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Jean Zaleski papers

Creator:
Zaleski, Jean  Search this
Names:
Women in the Arts Foundation, Inc  Search this
Baker, Dina Gustin, 1924-  Search this
Roser, Ce  Search this
Weinstein, Joyce, 1931-  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1957-1979
Scope and Contents:
Correspondence with family, friends, and colleagues, and correspondence about feminist art and art groups; notes, essays and drafts of articles; photos of family, friends and associates, including Women in the Arts Foundation, Inc. members, and photos of art work; invoices, receipts and price lists; catalogs, announcements, clippings and printed materials. Also included are two untranscribed interviews: one of Dina Gustin Baker and Joyce Weinstein conducted by Zaleski in New York City, 1976; and another of Jean Zaleski and Ce Roser conducted by Vivian Southerland for radio station WBAI, New York City, 1976.
Biographical / Historical:
Painter, art administrator; New York, N.Y.
Provenance:
Donated September 1979 and January 1980 by Jean Zaleski.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Feminism and art  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Women arts administrators  Search this
Women painters  Search this
Genre/Form:
Interviews
Identifier:
AAA.zalejean
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96fa60cf4-b73c-41d3-a021-d444e214b9f0
EDAN-URL:
ead_collection:sova-aaa-zalejean

Kimberly Camp papers

Creator:
Camp, Kimberly  Search this
Names:
Barnes Foundation  Search this
Extent:
9.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
1970-2015
Scope and Contents:
The Kimberly Camp papers include biographical material, writings, works of art, audiovisual material, and printed material relating to the career of Kimberly Camp as an artist and arts administrator.
Biographical material includes appointment books. Writings consist of manuscript drafts for "Defending the Dead: The Totally True Story of the Barnes Transformation" (not yet published) and notebooks and sketchbooks about her art and career as an arts administrator. Audio visual material includes 18 audio cassettes and 39 VHS video cassettes containing interviews or lectures given by Camp as well as assorted recordings related to her work. Printed material relates to Camp's position as an arts administrator.
Biographical / Historical:
Kimberly Camp (1956-) is an African American painter, dollmaker, and arts administrator in Collingswood, New Jersey. Camp was executive director of the Barnes Foundation from 1999-2005.
Provenance:
Donated 2016 and 2023 by Kimberly Camp.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Manuscript drafts for Defending the Dead: The Totally True Story of the Barnes Transformation and Salzburg Seminar journal are ACCESS RESTRICTED; Use requires written permission. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New Jersey  Search this
Dollmakers -- New Jersey  Search this
Painters -- New Jersey  Search this
Topic:
African American artists  Search this
Women artists  Search this
Genre/Form:
Interviews
Sketchbooks
Sound recordings
Video recordings
Identifier:
AAA.campkimb
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93cae9342-ebd2-4fd6-96ed-16273bd1927f
EDAN-URL:
ead_collection:sova-aaa-campkimb

Lowery Stokes Sims papers, circa 1981-2017

Creator:
Sims, Lowery Stokes, 1949-  Search this
Type:
Sound recordings
Interviews
Video recordings
Citation:
Lowery Stokes Sims papers, circa 1981-2017. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
African American art  Search this
African American art museum curators  Search this
Theme:
African American  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)21726
(DSI-AAA_SIRISBib)398599
AAA_collcode_simslowe
Theme:
African American
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_398599

Lowery Stokes Sims papers

Creator:
Sims, Lowery Stokes  Search this
Extent:
24.4 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Video recordings
Date:
circa 1981-2017
Scope and Contents:
The papers of African American art historian, curator and art administrator, Lowery Stokes Sims, measure 24.5 linear feet and date from circa 1918-2017. Included are correspondence; photographs of Lowery and others at events; notes and journals;printed material; exhibition records and administrative records from the Metropolitan Museum of Art, The Studio Museum in Harlem, and the Museum of Art and Design and other organizations; VHS videos, DVD and audio cassettes of interviews with Sims regarding artists and exhibitions; and research files on artists.
Biographical / Historical:
Lowery Stokes Sims (1949-) is an African American art historian, curator and art administrator. Sims was the first African American Curator at the Metropolitan Museum of Art (1972-1999), then served as Executive Director, President then Adjunct Curator of the Permanent Collection of The Studio Museum in Harlem (2000-2007), and Senior Curator and then Chief Curator of the Museum of Art and Design (2007-2015).
Provenance:
The collection was donated in 2019 by Lowery Stokes Sims as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact Reference Services for more information.
This collection is access restricted; written permission is required. Contact Reference Services for more information.

Access, with permission, to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Art museum curators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American art  Search this
African American art museum curators  Search this
Genre/Form:
Sound recordings
Interviews
Video recordings
Identifier:
AAA.simslowe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a66e8319-d9c1-4f8d-b005-08f8bc7cf659
EDAN-URL:
ead_collection:sova-aaa-simslowe

Oral history interview with John Britton Matthew, 1964 Oct. 25

Interviewee:
Matthew, John Britton, 1896-1980  Search this
Interviewer:
McChesney, Mary Fuller, 1922-2022  Search this
Subject:
McChesney, Robert, 1913-2008  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Britton Matthew, 1964 Oct. 25. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12553
(DSI-AAA_SIRISBib)213655
AAA_collcode_matthe64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213655
Online Media:

Emily Nathan papers, circa 1943-1985

Creator:
Nathan, Emily S., 1907-1999  Search this
De Creeft, José, 1884-1982  Search this
Subject:
Goldberg, Rube, 1883-1970  Search this
Lerner, Abram  Search this
Spyropoulous, Jannis  Search this
Johns, Jasper  Search this
Rothko, Mark  Search this
Smith, Tony  Search this
Namuth, Hans  Search this
McLanathan, Richard B. K.  Search this
Woolfenden, William E. (William Edward)  Search this
De Creeft, José  Search this
Hirshhorn, Joseph H.  Search this
Towle Mfg. Company  Search this
Smithsonian Institution  Search this
Archives of American Art  Search this
Type:
Sound recordings
Interviews
Citation:
Emily Nathan papers, circa 1943-1985. Archives of American Art, Smithsonian Institution.
Topic:
Roosters -- Pictorial works  Search this
Roosters -- Anecdotes  Search this
Caricatures and cartoons  Search this
Art, American  Search this
Inventors -- Interviews  Search this
Archives -- Public relations  Search this
Museums -- Public relations  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Art and industry  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)8071
(DSI-AAA_SIRISBib)210242
AAA_collcode_nathemil2
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210242

Oral history interview with Thomas Carr Howe and Robert Neuhaus, 1987 Sept 25

Interviewee:
Howe, Thomas Carr, 1904-1994  Search this
Interviewer:
Fairbanks, Peter  Search this
Subject:
Karlstrom, Paul J  Search this
Neuhaus, Robert, 1909-  Search this
California Palace of the Legion of Honor  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Thomas Carr Howe and Robert Neuhaus, 1987 Sept 25. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Museum directors -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11619
(DSI-AAA_SIRISBib)215597
AAA_collcode_howe87
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215597
Online Media:

Oral history interview with Evangeline J. Montgomery

Interviewee:
Montgomery, Evangeline J.  Search this
Interviewer:
Elliott, Claude L.  Search this
Extent:
25 Items (WAV files (3 hours., 16 min.), digital, wav )
65 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2021 June 15 - December 7
Scope and Contents:
An interview with Evangeline J. Montgomery conducted 2021 June 15-December 7, by Claude L. Elliott for the Archives of American Art, at Montgomery's home at the Hebrew Home of Greater Washington in Rockville, MD.
Biographical / Historical:
Evangeline "EJ" Montgomery (1930- ) is an African American artist, curator, and arts administrator in California and Washington, D.C. Montgomery has advocated for racial justice and public equity across media. She is especially known for her metallurgical works and abstract lithographs as well as her work with the US State Department to foster arts education domestically and abroad.
Related Materials:
The Archives also holds the papers of Evangeline J. Montgomery.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the recording is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- Washington (D.C.)  Search this
Metal-workers -- Washington (D.C.)  Search this
Printmakers -- Washington (D.C.)  Search this
Topic:
African American artists  Search this
Women artists  Search this
African American printmakers  Search this
Women printmakers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.montgo21
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c3bea9e1-6d68-40a2-a6c7-7907d601b25e
EDAN-URL:
ead_collection:sova-aaa-montgo21
Online Media:

John Outterbridge papers

Creator:
Outterbridge, John, 1933-2020  Search this
Names:
Watts Towers Art Center  Search this
Angelou, Maya  Search this
Bradley, Tom, 1917-  Search this
Hines, Gregory  Search this
Marley, Bob  Search this
Otis, Johnny, 1921-  Search this
Simone, Nina, 1933-2003  Search this
White, Charles, 1918-1979  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Place:
Watts (Los Angeles, Calif.) -- Buildings, structures, etc
Date:
1953-1997
Summary:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.
Scope and Contents:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

Biographical material includes life documents, awards, interview transcripts, a few sketches, teaching certificates, and a motion picture film reel entitled John Outterbridge: Black Artist.

The bulk of the correspondence consists of letters to John Outterbridge from family, artists, colleagues, museums, and universities. Notable correspondents include Maya Angelou, Johnny Otis, and Charles White.

Writings include teaching notes, an artist statement, nine typescript essays by Outterbridge, as well as papers written by students, and poems by various artists.

Professional and project files document Outterbridge's involvement in conferences, symposiums, membership records, and fellowships. There are grant and job applications, contracts, correspondence, project plans, and administrative records. There is documentation of the Metro Art for Rail Transit project and of his work as director of the Communicative Arts Academy. Outterbridge's directorship of the Watts Towers Arts Center (WTAC) are arranged in a separate series; files document administration, annual programs and events, and special projects.

Exhibition files are found for several exhibitions in which Outterbridge participated in the mid-1990s. Printed material includes clippings about John Outterbridge and the Watts Towers Arts Center, exhibition catalogs, announcements, books, and magazines.

There is one scrapbook that contains clippings, award certificates, and photographs of the Watts Towers Arts Center events. There are photographs of Johnny Otis, Nina Simone, and L.A. Mayor Tom Bradley.

Photographs are of John Outterbridge and his artwork, studio, family, friends, and events. Among those depicted in the photographs are Bob Marley and Gregory Hines.
Arrangement:
This collection is arranged as 9 series.

Missing Title

Series 1: Biographical Material, 1953-1997 (0.7 linear feet; Box 1, OV 6, FC 9)

Series 2: Correspondence, 1970-1997 (1.1 linear feet; Boxes 1-2, OV 7)

Series 3: Writings, circa 1980-1996 (0.2 linear feet; Box 2)

Series 4: Professional and Project Files, circa 1970-1997 (0.5 linear feet; Boxes 2-3, OV 8)

Series 5: Watts Towers Arts Center, 1976-1997 (0.4 linear feet; Box 3)

Series 6: Exhibition Files, 1992-1996 (0.2 linear feet; Box 3)

Series 7: Printed Materials, 1968-1997 (1.1 linear feet; Boxes 3-4)

Series 8: Scrapbook, 1968-1997 (0.5 linear feet; Box 5)

Series 9: Photographs, 1953-1995 (0.2 linear feet; Box 4-5)
Biographical / Historical:
John Outterbridge is an African American painter, sculptor and arts administrator in Los Angeles, California.

John Wilfred Outterbridge was born in Greenville, North Carolina in 1933. He attended Agricultural and Technical University in Greensboro, North Carolina and studied engineering for one year before joining the U.S. Army in 1953. He served two years in Europe where he started painting street scenes in his spare time. His paintings were liked and his Captain found a studio space for him, where he painted murals and artwork in offices, clubs, and American schools.

Outterbridge decided that he needed a formal education in art and after his discharge from the Army in 1955, he relocated to Chicago and enrolled first in the Chicago Academy of Art, and later in the American Academy of Art. He became active in the Chicago art scene and opened a gallery with artists John Pinkney, Elliot Hunter, and Jose Williams. While attending school, he also worked for a graphic arts firm running errands and as a Chicago Transit Authority bus driver.

Outterbridge married his wife Beverly in 1960 and they moved to Los Angeles in 1963. He worked at a production studio for a while and got an offer from another studio to become its art director. After a few years, Outterbridge took two years off and began experimenting with with other medium, such as found objects and sculpture.

Outterbridge then took a job in the art installation department of the Pasadena Art Museum where he met artists such as Peter Alexander, Richard Serra, Robert Rauschenberg, and Andy Warhol while helping with their exhibits. In addition to working on installations, Outterbridge taught sculpture classes at the museum and at several colleges such as Pasadena City College, Claremont College, Cal State Dominguez Hills, and University of California at Irvine.

From 1969-1975, Outterbridge was the director of the Compton Communicative Arts Academy. From 1975-1993, Outterbridge was the director of the Watts Towers Arts Center, a focal point in Los Angesle for African American visual and theatrical arts and the sponsor of the Watts Towers Jazz Festival and Day of the Drum Festival. He retired in 1993 to dedicate more time to his art.

Outterbridge's art can be found at the California African American Museum and the Los Angeles County Museum of Art. He has received awards throughout his career including fellowships from the Fulbright Foundation, Getty Foundation, and the National Endowment for the Arts. He received an honorary doctorate from Otis College of Art and Design in 1994.
Related Materials:
The Archives of American Art also has an oral history interview with John Outterbridge conducted by Allen Bassing in 1973.

A copy of the film John Outterbridge: Black Artist is available in the Samella Lewis papers, in the Rose Library at Emory University.
Provenance:
The John Outterbridge papers were donated to the Archives of American Art by John Outterbridge in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Arts administrators -- California -- Los Angeles  Search this
Topic:
Sculptors -- California -- Los Angeles  Search this
Artists' studios -- Photographs  Search this
Towers -- California -- Los Angeles  Search this
African American artists  Search this
Genre/Form:
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Citation:
John Outterbridge papers, 1953-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.outtjohn
See more items in:
John Outterbridge papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a172f43c-33be-45e4-87fb-14ed23fc3008
EDAN-URL:
ead_collection:sova-aaa-outtjohn
Online Media:

Evangeline J. Montgomery papers

Creator:
Montgomery, Evangeline J.  Search this
Names:
Andrews, Benny, 1930-2006  Search this
Jones, Lois Mailou, 1905-1998  Search this
Saar, Betye  Search this
Waddy, Ruth G. (Ruth Gilliam), 1909-2003  Search this
Extent:
26.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Date:
1928-2018
Summary:
The papers of African American artist, curator, and arts administrator Evangeline "EJ" Montgomery measure 26.1 linear feet and date from 1929-2019. The papers relate to Montgomery's career and involvement in the African American art scene in California and Washington, D.C. The collection includes biographical materials consisting of calendars and appointment books, certificates and awards, records regarding Montgomery's personal art collection, resumes and biographies, and other personal records; correspondence with colleagues and friends such as Benny Andrews, Willis Bing Davis, Edmund Barry Gaither, Eugene Grigsby, Dele Jegede, Samella Lewis, Nzegwu Nkiru, and A.M. Weaver; professional activity files documenting Montgomery's career as a consultant, curator, member, and volunteer for a myriad of organizations including the American Association for State and Local History, National Conference of Artists, and the Oakland Museum; and research files and notes on African and African American arts and history, Black media, Black photographers, the museum profession, and the artists Betye Saar, Lois Mailou Jones, Nike Davies-Okundaye, Romare Bearden, Ruth Waddy, Sam Gilliam, and Sargent Johnson. Also included are files regarding Montgomery's career as an artist containing material on the Brandywine Workshop, interviews with Floyd Coleman and for The Historymakers, sales and consignment records, and other material; printed and documentary material consisting of art reproductions, clippings, exhibition announcements and catalogs, and posters regarding Montgomery and other African American artists; artwork by Montgomery, including student sketchbooks, and others; photographic material of Montgomery, friends and colleagues, events, personal snapshots, and works of art; and unidentified audiovisual material.
Scope and Contents:
The papers of artist, curator, and arts administrator Evangeline "EJ" Montgomery measure 26.1 linear feet and date from 1929-2019. The papers relate to Montgomery's career and involvement in the African American art scene in California and Washington, D.C. The collection includes biographical materials consisting of calendars and appointment books, certificates and awards, records regarding Montgomery's personal art collection, resumes and biographies, and other personal records; correspondence with colleagues and friends such as Benny Andrews, Willis Bing Davis, Edmund Barry Gaither, Eugene Grigsby, Dele Jegede, Samella Lewis, Nzegwu Nkiru, and A.M. Weaver; professional activity files documenting Montgomery's career as a consultant, curator, member, and volunteer for a myriad of organizations including the American Association for State and Local History, National Conference of Artists, and the Oakland Museum; and research files and notes on African and African American arts and history, Black media, Black photographers, the museum profession, and the artists Betye Saar, Lois Mailou Jones, Nike Davies-Okundaye, Romare Bearden, Ruth Waddy, Sam Gilliam, and Sargent Johnson. Also included are files regarding Montgomery's career as an artist containing material on the Brandywine Workshop, interviews with Floyd Coleman and for The Historymakers, sales and consignment records, and other material; printed and documentary material consisting of art reproductions, clippings, exhibition announcements and catalogs, and posters regarding Montgomery and other African American artists; artwork by Montgomery, including student sketchbooks, and others; photographic material of Montgomery, friends and colleagues, events, personal snapshots, and works of art; and unidentified audiovisual material.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Materials, 1967-2015 (1.0 linear feet; Box 1, OV 27)

Series 2: Correspondence, 1963-2014 (2.0 linear feet; Boxes 2-4)

Series 3: Professional Activity Files, 1963-2017 (7.6 linear feet; Boxes 4-11)

Series 4: Research Files and Notes, 1928-2018 (4.0 linear feet; Boxes 11-16)

Series 5: Files Regarding Montgomery's Career as an Artist, 1970-2016 (1.5 linear feet; Boxes 16-17)

Series 6: Printed and Documentary Materials, 1964-2018 (7.2 linear feet; Boxes 17-23, 26, OVs 27-29, 31-34

Series 7: Artwork, circa 1957-2006 (0.2 linear feet; Boxes 23, 26, OV 30)

Series 8: Photographic Materials and Moving Images, circa 1965-2017 (3.0 linear feet; Boxes 23-27, OV 27)

Series 9: Unidentified Audiovisual Materials, circa 1990s (1 folder; Box 25)
Biographical / Historical:
Evangeline "EJ" Montgomery (1930- ) is an African American artist, curator, and arts administrator in California and Washington, D.C.

Montgomery was born in New York and moved to Harlem in New York City after the divorce of her parents, Oliver and Carmelite Thompson. Upon graduating from Seward Park High School in 1951, Montgomery worked painting faces on dolls and statues. In 1955, she married Ulysses "Jim" Montgomery and moved to Los Angeles. In California she began working for jewelry designer Thomas Usher while attending Los Angeles City College. She continued her education at California College of the Arts (California College of Arts and Crafts) where she received her Bachelor of Fine Arts degree in 1969. During the late 1960s, Montgomery began curating exhibitions. From 1971 to 1976, she was curator for Rainbow Sign Gallery in Berkeley. Other roles Montgomery held were as the national exhibits workshop coordinator at the American Association for State and Local History and as program development consultant at the African American Museums Association. From 1976 to 1979, she was art commissioner for the city of San Francisco.

Montgomery moved to Washington, D.C. in 1980 to serve as the community affairs director for Howard University's WHMM-TV station. She then began working for the United States Information Agency (USIA) as a program officer in their Arts America program in the early 1980s. In her role, she worked to promote cross-cultural exchanges through art, specializing in American exhibitions touring abroad. Montgomery retired from the USIA in 2008.

As an artist, Montgomery gained recognition for her work in printmaking and metalworking. She was the recipient of the D.C. Commission on the Arts and Humanities fellowship in 2012 and an Excellence in the Arts Award from the Brandywine Print Workshop in 2004. Due to her diagnosis of Parkinson's disease in the 1990s, Montgomery had to stop working with metal but continued her printmaking work.
Provenance:
The Evangeline J. Montgomery papers were donated in 2019 by Evangeline J. Montgomery, as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators -- Washington (D.C.)  Search this
Art museum curators -- California  Search this
Printmakers -- Washington (D.C.)  Search this
Metal-workers -- Washington (D.C.)  Search this
Metal-workers -- California  Search this
Printmakers -- California  Search this
Topic:
African American artists  Search this
African American art museum curators  Search this
Black Arts movement  Search this
Women artists  Search this
Women museum curators  Search this
Women printmakers  Search this
Women arts administrators  Search this
Genre/Form:
Drawings
Interviews
Scrapbooks
Sketchbooks
Sound recordings
Video recordings
Citation:
Evangeline J. Montgomery papers, 1928-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.montevan
See more items in:
Evangeline J. Montgomery papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9915d0dc7-2f94-41bd-9b8b-d04432f7df32
EDAN-URL:
ead_collection:sova-aaa-montevan
Online Media:

Davidson Taylor papers, 1965-1966

Creator:
Taylor, Davidson, 1907-1979  Search this
Subject:
Dickinson, Edwin Walter  Search this
Citation:
Davidson Taylor papers, 1965-1966. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- United States -- Interviews  Search this
Painting, American  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5772
(DSI-AAA_SIRISBib)208611
AAA_collcode_tayldavi
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208611

Mildred Baker papers, 1882

Creator:
Baker, Mildred, 1905-1998  Search this
Subject:
McMahon, Audrey  Search this
Weiss, Adolph  Search this
Baker, Jacob  Search this
Newark Museum  Search this
Salons of America, Inc.  Search this
Index of American Design  Search this
Municipal Art Committee (New York, N.Y.)  Search this
Federal Art Project  Search this
Technical Services Laboratory (National Space Technology Laboratories)  Search this
United Federal Workers of America  Search this
Type:
Photographs
Interviews
Transcripts
Citation:
Mildred Baker papers, 1882. Archives of American Art, Smithsonian Institution.
Topic:
Women arts administrators  Search this
Federal aid to the arts  Search this
Art -- Exhibitions -- New York (State) -- New York  Search this
Theme:
Women  Search this
Patronage  Search this
Record number:
(DSI-AAA_CollID)5842
(DSI-AAA_SIRISBib)208682
AAA_collcode_bakemild
Theme:
Women
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208682
Online Media:

Jean Zaleski papers, 1957-1979

Creator:
Zaleski, Jean, 1920-  Search this
Subject:
Weinstein, Joyce  Search this
Baker, Dina Gustin  Search this
Roser, Ce  Search this
Women in the Arts Foundation, Inc  Search this
Type:
Interviews
Citation:
Jean Zaleski papers, 1957-1979. Archives of American Art, Smithsonian Institution.
Topic:
Feminism and art  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Women arts administrators  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6926
(DSI-AAA_SIRISBib)209055
AAA_collcode_zalejean
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209055

Clarence H. Carter [videorecording]: six decades of painting / [produced by] Harmon-Meek Gallery, 1983

Creator:
Carter, Clarence Holbrook, 1904-2000  Search this
Subject:
Meek, William  Search this
Harmon-Meek Gallery (Naples, Fla.)  Search this
Type:
Video recordings
Interviews
Citation:
Clarence H. Carter [videorecording]: six decades of painting / [produced by] Harmon-Meek Gallery, 1983. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- United States  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7222
(DSI-AAA_SIRISBib)209361
AAA_collcode_cartclhv
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209361

George Fedoroff papers, 1939-1980

Creator:
Fedoroff, George W., 1906-2001  Search this
Citation:
George Fedoroff papers, 1939-1980. Archives of American Art, Smithsonian Institution.
Topic:
Indian art -- North America  Search this
Artisans  Search this
Theme:
Diaries  Search this
Craft  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7259
(DSI-AAA_SIRISBib)209409
AAA_collcode_fedogeor
Theme:
Diaries
Craft
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209409

Edward Bruce papers, 1902-1960, bulk 1932-1942

Creator:
Bruce, Edward, 1879-1943  Search this
Subject:
Sterne, Maurice  Search this
Biddle, George  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Stein, Leo  Search this
Dornbush, Adrian  Search this
Dows, Olin  Search this
Roosevelt, Eleanor  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Public Works of Art Project  Search this
Type:
Diaries
Scrapbooks
Photographs
Place:
United States -- Politics and government -- 1933-1945
United States -- Social conditions -- 1933-1945
Citation:
Edward Bruce papers, 1902-1960, bulk 1932-1942. Archives of American Art, Smithsonian Institution.
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Art, American  Search this
Art and state  Search this
Art, Modern -- 20th century -- United States  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7264
(DSI-AAA_SIRISBib)209415
AAA_collcode_brucedwa
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209415
Online Media:

Agnes Rindge Claflin papers concerning Alexander Calder, 1936-circa 1970s

Creator:
Claflin, Agnes Rindge, 1900-1977  Search this
Subject:
Calder, Alexander  Search this
Vassar College  Search this
Type:
Postcards
Manuscripts
Photographs
Illustrated letters
Citation:
Agnes Rindge Claflin papers concerning Alexander Calder, 1936-circa 1970s. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Women arts administrators  Search this
Women educators  Search this
Mobiles (Sculpture)  Search this
Theme:
Women  Search this
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)7439
(DSI-AAA_SIRISBib)209597
AAA_collcode_clafagne
Theme:
Women
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209597
Online Media:

Hy Cohen papers, 1927-1972

Creator:
Cohen, Hy, 1901-  Search this
Subject:
Block, Irving  Search this
Evergood, Philip  Search this
Nevelson, Louise  Search this
Newman, Elias  Search this
Pereira, I. Rice (Irene Rice)  Search this
Artists Equity Association  Search this
Citation:
Hy Cohen papers, 1927-1972. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7482
(DSI-AAA_SIRISBib)209640
AAA_collcode_cohehy
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209640

Lois Dodd papers, 1945-2013

Creator:
Dodd, Lois, 1927-  Search this
Subject:
Mainardi, Patricia  Search this
Type:
Photographs
Interviews
Citation:
Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching  Search this
Women artists  Search this
Women educators  Search this
Women painters  Search this
Women art dealers  Search this
Artists' studios -- Photographs  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7562
(DSI-AAA_SIRISBib)209722
AAA_collcode_doddlois
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209722
Online Media:

Charles Hapgood papers, 1938-1950

Creator:
Hapgood, Charles, 1904-1982  Search this
Subject:
D'Harnoncourt, Rene  Search this
Collier, John  Search this
Hudgens, Robert Watts  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Roosevelt, Eleanor  Search this
Citation:
Charles Hapgood papers, 1938-1950. Archives of American Art, Smithsonian Institution.
Topic:
American studio craft movement  Search this
Theme:
Craft  Search this
Patronage  Search this
Record number:
(DSI-AAA_CollID)7652
(DSI-AAA_SIRISBib)209815
AAA_collcode_hapgchar
Theme:
Craft
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209815
Online Media:

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