Skip to main content Smithsonian Institution

Search Results

Collections Search Center
38 documents - page 1 of 2

Lloyd Goodrich papers

Creator:
Goodrich, Lloyd, 1897-1987  Search this
Names:
American Art Research Council  Search this
American Federation of Arts  Search this
Artist Tenants Association (New York, N.Y.)  Search this
Artists Equity Association  Search this
Association of Art Museum Directors  Search this
National Council on the Arts and Government  Search this
Whitney Museum of American Art  Search this
Dows, Olin, 1904-1981  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Homer, Winslow, 1836-1910  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Newman, Elias, 1903-  Search this
Rich, Daniel Catton, 1904-1976  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
35.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Transcripts
Interviews
Scrapbooks
Date:
1884-1987
bulk 1927-1987
Summary:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.
Scope and Contents:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

Scattered biographical materials include biographical sketches, an interview transcript, personal business records, documents relating to Goodrich's service on art juries, and awards and honors.

Correspondence is with friends, family, artists, museums, collectors, galleries, and arts organizations. Correspondents include The Arts Magazine, Whitney Museum of Art, Olin Dows, Philip Evergood, Yasuo Kuniyoshi, Reginald Marsh, Kenneth Hayes Miller, Elias Newman, Daniel Catton Rich, and Raphael Soyer among many others. Research related correspondence arranged here concerns work on a catalogue raisonné of Winslow Homer. This material was originally arranged in the correspondence files by Goodrich prior to the later donation that included additional research files on Homer found in Series 3. There are also condolence letters from notable figures in American art.

Writings and research files include major writings, such as books and articles, and book reviews, essays, exhibition text, catalog entries, and lectures. In addition to the writings, Goodrich's research files for the writings are arranged here and include research, notes, correspondence, photographs, illustrations, printed materials, and bibliographies. There are also book agreements. There are extensive files for Goodrich's books on Winslow Homer (see also correspondence in Series 2) and Reginald Marsh; articles, catalog entries, and other writings on Winslow Homer, Albert Pinkham Ryder, Kuniyoshi, Reginald Marsh, and American art in general; lectures and talks; research files on other artists, and notes and notebooks.

Organization and committee files document Goodrich's service on boards, commissions, committees, organizations, and associations, such as the American Federation of Arts, the Association of Art Museum Directors, the Carnegie Study in American Art, the National Council on the Arts and Government, American Art Research Council, Artists Equity Association, Artist Tenants Association, the selection committee of the American National Exhibition (1959), and others are found within organization and committee files. Agendas, correspondence, meeting minutes, and printed material are found within the files.

Exhibition files are found only for several Winslow Homer shows. Printed materials include clippings, publicity materials, and printed copies of his writings. Photographic material includes scattered photographs of Goodrich and others, and extensive negatives of works of art, likely by Homer. Also found are x-rays of paintings by Ralph Blakelock.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1946-1984 (Boxes 1; 0.4 linear feet)

Series 2: Correspondence, 1920-1987 (Boxes 1-3; 1.8 linear feet)

Series 3: Writings and Research Files, 1884-1987 (Boxes 3-17, 38; 14.5 linear feet)

Series 4: Organization and Committee files, 1933-1982 (Boxes 17-31, 37; 14.5 linear feet)

Series 5: Exhibition Files, 1944-1986 (Boxes 31-32; 0.6 linear feet)

Series 6: Printed Material, circa 1920s-1979 (Boxes 32-33; 0.8 linear feet)

Series 7: Scrapbook, 1952-1959 (Box 33; 2 folders)

Series 8: Photographic Materials, circa 1910-1987 (Boxes 33-37; 3.1 linear feet)
Biographical / Historical:
Lloyd Goodrich (1897-1987) was a prominent and influential art historian, writer, and director of the Whitney Museum of Art in New York City, New York, from 1958-1968.

Lloyd Goodrich was born in Nutley, New Jersey in 1897. He studied under Kenneth Hayes Miller at the Art Students League from 1913-1915 and also took courses at the National Academy of Design. Rather than pursue a career as an artist, however, he decided that his real talent was writing about art. He began his long and prolific writing career in 1923-24 and married Edith Havens in 1924. Inspired by the work and writings of European art scholars and a desire to address the need for a body of scholarship on American Art, Goodrich began to research and write about American artists Kenneth Hayes Miller, Winslow Homer, and Thomas Eakins.

Goodrich's first article on Winslow Homer was published in 1924 by The Arts, a magazine financed by Gertrude Vanderbilt Whitney and edited by Forbes Watson, who soon hired Goodrich as associate editor. By 1929, Goodrich was also working as assistant art critic for the New York Times while continuing work at The Arts as contributing editor. One year later, The Arts commissioned Goodrich to write a book on Kenneth Hayes Miller. And, around the same time Goodrich became interested in Thomas Eakins, and with the encouragement and financial support from his boyhood friend, artist Reginald Marsh, he began work on a monograph about Eakins.

In 1930, Goodrich joined the staff of Gertrude Vanderbilt Whitney's new American art museum in New York City, the Whitney Museum of American Art. The museum provided him with the funds he needed to research and complete his book on Thomas Eakins, which he achieved in 1933. In 1935, he became curator of the museum, and associate director in 1948. He served as director from 1958-1968. The bequest of the Edward Hopper collection to the Whitney was the result of Goodrich's reputation as a scholar of Edward Hopper. After retiring, Goodrich continued his association with the Whitney as advisory director and director emeritus.

Goodrich was instrumental in starting the American Art Research Council in 1942, a group of museums devoted to collecting scholarly records about American art. He sat on the advisory panels for the New York State Council on the Arts and the Fine Arts Advisory Committee to the White House. In 1933, he was in charge of the New York regional office of the Public Works of Art Project. He also served as chairman of the National Council on the Arts and Government from 1948 to 1954 and was a major force in the creation of the National Endowment for the Arts and Humanities. He was a member of the Artists Equity Association, Artist Tenants Association, and numerous other arts organizations and a strong advocate for the promotion and support of American art and artists.

Throughout his long and distinguished career as a writer and museum administrator, Lloyd Goodrich worked to build a body of scholarship related to the history of American art and artists. He published several important monographs, including works on Thomas Eakins, Edward Hopper, Albert Pinkham Ryder, Winslow Homer, and Reginald Marsh, and organized major exhibitions about these and many other artists during his 57-year association with the Whitney Museum of American Art. At the time of his death, Goodrich was considered a preeminent figure in the American art world, and one of the foremost authorities on Eakins, Ryder, and Homer, artists on which he kept extensive research files throughout his life.

Lloyd Goodrich died March 27, 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lloyd Goodrich, 1962-1963 by Harlan Phillips for the Archives of American Art.

Additional Lloyd Goodrich papers are located at the Whitney Museum of American Art Archives, and the Philadelphia Museum of Art Archives.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4468) including a photocopy of the manuscript "Albert Pinkham Ryder: The Man and His Art," Goodrich's contribution to the book "Albert Pinkham Ryder: Painter of Dreams" co-authored with William I. Homer. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Lloyd Goodrich papers were given to the Archives of American Art in several different acquisitions. Lloyd Goodrich first donated material in 1983. David Goodrich, Lloyd Goodrich's son, gave more material between 1988 and 2007 while additional papers were lent for microfilming by William I. Homer in 1990. Finally, the Whitney Museum of American Art donated papers in 1996, and Polly Thistlethwaite gave further material in 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art, American  Search this
Museum directors -- New York (State) -- New York  Search this
Function:
Art museums -- New York (State)
Genre/Form:
Photographs
Transcripts
Interviews
Scrapbooks
Citation:
Lloyd Goodrich papers, 1884-1987, bulk 1927-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goodlloy
See more items in:
Lloyd Goodrich papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ada7dc76-ac75-437a-b234-9f02adf2d57c
EDAN-URL:
ead_collection:sova-aaa-goodlloy
Online Media:

Oral history interview with Julie B. Martin, 2018 Nov. 7-8

Interviewee:
Martin, Julie, 1938-  Search this
Interviewer:
Zapol, Liza, 1978-  Search this
Subject:
Klüver, Billy  Search this
Experiments in Art and Technology (Organization)  Search this
Type:
Sound recordings
Interviews
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17613
(DSI-AAA_SIRISBib)397104
AAA_collcode_martin18
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_397104
Online Media:

Porter A. McCray papers

Creator:
McCray, Porter A., 1908-2000  Search this
Names:
Asia Society  Search this
Byrd Hoffman Foundation  Search this
Cathedral of St. John the Divine (New York, N.Y.)  Search this
Cunningham Dance Foundation  Search this
International Council of the Museum of Modern Art (New York, N.Y.)  Search this
Japan Society (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Society of Architectural Historians  Search this
UNESCO  Search this
United States. Foreign Service  Search this
Cutting, Brock  Search this
Humphrey, Hubert H. (Hubert Horatio), 1911-1978  Search this
Kazuko Oshima  Search this
Morley, Grace, 1900-1985  Search this
Paik, Nam June, 1932-2006  Search this
Richie, Donald, 1924-2013  Search this
Rockefeller, John D., 1906-  Search this
Sherfield, Roger Mellor Makins, Baron, 1904-1996  Search this
Thetong, Tenzin  Search this
Extent:
12.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Lectures
Interviews
Paintings
Transcripts
Date:
1936-1989
Summary:
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.
Scope and Contents:
The papers of New York City arts administrator Porter A. McCray measure 12.3 linear feet and date from 1936 to 1989. The papers include scattered biographical materials, correspondence, and writings and notes. The bulk of the collection consists of professional files documenting his advisory and consulting work for museums, institutions, organizations, and foundations. Also found within the collection are printed materials and photographs of McCray and artwork.

Scattered biographical materials include appointment books, curricula vitae, a transcript of an interview conducted by McCray with Dr. Grace Morley, and an unsigned painting.

Found within the general correspondence are letters that relate to his work as an arts advisor and consultant, but which appear to be more personal in nature. The bulk of correspondence related to specific projects is found within the professional files. Correspondents include Hubert Humphrey, Mrs. John Lockwood, Grace Morely, Kazuko Oshima, Donald Richie, John D. Rockefeller III, and Tenzin Thetong among others.

Writings and notes include lectures by McCray and writings by others including Brock Cutting, Lord Sherfield, and Nam June Paik. Also found are travel notes for McCray's travels throughout Asia, Europe, and the Middle East.

Professional files document McCray's work as an arts advisor and consultant for numerous museums, foundations, organizations, foundations, and special committees, as well as his membership in various arts committees and boards. Files document McCray's work for and/or membership in the Asia Society, Asian Cultural Program of Cultural Exchange, Byrd Hoffman Foundation, Cathedral Church of St. John the Divine, Cunningham Dance Foundation, Indo-United States committees, International Council of Museums, Japan Society, John D. Rockefeller 3rd Fund, Museum of Modern Art, Society of Architectural Historians, UNESCO, and the United States Foreign Service.

Printed materials include clippings and articles, a Drawing and Architecture exhibition catalog, and a book by Robert Wilson. Photographs include personal photographs and oversized photographs of sculptures by an unknown artist.
Arrangement:
This collection is arranged as 6 series.

Missing Title

Series 1: Biographical Materials, 1959-1982 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1959-1986 (0.5 linear feet; Box 1)

Series 3: Writings and Notes, 1960-1983 (1.5 linear feet; Box 2-3)

Series 4: Professional Files, 1936-1987 (8.2 linear feet; Box 3-11, OVS 12-13)

Series 5: Printed Materials, 1965-1989 (0.5 linear feet; Box 11, OV 14)

Series 6: Photographs, 1945-1980s (0.2 linear feet; Box 11, OV 15)
Biographical / Historical:
Porter A. McCray (1908-2000) was an arts administrator working in New York City, New York.

Born in Clarksburg, West Virginia in 1908, McCray recieved a degree in English literature from the Virginia Military Institute in 1930, and a degree in architecture from Yale University in 1941. McCray traveled extensively throughout Europe, Asia, and the Middle East, developing relationships with individuals and organizations across the world.

In 1941, McCray worked as an exhibition specialist in the Office of the Coordinator of Inter-American Affairs and collaborated with the Museum of Modern Art on an American exhibition at the Guatemala National Fair. After serving as an ambulance driver in World War II, he was employed by the architectural firm of Harrison and Abramovitz where he worked on some preliminary designs of the present site of the United Nations.

While working for Harrison, McCray met Nelson Rockefeller, who was chairman of the board of the Museum of Modern Art (MOMA). In 1947, Rockefeller asked McCray to serve as the director of circulating exhibitions at MOMA and be responsible for the Museum's national and international traveling exhibition program. McCray accepted and remained at MOMA until 1961. The following year, he orchestrated the preparation of a MOMA exhibition of Mark Rothko's work in Paris in 1962. In 1963, McCray became the executive director of the JDR 3rd Fund, a non-profit started by John D. Rockefeller III to promote artistic and cultural exchanges between the United States and Asia. McCray also worked as a consultant for the Japan Society's visual arts programs, the Asian Cultural Council, for the dean of the Cathedral Church of St. John the Divine's visual and performing arts program, and for MOMA's International Program after retiring.

McCray died in 2000 in Hightstown, New Jersey.
Related Materials:
Also found at the Archives of American Art is an oral history interview of Porter A. McCray conducted by Paul Cummings from September 17 to October 4, 1977.
Provenance:
The collection was donated in 1994 by Porter McCray.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
Arts boards  Search this
Cultural relations  Search this
Genre/Form:
Photographs
Lectures
Interviews
Paintings
Transcripts
Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mccrport
See more items in:
Porter A. McCray papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw908b878b0-26c0-42f5-8de4-defe9950f12e
EDAN-URL:
ead_collection:sova-aaa-mccrport
Online Media:

Oral history interview with Julie B. Martin

Interviewee:
Martin, Julie, 1938-  Search this
Interviewer:
Zapol, Liza, 1978-  Search this
Names:
Experiments in Art and Technology (Organization)  Search this
Klüver, Billy, 1927-2004  Search this
Extent:
14 Items (sound files (6 hr., 21 min.) Audio, digital, wav)
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2018 Nov. 7-8
Scope and Contents:
An interview with Julie B. Martin conducted 2018 November 7 and 8, by Liza Zapol, for the Archives of American Art at the Archives of American Art's office in New York, New York and at Martin's home in Berkeley Heights, New Jersey.
Martin speaks of growing up in Nashville, Tennessee; traveling through Europe with family; her family business; her family's politics and relationship to religion and the arts; the expectations of her and her academic achievement; her time at Harvard and Columbia; her interest in Russia and her experiences in the Soviet Union; her experiences and education in art in New York and Europe; working with Robert Whitman; her thoughts on the Relationship of Judson Dance Theater to 9 Evenings; her recollections of the 9 Evenings artists use of technology and engineering; her thoughts on Oracle and Billy Klüver's relationship to Robert Rauschenberg; her understanding of Klüver's relationship to Robert Whitman, and Whitman's relationship to engineering and technology; her thoughts about the differences between Happenings and theatrical performance; her thoughts on gender and E.A.T., and homosexuality and the arts community; her recollections of the 1970s and Projects Outside Art with E.A.T.. Martin describes the Osaka "Pavillion" project, including the collaborations and engineering projects; her understanding of Fujiko Nakaya's fog sculpture and Martin's relationship with Nakaya; the concept of the environment and invisible environments, her memories of David Tutor's sound works; the relationship of E.A.T. to Shunk-Kender; the various parts of E.A.T.'s work in India; the history of the "New York Collection for Stockholm;" Her understanding of Klüver's work prior to, and concurrent with the founding of E.A.T. at Bell Labs; the collaboration with Klüver on a book on "Kiki de Montparnasse;" their interviews and research on artists from 1945-1965; and other projects; Martin describes the idealism of E.A.T.; the ongoing work and legacy of E.A.T.; Martin's ongoing work with Robert Whitman and Sylvia Palacios Whitman; her marriage to Klüver and Klüver's death; her interviews with artists involved in the Real Estate Show; the reconstruction of the footage of "9 Evenings;" her work with Simone Forti on "Cloths;" and a discussion of performance documentation and technology. Martin also recalls Claes Oldenberg; Allan Kaprow; Red Grooms; Jim Dine; Simone Forti; Carolee Schneemann; Steve Paxton; Yvonne Rainer; Jasper Johns; Merce Cunningham; John Cage; Robert Breer, Frosty Myers; Elsa Garmire; David Tudor; Tony Martin; John Pierce; Larry Owens; Pontus Hultén; Öyvind Fahlström; Lowell Cross; Shunk-Kender; Porter McCray; La Monte Young; Terry Riley; Trisha Brown; Allan Kaprow; Alfons Schilling, and others.
Biographical / Historical:
Julie Martin (1938- ) is the Director of Experiments in Art and Technology (E.A.T.). Liza Zapol (1978- ) is the Robert and Arlene Kogod Secretarial Scholar in Oral History at the Archives of American Art.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.martin18
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b8ee226e-7da5-49da-8889-628a79caf0ec
EDAN-URL:
ead_collection:sova-aaa-martin18
Online Media:

Oral history interview with Michael Lenson

Creator:
Lenson, Michael, 1903-1971  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 Oct. 30
Scope and Contents:
An interview of Michael Lenson conducted 1964 Oct. 30 by Harlan Phillips, for the Archives of American Art.
Biographical / Historical:
Michael Lenson (1903-1971) was a painter and arts administrator in Nutley, N.J.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hrs., 55 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
ACCESS RESTRICTED; written permission required.
Topic:
Federal aid to the arts  Search this
Painters -- New Jersey -- Nutley -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lenson64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb375bba-b244-4ae3-abf7-3fd4a09c6272
EDAN-URL:
ead_collection:sova-aaa-lenson64

Oral history interview with Michael Lenson, 1964 Oct. 30

Interviewee:
Lenson, Michael, 1903-1971  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painters -- New Jersey -- Nutley -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13111
(DSI-AAA_SIRISBib)213642
AAA_collcode_lenson64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213642

Oral history interview with Audrey McMahon, 1964 Nov. 18

Interviewee:
McMahon, Audrey, 1890-1981  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Bruce, Edward  Search this
Cahill, Holger  Search this
Force, Juliana  Search this
United States. Works Progress Administration  Search this
Federal Art Project (New York, N.Y.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12044
(DSI-AAA_SIRISBib)213651
AAA_collcode_mcmaho64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213651

Oral history interview with Nina von Eckardt, 2012 July 31 and August 13

Interviewee:
von Eckardt, Nina, 1940-  Search this
Interviewer:
Berman, Avis, 1949-  Search this
Subject:
Leo Castelli Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Women arts administrators  Search this
Women art critics  Search this
Women illustrators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16061
(DSI-AAA_SIRISBib)311672
AAA_collcode_voneck12
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_311672
Online Media:

Oral history interview with Lloyd Goodrich, 1962 June 13-1963 March 25

Interviewee:
Goodrich, Lloyd, 1897-1987  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Eakins, Thomas  Search this
Field, Hamilton Easter  Search this
Force, Juliana  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Stieglitz, Alfred  Search this
Watson, Forbes  Search this
Art Students League (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
Whitney Museum of American Art  Search this
Type:
Interviews
Topic:
Art and state  Search this
Art -- Forgeries  Search this
Museum directors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13038
(DSI-AAA_SIRISBib)212055
AAA_collcode_goodri62
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212055

Oral history interview with Lois Dodd, 1988 October 10-November 7

Interviewee:
Dodd, Lois, 1927-  Search this
Interviewer:
Shikler, Barbara  Search this
Subject:
Cajori, Charles  Search this
Katz, Alex  Search this
King, William  Search this
Club (New York, N.Y.)  Search this
Tanager Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11891
(DSI-AAA_SIRISBib)212451
AAA_collcode_dodd88
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212451

Oral history interview with Kathryn Burch Greywacz, 1964 Mar. 24

Interviewee:
Greywacz, Kathryn Burch, 1893-  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Baker, Mildred  Search this
Shahn, Ben  Search this
Index of American Design  Search this
New Jersey State Museum  Search this
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12599
(DSI-AAA_SIRISBib)213533
AAA_collcode_greywa64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213533
Online Media:

Oral history interview with Charles Duback, 2004 December 15-2005 May 18

Interviewee:
DuBack, Charles S. (Charles Steven), 1926-  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Pinette, Dennis  Search this
Grooms, Red  Search this
Ortman, George  Search this
Stout, Myron  Search this
Katz, Alex  Search this
Poor, Henry Varnum  Search this
Langlais, Bernard  Search this
Grillo, John  Search this
Dugmore, Edward  Search this
McNeil, George  Search this
Landmark Gallery (New York, N.Y.)  Search this
Newark School of Fine and Industrial Arts  Search this
Skowhegan School of Painting and Sculpture  Search this
Type:
Sound recordings
Interviews
Topic:
World War, 1939-1945  Search this
Art -- Economic aspects  Search this
Collage  Search this
Record number:
(DSI-AAA_CollID)11927
(DSI-AAA_SIRISBib)254273
AAA_collcode_duback04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_254273
Online Media:

Oral history interview with Jacob Baker, 1963 September 25

Interviewee:
Baker, Jacob, 1895-1967  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Cahill, Holger  Search this
Baker, Mildred  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)11712
(DSI-AAA_SIRISBib)213247
AAA_collcode_bakerj63
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213247
Online Media:

Oral history interview with Clarence Holbrook Carter, 1964 April 13

Interviewee:
Carter, Clarence Holbrook, 1904-2000  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Designers -- Ohio -- Cleveland -- Interviews  Search this
Painters -- Ohio -- Cleveland -- Interviews  Search this
Theme:
Architecture & Design  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)11654
(DSI-AAA_SIRISBib)213355
AAA_collcode_carter64
Theme:
Architecture & Design
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213355
Online Media:

Audrey McMahon papers, 1935-1980

Creator:
McMahon, Audrey, 1890-1981  Search this
Subject:
Cahill, Holger  Search this
O'Connor, Francis V.  Search this
Somervell, Brehon Burke  Search this
United States. Works Progress Administration  Search this
Federal Art Project (N.J.)  Search this
Federal Art Project (N.Y.)  Search this
Topic:
New Deal, 1933-1939  Search this
Art and state  Search this
Federal aid to the arts  Search this
Theme:
Government Sponsorship of the Arts  Search this
Record number:
(DSI-AAA_CollID)6093
(DSI-AAA_SIRISBib)216235
AAA_collcode_mcmaaudr
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216235
Online Media:

Frederick H. Clark papers, 1875-1934

Creator:
Clark, Frederick H. (Frederick Hatfield), 1861-1948  Search this
Subject:
Chase, William Merritt  Search this
American Society of Miniature Painters  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
School of Industrial Design (Trenton, N.J.)  Search this
Society of American Artists  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7461
(DSI-AAA_SIRISBib)209619
AAA_collcode_clarfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209619

Kimberly Camp papers, 1970-2015

Creator:
Camp, Kimberly, 1956-  Search this
Subject:
Barnes Foundation  Search this
Type:
Interviews
Sketchbooks
Sound recordings
Video recordings
Topic:
African American artists  Search this
Women artists  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)17357
(DSI-AAA_SIRISBib)380896
AAA_collcode_campkimb
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_380896

Mildred Baker papers, 1882

Creator:
Baker, Mildred, 1905-1998  Search this
Subject:
McMahon, Audrey  Search this
Weiss, Adolph  Search this
Baker, Jacob  Search this
Newark Museum  Search this
Salons of America, Inc.  Search this
Index of American Design  Search this
Municipal Art Committee (New York, N.Y.)  Search this
Federal Art Project  Search this
Technical Services Laboratory (National Space Technology Laboratories)  Search this
United Federal Workers of America  Search this
Type:
Photographs
Interviews
Transcripts
Topic:
Women arts administrators  Search this
Federal aid to the arts  Search this
Art -- Exhibitions -- New York (State) -- New York  Search this
Theme:
Art Market  Search this
Government Sponsorship of the Arts  Search this
Communities, Organizations, Museums  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)5842
(DSI-AAA_SIRISBib)208682
AAA_collcode_bakemild
Theme:
Art Market
Government Sponsorship of the Arts
Communities, Organizations, Museums
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208682
Online Media:

Oral history interview with Kathryn Burch Greywacz

Interviewee:
Greywacz, Kathryn Burch, b. 1893  Search this
Interviewer:
Doud, Richard Keith  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Index of American Design  Search this
New Deal and the Arts Oral History Project  Search this
New Jersey State Museum  Search this
Public Works of Art Project  Search this
Baker, Mildred, 1905-  Search this
Shahn, Ben, 1898-1969  Search this
Extent:
1 Sound tape reel (Sound recordings: (50 min.), 7 in.)
21 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1964 Mar. 24
Scope and Contents:
An interview of Kathryn Greywacz conducted 1964 Mar. 24, by Richard Doud, for the Archives of American Art.
Greywacz speaks of her position as curator of the New Jersey State Museum; her work with the New Jersey Public Works of Art Project; and the Index of American Design. She recalls Mildred Baker and Ben Shahn.
Biographical / Historical:
Kathryn Burch Greywacz (b. 1893) was an art administrator from New Jersey.
Provenance:
Conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Arts administrators -- New Jersey -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.greywa64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d89d4b2-390a-4430-9547-5dfdb9c708b9
EDAN-URL:
ead_collection:sova-aaa-greywa64
Online Media:

Joseph Hopkinson

Artist:
Charles Fenderich, 1805 - 1887  Search this
Sitter:
Joseph Hopkinson, 12 Nov 1770 - 15 Jan 1842  Search this
Medium:
Lithograph
Dimensions:
Image: 29.5 × 26 cm (11 5/8 × 10 1/4")
Sheet: 34.3 × 26.4 cm (13 1/2 × 10 3/8")
Type:
Print
Date:
c. 1831-1833
Topic:
Joseph Hopkinson: Male  Search this
Joseph Hopkinson: Visual Arts\Administrator\Art Museum  Search this
Joseph Hopkinson: Politics and Government\US Congressman\Pennsylvania  Search this
Joseph Hopkinson: Law and Law Enforcement\Judge  Search this
Joseph Hopkinson: Politics and Government\State Legislator\New Jersey  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
S/NPG.80.13
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm48983d2b2-bbdf-46e7-a513-d80282563847
EDAN-URL:
edanmdm:npg_S_NPG.80.13

Modify Your Search







or


Narrow By