1 Sound cassette (Recording of event is incomplete, includes the last 30 minutes only., duration 00:32:57)
Type:
Archival materials
Sound cassettes
Date:
1981 November 13
Scope and Contents:
Moderated by Camille Billops, with speakers Vivian Browne, James Hatch, Lloyd McNeill, and Suzanne Stratton.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Richard Lippold papers, 1940s-1977. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Writings by Patricia Hills: The donor has retained all intellectual rights, including copyright, that she may own.
Collection Citation:
Patricia Hills Papers, circa 1900-2019, bulk 1968-2009. Archives of American Art, Smithsonian Institution.
Writings is the largest series in the collection and consists of Bourgeois's research, essays, lectures, notes, notebooks and manuscript drafts on art and other subjects. There are notebooks containing research on artists, writings on various art topics, El Greco research and manuscript drafts, notes on places and sociology, and miscellaneous notes. Many of the writings are in French and German.
Arrangement:
Writings are arranged as 5 subseries.
3.1: Notebooks on Artists, circa 1910-circa 1960
3.2: Notes on Art, circa 1930-circa 1964
3.3: El Greco Research and Writings, circa 1935-circa 1964
3.4: Notes on Places and Sociology, circa 1930-circa 1964
3.5: Notes on Other Subjects, circa 1921-circa 1964
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Stephan Bourgeois papers, 1908-circa 1964. Archives of American Art, Smithsonian Institution.
This series houses writings by William Daley and others as well as Daley's personal address lists and calendars. Writings by Daley contain articles, speeches, and other writings. These include artist reviews, autobiographical essays, essays on art, and essays on education. Many files provide several drafts and edited versions with handwritten notations. Also found within the files are related materials including correspondence and clippings of published versions of the artist's writings. Writings by Others contain two articles and one lecture on the art of William Daily, as well as essays on other art topics. Also included are a thesis proposal on ceramics and a master's thesis on the University of the Arts Foundation Program.
Arrangement note:
Writings are arranged into three subseries:
6.1: Writings by Daley, 1951-1999, undated
6.2: Writings by Others, 1980-2003, undated
6.3: Address Lists and Calendars, 1968-2000, undated
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William P. Daley papers, 1905-2004 (bulk 1951-2001). Archives of American Art, Smithsonian Institution.
Miscellaneous records include Midtown Galleries guest registers complete at 32 volumes except for the first two years of the galleries's existence. This series includes artifacts, mainly samples of artist-designed or inspired silk fabrics produced for the Onandoga Silk Co.; several department stores featured garments made from the fabrics and mounted small exhibitions of the paintings on which the fabrics were based. Also, two brass labels from paintings and a sound recording with a cover designed by a Midtown Galleries artist. Writings by authors other than Alan D. Gruskin are manuscripts about Isabel Bishop and Philip Guston (Gruskin's writings are part of Series 8: Personal Papers of Alan D. and Mary J. Gruskin). Legal documents include items such as the galleries' Act of Incorporation, partnership agreements, and leases.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
The 2014 and 2015 additions date from 1945-2013 and provide additional material related to Dodd's career as a painter and educator. Found here are biographical material; correspondence with friends and artists; writings by others; project and teaching files; personal business records; printed material; photographical material of artwork and Dodd; eleven travel sketchbooks; and a few pieces of artwork by George Schneeman.
8.2: Correspondence, 1949-2000s (Box 3-5; 3 linear feet)
8.3: Writings by Others, 1974-1980s (Box 6; 3 folders)
8.4: Project and Teaching Files, 1965-2002 (Box 6; .4 linear feet)
8.5: Personal Business Records, 1966-2000s (Box 6; .3 linear feet)
8.6: Printed Material, 1945-2013 (Box 6; .3 linear feet)
8.7: Photographic Material, 1950s-2000s (Box 7; .2 linear feet)
8.8: Sketchbooks, 1986-1998 (Box 7-8; .6 linear feet)
8.9: Artwork by Other Artist, 1981-1984 (Box 8; 1 folder)
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The Lois Dodd papers, 1945-2013. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Writings include a short autobiography by Langlais, poems written by both Langlais and other artists, writings about Langlais, and miscellaneous notes.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
Video recording "Noon Exercise: Bernard Langlais" is publication restricted. Authorization to quote or reproduce for purposes of publication requires written permission from WCBB-TV, Lewiston, Maine. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bernard Langlais papers, circa 1925-2010. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
