Search Results

Creator:

Orchard, William C.  Search this

Museum of the American Indian, Heye Foundation  Search this

Names:

San Carlos Apache Tribe  Search this

Extent:

27 Negatives (photographic) (black and white)

324 Photographic prints (black and white)

34 Lantern slides (color)

Culture:

White Mountain Apache  Search this

Diné (Navajo)  Search this

A:shiwi (Zuni)  Search this

San Carlos Apache  Search this

White Mountain Apache  Search this

Hopi Pueblo  Search this

Ute  Search this

Isleta Pueblo  Search this

Sac and Fox (Sauk & Fox)  Search this

Laguna Pueblo  Search this

Apatohsipipiikani (Northern Piegan)  Search this

Seminole  Search this

Ohkay Owingeh (San Juan Pueblo)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Maidu  Search this

Wixarika (Huichol)  Search this

Acoma Pueblo  Search this

Taos Pueblo  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Photographic prints

Lantern slides

Photographs

Black-and-white negatives

Place:

Colorado

San Juan Pueblo (N.M.)

New Mexico

Arizona

Date:

circa 1899-1937

bulk 1900-1902

Summary:

The majority of the images are individual and group portraits of Southwestern tribes, photographed between 1900-1902, including Laguna Pueblo, Hopi Pueblo, Zuni Pueblo, Taos Pueblo, San Juan Pueblo, White Mountain Apache, Ute, San Carlos Apache, and Navajo Indians.

Scope and Contents:

The Orchard collection consists overwhelmingly of informal single and group portraits made by Orchard in 1900 and 1902 of Diné (Navajo), Hopi Pueblo, Laguna Pueblo, A:shiwi (Zuni), and White Mountain Apache men and women. Among these are photographs of Native children standing before agency schools. In addition, there are informal single and group portraits of Jemez Pueblo, Isleta Pueblo, Ute, Uintah, San Carlos Apache, and Ohkey Owingeh (San Juan Pueblo) men and women; photographs of Walpi, Zuni, Toas, and Acoma villages; and a few landscape views made in the Rio Grande and Little Colorado River canyons. There are a few portraits of Mohawk men and Sac and Fox women. A few photographs date from 1926 and are of Seminole women performing household duties. There are also a few excavations photographs, including those taken of an 1918 excavation along Spuyten Duyvil Creek in New York. Orchard made the later photographs on behalf of the Museum of the American Indian, Heye Foundation. Some of the negatives are glass plate negatives and others are copy negatives made of the photographs.

Arrangement:

Prints Arranged by print number (P01319, P01678-P01679, P02767-P03191, P03217-P03319, P03217-P03319, P04165, P08369-P08373, P12703-P12706, P28311)

Lantern slides Arranged by image number (L00353-L00354, L00356-L00363, L00367-L00369, L00371-L00376, L00379-L00384, L00386, L00388, L00390-L00392, L00397, L00401-L00402, L00404-L00406, L00408-L00409)

Negatives Arranged by negative number (N03368-N03373, N03762, N11617, N13457-N13460, N13481, N14935, N14939, N14941, N21574, N21600, N35151-N35158, N35162, N37725, N37879)

Biographical/Historical note:

Born in England in the early 1860s, William C. Orchard moved to the United States around 1885. Before working privately for George G. Heye, he briefly held a position at the American Museum of Natural History in New York. After the Museum of the American Indian, Heye Foundation was established in 1916, Orchard became a museum preparator. In this position, he used his considerable artistic gifts to repair and restore specimens and to create models and dioramas for the Museum's exhibits. Orchard also published several books on porcupine-quill and beading techniques. He died in 1948.

Restrictions:

Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.

Rights:

Copyright: National Museum of the American Indian

Genre/Form:

Photographic prints

Lantern slides

Photographs

Black-and-white negatives

Citation:

William C. Orchard collection of photographs, lantern slides and negatives, circa 1899-1937, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).

Identifier:

NMAI.AC.001.020

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4104b2c7f-6a17-462d-98fd-359703ba4c23

EDAN-URL:

ead_collection:sova-nmai-ac-001-020

Creator:

Farber, Joseph C., 1903-  Search this

Names:

National Museum of Natural History (U.S.) -- Exhibitions.  Search this

National Museum of Natural History (U.S.). Department of Anthropology  Search this

Gorman, R. C. (Rudolph Carl), 1932-2005  Search this

Extent:

6,000 Contact prints (circa 6000 contact prints (proof sheets))

6,000 Acetate negatives (circa)

8 Color transparencies

1,000 Items (circa 1000 enlarged prints: silver gelatin (some mounted for exhibition))

Culture:

Arctic peoples  Search this

Pikuni Blackfeet (Piegan)  Search this

Onondaga  Search this

Taos Indians  Search this

Quinault  Search this

Tlingit  Search this

Akimel O'odham (Pima)  Search this

Tewa Pueblos  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southwest, New  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Diné (Navajo)  Search this

Eskimos  Search this

Sioux  Search this

Lummi  Search this

Haida  Search this

Indians of North America -- Plateau  Search this

Kootenai (Kutenai)  Search this

Kiowa  Search this

Mojave (Mohave)  Search this

Miccosukee Seminole (Mikasuki)  Search this

Indians of North America -- Northwest Coast of North America  Search this

Indians of North America -- Northeast  Search this

Niitsitapii (Blackfoot/Blackfeet)  Search this

Chehalis  Search this

Apache  Search this

Athapascan Indians  Search this

Cocopa  Search this

Niuam (Comanche)  Search this

Cherokee  Search this

Indians of North America -- Southern States  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Pueblo  Search this

Acoma Pueblo  Search this

Type:

Collection descriptions

Archival materials

Contact prints

Acetate negatives

Color transparencies

Photographs

Place:

North Carolina

New York

New Mexico

Montana

South Dakota

Oklahoma

Arizona

California

Florida

Minnesota

Alaska

Alberta

Washington (State)

Barrow, Point (Alaska)

Yuma County (Ariz.)

Taos (N.M.)

Date:

circa 1970-1975

Scope and Contents note:

Photographs made as part of Joseph C. Farber's project to document modern NAtive American everyday life. Represented tribes include the Acoma, Apache, Blackfoot, Chehalis, Cherokee, Cheyenne, Chippewa, Cocopa, Dakota, Eskimo, Haida, Kiowa, Kutenai, Lummi, Mohave, Mohawk, Navaho, Northern Athabascan, Onandaga, Pima, Pueblo, Quinalt, Seminole, Taos, Tlingit, and Zuni. Subject coverage is broad and varies from tribe to tribe. Included are portraits, as well as totem poles, carving, weaving, pottery, painitng, landscapes, boats and canoes, ceremonial regalia, camps, classes and vocational training, homes and traditional dwellings, construction projects, rodeos and powwows, dances, industries (including lumber), herding and ranching, agriculture, stores and storefronts, cliff dwellings, parades, crab cleaning, fishing, games, health care, legal processes, music, office work, sewing, vending, and a funeral. There are also photographs of R. C. Gorman (and a letter from Gorman to Farber) and Fritz Shoulder (some in color).

Farber's travels included Alaska (Point Barrow, Dead Horse, Glacier Bay, Haines, Hoona, Hydaberg, Ketchikan, Mount McKinley, Prudhoe Bay, Saxman, and Sitka); Alberta (Blackfeet Reservation); Arizona (Canyon de Chelly, Cocopa Reservation, Flagstaff, Kayenta, Monument Valley, Pima Reservation, Quechan Reservation, Mojave Reservation, and Yuma); California (Alcatraz, Oakland, and San Francisco); Florida (Big Cypress Reservation; Miccosukee Reservation); Minnesota (Minneapolis and Nett Lake); Montana (Northern Cheyenne Reservation); New Mexico (Acoma, Gallup, Navajo Forest, Picuris, Puye, San Ildefonso, Santa Clara, Santa Fe, Taos, San Ildefonso, Santa Clara, and Tesuque); New York (New York City and Onandaga Reservation); North Carolina (Cherokee Reservation); Oklahoma (Anadarko, Apache, Lawton, Stilwell, and Tahlequah); South Dakota (Rosebud and Wounded Knee); and Washington (Lummi Reservation, Nisqually River, Puyallup River, and Quinalt Reservation).

Biographical/Historical note:

Joseph C. Farber (1903-1994) was a successful New York businessman and professional photographer. He studied with Edward Steichen at the New York Camera Club in the 1920s. The prints in this collection resulted from a five-year project that involved travelling to Native communities throughout the United States to document modern Native American life. The project resulted in a book, Native Americans: 500 Years After (1975), as well as exhibits, including one in the National Museum of Natural History in 1976-1977.

Local Call Number(s):

NAA Photo Lot 78-1, NAA ACC 95-3

Location of Other Archival Materials:

Farber's photographs, previously located in Photo Lot 95-3 have been relocated and merged with Photo Lot 78-1. These photographs were also made by Joseph C. Farber and form part of this collection.

The National Museum of American History Archives Center holds the Joseph Farber Papers and Photographs, circa 1962-1990.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Photographs published in Farber's books still under copyright. Reproduction permission from artist's estate.

Topic:

Dwellings  Search this

Vocational education  Search this

Canoes and canoeing  Search this

Boats and boating  Search this

Dance  Search this

Powwows  Search this

Rodeos  Search this

Building  Search this

handicrafts  Search this

Totem poles  Search this

Agriculture  Search this

Livestock  Search this

Genre/Form:

Photographs

Citation:

Photo Lot 78-1, Joseph C. Farber photographs of Native American life, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.PhotoLot.78-1

See more items in:

Joseph C. Farber photographs of Native American life

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw381bc3276-6acf-4c9a-ac8c-9b59ad173f56

EDAN-URL:

ead_collection:sova-naa-photolot-78-1

Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Names:

Geological Survey (U.S.)  Search this

United States. Army  Search this

Buffalo Bill, 1846-1917  Search this

Crook, George, 1829-1890  Search this

Custer, George Armstrong, 1839-1876  Search this

Hickok, Wild Bill, 1837-1876  Search this

Juárez, Benito, 1806-1872  Search this

Kinman, Seth  Search this

Miles, Nelson Appleton, 1839-1925  Search this

Powell, John Wesley, 1834-1902  Search this

Red Cloud, 1822-1909  Search this

Richard, Louis  Search this

Sheridan, Philip Henry, 1831-1888  Search this

Sitting Bull, 1831-1890  Search this

Spotted Tail, 1823-1881  Search this

Photographer:

Barry, D. F. (David Francis), 1854-1934  Search this

Easterly, Thomas M. (Thomas Martin), 1809-1882  Search this

Eaton, E. L. (Edric L.), b. ca. 1836  Search this

Ebell, Adrian J. (Adrian John), 1840-1877  Search this

Gardner, Alexander, 1821-1882  Search this

Hillers, John K., 1843-1925  Search this

Jackson, William Henry, 1843-1942  Search this

M'Clees, Jas. E. (James E.)  Search this

O'Sullivan, Timothy H., 1840-1882  Search this

Pywell, Wm. R. (William Redish), 1843-1886  Search this

Vannerson, Julian, 1827-  Search this

Whitney, Joel E. (Joel Emmons), 1822-1886  Search this

Extent:

4 Tintypes

3 Chromolithographs

3 Lithographs (3 chalk-manner lithographs)

1 Print (photogravure)

118 Pages (Scrapbook)

685 Prints (circa, albumen)

80 Items (circa 80 relief prints (including woodcuts and wood engraving))

30 Items (circa 30 intaglio prints (including etchings and engravings))

Culture:

Apache  Search this

Pueblo  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Cherokee  Search this

Niuam (Comanche)  Search this

Muskogee (Creek)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Fox  Search this

A'aninin (Gros Ventre)  Search this

Kiowa  Search this

Modoc  Search this

Diné (Navajo)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Anishinaabe (Chippewa/Ojibwa)  Search this

Omaha  Search this

Chaticks Si Chaticks (Pawnee)  Search this

Potawatomi  Search this

Indians of North America -- Plateau  Search this

Indians of North America -- Great Basin  Search this

Indians of North America -- Southwest, New  Search this

Ho-Chunk (Winnebago)  Search this

A:shiwi (Zuni)  Search this

Sauk  Search this

Shoshone  Search this

Ute  Search this

Indians of North America -- Great Plains  Search this

Indians of North America -- Southern States  Search this

Indians of North America -- Northeast  Search this

Type:

Collection descriptions

Archival materials

Tintypes

Chromolithographs

Lithographs

Prints

Pages

Photographs

Newspapers

Woodcuts

Place:

Mexico

Taos Pueblo (N.M.)

California

Oregon

Fort Davis (Tex.)

New Mexico

Fort Snelling (Minn.)

Arizona

Texas

San Juan Pueblo (N.M.)

Zuni (N.M.)

Kansas

Colorado

Date:

circa 1863-1900

Summary:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations.

Scope and Contents:

Scrapbook entitled "Our Wild Indians in Peace and War: Surveys, Expeditions, Mining and Scenery of the Great West," compiled by James E. Taylor, possibly as a source for his own illustrations. The album includes photographs (mostly albumen with three tintypes), newsclippings, wood engravings, and lithographs, some of which are reproductions of Taylor's own illustrations and paintings. Photographs depict American Indians, US Army soldiers and scouts, historical sites, forts, and scenery. Some were made on expeditions, including the Hayden and Powell surveys, and created from published stereographs. Many of Taylor's illustrations are signed, and some are inscribed with dates and "N. Y." The scrapbook also includes clippings from newspapers and other written sources relating to illustrations and photographs in the album.

Biographical Note:

James E. Taylor (1839-1901) was an artist-correspondent for Leslie's Illustrated Weekly Newspaper from 1863-1883. Born in Cincinatti, Ohio, he graduated from Notre Dame University by the age of sixteen. Taylor enlisted in the 10th New York Infantry in 1861 and the next year was hired by Leslie's Illustrated newspaper as a "Special Artist" and war correspondent. In 1864 he covered the Shenandoah Valley campaign, and was later one of the illustrator-correspondents at the 1867 treaty negotiations at Medicine Lodge, Kansas. He soon earned the moniker "Indian Artist" because of his vast number of drawings of American Indians. In 1883 Taylor retired from Leslie's to work as a freelance illustrator. Colonel Richard Irving Dodge used Taylor's drawings to illustrate his memoir, "Our Wild Indians: Thirty-three Years' Personal Experience among the Red Men of the Great West" (1882).

Local Call Number(s):

NAA Photo Lot 4605

Related Materials:

The National Anthropolgical Archives holds additional photographs by photographers represented in this collection (including original negatives for some of these prints), particularly in Photo Lot 24, Photo Lot 37, Photo Lot 60, Photo Lot 87.

Additional photographs by Whitney, Gardner, and Barry held in National Anthropological Archives Photo Lot 80-18.

Julian Vannerson and James E. McClees photographs held in National Anthropological Archives Photo Lot 4286.

Pywell photographs held in National Anthropological Archives Photo Lot 4498.

O'Sullivan photographs held in National Anthropological Archives Photo lot 4501.

Additional Hillers photographs held in National Anthropological Archives Photo Lot 83-18 and Photo Lot 87-2N.

Provenance:

Donated or transferred by John Witthoft from the Pennsylvania Historical and Museum Commission, April 14, 1961.

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Topic:

Church buildings  Search this

Mines and mineral resources  Search this

Dance  Search this

White River Massacre, Colo., 1879  Search this

Painting  Search this

Washita Campaign, 1868-1869  Search this

Mormon Church -- History  Search this

Genre/Form:

Photographs

Newspapers

Woodcuts

Tintypes

Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS4605

See more items in:

James E. Taylor scrapbook of the American West

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw33fa281bf-1e72-4f26-ae86-8c8389244b4e

EDAN-URL:

ead_collection:sova-naa-ms4605

Creator:

Curtis, Edward S., 1868-1952  Search this

Names:

Harriman Alaska Expedition (1899)  Search this

Former owner:

Cardozo, Christopher  Search this

Extent:

12.5 Linear feet

Culture:

Acoma Pueblo  Search this

Apache  Search this

Assiniboine (Stoney)  Search this

Niitsitapii (Blackfoot/Blackfeet)  Search this

Sicangu Lakota (Brulé Sioux)  Search this

Tsitsistas/Suhtai (Cheyenne)  Search this

Apsáalooke (Crow/Absaroke)  Search this

Duwamish (Dwamish)  Search this

Hopi Pueblo  Search this

Hupa  Search this

Klamath  Search this

Jicarilla Apache  Search this

Kootenai (Kutenai)  Search this

Kwakwaka'wakw (Kwakiutl)  Search this

Diné (Navajo)  Search this

Oglala Lakota (Oglala Sioux)  Search this

Coast Salish  Search this

Taos Pueblo  Search this

San Ildefonso Pueblo  Search this

Ohkay Owingeh (San Juan Pueblo)  Search this

Wishram  Search this

Type:

Collection descriptions

Archival materials

Date:

circa 1899-1930

Summary:

The collection comprises Edward S. Curtis original and copy negatives, prints, and photogravures relating to the Harriman Alaska Expedition and Curtis's 20 volume publication, the North American Indian (NAI), as well as ephemera and one gold-tone of Fort Lapawi.

Scope and Contents:

The Christopher Cardozo collection of Edward S. Curtis papers and photographs primarily relate to Curtis's opus, the North American Indian, and also the 1899 Harriman Alaska Expedition. Papers in the collection include promotional ephemera for the NAI as well as articles by Curtis and others. Photographic material includes original and copy negatives, prints, two Harriman Alaska Expedition souvenir albums, and one gold-tone of Fort Lapawi.

Arrangement:

The collection is arranged in two series: 1. Papers; and 2. Photographs and photogravures.

Biographical / Historical:

Edward Sherriff Curtis (1868-1952) was an American photographer famous for his photographs of the indigenous peoples of North America. His work was highly influential in shaping a sympathetic yet romantic view of cultures that he and many others believed to be "vanishing." Over the course of 30 years, Curtis visited more than 80 Native American communities and published his photographs and ethnographies in the twenty-volume North American Indian (NAI) (1907-1930).

Curtis was born in Whitewater, Wisconsin, to Ellen and Johnson Curtis in 1868. In about 1874, his family moved to a farm in Cordova, Minnesota. At a young age, Curtis built a camera, and it is possible that he may have worked in a Minneapolis photography studio for a time. In 1887, Curtis and his father moved West and settled on a plot near what is now Port Orchard, Washington, with the rest of the family joining them the following year. When Johnson Curtis died within a month of the family's arrival, 20-year-old Curtis became the head of the family.

In 1891, Curtis moved to Seattle and bought into a photo studio with Rasmus Rothi. Less than a year later, he and Thomas Guptill formed "Curtis and Guptill, Photographers and Photoengravers." The endeavor became a premier portrait studio for Seattle society and found success in photoengraving for many local publications. In 1892, Curtis married Clara Phillips (1874-1932) and in 1893 their son Harold was born (1893-1988), followed by Elizabeth (Beth) (1896-1973), Florence (1899-1987) and Katherine (Billy) (1909-?). Around 1895, Curtis made his first photographs of local Native people, including the daughter of Duwamish chief Seattle: Kickisomlo or "Princess Angeline." Curtis submitted a series of his Native American photographs to the National Photographic Convention, and received an award in the category of "genre studies" for Homeward (later published in volume 9 of the NAI). In 1896, the entire Curtis family moved to Seattle, which included Curtis's mother, his siblings Eva and Asahel, Clara's sisters Susie and Nellie Phillips, and their cousin William Phillips. Most of the household worked in Curtis's studio along with other employees. Curtis became sole proprietor of the studio in 1897, which remained a popular portrait studio but also sold his scenic landscapes and views of the Seattle Area. Curtis also sent his brother Asahel to Alaska and the Yukon to photograph the Klondike Gold Rush, and sold those views as well. Asahel went on to become a well-known photographer in his own right, primarily working in the American Northwest.

Curtis was an avid outdoorsman and joined the Mazamas Club after his first of many climbs of Mount Rainier. On a climb in 1898, Curtis evidently met a group of scientists, including C. Hart Merriam, George Bird Grinnell, and Gifford Pinchot, who had lost their way on the mountain, and led them to safety. This encounter led to an invitation from Merriam for Curtis to accompany a group of over 30 well-known scientists, naturalists, and artists as the official photographer on a maritime expedition to the Alaskan coast. Funded by railroad magnate Edward Harriman, the Harriman Alaska Expedition left Seattle in May of 1899, and returned at the end of July. Curtis made around 5000 photographs during the trip, including photographs of the indigenous peoples they met as well as views of mountains, glaciers, and other natural features. Many of the photographs appeared in the expedition's 14 published volumes of their findings.

In 1900, Curtis accompanied Grinnell to Montana for a Blackfoot Sundance. Here, Curtis made numerous photographs and became interested in the idea of a larger project to document the Native peoples of North America. Almost immediately upon returning from the Sundance, Curtis set off for the Southwest to photograph Puebloan communities. By 1904, Curtis had already held at least one exhibit of his "Indian pictures" and his project to "form a comprehensive and permanent record of all the important tribes of the United States and Alaska that still retain to a considerable degree their primitive customs and traditions" (General Introduction, the NAI) had taken shape and already received some press coverage. With his fieldwork now increasing his absences from home, Curtis hired Adolph Muhr, former assistant to Omaha photographer Frank Rinehart, to help manage the Seattle studio.

In 1904, Curtis was a winner in the Ladies Home Journal "Prettiest Children In America" portrait contest. His photograph of Marie Fischer was selected as one of 112 that would be published and Fischer was one of 12 children selected from the photographs who would have their portrait painted by Walter Russell. Russell and Curtis made an acquaintance while Russell was in Seattle to paint Fischer's portrait, and not long afterwards, Russell contacted Curtis to make photographic studies of Theodore Roosevelt's children for portraits he would paint. Curtis subsequently photographed the entire Roosevelt family, and developed a social connection with the President. Several important outcomes came of this new friendship, including Roosevelt eventually writing the foreword to the NAI, as well as making introductions to influential people.

Key among these introductions was one to wealthy financier John Pierpont Morgan, in 1906. After a brief meeting with Curtis during which he viewed several of Curtis's photographs of Native Americans, Morgan agreed to finance the fieldwork for the NAI project for five years, at $15,000.00 per year. It was up to Curtis to cover publishing and promotion costs, with the publication being sold as a subscription. In return, Morgan would receive 25 sets of the 20-volume publication. The ambitious publication plan outlined 20 volumes of ethnological text, each to be illustrated with 75 photogravure prints made from acid-etched copper plates. Each volume would be accompanied by a companion portfolio of 35 large photogravures. With high-quality papers and fine binding, a set would cost $3000.00. 500 sets were planned. Under Morgan, the North American Indian, Inc. formed as body to administer the monies. Also around this time, Frederick Webb Hodge, Director of the Smithsonian Institution's Bureau of American Ethnology, agreed to edit the publications.

Curtis then began more systematic fieldwork, accompanied by a team of research assistants and Native interpreters. In 1906, Curtis hired William E. Myers, a former journalist, as a field assistant and stenographer. Over the years, Myers became the lead researcher on the project, making enormous contributions in collecting data and possibly doing the bulk of the writing for the first 18 volumes. Upon meeting a new community, Curtis and his team would work on gathering data dealing with all aspects of the community's life, including language, social and political organization, religion, food ways, measures and values, and many other topics. (See box 2 folder 1 in this collection for Curtis's list of topics.) Curtis and his assistants, especially Myers, brought books and papers to the field relating to the tribes they were currently concerned with, and often wrote from the field to anthropologists at the Bureau of American Ethnology and other institutions for information or publications. In addition to fieldnotes and photographs, the team also employed sound recording equipment, making thousands of recordings on wax cylinders. Curtis also often brought a motion picture camera, although few of his films have survived.

The first volume of the NAI was published towards the end of 1907. Already, Curtis was encountering difficulty in finding subscribers to the publication despite great praise in the press and among those who could afford the volumes. Curtis spent progressively more of his time outside the field season promoting the project through lectures and in 1911, presenting his "Picture Musicale"—a lecture illustrated with lantern slides and accompanied by an original musical score—in major cities. After the initial five funded years, only eight of the twenty volumes had been completed. However, Morgan agreed to continue support for the fieldwork and publication continued.

Starting in 1910, Curtis and his team worked among the Kwakwaka'wakw First Nation on Vancouver Island, and in 1913 began to develop a documentary film project featuring the community in Alert Bay. In 1914, Curtis produced the feature-length film, In the Land of the Headhunters. The film showcased an all-indigenous cast and included an original musical score. Screened in New York and Seattle, it received high praise. However after this initial success, it did not receive the attention Curtis had hoped for, and resulted in financial loss.

Meanwhile, Curtis's prolonged absences from home had taken a toll on his marriage and in 1919 Clara and Edward divorced. The Seattle studio was awarded to Clara, and Curtis moved to Los Angeles, opening a photography studio with his daughter Beth and her husband Manford "Mag" Magnuson. Daughters Florence and Katherine came to Los Angeles sometime later. Curtis continued with fieldwork and promotion of the project, and in 1922 volume 12 of the NAI was published. Also in 1922, Curtis was accompanied during the field season in California by his daughter Florence Curtis Graybill, the first time a family member had gone to the field with him since the Curtis children were very small.

Curtis continued to push the project and publications along, yet never without financial struggle and he picked up work in Hollywood as both a still and motion picture photographer. John Pierpont Morgan, Jr., continued to provide funding for the fieldwork in memory of his father, but with the various financial upsets of the 1910s and 1920s, Curtis had a difficult time getting subscribers on board. In 1926, Myers, feeling the strain, regretfully resigned after the completion of volume 18. Anthropologist Frank Speck recommended Stewart Eastwood, a recent graduate from the University of Pennsylvania, to replace Myers as ethnologist for the final two volumes.

In 1927, Curtis and his team, along with his daughter Beth Curtis Magnuson, headed north from Seattle to Alaska and Canada on a final field season. Harsh weather and a hip injury made the trip difficult for Curtis, but he was very satisfied with the season's work. The party returned to Seattle, and upon arrival Curtis was arrested for unpaid alimony. He returned exhausted to Los Angeles, and in 1930 the final two volumes of NAI were published without fanfare. Curtis spent the next two years recovering from physical and mental exhaustion. Beth and Mag continued to run the Curtis studio in LA, but for the most part, Curtis had set down his camera for good. With the NAI behind him and his health recovered, Curtis pursued various interests and employment, eventually, settling down on a farm outside Los Angeles. he later moved in with Beth and Mag. Curtis died at home in 1952.

Sources Cited Davis, Barbara. Edward S. Curtis: the life and times of a shadowcatcher. San Francisco: Chronicle Books, 1984. Gidley, Mick. The North American Indian, Incorporated. New York: Cambridge University Press, 1998.

Christopher Cardozo (1948-2021) was a major collector and dealer in Edward S. Curtis photography.

Related Materials:

The National Anthropological Archives holds additional Curtis papers and photographs in NAA.2010-28, the Edward S. Curtis papers and photographs, MS 2000-18, the Edward Curtis investigation of the battle of Little Bighorn and Photo Lot 59, the Library of Congress copyright prints collection.

The Archives of Traditional Music at Indiana University holds Curtis's wax cylinder audio recordings from 1907-1913.

The Braun Research Library at the Autry Museum of the American West holds the Frederick Webb Hodge papers (1888-1931), which contain substantial correspondence from Curtis. The Braun also holds a small amount of Curtis papers and photographs, including some of Curtis's cyanotypes.

The Getty Research Institute holds the Edward S. Curtis papers (1900-1978), which include the original manuscript scores for the Curtis Picture Musicale and film In the Land of the Headhunters.

The Palace of the Governors at the New Mexico History Museum holds original Curtis negatives pertaining to the southwest.

The Pierpont Morgan Library holds the Edward S. Curtis papers (1906-1947), which contain the records of the North American Indian, Inc., as well as Curtis's correspondence to librarian, and later library director, Belle Da Costa Greene. The library also holds a large collection of Curtis's lantern slides, used in his Picture Musicale.

The Seattle Public Library holds correspondence of Curtis to Librarian Harriet Leitch (1948-1951), pertaining to his career.

The Seaver Center for Western History Research at the Los Angeles County Museum of Natural History holds collection GC 1143, which contains Curtis's field notes as well as manuscript drafts for the North American Indian.

The Smithsonian's National Museum of the American Indian holds NMAI.AC.080, the Edward S. Curtis photogravure plates and proofs, as well as NMAI.AC.053, the Mary Harriman Rumsey collection of Harriman Alaska Expedition photographs.

The University of Washington Libraries Special Collections holds the Edward S. Curtis papers (1893-1983). Additionally, the Burke Museum holds papers and photographs of Edmund Schwinke, which relate to Curtis's work with the Kwakwaka'wakw community.

Provenance:

The collection was donated to the National Anthropological Archives by Julie Cardozo in 2022.

Restrictions:

Viewing of the photographic negatives requires advance notice and the permission of the Photo Archivist.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Identifier:

NAA.2022-12

See more items in:

Christopher Cardozo Collection of Edward S. Curtis papers and photographs

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw36944a23c-3be7-4086-bab0-4696f3aab866

EDAN-URL:

ead_collection:sova-naa-2022-12

Creator:

Federal Writers' Project (N.M.)  Search this

Names:

United States. Work Projects Administration  Search this

United States. Works Progress Administration  Search this

Extent:

90 Items ((on partial microfilm reel))

Type:

Collection descriptions

Archival materials

Date:

1936-1938

Scope and Contents:

Manuscripts and printed material relating to art in New Mexico, including: articles about Spanish colonial, Indian, and modern art; about the Taos art colony; Vernon Hunter; art in specific cities; biographical data on several New Mexico artists; lists of artists and newspaper clippings.

Biographical / Historical:

The Federal Writers' Project was established in 1935 under Federal Project No. One of the Works Progress Administration (WPA). Its primary objective was to create and provide jobs for the individuals, particularly those of the white collar field, who would have otherwise been left unemployed and destitute. Areas covered on FWP programs include cartography, history, art and a variety of other topics.

Provenance:

Lent for microfilming 1970 by the New Mexico State Records Center.

Restrictions:

The Archives of American art does not own the original papers. Use is limited to the microfilm copy.

Topic:

New Deal, 1933-1939 -- New Mexico  Search this

Federal aid to the arts -- New Mexico  Search this

Function:

Programs (organizations)

Agencies

Identifier:

AAA.fedewrit

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f2d11a8c-ebb7-4bed-9721-35d3691a5313

EDAN-URL:

ead_collection:sova-aaa-fedewrit

Creator:

Ronnebeck, Arnold, 1885-1947  Search this

Names:

Demuth, Charles, 1883-1935  Search this

Hartley, Marsden, 1877-1943  Search this

Luhan, Mabel Dodge, 1879-1962  Search this

Luhan, Tony  Search this

Miller, Kenneth Hayes, 1876-1952  Search this

Ronnebeck, Louise Emerson, 1901-1980  Search this

Stieglitz, Alfred, 1864-1946  Search this

Extent:

4.24 Linear feet

Type:

Collection descriptions

Archival materials

Sketches

Drawings

Scrapbooks

Photographs

Date:

1884-2002

Summary:

The papers of sculptor Arnold Rönnebeck and painter Louise Emerson Ronnebeck measure 4.24 linear feet and date from 1884-2002. The collection contains biographical material, family and professional correspondence, sketches and drawings, writings, a scrapbook, and printed material. There are also numerous photographic prints, copy prints, negatives, and 7 glass plate negatives of the Rönnebecks and their artwork, travels, family, and friends, including Charles Demuth, Marsden Hartley, Alfred Stieglitz, and Tony Luhan.

Scope and Content Note:

The papers of sculptor Arnold Rönnebeck and painter Louise Emerson Ronnebeck measure 4.24 linear feet and date from 1884-2002. The collection contains biographical material, family and professional correspondence, sketches and drawings, writings, a scrapbook, and printed material. There are also numerous photographic prints, copy prints, negatives, and 7 glass plate negatives of the Rönnebecks and their artwork, travels, family, and friends, including Charles Demuth, Marsden Hartley, Alfred Stieglitz, and Tony Luhan.

Biographical materials include articles on the Rönnebecks by Betsy Fahlman, curriculum vitae, and documentation on the Emerson family. Correspondence is primarily between Arnold Rönnebeck to Louise, and also includes letters in German to Arnold's sister Irmgard Rönnebeck. Among the professional and personal correspondence from friends and family to both of the Rönnebecks are letters from Kenneth Hayes Miller to Louise Ronnebeck.

Writings include essay drafts, notes, and poetry by the Rönnebecks, including Arnold Rönnebeck's "Paint-As-You-Go Plan." There is a scrapbook of clippings covering Louise Ronnebeck's work. Additional printed material includes Christmas cards, clippings, and exhibition announcements and catalogs of both the Rönnebecks' work. Artwork consists of drawings and sketches by Arnold Rönnebeck.

Photographic materials include photographs of the Rönnebecks and their travels to Arizona, Colorado, New Mexico, New York, and Europe. The series also contains photos, copy prints, negatives, and 7 glass plate negatives of artist friends, and formal and informal documentation of their works of art and public and private art commissions.

Arrangement:

The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Materials, 1926-2002 (9 folders; Box 1, OV 7)

Series 2: Correspondence, 1909-1998 (0.6 linear feet; Box 1, 5)

Series 3: Writings, 1920-1944 (6 folders; Box 1, 5)

Series 4: Scrapbook, 1926-1966 (1 folder; Box 1)

Series 5: Printed Material, 1923-1999 (0.5 linear feet; Box 1-2)

Series 6: Artwork, 1915-1950 (2 folders; Box 2, 5)

Series 7: Photographic Materials, 1884-1976 (2.6 linear feet; Box 2-6)

Biographical Note:

Sculptor Arnold Rönnebeck (1885-1947) was part of the "Stieglitz circle" and settled in Denver where he served as director of the Denver Art Museum from 1926-1931. Rönnebeck married Louise Emerson (1901-1980) in 1926. Emerson was a painter and muralist who worked on New Deal mural commissions in Colorado and Wyoming.

Arnold Rönnebeck was born in Nassau, Germany and was a noted sculptor and lithographer. From 1905 to 1907, Rönnebeck studied architecture at the Royal Art School in Berlin and spent a year studying sculpture in Munich. In 1908, he moved to Paris where he furthered his studies in sculpture under Aristede Maillol and Emile Bourdelle. From 1914 to 1918, Rönnebeck served as an officer in the German Imperial Army during World War I. In 1923, he emigrated to the United States where he became part of the Stieglitz circle.

In 1925, Rönnebeck visited Mabel Dodge Luhan at her ranch in Taos, New Mexico, where he met his future wife, the painter Louise Emerson, born Mary Louise Harrington Emerson in 1901. After their marriage, the Rönnebecks lived in Denver where Arnold Rönnebeck worked as director of the Denver Art Museum and continued to execute commissioned works, including bas reliefs, portrait busts, and sculptures. He died in Denver, Colorado in 1947. Throughout the 1950s and 1960s, Louise Emerson Ronnebeck continued to receive commissions for frescoes and murals in Colorado and Bermuda and died in Denver, Colorado in 1980.

Related Material:

Correspondence between Arnold Rönnebeck and Alfred Stieglitz and Marsden Hartley is located at the Beinecke Rare Book and Manuscript Library at Yale University.

Provenance:

The papers were donated in 2001 by Ursula Moore Works and Arnold Rönnebeck, the artists' daughter and son.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Sculptors  Search this

Muralists  Search this

Artists -- New Mexico -- Taos  Search this

Portrait sculpture  Search this

Women artists  Search this

Women painters  Search this

Women muralists  Search this

Genre/Form:

Sketches

Drawings

Scrapbooks

Photographs

Citation:

Arnold Rönnebeck and Louise Emerson Ronnebeck papers, 1884-2002. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.ronnarno

See more items in:

Arnold Rönnebeck and Louise Emerson Ronnebeck papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9af8f3567-a8ef-4d33-b31d-bbc2ffda7d66

EDAN-URL:

ead_collection:sova-aaa-ronnarno

Artist:

Vigil, Cleofes  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Phonograph record (analog, 45 rpm, 7 in.)

Culture:

Americans  Search this

Hispanic Americans  Search this

Type:

Archival materials

Phonograph records

Place:

United States

New Mexico

Date:

1961

Local Numbers:

FW-ASCH-45-4490

Taos.3

Publication, Distribution, Etc. (Imprint):

Taos 1961

General:

Program notes on slipcase ; texts, from the New Mexican alabado, by J. B. Rael, Stanford, Stanford University Press, 1951 ([4] p.) inserted.

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only, Missing LP?.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk songs -- United States  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-45-4490

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / 45 RPM

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5efc4706c-5a56-4ad9-91c2-9205da780494

EDAN-URL:

ead_component:sova-cfch-asch-ref18277

Artist:

Fresquez, Adolfo  Search this

Collection Creator:

Asch, Moses  Search this

Distler, Marian, 1919-1964  Search this

Folkways Records  Search this

Extent:

1 Phonograph record (analog, 45 rpm, 7 in.)

Culture:

Americans  Search this

Hispanic Americans  Search this

Type:

Archival materials

Phonograph records

Place:

United States

New Mexico

Local Numbers:

FW-ASCH-45-4491

Taos.4

Publication, Distribution, Etc. (Imprint):

Taos

Restrictions:

Restrictions on access. No duplication allowed listening and viewing for research purposes only.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk songs -- United States  Search this

Collection Citation:

Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ASCH, Item FW-ASCH-45-4491

See more items in:

Moses and Frances Asch Collection

Moses and Frances Asch Collection / Series 9: Audio Recordings / 45 RPM

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk57926546b-9698-4d51-ac66-d40e862555de

EDAN-URL:

ead_component:sova-cfch-asch-ref18278

Creator:

Millicent Rogers Museum  Search this

Subject:

Wolf, Arthur H.  Search this

Citation:

Millicent Rogers Museum records, 1983-1984. Archives of American Art, Smithsonian Institution.

Topic:

Hispanic American artists  Search this

Hispanic American art  Search this

Latino and Latin American artists  Search this

Theme:

Latino and Latin American  Search this

Art organizations  Search this

Record number:

(DSI-AAA_CollID)5506

(DSI-AAA_SIRISBib)212957

AAA_collcode_millrogm

Theme:

Latino and Latin American

Art organizations

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212957

Creator:

Millicent Rogers Museum  Search this

Names:

Wolf, Arthur H.  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1983-1984

Summary:

The records of the Millicent Roger Museum measure 0.2 linear feet and date from 1983 to 1984. The records consist of two letters, one to and one from Arthur H. Wolf, the museum director, regarding the Hispanic Artists Registry; the registry of Hispanic artists and craftsmen in New Mexico, consisting of questionnaires completed by each artist; magazine and newspaper articles about the registry and about Millicent Rogers.

Scope and Contents:

The records of the Millicent Roger Museum measure 0.2 linear feet and date from 1983 to 1984. The records consist of two letters, one to and one from Arthur Wolf, the museum director, regarding the Hispanic Artists Registry; the registry of Hispanic artists and craftsmen in New Mexico, consisting of questionnaires completed by each artist; magazine and newspaper articles about the registry and about Millicent Rogers.

Arrangement:

The collection is arranged into one series.

Series 1: Millicent Rogers Museum Records, 1983-1984 (0.2 linear feet; Box 1)

Biographical / Historical:

Millicent Rogers Museum is located in Taos, New Mexico, and it was founded in 1956 by Paul Peralta-Ramos. The museum was established as a museum in memory of his mother, Millicent Rogers. The museum collects and exhibits art and artifacts related to the Southwest.

Provenance:

Donated July 1984 by Millicent Rogers Museum through the director Arthur Wolf. Microfilmed as part of AAA's Texas Arts Documentation Project.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Hispanic American artists  Search this

Hispanic American art  Search this

Latino and Latin American artists  Search this

Function:

Art museums -- New Mexico -- Taos

Citation:

Millicent Rogers Museum Records, 1983-1984. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.millrogm

See more items in:

Millicent Rogers Museum records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9cf8cc0a8-4880-4d45-a782-d63e446baa53

EDAN-URL:

ead_collection:sova-aaa-millrogm

Creator:

Adams, Kenneth M.  Search this

United States. Dept. of the Treasury. Section of Fine Arts  Search this

Subject:

Rowan, Edward Beatty  Search this

Jones, Cecil H.  Search this

Public Works of Art Project  Search this

Treasury Relief Art Project  Search this

Federal Art Project  Search this

Place:

United States -- Social conditions -- 1933-1945

United States -- Economic conditions -- 1918-1945

Citation:

Kenneth Miller Adams papers, 1933-1938. Archives of American Art, Smithsonian Institution.

Topic:

Mural painting and decoration -- Kansas  Search this

Mural painting and decoration -- New Mexico  Search this

New Deal, 1933-1939 -- Kansas  Search this

New Deal, 1933-1939 -- New Mexico  Search this

Federal aid to the arts -- Kansas  Search this

Federal aid to the arts -- New Mexico  Search this

Art and state -- Kansas  Search this

Art and state -- New Mexico  Search this

Theme:

New Deal  Search this

Patronage  Search this

Record number:

(DSI-AAA_CollID)5613

(DSI-AAA_SIRISBib)208447

AAA_collcode_adamkenn

Theme:

New Deal

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208447

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 51

Culture:

Taos Indians  Search this

Indians of North America -- Southwest, New  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01602501

NAA MS.MS 4605

OPPS NEG.56583

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

New Mexico -- Taos Pueblo ?

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 51

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw39622bd32-be08-475f-be6e-6cc04e897943

EDAN-URL:

ead_component:sova-naa-ms4605-ref1032

Creator:

Jackson, William Henry  Search this

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 52

Culture:

Taos Indians  Search this

Indians of North America -- Southwest, New  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01602512

NAA MS.MS 4605

OPPS NEG.56582

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

New Mexico -- Taos Pueblo

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 52

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw35bbc37bb-6d17-4340-b02d-c7fcf84a167c

EDAN-URL:

ead_component:sova-naa-ms4605-ref1043

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 39

Culture:

Taos Indians  Search this

Indians of North America -- Southwest, New  Search this

Type:

Archival materials

Photographic prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01601901

NAA MS.MS 4605

OPPS NEG.2241D

Local Note:

Black and white Photoprint on Paper Mount in Album

Place:

New Mexico -- Taos Pueblo ?

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 39

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3c69e7fdf-7dd7-4967-9574-4a54a9a7f414

EDAN-URL:

ead_component:sova-naa-ms4605-ref944

Collector:

Taylor, James E. (Artist)  Search this

Collection Creator:

Taylor, James E., 1839-1901 (artist and collector)  Search this

Extent:

1 Photomechanical print (004 in x 007 in mounted on 014 in x 018 in)

Container:

Volume 1, Page 41

Type:

Archival materials

Photomechanical prints

Photographs

Date:

undated

Local Numbers:

NAA INV.01602001

NAA MS.MS 4605

Local Note:

Black and white Photomechanical Print on Paper Mount in Album

Place:

New Mexico -- Taos Pueblo

Collection Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Collection Rights:

Contact the repository for terms of use.

Genre/Form:

Photographs

Collection Citation:

MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution

See more items in:

James E. Taylor scrapbook of the American West

James E. Taylor scrapbook of the American West / Page 41

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw35cc53fec-9ba2-423e-8626-0b5721d0d994

EDAN-URL:

ead_component:sova-naa-ms4605-ref968

Culture/People:

Non-Indian  Search this

Artist/Maker:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Subject:

Geronimo Sandoval (Piapaxola [Road Star]), Taos Pueblo, ca. 1874-ca. 1935  Search this

Previous owner:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Donor:

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Title:

Geronimo Of Taos

Object Name:

Drawing

Media/Materials:

Paper, graphite

Techniques:

Drawn

Dimensions:

45.2 x 30.3 cm

Object Type:

Painting/Drawing/Print

Place:

Taos; Taos County; New Mexico; USA (inferred)

Catalog Number:

23/3396

Barcode:

233396.000

See related items:

Non-Indian

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws6711bde58-bdf5-40c9-b7bf-6c85be61ab11

EDAN-URL:

edanmdm:NMAI_248543

Culture/People:

Non-Indian  Search this

Artist/Maker:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Previous owner:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Donor:

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Object Name:

Print

Media/Materials:

Paper, ink

Techniques:

Lithographed

Dimensions:

50.4 x 29.3 cm

Object Type:

Painting/Drawing/Print

Place:

Taos; Taos County; New Mexico; USA (inferred)

Catalog Number:

23/3399

Barcode:

233399.000

See related items:

Non-Indian

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws66ce3fc36-f4f9-4d70-bae8-2554a504e7df

EDAN-URL:

edanmdm:NMAI_248546

Culture/People:

Non-Indian  Search this

Artist/Maker:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Previous owner:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Donor:

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Object Name:

Print

Media/Materials:

Paper, ink

Techniques:

Lithographed

Dimensions:

34.4 x 29.1 cm

Object Type:

Painting/Drawing/Print

Place:

Taos; Taos County; New Mexico; USA (inferred)

Catalog Number:

23/3400

Barcode:

233400.000

See related items:

Non-Indian

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws60bfa6c63-1fd3-4dbb-b9a0-17c3bf784393

EDAN-URL:

edanmdm:NMAI_248547

Culture/People:

Non-Indian  Search this

Artist/Maker:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Subject:

Geronimo Sandoval (Piapaxola [Road Star]), Taos Pueblo, ca. 1874-ca. 1935  Search this

Previous owner:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Donor:

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Object Name:

Print

Media/Materials:

Paper, ink

Techniques:

Lithographed

Dimensions:

45.5 x 30.5 cm

Object Type:

Painting/Drawing/Print

Place:

Taos; Taos County; New Mexico; USA (inferred)

Catalog Number:

23/3401

Barcode:

233401.000

See related items:

Non-Indian

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws671437deb-ef75-4390-822a-914064fc0d20

EDAN-URL:

edanmdm:NMAI_248548

Culture/People:

Non-Indian  Search this

Artist/Maker:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Subject:

Geronimo Sandoval (Piapaxola [Road Star]), Taos Pueblo, ca. 1874-ca. 1935  Search this

Previous owner:

Joseph A. Imhof (Joseph Adam Andrew John Imhof), Non-Indian, 1871-1955  Search this

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Donor:

Sarah Imhof (Sarah Ann Elizabeth Russell/Sallie Imhof/Mrs. Joseph A. Imhof), Non-Indian, 1872-1966  Search this

Object Name:

Print

Media/Materials:

Paper, ink

Techniques:

Lithographed

Dimensions:

36 x 26.8 cm

Object Type:

Painting/Drawing/Print

Place:

Taos; Taos County; New Mexico; USA (inferred)

Catalog Number:

23/3402

Barcode:

233402.000

See related items:

Non-Indian

Painting/Drawing/Print

Data Source:

National Museum of the American Indian

GUID:

http://n2t.net/ark:/65665/ws64df4521a-bee0-432c-9a27-4fddc86376ea

EDAN-URL:

edanmdm:NMAI_248549