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Rhys Caparn papers

Creator:
Caparn, Rhys, 1909-1997  Search this
Names:
Federation of Modern Painters and Sculptors  Search this
Photographer:
Deren, Maya  Search this
Extent:
1 Linear foot ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1938-1972
Scope and Contents:
Correspondence, photographs; writings; exhibition catalogs and announcements; and clippings.
REELS 680 & 1007: Correspondence, mostly business and professional letters; writings such as "The Animal in Art" and other jottings on art and form; price lists, statements from galleries and sales memos; catalogs and annoucements; clippings; photographs of Caparn's work, and photos of Caparn in her studio, snapshots and a portrait by Maya Deren, 1948, as well as one by Alan Shayne.
UNMICROFILMED: Correspondence, clippings, exhibition material, receipts, photographs and records relating mainly to the Federation of Modern Painters and Sculptors.
Biographical / Historical:
Sculptor; Connecticut.
Related Materials:
Rhys Caparn papers also at Syracuse University.
Provenance:
Donated 1972-1983 by Rhys Caparn.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors -- Connecticut  Search this
Topic:
Sculpture, American  Search this
Women artists  Search this
Women sculptors  Search this
Function:
Arts organizations -- New York (State)
Identifier:
AAA.caparhys
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-caparhys

Irena Brynner papers

Creator:
Brynner, Irena  Search this
Extent:
14.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Diaries
Date:
1914-2003
Summary:
The papers of jeweler Irena Brynner measure 14.2 linear feet and date from circa 1914 to 2003. The papers document Brynner's career as a jeweler in California and New York through biographical material including sound recordings of her diary; correspondence with family, friends, and art organizations; diaries, notebooks, and other writings; exhibition announcements, news clippings, and other printed material; photographs and slides; artwork including eight sketchbooks; and eleven scrapbooks.
Scope and Contents:
The papers of jeweler Irena Brynner measure 14.2 linear feet and date from circa 1914 to 2003. The papers document Brynner's career as a jeweler in California and New York through biographical material including sound recordings of her diary; correspondence with family, friends, and art organizations; diaries, notebooks, and other writings; exhibition announcements, news clippings, and other printed material; photographs and slides; artwork including eight sketchbooks; and eleven scrapbooks.

Biographical material includes family records and certificates, consular papers, and address books. Also included are 30 sound cassettes primarily of Brynner reading her diary in Russian and a radio interview with Brynner.

Correspondence is with family, friends, artists and art organizations and galleries. Much of the correspondence is in English, French and Russian. Included are correspondence between Brynner and her cousin, actor Yul Brynner.

Writings primarily consist of diaries and notebooks, lectures, and pieces from writing classes Brynner attended in the 1990s.

Personal business records consist primarily of inventories and price lists of the various jewelry pieces Brynner created. There are also shipping receipts and loan agreements with various art organizations.

Printed materials consist primarily of exhibition announcements and press releases. There are also news clippings and magazine articles related to Brynner's jewelry.

Artwork primarily consists of sketches and sketchbooks of jewelry designs and sculture designs.

Scrapbooks include various materials such as newspaper clippings, photographs, and exhibition announcements.

Photographic material includes personal photographs, photographs of jewelry, negatives of both personal photographs and photographs of jewelry, and slides of jewelry.
Arrangement:
The collection is arranged as 8 series

Series 1: Biographical Material, circa 1930-2002 (1.6 linear feet; Boxes 1-2, 14-15)

Series 2: Correspondence, circa 1930-2003 ( 2.3 linear feet; Boxes 2-4)

Series 3: Writings, circa 1930-2003 (0.8 linear feet; Boxes 4-5)

Series 4: Personal Business Records, 1942-2003 (1.0 linear feet; Boxes 5-6)

Series 5: Printed Material, 1932-2000 ( 0.9 linear feet; Boxes 6, 16, OV 18)

Series 6: Artwork, circa 1949-1998 (1.0 linear feet; Boxes 6-7, 17)

Series 7: Scrapbooks, 1948-1997 (1.4 linear feet; Boxes 7-8, 16)

Series 8: Photographs, circa 1914-2002 (5.2 linear feet; Boxes 8-13, 17)
Biographical / Historical:
Irena Brynner (1917-2003) was jeweler, sculptor, and opera singer who worked primarily in New York City. Brynner was born in Vladivostok, Russia. Her father was a member of the Swiss diplomatic corp, and she spent her youth living in China, Japan, and France. Brynner immigrated to the United States prior to World War II where she began her career as jeweler. Brynner was the cousin of actor, Yul Brynner, and worked in the San Francisco Bay area through the 1950s before moving to New York City. Brynner held exhbitions across the United States, throughout Europe, and in Japan.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Irena Brynner conducted by Arline M. Fisch, 2001 April 26-27.
Provenance:
The Irena Brynner papers were donated to the Archives of American Art by Ragnar D. Ness, executor of the Irena Brynner Estate, in 2004.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Jewelers -- New York (State) -- New York  Search this
Opera singers -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sketchbooks
Sound recordings
Diaries
Citation:
Irena Brynner papers, circa 1914-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bryniren
See more items in:
Irena Brynner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bryniren

Berta N. Briggs papers

Creator:
Briggs, Berta N. (Berta Nabersberg), 1884-1976  Search this
Names:
Peale, Charles Willson, 1741-1827  Search this
Extent:
1.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Photographs
Scrapbooks
Date:
1908-1976
Summary:
The papers of painter, writer and educator Berta N. Briggs measure 1.3 linear feet and date from 1908-1976. Found within the papers are biographical material, scattered letters primarily discussing her activities with various arts organizations, notes and writings, artwork including sketchbooks and drawings, scrapbooks, printed material, and photographs primarily of her artwork.
Scope and Content Note:
The papers of painter, writer and educator Berta N. Briggs measure 1.3 linear feet and date from 1908-1976. Found in the collection are biographical material such as curriculum vitae and awards, and scattered letters primarily discussing Briggs's activities with various arts organizations. Notes and writings include notebooks for Briggs's two books Charles Willson Peale: Artist and Patriot (1952) and To the Shores of Tripoli (1955). The papers also contain artwork by Briggs including sketchbooks and drawings of birds, scrapbooks and printed material including exhibition catalogs and announcements, and photographs of Briggs's artwork.
Arrangement:
The collection has been arranged as 7 series. Documents within each series are arranged chronologically.

Missing Title

Series 1: Biographical Material, circa 1932-1975 (Box 1; 3 folders)

Series 2: Letters, 1932-1961 (Box 1; 2 folders)

Series 3: Notes and Writings, 1950-1954 (Box 1; 19 folders)

Series 4: Artwork, 1931-1942 (Boxes 1-2; 6 folders)

Series 5: Scrapbooks, 1908-1968 (Boxes 1-2; 7 folders)

Series 6: Printed Material, 1932-1976 (Box 1; 12 folders)

Series 7: Photographs, 1929-1943 (Boxes 1-2; 4 folders)
Biographical Note:
Berta N. Briggs (née Nabersberg) was born June 5, 1884 in St. Paul, Minnesota, daughter of John William and Rosina (Reinfrank) Nabersberg. After her graduation from Central High School, she moved to New York to study art at the Art Students League under Kenyon Cox, at the Pratt Institute under Ralph Johannot, and at the Teachers College of Columbia University under Arthur W. Dow.

Upon her return to St. Paul in 1905, Briggs was appointed the first Supervisor of Handicrafts in the public schools, a position she held for three years. From 1908-1911, she organized and directed the Department of Crafts at the St. Paul Institute School of Art and taught woodblock printing, leather work, metal work, and pottery. During these years, she attended the summer school of the Minneapolis Handicraft Guild, working under Ernest Batchelder and Bertha Lum.

In 1911, Briggs moved to New York to become the head of the art department in the Charlton School, a private school for girls, where she taught art and lectured on the history of art and architecture for two years. On June 18, 1913, she married William Harlowe Briggs, an editorial executive for Harper Brothers publishers.

From 1918 to 1928, Berta Briggs lectured on the history of art at Miss Chandor's School for girls in New York. With nine other craft workers, she founded an outlet for craftwork, the Noank Studio Guild.

In 1928, Briggs began to paint landscapes and specialized in paintings birds. From 1930 to 1932, she was President of the National Association of Women Painters and Sculptors. She was Vice-President of the Society of Woman Geographers from 1939 to 1942, and was a member of the National Association of Women Artists.

Briggs's book Charles Willson Peale, Artist and Patriot was published in 1952, followed by To the Shores of Tripoli, published in 1955.

Berta N. Briggs died November 12, 1976 in New York City.
Provenance:
The Berta N. Briggs papers were donated in 1977 by Mrs. Malcolm Fooshee, Briggs's niece.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Genre/Form:
Drawings
Sketchbooks
Photographs
Scrapbooks
Citation:
Berta N. Briggs papers, 1908-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brigbert
See more items in:
Berta N. Briggs papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brigbert

Harriet Blackstone papers

Creator:
Blackstone, Harriet, 1864-1939  Search this
Names:
Anderson, Stell  Search this
Chase, Joseph Cummings, 1878-1965  Search this
Chase, William Merritt, 1849-1916  Search this
Dewing, M. O. (Maria Oakey), 1855-1927  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Hobart, Alice Tisdale, 1882-1967  Search this
Holbrook, Florence  Search this
Landis, Mary  Search this
Laurens, Jean-Paul, 1838-1921  Search this
McCullough, Esther Morgan  Search this
Sargent, John Singer, 1856-1925  Search this
Washington, Booker T., 1856-1915  Search this
Wunder, Richard P.  Search this
Extent:
5.4 Linear feet
5.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Scrapbooks
Date:
1870-1984
1870-1984
Scope and Contents:
The papers of painter Harriet Blackstone date from 1870-1984 and measure 5.4 linear feet. The collection provides documentation of Harriet Blackstone's career through scattered biographical material; personal and professional correspondence, including letters from Maria Oakey Dewing, Thomas Wilmer Dewing, Alice Tisdale Hobart, Joseph Cummings Chase, Stell Anderson, Mary Landis, Esther Morgan McCullough, and Booker T. Washington; writings by Blackstone, Esther Morgan McCullough, Richard P. Wunder, and Florence Holbrook; personal business records; clippings, exhbition material, and other printed material; one scrapbook; photographs of Blackstone, family, friends, and notable artists William Merrit Chase, Jean Paul Laurens, and John Singer Sargent; artwork; and four sketchbooks. Also found are a few artifacts found on Blackstone's easel.
Arrangement:
The collection is arranged as 9 series.

Missing Title

Series 1: Biographical Material, circa 1930-1973 (Box 1, 6; 7 folders)

Series 2: Correspondence, circa 1883-1984 (Box 1; 0.4 Linear Feet)

Series 3: Writings, 1861-1979 (Boxes 1-2; 1.0 Linear Feet)

Series 4: Personal Business Records, circa 1906-late 1930s (Box 2; 0.2 Linear Feet)

Series 5: Printed Material, 1901-1984 (Boxes 2-3, 6; 0.8 Linear Feet)

Series 6: Scrapbook, circa early 1900s (Boxes 3, 6; 0.2 Linear Feet)

Series 7: Photographs, 1870-early 1900s (Boxes 3-4, 6, BV 7, 8-9; 1.7 Linear Feet)

Series 8: Artwork, 1870-1929 (Boxes 4-5; 0.2 Linear Feet)

Series 9: Artifacts, circa early 1900s-1939 (Box 5, Artifact; 0.4 Linear Feet)
Biographical / Historical:
Harriet Blackstone (1864-1939) was a painter in New York, New York. Blackstone was born on November 13th, 1864 in New Hartford, New York. In 1883, she moved to Illinois where she became a high school elocution teacher. She did not start her studies to be an artist until 1903 when she enrolled at the Pratt Institute of Art in Brooklyn, New York. While there her art teacher was William Merritt Chase. Later, Blackstone went to the Academie Julian in Paris, France to gain more experience with Jean Paul Laurens as her instructor. Blackstone started to gain attention as a renowned artist in 1907 when her painting, Soldat de Crimée, was exhibited in The Salon, Paris. She moved back to Glencoe, Illinois and focused more on her artwork by painting commissions and joining different art organizations, such as the Chicago Society of Artists and the Arts Club. Blackstone travelled to different locations, including Taos, New Mexico and Bruges, Belgium, to help inspire her creativity. In 1920, Blackstone moved back to New York City where she would spend the remainder of her life; she never married or had children. She died on March 16, 1939 and was survived by her brother and friends. During her art career, Blackstone often painted portraits of well-known people and over time she developed her own style of work. Her artwork was displayed in several prominent cities in the United States: Washington, D.C., Chicago, Philadelphia, Pittsburgh, and New York City. Some of Blackstone's artwork became part of permanent collections, such as Soldat de Crimée, which was acquired by the National Gallery of Art in 1921, now known as the Smithsonian American Art Museum.
Related Materials:
Also at the Archives of American Art is the Richard Wunder research material on Harriet Blackstone.
Provenance:
Microfilmed material transferred in 1978 from the National Collection of Fine Arts, who had acquired it in 1967 along with Harriet Blackstone's paintings from Stell Anderson, Blackstone's friend and a collector of her work. Anderson had received the papers from Blackstone's brother, Edward, in 1939. Upon Anderson's death, additional material was turned over to her niece Pat Rauchenstein, who donated them in 1989. Prior to the donation, the papers were in possession of Esther McCullough, who annotated some items and added research material in preparation for her unpublished manuscript "Harriet Blackstone, 1864-1939."
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Sketchbooks
Scrapbooks
Citation:
Harriet Blackstone papers, 1870-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blacharr
See more items in:
Harriet Blackstone papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blacharr
Online Media:

Isabel Bishop papers

Creator:
Bishop, Isabel, 1902-1988  Search this
Names:
American Society of Painters, Sculptors and Gravers  Search this
New Society of Artists (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Bacon, Peggy, 1895-1987  Search this
Blume, Peter, 1906-1992  Search this
Brooks, Van Wyck, 1886-1963  Search this
Canaday, John, 1907-1985  Search this
Chappell, Warren, 1904-  Search this
Ciardi, John, 1916-  Search this
Cunningham, Merce  Search this
Delevante, Sidney, 1894-  Search this
Deutsch, Babette, 1895-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Evergood, Philip, 1901-1973  Search this
Ferber, Edna, 1887-1968  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Force, Juliana, 1876-1948  Search this
Hoffman, Malvina, 1887-1966  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Johnson, Una E.  Search this
Kearns, James  Search this
Kitaj, R. B.  Search this
Kroll, Leon, 1884-1974  Search this
Laning, Edward, 1906-1981  Search this
Lattimore, Richmond Alexander, 1906-1984  Search this
Leighton, Clare, 1899-  Search this
Marsh, Reginald, 1898-1954  Search this
Moore, Marianne, 1887-1972  Search this
Mumford, Lewis, 1895-1990  Search this
Neel, Alice, 1900-1984  Search this
Pittman, Hobson Lafayette, 1899 or 1900-1972  Search this
Porter, Fairfield  Search this
Rattner, Abraham  Search this
Schmidt, Katherine, 1898-1978  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Soyer, Raphael, 1899-1987  Search this
Tooker, George, 1920-2011  Search this
Van Veen, Stuyvesant  Search this
Vonnegut, Kurt  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Westcott, Glenway  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Date:
1914-1983
Summary:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. There are scattered biographical documents, correspondence with fellow artists such as Peggy Bacon, Warren Chappell, Edward Laning, and R. B. Kitaj, and with writers, curators, museums, galleries, arts organizations, and others. Also found are arts organization files, Bishop's writings about Warren Chappell and friend Reginald Marsh, notes, exhibition catalogs, news clippings, and other printed material, photographs of Bishop and her artwork, and photographs of Reginald and Felicia Marsh. Original artwork includes 8 sketchbooks, loose sketches, prints, and watercolor figure studies.
Scope and Content Note:
The papers of realist painter Isabel Bishop date from 1914 to 1983 and measure 2.6 linear feet. The collection documents Bishop's painting career, her friendship with other artists, and her participation in several arts organizations. Scattered biographical documents include awards and a file on her participation in art juries.

Bishop was friends with many artists and cultural figures and her correspondence includes letters to and from artists such as John Taylor Arms, Peggy Bacon, Peter Blume, Warren Chappell (many letters from Chappell are illustrated), Sidney Delevante, Edwin Dickinson, Philip Evergood, John Folinsbee, Malvina Hoffman, Jo Hopper, James Kearns, Leon Kroll, Clare Leighton, Jack Levine, Alice Neel, Hobson Pittman, Fairfield Porter, Abraham Rattner, Katherine Schmidt, Henry Schnakenberg, Raphael Soyer, George Tooker, Stuyvesant Van Veen, Franklin Watkins, Mahonri Young, and William Zorach. Bishop not only corresponded with artists but also many poets, authors, historians, and dancers, such as Van Wyck Brooks, John Canaday, John Ciardi, Merce Cunningham, Babette Deutsch, Edna Ferber, Richmond Lattimore, Marianne Moore, Lewis Mumford, Kurt Vonnegut, and Glenway Westcott. Also found are letters from many galleries, museums, and schools which exhibited or purchased her work, including curators Juliana Force and Una Johnson.

Bishop kept files from her affiliations with the American Society of Painters, Sculptors, and Gravers and the New Society of Artists, containing mostly membership and financial records, and a file on a UNESCO conference. Unfortunately, files documenting her membership and vice presidency of the National Institute of Arts & Letters are not found here.

A small amount of Bishop's writings and notes include essays about friends and artists Reginald Marsh and Warren Chappell. Printed material consists of exhibition catalogs and announcements, news clippings, magazines, and a design by G. Alan Chidsey for a book about Bishop. Photographs depict Bishop with her husband and in her studio, her artwork, and also include three photographs of her friend, Reginald Marsh.

Original artwork includes eight small sketchbooks, loose pen and ink sketches, intaglio prints, watercolor figure studies, and a drawing of Bishop by Aaron Bohrod.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1943-1975 (Box 1; 4 folders)

Series 2: Correspondence, 1939-1983 (Box 1; 0.6 linear feet)

Series 3: Organization Files, 1924-1937, 1951-1952 (Box 1; 0.2 linear feet)

Series 4: Writings & Notes, 1937-1960s (Box 1; 4 folders)

Series 5: Printed Material, 1930-1979 (Box 2; 0.6 linear feet)

Series 6: Photographs, 1914, circa 1920s-1975 (Box 2, OV 5; 0.2 linear feet)

Series 7: Artwork, circa 1940s-1970s (Box 2-4, OV 5; 0.4 linear feet)
Biographical Note:
Isabel Bishop (1902-1988) was born in Cincinnati, Ohio to John Remsen Bishop and Anna Bartram Newbold Bishop. Shortly after her birth the family moved to Detroit, Michigan. As a child Bishop took art classes and had a growing interest in drawing. In 1918 at the age of 16 she left home and moved to New York City where she enrolled in the School of Applied Design for Women to be an illustrator. However, her real interest was in painting, not the graphic arts, and she enrolled in the Art Students League in 1920. There she studied with Kenneth Hayes Miller and Guy Pene du Bois and met many young artists, including Reginald Marsh and Edwin Dickinson, both of whom became close friends. She took classes until 1924 and rented a studio and living space on 14th Street in a neighborhood where many artists maintained studios at the time.

Bishop began exhibiting her work and participated in artist groups, including the Whitney Studio Club and the New Society of Artists. During the 1920s and 1930s she developed a realist style of painting, primarily depicting women in their daily routine on the streets of Manhattan. Her work was greatly influenced by Peter Paul Rubens and other Dutch and Flemish painters that she had discovered during trips to Europe. In 1932 Bishop began showing her work frequently at the newly opened Midtown Galleries, where her work would be represented throughout her career.

In 1934 she married Harold Wolff, a neurologist, and moved with him to Riverdale, New York. Bishop kept her studio in Manhattan, moving from 14th Street to Union Square. She remained in her Union Square studio for fifty years (1934-1984). From 1936 to 1937 she taught at the Art Students League and in 1940 her son Remsen was born. In 1941 she was named a member of the National Academy of Design and from 1944 to 1946 she was the Vice President of the National Institute of Arts & Letters, the first woman to hold an executive position with that organization. She wrote articles and joined other artists in speaking out in support of realist painting and against the abstract style that was dominating the New York art scene.

During her long career which lasted into the 1980s, Bishop exhibited in numerous group and solo exhibitions, traveled throughout the U. S. as an exhibition juror, and won many awards for her work, including the award for Outstanding Achievement in the Arts presented by President Jimmy Carter in 1979.
Related Material:
Also found at the Archives of American Art are three oral history interviews with Isabel Bishop, April 15, 1959, May 29, 1959, and November 12-December 11, 1987.

The Whitney Museum of American Art and Midtown Galleries loaned additional Bishop papers to the Archives for microfilming on reels NY59-4 and NY59-5. These items were returned to the lenders after microfilming and are not described in the container listing of this finding aid.
Provenance:
The collection was donated in several installments by Isabel Bishop from 1959 to 1983.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Book illustrators -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Realism  Search this
Genre/Form:
Watercolors
Sketches
Photographs
Prints
Sketchbooks
Illustrated letters
Citation:
Isabel Bishop papers, 1914-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bishisab
See more items in:
Isabel Bishop papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bishisab
Online Media:

Coalition of Women's Art Organization papers

Creator:
Coalition of Women's Art Organizations  Search this
Extent:
1 Linear foot ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1977-1982
Scope and Contents:
Subject files concerning the interests and activities of the Coalition of Women's Art Organizations. Files include correspondence; members' resumes; address lists; business records; statistical reports; drafts for lectures; minutes from meetings; 3 untranscribed cassette tape recordings of meetings; and printed material including clippings, newsletters, press releases, programs, and brochures.
Biographical / Historical:
Women's art organization; New York, N.Y.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project. Donated 1982 by Gertrude Barnstone, president of the Coalition of Women's Art Organizations, 1982.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Women artists  Search this
Function:
Arts organizations -- New York (State)
Identifier:
AAA.coalof
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coalof

National Association of Women Artists records

Creator:
National Association of Women Artists (U.S.)  Search this
Names:
Butler Institute of American Art  Search this
Museum of New Mexico  Search this
National Association of Women Painters and Sculptors (U.S.)  Search this
Newark Museum  Search this
Texas Fine Arts Association  Search this
Baker, Mildred, 1905-  Search this
Bobbitt, Vernon L., 1911-1992  Search this
Jerry, Sylvester, 1904-1990  Search this
Morley, Grace, 1900-1985  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1926-1971
Summary:
The records of the National Association of Women Artists measure 1.6 linear feet and date from 1926 to 1971. Found are administrative and membership records from the 1960s, exhibition records, printed material, and three scrapbooks. The bulk of the collection consists of catalogs and correspondence regarding the Association's annual exhibition from 1926 to 1971.
Scope and Contents:
The records of the National Association of Women Artists measure 1.6 linear feet and date from 1926 to 1971. Found are administrative and membership records from the 1960s, exhibition records, printed material, and three scrapbooks. The bulk of the collection consists of catalogs and correspondence regarding the Association's annual exhibition from 1926 to 1971.

NAWA's administrative and membership records includes general writings and notes, board meeting notes, constitution and by-laws, mailing lists, and membership forms from 1963 to 1964.

Exhibition records date from 1926 to 1971 and are not complete. Files may include artist and price lists, catalogs and printed material, correspondence, itineraries, and photographs. Notable correspondents and institutions included are Mildred Baker, Vernon Bobbitt, the Butler Institute of American Art, Sylvester Jerry, Grace Morley, the Museum of New Mexico, the Newark Museum, and the Texas Fine Arts Association.

Additional printed materials include a certificate of community service, press clippings, press releases, and printed material from other art-related sources, such as newsletters and exhibition catalogs.

Three mixed media scrapbooks date from 1951 to 1963. Scrapbooks include photographs, clippings, and exhibition catalogs.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative and Membership Records, 1947-1970 (Box 1; 0.2 linear feet)

Series 2: Exhibition Records, 1926-1971 (Box 1; 0.7 linear feet)

Series 3: Printed Material, 1957-1967 (Box 1; 0.1 linear feet)

Series 4: Scrapbooks, 1951-1963 (BVs 2-4; 0.3 linear feet)
Biographical / Historical:
The National Association of Women Artists (NAWA) was founded in 1889 and remains the oldest women's fine arts organization in the country.

Founded under the name the Woman's Art Club of New York, the National Association of Women Artists established a space for women to exhibit, create work, and learn about art. Artists Anita Ashley, Adele Frances Bedell, Elizabeth S. Cheever, Grace Fitz-Randolph, and Edith Mitchill Preilwitz established the organization in 1889. Also known as the National Association of Women Painters and Sculptors from 1913, NAWA adopted its current name in 1941.

NAWA's annual exhibition of member artworks gained recognition for the association. The organization also promoted membership by sending out traveling exhibitions across the world. The National Association of Women Artist currently has hundreds of members from all across the United States.
Separated Materials:
Additional records on the National Association of Women Artists can be found at the Solomon R. Guggenheim Museum, Metropolitan Museum of Art, Whitney Museum of American Art, Zimmerli Art Museum, Museum of Modern Art, Ryerson & Burnham Libraries, Frick Art Reference Library, New York Public Library, Film and Fine Art Library, and Library of Congress.
Provenance:
Printed material, 1926-1971, donated by Jane Gray, historian for the NAWA, 1971. Scrapbooks donated by the NAWA, 1981, and the traveling exhibition records donated by NAWA, 1980.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Wasington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Traveling exhibitions  Search this
Women artists  Search this
Function:
Arts organizations
Genre/Form:
Scrapbooks
Photographs
Citation:
National Association of Women Artists records, 1926-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiasso
See more items in:
National Association of Women Artists records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natiasso

Charlotte Whinston papers, 1945-1975

Creator:
Whinston, Charlotte, 1895-1976  Search this
Whinston, Charlotte, 1895-1976  Search this
Subject:
National Association of Women Artists (U.S.)  Search this
Type:
Scrapbooks
Topic:
Art, American -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8639
(DSI-AAA_SIRISBib)210819
AAA_collcode_whinchar
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210819

Alice Neel papers, 1933-1983

Creator:
Neel, Alice, 1900-1984  Search this
Neel, Alice, 1900-1984  Search this
Type:
Photographs
Notes
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Portrait painting -- 20th century -- United States  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7576
(DSI-AAA_SIRISBib)209737
AAA_collcode_neelalic
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209737
Online Media:

Charlotte Whinston papers

Creator:
Whinston, Charlotte, 1895-1976  Search this
Names:
National Association of Women Artists (U.S.)  Search this
Extent:
1.2 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1945-1975
Scope and Contents:
Correspondence, photos, exhibition catalogs and announcements, clippings, awards, membership cards, minutes of meetings, and financial papers and scrapbooks, much of it relating to the National Association of Women Artists, Inc. of which Whinston was President, 1957-1961, and several other art organizations in which Whinston was involved.
Biographical / Historical:
Sculptor, painter, printmaker, engraver; New York(N.Y.)
Provenance:
Donated 1976 by Arthur L. and John Whinston, sons of Charlotte Whinston.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Engravers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, American -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Function:
Arts organizations
Genre/Form:
Scrapbooks
Identifier:
AAA.whinchar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whinchar

Women in the Arts Foundation records

Creator:
Women in the Arts Foundation, Inc.  Search this
Names:
Navaretta, Cynthia  Search this
Roser, Ce  Search this
Skiles, Jacqueline Dean, 1937-  Search this
Weinstein, Joyce, 1931-  Search this
Zaleski, Jean  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1971-1979
Scope and Contents:
Business correspondence; a price list for W. I. A.'s first exhibition; by-laws, agenda, minutes, and proposals; notes from meetings, for a WBAI broadcast; and notes and drafts of presentations and publications; minutes of board meetings; printed matter; material on membership, exhibitions, W. I. A. publications, and presentations for the Women's Caucus, the National Council for the Arts, and the College Art Association; a slide registry of member's art work; a file on the Coalition of Women Artists and the Women's Caucus for Art, and a "Washington" file with information on government support of women artists; newsletters, announcements, catalogs, press releases, and clippings. Women who figure prominently include Cynthia Navaretta, Ce Roser, Jacqueline Skiles, Joyce Weinstein, and Jean Zaleski.
Biographical / Historical:
Women's art organization; New York, N.Y.
Provenance:
Donated 1979 by Alice Jane Phillips, an executive coordinator of the foundation, Ce Roser, co-founder and first coordinator, Joyce Weinstein, a founder and executive coordinator, and Jean Zaleski.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Women artists  Search this
Function:
Arts organizations -- New York (State)
Identifier:
AAA.womein
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-womein

Alice Neel papers

Creator:
Neel, Alice, 1900-1984  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Photographs
Notes
Date:
1933-1983
Summary:
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
Scope and Content Note:
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
Arrangement:
The collection is arranged as # series:

Missing Title

Series 1: Letters, circa 1968-1983 (Box 1; 0.2 linear feet)

Series 2: Writings and Notes, circa 1960-1979 (Box 1; 2 folders)

Series 3: Printed Material, 1933-1983 (Box 1; 0.6 linear feet)

Series 4: Photographs, 1940-1983 (Box 1; 6 folders)
Biographical Note:
Alice Neel (1900-1984) was a painter in New York, NY. She was known for her portraits of New York artists and intellectuals. Neel studied painting at the Philadelphia School of Design for Women (now the Moore College of Art and Design) from 1921-1925. She married Cuban artist Carlos Enríquez, and they briefly lived in Havana, Cuba. After the break-up of their marriage, she settled in New York City. During the 1930s she worked for the Public Works of Art Project and the Works Progress Administration, painting scenes of urban poverty and developing her distinctive portrait style. She pursued a career as a figurative painter during a period when abstraction was favored, and she did not begin to gain critical praise for her work until the 1960s. Neel received an honorary doctorate from the Moore College of Art and Design in 1971 and a retrospective of her work was held at the Whitney Museum in 1974. During the last decade of her life she finally received extensive national recoginition for her paintings. Neel was also a notable public speaker and often spoke on the topic of women artists.
Related Material:
Also found in the Archives of American Art are printed material on Romare Bearden, Alice Neel, and Howard Newman, 1975-1990, compiled by Dennis Florio, and a videorecording of "Art and Alice Neel," 1975, recorded as part of University of Georgia Television station WGTV's "Forum" program.
Provenance:
The collection was donated from 1974 to 1983 by Alice Neel.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Portrait painting -- 20th century -- United States  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Notes
Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neelalic
See more items in:
Alice Neel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neelalic
Online Media:

Howard Russell Butler papers

Creator:
Butler, Howard Russell, 1856-1934  Search this
Names:
American Fine Arts Society  Search this
National Academy of Design (U.S.)  Search this
Brush, George de Forest, 1855-1941  Search this
Carnegie, Andrew, 1835-1919  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Cox, Kenyon, 1856-1919  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1874-1936
Scope and Contents:
The papers of Howard Russell Butler measure 3.0 linear feet on 7 microfilm reels and date from 1874 to 1936. The collection includes writings, journals, organizational papers, correspondence, biographical information, printed matter, art works, and diaries.

Correspondence includes about 1700 letters concerning Butler's artwork, his interest in astronomy, support for the League of Nations and the World Court, his investigation of the Lincoln statue controversy, his management of the Andrew Carnegie house and property, and extensive correspondence about the various activities of the National Academy of Design and the American Fine Arts Society.

Also included are letters from Howard Russell Butler to family and friends, written from Princeton University, Cuba, Mexico, California, Colorado, and Europe; five diaries, 1876-1877; one drawing; and two oil sketches after a painting by Titian. It also includes a book of Butler's works, Howard Russell Butler, including an appreciation by F. Newlin Price, and an unpublished autobiography written from a journal kept by Butler.
Arrangement:
The collection is arranged as 13 series.

Series 1: Biographical Material, circa 1922 (Reel 0347)

Series 2: Correspondence and Exhibition Files, 1886-1933 (Reel 0347)

Series 3: Association Records, 1895-1932 (Reel 0347-Reel 0348)

Series 4: Project Files, circa 1918-1934 (Reel 0348-Reel 0349)

Series 5: Abraham Lincoln statue controversy, circa 1917-1922 (Reel 0349)

Series 6: Professional Files, 1903-1905 (Reel 0349)

Series 7: Book Projects, 1922-1931 (Reel 0349)

Series 8: Essay, undated (Reel 0349)

Series 9: Professional files, 1915-1920 (Reel 0349)

Series 10: Writings, circa 1936 (Reel 0089, Reel 0093)

Series 11: Letters, 1874-1907 (Reel 1189-Reel 1190)

Series 12: Diaries, 1876-1877 (Reel 1190)

Series 13: Artwork, circa 1888 (Reel 1190)
Biographical / Historical:
Howard Russell Butler (1856-1934) was a businessman, lawyer, and landscape painter from New York, NY. Butler was actively involved in many art associations, including founding the American Fine Arts Society. He was a National Academician of the National Academy of Design, and a member of the Architectural League and the Society of American Artists.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming, reels 89 and 93. Loaned materials were returned to the donor and are not described in the collection microfilm inventory.
Provenance:
Donated and lent 1970-1975 by H. Russell Butler, Jr., Butler's son.
Restrictions:
This collection is open for research. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Lawyers -- New York (State) -- New York  Search this
Topic:
Landscape painting  Search this
Painting, American  Search this
Function:
Arts organizations
Identifier:
AAA.butlhowa
See more items in:
Howard Russell Butler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-butlhowa

Marvin Cherney papers

Creator:
Cherney, Marvin, 1925-1967  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Scrapbooks
Date:
1928-1979
Scope and Contents:
The Marvin Cherney papers measure 2.1 linear feet and date from 1928-1979. Incuded is correspondence, photographs, writings, works of art, printed material and two scrapbooks. Correspondence is with family, museums, art organizations, and the Eisendrath Synagogue. There are also 50 letters of condolence to Anna Cherney, Marvin Cherney's widow, regarding his death. Photographs are of Cherney, his family and friends, models, paintings, studio, and a 1956 exhibition opening at Bernhardt Crystal Gallery. Also included are color transparencies, negatives, 38 slides of works of art as well as 66 black and white photographs of paintings by Cherney, each identified with title, date, media, dimensions, and Kennedy Galleries, Inc. stock numbers, and notes by Cherney about his work. Works of art consist of 5 drawings by Cherney, ca. 1952. Printed material includes clippings, exhibition catalogs and announcements. There is one scrapbook containing childhood memorabilia and one scrapbook (portions unbound), compiled by Anna Cherney, containing letters from galleries and institutions, newspaper clippings of reviews of Cherney's exhibitions, exhibition announcements and invitations.
Biographical / Historical:
Marvin Cherney (1925-1967) was a painter in New York, N.Y.
Provenance:
Donated 1979 and 2007 by Anna Cherney, Cherney's widow. Additional scrapbook pages were donated in 2021 by collector, Elaine Penske.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Scrapbooks
Identifier:
AAA.chermarv
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chermarv

Eugenie Hauenstein scrapbooks

Creator:
Hauenstein, Eugenie  Search this
Names:
Albright Art Gallery (Buffalo, N.Y.)  Search this
Extent:
3 Volumes ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Scrapbooks
Date:
1886-1905
Scope and Contents:
Scrapbooks compiled by Hauenstein containing clippings, letters, exhibition catalogs and announcements, brochures and other printed material concerning the Buffalo Fine Arts Academy, the Student's Art Club, the Woman's Art Club of New York, the Art Student's League, the Bohemian Sketch Club and other art organizations in Buffalo, New York. Much of the material pertains to the early history of the Albright Art Gallery (now the Albright-Knox Art Gallery).
Biographical / Historical:
Painter, Buffalo, N.Y.
Provenance:
Lent for microfilming 1982 by the Albright-Knox Art Gallery Library.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Women artists  Search this
Function:
Arts organizations -- New York (State)
Genre/Form:
Scrapbooks
Identifier:
AAA.haueeuge
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-haueeuge

Pen and Brush records

Creator:
Pen and Brush (New York, N.Y.)  Search this
Extent:
4 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1894-1934
Scope and Contents:
Correspondence; catalogs and reports of exhibitions; a guest book; pamphlets describing the history and development of the club; and a collection of scrapbooks.
Biographical / Historical:
Professional women's club, New York, New York. Club for professional writers, painters, sculptors, and craftswomen. Founded in 1893 by Mary and Janet Lewis, both painters, as a medium of contact for aspiring creative women involved in the arts. Was incorporated in 1912.
Provenance:
Lent for microfilming 1965 by Pen and Brush.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Women artists  Search this
Working-women's clubs  Search this
Women -- Societies and clubs  Search this
Function:
Arts organizations -- New York (State) -- New York
Identifier:
AAA.penand
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-penand

Elizabeth N. Erlanger papers

Creator:
Erlanger, Elizabeth N. (Elizabeth Nachman), 1889-1975  Search this
Extent:
0.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1950-1968
Scope and Contents:
Correspondence relating to Erlanger's work, and to the many art organizations with which Erlanger was involved; photographs; biographical data; exhibition catalogs; and clippings.
Biographical / Historical:
Lithographer and painter (New York, N.Y.)
Provenance:
The donor, Mrs. Harold J. Jonas, is Elizabeth Erlanger's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Lithographers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Identifier:
AAA.erlaeliz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-erlaeliz

Oral history interview with Guerrilla Girls Elizabeth Vigee LeBrun and Liubov Popova

Creator:
Guerrilla Girls (Group of artists)  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
2 Items (wav files (2 hr., 3 min.), digital)
72 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2008 Jan. 19
Scope and Contents:
An interview with Guerrilla Girls using the names Elizabeth Vigee LeBrun and Liubov Popova conducted 2008 Jan. 19, by Judith Olch Richards, for the Archives of American Art, at iCI, 799 Broadway, New York, N.Y.
Biographical / Historical:
Guerrilla Girls (est. 1985) is an anonymous group of feminist artists in New York, N.Y. Interviewer Judith Olch Richards (1947- ) is former executive director of iCI in New York, N.Y.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 3 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
ACCESS RESTRICTED; Use requires written permission.
For information on how to access this interview contact Reference Services.
Topic:
Anti-racism  Search this
Feminists  Search this
Feminism and art  Search this
Politics in art  Search this
Women artists  Search this
Function:
Arts organizations -- New York (State)
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.guerri08
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-guerri08

Oral history interview with Jacqueline Skiles

Creator:
Skiles, Jacqueline Dean, 1937-  Search this
Interviewer:
Holmes, Doloris  Search this
Extent:
13 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1971
Scope and Contents:
Interview of Jacqueline Skiles conducted by Doloris Holmes for the Archives of American Art "Art World in Turmoil" oral history project.
Biographical / Historical:
Political artist, member of Women Artists in Revolution and a member of Art Workers Coalition.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Use requires an appointment.
Occupation:
Artists -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Function:
Arts organizations -- New York (State)
Genre/Form:
Interviews
Identifier:
AAA.skiles71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-skiles71

Oral history interview with Guerrilla Girls Alice Neel and Gertrude Stein

Creator:
Guerrilla Girls (Group of artists)  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
2 Items (wav files. (1 hr., 54 min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 Dec. 1
Scope and Contents:
An interview with the Guerrilla Girls using the names Alice Neel and Gertrude Stein conducted 2007 Dec. 1, by Judith Olch Richards, for the Archives of American Art, at iCI, 799 Broadway, New York, N.Y.
Biographical / Historical:
Guerrilla Girls (est. 1985) is an anonymous group of feminist artists in New York, N.Y. Judith Olch Richards (1947- ) is former executive director of iCI in New York, N.Y.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Anti-racism  Search this
Feminism and art  Search this
Feminists  Search this
Politics in art  Search this
Women artists  Search this
Function:
Arts organizations -- New York (State)
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.guerri07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-guerri07

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