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Portrait of W. R. Valentiner

Alternate Title:
William Reinhold Valentiner
Artist:
Georg Kolbe, 1877 - 1947  Search this
Sitter:
William Reinhold Valentiner, 1880 - 1958  Search this
Medium:
Bronze on stone pedestal
Dimensions:
estimate: 30.5 x 16.5 x 20.3cm (12 x 6 1/2 x 8")
Type:
Sculpture
Date:
c. 1956-1958
Topic:
William Reinhold Valentiner: Male  Search this
William Reinhold Valentiner: Visual Arts\Art Historian  Search this
William Reinhold Valentiner: Visual Arts\Administrator\Art Museum\Director  Search this
Portrait  Search this
Credit Line:
Owner: North Carolina Museum of Art
Object number:
G.63.16.1 NCMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4309007c6-a4e9-48e1-a51a-00b0a1b29a5c
EDAN-URL:
edanmdm:npg_G.63.16.1_NCMA

Portrait of W. R. Valentiner

Alternate Title:
William Reinhold Valentiner
Artist:
Max Beckmann, 12 Feb 1884 - 27 Dec 1950  Search this
Sitter:
William Reinhold Valentiner, 1880 - 1958  Search this
Medium:
Charcoal on blue paper
Dimensions:
Sheet (estimate): 58.1 x 44.8cm (22 7/8 x 17 5/8")
Type:
Drawing
Date:
1950
Topic:
Costume\Dress Accessory\Tie  Search this
William Reinhold Valentiner: Male  Search this
William Reinhold Valentiner: Visual Arts\Art Historian  Search this
William Reinhold Valentiner: Visual Arts\Administrator\Art Museum\Director  Search this
Portrait  Search this
Credit Line:
Owner: North Carolina Museum of Art
Object number:
G.65.10.2 NCMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4cb86980e-2943-4ed2-a396-82ac5f09219b
EDAN-URL:
edanmdm:npg_G.65.10.2_NCMA

Portrait of W. R. Valentiner

Alternate Title:
William Reinhold Valentiner
Artist:
Enrique E. Montenegro, 1917 - 2003  Search this
Sitter:
William Reinhold Valentiner, 1880 - 1958  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher (estimate): 98.4 x 85.7cm (38 3/4 x 33 3/4")
Type:
Painting
Date:
20th century
Topic:
William Reinhold Valentiner: Male  Search this
William Reinhold Valentiner: Visual Arts\Art Historian  Search this
William Reinhold Valentiner: Visual Arts\Administrator\Art Museum\Director  Search this
Portrait  Search this
Credit Line:
Owner: North Carolina Museum of Art
Object number:
G.71.28.1 NCMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4266b1a04-66be-4b18-a8ed-b557f35f5ed0
EDAN-URL:
edanmdm:npg_G.71.28.1_NCMA

Portrait of W. R. Valentiner

Alternate Title:
William Reinhold Valentiner
Artist:
Edwin Maurice Gill, 1899 - 1978  Search this
Sitter:
William Reinhold Valentiner, 1880 - 1958  Search this
Medium:
Not available
Dimensions:
estimate: 50.8 x 40.6cm (20 x 16")
Type:
Painting
Date:
c. 1956-1958
Topic:
William Reinhold Valentiner: Male  Search this
William Reinhold Valentiner: Visual Arts\Art Historian  Search this
William Reinhold Valentiner: Visual Arts\Administrator\Art Museum\Director  Search this
Portrait  Search this
Credit Line:
Owner: North Carolina Museum of Art
Object number:
G.77.22.1 NCMA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4782c4e54-790d-4bbb-a0e6-529f77cf5273
EDAN-URL:
edanmdm:npg_G.77.22.1_NCMA

John Outterbridge papers

Creator:
Outterbridge, John, 1933-2020  Search this
Names:
Watts Towers Art Center  Search this
Angelou, Maya  Search this
Bradley, Tom, 1917-  Search this
Hines, Gregory  Search this
Marley, Bob  Search this
Otis, Johnny, 1921-  Search this
Simone, Nina, 1933-2003  Search this
White, Charles, 1918-1979  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Place:
Watts (Los Angeles, Calif.) -- Buildings, structures, etc
Date:
1953-1997
Summary:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.
Scope and Contents:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

Biographical material includes life documents, awards, interview transcripts, a few sketches, teaching certificates, and a motion picture film reel entitled John Outterbridge: Black Artist.

The bulk of the correspondence consists of letters to John Outterbridge from family, artists, colleagues, museums, and universities. Notable correspondents include Maya Angelou, Johnny Otis, and Charles White.

Writings include teaching notes, an artist statement, nine typescript essays by Outterbridge, as well as papers written by students, and poems by various artists.

Professional and project files document Outterbridge's involvement in conferences, symposiums, membership records, and fellowships. There are grant and job applications, contracts, correspondence, project plans, and administrative records. There is documentation of the Metro Art for Rail Transit project and of his work as director of the Communicative Arts Academy. Outterbridge's directorship of the Watts Towers Arts Center (WTAC) are arranged in a separate series; files document administration, annual programs and events, and special projects.

Exhibition files are found for several exhibitions in which Outterbridge participated in the mid-1990s. Printed material includes clippings about John Outterbridge and the Watts Towers Arts Center, exhibition catalogs, announcements, books, and magazines.

There is one scrapbook that contains clippings, award certificates, and photographs of the Watts Towers Arts Center events. There are photographs of Johnny Otis, Nina Simone, and L.A. Mayor Tom Bradley.

Photographs are of John Outterbridge and his artwork, studio, family, friends, and events. Among those depicted in the photographs are Bob Marley and Gregory Hines.
Arrangement:
This collection is arranged as 9 series.

Missing Title

Series 1: Biographical Material, 1953-1997 (0.7 linear feet; Box 1, OV 6, FC 9)

Series 2: Correspondence, 1970-1997 (1.1 linear feet; Boxes 1-2, OV 7)

Series 3: Writings, circa 1980-1996 (0.2 linear feet; Box 2)

Series 4: Professional and Project Files, circa 1970-1997 (0.5 linear feet; Boxes 2-3, OV 8)

Series 5: Watts Towers Arts Center, 1976-1997 (0.4 linear feet; Box 3)

Series 6: Exhibition Files, 1992-1996 (0.2 linear feet; Box 3)

Series 7: Printed Materials, 1968-1997 (1.1 linear feet; Boxes 3-4)

Series 8: Scrapbook, 1968-1997 (0.5 linear feet; Box 5)

Series 9: Photographs, 1953-1995 (0.2 linear feet; Box 4-5)
Biographical / Historical:
John Outterbridge is an African American painter, sculptor and arts administrator in Los Angeles, California.

John Wilfred Outterbridge was born in Greenville, North Carolina in 1933. He attended Agricultural and Technical University in Greensboro, North Carolina and studied engineering for one year before joining the U.S. Army in 1953. He served two years in Europe where he started painting street scenes in his spare time. His paintings were liked and his Captain found a studio space for him, where he painted murals and artwork in offices, clubs, and American schools.

Outterbridge decided that he needed a formal education in art and after his discharge from the Army in 1955, he relocated to Chicago and enrolled first in the Chicago Academy of Art, and later in the American Academy of Art. He became active in the Chicago art scene and opened a gallery with artists John Pinkney, Elliot Hunter, and Jose Williams. While attending school, he also worked for a graphic arts firm running errands and as a Chicago Transit Authority bus driver.

Outterbridge married his wife Beverly in 1960 and they moved to Los Angeles in 1963. He worked at a production studio for a while and got an offer from another studio to become its art director. After a few years, Outterbridge took two years off and began experimenting with with other medium, such as found objects and sculpture.

Outterbridge then took a job in the art installation department of the Pasadena Art Museum where he met artists such as Peter Alexander, Richard Serra, Robert Rauschenberg, and Andy Warhol while helping with their exhibits. In addition to working on installations, Outterbridge taught sculpture classes at the museum and at several colleges such as Pasadena City College, Claremont College, Cal State Dominguez Hills, and University of California at Irvine.

From 1969-1975, Outterbridge was the director of the Compton Communicative Arts Academy. From 1975-1993, Outterbridge was the director of the Watts Towers Arts Center, a focal point in Los Angesle for African American visual and theatrical arts and the sponsor of the Watts Towers Jazz Festival and Day of the Drum Festival. He retired in 1993 to dedicate more time to his art.

Outterbridge's art can be found at the California African American Museum and the Los Angeles County Museum of Art. He has received awards throughout his career including fellowships from the Fulbright Foundation, Getty Foundation, and the National Endowment for the Arts. He received an honorary doctorate from Otis College of Art and Design in 1994.
Related Materials:
The Archives of American Art also has an oral history interview with John Outterbridge conducted by Allen Bassing in 1973.

A copy of the film John Outterbridge: Black Artist is available in the Samella Lewis papers, in the Rose Library at Emory University.
Provenance:
The John Outterbridge papers were donated to the Archives of American Art by John Outterbridge in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Arts administrators -- California -- Los Angeles  Search this
Topic:
Sculptors -- California -- Los Angeles  Search this
Artists' studios -- Photographs  Search this
Towers -- California -- Los Angeles  Search this
African American artists  Search this
Genre/Form:
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Citation:
John Outterbridge papers, 1953-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.outtjohn
See more items in:
John Outterbridge papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a172f43c-33be-45e4-87fb-14ed23fc3008
EDAN-URL:
ead_collection:sova-aaa-outtjohn
Online Media:

Lee Hall papers

Creator:
Hall, Lee  Search this
Names:
Betty Parsons Gallery  Search this
Rhode Island School of Design  Search this
Ajay, Abe  Search this
De Kooning, Elaine  Search this
De Kooning, Willem, 1904-1997  Search this
Parsons, Betty  Search this
Extent:
7.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Drawings
Sketchbooks
Diaries
Video recordings
Date:
circa 1870s-2017
bulk 1975-2010
Summary:
The papers of painter, author, and arts administrator Lee Hall measure 7.4 linear feet and date from circa 1870-2017, bulk 1975 to 2010. The papers document Hall's career through biographical material, correspondence, writings, studio records, printed material, photographic material, and artwork. Included is significant documentation on Hall's book projects, including biographies of Betty Parsons, Abe Ajay, and Willem and Elaine de Kooning.
Scope and Contents:
The papers of painter, author, and arts administrator Lee Hall measure 7.4 linear feet and date from circa 1870-2017, bulk 1975 to 2010. The papers document Hall's career through biographical material, correspondence, writings, studio records, printed material, photographic material, and artwork. Included is significant documentation on Hall's book projects, including biographies of Betty Parsons, Abe Ajay, and Willem and Elaine de Kooning.

Biographical material includes business cards, résumé and biographical texts, travel documents, and awards. Correspondence is professional and personal in nature and includes some collected historic correspondence from unknown authors. Correspondence regarding specific writing projects is found in the Writings series. The Writings series includes journals and notebooks focusing primarily on Hall's travels and study of Classics including the Greek language. The Writing Projects subseries includes titles intended for publication as well as college papers, essays, and lectures. Published titles are often accompanied by book proposals, contracts, research material, interviews, and correspondence. Also included are writings by others including reviews regarding Hall's art career. Studio records include artwork inventories, loan paperwork, and the mechanical for an exhibition catalog. Printed material includes exhibition invitations for Lee Hall's art career, exhibition catalogs for Hall's exhibitions and that of Betty Parsons, and general printed material regarding Elaine de Kooning, as well as press clippings on various topics. Photographic materials include images of Lee Hall and her circle of friends including Betty Parsons, images of Hall in her studio, installation images of Hall's exhibitions at the Betty Parsons Gallery, and extensive photographs of Hall's travels to the Mediterranean, primarily to Greece and Turkey. The Artwork series includes sketches, watercolors and other small paintings by Lee, as well as illustrated manuscripts for children's book titles.
Arrangement:
The collection is arranged in seven series:

Series 1: Biographical Material, circa 1970-2010 (0.2 Linear Feet; Boxes 1, 7)

Series 2: Correspondence, circa 1870-2016 (0.3 Linear Feet; Box 1)

Series 3: Writings, circa 1920-2010 (4.0 Linear Feet; Boxes 1-5)

Series 4: Studio Records, circa 1973-2010 (0.2 Linear Feet; Box 5)

Series 5: Printed Material, circa 1914-2016 (0.4 Linear Feet; Boxes 5, 7)

Series 6: Photographic Material, circa 1940-2017 (1.7 Linear Feet; Boxes 5-9)

Series 7: Artwork, circa 1950-2010 (0.6 Linear Feet; Boxes 6-7, Oversize 10)
Biographical / Historical:
Lee Hall (1935-2017) was a painter, author, and arts administrator who served as president of the Rhode Island School of Design from 1975-1983. Born in Lexington, North Carolina and raised in Florida following her parents' divorce, Lee Hall later returned to her birth state to attend the Woman's College of the University of North Carolina. She received her bachelor of fine arts in 1955, studying under the abstract painter John Opper. She eventually earned a masters degree in art education and a PhD in creative arts, both from New York University. Hall's paintings shared an Abstract Expressionist sensibility common with many of her peers at the Betty Parsons Gallery, imparted on the figurative tradition of landscape painting. Hall showed her paintings at the Betty Parsons Gallery from the late seventies until 1982 when the gallery closed following Parsons' death, after which she ceased exhibiting her work almost entirely until the last decade of her life. Hall maintained a studio at her home in South Hadley, Massachusetts throughout her life. A few years before Parson's death Hall had agreed to write Parsons' biography, finally released in 1991, on the condition that she and papers were made available for intensive research. Hall published titles on a wide variety of subjects including a comprehensive survey of American clothing (1992), and perhaps most notably the controversial biography of painters Elaine and Willem de Kooning (1993).
Separated Materials:
Three linear feet of Betty Parsons papers donated as part of the Lee Hall papers were transferred to the collection of Betty Parsons Gallery records and personal papers, also located at the Archives of American Art.
Provenance:
Donated in 2018 by the Lee Hall Estate via Carolyn Crozier and Deborah Jacobson, co-executors.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts  Search this
Authors -- Massachusetts  Search this
Arts administrators -- Rhode Island  Search this
Genre/Form:
Interviews
Drawings
Sketchbooks
Diaries
Video recordings
Citation:
Lee Hall Papers, circa 1870s-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halllee
See more items in:
Lee Hall papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d411a6e-e1cb-42cd-97de-96d9f710d658
EDAN-URL:
ead_collection:sova-aaa-halllee
Online Media:

Richard J. Powell papers

Creator:
Powell, Richard J., 1953-  Search this
Names:
Johnson, William H., 1901-1970  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Travel diaries
Date:
1971-1992
Summary:
The Richard J. Powell papers date from 1971 through 1992 and mostly concern Powell's research and writings on painter William H. Johnson. Found is correspondence with curators, scholors, arts administrators, and U.S., Danish, and Scandinavian museums and associations. The papers also include two of Powell's illustrated research and travel journals from 1984 and 1985, printed materials concerning the exhibition Powell curated in 1991 at the National Museum of American Art Homecoming: William H. Johnson and Afro-America, 1938-1946, research files that contain photocopies of original Johnson archival documents from various research repositories, and photographs (copy prints) of Johnson and his artwork.
Scope and Content Note:
Papers, 1980-1992, mostly concerning art historian Richard Powell's research and writings on African American painter William H. Johnson (1901-1970). Found is Powell's correspondence with Robert Baehr, Sigrid Bondo, Adelyn Breeskin, David C. Driskell, Michel Fabre, Robert Ferris Thompson, ?ystein Hjort, Margo Humphrey, Gregers Krake, Richard A. Long, Torben Lundbæk, Virginia Mecklenburg, Jostein Nerbøvik, Mette Nørredam, James Parker, Jules D. Prown, Kjetil Tandstad, Judith Wilson, Debbie Wood, and Danish and Scandinavian museums and associations. There are also two illustrated research/travel journals containing Powell's comments on Johnson's works of art, related thoughts, slide lists, notes from his lectures at the Sorbonne in Paris, and other experiences dating from July 14 to November 28, 1984, and January 1 to June 20, 1985; two wall calendars, 1984-1985, noting appointments and exhibition openings; a notebook, loose notes and other writings; postcards, reseach files that contain photocopies of printed material and other primary documents about Johnson including clippings from foreign newspapers with translations; printed material concerning the exhibition Homecoming: William H. Johnson and Afro-America, 1938-1946, curated by Powell at the National Museum of American Art, 1991-1992; photographs (copy prints, contact prints, and negatives) of Johnson and his artwork; and miscellany.
Arrangement:
Missing Title

Series 1: Research and Project Correspondence, 1981-1991(Box 1; 19 folders)

Series 2: Travel and Research Journals and Notes, 1984-1985, 1991, undated (Box 1; 5 folders)

Series 3: Printed Material, 1971-1992, undated (Box 1; 9 folders)

Series 4: Research Files, undated (Box 1; 10 folders)

Series 5: Photographs and Negatives, undated (Box 1; 4 folders)
Biographical Note:
Richard J. Powell is an African American art historian and educator in Durham, North Carolina. Powell curated the exhibition Homecoming: William H. Johnson and Afro-America, 1938-1946, at the National Museum of American Art, 1991-1992.
Related Materials:
Richard Powell papers, 1960-2011, is located at Duke University David M. Rubenstein Rare Book & Manuscript Library.
Provenance:
Richard Powell collected this material while conducting research on William H. Johnson. He donated it to the Archives of American Art in July, 2000.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- North Carolina  Search this
Topic:
African American artists  Search this
African American painters  Search this
Genre/Form:
Travel diaries
Citation:
Richard J. Powell papers, 1971-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.powerich
See more items in:
Richard J. Powell papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d260aad9-9ee2-4e3f-aca0-5189bf112a96
EDAN-URL:
ead_collection:sova-aaa-powerich

Oral history interview with William J. Brown and Jane Brown

Interviewee:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Interviewer:
Kessler, Jane  Search this
Names:
Cranbrook Academy of Art  Search this
Flint Institute of Arts  Search this
Haystack Mountain School of Crafts  Search this
Penland School of Handicrafts  Search this
Gray, Robert Ward, 1916-  Search this
Merritt, Francis Sumner, 1913-2000  Search this
Morgan, Lucy, 1889-1981  Search this
Faculty:
University of Delaware  Search this
Extent:
203 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1991 January 19-March 2
Scope and Contents:
An interview with William J. Brown and Jane Brown conducted 1991 January 19-1991 March 2, by Jane Kessler, for the Archives of American Art.
Brown and his wife Jane discuss his childhood in Michigan, his early interest in sculpture and his attitude towards education; military service in WWII; studies at Cranbrook Academy; designing for Steuben Glass; working with Francis Merritt at the Flint Institute of Arts and at Haystack Mountain School of Crafts; teaching design at the University of Delaware and working summers at Haystack; Robert Gray, director of the Southern Highland Handicraft Guild; first impressions of The Penland School of Crafts and its founder Lucy Morgan; the development of the Penland School and its various programs; craftspeople who taught at Penland; and relations with the Penland board of trustees.
Biographical / Historical:
William J. Brown, art administrator and designer. Director of the Penland School of Crafts (formerly Penland School of Handicrafts) from 1962 to 1983.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 8 digital wav files. Duration is 5 hr., 4 min.
2 of the cassettes are 60 min. and 2 are 90 min.
Sound quality of interview is poor.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Occupation:
Arts administrators -- North Carolina -- Interviews  Search this
Topic:
Handicraft -- Study and teaching -- United States  Search this
Designers -- Interviews  Search this
Decorative arts  Search this
Function:
Art Schools -- United States
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.brown91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ca4a18a-e778-40ce-8012-1e3b890d8779
EDAN-URL:
ead_collection:sova-aaa-brown91
Online Media:

Oral history interview with Hunter Kariher

Interviewee:
Kariher, Hunter  Search this
Interviewer:
Kessler, Jane  Search this
Names:
Penland School of Handicrafts  Search this
Extent:
2 Sound cassettes (Sound recording)
22 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1992 May 22-23
Scope and Contents:
An interview of Hunter Kariher conducted 1992 May 22-23, by Jane Kessler, for the Archives of American Art.
Kariher discusses his education and early training; working for Wendell Castle; managing his own woodworking studio for seventeen years; his career at Penland School of Handicrafts beginning in 1977; becoming director of the school in 1989; former directors; the significance of Penland to the field of American crafts; Penland in comparison to the Haystack Mountain School of Crafts and to Anderson Ranch; and his vision for the future of the school.
Biographical / Historical:
Hunter Kariher is a woodworker and administrator at the Penland School, Penland, N.C.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Wood-carvers -- Interviews  Search this
Arts administrators -- North Carolina  Search this
Artisans -- North Carolina  Search this
Topic:
Handicraft -- Study and teaching -- North Carolina  Search this
Wood-carving -- North Carolina  Search this
Decorative arts  Search this
Function:
Art Schools -- North Carolina
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.karihe92
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90ebbf1be-2be4-4e8e-8d0b-69a88678a673
EDAN-URL:
ead_collection:sova-aaa-karihe92
Online Media:

Ruth Nickerson papers

Creator:
Nickerson, Ruth, 1905-1997  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1933-1995
Scope and Contents:
The papers of sculptor and WPA artist Ruth Nickerson measure 2.0 linear feet and date from circa 1933-1995. Included are letters from artists and art administrators, correspondence with foundries and art organizations, the Treasury Department Section of Painting and Sculpture, and the Section of Fine Arts, and copies of outgoing letters from Nickerson to others; writings, including typescripts of manuscripts and unpublished talks; files regarding Guggenheim Fellowships; Nickerson's cast stone formulas; photographs of works in progress; artwork consisting of watercolor studies for "American Oriental Rug Weaving" (sculpture panel) for the US Post Office, Leaksville, North Carolina, 1941, and handmade Christmas cards; and printed material including exhibition catalogs and newspaper clippings.
Biographical / Historical:
Ruth Nickerson (1905-1997) was a sculptor and WPA artist in White Plains, New York. Nickerson was married to Edmund Greacen, Jr., son of painter Edmund Greacan.
Provenance:
Donated 2019 by Elizabeth R. Knudsen, Ruth Nickerson's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Sculptors -- New York (State)  Search this
Topic:
Women sculptors  Search this
Identifier:
AAA.nickruth
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f59b2c34-76a6-4f2f-a4ee-d873cc17ff23
EDAN-URL:
ead_collection:sova-aaa-nickruth

William J. and Jane Brown papers

Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Names:
Haystack Mountain School of Crafts  Search this
Penland School of Crafts  Search this
Bailey, Dan  Search this
Berensohn, Paulus  Search this
Brennan, Harold James, 1903-1989  Search this
Ebendorf, Robert, 1938-  Search this
Ehle, John, 1925-  Search this
Hallman, Ted, 1933-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Morgan, Lucy, 1889-1981  Search this
Perisho, Flossie  Search this
Takaezu, Toshiko  Search this
Extent:
7.9 Linear feet
0.32 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Date:
circa 1940-2014
Summary:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Scope and Contents:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

Biographical materials consists of awards, business cards, annotated calendars, consignment forms, material from Haystack Mountain School of Crafts, resumes, sketches, and student documents. Correspondence is with artists, former students, instructors, local residents, Paulus Berensohn, Robert Ebendorf, Theodore Hallman, Lucy Morgan, Toshiko Takaezu, and others.

Sound and video recordings are of interviews with Bill and Jane Brown, Lucy Morgan, and "Flossie" Perisho regarding personal and Penland history. One transcript of Marvin Lipofsky's conversation with Bill is also included. Bill's writings are on industrial design, directing Penland, and mankind. Two notebooks contain daily logs, sketches, and other notes. Notes by Bill and Jane are on inventions, John Ehle, metal history, poems, and other topics. Other writings are about Bill and a manuscript on craftsman education by Harold J. Brennan.

Penland's administrative records contain files documenting the board of trustees, residents program, a special 2-week session, artwork, Bill Brown's Glass Studio dedication ceremony schedule, a certificate of incorporation, financial material, grant proposals, and maps. Also found are records of Penland's 50th birthday celebration, including a video recording of "A Quest" by Dan Bailey.

Books, booklets, four documentary video recordings, exhibition catalogs and announcements, flyers, pamphlets, periodicals, postcards, posters, and stickers and patches designed by Bill are in printed materials. Photographs and slides are of Bill and Jane; family and friends; works of art; and of Penland's grounds, students, and faculty along with photographs and video recordings documenting Penland's history.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1948-2011 (0.6 linear feet; Boxes 1, 9)

Series 2: Correspondence, 1949-2014 (1.8 linear feet; Boxes 1-3, 9)

Series 3: Interviews, 1968-1991 (0.4 linear feet; Box 3)

Series 4: Writings and Notes, circa 1950-2005 (0.2 linear feet; Box 3)

Series 5: Penland School of Crafts Administrative Records, 1954-1995 (1.1 linear feet; Boxes 3-4, 9)

Series 6: Printed Materials and Documentaries, 1942-2005 (1.8 linear feet, 0.32 GB; Boxes 4-6, 9; ER01)

Series 7: Photographic Materials and Moving Images, circa 1940-2011 (2.0 linear feet; Boxes 6-10, RD 11)
Biographical / Historical:
William "Bill" J. Brown (1923-1992) was a designer and educator who was married to Jane Brown (1932- ), an arts administrator. They lived in Bakersville, North Carolina.

Bill Brown was born in Flint, Michigan in 1923. He studied at the Cranbrook Academy of Art receiving a bachelor of fine art in 1949, a master of fine art in 1950, and was chosen to work at Corning Glass Works for a summer. After his studies, he taught at the Haystack Mountain School of Crafts and at the University of Delaware. In 1962 Lucy Morgan, who founded the Penland School of Crafts in 1929 in North Carolina, retired and offered the position of director to Bill. At the time, the school focused on traditional mountain crafts. As director, Bill changed the emphasis of the school to the advancement of professional craftsmen and the expansion of media to include iron and glass. He began a resident artist program that allowed artists to develop their skills at a low cost. Together, Bill and Jane created a supportive community of craftsmen that attracted renowned artists to teach and work at Penland. Bill resigned as director in 1983 but remained a respected member of the arts community. He earned several awards including the North Carolina Award in the Fine Arts in 1991.

Jane Brown graduated from the University of Delaware with a bachelor of arts in education and a master's degree in special education. Jane studied the Alexander Technique, a technique that can be used to improve the performance of dancers and musicians.

Bill Brown died in 1992. After his death, Jane participated in the dedication of the Bill Brown Glass Studio at Penland during a Glass Arts Society conference in 1995. She continues to live in Bakersville, North Carolina.
Related Materials:
Also found at the Archives of American Art is an oral history interview with William J. Brown and his wife Jane Brown conducted on January 19, 1991 and March 2, 1991 by Jane Kessler.
Provenance:
The portions of the William J. and Jane Brown papers that were lent for microfilming in 1991 by Jane Brown were subsequently donated by Jane Brown 1995 and 2015 along with additional papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Topic:
Art -- Study and teaching  Search this
Artisans--North Carolina  Search this
Arts administrators--North Carolina  Search this
Industrial design  Search this
Handicraft--Study and teaching--United States  Search this
Handicraft--United States  Search this
Function:
Art schools -- North Carolina
Genre/Form:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browwill
See more items in:
William J. and Jane Brown papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9907be991-414d-4c5f-b92d-b8729175c574
EDAN-URL:
ead_collection:sova-aaa-browwill

Betty Blayton-Taylor papers

Creator:
Taylor, Betty Blayton, 1937-2016  Search this
Names:
Children's Art Carnival (New York, N.Y.)  Search this
Harlem Textile Works (New York, N.Y.)  Search this
Printmaking Workshop  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1929-2016
bulk 1970s-2000s
Summary:
The papers of African American painter and art administrator Betty Blayton-Taylor measure 7.1 linear feet and date from 1929 to 2016, with the bulk of the material dating from the 1970s to the 2000s. The collection contains biographical material including resumes, awards, family papers, autograph books from her time in school, and mix tapes; correspondence with colleagues, friends, and other artists including Frank Wimberley, Howardina Pindell, and Eugene Grigsby; and writings including artist statements and notes. Also included are files related to the Children's Art Carnival, an arts education organization co-founded by Blayton-Taylor, for which she served as executive director for many years. These files include board and committee files, budget and financial documents, correspondence, and reports. Files related to the Harlem Textile Works, another organization co-founded by Blayton-Taylor, include board and committee files, correspondence, business plans, and reports. The collection also includes material related to professional activities including exhibition files, committee files, consignment and sale agreements, financial documents, and property files; printed material including exhibition announcements, catalogs and programs, newspaper clippings, published books, and recorded conference proceedings; a scrapbook containing primarily clippings, as well as some correspondence and other printed material; and photographic material including photographs, negatives, slides, and digital images.
Scope and Contents:
The papers of African American painter and art administrator Betty Blayton-Taylor measure 7.1 linear feet and date from 1929 to 2016, with the bulk of the material dating from the 1970s to the 2000s. The collection contains biographical material including resumes, awards, family papers, autograph books from her time in school, and mix tapes; correspondence with colleagues, friends, and other artists including Frank Wimberley, Howardina Pindell, and Eugene Grigsby; and writings including artist statements and notes. Also included are files related to the Children's Art Carnival, an arts education organization co-founded by Blayton-Taylor, for which she served as executive director for many years. These files include board and committee files, budget and financial documents, correspondence, and reports. Files related to the Harlem Textile Works, another organization co-founded by Blayton-Taylor, include board and committee files, correspondence, business plans, and reports. The collection also includes material related to professional activities including exhibition files, committee files, consignment and sale agreements, financial documents, and property files; printed material including exhibition announcements, catalogs and programs, newspaper clippings, published books, and recorded conference proceedings; a scrapbook containing primarily clippings, as well as some correspondence and other printed material; and photographic material including photographs, negatives, slides, and digital images.
Arrangement:
This collection is arranged as nine series.

Series 1: Biographical Material, 1929, 1937-1938, 1951-2014 (Box 1, OV 8; 0.6 linear feet)

Series 2: Correspondence, 1952, 1968-2016 (Boxes 1-2, 0.7 linear feet)

Series 3: Writings, 1978, circa 1990s-2000s (Box 2, 0.2 linear feet)

Series 4: Children's Art Carnival, 1968-2011 (Boxes 2-3, 1.1 linear feet)

Series 5: Harlem Textile Works, 1983-2012 (Box 3, 0.3 linear feet)

Series 6: Professional Activities, 1967-2013 (Boxes 3-4, 0.4 linear feet)

Series 7: Printed Material, 1967-2015 (Boxes 4-5, OV 8; 1.3 linear feet)

Series 8: Scrapbook, 1965-2009 (Box 5, 1 folder)

Series 9: Photographic Material, 1954-2000s (Boxes 5-7, OV 8; 2.5 linear feet)
Biographical / Historical:
Betty Blayton-Taylor (1937-2016) was an African American artist and art administrator in New York, New York.

Born and raised in Virginia, Blayton-Taylor attended Palmer Memorial Institute, a private boarding school in North Carolina. She earned a bachelor's degree in fine art from Syracuse University and continued her studies at the Art Students League of New York and the Brooklyn Museum School.

Betty Blayton-Taylor was a founding member of the Studio Museum in Harlem and served on the board from 1965 to 1977. She co-founded the Children's Art Carnival, an organization designed to engage disadvantaged youth in the arts, and served as executive director from 1969 until 1998. Blayton-Taylor also co-founded and served on the board of Harlem Textile Works, which grew out of the Children's Art Carnival and offered fabric design workshops and other arts education. She also served on boards of other organizations, including the Robert Blackburn Printmaking Workshop and the Arts and Business Council in New York City, and worked as an arts education consultant.

In addition to her dedication to arts education organizations, Blayton-Taylor exhibited in both solo and group shows across the country. Her work is included in collections of institutions such as the Metropolitan Museum of Art, the Museum of Modern Art, and the Studio Museum in Harlem. She died in 2016 in the Bronx, New York.
Related Materials:
The Schomburg Center for Research in Black Culture, The New York Public Library also holds the Children's Art Carnival Records, 1971-1995.
Provenance:
The Betty Blayton-Taylor papers were donated in 2018 by Oscar Blayton, Betty Blayton-Taylor's brother and executor.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Citation:
Betty Blayton-Taylor papers, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blaybett
See more items in:
Betty Blayton-Taylor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9282dd626-e847-40e1-860c-9931bcfe6320
EDAN-URL:
ead_collection:sova-aaa-blaybett

Oral history interview with Philip C. Curtis

Interviewee:
Curtis, Philip C.  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
Federal Art Project (Ariz.)  Search this
New Deal and the Arts Oral History Project  Search this
Extent:
38 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 March 31
Scope and Contents:
An interview of Philip C. Curtis conducted 1965 March 31, by Sylvia Loomis, for the Archives of American Art. Curtis speaks of his background and education at Yale Fine Arts School; working for the Federal Art Project as supervisor of the mural project; starting an art center for the Federal Art Project in North Carolina, and another one in Phoenix; supervising a crafts program in Iowa; returning to Arizona; the response of the people of the region to the Federal Art Project; the project's effect on art in the area; and his feelings about current trends in painting.
Biographical / Historical:
Philip C. Curtis was a painter and an art administrator in Scottsdale, Arizona.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 1 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Topic:
Federal aid to the arts  Search this
Arts administrators -- Arizona -- Interviews  Search this
Painters -- Arizona -- Interviews  Search this
Function:
Art centers
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.curtis65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ec513893-f516-4781-b17c-1db23e63dbaf
EDAN-URL:
ead_collection:sova-aaa-curtis65
Online Media:

Oral history interview with Robert Watts Hudgens

Creator:
Hudgens, Robert Watts, 1896-1973  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Doud, Richard Keith  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 June 1
Scope and Contents:
An interview of Robert Watts Hudgens conducted by Richard Doud.
Biographical / Historical:
Robert Watts Hudgens was an art administrator in Chapel Hill, North Carolina.
General:
Sound has been lost on tape reel; reel discarded.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Occupation:
Arts administrators -- North Carolina -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hudgen65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99dfd7507-b6cf-4e45-bd3c-5c578081123e
EDAN-URL:
ead_collection:sova-aaa-hudgen65

Oral history interview with Philip C. Curtis, 1965 March 31

Interviewee:
Curtis, Philip C. (Philip Campbell), 1907-2000  Search this
Curtis, Philip C. (Philip Campbell), 1907-2000  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Federal Art Project (Ariz.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Arts administrators -- Arizona -- Interviews  Search this
Painters -- Arizona -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12563
(DSI-AAA_SIRISBib)213394
AAA_collcode_curtis65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213394

Oral history interview with Robert Watts Hudgens, 1965 June 1

Interviewee:
Hudgens, Robert Watts, 1896-1973  Search this
Hudgens, Robert Watts, 1896-1973  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12477
(DSI-AAA_SIRISBib)213578
AAA_collcode_hudgen65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213578

Oral history interview with William J. Brown and Jane Brown, 1991 January 19-March 2

Interviewee:
Brown, Bill, 1923-1992  Search this
Brown, Bill, 1923-1992  Search this
Interviewer:
Kessler, Jane  Search this
Subject:
Brown, Jane Brennan, 1931-  Search this
Morgan, Lucy  Search this
Merritt, Francis Sumner  Search this
Gray, Robert Ward  Search this
Penland School of Handicrafts  Search this
Haystack Mountain School of Crafts  Search this
Flint Institute of Arts  Search this
Cranbrook Academy of Art  Search this
University of Delaware  Search this
Type:
Interviews
Sound recordings
Topic:
Handicraft -- Study and teaching -- United States  Search this
Designers -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13122
(DSI-AAA_SIRISBib)214579
AAA_collcode_brown91
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214579
Online Media:

William J. and Jane Brown papers, circa 1940-2014

Creator:
Brown, Bill, 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Brown, Bill, 1923-1992  Search this
Subject:
Bailey, Dan  Search this
Berensohn, Paulus  Search this
Brennan, Harold James  Search this
Ebendorf, Robert  Search this
Ehle, John  Search this
Hallman, Ted  Search this
Lipofsky, Marvin  Search this
Morgan, Lucy  Search this
Perisho, Flossie  Search this
Takaezu, Toshiko  Search this
Haystack Mountain School of Crafts  Search this
Penland School of Crafts  Search this
Type:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Topic:
Art -- Study and teaching  Search this
Artisans--North Carolina  Search this
Arts administrators--North Carolina  Search this
Industrial design  Search this
Handicraft--Study and teaching--United States  Search this
Handicraft--United States  Search this
Theme:
Ephemera, Miscellany, and General Art Related  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)10700
(DSI-AAA_SIRISBib)214301
AAA_collcode_browwill
Theme:
Ephemera, Miscellany, and General Art Related
Art Materials, Techniques, and Studio Art Education
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214301
Online Media:

Mary E. Adams letters from Wilhelm Valentiner, 1954-1957

Creator:
Adams, Mary E., 1920-  Search this
Adams, Mary E., 1920-  Search this
Subject:
Valentiner, Wilhelm Reinhold  Search this
Adams, Mary E.  Search this
J. Paul Getty Museum  Search this
North Carolina Museum of Art  Search this
Record number:
(DSI-AAA_CollID)6117
(DSI-AAA_SIRISBib)216326
AAA_collcode_adammary
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216326

Richard J. Powell papers, 1971-1992

Creator:
Powell, Richard J., 1953-  Search this
Powell, Richard J., 1953-  Search this
Subject:
Johnson, William H.  Search this
Type:
Travel diaries
Topic:
African American artists  Search this
African American painters  Search this
Theme:
African American  Search this
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6328
(DSI-AAA_SIRISBib)226091
AAA_collcode_powerich
Theme:
African American
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_226091
Online Media:

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