Search Results

Collection Creator:

Parsons, Betty  Search this

Extent:

(See Box 51)

Container:

Box 8, Folder 31

Type:

Archival materials

Date:

1950s

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.

See more items in:

Betty Parsons Gallery records and personal papers

Betty Parsons Gallery records and personal papers / Series 1: Artists Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-parsbett-ref248

Collection Creator:

Parsons, Betty  Search this

Extent:

(Scanned with Box 8, F31)

Container:

Box 51

Type:

Archival materials

Date:

1950s

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.

See more items in:

Betty Parsons Gallery records and personal papers

Betty Parsons Gallery records and personal papers / Series 1: Artists Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-parsbett-ref634

Creator:

Moore, John McDonald, 1919-1999  Search this

Names:

New School for Social Research (New York, N.Y.)  Search this

Werblud, Elaine R. (Bobbie)  Search this

Extent:

21.5 Linear feet

Type:

Collection descriptions

Archival materials

Sound recordings

Date:

1948-2015

bulk 1968-1999

Summary:

The papers of art historian and educator John McDonald Moore measure 21.5 linear feet and date from 1948-2015, with the bulk dating from 1968-1999. Included are biographical material regarding Moore; his writings, including book proposals and lectures; correspondence regarding teaching and letters from students; voluminous notecards for lectures; and sound recordings of lectures.

Scope and Contents:

The papers of art historian and educator John McDonald Moore measure 21.5 linear feet and date from 1948-2015, with the bulk dating from 1968-1999. Included are biographical material regarding Moore; his writings, including book proposals and lectures; correspondence regarding teaching and letters from students; voluminous notecards for lectures; and sound recordings of lectures.

This collection documents Moore's career as an art historian and educator at the New School for Social research and his contribution to understanding the New York Art Scene from the late 1960s through the 1990s. It also provides insight on Elaine R. (Bobbie) Werblud's long career as Moore's teaching assistant. Materials include Moore's academic transcripts and diplomas; resumes; a 1989 teaching award; certificates; correspondence related to his education and courses he taught at NYU's Liberal Arts Extension and the New School for Social Research; draft manuscripts; academic papers; book proposals; handwritten and typed lectures; lecture notebooks including lecture and research notes; lecture notebooks maintained by Werblud; lecture notecards documenting research for Moore's course lectures and hand written lectures; course descriptions; flyers; clippings; photographs; exams; enrollment lists; a sound recording of Moore's Memorial service; and sound recordings of a sample of Moore's lectures from circa 1969-1998.

Arrangement:

The collection is arranged as 4 series.

Series 1: Biographical Material, 1948-2015 (0.2 linear feet; Box 1)

Series 2: Correspondence, 1959-1999 (0.2 linear feet; Box 1)

Series 3: Writings, circa 1960s-1986 (0.8 linear feet, Box 1-2)

Series 4: Teaching Material, circa 1967-2000 (20.3 linear feet, Box 2-25)

Biographical / Historical:

John McDonald Moore (1919-1999) was a lecturer in art history at the New School for Social Research in New York City from 1968 until his death in 1999. Moore was born in the state of Georgia, where he attended the High Museum School of Art. He served as an illustrator for the U.S. Army Air Force during World War II. After the war he worked as an advertising illustrator in New York. In 1961, Moore realized his true vocation was teaching. He began teaching part time at New York University, and in 1968 became a lecturer in art history at the New School, where he continued to teach until his death. There he met his wife, Elaine R. (Bobbie) Werblud, who became Moore's teaching assistant in 1970. Werblud was instrumental in supporting Moore's work through her extensive logging of course lectures in notebooks, transcribing lectures on notecards, recording weekly lectures, and organizing trips to exhibitions and artist studios, as well as studies abroad. From 1968-1971 Moore earned a B.A. and M.A. in art history at Goddard College. Moore was an inspirational lecturer acclaimed by many New York artists who were his students, including Mary Frank and Ursula von Rydingsvard. The John McDonald Moore Memorial Lecture series at the Vera List Center for Art and Politics was established in his honor.

Separated Materials:

193 audio cassettes documenting 10 lecture courses taught by John McDonald Moore from 1971 through 1998 were transferred to the New School Libraries and Archives in 2019.

Provenance:

Donated in 2018 by Debra Werblud, Moore's step-daughter.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians -- New York (State) -- New York  Search this

Educators -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Citation:

John McDonald Moore papers, 1948-2015. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.moorjohn

See more items in:

John McDonald Moore papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-moorjohn

Collection Creator:

Moore, John McDonald, 1919-1999  Search this

Extent:

20.3 Linear feet (Box 2-12, 22-25)

Type:

Archival materials

Date:

circa 1967-2000

Scope and Contents:

The bulk of the collection, teaching files document John McDonald Moore's career as an art historian and educator at the New School for Social Research from 1968-1999, and Elaine R. (Bobbie) Werblud's career as Moore's teaching assistant beginning in 1970. Materials include correspondence, course descriptions, enrollment lists, and bibliographies from the New School and one folder from NYU's Liberal Arts Extension; clippings; flyers; pamphlets; a 1967 annual meeting address from the National Science Teachers Association; exams; discussion questions; typed and handwritten lectures; color and black and white photographs and slides depicting Moore giving lectures in the classroom, on exhibition tours with students, and with study abroad groups; a sample of sound recordings of Moore's New School lectures from circa 1969-1998; Moore's lecture and research notebooks that document research for lectures and scholarly publications; lecture notebooks logged by Werblud that document Moore's lectures beginning in 1970; and Moore's notecards that document Moore's lecture research from 1968-1999, including a small group of handwritten lectures. The handwritten lectures were written by Moore and transcribed more legibly by Werblud, and housed in small wooden notecard boxes that were inscribed on the bottom with Moore's full name and the date ranges for the lectures. Lecture sound recordings and notebooks are arranged chronologically, and the notecards are arranged by subject. Also included with the notecards are photographs and snapshots from Moore's U.S. and European travels. These images show physical environments that have changed over time. Moore never gave the same lecture twice. His extensive research was compiled in notecards which comprised of ideas that were inspired by readings and visits to museums, galleries, and artist studios. Moore would pull notecards to create his lectures along with accompanying slides that provided visual documentation to support the lectures. Topics included periods, movements, styles, geographic locations, artists and authors.

Arrangement:

The sound recordings of lectures are arranged by semester and course name and can be cross referenced with the lecture notebooks and some of the notecards.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

John McDonald Moore papers, 1948-2015. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.moorjohn, Series 4

See more items in:

John McDonald Moore papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-moorjohn-ref4

Creator:

Smithsonian American Art Museum  Search this

Type:

YouTube Videos

Uploaded:

2013-06-20T11:58:52.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_6dWHUVm56p8

Creator:

Falkenstein, Claire, 1908-1997  Search this

Names:

Coos Art Museum  Search this

Fresno Art Museum  Search this

Galerie Anderson-Mayer  Search this

Gallery Stadler  Search this

Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this

John Bolles Gallery (San Francisco, Calif.)  Search this

Los Angeles Museum of Art  Search this

Malvina Miller  Search this

Martha Jackson Gallery  Search this

Merging One Gallery  Search this

Mills College -- Faculty  Search this

Pond Farm Workshop  Search this

San Francisco Museum of Art  Search this

University of California, San Francisco. School of Fine Arts -- Faculty  Search this

Green, Ray, 1908-1997  Search this

Guggenheim, Peggy, 1898-  Search this

Kuh, Katharine  Search this

O'Donnell, May, 1906-2004  Search this

Sawyer, Kenneth B.  Search this

Still, Clyfford, 1904-  Search this

Still, Patricia  Search this

Tapie, Michel  Search this

Temko, Allan  Search this

Tobey, Mark  Search this

Wildenhain, Frans, 1905-1980  Search this

Extent:

42.8 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Motion pictures (visual works)

Scrapbooks

Sketchbooks

Diaries

Photographs

Sketches

Date:

circa 1914-1997

bulk 1940-1990

Summary:

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Scope and Content Note:

The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.

Arrangement:

The collection is arranged into 9 series:

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)

Biographical Note:

Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.

Related Material:

The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.

Provenance:

The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.

Restrictions:

Use of original papers requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- California  Search this

Topic:

Women artists -- California  Search this

Women artists -- France -- Paris  Search this

Sculptors -- California  Search this

Interviews  Search this

Awards  Search this

Transcripts  Search this

Articles  Search this

Designers -- California  Search this

Drafts (documents)  Search this

Art -- Study and teaching  Search this

Poetry  Search this

Scripts  Search this

Notebooks  Search this

Artists' studios  Search this

Art -- Economic aspects  Search this

Art patronage  Search this

Educators -- California  Search this

Jewelry -- Design  Search this

Sculptors -- France -- Paris  Search this

Genre/Form:

Drawings

Motion pictures (visual works)

Scrapbooks

Sketchbooks

Diaries

Photographs

Sketches

Citation:

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Foundation.

Identifier:

AAA.falkclai

See more items in:

Claire Falkenstein papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-falkclai

Collection Creator:

Falkenstein, Claire, 1908-1997  Search this

Container:

Box 14, Folder 15

Type:

Archival materials

Date:

1968-1986

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Getty Foundation.

See more items in:

Claire Falkenstein papers

Claire Falkenstein papers / Series 3: Personal and Business Records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-falkclai-ref479

Collection Creator:

Ojeda, Naúl, 1939-2002  Search this

Container:

Box 2, Folder 63

Type:

Archival materials

Date:

1982-1984

Scope and Contents:

Includes text of Katherine Faith Priors review of Poems of Pablo Neruda Illustrated by Naùl Ojeda at the artist's studio in 1982, for Art Express.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Naúl Ojeda papers, circa 1960-2004, circa 2013. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing and digitization of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Additional funding for the digitization of the papers was provided by the Roy Lichtenstein Foundation.

See more items in:

Naúl Ojeda papers

Naúl Ojeda papers / Series 4: Professional Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-ojednaul-ref193

Subject:

White, Robert W. (Robert Winthrop)  Search this

Type:

Photographs

Date:

ca. 1969

Topic:

Artists' studios  Search this

Record number:

(DSI-AAA)14489

See more items in:

Robert W. White papers, 1889-2003, bulk 1915-2003

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_14489

Creator:

Weber, Max, 1881-1961  Search this

Subject:

Matisse, Henri  Search this

Weber, Max  Search this

Type:

Writings

Place:

Paris, France

Date:

1951

Topic:

Art students  Search this

Artists' models  Search this

Artists' studios  Search this

Record number:

(DSI-AAA)15702

See more items in:

Max Weber papers, 1902-2008

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_15702

Subject:

Jones, Francis Coates  Search this

Type:

Photographs

Date:

1895

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Painting  Search this

Record number:

(DSI-AAA)1924

See more items in:

Photographs of artists donated by the Worcester Art Museum, circa 1880-1900

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_1924

Subject:

Whitney, Gertrude Vanderbilt  Search this

Type:

Albums

Place:

Paris, France

Date:

191-

Topic:

Artists' studios  Search this

Record number:

(DSI-AAA)21250

See more items in:

Gertrude Vanderbilt Whitney papers, 1851-1975, bulk 1888-1942

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_21250

Photographer:

Wolin, Jeffrey A., 1951-  Search this

Subject:

Wildenhain, Frans  Search this

Type:

Photographs

Date:

1979

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Record number:

(DSI-AAA)217

See more items in:

Frans Wildenhain papers, circa 1890-1991

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_217

Photographer:

Withers, Margret Craver, 1907-2010  Search this

Subject:

Withers, Margret Craver  Search this

Type:

Photographs

Date:

1947

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Metal-workers  Search this

Record number:

(DSI-AAA)224

See more items in:

Margret Craver Withers papers, 1908-2016

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_224

Photographer:

Cushing, George M.  Search this

Subject:

Withers, Margret Craver  Search this

Type:

Photographs

Date:

1970

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Metal-work  Search this

Metal-workers  Search this

Record number:

(DSI-AAA)232

See more items in:

Margret Craver Withers papers, 1908-2016

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_232

Photographer:

Schiff, John D.  Search this

Subject:

Zorach, William  Search this

Type:

Photographs

Date:

1948

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Portrait sculpture  Search this

Record number:

(DSI-AAA)2555

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The Zorach Family papers, 1900-1987

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_2555

Subject:

Parton, Arthur  Search this

Type:

Photographs

Date:

ca. 1880

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Portraits  Search this

Record number:

(DSI-AAA)3477

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Photographs of artists donated by the Worcester Art Museum, circa 1880-1900

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_3477

Subject:

Gaul, Gilbert William  Search this

Type:

Photographs

Date:

ca. 1900

Topic:

Artists at or with their work  Search this

Artists' studios  Search this

Painting  Search this

Record number:

(DSI-AAA)3521

See more items in:

Photographs of artists donated by the Worcester Art Museum, circa 1880-1900

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_3521

Subject:

Wilson, Ellis  Search this

Type:

Photographs

Date:

1948

Topic:

African American artists  Search this

Artists at or with their work  Search this

Artists' models  Search this

Artists' studios  Search this

Painting  Search this

Record number:

(DSI-AAA)3790

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Ellis Wilson papers, 1922-1959, bulk 1940s

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_3790

Subject:

Wilson, Ellis  Search this

Type:

Photographs

Date:

ca. 1940

Topic:

African American artists  Search this

Artists at or with their work  Search this

Artists' models  Search this

Artists' studios  Search this

Painting  Search this

Record number:

(DSI-AAA)3792

See more items in:

Ellis Wilson papers, 1922-1959, bulk 1940s

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_3792