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Oral history interview with Anne Rorimer, 2010 November 15-16

Interviewee:
Rorimer, Anne, 1944-  Search this
Interviewer:
Richards, Judith Olch  Search this
Subject:
Acconci, Vito  Search this
Asher, Michael  Search this
Broodthaers, Marcel  Search this
Buchloh, B. H. D.  Search this
Buren, Daniel  Search this
Castelli, Leo  Search this
D'Harnoncourt, Anne  Search this
Geldzahler, Henry  Search this
Graham, Dan  Search this
Hesse, Eva  Search this
Hale, Robert Beverly  Search this
Kuh, Katharine  Search this
Lippard, Lucy R.  Search this
LeWitt, Sol  Search this
Lowry, Bates  Search this
Maxon, John  Search this
Morris, Robert  Search this
Nauman, Bruce  Search this
Newman, Muriel Kallis Steinberg  Search this
Rorimer, James J. (James Joseph)  Search this
Smith, Tony  Search this
Speyer, A. James  Search this
Stamos, Theodoros  Search this
Tucker, Marcia  Search this
Wegman, William  Search this
Weiner, Lawrence  Search this
Albright-Knox Art Gallery  Search this
Art Institute of Chicago  Search this
Bryn Mawr College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Victoria and Albert Museum  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Anne Rorimer, 2010 November 15-16. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Women art historians  Search this
Women authors  Search this
Theme:
Women  Search this
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Record number:
(DSI-AAA_CollID)15880
(DSI-AAA_SIRISBib)295421
AAA_collcode_rorime10
Theme:
Women
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_295421
Online Media:

Oral history interview with George Herms, 1993 Dec. 8-1994 Mar 10

Interviewee:
Herms, George, 1935-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Alexander, Robert  Search this
Asher, Betty  Search this
Berman, Wallace  Search this
Dwan, Virginia  Search this
Hopps, Walter  Search this
Kienholz, Edward  Search this
Lamantia, Philip  Search this
McClure, Michael  Search this
Parker, Charlie  Search this
Di Prima, Diane  Search this
Ferus Gallery (Los Angeles, Calif.)  Search this
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Herms, 1993 Dec. 8-1994 Mar 10. Archives of American Art, Smithsonian Institution.
Topic:
Beat generation  Search this
Record number:
(DSI-AAA_CollID)12275
(DSI-AAA_SIRISBib)215576
AAA_collcode_herms93
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215576
Online Media:

Oral history interview with George Herms

Interviewee:
Herms, George, 1935-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Ferus Gallery (Los Angeles, Calif.)  Search this
Alexander, Robert  Search this
Asher, Betty  Search this
Berman, Wallace, 1926-1976  Search this
Di Prima, Diane  Search this
Dwan, Virginia  Search this
Hopps, Walter  Search this
Kienholz, Edward, 1927-  Search this
Lamantia, Philip, 1927-  Search this
McClure, Michael  Search this
Parker, Charlie, 1920-1955  Search this
Extent:
8 Sound cassettes (Sound recording (60 min.), analog)
162 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Date:
1993 Dec. 8-1994 Mar 10
Scope and Contents:
An interview of George Herms conducted 1993 Dec. 8-1994 Mar. 10, by Paul Karlstrom, for the Archives of American Art.
Herms discusses the development of his ideas and art. He recalls individuals and events associated with avant-garde art activity in California from the 1950s to present (1990s). He recalls Philip Lamantia, Charlie Parker, Wallace Berman, Robert Alexander, Ferus Gallery, Walter Hopps, Edward Kienholz, Virginia Dwan, Betty Asher, Michael McClure, and Diane di Prima, among others.
Biographical / Historical:
George Herms (1935- ) is an assemblage and collage artist of Los Angeles and San Francisco, Calif. Central participant in the West Coast Beat culture.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Beat generation  Search this
Identifier:
AAA.herms93
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99005d1ed-2303-4050-88fa-446901b6559d
EDAN-URL:
ead_collection:sova-aaa-herms93
Online Media:

Asher, Michael

Collection Creator:
Richard Kuhlenschmidt Gallery  Search this
Container:
Box 2, Folder 41
Type:
Archival materials
Date:
1992
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard Kuhlenschmidt Gallery records, 1972-2018. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Kuhlenschmidt Gallery records
Richard Kuhlenschmidt Gallery records / Series 3 : Artist's Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90bf77c82-8add-496a-ae1e-2b5db8819b5e
EDAN-URL:
ead_component:sova-aaa-richrich-ref89

Oral history interview with Anne Rorimer

Interviewee:
Rorimer, Anne  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Albright-Knox Art Gallery  Search this
Art Institute of Chicago -- Faculty  Search this
Bryn Mawr College -- Students  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Metropolitan Museum of Art (New York, N.Y.) -- Employees  Search this
Victoria and Albert Museum  Search this
Acconci, Vito, 1940-  Search this
Asher, Michael  Search this
Broodthaers, Marcel  Search this
Buchloh, B. H. D.  Search this
Buren, Daniel  Search this
Castelli, Leo  Search this
D'Harnoncourt, Anne, 1943-2008  Search this
Geldzahler, Henry  Search this
Graham, Dan, 1942-  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hesse, Eva, 1936-1970  Search this
Kuh, Katharine  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Lowry, Bates, 1923-  Search this
Maxon, John, 1916-  Search this
Morris, Robert, 1931-2018  Search this
Nauman, Bruce, 1941-  Search this
Newman, Muriel Kallis Steinberg  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Smith, Tony, 1912-1980  Search this
Speyer, A. James  Search this
Stamos, Theodoros, 1922-1997  Search this
Tucker, Marcia  Search this
Wegman, William  Search this
Weiner, Lawrence  Search this
Extent:
147 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 15-16
Scope and Contents:
An interview of Anne Rorimer conducted 2010 November 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Illinois.
Rorimer speaks of her family background; her early life and education in New York City; her father, James Rorimer, and his influence as director of the Metropolitan Museum of Art; college life at Bryn Mawr; how she became interested in modern art; her internship at the Victoria & Albert Museum in London after college; her master's degree thesis on Tony Smith; her job as a curator at the Albright-Knox Gallery and then at the Art Institute of Chicago; memorable exhibitions at the AIC throughout the 1970s and early 1980s, including the annual "American Exhibition," "Europe in the Seventies: Aspects of Recent Art," (1977), and "Idea and Image in Recent Art" (1974); her close relationship with Anne D'Harnoncourt; how she left the AIC in 1984 to write, "New Art in the '60s and 70s: Redefining Reality," (2001); her role in acquisitions of contemporary art at the AIC; her thoughts on art education; her work with collectors; the process of getting her book published and reactions to it; her curatorial projects in the 1980s and early 1990s that focused on conceptual art; her relationship with artists like Michael Asher and Daniel Buren; her extensive book collection; her thoughts on being a freelance curator and writer. She recalls Whitney Stoddard, Robert Beverly Hale, Theodoros Stamos, Leo Castelli, Henry Geldzahler, Anne D'Harnoncourt, Renee Marcuse, Bates Lowry, Tony Smith, Marcia Tucker, A. James Speyer, Bruce Nauman, Lawrence Weiner, Vito Acconci, William Wegman, Robert Morris, Lucy R. Lippard, Katharine Kuh, Sol Lewitt, John Maxon, Eva Hesse, Muriel Newman, Judith Kirschner, Dan Graham, Benjamin Buchloh, and Marcel Broodthaers.
Biographical / Historical:
Anne Rorimer (1944-) is a curator and art historian in Chicago, Illinois. Judith Olch Richards (1947-) is a former executive director of iCI in New York, New York.
General:
Originally recorded on 4 memory cards. Reformatted in 2010 as 6 digital wav files. Duration is 5 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Illinois -- Chicago -- Interviews  Search this
Authors -- Illinois -- Chicago  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Curators -- Illinois -- Chicago -- Interviews  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rorime10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9377eddf5-b420-452e-8171-3b181c505e3d
EDAN-URL:
ead_collection:sova-aaa-rorime10
Online Media:

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc490739-2463-4f67-9f43-570692783628
EDAN-URL:
ead_collection:sova-aaa-buttjan
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Online Media:

Asher (Michael and Elise)

Collection Creator:
Hopkins, Budd, 1931-2011  Search this
Kingsley, April  Search this
Container:
Box 1, Folder 10
Type:
Archival materials
Date:
circa 1971-1988
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
April Kingsley and Budd Hopkins Papers, circa 1945-2017. Archives of American Art, Smithsonian Institution.
See more items in:
April Kingsley and Budd Hopkins papers
April Kingsley and Budd Hopkins papers / Series 1: April Kingsley Papers / 1.1: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97ce66595-5efb-4e0d-8e4c-127ca1b898d5
EDAN-URL:
ead_component:sova-aaa-kingapri-ref62

Asher, Michael

Collection Creator:
Lippard, Lucy R.  Search this
Container:
Box 2, Folder 31
Type:
Archival materials
Date:
circa 1969-circa 1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
See more items in:
Lucy R. Lippard papers
Lucy R. Lippard papers / Series 2: Correspondence / 2.1: Correspondence by Name
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aa0a06a8-e9d0-4ef0-a2e0-4e54c6ab947d
EDAN-URL:
ead_component:sova-aaa-lipplucy-ref1272

Public knowledge selected writings by Michael Asher Michael Asher ; edited by Kirsi Peltomäki

Author:
Asher, Michael  Search this
Editor:
Peltomäki, Kirsi 1970-  Search this
Physical description:
xii, 245 pages illustrations 24 cm
Type:
Books
Date:
2019
Topic:
Art  Search this
Conceptual art  Search this
Schreiben  Search this
Call number:
N40.1.A82 A1 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114684

Michael Asher [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Art & Artist files at the Hirshhorn Museum and Sculpture Garden Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_27600

Several people in an exhibition planning meeting at the Los Angeles Institute of Contemporary Art

Photographer:
Asher, Michael  Search this
Subject:
Los Angeles Institute of Contemporary Art  Search this
Type:
Photographs
Date:
1977
Citation:
Michael Asher. Several people in an exhibition planning meeting at the Los Angeles Institute of Contemporary Art, 1977. Los Angeles Institute of Contemporary Art records, 1973-1988. Archives of American Art, Smithsonian Institution.
Topic:
Museum administration  Search this
Record number:
(DSI-AAA)12732
See more items in:
Los Angeles Institute of Contemporary Art records, 1973-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12732

Interview with Michael Asher

Creator:
Asher, Michael  Search this
Butterfield, Jan, 1937-2000  Search this
Type:
Sound Recording
Date:
1979 February 26
Citation:
Michael Asher and Jan Butterfield. Interview with Michael Asher, 1979 February 26. Jan Butterfield papers, 1950-1997. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18774
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18774

Interview with Michael Asher

Creator:
Asher, Michael  Search this
Butterfield, Jan, 1937-2000  Search this
Type:
Sound Recording
Date:
1980 August 29
Citation:
Michael Asher and Jan Butterfield. Interview with Michael Asher, 1980 August 29. Jan Butterfield papers, 1950-1997. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18775
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18775

Interview with Michael Asher

Creator:
Asher, Michael  Search this
Butterfield, Jan, 1937-2000  Search this
Type:
Sound Recording
Date:
1981 March
Citation:
Michael Asher and Jan Butterfield. Interview with Michael Asher, 1981 March. Jan Butterfield papers, 1950-1997. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)18776
See more items in:
Jan Butterfield papers, 1950-1997
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_18776

Impossible journey : two against the Sahara / Michael Asher ; photographs by Mariantonietta Peru

Author:
Asher, Michael 1953-  Search this
Physical description:
xiv, 301 p., [40] p. of plates : ill. (some col.), 1 map, ports. ; 25 cm
Type:
Books
Place:
Sahara
Date:
1988
Topic:
Description and travel  Search this
Call number:
DT528 .A82 1988
DT528.A82 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_387399

Michael Asher : [exhibition] the Renaissance Society, University of Chicago, January 21-March 4, 1990

Author:
Asher, Michael  Search this
Pelzer, Birgit  Search this
Rorimer, Anne  Search this
University of Chicago Renaissance Society  Search this
Subject:
Asher, Michael Exhibitions  Search this
Physical description:
1 v. (unpaged) : ill. ; 23 cm
Type:
Books
Date:
1990
[1990]
Call number:
N40.1.A82 U58 1990
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_464727

Writings 1973-1983 on works 1969-1979 / Michael Asher ; written in collaboration with Benjamin H.D. Buchloh ; edited by Benjamin H.D. Buchloh

Author:
Asher, Michael  Search this
Buchloh, B. H. D  Search this
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Subject:
Asher, Michael  Search this
Physical description:
xi, 229 p. : ill. (some col.) ; 31 cm
Type:
Books
Place:
United States
Date:
1983
[1983]
Topic:
Conceptual art  Search this
Call number:
N40.1.A82 B92 1983
N40.1.A82B92 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_444822

Author and explorer Michael Asher / Lucy Vigne and Edmond Bradley Martin

Author:
Asher, Michael 1953-  Search this
Vigne, Lucy  Search this
Martin, Esmond Bradley  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Asher, Michael 1953-  Search this
Thesiger, Wilfred 1910-2003  Search this
Type:
Articles
Interviews
Place:
Africa
Date:
2003
Topic:
Kababish  Search this
Explorers  Search this
Call number:
DT433.5.A2 K37
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831098

Michael Asher : George Washington at the Art Institute of Chicago, 1979 and 2005 / Whitney Moeller and Anne Rorimer ; with an introduction by James Rondeau

Author:
Moeller, Whitney  Search this
Asher, Michael  Search this
Rorimer, Anne  Search this
Art Institute of Chicago  Search this
Subject:
Asher, Michael  Search this
Houdon, Jean Antoine 1741-1828 George Washington  Search this
Washington, George 1732-1799 Statues  Search this
Physical description:
96 p. : ill., facsims. ; 24 cm
Type:
Books
Exhibitions
Date:
2006
C2006
Call number:
N6537.A8 A4 2006
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_811681

Michael Asher : Kunsthalle Bern, 1992 / Anne Rorimer

Title:
Kunsthalle Bern, 1992
Author:
Rorimer, Anne  Search this
Subject:
Asher, Michael Criticism and interpretation  Search this
Asher, Michael Kunsthalle Bern, 1992  Search this
Physical description:
116 pages : illustrations (some color) ; 22 cm
Type:
Books
Place:
United States
Date:
2012
Topic:
Conceptual art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1020927

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