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Naomi Lorne papers

Creator:
Lorne, Naomi, 1902-  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1928-1964
Summary:
The scattered papers of painter and writer Naomi Lorne measure 0.7 linear feet and date from 1928 to 1964. Found are biographical materials, photographs of Lorne and her artwork, poetry, printed material, and a mixed-media scrapbook.
Scope and Contents:
The scattered papers of painter and writer Naomi Lorne measure 0.7 linear feet and date from 1928 to 1964. Found are biographical materials, photographs of Lorne and her artwork, poetry, printed material, and a mixed-media scrapbook.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Naomi Duckman Furth Lorne (1902-1964) was a painter and author in New York City, New York. Lorne attended the Art Students League, and City College of New York with A. T. Hibbard, George Bridgman, and Frederick J. Waugh.
Provenance:
Donated 1982 by Harold M. Le Roy.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women authors  Search this
Scrapbooks  Search this
Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lornnaom
See more items in:
Naomi Lorne papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bcfe76c7-b27a-4766-9281-b5b071ba6cba
EDAN-URL:
ead_collection:sova-aaa-lornnaom

Scrapbook

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 2
Type:
Archival materials
Date:
1950-1964
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99370b365-ab8d-4450-87fc-b809bf1feb58
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref10

Naomi Lorne Papers

Collection Creator:
Lorne, Naomi, 1902-  Search this
Extent:
0.7 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1928-1964
Scope and Contents:
Biographical material includes awards and certificates, a resume, and four letters concerning the publication of Lorne's poetry. Photographs depict Lorne, Lorne with her animals and her art, and works of art. Also found is one photo of an exhibition at the Carnegie Institute. Two dismantled notebooks were compiled by Lorne and include typed drafts of poetry written by her and by others as well as published clippings of Lorne's written pieces. Printed material includes scattered clippings and exhibition announcements and catalogs. One mixed media scrapbook contains clippings, correspondence, and exhibition material. Of note is a letter from sculptor Jane Wasey.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lornnaom, Series 1
See more items in:
Naomi Lorne papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw970f35391-46fa-46f4-9903-50f807d2e18f
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref3

Biographical Material

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1955-1964
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96128a567-8601-4b2e-952b-758668a8a585
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref4

Photographs, of Lorne

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
circa 1930-circa 1964
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ce7e7c9b-3af9-4d71-bf04-d178cda2e02d
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref5

Photographs, Works of Art

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
circa 1960
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96211297a-a219-45b7-bddd-69747e36871b
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref6

Poetry, Dismantled Notebook 1

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 1, Folder 4-5
Type:
Archival materials
Date:
1928-1960
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bea01d72-42da-437a-afe4-e03a7a7e6af3
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref7

Poetry, Dismantled Notebook 2

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
circa 1945
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw924c4a80b-c6ec-4a04-98f7-3f52bc6601a3
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref8

Printed Material

Collection Creator:
Lorne, Naomi, 1902-  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
circa 1950-1964
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Naomi Lorne papers, 1928-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Naomi Lorne papers
Naomi Lorne papers / Series 1: Naomi Lorne Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw962ee8d35-06e8-48ef-8ff4-696efd2c7342
EDAN-URL:
ead_component:sova-aaa-lornnaom-ref9

Aline and Eero Saarinen papers

Creator:
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Names:
Saarinen, Eero, 1910-1961  Search this
White, Stanford, 1853-1906  Search this
Extent:
14.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Motion pictures (visual works)
Sound recordings
Interviews
Date:
1906-1977
Summary:
The Aline and Eero Saarinen papers measure approximately 14.2 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.
Scope and Content Note:
The Aline and Eero Saarinen papers measure approximately 14.2 linear feet and date from 1906 to 1977. The bulk of the collection consists of Aline Saarinen's papers which document her relationship with her husband Eero Saarinen and other aspects of their personal lives, as well as Aline's work as an art and architectural critic, author, and television correspondent. Papers include research files for published and planned books (in which can be found scattered original letters of Stanford White, John Quinn and Edward Root) and other projects, NBC correspondent files, writings, committee files, correspondence, photographs, printed material, and miscellaneous personal papers.

The portion of the collection relating to personal aspects of Aline and Eero Saarinen's lives consists of: Aline Saarinen's diary, guest book, notebooks, personal writings, biographical material, awards and honorary degrees; scattered papers of Eero Saarinen, including biographical material, drawings of furniture designs, various sketches and drawings, and some project timelines and notes; correspondence between Aline and Eero Saarinen (the bulk of which dates from the year they met and married), as well as general and family correspondence received by Aline Saarinen and some miscellaneous and personal correspondence of Eero Saarinen; printed material, mostly clippings, documenting aspects of the life, work, and achievements of both Aline and Eero Saarinen; and photographs, including ones of Aline Saarinen, Eero Saarinen, Aline and Eero Saarinen together, and family members, as well as ones from various trips and of various residences, and various slides.

The bulk of the collection consists of material, including research and writing files, NBC correspondent files, and committee files, stemming from Aline Saarinen's various professional activities. Writings include manuscripts, typescripts, notes, notecards, and clippings of Aline Saarinen's various articles, lectures and speeches on art and architecture, scripts for television, creative and college writing. Research files include material for Saarinen's published book on art collectors, The Proud Possessors, and her planned, but never completed, biography of the architect, Stanford White. Research material for The Proud Possessors includes files of notes, manuscripts, correspondence, photographs and printed material on art collectors, and related material such as scrapbooks of correspondence and clippings in response to the book. Files also include scattered original material, such as correspondence and photographs, belonging to the collectors, John Quinn and Edward Root. Research material on Stanford White includes correspondence, notebooks, writings, printed material, photographs, and copies of architectural drawings. Also found is scattered original material belonging to Bessie White, Stanford White, and the firm of McKim, Mead and White. NBC material consists of files, including correspondence, printed material, notes, scripts, motion picture films and video transfers, and photographs, kept by Aline Saarinen while working as a television correspondent. Also found are miscellaneous research files on artists that may relate to television or other projects and files stemming from her involvement in various arts-related and other committees.
Arrangement:
The collection is arranged into two series:

Missing Title

Series 1: Aline and Eero Saarinen Personal Papers, 1928-1977 (Boxes 1-4, 15, OV 16; 3.7 linear feet)

Series 2: Aline Saarinen Professional Papers, 1906-1969 (Boxes 4-15, OV 16, FC 17-18; 10 linear feet)
Biographical Note:
Aline Bernstein Saarinen was born on March 25, 1914 in New York City. She attended Vassar College, where she took art courses and became interested in journalism, and graduated with a B.A. in 1935. She went on to receive her M.A. in the history of architecture from the Institute of Fine Arts at New York University in 1941. She married Joseph H. Louchheim in 1935, and they had two sons, Donald and Harry (or Hal). They divorced in 1951.

Aline joined the staff of Art News Magazine in 1944 and served as managing editor from 1946 to 1948. She edited and provided commentary for the book, 5000 Years of Art in Western Civilization, which was published in 1946. She served as associate art editor and critic at The New York Times from 1948 to 1953 and then as associate art critic from 1954 to 1959. She received awards for her newspaper work, including the International Award for Best Foreign Criticism at the Venice Biennale in 1951, the Frank Jewett Mather Award for best newspaper art criticism in 1953, and the American Federation of Arts Award for best newspaper criticism in 1956.

In 1953, Aline interviewed the architect Eero Saarinen for an article. Eero was born in 1910 in Kirkkonummi, Finland, and received his B.F.A. in Architecture from Yale University in 1934. He began work as an architect in his father Eliel Saarinen's firm and went on to start his own firm, Eero Saarinen and Associates. Among his best-known works are the Gateway Arch in St. Louis, Missouri, the Trans World Air Lines Terminal Building at John F. Kennedy Airport in New York, and Dulles International Airport in Chantilly, Virginia.

Aline and Eero became romantically involved shortly after they met and were married in December 1953. The following year, they had a son, Eames (named after Eero's friend, the designer and architect Charles Eames). After their marriage, Aline relocated to Bloomfield Hills, Michigan, where she continued to work as associate art critic for The New York Times and where she served as Director of Information Service in the office of Eero Saarinen and Associates (from 1954 to 1963).

In 1957, she received a Guggenheim Fellowship to work on a book about major American art collectors, The Proud Possessors, which was published by Random House in 1958. Thereafter, she began work on a biography of the architect, Stanford White, also for Random House; this work continued for several years, but the book was never completed. Over the years, she wrote numerous freelance articles on art, architecture, socio-cultural history, travel, and theater for magazines such as Atlantic Monthly, Vogue, Saturday Review of Literature, Reader's Digest, and Cosmopolitan.

After Eero's sudden death in 1961, Aline edited the book, Eero Saarinen on His Work (1962). She then embarked upon a new career in television, appearing on shows such as "Today" and "Sunday" where she reported on manners, morals, culture, and the arts, and eventually becoming, in 1964, an NBC News correspondent for such shows as "The Huntley-Brinkley Report" and "The Frank McGee Report" in addition to the shows on which she was already appearing. In 1971, she was appointed chief of the NBC News Paris Bureau, becoming the first woman to hold such a position in television.

In the 1960s, Aline served on various arts-related committees, including the Design Advisory Committee of the Federal Aviation Administration, the Fine Arts Commission, and the New York State Council of the Arts. She received honorary degrees from the University of Michigan in 1964 and Russell Sage College in 1967.

Aline Saarinen died from a brain tumor on July 13, 1972.

This biographical notes draws from the one on Aline Bernstein Saarinen by Seymour Brody in Jewish Heroes and Heroines of America: 150 True Stories of American Jewish Heroism, and from the one on Eero Saarinen in the Guide to the Eero Saarinen Collection at Yale University Library.
Related Material:
Also found in the Archives are: the Museum of Modern Art exhibition correspondence concerning Eero Saarinen, 1958-1959; the Lily Swann Saarinen papers, 1924-1974; an oral history interview with Lily Swann Saarinen, 1979-1981; and an oral history interview on Aline Saarinen with Charles Alan, 1973 February 17.

Other related material includes: Eero Saarinen Collection, Manuscripts and Archives, Yale University Library.
Separated Material:
Two exhibition catalogs and various clippings that were donated as part of the collection were transferred to the Smithsonian American Art Museum Library in 1981.
Provenance:
The Aline and Eero Saarinen papers were donated in 1973 by Charles Alan, Aline Saarinen's brother and executor of her estate, and microfilmed. In 1966 five photographs of Eliel Saarinen's home in Helsinki, Finland were donated by Florence Davis and were subsequently integrated into the collection. The NBC material was donated in 1974 by NBC Studios via Charles Alan. Additional material, which had originally been donated to the Parrish Museum by Aline Saarinen, was donated to the Archives in 1991 by the Museum.
Restrictions:
The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Rights:
NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Architectural historians -- Michigan  Search this
Topic:
Architecture -- United States  Search this
Architects -- Michigan -- Bloomfield Hills  Search this
Art -- Collectors and collecting -- United States  Search this
Women architectural critics  Search this
Women art critics  Search this
Women art historians  Search this
Genre/Form:
Photographs
Motion pictures (visual works)
Sound recordings
Interviews
Citation:
Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saaralin
See more items in:
Aline and Eero Saarinen papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ab34d23d-c985-4fd3-a40e-682175cb4a4d
EDAN-URL:
ead_collection:sova-aaa-saaralin
Online Media:

Correspondence

Collection Creator:
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Type:
Archival materials
Date:
1936-1970
Scope and Contents note:
Subseries consists of correspondence between Aline and Eero Saarinen, general and family correspondence received by Aline Saarinen, and some miscellaneous correspondence received by Eero Saarinen. Also found are some personal letters of Eero Saarinen detailing the demise of his marriage to his first wife (Lily Swann Saarinen) which seem to have been written as part of undergoing psychotherapy and are addressed to his psychiatrist, "Dr. B", as well as a letter ending his relationship to a woman named Sampe, which may be a draft or a copy, though it is unclear whether the letter was ever actually sent.

Correspondence between Aline and Eero Saarinen primarily dates from 1953, the year they met and married. Their correspondence documents the evolution of their relationship from time they met when Aline interviewed Eero for an article for The New York Times to Eero's divorce and their subsequent remarriage to each other. Also included are homemade birthday cards from Aline to Eero (of particular note is the one from 1953 which details the history of their romance). In addition to relationship matters, their correspondence typically concerns Aline's article on Eero, Eero's architectural projects (or as he puts it, "what goes on in my mind about work"), a forthcoming speech of his in Cleveland on which Aline assisted him, Aline's articles, Eero's divorce proceedings, their future plans, and sculpture for one of Eero's buildings. By and large, their correspondence from 1953 is undated according to month or day. Therefore, letters from that year are only arranged in rough chronological order.

Aline Saarinen's general correspondence includes letters from friends, editors, her literary agent, lawyers, architects and designers, writers, government and university departments, political figures, and television producers, concerning articles, book ideas, dedication of Saarinen buildings, patents for Saarinen furniture designs, television shows, and committee work, among other matters. Correspondents include: Meyer Schapiro, Charles Eames, Louise Mendelsohn, Wayne Andrews, Hoke Norris, Hiram Haydn, Donald S. Klopfer, Bernice Cozzens, Lincoln Kirstein, The New York Times, James Gould Cozzens, J. Irwin Miller, Dwight D. Eisenhower (?), McCall's, Henry Dreyfuss, Lyndon B. Johnson, New York State Department, Russell Sage College, U.S. Department of Interior, Lady Bird Johnson, Nelson Rockefeller, and Wolf Von Eckhardt. General correspondence is typically arranged in chronological order. More extensive correspondence from Clifford Odets (which includes some drawings by Odets) and Frank Lloyd Wright (which concerns the Guggenheim Museum) is arranged into files according to correspondent.

Eero Saarinen's miscellaneous correspondence includes copy of a letter to Huntington Hartford concerning the relationship between architecture and nature, and letters to and from S. Giedion regarding a plan for an International Exhibition of Modern Architecture, in addition to other scattered letters and the personal letters detailing his relationships with Lily and Sampe. Some or all of these letters may have been ones that Eero shared with Aline, which may be how they came to be amongst her papers.

Family correspondence is comprised mainly of letters from Aline Saarinen's first husband, Joseph Louchheim, when he was working in Liberia for two months in 1949, and from her two sons from her first marriage, Donald and Hal Louchheim. Also found are individual letters to Eero's son from his first marriage, Eric, and from their son, Eames.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.saaralin, Subseries 1.2
See more items in:
Aline and Eero Saarinen papers
Aline and Eero Saarinen papers / Series 1: Aline and Eero Saarinen Personal Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw985887299-4fbc-469c-b9e1-17969ff7da6e
EDAN-URL:
ead_component:sova-aaa-saaralin-ref49

Premier Sketch Book, 7th grade art, section 2 (Queen Anne School)

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Collection Creator:
Quinn, Terry (photographer)  Search this
Container:
Box 69, Folder 5
Type:
Archival materials
Date:
1971-1972
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.7: Robinson, Jr., Franklin A., / 2.7.4: Schooling
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86733ee6c-92b0-474e-9f97-8e194f14d85a
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref1598

Diary

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Collection Creator:
Quinn, Terry (photographer)  Search this
Container:
Box 39, Folder 11
Type:
Archival materials
Date:
1950
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.6: Robinson, Franklin A. / 2.6.1: Correspondence, diaries, personal ephemera
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c69fd212-5fa6-426e-8f82-ac71a4266346
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref167
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School art project

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Collection Creator:
Quinn, Terry (photographer)  Search this
Container:
Box 34, Folder 6
Type:
Archival materials
Date:
1972
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 2: Robinson Family / 2.7: Robinson, Jr., Franklin A., / 2.7.4: Schooling
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8d9967137-f23c-449d-b745-40b6c7a89258
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref204

Stained Glass Color Art, "Nativity"

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Collection Creator:
Quinn, Terry (photographer)  Search this
Container:
Box 46, Folder 7
Type:
Archival materials
Date:
1960
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 5: Via Family / 5.5: Robinson, Adina Mae
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep89222d614-852b-48a1-9df9-b73d61ee9f2b
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref305

Stained Glass Color Art, "Nativity"

Collection Collector:
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Collection Creator:
Quinn, Terry (photographer)  Search this
Container:
Box 46, Folder 6
Type:
Archival materials
Date:
1960
Collection Restrictions:
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
The Robinson and Via Family Papers, Archives Center, National Museum of American History
See more items in:
Robinson and Via Family Papers
Robinson and Via Family Papers / Series 5: Via Family / 5.5: Robinson, Adina Mae
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep871a42049-a744-4cb9-bbb0-f8130d616ddc
EDAN-URL:
ead_component:sova-nmah-ac-0475-ref306

Division of Transportation Railroad Reference Files

Collector:
Watkins, J. Elfreth (John Elfreth), 1852-1903  Search this
National Museum of American History (U.S.). Division of Transportation  Search this
Creator:
White, John H., 1933-  Search this
Names:
Baltimore and Ohio Railroad Company  Search this
Pullman Railroad Company  Search this
Extent:
31.33 Cubic feet (94 boxes)
Type:
Collection descriptions
Archival materials
Articles
Color slides
Copy prints
Correspondence
Ephemera
Magazines (periodicals)
Manuscripts
Negatives
Newsclippings
Patents
Photocopies
Photographs
Research
Stereographs
Writings
Date:
1830s-1990
Scope and Contents:
The archivist has arranged the collection into seven series. The collections consists of original photographs, brochures, advertisements, correspondence, and trade literature as wells as photcopies of same and assembled by John White for many of his books about railroads.

Series 1: Car Builders, arranged alphabetically by company or individual.

Series 2: Equipment, Rolling Stock, arranged in two sections: alphabetically by White's heading: Articles in Progress and alphabetical by type of railroad car under White's heading: Research Files for Book in Progress.

Series 3: Locomotives, arranged alphabetically by Locomotive builders in two sections, first by individual company and second by individuals.

Series 4: Railroad Companies and Lines, arranged alphabetically by railroad companies and railroad lines.

Series 5: Publications, White's files for his book The American Railroad Freight Car, which are arranged into two sections, Illustrations and Text. Both sections are arranged numerically by chapters or sections of the book.

Series 6: Freight Cars

Series 7: Passenger Cars
Arrangement:
The collection is divided into seven series. Most material arranged alphabetically and then chronologically.

Series 1: Car Builders

Series 2: Equipment--Rolling Stock

Subseries 2.1: Articles in progress

Subseries 2.2: Research Files for Books in Progress

Series 3: Locomotives

Series 4: Railroad Companies and Lines

Series 5: Publications

Series 6: Freights Cars

Series 7; Passenger Cars
Historical:
John H. White, Jr., (1933- ), historian and museum curator, was born in Cincinnati, Ohio. He graduated with a B.A. in history from Miami University, Ohio, in 1958. Shortly after receiving his degree, White joined the staff of the Smithsonian Institution as Assistant Curator of the Division of Transportation, Department of Science and Technology, National Museum of History and Technology (NMHT). White became Associate Curator of the Division, 1961-1966, Curator, 1967-1985, and Senior Historian, 1986-1989. White specialized in land transportation, particularly the history of railroads. He retired in 1990. His papers, the John H. White, Jr., Papers, circa 1959-1989 are at the Smithsonian Institution Archives.

This collection of railroad materials was begun many years ago by employees of the Smithsonian Institution, and maintained later by curators and museum specialists working in the Division of Transportation, NMHT, later named the National Museum of American History (NMAH).

Some of the clippings date back to the time of J. Elfreth Watkins in the 1880-1890s. In 1885 Watkins was appointed Curator of the Section of Steam Transportation, which was successively known as Transportation and Engineering, and Technological Collections. Other portions of White's collection were clearly from Carl Mitman, author of several hundred entries on inventors and engineers in the Dictionary of American Biography and a Smithsonian employee who served as Curator of Mechanical Technology in 1919. In 1921 Mitman took the title of Curator of the Divisions of Mineral and Mechanical Technology, serving in this capacity until 1931. In 1931 the Division of Engineering was established. Mitman served as Curator of the Division and in charge of Mineral Technology, 1931-1938, Head Curator of the Department of Arts and Industries, 1932-1938, and Head Curator of the Department of Engineering and Industries, 1938-1948.

Some portions of this collection were acquired under the time of Frank A. Taylor (Mitman's protégé) who was Assistant Curator, 1928-1931, Assistant Curator for Mechanical Technology, 1932, Curator of the Division and in charge of Mechanical Technology, 1932-1948, Head Curator of the Division of Engineering and Industry, 1948-1957. In 1955 Taylor was appointed Assistant Director, United States National Museum (USNM), with special responsibility for planning the new NMHT, and in 1958 was appointed the first Director of the new museum. In 1962 Taylor became Director of the USNM with responsibility for both the National Museum of Natural History and NMHT.

Smith Hempstone Oliver of the Division of Transportation also kept up the files to a degree, though his main interest was in automobiles.

When White started employment at the Museum in June, 1958, there were, perhaps, two file cabinets on railroads. As Mr. White mentions in a letter to the archivist in March of 2002, "It was and is a great mix of odds and ends -- photos, news clippings, small prints, manufacturing catalogs, post cards, etc. Some junk and some treasure."

White found the material very useful for research and greatly expanded the collection. It more than doubled in size during his years in the Division, 1958-1990. The collection was White's working file and was set up to meet his needs. According to White, the collections greatest lack was cross referencing -- which was mostly in his head. He could usually find things but the organization might be confusing to other users. It was not intended for public use.

White is the author of many books on railroads, including:

American Locomotives: An Engineering History, 1830-1880. Baltimore: Johns Hopkins Press, 1968; 1997.

Early American Locomotives, with 147 engraving. New York: Dover Publications, 1972.

American Single Locomotives and the "Pioneer". Washington: Smithsonian Institution Press, 1973.

The Pioneer, Chicago's First Locomotive. Chicago: Chicago Historical Society, 1976.

The American Railroad Passenger Car. Baltimore: Johns Hopkins University Press, 1978.

The John Bull, 150 Years a Locomotive. Washington, D.C.: Smithsonian Institution Press, 1981.

A Short History of American Locomotive Builders in the Steam Era. Washington, D.C.: Bass, 1982.

Great Yellow Fleet: A History of American Railroad Refrigerator Cars. Golden West Books, 1986

The American Railroad Freight Car: From the Wood-Car Era to the Coming of Steel. Baltimore: Johns Hopkins University Press, 1993.
Provenance:
Collection materials donated by Jack White in 1995.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Electric railroads  Search this
Freight cars  Search this
Locomotives  Search this
Porters  Search this
Railroads -- History  Search this
Railroad car builders  Search this
Railroad companies  Search this
Railroad passenger cars  Search this
Transportation  Search this
Genre/Form:
Articles
Color slides
Copy prints
Correspondence
Ephemera
Magazines (periodicals)
Manuscripts
Negatives
Newsclippings
Patents
Photocopies
Photographs -- 19th century
Photographs -- 20th century
Research
Stereographs
Writings
Citation:
Division of Transportation Railroad Reference Files, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0523
See more items in:
Division of Transportation Railroad Reference Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83b50b7ee-ab37-4b18-b17c-cffb2543738e
EDAN-URL:
ead_collection:sova-nmah-ac-0523
Online Media:

Arthur B. "Art" Guntner Naval Air Development Center Collection

Names:
Glenn, John Herschel, Jr., 1921-2016  Search this
Grissom, Virgil I.  Search this
Schirra, Wally  Search this
Shepard, Alan B. (Alan Bartlett), 1923-1998  Search this
Extent:
0.05 Cubic feet
0.058 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
1960 - 1964
2011
Summary:
Photographs of Naval Corpsman Arthur B. "Art" Guntner and his career working with the Johnsville Centrifuge at the Aviation Medical Acceleration Laboratory of the Navy Air Development Center Warminster. Capable of generating 40Gs, the Centrifuge was used throughout the early American space program for many different scientific simulations and experiments purposes including as a part of the training of every Mercury, Gemini, and Apollo astronaut.
Scope and Contents:
This collection consists of 42 digital images of photographs and a few other materials relating to Arthur B. "Art" Guntner's time as an Aerospace Medicine Technician at the Naval Air Development Center in Johnsville, Pennsylvania. Black and white photographs show Guntner as well as other U.S. Navy personnel at work with particular emphasis on the centrifuge. Several astronauts appear in photographs including Alan B. Shepard, Jr., John Herschel Glenn, Jr., and Virgil Ivan "Gus" Grissom. Some images, likely scans of scrapbook pages, contain Project Mercury postage stamps and news clippings about Guntner.

Also included in this collection are promotional materials for the Johnsville Centrifuge and Science Museum from 2011.
Arrangement:
Arranged by material type.
Biographical / Historical:
Born and raised in the mining town of Morgantown, West Virginia, Arthur B. "Art" Guntner joined the Navy in 1958 and graduated from Aerospace Medicine School in 1960. Immediately after graduation, he began as an Aerospace Medicine Technician assigned to the Aviation Medical Acceleration Laboratory at the Johnsville Naval Air Development Center.

U.S. Navy's Johnsville Naval Air Development Center (NADC) in Warminster, Pennsylvania was home to 30 different laboratories in the 1950s and 1960s. In the Aviation Medical Acceleration Laboratory, the largest human centrifuge was constructed from 1947 to 1949 and operated in researching the limits of human tolerance for "G" forces. By late 1959, training and research focused on preparing the first Americans for space flight.

Given their full schedules, the Mercury astronauts weren't present for early runs or "flights" on the centrifuge. Younger staff members, therefore, served as the test subjects for the initial simulations. While working at Johnsville, Guntner flew over 350 flights in the centrifuge, tested the design of G-suits, and participated in many other classified experiments. He was personally involved in the briefing and training of the Mercury astronauts.
Provenance:
Art Guntner, Gift, 2011, 2011.0037
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Space flight  Search this
Air pilots  Search this
Space suits  Search this
Aviation medicine  Search this
Naval aviation  Search this
Citation:
Arthur B. "Art" Guntner Naval Air Development Center Collection, Acc. 2011.0037, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2011.0037
See more items in:
Arthur B. "Art" Guntner Naval Air Development Center Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg24b2c8071-6b96-491a-894f-e6fa9004fdcf
EDAN-URL:
ead_collection:sova-nasm-2011-0037
Online Media:

Photographs

Type:
Archival materials
Date:
1960-1964
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur B. "Art" Guntner Naval Air Development Center Collection, Acc. 2011.0037, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur B. "Art" Guntner Naval Air Development Center Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2f9c90d8f-4a09-4918-8fcd-679292bd26ff
EDAN-URL:
ead_component:sova-nasm-2011-0037-ref1

Johnsville Centrifuge and Science Museum materials

Type:
Archival materials
Date:
2011
Scope and Contents:
Materials related to the Johnsville Centrifuge and Science Museum include two copies of their pamphlet as well as information, a purchase form, and a poster associated to their Second Annual Spring Gala, which was held in May 2011.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Arthur B. "Art" Guntner Naval Air Development Center Collection, Acc. 2011.0037, National Air and Space Museum, Smithsonian Institution.
See more items in:
Arthur B. "Art" Guntner Naval Air Development Center Collection
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg22f4ccc06-8d58-41ea-9bc9-0ff7c064828f
EDAN-URL:
ead_component:sova-nasm-2011-0037-ref2

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