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Meet Jaune Quick-To-See Smith

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-03T20:39:07.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_1BtEJqvhosw

Meet Nicholas Herrera

Creator:
Smithsonian American Art Museum  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2012-12-03T20:37:14.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_EhvmYFR0hY0

Empowerment in Puppets: Wise Fool New Mexico

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Interviews
YouTube Videos
Uploaded:
2017-09-05T19:04:26.000Z
YouTube Category:
Travel & Events  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolklife
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolklife
EDAN-URL:
edanmdm:yt_zUFLeHPoRXg

Oral history interview with Bruce Nauman, 1980 May 27-30

Interviewee:
Nauman, Bruce, 1941-  Search this
Interviewer:
De Angelus, Michele D.  Search this
Subject:
Arneson, Robert  Search this
Thiebaud, Wayne  Search this
Zingale, Santos  Search this
Ray, Man  Search this
Wiley, William T.  Search this
Lobdell, Frank  Search this
French, Stephen  Search this
Taylor, Wayne  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Bruce Nauman, 1980 May 27-30. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Sculptors -- New Mexico -- Pecos -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12538
(DSI-AAA_SIRISBib)213041
AAA_collcode_nauman80
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213041
Online Media:

Chuck and Jan Rosenak research material, circa 1938-2008

Creator:
Rosenak, Chuck, 1927-  Search this
Rosenak, Jan, 1930-  Search this
Subject:
Rosenak, Jan  Search this
Type:
Audiotapes
Photographs
Interviews
Slides (photographs)
Citation:
Chuck and Jan Rosenak research material, circa 1938-2008. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Navajo Indians -- Art  Search this
Folk art  Search this
Navajo Indians -- Social life and customs  Search this
Artists -- New Mexico -- Interviews  Search this
Santeros  Search this
Theme:
Latino and Latin American  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)5540
(DSI-AAA_SIRISBib)216437
AAA_collcode_rosechuc
Theme:
Latino and Latin American
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216437
Online Media:

Oral history interview with John Gaw Meem, 1964 Dec. 3

Interviewee:
Meem, John Gaw, 1894-1983  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Public Works of Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Gaw Meem, 1964 Dec. 3. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Architects -- New Mexico -- Santa Fe -- Interviews  Search this
Theme:
Architecture & Design  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12968
(DSI-AAA_SIRISBib)213659
AAA_collcode_meem64
Theme:
Architecture & Design
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213659
Online Media:

Oral history interview with Garth Clark, 2014 September 10

Interviewee:
Clark, Garth, 1947-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Frey, Viola  Search this
Weiwei, Ai  Search this
Viola Frey Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Garth Clark, 2014 September 10. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA_CollID)16205
(DSI-AAA_SIRISBib)368185
AAA_collcode_clark14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_368185
Online Media:

Oral history interview with Jane Sauer, 2005 July 11

Interviewee:
Sauer, Jane, 1937-  Search this
Interviewer:
Smith, Paul J., 1931-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Jane Sauer, 2005 July 11. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Decorative arts  Search this
Gallery owners -- New Mexico  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13052
(DSI-AAA_SIRISBib)254743
AAA_collcode_sauer05
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_254743
Online Media:

Oral history interview with Tom Joyce, 2004 November 18-19

Interviewee:
Joyce, Tom, 1956-  Search this
Interviewer:
Yager, Jan, 1951-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tom Joyce, 2004 November 18-19. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11849
(DSI-AAA_SIRISBib)249467
AAA_collcode_joyce04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249467

Oral history interview with Merle Armitage, 1964 February 6

Interviewee:
Armitage, Merle, 1893-1975  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Bruce, Edward  Search this
Hatfield, Dalzell  Search this
Zornes, James Milford  Search this
Public Works of Art Project  Search this
Public Works of Art Project (Calif.)  Search this
American Institute of Graphic Arts  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Merle Armitage, 1964 February 6. Archives of American Art, Smithsonian Institution.
Topic:
Art and state  Search this
Federal aid to the arts -- California  Search this
Art -- Censorship  Search this
Arts administrators -- California -- Interviews  Search this
Graphic artists -- California -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)13189
(DSI-AAA_SIRISBib)213231
AAA_collcode_armita64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213231
Online Media:

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
70.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2010
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 70.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.

There is a 17.0 linear foot unprocessed addition to this collection donated in 2015 and 2021 that incudes research files (press clippings, notes, correspondence, ephemera) related to the publications 'Lure of the Local' and 'Undermining' are a significant portion. In addition there are approximetley 50 notebooks ranging from 1965-1996, containing notes and daily tasks. Printed material and ephemera includes promotional materials for talks and public engagements, as well as press clippings of reviews and other news items featuring Lippard. Another significant portion of the addition is labeled "miscellaneous professional correspondence."Materials date from circa 1965-2010.
Arrangement:
The collection is arranged as nine series:

Missing Title

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)

Series 9: Unprocessed Addition, circa 1965-2010, (Boxes 78-94; 17.0 linear feet)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, 2006, 2015 and 2021.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Curators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists -- Political activity  Search this
Art criticism  Search this
Feminism and art  Search this
Women authors  Search this
Women art critics  Search this
Art, Modern -- 20th century  Search this
Conceptual art  Search this
Minimal art  Search this
Women museum curators  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9101c6a69-dde9-42ed-94cc-d03650c249ed
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Oral history interview with Patrocino Barela, 1964 July 2

Interviewee:
Barela, Patrociño, 1902-1964  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
Federal Art Project (N.M.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Patrocino Barela, 1964 July 2. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Wood-carving  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)5438
(DSI-AAA_SIRISBib)213263
AAA_collcode_barela64
Theme:
Latino and Latin American
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213263
Online Media:

Oral history interview with Jo Harvey Allen, 1998 April 21

Interviewee:
Allen, Jo Harvey, 1942-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Jo Harvey Allen, 1998 April 21. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13117
(DSI-AAA_SIRISBib)216445
AAA_collcode_allenj98
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216445
Online Media:

Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980

Creator:
Dasburg, Andrew Michael, 1887-1979  Search this
Johnson, Grace Mott, 1882-1967  Search this
Subject:
Cramer, Florence Ballin  Search this
Carlson, John F.  Search this
Hartley, Marsden  Search this
Frankl, Walter  Search this
Davidson, Jo  Search this
Davidson, Florence Lucius  Search this
Sterling, Lindsey  Search this
Wright, Alice Morgan  Search this
Kuhn, Vera  Search this
Lockwood, Ward  Search this
Howard, Lila  Search this
Johnson, Grace Mott  Search this
Riley, Mary G.  Search this
Simonson, Lee  Search this
Luhan, Mabel Dodge  Search this
McFee, Henry Lee  Search this
Type:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980, bulk 1900-1980. Archives of American Art, Smithsonian Institution.
Topic:
Works of art  Search this
Sculptors -- New York (State)  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7320
(DSI-AAA_SIRISBib)209473
AAA_collcode_dasbandr
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209473
Online Media:

Oral history interview with Ramona Sakiestewa, 2010 July 21-22

Interviewee:
Sakiestewa, Ramona, 1948-  Search this
Interviewer:
Zrebiec, Alice, 1947-  Search this
Subject:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ramona Sakiestewa, 2010 July 21-22. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15878
(DSI-AAA_SIRISBib)295426
AAA_collcode_sakies10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_295426

Oral history interview with Raymond Jonson, 1964 Apr. 23

Interviewee:
Jonson, Raymond, 1891-1982  Search this
Interviewer:
Loomis, Sylvia Glidden  Search this
Subject:
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Raymond Jonson, 1964 Apr. 23. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Gallery directors -- New Mexico -- Albuquerque -- Interviews  Search this
Painters -- New Mexico -- Albuquerque -- Interviews  Search this
Theme:
New Deal  Search this
Record number:
(DSI-AAA_CollID)12574
(DSI-AAA_SIRISBib)213594
AAA_collcode_jonson64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213594
Online Media:

Oral history interview with Eleanor "Brownie" Hibben, 1991 Oct. 25

Interviewee:
Hibben, Eleanor B., 1898-1992  Search this
Interviewer:
Campbell, Suzan  Search this
Subject:
O'Keeffe, Georgia  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Eleanor "Brownie" Hibben, 1991 Oct. 25. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12471
(DSI-AAA_SIRISBib)215359
AAA_collcode_hibben91
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215359

Józef and Teresa Bakós papers, 1900-1977

Creator:
Bakós, Józef, 1891-1977  Search this
Bakos, Teresa, 1884-1974  Search this
Citation:
Józef and Teresa Bakós papers, 1900-1977. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Government Sponsorship of the Arts  Search this
American Art and Artists in a Global Context  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)8868
(DSI-AAA_SIRISBib)211053
AAA_collcode_bakoj
Theme:
Government Sponsorship of the Arts
American Art and Artists in a Global Context
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211053

Józef and Teresa Bakós papers

Creator:
Bakós, Józef, 1891-1977  Search this
Bakos, Teresa, 1884-1974  Search this
Extent:
3 Microfilm reels (circa 800 items on 3 partial microfilm reels)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1900-1977
Scope and Contents:
The microfilmed Józef and Teresa Bakós papers include biographical information; correspondence; writings by Teresa and Józef; exhibition announcements and catalogs; and clippings. Also included are photographs of Józef and Teresa, their family and friends, and works of art; as well as printed material.
Biographical / Historical:
Józef Bakós (1891-1977) was a painter in Sante Fe, New Mexico. He is best known for his Western landscapes. Bakós was a founding member of the Modernist art group Los Cinco Pintores (the five painters) with Walter Mruk, Fremont Ellis, Willard Nash, and Will Shuster. He married Teresa Bakós in 1927. Teresa Bakós (1884-1974) was an Italian-born painter in Santa Fe.
Related Materials:
The Archives of American Art also holds the oral history interview with Jozef and Teresa Bakos, 1965 April 15.
Provenance:
The lender, Norman Bakos, is Jozef's nephew, and executor of his estate.
Restrictions:
Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Women artists  Search this
Identifier:
AAA.bakoj
See more items in:
Józef and Teresa Bakós papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e1585df2-f630-48b2-8b68-d35608e7c7ba
EDAN-URL:
ead_collection:sova-aaa-bakoj

Oral history interview with Boris Bally, 2009 May 26-27

Interviewee:
Bally, Boris, 1961-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Agro, Elisabeth R.  Search this
Ballay, Joe  Search this
Bonner, Jonathan  Search this
Cianci, Vincent Albert, Jr.  Search this
Dahm, Johanna  Search this
Ebendorf, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gialamas, Rosemary  Search this
Greenbaum, Toni  Search this
Holt, Steven  Search this
Ilse-Neuman, Ursula  Search this
Kangas, Matthew  Search this
Kington, L. Brent (Louis Brent)  Search this
Kowal, Dennis  Search this
Kumata, Carol  Search this
Künzli, Otto  Search this
Lechtzin, Stanley  Search this
Metcalf, Bruce  Search this
Nasher, Patsy  Search this
Nasher, Raymond  Search this
Raab, Rosanne  Search this
Schaffner, Alexander  Search this
Simon, Marjorie  Search this
Skov, Mara Holt  Search this
Warhola, Paul  Search this
Wood, Joe  Search this
Carnegie-Mellon University (Pittsburgh, Pennsylvania)  Search this
Snyderman Gallery  Search this
Comedy Central (Firm)  Search this
Massachusetts College of Art  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Society of North American Goldsmiths  Search this
Tyler School of Art  Search this
Velvet da Vinci Gallery  Search this
Works Gallery  Search this
Type:
Interviews
Sound recordings
Place:
Haiti -- description and travel
Switzerland -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Boris Bally, 2009 May 26-27. Archives of American Art, Smithsonian Institution.
Topic:
Art and computers  Search this
Decorative arts  Search this
Designers -- Rhode Island -- Interviews  Search this
Jewelry making  Search this
Metal-workers -- Rhode Island -- Interviews  Search this
Models and modelmaking  Search this
Metal-work  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)15682
(DSI-AAA_SIRISBib)282774
AAA_collcode_bally09
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282774
Online Media:

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