Skip to main content Smithsonian Institution

Search Results

Collections Search Center
207 documents - page 1 of 11

Oral history interview with Dore Ashton

Interviewee:
Ashton, Dore  Search this
Sampson, George E., 1951-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Harvard University -- Students  Search this
New School for Social Research (New York, N.Y.) -- Students  Search this
New York Times Company  Search this
De Kooning, Willem, 1904-1997  Search this
Devree, Howard, 1891-1966  Search this
Guston, Philip, 1913-1980  Search this
Kline, Franz, 1910-1962  Search this
Klüver, Billy, 1927-2004  Search this
Motherwell, Robert  Search this
Orlovsky, Peter, 1933-2010  Search this
Paz, Octavio, 1914-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reynal, Jeanne, 1903-  Search this
Rothko, Mark, 1903-1970  Search this
Selz, Peter Howard, 1919-2019  Search this
Smith, David, 1906-1965  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 21 - 2011 March 9
Scope and Contents:
An interview of Dore Ashton conducted 2010 November 21 and 2011 March 9, by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Ashton's home, in New York, New York.
Ashton talks about growing up politically active; protesting the internment of the Japanese Americans during WWII; attending The New School and then Harvard University; briefly working as a gallery receptionist; writing her first reviews for Art Digest; Howard Devree hiring her as a writer for The New York Times; travels and living in Europe; writing feature pieces about individual artists for The New York Times; writing for Cahiers d'art; her relationships Franz Kline, Willem de Kooning, Mark Rothko, Philip Guston, Robert Motherwell, Billy Kluver, Robert Rauschenberg, Octavio Paz, and others; marriage to Adja Yunkers; teaching at Cooper Union; interest in Latin American Art; flirting; being a "dedicated reader of Nietzsche"; visits to the Cedar Tavern; being a peacenik; and other topics. She recalls Jeanne Reynal, Mario Pedrosa, Alger Hiss, Peter Selz, Peter Orlovsky, David Smith, and others.
Biographical / Historical:
Dore Ashton (1928-2017) was an art historian in New York, New York. George W. Sampson (1951-) is an arts administrator in Charlottesville, Virginia.
General:
Originally recorded on 2 memory cards. Duration is 2 hr., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art critics -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ashton10
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7c38826-8734-452b-afbe-3303efd2db24
EDAN-URL:
ead_collection:sova-aaa-ashton10
Online Media:

Midtown Galleries records

Creator:
Midtown Galleries  Search this
Names:
Midtown-Payson Galleries  Search this
Betts, Edward H., 1920-  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-1999  Search this
Coiner, Charles T., 1897-  Search this
Davis, Gladys Rockmore, 1901-1967  Search this
Etnier, Stephen, 1903-1984  Search this
Etting, Emlen, 1905-1993  Search this
Fiene, Ernest, 1894-  Search this
Gruskin, Alan D. (Alan Daniel), 1904-1970  Search this
Gruskin, Mary J.  Search this
Guston, Philip, 1913-1980  Search this
Hale, Nathan Cabot  Search this
Healey, Francis C.  Search this
Kingman, Dong, 1911-  Search this
Lahm, Ren'ee, 1897-1945  Search this
Magafan, Ethel, 1916-1993  Search this
Maldarelli, Oronzio, 1892-1962  Search this
Mangravite, Peppino, 1896-  Search this
Martin, Fletcher, 1904-1979  Search this
Meyer, Fred  Search this
Moller, Hans, 1905-  Search this
Nagler, Edith Kroger, 1890-1986  Search this
Nagler, Fred, 1891-1983  Search this
Palmer, William C., 1906-  Search this
Parsons, Betty  Search this
Peirce, Waldo, 1884-1970  Search this
Reinhardt, Siegfried, 1925-1984  Search this
Rosenthal, Doris Patty, 1889-1971  Search this
Saarinen, Lilian Swann, 1912-1995  Search this
Schoener, Jason  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Shulkin, Anatol, 1899-1961  Search this
Simkhovitch, Simka, 1893-1949  Search this
Sokole, Miron, 1901-  Search this
Soyer, Isaac, 1902-1981  Search this
Taubes, Frederic, 1900-  Search this
Thon, William, 1906-2000  Search this
Varga, Margit, 1908-2005  Search this
Vickrey, Robert, 1926-2011  Search this
Wingate, Arline, 1906-1998  Search this
Extent:
86.82 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Video recordings
Date:
1904-1997
Summary:
The records of Midtown Galleries measure 86.82 linear feet and date from 1904 to 1997. The collection documents the operation and general administration of the business and includes artist records, exhibition material, inventories, financial records, photographs, and printed material.
Scope and Content Note:
Records of Midtown Galleries [including the addition], circa 1904-1997, comprise 86.82 linear feet on 117 microfilm reels. Records are sparse for the early years when the gallery was operated as a cooperative. As the business expanded and became profitable, recordkeeping was more systematic and thorough. Records consist of administrative correspondence, 1927-1989 and undated; exhibition records, 1934-1982 and undated; inventories and sales records, 1946-1980 and undated; financial records, 1933-1957; miscellaneous, 1934-1985 and undated; photographs, circa 1925-circa 1980; printed matter, 1932-1982 and undated; personal papers of Alan D. and Mary J. Gruskin, 1932-1983 and undated; and Papers of Francis C. Healey, 1932-1935 and undated An addition, represents scattered material, 1932-1997 and undated, that remained after the gallery closed in 1995. It includes administrative records, 1934-1995 and undated; photographs circa 1938-1988 and undated; artists records, 1932-1993 and undated; exhibitions, 1958-1993 and undated; videotapes, 1977-1988; and oversize printed matter, 1973-1977 and undated Because microfilmimg of the Midtown Galleries records was already underway when this material was received, it could not be integrated with the main portion of the collection.

Administrative correspondence is categorized as General Correspondence, Artists Correspondence, and Artists Applications. General Correspondence is with clients, collectors, museums and galleries, arts organizations, and businesses providing services to Midtown Galleries, and concerns routine business matters. Artists Correspondence contains both personal and business letters since the Gruskins were close friends of many artists represented by Midtown Galleries. Artists Applications consists of correspondence with artists seeking representation by Midtown Galleries. Both accepted and rejected artists are included in this subseries.

Exhibition records includes schedules and general correspondence about cooperative exhibitions and traveling shows. Exhibition files, arranged by title, contain correspondence concerning arrangements for each show.

Inventories include listings by artist and by warehouse location; also, lists of paintings on consignment, paintings returned to artists, loan/shipping log, and "traffic cards." Sales records include "groups totals,: artists account ledger, and sales slips.

Financial records consist of bills paid, banking records, accounting records, and tax returns with related documentation.

Miscellaneous items include manuscripts of Isabel Bishop Catalogue Raisonne and Biography by Karl Lunde and The Art of Philip Guston by Lester D. Longman. Also included are legal documents such as Act of Incorporation, partnership agreement, and leases; 32 guest registers, 1924-1985 and undated, and 15 samples of artist-designed fabrics produced by Onandoga Silk Co., 1946-1947.

Photographs of people include founders Alan D. Gruskin and Francis C. Healey, Mary J. Gruskin (Mrs. Alan D.) and many artists affiliated with Midtown Galleries. Photographs of works of art are by Midtown artists and others. Also, illustrations for Painting in the U.S.A. by Alan D. Gruskin; 2 albums of photographs of the work of Waldo Peirce, circa 1925-1930s (probably compiled by Peirce). Photographs of exhibitions include Midtown Galleries exhibitions and shows elsewhere featuring works by Midtown artists. Miscellaneous photographs include: Gruskin's Department Store (Pa.); models used by artists Julien Binford, Henry Koerner, and Doris Rosenthal; properties owned by Julien Binford and Hans Moeller; Anatol Shulkin's travel pictures of the Soviet Union; store window displays featuring Midtown artists, and fashion models at Midtown Galleries.

Printed matter includes material produced by Midtown Galleries: exhiition catalogs, 1932-1983 and undated; news releases, 1932-1983 and undated; Midtown News, 1965-1970; and miscellaneous items, 1943-1970 and undated Printed matter produced by others includes is comprised of artists files consisting mainly of newsclippings; also, articles about Midtown Galleries and the Gruskins.

Personal papers of Mary J. and Alan D. Gruskin contain biographical information, correspondence, financial records, miscellaneous items, calendars, and writings of Alan D. Gruskin. Correspondence, 1931-1970 and undated, with family and friends concerns personal business; also, letters of condolence on the death of Alan D. Gruskin, 1970. Financial records include personal finances and documentation of gifts of artwork to institutions, with appraisals and tax information. Calendars, 1939-1983, record both personal engagements and some business appointments. Writings of Alan D. Gruskin include manuscripts and drafts of columns, short stories, a screenplay, radio broadcasts, and lecture notes from courses at Harvard.

Papers of Francis C. Healey are comprised of correspondence that relates to both gallery and ersonal business. Also included are scripts and drafts for radio broadcasts, printed matter, press releases, and proposals for radio programs.

Administrative records received with the addition include general correspondence, correspondence with clients, and correspondence regarding gifts, sales and purchases. Records concerning the sale of Midtown Galleries to John Whitney Payson include Gruskin's and Payson's inventories. Also, included is a history of the gallery.

Photographs are of the Gruskins, their friends, and country house; also, views of Midtown exhibitions, openings, artists, and individual works of art.

Artists records are comprised mainly of artists files, largely containing printed matter. Among the artists records are a file of holiday cards by various artists, many with original artwork. Also included are catalogs of group shows featuring Midtown artists at other galleries

Exhibition materials include announcements, news releases, catalogs, miscellaneous printed matter, and a guest book. A small number of these items are dated after Payson's purchase of Midtown Galleries.

Videotapes of William Palmer, Isabel Bishop, and Robert Vickrey, as well as oversize printed matter relating to Midtown artists, complement the artists records.
Arrangement:
The collection is arranged into 10 series. A detailed explanation of the arrangement of each series is provided with the series descriptions. Each series is subdivided, often by record type, with categories usually arranged chronologically; exceptions are noted. Administrative correspondence (Series 1) is arranged alphabetically, as are many inventories sales records (Series 3). Photographs of people, exhibitions, and works of art (Series 6) are arranged alphabetically, as are the artists files and exhibition clippings portions of the printed matter (Series 7). The addition is described separately in Appendix A; and, wherever possible, reel and frame numbers of related materials received and filmed with the addition have been included in the main text's series descriptions.

Missing Title

Series 1: Administrative Correspondence, 1927-1989, undated (51 linear ft.)

Series 2: Exhibitions, 1932-1982, undated (4 linear feet)

Series 3: Inventories and Sales Records, 1932-1980, undated (5.3 linear ft.)

Series 4: Financial Records, 1933-1957 (3.5 linear feet)

Series 5: Miscellaneous, 1934-1985, undated (2 linear feet)

Series 6: Photographs, circa 1925-circa 1980 (6.5 linear feet)

Series 7: Printed Matter, 1932-1990, undated (7.25 linear ft.)

Series 8: Personal Papers of Alan D. and Mary J. Gruskin, 1904-1990, undated (4.5 linear feet)

Series 9: Papers of Francis C. Healey, 1932-1935, undated (0.5 linear ft.)

Series 10: Addition, 1932-1997, undated (2.5 linear feet)
Historical Note:
Alan D. Gruskin (1904-1970) hoped to become an artist, but while still a student realized that his talents were better suited to art administration than painting. Following graduation from Harvard University, he worked at a New York gallery that specialized in old masters, returning home to Pennsylvania after a year to pursue a writing career that ultimately proved unsuccessful. Gruskin returned to New York and opened Midtown Galleries at 559 Fifth Avenue in 1932. Specializing in work by living American artists, Midtown was one of a rather small number of commercial galleries in New York City that showed contemporary American art. Midtown Galleries represented academic and realist painters, and purposely avoided abstract art.

Founded during the Depression, Midtown Galleries was a shoe-string operation in its early years. Originally operated as a cooperative, Midtown Galleries' participating artists contributed to the costs and work of presenting exhibitions. Between 1932 and 1935, Gruskin served as "Art Director" of the gallery and his business partner, Francis C. Healey was "Publicity Director." Healey appears to have been responsible for weekly broadcasts on NBC radio designed to interest people in visiting the gallery. The 15-minute programs consisted of discussions with museum directors, curators, artists, writers, and musicians about a broad range of cultural topics. Copies of the scripts were offered for a dime, and the payments mailed by radio listeners bought Gruskin's meals. During this period, Gruskin lived in the gallery. After Healey's departure in 1935, Midtown Galleries ceased to be run as a cooperative.

Midtown Galleries usually represented approximately two dozen artists, and many remained with the gallery for decades. They included: Julien Binford, Isabel Bishop, Paul Cadmus, Gladys Rockmore Davis, Emlen Etting, Maurice Freedman, Dong Kingman, Oronzio Maldarelli, William C. Palmer, Waldo Peirce, Doris Rosenthal, Zoltan L. Sepeshy, Frederic Taubes, William Thon, Margit Varga, and Robert Vickrey.

Gruskin worked to educate and interest the public in American art and to promote the artists he represented. In addition to countless reviews, articles, and catalog essays, he wrote three books: Painting in the U.S.A. (1946), The Watercolors of Dong Kingman and How the Artist Works (1958), William Thon: The Artist and His Technique (1964). Gruskin advocated the use of fine art in advertising and industry, obtaining commissions for his artists and at the same time assisting clients in building corporate collections. A prime example is the Upjohn Company which, at Gruskin's urging, included reproductions of paintings in "Your Doctor Speaks," a series of public service announcements. Many of the paintings were purchased subsequently, forming the basis of the Upjohn Collection. A traveling exhibition, The Upjohn Company Collection of Contemporary American Paintings, was circulated by Midtown Galleries and featured in a Life magazine article about fine art and advertising. Another example is the fabric patterns, based on paintings by several of Midtown Galleries' artists, commissioned by the Onandoga Silk Company; the fabrics were used for dresses by popular designers, with fashion shows and window displays of paintings by the participating artists at selected department stores throughout the country. Working closely with architects and interior designers, Gruskin and Midtown Galleries were innovators in the use of domestic and business settings to showcase art with Art In Interiors, a series of exhibitions held annually between 1952 and 1961.

Midtown Galleries was a pioneer in circulating traveling exhibitions to colleges and art associations in communities distant from major art museums and commercial galleries. Beginning in 1936 and or more than 35 years, Midtown Galleries circulated 8-10 shows throughout the country each year; most were group shows organized around a theme, though occasional solo exhibitions were offered. Other important exhibitions off the premises were the Central Illinois Art Exposition, 1939, and the contemporary American art exhibition at the New York World's Fair, 1964-1965. The 1939 show organized by Gruskin for the Bloomington, Illinois, Art Association was a large exhibition of American art borrowed from a variety of institutions; the very well-publicized show was heavily attended, drawing visitors from a large area of the rural Midwest, many of whom had never visited a museum or seen original art.

Missing Title

1932 -- established as a cooperative gallery at 559 Fifth Ave. by Alan D. Gruskin (Art Director) and Francis C. Healey (Public Relations Director); Midtown Galleries presented programs on contemporary American art broadcast by NBC radio

1934-1935 -- Tudor City Art Galleries at 8 Prospect Place, New York City, featuring works by Midtown Galleries' artists and others, administered by Gruskin and Healey

1935 -- departure of Francis C. Healey; gallery moved to 605 Madison Ave.; gallery ceased to be run as a cooperative

1936 -- began traveling exhibitions to universities, museums, and regional art associations

1939 -- Central Illinois Art Exposition (Bloomington, Ill.)

1946 -- San Francisco branch opened and closed; publication of Painting in the U.S.A. by Alan D. Gruskin

1951 -- gallery moved to 17 East 57th Street

1958 -- publication of The Watercolors of Dong Kingman and How the Artist Works by Alan D. Gruskin

1962 -- gallery moved to 11 East 57th Street

1964 -- exhibition of contemporary American art at the New York World's Fair, organized by Midtown Galleries; shown in American Interiors Pavilion, this was the only exhibit of its kind at the Fair; publication of William Thon: The Artist and His Technique by Alan D. Gruskin

1966 -- loan of Midtown Galleries' records for microfilming by the Archives of American Art; this small selection, along with many other gallery records, was donated by Mary Gruskin to the Archives between 1972 and 1991, with an additional gift in 1997

1970 -- death of Alan D. Gruskin (1904-1970); Mary J. Gruskin assumes position of Director

1972 -- first portion of Midtown Galleries' records donated to the Archives of American Art by Mrs. Gruskin

1985 -- sale of Midtown Galleries to John Whitney Payson; Bridget Moore, Director, and Mary J. Gruskin, Director Emerita

1986 -- majority of Midtown Galleries' records acquired by the Archives of American Art

1990 -- name changed to Midtown-Payson Galleries; gallery moved to 745 Fifth Ave.

1991 -- additional gift of records by Mrs. Gruskin

1992 -- records arranged, described, and prepared for microfilming

1993 -- microfilming began; continued sporadically, in small segments

1995 -- Midtown-Payson Galleries closed

1997 -- additional gift of records by Mrs. Gruskin

1999 -- microfilming completed
Provenance:
Midtown Galleries loaned a small number of records consisting of news releases, 1939-1966, and exhibition schedules to the Archives of American Art for microfilming in 1966. Subsequently, Mary J. Gruskin donated this material, along with many other gallery records, to the Archives in several installments between 1972 and 1991; an additional gift was received in 1997. The portion loaned in 1966 is now integrated with the main records and has been refilmed in sequence. Unfortunately, the addition of 1997 was received in Washington, D.C. after microfilming was well underway. The addition has been microfilmed and described separately as Series 10. Wherever possible, the main text has been annotated with reel and frame numbers for related items contained in the addition.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- United States  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Video recordings
Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
Identifier:
AAA.midtgall
See more items in:
Midtown Galleries records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw914dd4711-6742-49ca-86c0-2e99aad538ea
EDAN-URL:
ead_collection:sova-aaa-midtgall

National Association of Women Artists records

Creator:
National Association of Women Artists (U.S.)  Search this
Names:
Butler Institute of American Art  Search this
Museum of New Mexico  Search this
National Association of Women Painters and Sculptors (U.S.)  Search this
Newark Museum  Search this
Texas Fine Arts Association  Search this
Baker, Mildred, 1905-  Search this
Bobbitt, Vernon L., 1911-1992  Search this
Jerry, Sylvester, 1904-1990  Search this
Morley, Grace, 1900-1985  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1926-1971
Summary:
The records of the National Association of Women Artists measure 1.6 linear feet and date from 1926 to 1971. Found are administrative and membership records from the 1960s, exhibition records, printed material, and three scrapbooks. The bulk of the collection consists of catalogs and correspondence regarding the Association's annual exhibition from 1926 to 1971.
Scope and Contents:
The records of the National Association of Women Artists measure 1.6 linear feet and date from 1926 to 1971. Found are administrative and membership records from the 1960s, exhibition records, printed material, and three scrapbooks. The bulk of the collection consists of catalogs and correspondence regarding the Association's annual exhibition from 1926 to 1971.

NAWA's administrative and membership records includes general writings and notes, board meeting notes, constitution and by-laws, mailing lists, and membership forms from 1963 to 1964.

Exhibition records date from 1926 to 1971 and are not complete. Files may include artist and price lists, catalogs and printed material, correspondence, itineraries, and photographs. Notable correspondents and institutions included are Mildred Baker, Vernon Bobbitt, the Butler Institute of American Art, Sylvester Jerry, Grace Morley, the Museum of New Mexico, the Newark Museum, and the Texas Fine Arts Association.

Additional printed materials include a certificate of community service, press clippings, press releases, and printed material from other art-related sources, such as newsletters and exhibition catalogs.

Three mixed media scrapbooks date from 1951 to 1963. Scrapbooks include photographs, clippings, and exhibition catalogs.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative and Membership Records, 1947-1970 (Box 1; 0.2 linear feet)

Series 2: Exhibition Records, 1926-1971 (Box 1; 0.7 linear feet)

Series 3: Printed Material, 1957-1967 (Box 1; 0.1 linear feet)

Series 4: Scrapbooks, 1951-1963 (BVs 2-4; 0.3 linear feet)
Biographical / Historical:
The National Association of Women Artists (NAWA) was founded in 1889 and remains the oldest women's fine arts organization in the country.

Founded under the name the Woman's Art Club of New York, the National Association of Women Artists established a space for women to exhibit, create work, and learn about art. Artists Anita Ashley, Adele Frances Bedell, Elizabeth S. Cheever, Grace Fitz-Randolph, and Edith Mitchill Preilwitz established the organization in 1889. Also known as the National Association of Women Painters and Sculptors from 1913, NAWA adopted its current name in 1941.

NAWA's annual exhibition of member artworks gained recognition for the association. The organization also promoted membership by sending out traveling exhibitions across the world. The National Association of Women Artist currently has hundreds of members from all across the United States.
Separated Materials:
Additional records on the National Association of Women Artists can be found at the Solomon R. Guggenheim Museum, Metropolitan Museum of Art, Whitney Museum of American Art, Zimmerli Art Museum, Museum of Modern Art, Ryerson & Burnham Libraries, Frick Art Reference Library, New York Public Library, Film and Fine Art Library, and Library of Congress.
Provenance:
Printed material, 1926-1971, donated by Jane Gray, historian for the NAWA, 1971. Scrapbooks donated by the NAWA, 1981, and the traveling exhibition records donated by NAWA, 1980.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Wasington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Traveling exhibitions  Search this
Women artists  Search this
Function:
Arts organizations
Genre/Form:
Scrapbooks
Photographs
Citation:
National Association of Women Artists records, 1926-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.natiasso
See more items in:
National Association of Women Artists records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw965483450-7f3f-47a1-9582-f2887d286dba
EDAN-URL:
ead_collection:sova-aaa-natiasso

Marilyn Zeitlin research material, 1985-1991

Creator:
Zeitlin, Marilyn A., 1941-  Search this
Subject:
Camp, Jeffrey Thomas  Search this
Hall, Michael D.  Search this
Torres, Rigoberto  Search this
Ahearn, John  Search this
Alexander, Brooke  Search this
Alexander, Carolyn  Search this
Carpenter, Miles B. (Miles Burkholder)  Search this
Garcia, Raymond  Search this
Gregson, Chris  Search this
Type:
Interviews
Sound recordings
Citation:
Marilyn Zeitlin research material, 1985-1991. Archives of American Art, Smithsonian Institution.
Topic:
Group work in art  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Latino and Latin American artists  Search this
Women museum curators  Search this
Women arts administrators  Search this
Woodwork  Search this
Theme:
Latino and Latin American  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)5568
(DSI-AAA_SIRISBib)214582
AAA_collcode_zeitmari
Theme:
Latino and Latin American
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214582

Marilyn Zeitlin research material

Creator:
Zeitlin, Marilyn  Search this
Names:
Ahearn, John, 1951-  Search this
Alexander, Brooke  Search this
Alexander, Carolyn  Search this
Camp, Jeffrey Thomas, 1944-  Search this
Carpenter, Miles B. (Miles Burkholder), 1889-  Search this
Garcia, Raymond  Search this
Hall, Michael D., 1941-  Search this
Torres, Rigoberto  Search this
Interviewer:
Gregson, Chris  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Date:
1985-1991
Summary:
The Marylin Zeitlin research material on artists dates from 1985 to 1991 and measures 0.2 linear feet. The material consists of interviews conducted by Marilyn Zeitlin of John Ahearn, his assistant Rigoberto Torres, his model Raymond Garcia, and his dealers Brooke and Carolyn Alexander; an interview of Miles Carpenter conducted by Chris Gregson; related printed material.
Scope and Contents:
The research material of Marylin Zeitlin date from 1985 to 1991 and measure 0.2 linear feet. The material consists of interviews conducted by Marilyn Zeitlin of John Ahearn, his assistant Rigoberto Torres, his model Raymond Garcia, and his dealers Brooke and Carolyn Alexander; an interview of Miles Carpenter conducted by Chris Gregson; related printed material.

Sound recordings related to Ahearn reflect research done by Zeitlin in preparation for a catalog essay on Ahearn and Torres for an exhibition of their work at the Contemporary Arts Museum in Houston entitled "South Bronx Hall of Fame". Interviews focus on Ahearn and his interaction with the residents of the South Bronx, who are his models and principal audience. A catalog of the exhibition is included.

Carpenter discusses his early carvings, his dealer Jeffrey T. Camp and selling his carvings locally; the development of his work and his use of tree limbs, roots, fur, enamel paint and other materials; life size constructions and subjects such as monkeys, kangaroos, devils, and snakes; and his exhibitions and performances. Also included is a brochure from his exhibition, "The Wood Carver from Waverly" at the Anderson Gallery at Virginia Commonwealth University in Richmond, Virginia which includes an essay by Zeitlin.
Arrangement:
The collection is arranged into one series.

Series 1: Marylin Zeitlin Research Materials, 1985-1991 (0.2 linear feet; Box 1)
Biographical / Historical:
Marilyn Zeitlin is an arts administrator, curator, gallery director. Zeitlin has been the director of the Washington Project for the Arts, director of the Anderson Gallery in Richmond, Virginia, and curator of the Contemporary Arts Museum in Houston, Texas.
Provenance:
Donated 1991 by Marilyn Zeitlin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art museum curators  Search this
Arts administrators  Search this
Topic:
Group work in art  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Latino and Latin American artists  Search this
Women museum curators  Search this
Women arts administrators  Search this
Woodwork  Search this
Genre/Form:
Interviews
Sound recordings
Citation:
Marylin Zeitlin research materials, 1985-1991. Archives of American Art, Smithsonian Institution
Identifier:
AAA.zeitmari
See more items in:
Marilyn Zeitlin research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a9373776-a5db-4870-8c16-15b874d59f99
EDAN-URL:
ead_collection:sova-aaa-zeitmari

Oral history interview with Robert Beverly Hale, 1968 Oct. 4-Nov. 1

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Selvig, Forrest  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1968 Oct. 4-Nov. 1. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12653
(DSI-AAA_SIRISBib)212258
AAA_collcode_hale68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212258
Online Media:

Oral history interview with Robert Beverly Hale, 1984 Mar. 7

Interviewee:
Hale, Robert Beverly, 1901-1985  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Barr, Alfred H., Jr.  Search this
Bridgman, George Brant  Search this
Coyle, Terence  Search this
Duchamp, Marcel  Search this
Geldzahler, Henry  Search this
Hirshhorn, Joseph H.  Search this
Huxley, Julian  Search this
Klonis, Stewart  Search this
McNulty, William Charles  Search this
Peirce, Waldo  Search this
Pollock, Jackson  Search this
Priest, Alan Reed  Search this
Rockefeller, David  Search this
Root, Edward Wales  Search this
Rorimer, James J. (James Joseph)  Search this
Russell, Bertrand  Search this
Art Students League (New York, N.Y.)  Search this
Columbia University  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Robert Beverly Hale, 1984 Mar. 7. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Drawing -- Technique  Search this
Record number:
(DSI-AAA_CollID)13205
(DSI-AAA_SIRISBib)212259
AAA_collcode_hale84
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212259
Online Media:

Oral history interview with John Coplans, 1975 April 4-1977 August 4

Interviewee:
Coplans, John Rivers, 1920-2003  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Alloway, Lawrence  Search this
Blum, Irving  Search this
Fried, Michael  Search this
Hopps, Walter  Search this
Leider, Philip  Search this
Rose, Barbara  Search this
Artforum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Coplans, 1975 April 4-1977 August 4. Archives of American Art, Smithsonian Institution.
Topic:
Art publishing -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Museum curators -- New York (State) -- New York -- Interviews  Search this
Gallery directors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12787
(DSI-AAA_SIRISBib)212318
AAA_collcode_coplan75
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212318
Online Media:

Oral history interview with Mildred Baker, 1965 July 22

Interviewee:
Baker, Mildred, 1905-1998  Search this
Interviewer:
Agee, William C.  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Mildred Baker, 1965 July 22. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Women arts administrators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13210
(DSI-AAA_SIRISBib)212528
AAA_collcode_baker65
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212528
Online Media:

Oral history interview with August Heckscher, 1970 May 25-Dec. 29

Interviewee:
Heckscher, August, 1913-1997  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with August Heckscher, 1970 May 25-Dec. 29. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12562
(DSI-AAA_SIRISBib)212718
AAA_collcode_hecksc70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212718
Online Media:

Oral history interview with Porter A. McCray, 1977 Sept. 17-Oct. 4

Interviewee:
McCray, Porter A., 1908-2000  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Porter A. McCray, 1977 Sept. 17-Oct. 4. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Record number:
(DSI-AAA_CollID)12974
(DSI-AAA_SIRISBib)212875
AAA_collcode_mccray77
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212875
Online Media:

Oral history interview with Beaumont Newhall, 1965 Jan. 23

Interviewee:
Newhall, Beaumont, 1908-1993  Search this
Interviewer:
Trovato, Joseph S., 1912-1983  Search this
Subject:
Blatas, Arbit  Search this
Steichen, Edward  Search this
Talbot, William Henry Fox  Search this
United States. Farm Security Administration. Historical Section  Search this
George Eastman House  Search this
Federal art project (Mass.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Beaumont Newhall, 1965 Jan. 23. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Photography  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)13299
(DSI-AAA_SIRISBib)213687
AAA_collcode_newhal65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213687

Oral history interview with William E. Woolfenden and Irving Burton, 1992 December 12

Interviewee:
Burton, Irving F. (Irving Frederick), 1918-  Search this
Interviewer:
McCoy, Garnett  Search this
Subject:
Woolfenden, William E. (William Edward), 1918-1995  Search this
Richardson, Edgar Preston  Search this
Archives of American Art  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William E. Woolfenden and Irving Burton, 1992 December 12. Archives of American Art, Smithsonian Institution.
Topic:
Arts -- Management  Search this
Art, American -- History -- Sources  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13071
(DSI-AAA_SIRISBib)215195
AAA_collcode_woolfe92
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215195
Online Media:

Oral history interview with Caroline Goldsmith, 2004 June 10-21

Interviewee:
Goldsmith, Caroline Lerner, 1925-2004  Search this
Interviewer:
Munro, Eleanor, 1928-  Search this
Subject:
ArtTable, Inc.  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Caroline Goldsmith, 2004 June 10-21. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)12528
(DSI-AAA_SIRISBib)248951
AAA_collcode_goldsm04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_248951
Online Media:

Oral history interview with Peter Cramer and Jack Waters, 2007 September 6-October 9

Interviewee:
Cramer, Peter Francis, 1963?-  Search this
Interviewer:
Kirwin, Liza, 1957-  Search this
Subject:
Waters, Jack  Search this
Gonzalez-Torres, Felix  Search this
Moore, Alan  Search this
Acierno, Lou  Search this
Gamper, Christa  Search this
George, Carl  Search this
Karlen, Joan  Search this
Howland, Becky  Search this
Keene, Michael  Search this
Kurtti, George  Search this
Schloss, Arlene  Search this
Smith, Kiki  Search this
Taylor, Brad  Search this
Taylor, Brian  Search this
Collaborative Projects, Inc.  Search this
ABC No Rio (New York, N.Y.)  Search this
New York (N.Y.). Dept. of Housing Preservation and Development  Search this
Artist's Spaces Archives  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Peter Cramer and Jack Waters, 2007 September 6-October 9. Archives of American Art, Smithsonian Institution.
Topic:
African American societies  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)13659
(DSI-AAA_SIRISBib)273737
AAA_collcode_cramer07
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_273737
Online Media:

Oral history interview with Gilbert H. Kinney, 2009 Mar. 9-17

Interviewee:
Kinney, Gilbert H.  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Gilbert H. Kinney, 2009 Mar. 9-17. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15674
(DSI-AAA_SIRISBib)282713
AAA_collcode_kinney09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282713
Online Media:

Oral history interview with Benjamin Patterson, 2009 May 22

Interviewee:
Patterson, Benjamin, 1934-  Search this
Interviewer:
Goncharov, Kathy  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Benjamin Patterson, 2009 May 22. Archives of American Art, Smithsonian Institution.
Topic:
Assemblage artists -- New York (State) -- New York -- Interviews  Search this
Fluxus (Group of artists)  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)15685
(DSI-AAA_SIRISBib)282777
AAA_collcode_patter09
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282777
Online Media:

Oral history interview with Paul J. Smith, 2010 April 19-20

Interviewee:
Smith, Paul J., 1931-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Museum of Arts and Design (New York, N.Y.)  Search this
American Craftsmen's Council  Search this
American Crafts Council. Museum of Contemporary Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Paul J. Smith, 2010 April 19-20. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15795
(DSI-AAA_SIRISBib)288890
AAA_collcode_smith10
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_288890
Online Media:

Oral history interview with Alanna Heiss, 2010 June 15-October 28

Interviewee:
Heiss, Alanna, 1943-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Callahan, Harry M.  Search this
Finkelpearl, Tom  Search this
Gill, Brendan  Search this
Highstein, Jene  Search this
Matta-Clark, Gordon  Search this
Nonas, Richard  Search this
Clocktower Gallery  Search this
Institute for Art and Urban Resources  Search this
Lawrence University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
P.S. 1 Contemporary Art Center  Search this
University of Chicago  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Biennale di Venezia  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Alanna Heiss, 2010 June 15-October 28. Archives of American Art, Smithsonian Institution.
Topic:
Women arts administrators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15902
(DSI-AAA_SIRISBib)296450
AAA_collcode_heiss10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296450
Online Media:

Oral history interview with Dore Ashton, 2010 November 21 - 2011 March 9

Interviewee:
Ashton, Dore, 1928-2017  Search this
Interviewer:
Sampson, George E., 1951-  Search this
Subject:
De Kooning, Willem  Search this
Devree, Howard  Search this
Guston, Philip  Search this
Kline, Franz  Search this
Klüver, Billy  Search this
Motherwell, Robert  Search this
Orlovsky, Peter  Search this
Paz, Octavio  Search this
Rauschenberg, Robert  Search this
Reynal, Jeanne  Search this
Rothko, Mark  Search this
Selz, Peter Howard  Search this
Smith, David  Search this
Yunkers, Adja  Search this
Cooper Union for the Advancement of Science and Art  Search this
Harvard University  Search this
New School for Social Research (New York, N.Y.)  Search this
New York Times Company  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dore Ashton, 2010 November 21 - 2011 March 9. Archives of American Art, Smithsonian Institution.
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Women educators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15918
(DSI-AAA_SIRISBib)297206
AAA_collcode_ashton10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_297206
Online Media:

Modify Your Search







or


Narrow By