1980 (1.1 linear feet; Box 5-6, 9)

Series 9: Artwork, 1932-1984 (2.0 linear feet; Box 6-9, OV 10-14)

Series 10: Craton Family Papers, 1870-2001 (0.2 linear feet; Box 6)
Biographical / Historical:
Russian-born painter and sculptor Peter Blume (1906-1992) was active in New York and Connecticut. His style combined American and European traditions with folk art and surrealism.

Peter Blume was born Piotr Sorek-Sabel in 1906 in Smorgon, Russia. With his family, he emigrated to the United States in 1911 and settled in New York City. Blume studied at the Educational Alliance and the Art Students League in New York. Influenced by folk art, Precisionism, Cubism, and Surrealism, Blume combined European and American painting tradition to create his own style. He was awarded a Guggenheim Fellowship in 1932 and travelled to Italy.

In 1934, Blume's South of Scranton (1931) won the first prize at the Carnegie International Exhibition. Later, he exhibited The Eternal City (1937) at the Julian Levy Galleries in Manhattan. With the Section of Painting and Sculpture of the Treasury Department, Blume completed two post office murals in New York and Pennsylvania. Blume was a member of the National Academy of Design and was active with the American Academy in Rome.

Peter Blume married Grace "Ebie" Douglas Craton in 1931. The couple built their home in Sherman, Connecticut. The Blumes travelled the world and kept close relationships with family and friends, such as Ann and Heber Blankenhorn, Malcolm Cowley, and Ned and Nancy Holsten.

Peter Blume died in Connecticut in 1992.
Related Materials:
Also in the Archives of American Art is an oral history interview with Peter Blume conducted on August 16th, 1983 to May 23rd, 1984 by Robert F. Brown.
Provenance:
The Peter Blume papers were donated by in 1993 by Grace Blume, Peter Blume's widow. Additional papers were donated by Catherine Weiss, Jamie Vance, and Leigh Butler in 2010.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Sound recordings
Interviews
Drawings
Photographs
Prints
Transcriptions
Lectures
Scrapbooks
Sketches
Citation:
Peter Blume papers, 1870-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blumpete
See more items in:
Peter Blume papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933972ecf-c1f9-47e8-940f-e0373959c592
EDAN-URL:
ead_collection:sova-aaa-blumpete
Online Media:

Hyman Bloom papers

Creator:
Bloom, Hyman, 1913-  Search this
Durlacher Bros. (New York, N.Y.)  Search this
Names:
Askew, R. Kirk (Ralph Kirk), 1903-1974  Search this
Miller, Dorothy Canning, 1904-2003  Search this
Moe, Henry Allen, 1894-1975  Search this
Story, Ala  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1936-1980
Scope and Contents:
Letters from Dorothy Canning Miller, R. Kirk Askew (of Durlacher Bros.), Henry Allen Moe, Ala Story and others; financial and business records; printed material, including an exhibition catalog, announcements for an exhibit at the American Academy of Arts and Letters, and a 1949 John Simon Guggenheim Memorial Fellowship; a typescript of an article by Hyman Swetzoff about Bloom, "Hyman Bloom: The Attainment of a State of Being"; and 152 pencil drawings by Bloom's students, including works by Lynn Banker, Anabel Handy, David Hayes, C. Heijn, Valerie Jayne, Peter W. Kent, Patricia Quinn, John Rooney, John Updike, A.J. Yiannias, E. Zimmerman and others.
ADDITION: Correspondence, ca. 1943-1980, including some relating to an urban renewal project and rent control matters effecting Bloom's residence; tax documents; list of paintings with prices; certificate of fellowship in the American Academy of Arts & Sciences, Boston (1960); Boston Fenway Art Community Proposal and completed questionnaire; and printed material.
Biographical / Historical:
Painter; Cambridge, Mass. Born near Riga, Latvia in April 1913. Immigrated to Boston in 1920 and began painting and drawing classes, taught by Harold Zimmerman at a settlement house. Worked for the WPA in the early 1930s.
Provenance:
Donated 1981 and 1994 by Bloom.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art students -- Massachusetts  Search this
Painters -- Massachusetts -- Cambridge  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Cambridge  Search this
Identifier:
AAA.bloohyma2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw992e72fd7-9231-426d-920b-6f81594b0978
EDAN-URL:
ead_collection:sova-aaa-bloohyma2

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