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Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2015-04-09T15:30:24.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_JxOu9DuXuYM

Creator:

National Portrait Gallery  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2023-10-24T19:44:19.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_Ma7YoMhl1C0

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2014-10-31T15:14:54.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_PjxK7Vt5eGw

Creator:

Smithsonian American Art Museum  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2017-11-16T01:19:07.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_hoQMFXWf63o

Artist:

Carlos Alfonzo, American, b. Havana, Cuba, 1950–1991  Search this

Medium:

Oil on linen

Dimensions:

84 × 84 in. (213.3 × 213.3 cm)

Type:

Painting

Date:

1988-1989

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Ivelin and Craig Robins, Emilio and Marina Alonso-Mendoza, and George and Jean Adams, and Joseph H. Hirshhorn Purchase Fund, 2001

Accession Number:

01.18

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py26d895525-5566-4c62-a847-bfa2b2896ea7

EDAN-URL:

edanmdm:hmsg_01.18

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2021-06-25T22:00:27.000Z

YouTube Category:

Entertainment  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolklife

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolklife

EDAN-URL:

edanmdm:yt_w8JYBYtuyfQ

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2014-09-25T20:38:44.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_JHgVBse4fkk

Artist:

Garciandía, Flavio 1954-  Search this

Author:

Vives, Cristina  Search this

Courturier Gallery  Search this

Smithsonian Libraries Art and Artist Files Collection  Search this

Physical description:

6 unnumbered pages color illustrations 22 x 28 cm

Type:

Books

Artist files

Date:

2004

Call number:

AAF--Garciandia, Flavio

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_728782

Creator:

Smithsonian Asian Pacific American Program  Search this

Type:

YouTube Videos

Uploaded:

2017-06-27T17:27:11.000Z

YouTube Category:

Nonprofits & Activism  Search this

Topic:

Asian Americans  Search this

See more by:

apacenter

Data Source:

Smithsonian Asian Pacific American Program

YouTube Channel:

apacenter

EDAN-URL:

edanmdm:yt_LRoQGJa6rZM

Artist:

Kim, Chun-gŭn, active 19th century  Search this

Collector:

Shufeldt, Robert Wilson, 1822-1895  Search this

Extent:

98 Drawings (visual works) (ink and watercolor, 5.25 x 7 inches)

Culture:

Koreans  Search this

Type:

Collection descriptions

Archival materials

Drawings (visual works)

Works of art

Drawings

Place:

Korea

East Asia

Date:

before 1886

Scope and Contents:

The collection consists of 98 ink and watercolor drawings by the artist Kim Chun-gŭn. The drawings depict various subject including: marriage and funeral rites and ceremonies; hunting and fishing; farming; artisans and crafts; merchants and peddlers; household chores; schooling and education; military and court officials; civil servants; punishments; and musicians and performers. The drawings are titled in Hanja and stamped with the artist's seal.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Biographical Note:

Kim Chun-gŭn (also known as Kim Jun-geun, Gisan, and Kisan) was a Korean painter specializing in genre scenes illustrating traditional Korean life. His paintings were acquried by many foreign visitors in port areas such as Pusan and Wonsan at the end of 19th and early 20th centuries.

Robert Wilson Shufeldt (1822–1895) was an officer in the United States Navy best known for his negotiation of the 1882 Shufeldt Treaty with Korea. He was commander of the USS Wachusett and USS Ticonderoga, and Consul-General of the United States to Cuba.

Local Numbers:

USNM Accession 38151

Variant Title:

Korean life

Related Materials:

The National Anthropological Archives holds MS 7356, reproductions of a set of drawings by Kim Chun-gŭn deposited in the University Museum, University of Pennsylvania (cat. 21574) by Mary Shufeldt. The NAA also holds photographs collected by Robert Shufeldt in Photo Lot 97 and Photo Lot 81-64 Robert W. Shufeldt photograph of American Legation in Seoul.

The collection of Chinese, Japanese and Korean objects acquired by USNM from Shufeldt is held by the Department of Anthropology (Accession Number 38151).

Restrictions:

The collection is open for research.

Access to the collection requires an appointment.

Rights:

Contact the repository for terms of use.

Genre/Form:

Works of art

Drawings

Citation:

Kim Chun-gŭn drawings of Korean life, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.MS211195

See more items in:

Kim Chun-gŭn drawings of Korean life

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw3b9b05e71-b660-464e-a6a4-e3adb6fc679f

EDAN-URL:

ead_collection:sova-naa-ms211195

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Audiocassettes

Audiotapes

Correspondence

Business records

Memorandums

Plans (drawings)

Photographic prints

Videotapes

Negatives

Slides (photographs)

Video recordings

Contracts

Digital images

Notes

Sound recordings

Place:

Caribbean Area

Cuba

Haiti

Jamaica

Puerto Rico

Date:

June 23-July 4, 1989

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1989 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 5 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Indian Program

Series 3: The Caribbean: Cultural Encounters in the New World

Series 4: Les Fêtes Chez Nous: France and North America

Series 5: Hawai'i

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1989 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

In commemoration of our common French and American covenants of human rights and in recognition of our common French heritage, the 1989 Festival celebrated the Bicentennial of the French Revolution and the Declaration of the Rights of Man and of the Citizen (on display during the Festival in the Smithsonian's Arts and Industries Building). One of the Festival's four programs thus featured Francophone musicians and craftspeople from France, Quebec, New England, Louisiana, Missouri, and North Dakota.

The Hawai'i program included the descendants of immigrants, mainly from the Pacific rim (but also from the Atlantic), who came to the islands to work on plantations, enduring servitude and hardship in hope of a better life. Hawai'i is unique in that its indigenous culture suffuses its society as a whole, giving nuance to the forms of immigrant cultures that came there. This thirtieth anniversary of Hawaii's statehood invited the Smithsonian to reflect upon human cultural freedom - equity for and conservation of traditional cultures, as the Festival celebrated the vitality and open spirit of an indigenous Hawaiian culture that endured political, ideological and commercial attempts to restrict its practice and growth.

The continuity of culture depends upon access to various natural, social, and cultural resources. We bridle at unfair restrictions of such access that limit our freedom to realize our visions of who we are. The American Indian program in 1989 examined such restrictions and their impact upon contemporary tribal life. What happens when tribal rituals depend on endangered species, or traditional means of subsistence are threatened by land and water pollution? The program also illustrated attempts by various tribes to gain freedom over their cultural future through the innovative management of traditional resources.

The Caribbean program illustrated the historical flow of cultural and aesthetic ideas between diverse Native, European, and African populations in several island societies. Caribbean populations are characterized by the creative creolization of music, food, language, and art. Indeed, this encounter of diverse peoples defined the New World that developed in the wake of the Columbian voyages, whose 500th anniversary would be commemorated a few years later, in 1992. The Festival hosted contingents of musicians from Cuba, Haiti, Jamaica, and Puerto Rico so that Americans could hear their musics and the complex historical tale they tell about the making of the New World.

The 1989 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). The 1989 Program Book included schedules and participant lists for each program; the Program Book featured four substantial essays, each laying out in depth the rationale for one of the four Festival programs.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Olivia Cadaval, Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Betty Belanus, Education Specialist; Richard Kennedy, Winifred Lambrecht, Curators; Jeffrey Place, Archivist

Folklife Advisory Council

Richard Bauman (Chair), Roger Abrahams, Henry Glassie, Rayna Green, John Gwaltney, Charlotte Heth, Adrienne Kaeppler, Ivan Karp, Bernice Reagon, John Kuo Wei Tchen, Carlos Vélez-Ibáñez

National Park Service

James M. Ridenour, Director; Robert G. Stanton, Regional Director, National Capital Region

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.

Forms Part Of:

Smithsonian Folklife Festival records: 1989 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk festivals  Search this

World music  Search this

Folk art  Search this

Food habits  Search this

arts and crafts  Search this

Folklore  Search this

Folk music  Search this

Genre/Form:

Audiocassettes

Audiotapes

Correspondence

Business records

Memorandums

Plans (drawings)

Photographic prints

Videotapes

Negatives

Slides (photographs)

Video recordings

Contracts

Digital images

Notes

Sound recordings

Citation:

Smithsonian Folklife Festival records: 1989 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1989

See more items in:

Smithsonian Folklife Festival records: 1989 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk52232caa4-6acc-4267-87da-be2ecad7d0f1

EDAN-URL:

ead_collection:sova-cfch-sff-1989

Creator:

Smithsonian American Art Museum  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2012-02-06T22:26:46.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_sS_1K9xBZVs

Artist:

Ana Mendieta, American, b. Havana, Cuba, 1948–1985  Search this

Medium:

Earth and binder on wood

Dimensions:

1 7/8 x 61 3/4 x 20 3/8 in. (4.8 x 156.7 x 51.7 cm)

Type:

Sculpture

Date:

(1984)

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Museum Purchase, 1995

Accession Number:

95.8

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Hispanic Contemporary

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py222fa558a-7a44-43f1-9f0a-e6db39b07393

EDAN-URL:

edanmdm:hmsg_95.8

Artist:

Felix Gonzalez-Torres, American, b. Guáimaro, Cuba, 1957–1996  Search this

Medium:

Billboard

Dimensions:

dimensions vary with installation

Type:

Print

Date:

1992

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Peter Norton Family Foundation, 1995

Accession Number:

95.9

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

School:

Hispanic Contemporary

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py23bdba5d9-a00d-480f-8a3c-79c7089a0fe2

EDAN-URL:

edanmdm:hmsg_95.9

Creator:

Gillespie, Dizzy, 1917-1993  Search this

Fishman, Charles  Search this

Extent:

20 Cubic feet ( 31 boxes, 2 map folders)

Type:

Collection descriptions

Archival materials

Awards

Business records

Clippings

Manuscripts

Financial records

Photographs

Music

Posters

Audiovisual materials

Date:

1941-2006

bulk 1987-1993

Summary:

Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.

Scope and Contents:

The collection primarily documents Charles Fishman's tenure as Gillespie's manager, 1985-1993, and is composed of business records. There is also a significant amount of personal material and photographs from the 1940s-1980s, much of which was saved by Mr. Fishman when Dizzy Gillespie wanted to throw these materials away or take them home.

Arrangement:

The collection is divided into eleven series.

Series 1, Personal Materials, 1988-1993, undated

Series 2, Correspondence, 1987-2002

Series 3, Business Files, 1979-2001, undated

Series 4, Contracts, 1987-1993

Series 5, Performance Programs, 1984-1997

Series 6, Awards and Honors, 1989-1991

Series 7, Music Manuscripts, undated

Series 8, Photographs, 1941-1993, undated

Subseries 8.1, Dizzy Gillespie, 1941-1993, undated

Subseries 8.2, Albums, 1988-1993

Subseries 8.3, Other Artists, undated

Subseries 8.4, Negatives, undated

Series 9, Newspaper Clippings and Magazine Articles, 1958-2000, undated

Series 10, Artwork and Posters, 1982-2006, undated

Subseries 10.1, Artwork, 1990-2004, undated

Subseries 10.2, Posters, 1982-2006, undated

Series 11, Audio Visual Materials, 1950-1992, undated

Subseries 11.1, Sound Recordings, 1989-1992, undated

Subseries 11.2, Moving Images, 1946-1992, undated

Biographical / Historical:

Born in South Carolina in 1917, John Birks "Dizzy" Gillespie was a master jazz trumpeter, bandleader, singer, and composer. In the 1940s, he was one of the principal developers of both bebop and Afro-Cuban jazz. Through the multitudes of musicians with whom he played and who he encouraged; he was one of the most influential players in the history of jazz.

The youngest of nine children, Gillespie was exposed to music by his father, a part-time bandleader who kept all his band's instruments at home, where young Gillespie tried them out. At age twelve, he received a music scholarship to the Laurinburg Institute in North Carolina, where he played trumpet in the school band. In 1935, at age eighteen, he moved to Philadelphia and joined his first band, where his clownish onstage behavior and sense of humor earned him his nickname, "Dizzy." Thereafter, he was almost constantly joining and leaving, or forming and disbanding, bands of various size and style, as he set out to first hone his talent, then to develop his own creative innovations and to publish his recordings, and then to fulfill his lifelong desire to lead his own band. Along the way, he played with, collaborated with, encouraged, and influenced, all the major – and most of the minor – jazz musicians of his age, including Charlie Parker, Duke Ellington, Ella Fitzgerald, Benny Carter, Billy Eckstine, Cab Calloway, and John Coltrane.

In 1937, Gillespie moved to New York, where he joined Teddy Hill's band; with Hill he made his first overseas tour, to England and France. By 1939, he had joined Cab Calloway's band and had received his first exposure to Afro-Cuban music. In 1940, Gillespie met Charlie "Bird" Parker, Thelonious Monk, and Kenny Clarke and together they began developing a distinctive, more complex style of jazz that became known as bebop or bop. In the early 1940s, Gillespie made several recordings of this new sound. In 1945, he formed and led his own big band, which was quickly downsized into a quintet due to financial problems. He was able to reform the band the next year and keep it together for four years, but it was disbanded in 1950. During this time, he began to incorporate Latin and Cuban rhythms into his work. In 1953, a dancer accidentally fell on his trumpet and bent the bell. Gillespie decided he liked the altered tone and thereafter had his trumpets specially made that way.

In 1956, after leading several small groups, the United States State Department asked Gillespie to assemble a large band for an extensive cultural tour to Syria, Pakistan, Turkey, Greece, and Yugoslavia; a second tour, to South America, took place several months later. Although he kept the band together for two more years, the lack of government funding prevented him from keeping such a large group going and he returned to leading small ensembles. In 1964, displaying the humor for which he was well-known, Gillespie put himself forward as a candidate for President.

Gillespie continued to tour, perform, record, and to collaborate with a wide range of other musicians throughout the 1970s and 1980s. He continued to encourage new styles and new talents, such as Arturo Sandoval, whom he discovered during a 1977 visit to Cuba. In 1979, Gillespie published his autobiography, To Be or Not to Bop. In the late 1980s, he organized and led the United Nations Orchestra, a 15-piece ensemble that showcased the fusion of Latin and Caribbean influences with jazz. In these later years, although still performing, he began to slow down and enjoy the rewards of his extraordinary talent. He received several honorary degrees, was crowned a chief in Nigeria, was awarded the French Commandre d'Ordre des Artes et Lettres, won a Grammy Lifetime Achievement Award, and received both the Kennedy Center Medal of Arts and the ASCAP Duke Ellington Award for Fifty Years of Achievement as a composer, performer, and bandleader. Dizzy Gillespie passed away on January 6, 1993.

Related Materials:

Materials held in the Archives Center

John and Devra Hall Levy Collection NMAH.AC1221

Paquito Rivera NMAH.AC0891

James Moody Papers NMAH.AC1405

Chico O'Farrill Papers NMAH.AC0892

Boyd Raeburn Papers NMAH.AC1431

William Claxton Photographs NMAH.AC0695

Ray Brown Papers NMAH.AC1362

Earl Newman Collection of Monterey Jazz Festival Posters NMAH.AC1207

Graciela Papers NMAH.AC1425

Leonard Gaskin Papers NMAH.AC0900

Ella Fitzgerald NMAH.AC0584

Herman Leonard Photoprints NMAH.AC0445

Stephanie Myers Jazz Photographs NMAH.AC0887

John Gensel Collection of Duke Ellington Materials NMAH.AC0763

Duke Ellington Collection NMAH.AC0301

Benny Carter Collection NMAH.AC0757

Chuck Mangione NMAH.AC1151

Bill Holman Collection NMAH.AC0733

Duncan Schiedt Photograph Collection NMAH.AC1323

Fletcher and Horace Henderson Music and Photographs NMAH.AC0797

Ernie Smith Jazz Film Collection NMAH.AC0491

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews, and Posters NMAH.AC0766

William Russo Music and Personal Papers NMAH.AC0845

Pat and Chuck Bress Jazz Portrait Photographs NMAH.AC1219

Milt Gabler Papers NMAH.AC0849

Floyd Levin Reference Collection NMAH.AC.1222

Materials held in the Division of Culture and the Arts

Includes Dizzy Gillespie's iconic "bent" trumpet (1986.0003.01); sound recordings, a button, and a sculpture.

Materials held in the Smithsonian Institution Archives

National Museum of American History. Office of Public Affairs Accession 95-150

Smithsonian Press/Smithsonian Productions Accession 04-091

Smithsonian Associates. Resident Associate Program Accession 03-086

Smithsonian Resident Associate Program Accession 98-031

Smithsonian Productions Accession 06-181

Smithsonian Resident Associate Program. Office of Public Affairs Record Unit 632

National Museum of American History. Department of Public Programs Accession 17-312

National Museum of American History. Office of Special Events Record Unit 595

Smithsonian Institution. Division of Performing Arts Accession T90055

America's Smithsonian. (Traveling exhibition) Accession 98-142

Smithsonian Institution. Division of Performing Arts Accession 84-012

Smithsonian Institution. Office of Telecommunications Record Unit 296

Smithsonian Institution. Office of Telecommunications Record Unit 590

Materials held in the Archives of American Art, Smithsonian Institution

Gertrude Abercrombie AAA.abergert

Materials at Other Organizations

Dizzy Gillespie Collection, circa 1987-2000, University of Idaho Library, Special Collections and Archives

Provenance:

The collection was donated by Charles Fishman, Dizzy Gillespie's manager, in 2007.

Restrictions:

The collection is open for research. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- United States  Search this

Trumpet players -- 20th century  Search this

Genre/Form:

Awards

Business records -- 20th century

Clippings -- 20th century

Manuscripts -- Music -- 20th century

Financial records -- 20th century

Photographs -- Black-and-white photoprints -- 1940-2000

Music -- Manuscripts

Posters -- 20th century

Audiovisual materials

Citation:

Charismic Productions Records of Dizzy Gillespie, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0979

See more items in:

Charismic Productions Records of Dizzy Gillespie

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep845912e18-7dc1-4340-81f5-68770d687b08

EDAN-URL:

ead_collection:sova-nmah-ac-0979

Artist:

Alejandro Diaz, born San Antonio, TX 1963  Search this

Medium:

printed vinyl tote bag

Dimensions:

overall: 22 1/2 × 15 1/2 in. (57.2 × 39.4 cm)

Type:

Other

Date:

2003

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment

Copyright:

© 2003, Alejandro Diaz. Photo of Installation by Albert Ting.

Object number:

2020.44.1.1

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7008b15f1-e54e-4011-91a2-f731d239a662

EDAN-URL:

edanmdm:saam_2020.44.1.1

Artist:

Alejandro Diaz, born San Antonio, TX 1963  Search this

Medium:

postcard

Dimensions:

overall: 4 in. × 5 7/8 in. (10.2 × 14.9 cm)

Type:

Other

Date:

2003

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment

Copyright:

© 2003, Alejandro Diaz. Photo of Installation by Albert Ting.

Object number:

2020.44.1.10

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk71a5845d6-5c9c-463d-8064-d05c8b167c5c

EDAN-URL:

edanmdm:saam_2020.44.1.10

Artist:

Alejandro Diaz, born San Antonio, TX 1963  Search this

Medium:

postcard

Dimensions:

overall: 4 in. × 5 7/8 in. (10.2 × 14.9 cm)

Type:

Other

Date:

2003

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment

Copyright:

© 2003, Alejandro Diaz. Photo of Installation by Albert Ting.

Object number:

2020.44.1.11

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk71b2aaef8-2331-46cf-a0e5-0f75b90183fb

EDAN-URL:

edanmdm:saam_2020.44.1.11

Artist:

Alejandro Diaz, born San Antonio, TX 1963  Search this

Medium:

postcard

Dimensions:

overall: 4 in. × 5 7/8 in. (10.2 × 14.9 cm)

Type:

Other

Date:

2003

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment

Copyright:

© 2003, Alejandro Diaz. Photo of Installation by Albert Ting.

Object number:

2020.44.1.12

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk7b3c0b9bb-b9ad-42e8-939a-c1258cd21273

EDAN-URL:

edanmdm:saam_2020.44.1.12

Artist:

Alejandro Diaz, born San Antonio, TX 1963  Search this

Medium:

postcard

Dimensions:

overall: 4 in. × 5 7/8 in. (10.2 × 14.9 cm)

Type:

Other

Date:

2003

Credit Line:

Smithsonian American Art Museum, Museum purchase through the Patricia Tobacco Forrester Endowment

Copyright:

© 2003, Alejandro Diaz. Photo of Installation by Albert Ting.

Object number:

2020.44.1.13

Restrictions & Rights:

Usage conditions apply

See more items in:

Smithsonian American Art Museum Collection

Department:

Painting and Sculpture

Data Source:

Smithsonian American Art Museum

GUID:

http://n2t.net/ark:/65665/vk78a13f512-dbaf-4639-bb1c-e92e93ea9378

EDAN-URL:

edanmdm:saam_2020.44.1.13