Galerie Darthea Speyer (Paris, France) Search this
Container:
Box 2, Folder 19
Type:
Archival materials
Date:
1972-1973
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Container:
Box 2, Folder 20
Type:
Archival materials
Date:
circa 1970-1990s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Container:
Box 2, Folder 21
Type:
Archival materials
Date:
circa 1972-1990s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Kauffman, Craig, Biographies, Clippings, and Photographs
Collection Creator:
Galerie Darthea Speyer (Paris, France) Search this
Container:
Box 7, Folder 21
Type:
Archival materials
Date:
circa 1973- 1983
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Container:
Box 7, Folder 22
Type:
Archival materials
Date:
1970s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery Search this
Container:
Box 27, Folder 2
Type:
Archival materials
Date:
1993-2001
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
All collection material except photographs: Permission to quote, publish or reproduce requires written permission from Paula Cooper. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery Search this
Container:
Box 27, Folder 21
Type:
Archival materials
Date:
1999-2000
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
All collection material except photographs: Permission to quote, publish or reproduce requires written permission from Paula Cooper. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(Boxes 1-15; 14.8 linear feet, ER01-07; 1.58 GB)
Type:
Archival materials
Date:
1955-2010
Scope and Contents note:
Artists' files are varied for each artist, but may include biographical material, correspondence, gallery business records, photographs, digital photographs, slides, and printed material. Biographical material may include bibliographies, resumes, and chronologies. Correspondence is with artists and others primarily concerning the exhibition or sale of the artists' work. Found with the correspondence are other scattered business records regarding the artists' dealing with the gallery, such as shipping and sales documents, planning documents for exhibitions, and price lists. Photographs, slides, and transparencies include photographs of the artists, artwork, exhibition installations and exhibition openings at Galerie Darthea Speyer. Printed material includes exhibition announcements, catalogs, and extensive press clippings about the artists.
The gallery maintained extensive files for prominent American artists such as Roy De Forest, Beauford Delaney, Llyn Foulkes, Leon Golub, Sam Gilliam, Richard Luboski, Ed Paschke, Peter Saul, Deborah Remington, and others, often documenting a long relationship between the artist and the gallery.
Arrangement note:
Files are arranged alphabetically by artist's name. Documents within each file are arranged in rough chronological order. The gallery kept correspondence and other business records for each artist within one set of files, and that original arrangement has been maintained.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(Boxes 17-18; 0.7 linear feet)
Type:
Archival materials
Date:
circa 1960s-1970s
Scope and Contents note:
Photographs include an unidentified exhibition opening, exhibition installations at Galerie Darthea Speyer, and numerous photographs of artwork. Also found are a few photographs of Beauford Delaney and several of his paintings. Most of the photographs of exhibition installations include handwritten annotations with the name and date of exhibition. Researchers should note that many additional photographs can be found in Series 1: Artists files.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
This series includes Harold Weston's personal photographs, photographs of works of art, travel photos, and negatives. Personal photographs are of Weston, his family and friends, exhibitions, and his studio. Images of Weston's studio were taken by Faith in 1975 and depict the space as he left it before his death. Also found is a portrait of Weston's artist friend, Dorothy Paris. Travel photgraphs are of France, the Adirondacks, and cities throughout the Middle East including locations in present day Iraq, Iran, India. Photographs of works of art include Weston's paintings and sculpture as well as works of art not by Weston but owned by the family or displayed in their home in France.
Also found are 122 glass plate negatives of works of art painted by Weston in France between 1926-1930. Although Faith Weston supplied a list of works included in each box, it is unlikely that the order was maintained over the years. There are approximately one hundred lantern slides of scenes and people throughout the Middle East, most likely used by Weston in lectures, speeches, and talks.
Another set of glass plate negatives belonged to S.B. Weston, Harold's father, and are Adirondack scenes. Most of the plates are outdoor images although there is one photo of Harold Weston and his brother Carl as children. Although most of the slides are unlabeled, whenever possible an attempt has been made to identify them on the slide sleeve.
Arrangement note:
All glass plates and lantern slides have been removed from their original cases, but the cases have been saved in in Boxes 19 and 22. An attempt has been made to identify each of the lantern slides and these are grouped together by city or "scenes" such as agriculture or caravaning.
Glass plate negatives are housed separately and closed to researchers. All original glass plate negative sleeves are in Box 23 and have been assigned numbers corresponding to their glass plate negative. Sleeves are noted '#B' and glass plates are noted '#A'.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Harold Weston papers, 1894-1978. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Photographs, slides, and negatives are of Merle Schipper; unidentified people; Paris, France; other artists; and artwork. Photographs of artists include Ansel Adams, Billy Al Bengston, Alexander Calder, Jean Helion, Robert Irwin, Ed Moses, and many others.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Clay, Elizabeth Campbell Fisher, 1871-1959 Search this
Extent:
0.2 Linear feet (Box 3)
Type:
Archival materials
Date:
circa 1873-1987
Scope and Contents:
This series consists of photographs of Elizabeth Campbell Fisher Clay, family, friends, artists, travel, and houses. There are three photograph albums. There is a photo album of what looks to be the woods and land around Smith College and there is an album of travel photographs in France and Holland that are mostly sightseeing photos but also includes photographs of art students, Clay among them, painting and drawing at various locations. The third album of Paris photographs show the studio Clay shared with fellow art students, photographs of friends, and a few photographs of Robert Henri. Photographs sometimes include notes and annotations written by Harriet Fisher Bemus, Elizabeth Campbell Fisher Clay's daughter.
Arrangement:
The albums are at the beginning of the series followed by photographs of Elizabeth Campbell Fisher Clay, family, travel, houses, and one image of a painting. Photographs are arranged by subject, then chronological order.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washingon, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
Photographs are of John Storrs, his family, friends, various places from his travels, and his artwork. Photographs of Storrs depict him as a child, in Europe from 1905 to 1907, in his studio in both Germany and Paris, creating work for the Century of Progress Exposition, and with friends and family, including wife Marguerite. Also found are two photographs of him in art classes. Additional photographs depict Marguerite, the dancer Maud Allan, Storrs' instructor Arthur Bock, and fellow artist and model Gertrude Lambert. Other photographs of friends are mostly unidentified. Also found are photographs of the interiors of his studios and various residences.
Three photograph albums document Storrs' time in Europe from 1905 to 1907 and include photographs of him, his sister Mary and other family members, friends, Arthur Bock in his studio, and various monuments and streetscapes from his travels. Additional loose photographs of travels depict the same period. One photograph album from 1904 and earlier includes family photographs, photographs of friends, and photographs of the Louisiana Purchase Exposition. Also found are numerous photographs of monuments and streetscapes from towns throughout France, taken by Storrs during the 1940s and 1950s. A small number of exhibition photographs depict an exhibition at the Museum of Beaugency, the Carnegie Institute, and other unidentified galleries. Also within this series is a notebook of photo negatives and the corresponding copy prints of the negatives. Original prints of most of these negatives are found in the three photograph albums mentioned above. Prints of the glass plate negatives are also found elsewhere in this series.
Numerous photographs of artwork document Storrs' sculptural work as well as his paintings. Included are loose photographs arranged by subject as well as three albums and two portfolios of photographs of his work.
Arrangement:
Photographs are arranged by subject matter and format. Items are arranged chronologically within each folder. Glass plate negatives are housed separately and closed to researchers.
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and not served to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Items in this subseries include photographs of Barnard in his studios in Paris and New York, an exterior view of his Ft. Tyron Park studio, and a set of model studies. Scattered amongst the photographs of the Paris and New York studios are vintage prints that feature Barnard at work, including a circa 1916 photograph of the artist on a ladder, working on a colossal plaster head, Lincoln in Thought and an 1885 salted paper print of Barnard in his Paris studio working on Two Natures. Additionally, there are several photographs documenting the flood damage to his studio in Moret, France, which occured in January of 1910.
Arrangement note:
Folders are arranged by subject.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The George Grey Barnard papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
George Grey Barnard papers, circa 1860-1969, bulk 1880-1938. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(Box 16; 4 folders)
Type:
Archival materials
Date:
circa 1980s-2009
Scope and Contents note:
This series contains documentation of the works of art that were selected by Darthea Speyer for the Park Hyatt Paris-Vendome hotel. Found here is a contract, press releases which include lists of artists in the collection, new clippings documenting the hotel's opening, and photographs and transparencies of artwork. Documents in this series are in French.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(3 folders)
Container:
Box 10, Folder 25-27
Type:
Archival materials
Date:
circa 1965-1990s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(4 folders)
Container:
Box 11, Folder 25-28
Type:
Archival materials
Date:
1981-1995
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Container:
Box 12, Folder 1
Type:
Archival materials
Date:
1996-1999
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(3 folders)
Container:
Box 12, Folder 17-19
Type:
Archival materials
Date:
1956-circa 2001
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
Galerie Darthea Speyer (Paris, France) Search this
Extent:
(16 folders)
Container:
Box 13, Folder 8-23
Type:
Archival materials
Date:
1960s-1980s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Galerie Darthea Speyer records, 1953-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
Support provided by the Terra Foundation for American Art.
