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Interview with Miye Matsukata

Creator:
Matsukata, Miye, 1922-1981  Search this
Type:
Sound Recording
Date:
1968 June 24-25
Topic:
Asian American artists  Search this
Asian American women  Search this
Japanese American artists  Search this
Record number:
(DSI-AAA)16068
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_16068

Miye Matsukata

Subject:
Matsukata, Miye  Search this
Type:
Photographs
Date:
circa 1975
Topic:
Artists at or with their work  Search this
Asian American artists  Search this
Asian American women  Search this
Japanese American artists  Search this
Jewelers  Search this
Jewelry  Search this
Women artists  Search this
Record number:
(DSI-AAA)229
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_229

Jewelry order for the necklace Himalaya Range

Creator:
Matsukata, Miye, 1922-1981  Search this
Subject:
Matsukata, Miye  Search this
Type:
Artworks
Date:
1979 July 27
Topic:
Art commissions  Search this
Asian American artists  Search this
Asian American women  Search this
Decorative arts  Search this
Japanese American artists  Search this
Jewelry making  Search this
Record number:
(DSI-AAA)230
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_230

Miye Matsukata to Elgin Wasson

Creator:
Matsukata, Miye, 1922-1981  Search this
Wasson, Elgin  Search this
Subject:
Matsukata, Miye  Search this
Wasson, Elgin  Search this
Type:
Correspondence
Date:
1965 Mar. 29
Topic:
Asian American artists  Search this
Asian American women  Search this
Decorative arts  Search this
Japanese American artists  Search this
Jewelry  Search this
Record number:
(DSI-AAA)5340
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5340

Miye Matsukata

Subject:
Matsukata, Miye  Search this
Type:
Photographs
Date:
1980 Mar.
Topic:
Artists at or with their work  Search this
Asian American artists  Search this
Asian American women  Search this
Japanese American artists  Search this
Jewelers  Search this
Record number:
(DSI-AAA)5342
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5342

Stock card for jewelry order "Waves"

Creator:
Matsukata, Miye, 1922-1981  Search this
Subject:
Matsukata, Miye  Search this
Type:
Financial Records
Date:
1981 May 15
Topic:
Art commissions  Search this
Asian American artists  Search this
Asian American women  Search this
Japanese American artists  Search this
Jewelry making  Search this
Record number:
(DSI-AAA)5345
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5345

Stock card for jewelry order "Ptolemaic Scarab"

Creator:
Matsukata, Miye, 1922-1981  Search this
Subject:
Matsukata, Miye  Search this
Type:
Financial Records
Date:
ca. 1980
Topic:
Art commissions  Search this
Asian American artists  Search this
Asian American women  Search this
Japanese American artists  Search this
Jewelry making  Search this
Record number:
(DSI-AAA)5346
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5346
Online Media:

Miye Matsukata

Photographer:
Cifranic, Andrew  Search this
Subject:
Matsukata, Miye  Search this
Design Corner Exhibit  Search this
Type:
Photographs
Date:
1970 Nov. 11
Topic:
Asian American artists  Search this
Asian American women  Search this
Decorative arts  Search this
Japanese American artists  Search this
Women artists  Search this
Record number:
(DSI-AAA)7716
See more items in:
Miye Matsukata papers, circa 1900-1982, bulk 1964-1981
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7716
Online Media:

Ice Skating Costume, worn by Kristi Yamaguchi

User:
Yamaguchi, Kristi  Search this
Maker:
Sheehan, Lauren  Search this
Physical Description:
fabric (overall material)
plastic (overall material)
Measurements:
overall: 69 cm x 35.5 cm; 27 5/32 in x 13 31/32 in
Object Name:
costume
skating costume
Date made:
1990s
Subject:
Figure skating  Search this
Sports  Search this
Professional  Search this
Women  Search this
Asian Pacific American  Search this
ID Number:
2003.0165.01
Accession number:
2003.0165
Catalog number:
2003.0165.01
See more items in:
Cultural and Community Life: Sport and Leisure
Highlights from the Culture and the Arts Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-7c92-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1213013

Figure skates worn by Kristi Yamaguchi

User:
Yamaguchi, Kristi  Search this
Maker:
Harlick  Search this
Physical Description:
leather (overall material)
metal (overall material)
foam (overall material)
wood (overall material)
Measurements:
overall: 25.1 cm x 10 cm x 27.5 cm; 9 7/8 in x 3 15/16 in x 10 13/16 in
Object Name:
Skates
ice skates
ice skates, figure skating
Date made:
1990's
Subject:
Sports  Search this
Figure skating  Search this
Professional  Search this
Women  Search this
Asian Pacific American  Search this
Credit Line:
Gift of Kristi Yamaguchi
ID Number:
2003.0165.02
Accession number:
2003.0165
Catalog number:
2003.0165.02
See more items in:
Cultural and Community Life: Sport and Leisure
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-7bb2-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1213014

Oral history interview with Kay Sekimachi [Stocksdale], 2001 July 26-August 6

Interviewee:
Stocksdale, Kay Sekimachi, 1926-  Search this
Interviewer:
Baizerman, Suzanne  Search this
Subject:
Adamson, Glenn  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Interviews
Sound recordings
Topic:
Decorative arts  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
Record number:
(DSI-AAA_CollID)11768
(DSI-AAA_SIRISBib)227771
AAA_collcode_sekima01
Theme:
Craft
Women
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_227771
Online Media:

Oral history interview with Mira Nakashima, 2010 March 11

Interviewee:
Nakashima, Mira, 1942-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American woodworkers  Search this
Asian American furniture designers  Search this
Record number:
(DSI-AAA_CollID)15799
(DSI-AAA_SIRISBib)288894
AAA_collcode_nakash10
Theme:
Women
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_288894
Online Media:

Nanae Momiyama papers, 1928-circa 2000, bulk 1948-2000

Creator:
Momiyama, Nanae, 1924-2002  Search this
Subject:
Secor, Johanna  Search this
Kusama, Yayoi  Search this
Kenkeleba House  Search this
National Association of Women Artists (U.S.)  Search this
Bruce Museum  Search this
Type:
Sketchbooks
Scrapbooks
Sound recordings
Greeting cards
Interviews
Sketches
Drawings
Photographs
Place:
Japan
Topic:
Japanese American artists  Search this
Calligraphy, Japanese  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American women artists  Search this
Women artists  Search this
Asian American painters  Search this
Asian American educators  Search this
Record number:
(DSI-AAA_CollID)15751
(DSI-AAA_SIRISBib)287096
AAA_collcode_mominana
Theme:
Women
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_287096
Online Media:

Alice Kagawa Parrott papers, circa 1950-2009

Creator:
Parrott, Alice Kagawa, 1929-2009  Search this
Topic:
Women artists  Search this
Asian American artists  Search this
Asian American art  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American women artists  Search this
Asian American fiber artists  Search this
Asian American ceramicists  Search this
Record number:
(DSI-AAA_CollID)21722
(DSI-AAA_SIRISBib)398595
AAA_collcode_parralic
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398595

Margaret Carney interviews with ceramicists, 1993-2019

Creator:
Carney, Margaret, 1949-  Search this
Subject:
Woo, Margaret  Search this
Gardner, Paul Vickers  Search this
Type:
Sound recordings
Interviews
Topic:
Ceramics  Search this
Glass-ceramics  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Chinese American women artists  Search this
Asian American ceramicists  Search this
Record number:
(DSI-AAA_CollID)17415
(DSI-AAA_SIRISBib)384519
AAA_collcode_carnmarg
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_384519

Oral history interview with Chunghi Choo

Interviewee:
Choo, Chunghi  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Students  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Ihwa Yŏja Taehakkyo  Search this
Museum für Kunsthandwerk Frankfurt am Main  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts -- Students  Search this
University of Iowa -- Faculty  Search this
University of Northern Iowa  Search this
Victoria and Albert Museum  Search this
Bush, Cody  Search this
Chateauvert, Jocelyn  Search this
Fujio, Yuho  Search this
Grotell, Maija  Search this
Kao, Ruth  Search this
Kaufman, Glen  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Lechtzin, Stanley, 1936-  Search this
Lee, Sang-Bong  Search this
Mayer-VanderMey, Sandra  Search this
McFadden, David Revere  Search this
Merkel-Hess, Mary  Search this
Park, No Soo  Search this
Raab, Rosanne  Search this
Saarinen, Loja  Search this
Smith, Paul J.  Search this
Thomas, Richard C., 1917-1988  Search this
Yeun, Kee-ho  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Korea (South) -- History -- April Revolution, 1960
Date:
2007 July 30-2008 July 26
Scope and Contents:
An interview of Chunghi Choo conducted 2007 July 30-2008 July 26, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home, in Iowa City, Iowa.
Choo speaks of establishing the Metalsmithing and Jewelry program at the University of Iowa in Iowa City; the elaborate equipment, tools, and safety protection used in the studio; her experience teaching silent metalforming at Haystack Mountain School of Crafts in Deer Isle, Maine; participating in international workshops and seminars in Korea; the extensive world traveling she does with her husband, Dr. Charles Read, including destinations in Scandinavia, Thailand, Austria, Italy, and South Africa, among others; the house she designed in Iowa City; her love of the city and being surrounded by treasured friends, a supportive university, and beautiful environments; an interest in creative cooking and appreciation for diverse dishes from all around the world; her childhood and young adulthood in Inchon, Korea; growing up with an appreciation for beautiful art objects and classical music; an early interest and talent in drawing; attending Ewha Women's University as generations of women in her family had previously; experiences during the Korean War and April 19 Revolution in 1961; coming to the United States in 1961 as a student; studying English, ceramics, enameling, and stone cutting for one semester at Penland School of Crafts in Penland, N.C.; attending Cranbrook Art Academy in Bloomfield Hills, Michigan and studying metalsmithing with Richard Thomas, ceramics with Maija Grotell, and weaving with Glen Kaufman; living with Mrs. Loja Saarinen during her three and a half years at Cranbrook; teaching general craft at the University of Northern Iowa in Cedar Rapids from 1965-1968; pioneering the mixed-media studies with her students at UNI; accepting the challenge to build a metalsmithing and jewelry program at the University of Iowa in Iowa City in 1968; learning and teaching electroforming; the development of the electro-appliqué technique; extensive donor support and fundraising for the Metalsmithing and Jewelry program and its students; finding inspiration in nature, East Asian calligraphy, classical music, and travel; her long friendship with Jack Lenor Larsen and the great influence he has had on her work; being represented in major art museums and institutions world-wide, including the Museum of Modern Art in New York City, Victoria and Albert Museum in London, Museum fur Kunsthandwerk in Frankfurt, Germany, and many others; the joy she has when her students succeed and surpass her; and plans for future work, writing projects, and travel. Choo also speaks of the 2008 flooding of Iowa City and the state of Iowa during which her studio was severely damaged and many things were lost. Choo also recalls Park, No Soo; Lee, Sang Bong; Ruth Kao; Stanley Lechtzin; Yuho Fujio; David McFadden; Paul J. Smith; Rosanne Raab; Cody Bush; Jocelyn Chateauvert; Mary Merkel Hess; Sandra Mayer-VanderMey; Kee-ho Yeun, and others.
Biographical / Historical:
Chunghi Choo (1938- ) is a Korean American educator, metalsmith, jeweler, and textile and mixed media artist based in Iowa City, Iowa. Interviewer Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded 5 sound discs. Reformatted in 2010 as 27 digital wav files. Duration is 5 hr., 22 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire recording is restricted. Contact Reference Services for more information.
Topic:
Women artists  Search this
Asian American artists  Search this
Decorative arts  Search this
Korean War, 1950-1953  Search this
Jewelers -- Interviews  Search this
Jewelry making -- Equipment and supplies  Search this
Jewelry making -- Technique  Search this
Jewelry making -- Study and teaching  Search this
Metal-work  Search this
Asian American women artists  Search this
Korean American art  Search this
Korean American Artists  Search this
Asian American art  Search this
Korean American women artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.choo07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-choo07

Alexandra S. Watkins papers relating to Miye Matsukata

Creator:
Watkins, Alexandra Solowij, 1933-  Search this
Names:
Matsukata, Miye, 1922-1981  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1969-1980
Scope and Contents:
Forty slides (1969-1979) taken by Watkins of jewelry and a bathroom frieze designed by Miye Matsukata, two press releases (1980), and three photocopies of clippings (1979) concerning Matsukata and her work, one is an obituary.
Biographical / Historical:
Watkins is a jeweler, goldsmith, Boston, Massachusetts who headed jeweler Miye Matsukata's workshop for many years and photographed pieces as they were returned for cleaning or repair. Miye Matsukata (1922-1981) was a Japanese American jewelry designer and metalsmith based in Boston, Massachusetts. She worked at her jewelry firm Janiye in Boston from 1950 to her death.
Provenance:
Donated 1985 by Alexandra Solowij Watkins.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Jewelers  Search this
Goldsmiths  Search this
Jewelers  Search this
Topic:
Jewelry  Search this
Jewelry making  Search this
Women artists  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American jewelers  Search this
Asian American metal-workers  Search this
Identifier:
AAA.watkalex
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-watkalex

Oral history interview with Patti Warashina

Interviewee:
Warashina, Patti, 1940-  Search this
Interviewer:
Jeck, Doug, 1963-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 September 8
Scope and Contents:
An interview of Patti Warashina conducted 2005 September 8, by Doug Jeck, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Seattle, Washington.
Warashina discusses her childhood in Spokane, Washington, as the youngest of three children of Japanese immigrants; her first experience with art, which was working on murals in elementary school; getting through school by doing visual art projects, including one on fashion design for a French class; her great-grandmother who sold pottery and rice off a cart in her native Japan; her working processes and moving from high-fire to low-fire glazes, as well as dealing with color and decoration in her work; making increasingly larger pieces and thus discovering more surfaces on which to paint; learning how to make hand-built pieces, and in general learning how to control her material; spending her early years working in a vacuum because she was busy raising a family during the day and working in the studio all night; the influence of Surrealism, the Funk movement, and the Chicago Hairy Who on her work; her love of clay as a medium because it presents challenges and technical variables that keep the work interesting; the status of clay as a valid artistic material, and how that has changed over the course of art history; her own personal definition of art as something that "raises your blood pressure," and what makes a "a good pot into a work of art instead of just a pot"; the difference between her early and later work, which she calls cumulative process; her move to the figure, which came naturally out of her earlier work and was in keeping with the Surrealist images to which she was so attracted; recent series of her work, including Mile Post Queens, and Sake Sets: The Drunken Power Series; the role of the figure in her work and the unique challenges they present; being a self-proclaimed "news junkie" and listening to jazz while she works; spending 30 years teaching and the influence it had on her career; her mother as a strong influence and role model in her life, as well as her mother's interest in crafts and gardening; and the influence of artists such as Hieronymous Bosch, René Magritte and Joan Miró on her work. Warashina recalls Robert Sperry, Fred Bauer, Peter Voulkos, Robert Arneson, Toshiko Takaezu, Henry Takemoto, Garth Clark, Howard Cotler, Matthew Kangas, Warren McKenzie, Nan McKinnell, Bernard Leach, Shoji Hamada, Soetsu Yanagi, and others.
Biographical / Historical:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 1 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Pottery -- Technique  Search this
Decorative arts  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.warash05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warash05

Patti Warashina papers

Creator:
Warashina, Patti, 1940-  Search this
Names:
Lee Nordness Galleries  Search this
Currier, Anne, 1950-  Search this
Kottler, Howard, 1930-1989  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lucero, Michael, 1953-  Search this
Sperry, Robert, 1927-1998  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Photographs
Date:
circa 1900-1991
bulk 1970-1989
Summary:
The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
Scope and Content Note:
The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.

Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, María Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.
Arrangement:
The Patti Warashina papers are arranged as seven series based primarily on type of material. The correspondence in Series 2 is arranged chronologically for exhibitions and projects and general letters received. Additional letters received are arranged by name of author.

Series 1: Biographical Material, 1974-1991, undated (Box 1; 3 folders)

Series 2: Correspondence, 1957, 1967-1991, undated (Boxes 1-3; 2.0 linear feet)

Series 3: Photographs, circa 1900- circa 1959, 1971, undated (Box 3; 3 folders)

Series 4: Printed Material, 1961-1990, undated (Boxes 3-6, OV 7; 2.0 linear feet)

Series 5: Writings and Notes, 1984, 1986, 1989, undated (Box 6; 4 folders)

Series 6: Artwork, 1986, undated (Box 6; 2 folders)

Series 7: Miscellany, 1987, undated (Box 6; 2 folders)
Biographical Note:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.

Influences in Warashina's art include California funk and sculptural ceramics. Her work is best known for its whimsical themes expressed through low-fire highly colored figurative images. Together with fellow artists Robert Sperry, Howard Kottler and Fred Bauer, she brought national recognition to the department of ceramics at the University of Washington's School of Art beginning in the 1980s.

Patti Warashina is a recipient of several awards for achievements in the field of crafts, most recently the Twining Humber Award granted by Seattle's Artists Trust in 2002. She received the Governor's Award of Special Commendation for the Arts in 1980 in addition to grants from the National Endowment for the Arts in both 1975 and 1986. In 1978, Warashina was awarded a World Craft Council Travel Grant which allowed her to conduct research on the ceramic arts process in Japan, Hong Kong, Singapore, Thailand, Bali and the Philippines. Warashina's teaching career spans over 30 years and includes positions at the University of Wisconsin, Eastern Michigan University, and at her alma mater where she has taught for over 25 years. Her work is featured in several museum collections in both the U.S. and abroad including the American Craft Museum in New York, the Seattle Art Museum and Henry Art Gallery, the Smithsonian American Art Museum's Renwick Gallery (Washington, DC), the Art Gallery of Western Australia, and the Ichon World Ceramic Center in Korea. Since her marriage to ceramicist Robert Sperry in 1976, she has used Patti Warashina as her professional name. Patti Warashina is a resident of Seattle, Washington.
Provenance:
The Patti Warashina papers were donated by the artist to the Archives of American Art in 1991.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Japanese American families -- Photographs  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Genre/Form:
Video recordings
Photographs
Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warapatt
See more items in:
Patti Warashina papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warapatt
Online Media:

School of Design in Chicago : refugees east and west / Beatrice Takeuchi

Creator:
Takeuchi, Beatrice, 1921-  Search this
Names:
Chicago School of Design  Search this
Aaron, David  Search this
Filipowski, Richard, 1923-2008  Search this
Giedion, S. (Sigfried), 1888-1968  Search this
Hayakawa, S. I.  Search this
Keck, George Fred  Search this
Kepes, Gyorgy, 1906-2001  Search this
Leckie, Hubert W., 1913-1993  Search this
Moholy-Nagy, László, 1895-1946  Search this
Richard, Edgar  Search this
Waldheim, Jack  Search this
Extent:
54 Pages
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
1998
Scope and Contents:
Beatrice Takeuchi memoir, 1998. Takeuchi begins with her recollections of the bombing of Pearl Harbor and her stay in a War Relocation camp and describes in detail her impressions of the faculty, staff, and students at School of Design in Chicago. Most notable recollections involve instructors Lazlo Moholy-Nagy, Jack Waldheim, George Fred Keck, Hubert Leckie, S.I. Hayakawa, and others. The memoir concludes with a summation of her career in the arts.
Biographical / Historical:
Beatrice Takeuchi (1921-2020) was a Japanese American educator based in Chicago, Illinois and Washington, D.C. Takeuchi was born in Seattle, Washington. After the bombing of Pearl Harber, she was sent to a War Relocation Center, Pallyup, Washington and Minidoka, Idaho in August 1942. In October of 1942 she was allowed to leave to pursue studies in industrial design and architecture at the Chicago School of Design (fd. 1937 as New Bauhaus). From 1945-54 she taught foundation and visual design and held various positions in architecture and design studios in Washington, D.C., moving to NYC in 1954 and working as a free lance architect until 1968. She lived and worked in Chicago from 1968-1993, when she retired to Michigan.
Provenance:
Donated 1998 by Beatrice Takeuchi.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Architects  Search this
Topic:
Japanese Americans -- Evacuation and relocation, 1942-1945 -- Diaries  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American architects  Search this
Asian American educators  Search this
Identifier:
AAA.takebeat
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-takebeat

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