Search Results

Creator:

Davis, Richard A. (Richard Allen), 1923-  Search this

Subject:

Kuniyoshi, Yasuo  Search this

Citation:

Checklists of Yasuo Kuniyoshi prints, [ca. 1960-1963]. Archives of American Art, Smithsonian Institution.

Topic:

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American photographers  Search this

Asian American printmakers  Search this

Theme:

Asian American  Search this

Patronage  Search this

Record number:

(DSI-AAA_CollID)7391

(DSI-AAA_SIRISBib)209548

AAA_collcode_davirich

Theme:

Asian American

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209548

Creator:

Kuniyoshi, Yasuo, 1889-1953  Search this

Type:

Scrapbooks

Photographs

Citation:

Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.

Topic:

Art, Modern -- 20th century  Search this

Asian American art  Search this

Asian American artists  Search this

Political clubs  Search this

World War, 1939-1945 -- Japanese Americans  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American printmakers  Search this

Asian American photographers  Search this

Theme:

Asian American  Search this

Sketches & Sketchbooks  Search this

Photography  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9175

(DSI-AAA_SIRISBib)211370

AAA_collcode_kuniyasu

Theme:

Asian American

Sketches & Sketchbooks

Photography

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211370

Creator:

Yang, Chao-Chen, 1910-1969  Search this

Type:

Drawings

Interviews

Sound recordings

Citation:

Chao-Chen Yang papers, 1945-circa 1970. Archives of American Art, Smithsonian Institution.

Topic:

Asian American artists  Search this

Chinese American artists  Search this

Asian American photographers  Search this

Theme:

Asian American  Search this

Photography  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)10485

(DSI-AAA_SIRISBib)213908

AAA_collcode_yangchao

Theme:

Asian American

Photography

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213908

Creator:

Kuniyoshi, Yasuo, 1889-1953  Search this

Citation:

Yasuo Kuniyoshi photographs of artwork, circa 1945-1953. Archives of American Art, Smithsonian Institution.

Topic:

Asian American art  Search this

Asian American artists  Search this

Painting, American -- Photographs  Search this

Painting, Modern -- 20th century -- Photographs  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American printmakers  Search this

Asian American photographers  Search this

Theme:

Asian American  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)11005

(DSI-AAA_SIRISBib)214931

AAA_collcode_kuniyasa

Theme:

Asian American

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214931

Interviewee:

Chow, Fong, 1923-  Search this

Interviewer:

Carney, Margaret, 1949-  Search this

Subject:

Parker, Glidden  Search this

Alfred University  Search this

Glidden Pottery (Alfred, N.Y.)  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Interviews

Sound recordings

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Fong Chow, 2002 February 6. Archives of American Art, Smithsonian Institution.

Topic:

Art -- Technique  Search this

Asian American art  Search this

Asian American artists  Search this

Chinese American art  Search this

Chinese American artists  Search this

Decorative arts  Search this

Asian American photographers  Search this

Asian American ceramicists  Search this

Asian American curators  Search this

Ceramics  Search this

Theme:

Asian American  Search this

Photography  Search this

Craft  Search this

Record number:

(DSI-AAA_CollID)12375

(DSI-AAA_SIRISBib)229517

AAA_collcode_chow02

Theme:

Asian American

Photography

Craft

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_229517

Creator:

Yang, Chao-Chen, 1910-1969  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Interviews

Sound recordings

Date:

1945-circa 1970

Summary:

The scattered papers of photographer Chao-Chen Yang measure 0.2 linear feet and date from 1945 to circa 1970. Found are artworks, biographical materials, writings, photographs, and printed material. Also included are two sound cassettes with an edited transcript of Yang's oral autobiography. Photographs depict Yang and also include copy prints of Yang's photographic works documenting his career as a professional photographer.

Scope and Contents:

The scattered papers of photographer Chao-Chen Yang measure 0.2 linear feet and date from 1945 to circa 1970. Found are artworks, biographical materials, writings, photographs, and printed material. Also included are two sound cassettes with an edited transcript of Yang's oral autobiography. Photographs depict Yang and also include copy prints of Yang's photographic works documenting his career as a professional photographer.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Chao-Chen Yang (1910-1969) was a Chinese American photographer based in Seattle, Washington. Born Hangchow, China, Yang received degrees in foreign relations and art education from the University of Hwin-Hwa, Shanghai, and became the director of the Department of Art at the Government Institute in Nanking. Coming to the United States in 1934 to work at the Chinese Consulate in Chicago, he took night courses in art at the Art Institute of Chicago from 1935 to 1939. He was transferred to Seattle as Deputy Consul and founded the Seattle Photographic Society in 1941. He served as director of the Northwest Institute of Photography and concentrated in color photo printing processes.

Provenance:

Jean Yang, widow of Chao-Chen Yang donated his papers to the Archives of American Art in 1991.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Photographers -- Washington (State) -- Seattle  Search this

Topic:

Asian American artists  Search this

Chinese American artists  Search this

Asian American photographers  Search this

Genre/Form:

Drawings

Interviews

Sound recordings

Citation:

Chao-Chen Yang papers, 1945-circa 1970. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.yangchao

See more items in:

Chao-Chen Yang papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9010266bc-b7db-43fb-992a-f7ab0e523c26

EDAN-URL:

ead_collection:sova-aaa-yangchao

Interviewee:

Chow, Fong  Search this

Interviewer:

Carney, Margaret, 1949-  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Alfred University -- Students  Search this

Glidden Pottery (Alfred, N.Y.)  Search this

Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Parker, Glidden, 1913-1980  Search this

Extent:

27 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

2002 February 6

Scope and Contents:

An interview of Fong Chow conducted February 6, 2002, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Chow's home, in New York, N.Y.

Chow speaks of his family, specifically, his grandfather who was sent to Hartford, Connecticutt, in 1874, for schooling, then studied at Columbia University and returned to China, working as general manager of one of the earliest railroads in north China; the schools Chow attended in Hong Kong; working in different media, including painting and photography; attending the Boston Museum School and then Alfred University; his relationship with Charles Harder, the head of the ceramic design department at Alfred; the "wonderful" teachers at Alfred in the early 1950s, including Katharine Nelson in painting, Marion Fosdick in sculpture, Daniel Rhodes and Ted Randall; learning production methods, as well as "studio potters work"; developing forms, new glazes, and decorations at Glidden Pottery; his "famous" pieces for Glidden Pottery, such as "New Equations" and "Charcoal and Rice"; how he became involved with the Metropolitan Museum of Art and his relationship with Alan Priest, curator of Far Eastern art; working at the Met as a curator for more than 20 years; changes at the Met during his tenure there; and his hiatus from making ceramics while working at the Met. He discusses his return to clay in 1983 and his studio near Cooper Union; he describes visiting his best friend from childhood, Pan He, a sculptor in China. He also discusses his health; his wife Chao-Ling and how they met; his current focus on photography. Chow also recalls Glidden Parker, James Romer, Bo Gyllensvard, Sergio Dello Strologo, Theodore Hobby, Paul Bollardo, Norman Arsenault, and others.

Biographical / Historical:

Fong Chow (1923- ) is a Chinese American ceramicist, curator, and photographer from New York, N.Y. Margaret Carney (1949- ) is the director of the Schein Joseph International Museum of Ceramic Art in Alfred, N.Y.

General:

Originally recorded 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 41 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Ceramicists -- New York (State) -- New York  Search this

Photographers -- New York (State) -- New York  Search this

Topic:

Art -- Technique  Search this

Asian American art  Search this

Asian American artists  Search this

Chinese American art  Search this

Chinese American artists  Search this

Decorative arts  Search this

Asian American photographers  Search this

Asian American ceramicists  Search this

Asian American curators  Search this

Ceramics  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.chow02

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f01edc96-bb0b-4ce0-bb04-22e0907cd4c7

EDAN-URL:

ead_collection:sova-aaa-chow02

Interviewee:

Namkung, Johsel, 1919-2013  Search this

Interviewer:

Takami, David  Search this

Subject:

Lau, Alan Chong  Search this

Horiuchi, Paul  Search this

Tobey, Mark  Search this

Tsutakawa, George  Search this

Yang, Chao-Chen  Search this

Northwest Asian American Project  Search this

Type:

Interviews

Sound recordings

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Johsel Namkung, 1989 Oct. 5-1991 Feb. 25. Archives of American Art, Smithsonian Institution.

Topic:

Asian American art  Search this

Asian American artists  Search this

Korean American art  Search this

Korean American artists  Search this

Asian American photographers  Search this

Theme:

Asian American  Search this

Photography  Search this

Record number:

(DSI-AAA_CollID)12201

(DSI-AAA_SIRISBib)214587

AAA_collcode_namkun89

Theme:

Asian American

Photography

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_214587

Interviewee:

Namkung, Johsel, 1919-2013  Search this

Interviewer:

Takami, David  Search this

Lau, Alan Chong  Search this

Names:

Northwest Asian American Project  Search this

Horiuchi, Paul, 1906-  Search this

Tobey, Mark  Search this

Tsutakawa, George  Search this

Yang, Chao-Chen, 1910-1969  Search this

Extent:

74 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

1989 Oct. 5-1991 Feb. 25

Scope and Contents:

An interview of Johsel Namkung conducted 1989 Oct. 5-1991 Feb. 25, by Alan Chong Lau (1989) and David Takami (1991), in Seattle, Wash., for the Archives of American Art Northwest Asian American Project. Namkung discusses his family background and the effect of living under Japanese occupation in Korea; U.S. immigration in the late 1940's; studies in music; his determination to become a photographer, early color photography, his philosophy as a photographer; and the Asian American community in Seattle. Namkung recalls Paul Horiuchi, Mark Tobey, George Tsutakawa and Chao-Chen Yang.

Biographical / Historical:

Johsel Namkung (1919- ) is a Korean American photographer based in Seattle, Washington.

General:

Originally recorded on 5 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 4 hrs., 37 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Photographers -- Washington (State) -- Seattle  Search this

Topic:

Asian American art  Search this

Asian American artists  Search this

Korean American art  Search this

Korean American Artists  Search this

Asian American photographers  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for this interview was provided by the Henry Luce Foundation.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.namkun89

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94f3e0d3e-7db3-4b55-9e92-0dd3f93f2c04

EDAN-URL:

ead_collection:sova-aaa-namkun89

Interviewee:

Chinn, Lenore, 1949-  Search this

Interviewer:

Gillespie, Benjamin, 1988-  Search this

Subject:

Pandemic Oral History Project  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Lenore Chinn, 2020 July 30. Archives of American Art, Smithsonian Institution.

Topic:

Pandemics  Search this

COVID-19 (Disease)  Search this

Racism  Search this

AIDS (Disease)  Search this

Asian American art  Search this

Asian American artists  Search this

Chinese American art  Search this

Chinese American artists  Search this

Asian American painters  Search this

Asian American photographers  Search this

Women artists  Search this

Women painters  Search this

Women photographers  Search this

Theme:

Asian American  Search this

Women  Search this

Record number:

(DSI-AAA_CollID)21948

AAA_collcode_chinn20

Theme:

Asian American

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_21948

Creator:

Kuniyoshi, Yasuo, 1889-1953  Search this

Extent:

14.3 Linear feet

2.84 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Scrapbooks

Photographs

Date:

1906-2016

bulk 1920-1990

Summary:

The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2016, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

Scope and Content Note:

The papers of artist Yasuo Kuniyoshi measure 14.3 linear feet and 2.84 gigabytes and date from 1906-2013, bulk 1920-1990. The collection documents his career as a painter, graphic artist, and photographer, as well as his involvement in political, social, and art organizations, especially during World War II. Included are biographical material; correspondence; writings and lectures by Kuniyoshi and others; organization records primarily on his participation in various associations and groups he was a member of; professional and gallery records regarding business dealings with American and Japanese galleries, museums, and dealers; exhibition files; printed material; four scrapbooks; artwork; photographs of Kuniyoshi and others in various locations and at events; and artwork records which mostly consist of photographs and provenance information. The collection also contains materials on Kuniyoshi's career and artwork obtained after his death by his widow Sara Mazo Kuniyoshi.

Biographical material consists of a wide range of records such as an address book, resumes, biographical summaries, vital records, citizenship applications, identification documents, travel records, and documentation regarding Kuniyoshi's death. There is some limited biographical material on the artist's widow, Sara Mazo Kuniyoshi, plus interviews with her talking about Kuniyoshi.

Correspondence is divided into correspondence with Yasuo Kuniyoshi and the correspondence with his second wife, Sara Mazo Kuniyoshi. The Yasuo Kuniyoshi correspondence discusses various topics including exhibits and his status as a Japanese American during World War II. The bulk of the series consists of correspondence with Sara after Yasuo's death and usually relates to exhibitions of his work, and reproduction requests for the inclusion of his work in publications. Of note is her correspondence with Alexander Brook, Ritsuko Ozawa, Tom Wolf, and the Yasuo Kuniyoshi Museum in Japan.

Writings and lectures include Kuniyoshi's writings and speeches about other artists, art and the art profession, lithography, and World War II. Also found are statements on his own work and extensive notes for his autobiography. There are two sound recordings of lectures by Kuniyoshi at art schools as well as writings by others, including Sara Mazo Kuniyoshi, about Yasuo Kuniyoshi.

Organization records document Kuniyoshi's involvement in social, political, and art organizations, including the East West Association and the Artists Equity Association. These records include correspondence, speeches, printed material and notes.

Gallery and professional records include material on Kuniyoshi's career and the sales of his work at galleries. Found herein are correspondence, printed material and notes. There are files on projects and commissions, transcripts of the radio broadcast "Japan Against Japan," appraisals of artwork, authentications of artwork, art inventories of his work at various galleries as well as private collections, and records of his participation in the Woodstock Art Conference. Also noteworthy are the records of Sara Mazo Kuniyoshi's dealings with the Downtown Gallery and Zabriskie Galleries.

Exhibition files include a few files on exhibitions while Yasuo Kuniyoshi was alive, but most of the series consists of files created by Sara Mazo Kuniyoshi about exhibitions of Kuniyoshi's works after his death in 1953. Files may include exhibition checklists and planning documents, loan agreements, correspondence, photographs of the exhibition, and press materials.

Printed material consists of books, newspaper, and magazine clippings about Kuniyoshi and about World War II. There are numerous exhibition catalogs and announcements and some magazines, posters, brochures, and bulletins.

There are four scrapbooks of printed material related to Kuniyoshi and his artwork. The scrapbooks contain press clippings, exhibition announcements, checklists, and a few catalogs.

Artwork consists of etchings, numerous sketches and drawings in graphite and ink, sketches painted onto clear acetate which Kuniyoshi used for catalogs, two zinc lithographic plates and their corresponding prints, and a sketchbook. Drawings that Yasuo Kuniyoshi created for the Office of War Information during World War II are in this series. There is one folder of pencil sketches by unidentified artists.

Photographic material are mostly photographs of Kuniyoshi in his studio, at various events and parties, teaching at Mills College and with his wife Sara Mazo Kuniyoshi. Also found are photographs of artists, including Francis Criss, Julian Levi, Doris and Russell Lee, and others, taken by Yasuo Kuniyoshi. Especially noteworthy, are photographs of the Artists Equity Testimonial Dinner held in honor of Kuniyoshi's 1948 retrospective at the Whitney Museum of American Art. There are some slides and snapshots of Sara Mazo Kuniyoshi's travels abroad and a the house in Woodstock she shared with Yasuo, along with other locations.

Artwork photograph records were created by Sara Mazo Kuniyoshi to document works of art created by her husband. Files mostly include photographs of artwork with annotations regarding title, date, sale, and provenance. Some files also include correspondence, notes by Sara Kuniyoshi, exhibition history, and published reproductions. There are also miscellaneous photographs and slides of artwork which mostly consist of duplicates of artwork that can be found in the rest of the series.

Arrangement:

This collection is arranged as 11 series.

Missing Title

Series 1: Biographical Material, 1906-1998 (Box 1, ER01; 0.3 linear feet)

Series 2: Correspondence, 1931-2007 (Boxes 1-2; 1.2 linear feet)

Series 3: Writings and Lectures, 1939-2003 (Box 2; 0.5 linear feet)

Series 4: Organization Records, 1939-2003 (Box 3; 0.4 linear feet)

Series 5: Gallery and Professional Records, circa 1924-2009 (Boxes 3-5, OV 19; 2.1 linear feet)

Series 6: Exhibition Files, 1948-2004 (Boxes 5-6, OVs 19-20; 1.1 linear feet)

Series 7: Printed Material, 1921-2013 (Boxes 6-8, 14, OV 20 ; 2.1 linear feet)

Series 8: Scrapbooks, 1919-1978 (Boxes 8, 13, 15; 0.6 linear feet)

Series 9: Artwork, 1925-1991 (Boxes 8, 14, 16, OV 21-23; 0.8 linear feet)

Series 10: Photographic Material, circa 1920-2005 (Boxes 8-9, 16-17; 1.4 linear feet)

Series 11: Artwork Photograph Records, circa 1920s-2016 (Boxes 9-12, 17-18, OV 22; 3.8 linear feet)

Biographical Note:

Yasuo Kuniyoshi (1889-1953) was a Japanese-American painter, printmaker and photographer based in New York, N.Y.

Kuniyoshi was born in Okayama, Japan. In 1906 he came to the United States and a year later began studying at the Los Angeles School of Art and Design. In 1910 he moved to New York and took courses at the National Academy of Design, the Independent School of Art, and the Art Students League, where he studied with Kenneth Hayes Miller. He was married to fellow artist Katherine Schmidt from 1919 to 1932. After traveling throughout Europe, they moved to the Woodstock, New York, in 1927 and took part in the Woodstock Art Colony. Kuniyoshi studied and later taught at the Art Students League summer school there.

By 1930 Kuniyoshi had established himself as an internationally known painter and graphic artist. In 1935, he received a Guggenheim fellowship and married Sara Mazo. In New York City he taught at the Art Students League, the New School for Social Research, and served as the first president of the Artists Equity Association from 1947 to 1950. Kuniyoshi was active in social organizations, especially Japanese American organizations, such as the Japanese American Committee for Democracy. Although Kuniyoshi was barred from becoming a citizen due to American immgration laws at the time, he viewed himself as American and took an active role in the war effort during World War II, even working with the U.S. Office of War Information department to design posters.

The Whitney Museum of American Art held a retrospective for Kuniyoshi in 1948, making him the first living artist to be honored in such a fashion at the museum. Yasuo Kuniyoshi died of cancer in 1953 and was survived by his second wife Sara Mazo Kuniyoshi who preserved the legacy of his work.

Related Materials:

Also found at the Archives of American Art are the Yasuo Kuniyoshi photographs of artwork, a 1948 letter from Kuniyoshi to E. P. Richardson, and checklists of Yasuo Kuniyoshi prints.

Provenance:

The collection was donated in installments, from 1969 to 1995, by Sara Mazo Kuniyoshi, Yasuo Kuniyoshi's widow. Additional papers were donated in 2014 and 2018 by Stephen Diamond, Sara Mazo Kuniyoshi's nephew.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Photographers -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Topic:

Art, Modern -- 20th century  Search this

Asian American art  Search this

Asian American artists  Search this

Political clubs  Search this

World War, 1939-1945 -- Japanese Americans  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American printmakers  Search this

Asian American photographers  Search this

Genre/Form:

Scrapbooks

Photographs

Citation:

Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by Stephen Diamond, the Roy Lichtenstein Foundation, and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.kuniyasu

See more items in:

Yasuo Kuniyoshi papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9183b42d3-2658-45dc-9d32-9d134dc25088

EDAN-URL:

ead_collection:sova-aaa-kuniyasu

Interviewee:

Chinn, Lenore, 1949-  Search this

Interviewer:

Gillespie, Benjamin, 1988-  Search this

Names:

Pandemic Oral History Project  Search this

Extent:

1 Item (sound file (22 min.) Audio, digital, m4a)

7 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2020 July 30

Scope and Contents:

An interview with Lenore Chinn conducted 2020 July 30, by Benjamin Gillespie, for the Archives of American Art's Art Pandemic Oral History Project at Chinn's home in San Francisco, California.

Biographical / Historical:

Lenore Chinn (1949- ) is a Chinese American painter, photographer, and queer rights activist based in San Francisco, California. Chinn co-founded the Lesbians in the Visual Arts and Queer Cultural Center and has been an active member of the Asian American Women Artists Association.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

This interview is open for research.

Rights:

The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information

Occupation:

Photographers -- California -- San Francisco  Search this

Painters -- California -- San Francisco  Search this

Topic:

Pandemics  Search this

COVID-19 (Disease)  Search this

Racism  Search this

AIDS (Disease)  Search this

Asian American art  Search this

Asian American artists  Search this

Chinese American art  Search this

Chinese American artists  Search this

Asian American painters  Search this

Asian American photographers  Search this

Women artists  Search this

Women painters  Search this

Women photographers  Search this

Genre/Form:

Sound recordings

Interviews

Identifier:

AAA.chinn20

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw976f93c3c-0a65-4f67-b5c8-af5c87f4ca3b

EDAN-URL:

ead_collection:sova-aaa-chinn20

Creator:

Davis, Richard A. (Richard Allen), 1923-  Search this

Names:

Kuniyoshi, Yasuo, 1889-1953  Search this

Extent:

29 Pages

Type:

Collection descriptions

Archival materials

Pages

Date:

[ca. 1960-1963]

Scope and Contents:

Two checklists compiled by Davis of prints by Yasuo Kuniyoshi (one of lithographs 1922-1949, the other of etchings 1916-1931).

Biographical / Historical:

Yasuo Kuniyoshi (1889-1953) was a Japanese American painter, printmaker and photographer based in New York, N.Y.

Provenance:

Donated 1964 by Richard A. Davis.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Printmakers  Search this

Topic:

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American photographers  Search this

Asian American printmakers  Search this

Identifier:

AAA.davirich

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cd4b6e6a-4485-4e79-8260-bdfc03afa4e3

EDAN-URL:

ead_collection:sova-aaa-davirich

Creator:

Kuniyoshi, Yasuo, 1889-1953  Search this

Extent:

1 Linear foot

Type:

Collection descriptions

Archival materials

Date:

circa 1945-1953

Scope and Contents:

The Yasuo Kuniyoshi photographs of artwork measure 1.0 linear feet and date from circa 1945 to 1953. This collection contains 54 glass plate negatives and corresponding copy prints depicting artwork by Yasuo Kuniyoshi. A cross reference number has been provided to match copy prints with glass plate negatives within the collection, as glass plate negatives are housed separately and closed to researchers.

Biographical / Historical:

Yasuo Kuniyoshi (1889-1953) was a Japanese-American painter, printmaker and photographer based in New York, N.Y.

Provenance:

Glass negatives donated in 1992 by Mrs. Oliver Baker, whose husband was a long-time friend of Kuniyoshi. Copyprints produced by the Smithsonian's Photo Lab, 1993.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Topic:

Asian American art  Search this

Asian American artists  Search this

Painting, American -- Photographs  Search this

Painting, Modern -- 20th century -- Photographs  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American painters  Search this

Asian American printmakers  Search this

Asian American photographers  Search this

Identifier:

AAA.kuniyasa

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw99c770b47-ba81-4823-aa8b-b57521bdd6e6

EDAN-URL:

ead_collection:sova-aaa-kuniyasa