Copy photographs of pre-WWI aircraft from the L'Aérophile Collection at the Library of Congress.
Scope and Contents:
This collection consists of copies of 140 individual photographs held in the L'Aérophile Collection within the Technical Reports, and Standards Collection of the Science, Technology, and Business Division at the Library of Congress. Images depict early aviation, aircraft, and airshows primarily in France. Most of the photographs originate from French news photography agencies such as Rol, Branger, and Meurisse before World War I. Only a photograph of a Caudron C.39 Hydroaeroplane in 1921 and another of Lucien Bossoutrot in 1931 are outside this period. Also included in this collection is a series by artist Michel "Mich" Liebaux of caricatures of aviation and automobile personalities.
Arrangement:
Unarranged.
Biographical / Historical:
In January 1893, the French journalist Georges Besançon (1866-1934) in collaboration with the Union Aérophile de France started to publish a monthly illustrated revue L'Aérophile. Early issues were devoted to ballooning and related subjects. As heavier-than-air craft were created, the coverage changed to include all aspects of aviation and aeronautics. While the scope of the coverage was devoted primarily to French aviators and activities, international items of interest were reported as well.
Publication of L'Aérophile stopped abruptly in August 1947. The research collection of the editorial office was put up for sale, including the photograph "morgue" and was subsequently purchased by the Library of Congress (LC). Although items were apparently removed from the collection before it reached LC, the collection still contains an estimated 30,000 photographs as well as a large amount of related material including correspondence on aeronautics, manuscripts, design details for aircraft, engines, wings, brakes, etc., and information and brochures about and from early aircraft companies, designers and pilots.
Provenance:
Library of Congress, Gift, 2001, NASM.2001.0066
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
National Portrait Gallery, Smithsonian Institution; partial gift of Lynda Lanker and a museum purchase made possible with generous support from Robert E. Meyerhoff and Rheda Becker, Agnes Gund, Kate Kelly and George Schweitzer, Lyndon J. Barrois Sr. and Janine Sherman Barrois, and Mark and Cindy Aron
