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Two Non-Native? Men Outside Adobe Structure; Mountain In Distance

Creator:
Jackson, William Henry ?  Search this
Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 53
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01602609

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Mora County /Santa Fe Trail/Wagon Mound
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 53
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3e8eb917e-0912-47e3-96ad-67a3ee4b8ff0
EDAN-URL:
ead_component:sova-naa-ms4605-ref1061
Online Media:

View, from Above, of Town, Showing Masonry Houses, Road, Plowed Fields, Graveyard, and Mountains in Background

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 3
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600106

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 3
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw344b7a168-a698-4bb4-9ca5-17544a7e9032
EDAN-URL:
ead_component:sova-naa-ms4605-ref646
Online Media:

Two Non-Native Men with Burro Carrying Firewood, Outside Brick Buildings; Young Burro Nearby

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (005 in x 008 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 4
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600109

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 4
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3a4504fbf-f993-450f-8f88-afca7261576e
EDAN-URL:
ead_component:sova-naa-ms4605-ref649
Online Media:

Interior of Adobe Church Showing Altar, Religious Statues, Stations of the Cross, and Communion Rail; San Miguel Church

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 4
Culture:
Spanish-American  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600110

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 4
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d91a0550-e295-4795-8606-3610a9561197
EDAN-URL:
ead_component:sova-naa-ms4605-ref650
Online Media:

Group of Men on Roof of Adobe Church with Bell Tower And Broken Glass Windows; San Miguel Church

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 004 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 4
Culture:
Spanish-American  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600115

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 4
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw35a7e17e0-0a63-4147-b7fc-35173a045684
EDAN-URL:
ead_component:sova-naa-ms4605-ref655
Online Media:

Decaying Adobe Church with Bell Tower and Broken Window; Non-Native ? Man in Doorway; San Miguel Church

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 8
Culture:
Spanish-American  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600316

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 8
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3149b1076-288b-4dec-88d2-03b627c0bc23
EDAN-URL:
ead_component:sova-naa-ms4605-ref684
Online Media:

View of Plaza, Showing Bandstand and Stone Monument

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (004 in x 005 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 8
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600317

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 8
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3fbbd5768-c0e7-40f4-b24c-8cc82c013717
EDAN-URL:
ead_component:sova-naa-ms4605-ref685
Online Media:

Group of Men with Team of Burros, Outside the Oldest Adobe House in Santa Fe

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (003 in x 003 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 8
Culture:
Spanish-American  Search this
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01600322

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico -- Santa Fe
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 8
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3b2a68591-c14e-4723-9a9c-f748a4acf22f
EDAN-URL:
ead_component:sova-naa-ms4605-ref690
Online Media:

Painting, by Anthony Kellner ?, of Plan of Santa Fe, Showing State House, Church, Hospital, Pavillion, Other Buildings, River and Man Driving Burros Carrying Wood

Collector:
Taylor, James E. (Artist)  Search this
Collection Creator:
Taylor, James E., 1839-1901 (artist and collector)  Search this
Extent:
1 Photographic print (005 in x 008 in mounted on 014 in x 018 in)
Container:
Volume 1, Page 42
Type:
Archival materials
Photographic prints
Photographs
Date:
undated
Local Numbers:
NAA INV.01602003

NAA MS.MS 4605
Local Note:
Black and white Photoprint on Paper Mount in Album
Place:
New Mexico ? -- Santa Fe ?
Collection Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Collection Citation:
MS 4605, James E. Taylor scrapbook of the American West, National Anthropological Archives, Smithsonian Institution
See more items in:
James E. Taylor scrapbook of the American West
James E. Taylor scrapbook of the American West / Page 42
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw31b2a6068-0ca2-4a0a-9836-f3367ca129d0
EDAN-URL:
ead_component:sova-naa-ms4605-ref970
Online Media:

Bowl

Artist:
Maria Martinez, born San Ildefonso Pueblo, NM 1886-died San Ildefonso Pueblo, NM 1980  Search this
Julian Martinez, born San Ildefonso Pueblo, NM 1879-died San Ildefonso Pueblo, NM 1943  Search this
Medium:
blackware
Dimensions:
6 3/4 x 9 1/2 in. (17.2 x 24.2 cm) diam.
Type:
Decorative Arts-Ceramic
Crafts
Date:
n.d.
Credit Line:
Smithsonian American Art Museum, Gift of International Business Machines Corporation
Object number:
1966.27.14
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Renwick Gallery
On View:
Renwick Gallery, 1st Floor, Room 104
Renwick Gallery, 1st Floor
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk72ddebb60-31ba-4550-bafc-2258ed8bb9de
EDAN-URL:
edanmdm:saam_1966.27.14

Mission Churches Roundabout Old Santa Fe, N.M

Issuing body:
Santa Fe Railroad  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Item (1/2 size; , 92 x 61 cm)
Container:
Map-folder 42
Type:
Archival materials
Place:
United States
Date:
circa 1940
Image:
Photograph of San Francisco De Assisi Mission Church in Taos, New Mexico
Local numbers:
Princeton Poster# 412
General:
Issued by: Santa Fe Railroad

Artist(s): [[null]]
Related Materials:
Duplicates: 411, 412, 413

Condition differs: No
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 4: World War Two / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b804d94e-f136-4bc9-8125-c33282fe163a
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref15167

Mission Churches Roundabout Old Santa Fe, N.M

Issuing body:
Santa Fe Railroad  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Item (1/2 size; , 92 x 61 cm)
Container:
Map-folder 42
Type:
Archival materials
Place:
United States
Date:
circa 1940
Image:
Photograph of San Francisco De Assisi Mission Church in Taos, New Mexico
Local numbers:
Princeton Poster# 413
General:
Issued by: Santa Fe Railroad

Artist(s): [[null]]
Related Materials:
Duplicates: 411, 412, 413

Condition differs: No
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 4: World War Two / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f8e4141f-6e15-4770-b268-11e2c3d10a1e
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref15168

Santa Fe for Dude Ranching in New Mexico, Arizona, Colorado, California

Issuing body:
Santa Fe Railroad  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Item (1/2 size; , 92 x 61 cm)
Container:
Map-folder 42
Type:
Archival materials
Place:
United States
Date:
circa 1940
Local numbers:
Princeton Poster# 409
General:
Issued by: Santa Fe Railroad

Artist(s): [[null]]
Related Materials:
Duplicates: 407, 409, 416

Condition differs: No
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 4: World War Two / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80f2c178e-7687-4722-9975-aafd83d07116
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref15188

Santa Fe for Dude Ranching in New Mexico, Arizona, Colorado, California

Issuing body:
Santa Fe Railroad  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Item (1/2 size; , 92 x 61 cm)
Container:
Map-folder 42
Type:
Archival materials
Place:
United States
Date:
circa 1940
Local numbers:
Princeton Poster# 416
General:
Issued by: Santa Fe Railroad

Artist(s): [[null]]
Related Materials:
Duplicates: 407, 409, 416

Condition differs: No
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 4: World War Two / United States
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8da9febda-fcc0-4f2a-b03a-1f71cf696fe8
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref15189

Cochiti

Creator:
Harrington, John Peabody, 1884-1961  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
1 Boxe
Culture:
Cochiti Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Field notes
Vocabulary
Works of art
Sketches
Place:
Santa Fe (N.M.)
Date:
1909
Scope and Contents:
This subseries of the Southwest series contains John P. Harrington's Cochiti research. His notes on Cochiti are scanty, and they appear to have been collected during the latter half of 1909 when he was working out of Santa Fe, New Mexico, on a fellowship for the School of American Archaeology. The materials consist of vocabulary, ethnographic notes, notes and drafts, and sketches. John Dixon (Juan de Jesus Pancho) provided short general vocabulary and geographic terms. There are also terms for the numbers one to ten in the Santo Domingo dialect. There is also a sizable amount of ethnographic material, principally from his work with Mrs. L. S. Gallup and Marcial Quintana. Mrs. Gallup and Harrington compiled a Cochiti census from an unidentified source dated July 1, 1909. The subseries also contains notes apparently intended for future publication. "The Stone Idols of Cochiti" is in both manuscript and typescript forms and was written at the request of Edgar L. Hewett. A second brief manuscript touches on Cochiti history and language. The few sketches, two in water color and two consisting of rough pencil outlines, include masks and regalia. The artists are not identified.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Keres language  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Ethnology  Search this
Numeration  Search this
Pueblo  Search this
Genre/Form:
Field notes
Vocabulary
Works of art
Sketches
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 4.6
See more items in:
John Peabody Harrington Papers
John Peabody Harrington Papers / Series 4: Native American History, Language, and Culture of the Southwest
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3aef0d7d4-9369-405f-ab0f-211344c5b902
EDAN-URL:
ead_component:sova-naa-1976-95-ref14644

Jemez

Creator:
Harrington, John Peabody, 1884-1961  Search this
Collection Creator:
Harrington, John Peabody, 1884-1961  Search this
Extent:
7 Boxes
Culture:
Jemez Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Field notes
Vocabulary
Sketches
Works of art
Maps
Census records
Narratives
Date:
1909-1910
Scope and Contents:
This subseries of the Southwest series contains Harrington's Jemez research. There is an assortment of notes on vocabulary and grammar, with some ethnographic content as well. Some of the information was provided by Cristino Yeppa, and Juan Pedro Coloque gave placename information (September 26, 1909). The material includes such categories as clans, relationship terms, body parts, material culture, and phenomena. In addition, there are several sketches of figures and houses in color (artist unidentified), a rough map, and nonlinguistic information from L. Miller. Several hunting stories were recorded in Jemez and English. There is also a translation of the Lord's Prayer. The main body of Jemez material consists of two boxes of slips containing a broad mixture of vocabulary, grammar, and sentences, with some general ethnographic information included. The random nature of the notes precludes a specific arrangement. More than half the notes were hand copied by Miss Druel and the copies follow the order of Harrington's original slips. "E" and "S" are mentioned infrequently as sources. A portion of the notes were part of former B.A.E. MS 4679. The subseries also contains census records for Jemez Pueblo that Harrington copied from an unidentified source. Some are copied into a notebook, but the most substantive material is found on annotated pages with detailed ethnographic and linguistic information. Harrington added the individuals' Indian names with translations into English, and tied together family relationships. Field notes indicate that he accumulated this information prior to March 9, 1910.
Biographical / Historical:
John P. Harrington's financial reports and the few dated field notes indicate that he worked at Jemez intermittently between September 1909 and September 1910. Harrington worked primarily with Juan Pedro Coloque and Cristino Yeppa, but the names of others appear in Harrington's expense accounts. One specific session with Coloque took place at the U.S. Indian School in Santa Fe, New Mexico, on September 26, 1909. The local postmaster, L. Miller (or possibly C. Miller), a young man of about eighteen years, provided what sparse nonlinguistic information the notes contain.
Local Numbers:
Accession #1976-95
Restrictions:
No restrictions on access.
Rights:
Contact the repository for terms of use.
Topic:
Jemez language  Search this
Language and languages -- Documentation  Search this
Linguistics  Search this
Ethnology  Search this
Names, Geographical  Search this
Names, Ethnological  Search this
Genre/Form:
Field notes
Vocabulary
Sketches
Works of art
Maps
Census records
Narratives
Collection Citation:
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.

However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
Identifier:
NAA.1976-95, Subseries 4.7
See more items in:
John Peabody Harrington Papers
John Peabody Harrington Papers / Series 4: Native American History, Language, and Culture of the Southwest
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw32ceb8b6d-452c-447e-a3f1-6c39f36582cc
EDAN-URL:
ead_component:sova-naa-1976-95-ref14652
Online Media:

Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Missing Title

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico  Search this
Painters -- New York (State)  Search this
Topic:
Works of art  Search this
Sculptors -- New York (State)  Search this
Function:
Artist colonies -- New York (State)
Artist colonies -- New Mexico
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c161f331-506a-40a4-b904-cdd21bf7f1b8
EDAN-URL:
ead_collection:sova-aaa-dasbandr
Online Media:

Correspondence

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Type:
Archival materials
Date:
circa 1906-1979
Scope and Contents note:
Found here is Andrew Dasburg's extensive correspondence which spans over seventy years, documenting both his personal and professional life. One third of the correspondence is between Dasburg and his first wife, Grace Mott Johnson. most of which was written during their marriage. These candid letters discuss daily activities, social events, travels, including Dasburg's time in Paris in 1910 and trip to Europe in 1914, news of mutual friends, artwork, and problems with their relationship.

Also found is Dasburg's correspondence with his second wife, Nancy Lane around the time of their marriage in 1928, and correspondence with his third wife, Marina Wister Dasburg during the periods that she visited her family in Pennsylvania; most of these letters are written by Marina. Dasburg's correspondence with his son, Alfred, consists of brief letters sharing news of their travels, family, and personal matters.

General correspondence primarily consists of Dasburg's correspondence with other family members, friends, colleagues, scholars, universities, and galleries. Where they exist, Dasburg's outgoing letters are interfiled with letters he received in a chronological arrangement. Dasburg was friends with many artists who, like him, were part of regional art colonies in Taos and Santa Fe, New Mexico, and Woodstock, New York. He also maintained friendships with artists he met in Europe and other travels and at the Art Students' League. Correspondents includes Kenneth Adams, Thomas Hart Benton, George Biddle, Dorothy Brett, Alexander Brook, Lucienne Chinard Clemens, Howard Cook, Russell Cowles, Vida Hunt Francis, Lewis Garrison, Marsden Hartley, Norbert Heerman, Richard Hollander, Lila Wheelock Howard, Charles Kassler, Mary Aubrey Keating, Carl Eric Lindin, Ward Lockwood, Erle Loran, Hayes Lyon, Henry Lee McFee, John Gaw Meem, Loren Mozley, Dickson Reeder, Louis Ribak, Paul Rohland, Alfred Stieglitz, Earl Stroh, Carl Van Vechten, Alice Morgan Wright, and Stanton Macdonald-Wright, among many others. Dasburg also corresponded with many former students including Edwin Gamble, Willard Nash, Alice Naylor, and Earl Stroh. Also found are letters from writers John Howard Griffin, Witter Bynner and Miriam Hapgood De Witt as well as art critics and historians such as Robert M. Coates, Oliver Larkin, and Stanley Lothrop. Dasburg maintained extensive correspondence with close friend, art patron and Taos resident, Mabel Dodge Luhan.

A small amount of correspondence with galleries, universities, museums, curators, and scholars concerns exhibitions, sales, or research. Additional topics found within his correspondence are American Indian rights in New Mexico and his medical treatment for Addison's disease.

See Appendix A for a list of correspondents from Series 1.2.
Appendix A: Correspondents from Series 1.2: Andrew Dasburg Papers, General Correspondence:
Acker, Alice: 1972

Adams, Kenneth M.: 1934, 1937, 1942, 1944, 1945, 1949, 1953, 1958

Adolph and Esther Gottlieb Foundation, Inc.: 1979

Aiello, Stan: 1973

Albuquerque Art Gallery: 1948

Allen, Arthur: 1948

Allen, Robert F.: 1974

American Artist -- : 1977, 1979

Apodaca, Jerry & Clara: 1976-1978

American Federation of Arts: 1946

Artists of the Rockies: 1975, 1976

Atkinson, Carla: 1929, 1933, 1934, 1936, 1938, 1940, 1941

Bakos, Teresa: 1936

Barker, William J.: 1935

Barnouw, A. J.: 1942

Beaudette, Barbara: 1973, 1974

Bell, Larry: 1978

Benjamin, Stanton: 1973

Bennett, Wells: 1953

Benton, Thomas Hart: 1937, 1939

Biddle, George & Constance: 1934-1936, 1938

Blumenschein, Ernest L.: 1951

Bonham, Valeria Langeloth: 1949

Bradenburgh, Beulah A.: 1944

Bradenburgh, Margaret Caspar: 1910, 1941-1949, 1951

Bradenburgh, Mathilda: 1940

Bradley, John H. (Jack): 1934, 1935, 1955

Breithut, Florence: 1952, 1953

Brett, Dorothy: 1934, 1953

Brinig, Myron: 1943

Brook, Alex: 1971, 1972, 1974

Browning, Hattie Louise: 1972

Burkhard, Paul: 1954

Bynner, Witter (Hal): 1934, 1939

Bywaters, Jerry: 1948

Carlin, E. J.: 1940

Carnegie Institute: 1928

Caspar, Angela: 1917

Catron, Fletcher A.: 1947

Chapellier Gallery: 1963

Clark, Henry P.: 1952

Clemens, Lucienne Chinard: 1941-1943, 1945, 1946, 1973, 1977

Coates, Robert M.: 1950

Cook, Howard: 1939, 1950, 1971-1978

Comeau, Martin F.: 1946

Cowles, Russell: 1934

Cramer, Florence Ballin: 1945

Creese, Walter L.: 1949

Crown, Keith: 1973

Cutting, Bronson: 1934

Dasburg, Mrs. Donald: 1962

Dasburg, Margaret (Mother): 1909, 1928-1930, 1934-1939, 1942-1948

Dasburg, Matilda: 1942, 1945, 1946, 1948, 1952

Davenport, Florence: 1941

Davis, Herbert: 1935

Dedrick, Philip: 1953

De Loache, Ben: 1936, 1951

de Schulthess, Mimi: 1954, 1955, 1958

De Witt, Miriam Hapgood: 1972

Diamond, Martin: 1972, 1973

Dietrich, Margretta S.: 1947

Dorman, Teresa & Jo: 1928

Douglass, Ralph: 1953

Dozier, Otis: 1952

Dunne, Brian Boru: 1933

Eastman, Dan: 1928

Eckert, Josephine (Jo): 1941-1943, 1950

Ellis, Bob: 1971

Ellis, Erendira: 1976

Erickson, R. J.: 1953

Erwin, Dorothy Sanford: 1972, 1973, 1977

Etting, Emlen: 1936

Everingham, Mill: 1945

Fergusson, Erna: 1949

Ferren, John: 1931

First National Bank: 1954, 1958

Fisher, Alan: 1953, 1974

Francis, Vida Hunt: 1952, 1953, 1955

Gamble, Ed: 1950-1954, 1959, 1972, 1976, 1977

Gardner, Virginia: 1972-1978

Garrison, Lewis: 1948-1951, 1953

Goodwin, Mary: 1972

Graham, Donald S.: 1971-1976, 1978

Griffin, Mrs. H. S.: 1952-1954

Griffin, John H. (Howard): 1954

Guthrie-Smith, Emily: 1975

Hagerman, H.: 1929, 1933

Hall, Robert M.: 1944, 1945

Hamlin, Mary: 1953

Harper, Pauline: 1950, 1953

Harper, Larry: 1948, 1953

Hartley, Marsden: 1932

Hausner, Eric P.: 1951

Hayes, Marian: 1954

Heerman, Norbert: 1945, 1946

Hollander, Richard (Dick) & Gertrude: 1942, 1945, 1946, 1948, 1952, 1953, 1972-1974, 1976, 1977

Howard, Lila Wheelock: 1910, 1911, 1914, 1932, 1939-1943, 1951, 1957-1967

Humphrey, Robert: 1972

Hurt, Bessie: 1975, 1977

Jackson, Jack T.: 1972

Johnson, Frances H.: 1919

Johnson, Helena McClure: 1954

Johnson, Van Cleve: 1914

Jones, Hester: 1949

Kassler, Charles: 1932, 1935, 1936, 1978

Kearns, John J.: 1928

Keating, Mary Aubrey: 1941, 1944, 1945, 1949

Kerr, Katherine: 1967

Keyes, Walter A.: 1919

King, Clinton: 1934

Kostka, Bob: 1973, 1977

La Farge, Oliver (Gallup Inter-tribal Indian Ceremonial): 1933

Landreth, John: 1974

Larkin, Oliver W.: 1948

Lee, Freddie Dohle: 1914

Lerenby, Frieda: 1973-1976

Light, Gertrude: 1940, 1941

Lindin, Carl Eric: 1937

Linn, Ruth S.: 1973

Lockwood, Ward: 1934, 1937, 1946, 1950, 1952-1954

Loran, Erle: 1938, 1973, 1977

Lothrop, Stanley: 1942

Luhan, Mabel Dodge: 1924, 1928, 1935, 1937-1939, 1947, 1950-1952

Lyon, Hayes: 1936, 1938-1948, 1950, 1953, 1973-1978

M. O'Brien & Son: 1912

Macdonald-Wright, Stanton: 1944

Maclown, Eugene: 1934

Macomb, Edith H.: 1937, 1938, 1945, 1946, 1948, 1949

Mangravite, Peppino: 1938, 1939

McCarty, Jacqueline Quinn: 1972, 1977

McFee, Henry Lee: 1913, 1937-1943, 1945, 1949, 1950, 1952

McKinney, Roland: 1944

Mechau, Frank: 1937, 1943

Meem, John Gaw: 1934, 1953

Merrick, Vaughn: 1946

Miller, Francis: 1947

Modrall, Constance C.: 1974

Mondragon, Joe E. & Lucila: 1937-1940

Montenegro, Enrique: 1948

Montgomery, Arthur: 1950-1952

Morton-Morris, Mattie Sevier: 1949

Mozley, Loren: 1971, 1974, 1976

Museum of New Mexico: 19491976

Nabut, Frances: 1943

Nadejena, Lydia: 1952

Nash, Willard: 1933, 1935

Naylor, Alice: 1941

Nebraska Art Association: 1976

New Mexico Association of Indian Affairs: 1947

Newton, George N.: 1977

Norman, Dorothy: 1949

Oakland Art Gallery: 1943, 1945, 1948

Park, Deborah: 1971, 1973, 1977-1979

Peters, Fritz: 1953

Pijoan, Michel: 1954

Pollock, Duncan: 1974

Posey, Samuel Felton: 1935

Post, Alan: 1952

Putnam, Phelps: 1935

Pyle, William Scott: 1935, 1937

Rayburn, Dorothy: 1976

Reed, Henry M.: 1972

Reeder, Dickson: 1954

Ribak, Louis: 1953, 1954

Rodakiewicz, Henwar: 1936

Rogoway, Marjorie: 1954, 1973

Rohland, Paul & Caroline: 1915, 1949

Ronnebeck, Arnold: 1934

Roswell Museum and Art Center: 1974

Rowntree, Leonard G.: 1938, 1940-1942, 1945, 1950, 1952-1954

Santa Fe Festival of the Arts: 1978-1979

Saunders, Sallie: 1953

Saylor, Jeannette: 1978

Schriever, George (The Anschutz Collection): 1973-1976

Schwalbe, Diana: 1967, 1971, 1975, 1977

Seres, Monique: 1970, 1973

Shearer, Ivy: 1950, 1952, 1953

Shearer, Augustus Hunt (Chuck) & Sally: 1957

Simonson, Lee: 1914

Simonson, Omar: 1914

Slusser, Jean Paul: 1947, 1948

Smith, Judson: 1952, 1953, 1956

Solomon, Hyde: 1972

Sternberg, Edward: 1943

Stieglitz, Alfred: 1931

Stokes, Mrs. Walter (Fanny): 1939-1944

Stroh, Earl: 1948-1950, 1952, 1954

Stuart, John: 1935

Swaine, Ruth: 1945

Swift, Florence Alston: 1928

Swingle, W. W.: 1938, 1940, 1947, 1948

Thompson, Shirley & Les: 1972, 1973

Thompson, Vallie: 1954

Trego, Charlotte: 1971-1978

Trentham, Eugene (Steve): 1940, 1941, 1945

Udell, Susan: 1978

University of Delaware: 1974

University of Kansas Museum of Art: 1973

University of New Mexico: 1958

Van Vechten, Carl: 1924, 1938

Waldrum, Harold, 1971

Walker, Maynard (Walker Galleries): 1941, 1942, 1947

Walker, Bob & Mariella: 1971-1975, 1977

Wardwell, Alice: 1951

Watkins, Franklin: 1938, 1939

Western Gallery of Fine Art: 1974

Western States Arts Foundation: 1978

White, Victor: 1939, 1941, 1943, 1944, 1974, 1977

Whitney Museum of American Art: 1946, 1951, 1963, 1977, 1978

Wiegand, Margarith: 1910

Wilson, Kathy: 1951

Wister, Frances A.: 1940

Wister, Owen: 1933-1936, 1938-1940, 1942, 1948-1952, 1955

Wister, Mrs. W. R.: 1937, 1940

Wolman, Cecil & Leo: 1947, 1949, 1971, 1972, 1974, 1976, 1977

Woodstock Artists Association, Inc.: 1975, 1977

Woodstock Weekly -- : 1924

Wright, Alice Morgan: 1928, 1938

Wurlitzer, Helene: 1954

Yaple, Dixie Lee: 1948
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr, Subseries 1.2
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 1: Andrew Dasburg Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a7c346cb-3dea-463e-9698-976b193cb288
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref34

Correspondence with Grace Mott Johnson

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
circa 1906-1908 June
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 1: Andrew Dasburg Papers / 1.2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b0d35e6f-ae8f-4321-b6db-f30b5c37c2b8
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref35
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Correspondence with Grace Mott Johnson digital asset number 1

Writings by Andrew Dasburg

Collection Creator:
Dasburg, Andrew, 1887-1979  Search this
Container:
Box 5, Folder 20
Type:
Archival materials
Date:
1953, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Andrew Dasburg and Grace Mott Johnson papers / Series 1: Andrew Dasburg Papers / 1.3: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7cdf015-b168-4229-808f-6c669eeaa35b
EDAN-URL:
ead_component:sova-aaa-dasbandr-ref70
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Writings by Andrew Dasburg digital asset number 1

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