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Cultural Representations of Indian Slavery

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2021-10-25T16:16:57.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_bimi5Btg_UU

Teressa Fryworth papers

Creator:
Fryworth, Teressa, 1906-1981  Search this
Names:
Spohn, Clay Edgar, 1898-1977  Search this
Extent:
3 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1974-1982
Scope and Contents:
A letter from Clay Spohn, 1974; a newspaper clipping on Fryworth, 1981; and an invitation to a Fryworth memorial exhibition, 1982.
Biographical / Historical:
Painter and administrator; San Francisco, Calif.
Provenance:
Donated 1982 by Charles Griffin Farr, executor of Fryworth's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- California -- San Francisco  Search this
Arts administrators -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women arts administrators  Search this
Identifier:
AAA.frywtere
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb1b9271-4dd5-4ce4-b404-968241df4231
EDAN-URL:
ead_collection:sova-aaa-frywtere

Frederick Stallknecht Wight letters

Creator:
Wight, Frederick Stallknecht, 1902-  Search this
Names:
Graves, Morris, 1910-  Search this
Hofmann, Hans, 1880-1966  Search this
Oliveira, Nathan, 1928-2010  Search this
Sheeler, Charles, 1883-1965  Search this
Extent:
17 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1954-1963
Scope and Contents:
Photocopies of letters to Wight from Charles Sheeler, Morris Graves, Nathan Oliveira and Hans Hofmann.
Biographical / Historical:
Painter, author, gallery director, art administrator; Los Angeles, Calif. Died 1986 Was director of the University of California, Los Angeles art gallery, now called the Frederick S. Wight Galleries.
Provenance:
Photocopies discarded after microfilming.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Arts administrators -- California -- Los Angeles  Search this
Gallery directors -- California -- Los Angeles  Search this
Topic:
Painting, Abstract -- United States  Search this
Painting, American  Search this
Function:
Art museums, University and college -- California -- Los Angeles
Identifier:
AAA.wighfred
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94108fa46-0c14-475b-9b13-b9931e104428
EDAN-URL:
ead_collection:sova-aaa-wighfred

Oral history interview with David Avalos, 1988 June 16-July 5

Interviewee:
Avalos, David, 1947-  Search this
Interviewer:
Nieto, Margarita  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with David Avalos, 1988 June 16-July 5. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- California -- San Diego -- Interviews  Search this
Latino and Latin American artists  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Mural painting and decoration -- 20th century -- California -- San Diego  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)5428
(DSI-AAA_SIRISBib)213765
AAA_collcode_avalos88
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213765
Online Media:

Ruth Bowman papers

Creator:
Bowman, Ruth, 1923-  Search this
Names:
American Association of Museums  Search this
American Federation of Arts  Search this
Brooklyn Museum  Search this
Canadian Museums Association  Search this
Craft and Folk Art Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Newark Museum  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock, 1851-1912  Search this
Bengelsdorf, Rosalind, 1916-1979  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Cézanne, Paul, 1839-1906  Search this
Diller, Burgoyne, 1906-1965  Search this
Eakins, Thomas, 1844-1916  Search this
Ferren, John, 1905-1970  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Les, 1935-  Search this
Lipchitz, Jacques, 1891-1973  Search this
MacDonald, Duncan (Broadcaster)  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McNeil, George, 1908-1995  Search this
Morris, George L. K., 1905-1975  Search this
Noguchi, Isamu, 1904-1988  Search this
Picasso, Pablo, 1881-1973  Search this
Reinhardt, Ad, 1913-1967  Search this
Sloan, Helen Farr, 1911-2005  Search this
Wilfred, Thomas, 1889-1968  Search this
Extent:
26.7 Linear feet
21.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Sound recordings
Scripts (documents)
Date:
1936-2006
bulk 1963-1999
Summary:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.
Scope and Contents:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writing and related research materials include her thesis, "Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.

Biographical materials consist of certificates, resumes, and a few photographs of Ruth Bowman. Correspondence concerns Bowman's professional activities and interests. Among the most frequent correspondents are: American Association of Museums, Craft and Folk Art Museum (Los Angeles), Massachusetts Institute of Technology, The Metropolitan Museum of Art, and The Museum of Modern Art.

Writings by Ruth Bowman, published and unpublished, include a thesis and articles about Thomas Pollock Anshutz, catalogs for American Federation of Arts and The Newark Museum exhibitions, lectures, as well as articles about museum education and visual arts programs. Research relates to her writings about Anshutz, and to unrealized projects concerning Anshutz, Cézanne, Eakins, Picasso, and other subjects. Also found are two brief writings about Bowman.

Subject files--general subjects, artists' files, Ruth Bowman activities, and "Sunrise Semester"--contain the majority of Bowman's professional correspondence along with printed material, writings, photographs, and sound recordings. Among the most thoroughly documented general subjects are: The Brooklyn Museum's Trustees Retreat, Canadian Museums Association, a 1981 Craft Symposium, International Network for the Arts, Long Beach Museum of Art, Los Angeles County Museum of Art, "Museum Directors' Forum", New York University Art Collection, and Massachusetts Institute of Technology Council for the Arts. Artists' files are comprised mainly of printed material with a small amount of correspondence and some photographs. The Les Levine file consists of the first issue of Art-Rite featuring a brief article about Levine on its cover; Thomas Wilfred's file includes information about Lumia. Ruth Bowman activities include lectures, radio and television appearances, and participation in professional events. "Sunrise Semester," a collaboration between CBS television and New York University, offered early morning courses for college credit. Ruth Bowman was the instructor for "20th Century American Art," which is documented by general information, scripts, and sound recordings of all 46 classes.

Interviews conducted by Bowman are with English museum administrators and educators; people knowledgeable about a controversial proposal for an Annenberg Fine Arts Center at The Metropolitan Museum of Art; guests on KUSC radio shows "Sounds of Seeing" and "Live from Trump's"; and guests on the WNYC radio program "Views on Art." Interviews with miscellaneous individuals include Josef Albers, Hans Burkhardt, Carl Holty, Isamu Noguchi, and Helen Farr Sloan. Bowman interviewed a dozen American abstract artists, including Ilya Bolotowsky, Rosalind Bengelsdorf Browne, Burgoyne Diller, John Ferren, Carl Holty, Harry Holtzman, Ibram Lassaw, Jacques Lipchitz, Alice Mason, George McNeil, George L. K. Morris, and Ad Reinhardt for a thesis on the subject, but eventually wrote on a different topic. Two interviews with Bowman were conducted by Duncan MacDonald and an unidentified interviewer.
Arrangement:
This collection is arranged as 5 series:

Missing Title

Series 1: Biographical Materials, 1964-1984 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1963-1996 (Box 1; 0.7 linear feet)

Series 3: Writings and Related Research, 1942-1999 (Boxes 1-3; 1.5 linear feet)

Series 4: Subject Files, 1936-2006 (Boxes 3-12, 26; 9.6 linear feet)

Series 5: Interviews, 1963-1989 (Boxes 12-25; 9.2 linear feet, ER01-ER70; 21.99 GB)
Biographical / Historical:
Ruth Bowman (b. 1923) is an art historian and museum educator who worked in New York City and Los Angeles. She is known for her interest in using new communications technology for museum education, discovering Arshile Gorky's long forgotten murals at Newark Airport, and expertise in the work of Thomas Anshutz.

A graduate of Bryn Mawr College (B.A. 1944), where she had studied art history and classical archaeology, Ruth Bowman began a museum career in New York as an assistant curator at the Jewish Museum in the early 1960s. From 1963-1974 Ruth Bowman served as curator of the York University Art Collection and was involved in its transition to the Grey Art Gallery and Study Center. Bowman wrote her master's thesis on Philadelphia artist Thomas Pollock Anshutz and received a degree from the Institute of Fine Arts, New York University in 1971. During this same period, she was a staff lecturer at The Museum of Modern Art and taught art history in divisions of New York University. She was the instructor for a "Sunrise Semester" 20th century American art course broadcast nationally on CBS.

In 1974 Bowman and her family moved to California and she began an association with the Los Angeles County Museum of Art as Director of Education. She attended summer courses in arts administration at Harvard University (1975) and similar training provided by the British Arts Council (1976). She taught at University of California Santa Barbara, as well as at California State University at Fullerton and Long Beach. Bowman was active in the Council of the American Association of Museums (vice president), the Craft and Folk Art Museum in Los Angeles (vice president), and has served as a consultant to several museums and a corporate collection.

Ruth Bowman with her friend Harry Kahn (1916-1999) developed a collection of self-portraits by 20th century American artists, which she donated to the National Portrait Gallery in 2002. Mrs. Bowman is the widow of R. Wallace Bowman and currently resides in New York City.
Provenance:
Donated by Ruth Bowman in 2004.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Art, American -- 20th century  Search this
Women art historians  Search this
Women educators  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Scripts (documents)
Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bowmruth2
See more items in:
Ruth Bowman papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9199b569d-b2ba-4750-a774-41b9a20f8264
EDAN-URL:
ead_collection:sova-aaa-bowmruth2
Online Media:

Frederick Stallknecht Wight letters, 1954-1963

Creator:
Wight, Frederick Stallknecht, 1902-1986  Search this
Subject:
Hofmann, Hans  Search this
Oliveira, Nathan  Search this
Sheeler, Charles  Search this
Graves, Morris  Search this
Citation:
Frederick Stallknecht Wight letters, 1954-1963. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Abstract -- United States  Search this
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8684
(DSI-AAA_SIRISBib)210864
AAA_collcode_wighfred
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210864

Oral history interview with Edith Wyle, 1993 March 9-September 7

Interviewee:
Wyle, Edith R.  Search this
Interviewer:
Emanuelli, Sharon K.  Search this
Subject:
Craft and Folk Art Museum  Search this
Egg and Eye Gallery and Restaurant (Los Angeles, Calif.)  Search this
Women in the Arts in Southern California Oral History Project  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Edith Wyle, 1993 March 9-September 7. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12933
(DSI-AAA_SIRISBib)215447
AAA_collcode_wyle93
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215447
Online Media:

Oral history interview with Olga Burroughs, 1964 October 25

Interviewee:
Burroughs, Olga  Search this
Interviewer:
McChesney, Mary Fuller, 1922-2022  Search this
Subject:
Bufano, Beniamino  Search this
Kingman, Dong  Search this
Oldfield, Otis  Search this
Sacramento Art Center  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Olga Burroughs, 1964 October 25. Archives of American Art, Smithsonian Institution.
Topic:
Women arts administrators  Search this
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12874
(DSI-AAA_SIRISBib)213346
AAA_collcode_burrou64
Theme:
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213346
Online Media:

Oral history interview with Victor Franco, 1972 July

Interviewee:
Franco, Victor  Search this
Interviewer:
Schwartz, Barry N., 1942-  Search this
Subject:
Mechicano Art Center  Search this
Type:
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Victor Franco, 1972 July. Archives of American Art, Smithsonian Institution.
Topic:
Chicano art movement  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13584
(DSI-AAA_SIRISBib)212682
AAA_collcode_franco72
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212682

Oral history interview with William Gaskin, 1964 Feb. 28

Interviewee:
Gaskin, William, 1892-1968  Search this
Interviewer:
Ferbraché, Lewis  Search this
Subject:
Bufano, Beniamino  Search this
Hiler, Hilaire  Search this
Kingman, Dong  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with William Gaskin, 1964 Feb. 28. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Study and teaching -- California  Search this
Federal aid to the arts  Search this
Arts administrators -- California -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13031
(DSI-AAA_SIRISBib)213560
AAA_collcode_gaskin64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213560
Online Media:

Oral history interview with Everett Ellin, 2004 April 27-28

Interviewee:
Ellin, Everett, 1928-2011  Search this
Interviewer:
Kirwin, Liza, 1957-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Everett Ellin, 2004 April 27-28. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA_CollID)12188
(DSI-AAA_SIRISBib)247266
AAA_collcode_ellin04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_247266
Online Media:

Oral History interview with Sheila Cogan, 1972 July

Interviewee:
Cogan, Sheila, 1942-  Search this
Interviewer:
Schwartz, Barry N., 1942-  Search this
Subject:
National Center for Experiments in Television  Search this
Richmond Art Center (Calif.)  Search this
Street Artists Guild  Search this
Type:
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral History interview with Sheila Cogan, 1972 July. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art -- California -- San Francisco  Search this
Video art  Search this
Women arts administrators  Search this
Women educators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13190
(DSI-AAA_SIRISBib)212590
AAA_collcode_cogan72
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212590

Oral history interview with Merle Armitage, 1964 February 6

Interviewee:
Armitage, Merle, 1893-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Bruce, Edward  Search this
Hatfield, Dalzell  Search this
Zornes, James Milford  Search this
Public Works of Art Project  Search this
Public Works of Art Project (Calif.)  Search this
American Institute of Graphic Arts  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Merle Armitage, 1964 February 6. Archives of American Art, Smithsonian Institution.
Topic:
Art and state  Search this
Federal aid to the arts -- California  Search this
Art -- Censorship  Search this
Arts administrators -- California -- Interviews  Search this
Graphic artists -- California -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13189
(DSI-AAA_SIRISBib)213231
AAA_collcode_armita64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213231
Online Media:

Richard Haas papers

Creator:
Haas, Richard, 1936-  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Date:
1937-2012
Summary:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.
Scope and Content Note:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.

Haas's correspondence relates to commissions, exhibitions, lectures, publications, teaching, and other professional activities. Correspondents include clients, galleries, professional organizations, critics, artists, architects and others. Also found is small amount of personal correspondence. Writings and notes by Haas include artist's statements, notes, lectures, a travel diary, papers and class notes from his undergraduate and graduate student days. Writings about him are a New Museum exhibition catalog text and a student paper. Subject files relate to Haas's professional activities and interests. They document exhibitions and projects, relationships with galleries, membership and participation in various organizations, and routine business matters. Sketchbooks (17 volumes) contain drawings, sketches, and a few watercolors, along with scattered writings and notes.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1990, 2009 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1964-2008 (Box 1; 1 linear feet)

Series 3: Writings and Notes, circa 1954-2012 (Box 2; 0.8 linear feet)

Series 4: Subject Files, 1970-2011 (Boxes 2-4; 2.2 linear feet)

Series 5: Printed Material, 1956-2012 (Boxes 5-6; 1.2 linear feet)

Series 6: Artwork, 1954-2005 (Box 6; 0.1 linear feet)

Series 7: Sketchbooks, 1976-2009 (Box 6; 0.5 linear feet)

Series 8: Photographs, 1937-2006 (Box 6; 0.1 linear feet)
Biographical Note:
Richard Haas (b. 1936) is a mural painter of "architecture of illusion," his term describing the trompe l'oeil architectural subjects for which he is best known. His work as a printmaker also focuses on architecture, with iconic buildings of New York and other cities serving as subject matter. Hass is also an educator who has taught painting and printmaking at University of Minnesota, Michigan State University, Bennington College in Vermont, and School of Visual Arts in New York City.

During World War II, the Haas family moved from Spring Green, Wisconsin to Milwaukee. As a teenager, Richard spent two summers working with his great uncle, a master stone mason employed by Frank Lloyd Wright at Taliesin. He proved to be less interested in stonework than in exploring Wright's library and watching the young architects draw. He considered becoming an architect, but eventually concluded the artistic side of architecture was more attractive than the day to day work of an architect.

After graduating from the University of Wisconsin, Milwaukee (B.S., 1959), Hass worked as an art teacher in a Milwaukee high school. He attended graduate classes at University of Wisconsin, Milwaukee where visiting artist Jack Tworkov was his teacher. At the University of Minnesota (M.F.A., 1964), Haas studied with Peter Busa and Malcolm Myers. As an assistant professor at Michigan State University from 1964 to 1968, Haas's colleagues included Angelo Ippolito and Charles Pollock, and he met a number of important artists and critics who visited the campus. Haas moved to New York City in 1968 and soon accepted a part-time position teaching printmaking at Bennington College. He commuted weekly between New York and Vermont for the next decade.

During the 1960s Haas was a Color-field painter. He also continued making etchings and lithographs, and by 1970 several galleries were selling his architectural prints. His first outdoor mural, painted in the So Ho section of New York City in 1975, attracted attention and commissions followed. Mural commissions include: Boston Architectural Center (1977); Edison Bothers Store, Inc., St. Louis (1984); Home Savings of America, multiple locations in Florida and California (1990-1991); City of Huntsville, Texas (1991); Federal Building and Courthouse, Kansas City, Kansas (1994); and Yorkville Mural, New York City (2004.)

Haas, who began exhibiting while still a student, has participated in a large number of group shows and enjoyed many solo exhibitions. He was elected a National Academician, National Academy of Design, was granted a Guggenheim Fellowship, and has been a MacDowell Fellow. Among other honors, Haas has received the American Institute of Architects Medal of Honor, New York City Municipal Art Society Award, Doris C. Freedman Award for Public Art, and the Jimmy Ernst Award of the American Academy of Arts and Letters.

Mr. Haas, who works in New York City, is represented by David Findlay, Jr. Gallery. His wife, Katherine Sokolnikoff, is a sculptor and arts administrator; they live in Yonkers, New York.
Related Material:
An interview of Richard Haas conducted January 13 and March 16, 2009, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.
Provenance:
Donated by Richard Haas in 2012.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Educators -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Genre/Form:
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Citation:
Richard Haas papers, 1937-2012, bulk 1970-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.haasrich
See more items in:
Richard Haas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91efc1077-30a8-4bd5-a702-b003b7c4a817
EDAN-URL:
ead_collection:sova-aaa-haasrich

Research material relating to June Wayne, 2008-2010

Creator:
Hicks, Price  Search this
Subject:
Wayne, June  Search this
Type:
Interviews
Citation:
Research material relating to June Wayne, 2008-2010. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Record number:
(DSI-AAA_CollID)16303
(DSI-AAA_SIRISBib)373931
AAA_collcode_hickpric
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_373931

Florence Allen papers, 1920-1997

Creator:
Allen, Florence W. (Florence Wysinger), 1913-1997  Search this
Subject:
Belafonte, Harry  Search this
Newman, Paul  Search this
Type:
Photographs
Citation:
Florence Allen papers, 1920-1997. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
African American  Search this
Record number:
(DSI-AAA_CollID)6585
(DSI-AAA_SIRISBib)215887
AAA_collcode_alleflor
Theme:
Women
Lives of American Artists
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215887
Online Media:

Oral history interview with Peter Rodriguez

Interviewee:
Rodriguez, Peter, 1926-  Search this
Interviewer:
Wagner, Nora  Search this
Names:
Galería de la Raza (San Francisco, Calif.)  Search this
Mexican Museum  Search this
Dickey, Terry P.  Search this
Garcia, Rupert, 1941-  Search this
Hernandez, Ester, 1944-  Search this
Reyes Ferreira, Jesus  Search this
Tamayo, Rufino, 1899-  Search this
Williams, Adriana, 1933-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 October 23-24
Scope and Contents:
An interview of Peter Rodriguez conducted 2004 October 23-24, by Nora Wagner, for the Archives of American Art, in San Francisco, Calif.
Rodriguez speaks of his family background, early childhood and elementary art education; travels to Mexico, Alaska, Colorado, and Washington, D.C.; exhibitions he participated in as well as curated; joining Galería de la Raza; the founding of the Mexican Museum in San Francisco, grants received and support from the San Francisco community; artists Jesse Aguirre, Manuel Villamor, and Ester Hernandez; Ann Rockefeller Roberts and the Nelson A. Rockefeller Collection of Mexican Folkart, acquired by the Mexican Museum in 1985. Rodriquez also discusses the various art forms he works in, including, sculpture, tapestry, oil painting, acrylic painting, portraits of artists, and pen and ink drawings; a collection of chairs he made; his 1992 Retrospective at the Haggin Museum, in Stockton, Calif.; his creativity and color scheme for exhibitions; appointment as an Art Commissioner for the city of San Francisco, 1977-1986; the Rosa Covarrubias collection; the different locations of the Mexico Museum; current funding for a new building on Mission Street; the exhibition "Lo del Corazon"; and his own hopes for the future of the Mexican Museum. Rodriguez also recalls Rufino Tamayo, Adriana Williams, Lauro Lopez, Chucho Reyes Ferreira, Rupert Garcia, Alfredo Arreguin, Candelario Medrano, Terrey Dickey, Bea Carrillo, and Tomás Ybarra-Frausto.
Biographical / Historical:
Peter Rodriguez (1926- ) is the founder and former director of the Mexican Museum, in San Francisco, Calif. Nora Wagner (1938- ) is a program director at the Blackhawk Museum in Danville, Calif.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 14 digital wav files. Duration is 2 hr., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- California -- San Francisco -- Interviews  Search this
Topic:
Painters -- California -- San Francisco -- Interviews  Search this
Sculptors -- California -- San Francisco -- Interviews  Search this
Art -- Collectors and collecting -- California -- San Francisco -- Interviews  Search this
Art -- Philosophy  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rodrig04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ed24d12-816f-44f5-b321-1c6335ad4919
EDAN-URL:
ead_collection:sova-aaa-rodrig04
Online Media:

Nellie Murtha Daly papers, circa 1890-1914

Creator:
Daly, Nellie Murtha, 1867-1954  Search this
Subject:
Sketch Club (San Francisco, Calif.)  Search this
Citation:
Nellie Murtha Daly papers, circa 1890-1914. Archives of American Art, Smithsonian Institution.
Topic:
Women arts administrators  Search this
Women artists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10810
(DSI-AAA_SIRISBib)214544
AAA_collcode_dalynell
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214544

Nellie Murtha Daly papers

Creator:
Daly, Nellie Murtha, 1867-1954  Search this
Names:
Sketch Club (San Francisco, Calif.)  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1890-1914
Summary:
The scattered papers of sketch artist Nellie Murtha Daly measure 0.3 linear feet and date from circa 1890 to 1914. The papers include eighteen sketches, one letter, and printed material relating to Daly's artistic career. Additional printed material and an article written by Daly relate to her work as the secretary and later treasurer of the Sketch Club (San Francisco, California).
Scope and Contents:
The scattered papers of sketch artist Nellie Murtha Daly measure 0.3 linear feet and date from circa 1890 to 1914. The papers include eighteen sketches, one letter, and printed material relating to Daly's artistic career. Additional printed material and an article written by Daly relate to her work as the secretary and later treasurer of the Sketch Club in San Francisco, California.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Nellie Murtha Daly (1865-1954) was a sketch artist from San Francisco, California. Daly served as the secretary and treasurer of the Sketch Club, a female-only organization focused on the sharing and critique of each other's works.
Provenance:
The collection was donated in 1991 by Mary L. Daly (Mrs. James Daly), daughter-in-law of Nellie Murtha Daly, on behalf of the Daly family.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- California -- San Francisco  Search this
Artists -- California -- San Francisco  Search this
Topic:
Women arts administrators  Search this
Women artists  Search this
Citation:
Nellie Murtha Daly papers, circa 1890-1914. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dalynell
See more items in:
Nellie Murtha Daly papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9126a786d-8c90-4a59-b2c5-1d40f100dc11
EDAN-URL:
ead_collection:sova-aaa-dalynell

Oral history interview with Clinton Adams

Interviewee:
Adams, Clinton, 1918-2002  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Tamarind Institute  Search this
Tamarind Lithography Workshop  Search this
University of California, Los Angeles -- Faculty  Search this
Altoon, John, 1925-  Search this
Delano, Annita, 1894-  Search this
Edmondson, Leonard, 1916-  Search this
Feitelson, Lorser, 1898-1978  Search this
Johnston, Ynez, 1920-  Search this
Kistler, Lynton R., , 1897-1993  Search this
Langsner, Jules, 1911-1967  Search this
Lebrun, Rico, 1900-1964  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Price, Vincent, 1911-1993  Search this
Scholder, Fritz, 1937-2005  Search this
Extent:
149 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1995 August 2-3
Scope and Contents:
An interview of Clinton Adams conducted 1995 August 2-3, by Paul Karlstrom, for the Archives of American Art, at his home, in Albuquerque, New Mexico.
Adams discusses his family background; involvement in Hollywood "industry"; teaching at University of California, Los Angeles; service during WWII; first contact with New York's Museum of Modern Art; his decision to return to California; teaching painting at UCLA from 1946-1954, and friends and colleagues at that time including Lorser Feitelson, Stanton Macdonald-Wright, Lynton R. Kistler and Annita Delano; the difficult political situation at UCLA and the "modernist" conflicts; his views on modernist and conservative groups; Stanton Macdonald-Wright; Adams' own work; his relationship to the ideas and nature of modernism; the Sanity in Art group and other art groups in Los Angeles; his opinion on which artists should have been included in the exhibition/catalogue "Turning the Tide: Early Los Angeles Modernists"; his observations on art historical constructs; the history of New Mexican art; the idea of regionalism; the mythology of Santa Fe, New Mexico.; Southwestern art; the Tamarind Lithography Workshop during its New Mexico phase, its background and changes after the move from Los Angeles to the University of New Mexico, his fifteen years as director, major artists involved, and his desire to publish overlooked artists. Adams recalls Fritz Scholder, John Altoon, Leonard Edmondson, Ynez Johnston, Vincent Price, Jules Langsner, and Rico Lebrun.
Biographical / Historical:
Clinton Adams (1918-2002) was a printmaker, painter, and art administrator of Los Angeles, California and Albuquerque, New Mexico.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 16 digital wav files. Duration is 3 hrs., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the transcription provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Arts administrators -- New Mexico -- Albuquerque -- Interviews  Search this
Topic:
Modernism (Art)  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Printmakers -- New Mexico -- Albuquerque -- Interviews  Search this
Prints -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.adams95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4f3f80a-765d-4b7d-a804-2a859e14d459
EDAN-URL:
ead_collection:sova-aaa-adams95
Online Media:

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