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Stephan Bourgeois papers

Creator:
Bourgeois, Stephan, 1881-1964  Search this
Names:
Bourgeois Galleries (New York, N.Y.)  Search this
Greco, 1541?-1614  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Business records
Photographs
Date:
1908-circa 1964
Summary:
The papers of New York art dealer and consultant Stephan Bourgeois measure 4.2 linear feet and date from 1908 to circa 1964. The papers include biographical material, correspondence, writings, personal business records and printed material.
Scope and Contents:
The papers of New York art dealer and consultant Stephan Bourgeois measure 4.2 linear feet and date from 1908 to circa 1964. The papers include biographical material, correspondence, writings, personal business records and printed material.

Biographical material includes an address book, biographical statement, passport, a few photographs and some miscellaneous artifacts.

Correspondence consists of Stephan Bourgeois's letters to and from museums, clients and other art dealers. There is business correspondence with lawyers and art dealers in Cologne, Germany. Alphabetical correspondence mostly dates from Stephan Bourgeois's time in New York City on the subject of art and exhibitions. There is also correspondence regarding specific paintings.

Writings consists of notebooks on artists, writings about various art subjects, research and writings on El Greco, notes on places and sociology, and finally miscellaneous notes.

Personal business records include income tax records, bills and receipts, material related to requesting compensation from the German government, and miscellaneous financial records.

The bulk of the printed material consists of exhibition catalogs from Bourgeois Galleries. There are a few articles about Stephan Bourgeois, catalogs from other galleries, and assorted clippings.
Arrangement:
The collection is arranged as five series.

Series 1: Biographical Material, 1908-circa 1964 (7 folders; Box 1)

Series 2: Correspondence, 1928-1962 (0.6 linear feet; Box 1)

Series 3: Writings, circa 1910-circa 1964 (2.9 linear feet; Boxes 1-4)

Series 4: Personal Business Records, circa 1910-circa 1964 (0.3 linear feet; Box 4)

Series 5: Printed Material, 1915-1961 (0.4 linear feet; Boxes 4-5)
Biographical / Historical:
Stephan Bourgeois (1881-1964) was an art dealer, historian, writer and gallery owner based in New York City.

Stephan Bourgeois was born in 1881 in Cologne, Germany. He came from a long line of prominent art dealers and collectors. Bourgeois studied law at the University of Geneva, Switzerland and later studied art history at the University of Strasbourg in France as well as the universities of Bonn and Berlin in Germany. After his studies, he traveled extensively and then settled in Paris, France. In 1906, he began his career as an art dealer and consultant for museums and private collections.

Bourgeois immigrated to the United States in 1910 and lived in New York City. From 1911 to 1933, he was the founding director of Bourgeois Galleries. Bourgeois Galleries specialized in Old Master paintings as well as modern art, and featured artists such as Degas, Delacroix, Corot, Cezanne, Renoir, Gauguin, Van Gogh, Toulouse Lautrec, Albert Gleizes, Joseph Stella, Oscar Bluemner, Mario Toppi, and others.

After the gallery closed its doors in 1933, Bourgeois continued his work as an art historian, art dealer, and consultant. He lectured at numerous art institutions and universities such as the Art Institute of Chicago, Columbia University, and New York University. Bourgeois wrote several books including Evolution of Images in Art and Two Polarities of Modern Art: Henri Rousseau and Pablo Picasso. He was especially interested in the life and art of El Greco and he organized an exhibition about him at Knoedler Gallery in 1941 and later wrote a book about the artist. Bourgeois died in 1964.
Provenance:
The Stephan Bourgeois papers were donated to the Archives of American Art in 1980 by Mrs. Stephan Bourgeois, widow of Bourgeois.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery owners -- New York (State) -- New York  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Business records
Photographs
Citation:
Stephan Bourgeois papers, 1908-circa 1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bourstep
See more items in:
Stephan Bourgeois papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bourstep

Writings

Collection Creator:
Bourgeois, Stephan, 1881-1964  Search this
Extent:
2.9 Linear feet (Boxes 1-4)
Type:
Archival materials
Date:
circa 1910-circa 1964
Scope and Contents:
Writings is the largest series in the collection and consists of Bourgeois's research, essays, lectures, notes, notebooks and manuscript drafts on art and other subjects. There are notebooks containing research on artists, writings on various art topics, El Greco research and manuscript drafts, notes on places and sociology, and miscellaneous notes. Many of the writings are in French and German.
Arrangement:
Writings are arranged as 5 subseries.

3.1: Notebooks on Artists, circa 1910-circa 1960

3.2: Notes on Art, circa 1930-circa 1964

3.3: El Greco Research and Writings, circa 1935-circa 1964

3.4: Notes on Places and Sociology, circa 1930-circa 1964

3.5: Notes on Other Subjects, circa 1921-circa 1964
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Stephan Bourgeois papers, 1908-circa 1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bourstep, Series 3
See more items in:
Stephan Bourgeois papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bourstep-ref37

Artists Files

Collection Creator:
Parsons, Betty  Search this
Extent:
19.4 Linear feet (Boxes 1-18, 51, 55-56, OVs 53, 65 )
Type:
Archival materials
Date:
1935-1983
Scope and Contents note:
At least one-third of the collection consists of Artists Files stemming from the gallery's business relationships (and Betty Parsons' personal relationships) with numerous artists. The correspondence focuses primarily on representation, promotion, exhibitions, and sales. Files contain correspondence with artists, museums, curators, collectors, and dealers, as well as with insurance agencies, and shipping and storage companies. Also found in the files are price lists, sales and expense records, shipping records, exhibition announcements and catalogs, biographical material, clippings, photographs of artwork and artists, writings by and about artists, and related material.

The files provide extensive documentation of the gallery's activities on behalf of individual artists, as well as Betty Parsons' role in the rise of Abstract Expressionism in American art and her close personal relationships with certain artists. Of particular note are the files on Jackson Pollock, Mark Rothko, Clyfford Still, and Barnett Newman, who were among the artists shown in the early years of the gallery. The Pollock file contains letters to and from the artist and his wife, Lee Krasner, as well as correspondence between Peggy Guggenheim and Parsons concerning Pollock's work and career.

Extensive documentation can also be found on the artists Forrest Bess, William Congdon, Paul Feeley, Thomas George, Alexander Liberman, Seymour Lipton, Richard Pousette-Dart, Jesse Reichek, and Jack Youngerman. Other artists of note include Hans Hofmann, Ray Johnson, Lyman Kipp, Robert Murray, Agnes Martin, Alfonso Ossorio, Eduardo Paolozzi, Anne Ryan, Ad Reinhardt, Hans Richter, and Theodoros Stamos.
Arrangement note:
Correspondence with artists can also be found amongst the gallery correspondence files, as well as in Betty Parsons' personal correspondence. Artists Files are arranged alphabetically by artist and further subdivided if needed by format. Files described as "General" typically include records in a wide variety of formats, such as correspondence, sales and expenses records, and shipping records.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parsbett, Series 1
See more items in:
Betty Parsons Gallery records and personal papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-parsbett-ref16

Castano Galleries records

Creator:
Castano Galleries (Boston, Mass.)  Search this
Names:
Beam, Philip C.  Search this
Castano, Giovanni, 1896-1978  Search this
Chrysler, Walter P. (Walter Percy), 1909-1988  Search this
Danes, Gibson A.  Search this
Denghausen, Franz H., 1911-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Grandin, Isabella  Search this
Hale, Lilian Westcott, 1880-1963  Search this
Hofer, Philip, 1898-1984  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Venturi, Lionello, 1885-1961  Search this
Extent:
30 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1907-1983
Scope and Contents:
20 feet, chiefly gallery records and some personal papers of gallery owner, Giovanni (John) Castano, including correspondence, legal material, subject files, notes, writings, financial material, photographs, a scrapbook, and printed material.
Included are biographical information about Castano, business correspondence with dealers, museums, clients, collectors, artists, art historians, and others, and some personal correspondence, including a letter from Rome, 1876, from an unidentified writer to an unidentified woman containing a detailed description of a painting in the Barberini, and correspondence related to Castano's work as a scenic artist, 1924-1931. Subject files contain mainly correspondence and lists of work, and relate to Italian Renaissance exhibition, 1938, the Heeramaneck Collection of Persian and Indian Art, a Boldini exhibition, Arthur C. Goodwin, 1945-1952, and a Mancini-Sargent exhibition, 1951.
Financial material includes records of expenses and income; account books; employees' weekly wage book; records of purchases and sales of art work, including part of a bill for a painting by Diaz paid by Knoedler and Co., 1890; appraisals done for individuals, estates and institutions, including the Gorham Corporation, Harvard University murals, the Mrs. T. Morris Murray estate, furnishings of William M. Paxton's studio, ca. 1941, and paintings by Edmund Tarbell, and others; consignments; priced auction catalogs of the Henry F. Sears estate, the Mary A.H. Traiser estate, and miscellaneous price lists.
Also included are a card file on paintings; lists of paintings; inventories; client cards; address and appointment books; mailing lists; gallery journals, 1936-1927; descriptions and notes on paintings and authentications; biographies of artists; writings by and about Castano; and notes by Churchill Wyman on Philip Hale's anatomy lectures.
Photographs are of Castano, his work, artists at work, and various works of art. Original art work consists of sketches for a logo designed by Suzanne Chapman. Included in the exhibition related material is a catalog for Castano's posthumous exhibition.
Also included is a scrapbook containing announcements, clippings on the gallery and Castano, exhibition catalogs, and biographical material compiled by Castano's longtime secretary.
Among the correspondents are: Philip Beam, Walter P. Chrysler, Jr., Gibson Danes, Franz Denghasusen, Lloyd Goodrich (Whitney Museum of American Art), Isabella Grandin, Lilian W. Hale, Philip Hofer (Fogg Art Museum), Perry T. Rathbone (Museum of Fine Arts, Boston), Edgar P. Richardson (Detroit Institute of Arts), Paul J. Sachs (Fogg), and Lionello Venturi.
Biographical / Historical:
Art gallery, Boston, Mass. Founded in 1931 by Giovanni Castano, also known as John Castano. Castano attended the School of the Museum of Fine Arts, Boston, where he was an assistant to Philip Hale. He was a scenic artist for the Boston Opera Company and for the Grand Opera in Cincinnati, Ohio. During the Depression, he returned to Boston where he opened a gallery on Newbury Street specializing in European and American paintings, acted as an agent for Wildenstein and Co., and restored paintings. The gallery had numerous exhibitions of the "Boston School," including A.C. Goodwin, Winslow Homer, Philip Hale, Edmund C. Tarbell, William Paxton and others. The gallery occupied several Newbury St. locations. From 1975 until his death, Castano operated it from his home in Needham.
Other Title:
Giovanni Castano Galleries records, 1907-1983.
Provenance:
Lent for microfilming by Elvira Castano Palmerio, Castano's daughter, 1988.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art appraisers  Search this
Restorers  Search this
Gallery owners  Search this
Topic:
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- Massachusetts
Identifier:
AAA.castgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castgall

Colette Roberts Papers and Interviews with Artists

Creator:
Roberts, Colette, 1910-  Search this
Names:
British Broadcasting Corporation  Search this
Grand Central Moderns (Gallery)  Search this
Le Point Cardinal (Gallery)  Search this
New York University -- Faculty  Search this
Bauermeister, Mary, 1934-  Search this
Bearden, Romare, 1911-1988  Search this
Chryssa, 1933-  Search this
Dehner, Dorothy, 1901-1994  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferren, John, 1905-1970  Search this
Gottlieb, Adolph, 1903-1974  Search this
Johnson, Ray, 1927-  Search this
Karp, Ivan C., 1926-2012  Search this
Le Prat, Thérèse  Search this
Lindner, Richard, 1901-  Search this
Marisol, 1930-2016  Search this
Moy, Seong  Search this
Nevelson, Louise, 1899-1988  Search this
O'Doherty, Brian  Search this
Ray, Man, 1890-1976  Search this
Reinhardt, Ad, 1913-1967 -- Photographs  Search this
Schwabacher, Ethel, 1903-1984  Search this
Sterne, Hedda, 1910-  Search this
Vieira da Silva, Maria Helena, 1908-1992  Search this
Extent:
10.2 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Reviews (documents)
Interviews
Articles
Notes
Manuscripts
Photographs
Sound recordings
Date:
1918-1971
Summary:
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
Scope and Content Note:
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.

Significant correspondents include Sam Adler, Erwin Barrie, Hubert Damisch, George Deem, Mesdames de Harting and de Tinan, Lamar Dodd, Hélène Drude (Le Point Cardinal gallery), Arne Ekstrom, Albert M. Fine (Fluxus artist), Iqbal Geoffrey, R.G. Gilllet, Adolph Gottlieb, Cleve Gray, Leon Hartl, Jennett Lam, Alberto Cifolelli Lamb, Mike Nevelson, Norman Norotzky, Jacqueline Pavlowsky, Abe Rattner, Ad Reinhardt, H. Sandberg, Philippe Stern, Russell Twiggs, and Zuka.

Writings by Roberts include manuscripts and articles about artists, writings about her own art, personal writings, working notes from interviews and classes, reviews, and translations between English and French.

Among the personal records are Robert's files relating to teaching, charitable activities, and exhibitions. Also found are gallery records from Grand Central Moderns Gallery, including artist résumés, a card file of artworks with provenance information, exhibition catalogs and announcements, membership records, posters, publicity, and sales records.

Printed materials in the collection include clippings, Roberts' printed articles, press releases, and other exhibition catalogs and announcements. Photographs are of Roberts, artists, including Ad Reinhardt, classes, art spaces, and works of art. A small number of artworks on paper are also found, including Fluxus art stamps and a printed picture of Ray Johnson stamped "DOUGHNUT FESTIVAL."

Documentation of interviews with artists conducted by Roberts includes a card index file, a few transcripts, and the original sound recordings. Most of the recordings are interviews with artists that Roberts created during a class she taught at New York University between 1957 and 1971 called "Meet the Artist," including Mary Bauermeister, Romare Bearden, Dorothy Dehner, John Ferren, Ray Johnson, Ivan Karp, Thérèse Le Prat, Richard Lindner, Marisol, Seong Moy, Brian O'Doherty, Man Ray, Ethel Schwabacher, Hedda Sterne, Marie Helena Vieira da Silva, and many others. In preparation for magazine articles, Roberts conducted more extensive interviews with Chryssa, Marcel Duchamp, Adolph Gottlieb, and Louise Nevelson. A few of the recordings of Marcel Duchamp were not created by Roberts. In all, over 100 artists are represented in Roberts' interviews. Other recordings found include lectures and interviews conducted by people other than Roberts.
Arrangement:
The collection is arranged as 8 series:

Series 1: Correspondence, 1918-1971 (Box 1, 0.5 linear feet)

Series 2: Notes and Writings, 1936-1970 (Box 1, 0.3 linear feet)

Series 3: Personal Records, 1944-1971 (Box 1-2, 11; 0.7 linear feet)

Series 4: Grand Central Moderns Gallery Records, 1952-1970 (Box 2-3, 11; 0.7 linear feet)

Series 5: Printed Material, 1938-1971 (Box 3-5, 11-12; 2.0 linear feet)

Series 6: Photographs, 1930-1971 (Box 5; 0.2 linear feet)

Series 7: Artwork, 1940-1969 (Box 5; 4 folders)

Series 8: Interviews with Artists, 1959-1971 (Box 5-10; 5.5 lienar feet)
Biographical Note:
Colette Roberts was a French artist, curator, gallery director, and scholar who emigrated to the United States in 1939, settling in New York City and remaining there until her death in 1971.

Roberts was born in Paris, France in 1910. She studied art with Roger Bissière at the Académie Ranson and with Henry Focillon at the Ecole du Louvre, and she later attended the Institut d'Art et Archeologie at the Sorbonne. Roberts came to the United States in 1939, settling in New York City, and became an American citizen three years later. In her early years in the United States, Roberts lectured and wrote on art and literature, and was active in various war-relief organizations, raising money and organizing benefits for organizations such as the American Red Cross and UNICEF. She was the gallery director for the National Association of Women Artists' Argent Galleries from 1947 to 1949, secretary to the curator of Far Eastern Art at New York's Metropolitan Museum from 1950 to 1951, and art editor for "France Amérique," the French-language newspaper in New York, beginning in 1953.

Roberts became gallery director of the Grand Central Moderns Gallery (New York, NY) in 1952 and remained in that position until 1968, when the gallery closed. The gallery was opened in 1946 by Erwin S. Barrie of the Grand Central Galleries for the promotion of living American artists. Among the artists represented there were Jennett Lam and Seong Moy. During this period she was also an instructor at New York University and Queens College, teaching art history and contemporary art. In 1957, she began a course at New York University called "Meet the Artist," for which she took her classes to the studios of working artists to see and discuss their work. In the early 1960s, she began to tape record her interviews of artists for this course, a practice which continued until her death in 1971. In 1968, Roberts worked briefly as Gallery Director for the A.M. Sachs Gallery (New York, NY), and as an oral history interviewer for the Archives of American Art.

Roberts wrote extensively on contempoary art, including articles and monographs on Mark Tobey (1960, Grove Press), Louise Nevelson (1964, The Pocket Museum), and Marcel Duchamp. She was a regular contributor to Aujourd'hui and Art and Architecture magazines.
Related Material:
Additional papers and recordings of Colette Roberts are held by Syracuse University Library Special Collections Research Center.
Separated Material:
A copy of a 1967 oral history with Adolf Gottlieb conducted by Dorothy Seckler for the Archives of American Art oral history program, which was found in Roberts' papers, has been returned to the Archives' oral history collection.
Provenance:
The sound recordings and transcripts of interviews with artists, were donated by Colette Roberts in 1970. The remaining papers were donated by her son, Richard B. Roberts, in 1973.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Fluxus (Group of artists)  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Transcripts
Reviews (documents)
Interviews
Articles
Notes
Manuscripts
Photographs
Sound recordings
Citation:
Colette Roberts papers and interviews with artists, circa 1930-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robecoli
See more items in:
Colette Roberts Papers and Interviews with Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-robecoli
Online Media:

Notes and Writings

Collection Creator:
Roberts, Colette, 1910-  Search this
Extent:
(Box 1; 0.3 linear feet)
Type:
Archival materials
Date:
1936-1970
Scope and Contents note:
Colette Roberts' writings include book-length manuscripts and articles about artists, writings about her own art, personal writings, working notes from interviews and classes, reviews, and translations between English and French. Writings about artists include book manuscripts on Louise Nevelson and Mark Tobey, as well as articles, essays, notes, lectures, reviews, chronologies, and bibliographies. Reviews are mostly in French, probably written for France-Amérique, an American French-language newspaper. Writings by others include articles about artists, a questionnaire about working methods filled out by John Hultberg, a lecture by Chryssa, a play by Allan Kaprow, and a film treatment by Gianfranco Baruchello. Writings are in French and English.

See also printed materials for published articles Roberts wrote for France-Amérique, and see Personal Records and Grand Central Moderns Gallery Records for writings related to teaching and gallery activities.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Colette Roberts papers and interviews with artists, circa 1930-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.robecoli, Series 2
See more items in:
Colette Roberts Papers and Interviews with Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-robecoli-ref51

Miscellaneous

Collection Creator:
Midtown Galleries  Search this
Extent:
2 Linear feet
Type:
Archival materials
Date:
1934-1985, undated
Scope and Contents note:
Miscellaneous records include Midtown Galleries guest registers complete at 32 volumes except for the first two years of the galleries's existence. This series includes artifacts, mainly samples of artist-designed or inspired silk fabrics produced for the Onandoga Silk Co.; several department stores featured garments made from the fabrics and mounted small exhibitions of the paintings on which the fabrics were based. Also, two brass labels from paintings and a sound recording with a cover designed by a Midtown Galleries artist. Writings by authors other than Alan D. Gruskin are manuscripts about Isabel Bishop and Philip Guston (Gruskin's writings are part of Series 8: Personal Papers of Alan D. and Mary J. Gruskin). Legal documents include items such as the galleries' Act of Incorporation, partnership agreements, and leases.
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Midtown Galleries records, 1904-1997. Archives of American Art, Smithsonian Institution
Identifier:
AAA.midtgall, Series 5
See more items in:
Midtown Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-midtgall-ref4579

Hassel Smith papers

Creator:
Smith, Hassel, 1915-2007  Search this
Names:
Gimpel Fils  Search this
New Arts (Art gallery)  Search this
San Francisco Art Institute -- Faculty  Search this
Anglim, Paule  Search this
Bischoff, Elmer, 1916-1991  Search this
Butterfield, Jan  Search this
Emmerich, André  Search this
Fitz Gibbon, John  Search this
Gimpel, Charles  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Swanson, Kathryn  Search this
Thiebaud, Wayne  Search this
Wollard, Robert  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Date:
circa 1900-2004
bulk 1930-1995
Summary:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.
Scope and Content Note:
The papers of Southern California painter and instructor Hassel Smith measure 4 linear feet and date from circa 1900 to 2004 with the bulk of the materials dating from 1930-1995. Found within the papers are correspondence, a transcript of an interview conducted by Jan Butterfield in the 1980s, personal business files, teaching files, writings by Smith and others, sketches, printed materials, and photographs of Smith, his family and friends, and his artwork. There are audio recordings of a lecture series organized by Smith and of reviews of Smith's work. Correspondents include Paule Anglim, Elmer Bischoff, Andre Emmerich, Clyfford Still, Wayne Thiebaud, and many others.

Biographical materials include biographical sketches, curriculum vitae, genealogical materials, ephemera, and personal appointment books from the mid to late 1970s. Also found here is a transcript of an in-depth interview of Smith conducted by Jan Butterfield in the 1980s.

There is personal and professional correspondence with Paule Anglim, Elmer Bischoff, Andre Emmerich, Charles Gimpel of Gimpel Fils, Clyfford and Patricia Still, Kathryn Swanson of the New Arts Gallery, Wayne Thiebaud, family members, and many others.

Personal business records include art sales records, exhibition checklists, conservation and condition reports, and personal finance records. Teaching materials include class schedules, student lists, and syllabi. Also found are notes on topics such as American art and literature, artistic traits and forms, illusion, and women artists.

Writings by Smith include artist statements, creative writings, his thoughts on the art market and art institutions, the San Francisco art community, and social criticism. Writings by others consist primarily of essays about Smith and his work. There are also writings by Smith's friend Robert Wollard. Artwork includes sketches, doodles, and Christmas cards done by Smith, and a handful of artwork by others.

Printed materials include clippings, exhibition announcements and catalogs, and posters. Also found here are printed materials about other artists, schools where Smith enrolled or taught, Smith's general interests, and collages and flyers by Robert Wollard. There is a printed copy of the pictorial edition of the Communist Manifesto edited by Smith and other artists.

Photographic materials are of Smith, family members, artwork, his studio, exhibition openings and other art events, and friends and colleagues. A family photograph dates from circa 1900 and negatives date from 1920. Most of the photographs date from the 1940s through the 1990s.

Sound recordings include 1 sound tape reel of the radio show, Art Review, with host John Fitz Gibbon reviewing Smith's artwork, and nine sound cassettes of student critiques overseen by Smith at the San Francisco Art Institute.
Arrangement:
The collection is arranged into 9 series.

Series 1: Biographical Materials, 1930-2004 (0.25 linear feet; Box 1)

Series 2: Correspondence, 1930s-2003 (1.0 linear foot; Boxes 1-2)

Series 3: Personal Business Materials, 1953-2003 (0.25 linear feet; Box 2)

Series 4: Teaching Materials, 1960s-1980s (18 folders; Box 2)

Series 5: Writings, 1940s-1994 (0.25 linear feet; Box 2)

Series 6: Artwork, 1928-1995 (8 folders; Box 2)

Series 7: Printed Materials, 1928-2003 (1.25 linear feet; Boxes 3-4)

Series 8: Photographic Materials, 1900s-2004 (0.5 linear feet; Box 4)

Series 9: Sound Recordings, 1965-1980 (10 items; Box 4)
Biographical Note:
Hassel Smith (1915-2007) was a California Bay area abstract expressionist painter, painting instructor at the California School of Fine Arts, and a lecturer at the University of California. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith was also associated with the famed Los Angeles Ferus Gallery.

Hassel Smith was born on April 27, 1915, in Sturgis, Michigan, settling later with his family in San Mateo, California. He attended Northwestern University with the intention of becoming a chemist, but switched his majors to English and Art History and graduated in 1936. Returning to California, Smith enrolled at the California School of Fine Arts (CSFA), and studied with the painter Maurice Sterne.

In 1937, he left school and shared housing with his adopted brother Lewis in the Haight-Ashbury district, where he maintained a studio on Steiner Street. At the same time, as a social worker for the California Relief State Administration, he worked with men on "skid row" in San Francisco. Declared 4F by the draft board, Smith served various government agencies during World War II, including the Farm Security Administration and the U.S. Forest Service. During this period, he met and married June Meyers. He later described his government service and social work as having a strong influence on his art and politics.

In 1941, Smith was awarded the Abraham Rosenberg Fellowship from the University of California, Berkeley, which allowed him to travel and paint outdoors at Angel's Camp in the Mother Lode of the Sierra foothills, along with Richard Hackett.

At the end of the war, Smith began teaching at the CSFA, joining faculty members Richard Diebenkorn, David Park, and Clyfford Still. Smith taught there until 1952. His students included Roy De Forest, Sonia Gechtoff, and Frank Lobdell. Smith continued to paint and exhibit work throughout the 1950s, and in 1958 became affiliated with the Ferus Gallery founded by Walter Hopps and Ed Kienholz. His wife June passed away in 1958. One year later, Smith remarried Donna Rafferty Harrington, and they had their son Bruce in 1960.

After an exhibition at the New Arts Gallery in Houston, London-based dealer Charles Gimpel invited Smith to exhibit his work in England. As a result of this, Smith moved to England in 1962, and spent a year living in Mousehole, a fishing village in Cornwall. He moved back to California and between 1963 to 1966 was a visiting lecturer at the University of California, Berkeley and the University of California, Los Angeles. In 1966, Smith accepted a position as Senior Lecturer at the West England College of Art in Bristol, England where he stayed until 1978. He finished his teaching career as a Principal Lecturer at the Cardiff College of Arts in Wales from 1978 to 1979.

Smith spent most of the next two decades painting and exhibiting, which included exhibitions at the Oakland Museum and the San Jose Museum of Art. In 1991, he was awarded an honorary doctorate by the San Francisco Art Institute (formerly the California School of Fine Arts). Due to failing health, Smith was forced to stop painting in 1997. Smith died in 2007 in Warminster, England, at the age of 91.
Related Material:
Also found in the Archives of American Art is an oral history interview with Hassel Smith conducted by Paul Karlstrom, September 5, 1978 and a video interview with Hassel Smith conducted by Paul Karlstrom, January 15, 1986.
Provenance:
Hassel Smith donated most of his papers in several increments between 1980 and 1998. His son Joseph donated audio recordings in 1980, and Hassel Smith's widow Donna donated additional materials in 2004.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- California -- Berkeley  Search this
Painters -- California  Search this
Topic:
Art -- Study and teaching  Search this
Educators -- California -- Berkeley  Search this
Artists' studios -- Photographs  Search this
Abstract expressionism  Search this
Women artists  Search this
Art -- California -- San Francisco Bay Area  Search this
Art, American  Search this
Genre/Form:
Interviews
Sound recordings
Sketches
Transcripts
Christmas cards
Photographs
Citation:
Hassel Smith papers, circa 1900-2004, bulk 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smithass
See more items in:
Hassel Smith papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smithass
Online Media:

Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
56.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2007
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.
Arrangement:
The collection is arranged as eight series:

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Artists -- Political activity  Search this
Authors -- New York (State) -- New York  Search this
Conceptual art  Search this
Art criticism -- New York (State) -- New York  Search this
Feminism and art  Search this
Minimal art  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Robert C. Graham collection of artists' letters, 1783-1935, bulk 1804-1877

Creator:
Graham, Robert Claverhouse, 1913-1994  Search this
Graham, Robert Claverhouse, 1913-1994  Search this
Subject:
Peale, Rembrandt  Search this
Trumbull, John  Search this
West, Benjamin  Search this
Morse, Samuel Finley  Search this
Healy, G.P.A. (George Peter Alexander)  Search this
Sargent, John Singer  Search this
Sully, Thomas  Search this
Doughty, Thomas  Search this
Huntington, Daniel  Search this
Inman, Henry  Search this
Leutze, Emanuel  Search this
Type:
Letters
Topic:
Artists' writings  Search this
Art -- Collectors and collecting  Search this
Art dealers -- New York (State) -- New York  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)5810
(DSI-AAA_SIRISBib)208650
AAA_collcode_grahrobe
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208650
Online Media:

Castano Galleries records, 1907-1983

Creator:
Castano Galleries  Search this
Castano Galleries  Search this
Subject:
Venturi, Lionello  Search this
Beam, Philip C.  Search this
Chrysler, Walter P. (Walter Percy)  Search this
Danes, Gibson A.  Search this
Denghausen, Franz H.  Search this
Goodrich, Lloyd  Search this
Grandin, Isabella  Search this
Hale, Lilian Westcott  Search this
Hofer, Philip  Search this
Rathbone, Perry Townsend  Search this
Richardson, Edgar Preston  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Castano, Giovanni  Search this
Topic:
Art -- Collectors and collecting  Search this
Theme:
Art Market  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10415
(DSI-AAA_SIRISBib)213802
AAA_collcode_castgall
Theme:
Art Market
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213802

The source: artists writing about their own work

Creator:
Artists Talk on Art  Search this
Artists Talk on Art  Search this
Type:
Sound Recording
Date:
1981 November 13
Record number:
(DSI-AAA)22128
See more items in:
Artists Talk on Art records, circa 1974-2018
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_22128

Edmund C. Tarbell papers, circa 1855-circa 2000, bulk 1885-1938

Creator:
Tarbell, Edmund Charles, 1862-1938  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)8487
(DSI-AAA_SIRISBib)210663
AAA_collcode_tarbedmu
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210663
Online Media:

Elihu Vedder papers, 1804-1969, bulk 1840-1923

Creator:
Vedder, Elihu, 1836-1923  Search this
Vedder, Elihu, 1836-1923  Search this
Subject:
Vedder, Caroline Rosekrans  Search this
Type:
Photographs
Diaries
Topic:
Illustrators -- Italy -- Rome  Search this
Painters -- Italy -- Rome  Search this
Painting, Modern -- 19th century -- Italy -- Rome  Search this
Artists' writings  Search this
Works of art  Search this
Theme:
Diaries  Search this
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)9264
(DSI-AAA_SIRISBib)211459
AAA_collcode_veddelih
Theme:
Diaries
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211459
Online Media:

Andrew Carnduff Ritchie papers, 1907-1983

Creator:
Ritchie, Andrew Carnduff, 1907-1978  Search this
Ritchie, Andrew Carnduff, 1907-1978  Search this
Subject:
Roszak, Theodore  Search this
Ritchie, Jane  Search this
Paolozzi, Eduardo  Search this
Namuth, Hans  Search this
Lynes, Russell  Search this
Hadzi, Dimitri  Search this
Calder, Alexander  Search this
Afro  Search this
Yale University. Art Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
College Art Association of America  Search this
Allied Forces. Supreme Headquarters. Monuments, Fine Arts and Archives Section  Search this
Type:
Photographs
Topic:
World War, 1939-1945 -- Destruction and pillage -- Europe  Search this
World War, 1939-1945 -- Confiscations and contributions -- Germany  Search this
Art treasures in war -- Netherlands -- History -- 20th century  Search this
Art thefts -- Germany -- History -- 20th century  Search this
World War, 1939-1945 -- Art and the war  Search this
Cultural property -- Protection -- Europe -- History -- 20th century  Search this
Art -- Study and teaching  Search this
Museum directors -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)8152
(DSI-AAA_SIRISBib)210323
AAA_collcode_ritcandr2
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210323
Online Media:

Hans Theo Richter papers, [ca. 1914-1981]

Creator:
Richter, Hans, 1888-1976  Search this
Richter, Hans, 1888-1976  Search this
Subject:
Calder, Alexander  Search this
Duchamp, Marcel  Search this
Ernst, Max  Search this
Ray, Man  Search this
Topic:
Experimental films  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)8333
(DSI-AAA_SIRISBib)210505
AAA_collcode_richhans
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210505

Selections from the Philadelphia Museum of Art's Archives of American Art collection, 1866-1968

Creator:
Philadelphia Museum of Art  Search this
Philadelphia Museum of Art  Search this
Subject:
Eakins, Thomas  Search this
Force, Juliana  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Roberts, George B., Mrs  Search this
Sartain, William  Search this
Abbe, Robert  Search this
Arms, John Taylor  Search this
Bartlett, Paul  Search this
Beal, Gifford  Search this
Beaux, Cecilia  Search this
Burchfield, Charles Ephraim  Search this
Cadmus, Paul  Search this
Chagall, Marc  Search this
Cortissoz, Royal  Search this
Cox, Kenyon  Search this
Curran, Charles C. (Charles Courtney)  Search this
De Creeft, José  Search this
Dehn, Adolf  Search this
Dewing, Thomas Wilmer  Search this
Eakins, Susan Macdowell  Search this
Eilshemius, Louis M. (Louis Michel)  Search this
Evergood, Philip  Search this
Graham, John  Search this
Haskell, Ernest  Search this
Hassam, Childe  Search this
Lipchitz, Jacques  Search this
Marsh, Reginald  Search this
McCarter, Henry  Search this
Mechlin, Leila  Search this
Miller, Kenneth Hayes  Search this
Mullikin, Mary Augusta  Search this
Pennell, Joseph  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Sloan, John  Search this
Valentin, Curt  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Zigrosser, Carl  Search this
Milch Galleries  Search this
Place:
China -- description and travel
Topic:
Art, American  Search this
Artists' writings  Search this
Motion study -- Photographs  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)10619
(DSI-AAA_SIRISBib)214161
AAA_collcode_philmuss
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214161

Jacob Eichholtz daybook, 1804-1817

Creator:
Eichholtz, Jacob, 1776-1842  Search this
Eichholtz, Jacob, 1776-1842  Search this
Topic:
Artists' writings  Search this
Portrait painting -- 19th century -- Pennsylvania -- Philadelphia  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7000
(DSI-AAA_SIRISBib)209133
AAA_collcode_eichjaco
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209133

Roman A. Clef (aka Henry E. Guerriero) and Michael Leopold papers, 1968-1980

Creator:
Clef, Roman A., 1929-  Search this
Leopold, Michael, 1929-1987  Search this
Clef, Roman A., 1929-  Search this
Subject:
Dole, William  Search this
Schaffner, Ruth S.  Search this
Clef, Roman A.  Search this
Topic:
Artists' writings  Search this
Sculpture, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7463
(DSI-AAA_SIRISBib)209621
AAA_collcode_guerhenr
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209621

Hugo Gellert papers, 1916-1986

Creator:
Gellert, Hugo, 1892-1985  Search this
Gellert, Hugo, 1892-1985  Search this
Subject:
Gropper, William  Search this
Lie, Jonas  Search this
Kent, Rockwell  Search this
Refregier, Anton  Search this
Gellert, Ernest  Search this
Sequenzia, Sofia  Search this
Gottlieb, Harry  Search this
Reisman, Philip  Search this
Gellert, Lawrence  Search this
Evergood, Philip  Search this
Derkovits, Gyula  Search this
Fiene, Ernest  Search this
Fast, Howard  Search this
American Artists' Congress  Search this
Art of Today Gallery (New York, N.Y.)  Search this
Artist's Committee of Action (New York, N.Y.)  Search this
Hungarian Word, Inc.  Search this
National Society of Mural Painters (New York, N.Y.)  Search this
Artists Council  Search this
Artists Coordination Committee (New York, N.Y.)  Search this
Committee to Defend V.J. Jerome  Search this
Artists for Victory, Inc.  Search this
Type:
Interviews
Photographs
Topic:
Artists' writings  Search this
Politics in art  Search this
Works of art  Search this
Muralists -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Graphic artists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7845
(DSI-AAA_SIRISBib)210012
AAA_collcode_gellhugo
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210012
Online Media:

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