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Fanny Fern Monument, Mt. Auburn

Distributor:
James M. Lawton, Jr., 143 Union Street, New Bedford, Mass.  Search this
Names:
Fern, Fanny, 1811-1872  Search this
Extent:
1 Stereograph (black and white)
Container:
Box 2
Type:
Archival materials
Stereographs
Date:
circa 1873-1900
Scope and Contents:
front: Books, Stationery, Artists' Materials, and Fancy Goods
General:
Historic Image #: 2484
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Crosses  Search this
Tombstones  Search this
Cemeteries  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic Gardens Stereograph Collection.
Identifier:
AAG.STR, Item STR011042
See more items in:
Historic gardens Stereograph collection
Historic gardens Stereograph collection / Gardens and Landscapes / United States / Massachusetts / MA322: Cambridge -- Mount Auburn Cemetery
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-str-ref4521

Jorge Tacla papers

Creator:
Tacla, Jorge, 1958-  Search this
Names:
Díaz, Gonzalo, 1947-  Search this
Jaar, Alfredo  Search this
Extent:
5.05 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Interviews
Date:
1966-2019
bulk 1980-2009
Summary:
The papers of painter Jorge Tacla measure 5.05 linear feet and date from 1966-2019. Included are biographical material; letters from friends and other artists; project and exhibition files; photographs consisting of snaphots of Tacla, friends, and paintings; eleven illustrated journals; and printed material. The papers document Tacla's creative process and his relationships with other artists.
Scope and Contents:
The papers of painter Jorge Tacla measure 5.05 linear feet and date from 1966-2019. Included are biographical material; letters from friends and other artists; project and exhibition files; photographs consisting of snaphots of Tacla, friends, and paintings; eleven illustrated journals; and printed material. The papers document Tacla's creative process and his relationships with other artists.

This collection documents source material for Tacla's paintings, the creative process through which he makes paintings, his career as an artist working in New York and Chile, and his friendships with other artists. Materials include immigration papers; resumes; an artist bio; an oral history interview transcript; personal and professional correspondence; draft essays; sketches; drawings; sketchbooks; exhibition announcements, catalogs, posters, checklists, and press packets; clippings related to major world events and reviews of Tacla's work; and photographs of Tacla with other artists and colleagues, friends and family, installations, his studios in New York and Chile, and his work.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, circa 1980-circa 1992 (0.2 linear feet, Box 1)

Series 2: Correspondence, 1981-2013 (0.7 linear feet, Box 1, 7)

Series 3: Exhibition Files, 1991-2009 (0.1 linear feet, Box 1)

Series 4: Legal Records, 1996 (0.3 linear feet, Box 1-2)

Series 5: Printed Material, 1980-2019 (2.3 linear feet, Box 2-3, 7-10)

Series 6: Artwork, 1986-2019 (0.9 linear feet, Box 3, 5-6, 10)

Series 7: Photographic Material, 1981-2018 (0.55 linear feet, Box 3-4)
Biographical / Historical:
Jorge Tacla (1958-) is a Chilean born painter who lives in and primarily works in New York, New York.

Tacla attended the Escuela de Bellas Artes, Universidad de Chile and moved to New York in 1981. Throughout his career, Tacla has been awarded numerous grants and fellowships including the John Simon Guggenheim Memorial Foundation Fellowship in 1988. His paintings often present half-imaginary landscapes, such as a disintegrating urban site or a pristine desert. Tacla's work has been included in numerous group and solo exhibitions at galleries and museums around the world.
Provenance:
The collection was donated in 2019 by Jorge Tacla.
Restrictions:
This collection is temporarily closed to researchers due to archival processing. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Sketchbooks
Interviews
Citation:
Jorge Tacla papers, 1966-2019. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tacljorg
See more items in:
Jorge Tacla papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tacljorg
Online Media:

Galleries

Collection Creator:
Sheets, Millard, 1907-1989  Search this
Type:
Archival materials
Date:
1932-1937, 1960-1981, undated
Scope and Contents note:
This subseries contains Millard Sheets's files for the galleries that represented him as one of their artists. Materials include inventory sheets, correspondence, exhibition announcements, sales records, paintings rental agreement forms, and miscellaneous background information.

The files are arranged alphabetically by name of gallery. Within each folder, material is arranged chronologically.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sheemill, Subseries 9.3
See more items in:
Millard Sheets papers
Millard Sheets papers / Series 9: Exhibition Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sheemill-ref770

Jacques Maroger papers

Creator:
Maroger, Jacques, 1884-1962  Search this
Names:
Evergreen House Foundation (Baltimore, Md.)  Search this
Ferargil Galleries  Search this
Galerie Louis Carré  Search this
Grand Central Art Galleries  Search this
Maryland Institute, College of Art  Search this
Musée du Louvre  Search this
Sagittarius Gallery (New York, N.Y.)  Search this
Six Realists Gallery (Baltimore, Md.)  Search this
Anquetin, Louis, 1861-1932  Search this
Dufy, Raoul, 1877-1953  Search this
Fry, Roger Eliot, 1866-1934  Search this
John, Augustus, 1878-1961  Search this
Kelly, Gerald, Sir, 1879-1972  Search this
Ladew, Harry  Search this
Toudu, Sure  Search this
Verne, Henri, b. 1880  Search this
Extent:
1 Linear foot ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1923-1990
Scope and Contents:
Biographical material; letters; business records; writings; notes and notebooks; printed material; photographs.
Included are a biographical sketch; letters, 1924-1958, from Louis Anquetin, Raoul Dufy, Roger Fry, Augustus John, Gerald Kelly, and Sure Toudu; letters from Henri Verne of the Louvre Museum regarding Maroger's appointment as technical director of conservation for the Louvre, 1930-1939; business records, 1948-1962, containing correspondence and receipts from galleries, museums, and publishers regarding Maroger's paintings and his book The Secret Formulas and Techniques of the Masters, among them Galerie Louis Carre & Co. (Paris), Grand Central Art Galleries (New York City), Studio Publications, and Thomas Y. Crowell publishers; a typescript of a speech delivered by Maroger at the "Conference de Londres"; typescript chapters from his book; writings by unidentifed authors on the preparation of heated oil for painting, 1923 and paint mediums, 1949; notes, undated and 2 notebooks, 1923-1937, containing research on paint mediums, pigments, techniques and the artists who used them; a scrapbook of clippings, 1930-1935 mainly from French newspapers regarding his research, and one, 1941-1949, from Baltimore and New York papers about his students at the Maryland Institute, College of Art and exhibitions of his paintings; loose clippings, 1950-1964; exhibition announcements and catalogs, 1947-1962, from Maroger's group and one-man shows at Ferargil Galleries, the Grand Central Art Galleries, including the Maroger Baltimore Group of Painters which showed there, Evergreen House Foundation, Sagittarius Gallery, the Six Realists Gallery, and elsewhere; miscellaneous printed material, 1948-1966; and photographs, 1962, 1990 and undated and a photo album, 1953-1971, of Maroger, his wife Olga, Evergreen House, and works of art (annotated with size and price); of Harry Ladew and a painting of Ladew by Maroger; and of painted furniture, possibly examples for Maroger's painted furniture designs of the Goblins Tapestries.
Biographical / Historical:
Painter, conservator; Paris, France, New York, N.Y., and Baltimore, Md. In the 1930s, Maroger was technical director of the laboratories of the Louvre Museum, a professor at the School of the Louvre, and President of the Association of French Restorers. He received the Legion of Honor in 1937. Maroger came to the U.S. in 1939 and taught at the Parsons School of Design and for 20 years at the Maryland Institute of Art in Baltimore. He studied the paint mediums of the masters, and outlined them in his book, The Secret Formulas and Techniques of the Masters (New York: Studio Publications, 1948).
Provenance:
Lent for microfilming 1992 by Simone LeFaivfre, sister of Maroger's widow Olga.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Conservators  Search this
Painters -- Maryland -- Baltimore  Search this
Topic:
Sculptors -- United States -- Interviews  Search this
Artists' studios -- Photographs  Search this
Artists' materials  Search this
Identifier:
AAA.marojacq
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marojacq

Kraushaar Galleries records, 1877-2006

Creator:
Kraushaar Galleries  Search this
Kraushaar Galleries  Search this
Subject:
Wilson, Ralph L.  Search this
Fausett, Dean  Search this
Lasker, Joe  Search this
Murdock, Roland P.  Search this
Phillips, Duncan  Search this
Kuhn, Walt  Search this
Smith, Vernon  Search this
Robinson, Boardman  Search this
Lechay, James  Search this
Laurent, Robert  Search this
Hartell, John  Search this
Cantene, David  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Kraushaar, Antoinette M.  Search this
Harrison, Preston  Search this
Heliker, John  Search this
Williams, Esther  Search this
Luks, George Benjamin  Search this
Glackens, Edith  Search this
Navas, Elizabeth S.  Search this
DeLonga, Leonard  Search this
Evett, Kenneth Warnock  Search this
Halberstadt, Ernst  Search this
Prendergast, Maurice Brazil  Search this
Morris, Carl  Search this
Ruellan, Andrée  Search this
Smalley, David  Search this
Flannery, Vaughn  Search this
Cowles, Russell  Search this
Penney, James  Search this
Beal, Gifford  Search this
Bacon, Peggy  Search this
Beal, Reynolds  Search this
Hardy, Thomas  Search this
Glackens, William J.  Search this
Prendergast, Charles  Search this
Demuth, Charles  Search this
Albrizio, Humbert  Search this
Lachaise, Gaston  Search this
Bignou, Etienne  Search this
Kirsch, Frederick D. (Frederick Dwight)  Search this
Sloan, John  Search this
Allard, J.  Search this
Bouché, Louis  Search this
Juley, Peter A.  Search this
Stanley, Alix W.  Search this
Arnest, Bernard  Search this
Brueming, Karen  Search this
Miller, Harriette  Search this
Kraushaar, John F.  Search this
Guillaume, Paul  Search this
Art Institute of Chicago  Search this
Toledo Museum of Art  Search this
Cleveland Museum of Art  Search this
Wichita Art Museum  Search this
Whitney Museum of American Art  Search this
New Britain Institute  Search this
Ernest Brown and Co.  Search this
Carnegie Institute  Search this
University of Nebraska--Lincoln  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Photographs
Sketches
Drawings
Exhibition catalogs
Financial records
Notes
Sketchbooks
Topic:
Works of art  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art, American  Search this
Artists -- United States  Search this
Depressions -- 1929  Search this
Theme:
The Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)7781
(DSI-AAA_SIRISBib)209946
AAA_collcode_kraugall
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209946
Online Media:

Fenollosa, Ernest Francisco. Notes taken before Mr. Freer's Collection in Detroit.

Creator:
Fenollosa, Ernest Francisco, 1853-1908  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
196 Pages (19.5 x 13 cm.)
Container:
Box 56, Folder 2
Type:
Archival materials
Pages
Notebooks
Place:
USA -- Michigan -- Detroit
Date:
November 4-11, 1907
Scope and Contents:
One journal-style volume, quarter-bound black pebble-grained cloth with brown marbled paper boards. Approximately 200 pages, mostly filled with handwritten notes. Paper onlay on the front cover bears the handwritten inscription "Notes taken before Mr. Freer's collection in Detroit -- some amount is [?] -- mostly [?] lantern slides." Inside front cover has the bookplate of Ernest K. Fenollosa; the bookplate also bears the ink signature "Mary McNeil Fenollosa (Sidney McCall)" and the ink stamp of the Freer Gallery of Art, Washington D.C. Loosely inserted at the beginning of the journal is an undated receipt for the purchase of several items from the Walpole Galleries in New York City.
The first part of the journal, dated November 1907, contains approximately 104 pages of notes, presumably written in Fenollosa's hand. On the back cover, another paper slip bears the inscription "This end of the note book to be used for a list of Illustrations from Stokes' prints to be sent Mr. Heinemann -- begun March 16th 1911." From this point, a new set of notes begins, written after Fenollosa's death and consisting of approximately 34 pages.
Notes taken before Mr. Freer's collection in Detroit
Arrangement:
Organized in one flat box.
Biographical / Historical:
Ernest Francisco Fenollosa (1853-1908) was a poet and student of Asian art. Born in Salem, Massachusetts, Fenollosa studied at Harvard, Cambridge University and the art school at the Boston Museum of Fine Arts before traveling to Japan to teach political economy and philosophy at the Imperial University at Tokyo. In 1988, he helped establish the Tokyo Fine Arts Academy and the Imperial Museum, serving as its director. For his many efforts to preserve temples and shrines and their art work, the Emperor of Japan decorated him with the orders of the Rising Sun and the Sacred Mirror. In 1890 Fenollosa returned to the Boston Museum of Fine Arts to take the position of curator of the department of Oriental arts. However, his public divorce and immediate remarriage in 1895 to the writer Mary McNeill Scott (1865-1954) led to his dismissal from the Museum in 1896 and he returned to Japan to teach English literature at the Tokyo Higher Normal School. He returned to the United States in 1900 to write and lecture on Asia. His works include East and West: The Discovery of America and Other Poems (1893); Epochs of Chinese and Japanese Art (2d ed. 1912), compiled by his widow, Mary McNeil Fenollosa; and two works on Japanese drama (ed. by Ezra Pound, 1916).
Local Numbers:
FSA A.01 04.02
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian  Search this
Art -- Private collections  Search this
Genre/Form:
Notebooks
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 04.02
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 4: Freer Colleague Materials / 4.1: Ernest Fenollosa Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref2477
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Oral history interview with Patti Warashina

Interviewee:
Warashina, Patti, 1940-  Search this
Interviewer:
Jeck, Doug, 1963-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 September 8
Scope and Contents:
An interview of Patti Warashina conducted 2005 September 8, by Doug Jeck, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Seattle, Washington.
Warashina discusses her childhood in Spokane, Washington, as the youngest of three children of Japanese immigrants; her first experience with art, which was working on murals in elementary school; getting through school by doing visual art projects, including one on fashion design for a French class; her great-grandmother who sold pottery and rice off a cart in her native Japan; her working processes and moving from high-fire to low-fire glazes, as well as dealing with color and decoration in her work; making increasingly larger pieces and thus discovering more surfaces on which to paint; learning how to make hand-built pieces, and in general learning how to control her material; spending her early years working in a vacuum because she was busy raising a family during the day and working in the studio all night; the influence of Surrealism, the Funk movement, and the Chicago Hairy Who on her work; her love of clay as a medium because it presents challenges and technical variables that keep the work interesting; the status of clay as a valid artistic material, and how that has changed over the course of art history; her own personal definition of art as something that "raises your blood pressure," and what makes a "a good pot into a work of art instead of just a pot"; the difference between her early and later work, which she calls cumulative process; her move to the figure, which came naturally out of her earlier work and was in keeping with the Surrealist images to which she was so attracted; recent series of her work, including Mile Post Queens, and Sake Sets: The Drunken Power Series; the role of the figure in her work and the unique challenges they present; being a self-proclaimed "news junkie" and listening to jazz while she works; spending 30 years teaching and the influence it had on her career; her mother as a strong influence and role model in her life, as well as her mother's interest in crafts and gardening; and the influence of artists such as Hieronymous Bosch, René Magritte and Joan Miró on her work. Warashina recalls Robert Sperry, Fred Bauer, Peter Voulkos, Robert Arneson, Toshiko Takaezu, Henry Takemoto, Garth Clark, Howard Cotler, Matthew Kangas, Warren McKenzie, Nan McKinnell, Bernard Leach, Shoji Hamada, Soetsu Yanagi, and others.
Biographical / Historical:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 1 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- Washington (State) -- Seattle  Search this
Topic:
Pottery -- Technique  Search this
Decorative arts  Search this
Asian American art  Search this
Asian American artists  Search this
Asian American women artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Japanese American women artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.warash05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warash05

Japanese Artists Association

Collection Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Container:
Box 3, Folder 13
Type:
Archival materials
Date:
1950-1952
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Yasuo Kuniyoshi papers
Yasuo Kuniyoshi papers / Series 4: Organization Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuniyasu-ref195
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Artists' Equity Association - Correspondence

Collection Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Container:
Box 3, Folder 3
Type:
Archival materials
Date:
1949-1952
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Yasuo Kuniyoshi papers
Yasuo Kuniyoshi papers / Series 4: Organization Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuniyasu-ref34
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Picture and wrappers from materials used in sculpture

Photographer:
Zeisler, Claire, 1903-1991  Search this
Zeisler, Claire, 1903-1991  Search this
Type:
Photographs
Date:
1977 October 25
Topic:
Artists' materials  Search this
Sculpture  Search this
Record number:
(DSI-AAA)175
See more items in:
Claire Zeisler papers, 1941-1992
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_175

List of materials used for Yaeger's mural Broadhead Naval Armory

Creator:
Yaeger, Edgar L., 1904-1997  Search this
Yaeger, Edgar L., 1904-1997  Search this
Type:
Writings
Date:
1936
Topic:
Artists' materials  Search this
Federal aid to the arts  Search this
Murals  Search this
New Deal, 1933-1939  Search this
Record number:
(DSI-AAA)10976
See more items in:
Edgar L. Yaeger papers, 1923-1989
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10976
Online Media:

Reginald Marsh art notebook #4, models and expenses

Creator:
Marsh, Reginald, 1898-1954  Search this
Marsh, Reginald, 1898-1954  Search this
Subject:
Marsh, Reginald  Search this
Type:
Writings
Date:
1934-1954
Topic:
Artists' materials  Search this
Artists' models  Search this
Finances, Personal  Search this
Record number:
(DSI-AAA)10152
See more items in:
Reginald Marsh papers, 1897-1955
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10152

John Goffe Rand patent, Improvement in the Construction of Vessels or Apparatus for Preserving Paint, & c.

Creator:
Rand, John Goffe, 1801-1873  Search this
Rand, John Goffe, 1801-1873  Search this
Type:
Legal Documents
Date:
1841 Sept. 11
Topic:
Artists' materials  Search this
Record number:
(DSI-AAA)460
See more items in:
John Goffe Rand papers, circa 1832-1960, bulk 1832-1873
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_460
Online Media:

Kanashige

Photographer:
Sperry, Robert H., 1927-1998  Search this
Sperry, Robert H., 1927-1998  Search this
Type:
Photographs
Place:
Japan
Date:
ca. 1963
Topic:
Artists at or with their work  Search this
Artists' studios  Search this
Artists' tools  Search this
Decorative arts  Search this
Potters  Search this
Pottery  Search this
Record number:
(DSI-AAA)6851
See more items in:
Robert Sperry papers, 1951-2002
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_6851

Jamie Canvas store in Soho

Photographer:
Forbes, Robin  Search this
Forbes, Robin  Search this
Type:
Photographs
Place:
New York, N.Y.
Date:
1976
Topic:
Artists' materials  Search this
Record number:
(DSI-AAA)12414
See more items in:
Robin Forbes slides of SoHo, 1975 - 1976
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12414

A variety of specimens of steatite from the Red Pipestone Quarry

Creator:
Catlin, George, 1796-1872  Search this
Catlin, George, 1796-1872  Search this
Type:
Artifacts
Date:
1836
Topic:
Artists' tools  Search this
Color  Search this
Record number:
(DSI-AAA)5445
See more items in:
George Catlin papers, undated
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_5445

Painting media developed by Maria Gutierrez for David Alfaro Siqueiros and Diego Rivera,etc.

Creator:
Creo, Leonard E., 1923-  Search this
Creo, Leonard E., 1923-  Search this
Subject:
Gutierrez, Maria  Search this
Rivera, Diego  Search this
Siqueiros, David Alfaro  Search this
Type:
Writings
Date:
1951 or 1952
Topic:
Artists' tools  Search this
Art--Technique  Search this
Painting  Search this
Record number:
(DSI-AAA)7936
See more items in:
Leonard Creo papers, [ca. 1951]-2004
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7936
Online Media:

Paul Wayland Bartlett at work

Photographer:
Coles, H.A.V.  Search this
Coles, H.A.V.  Search this
Subject:
Bartlett, Paul  Search this
Type:
Photographs
Date:
1900
Topic:
Artists at or with their work  Search this
Artists' tools  Search this
Sculpting  Search this
Sculpture  Search this
Record number:
(DSI-AAA)7957
See more items in:
Don Becker collection, 1899-1949
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7957

Dorr Bothwell in her studio

Photographer:
Foote, Bill, 1937-  Search this
Foote, Bill, 1937-  Search this
Subject:
Bothwell, Dorr Hodgson  Search this
Type:
Photographs
Date:
1967
Topic:
Artists' studios  Search this
Artists' tools  Search this
Women artists  Search this
Record number:
(DSI-AAA)9649
See more items in:
Dorr Bothwell papers, 1900-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_9649
Online Media:

Emily and Jean Paul Selinger papers, 1882-1918

Creator:
Selinger, Emily Harris Mcgary, 1848-1927  Search this
Selinger, Jean Paul, 1850-1909  Search this
Selinger, Emily Harris Mcgary, 1848-1927  Search this
Place:
White Mountains (N.H. and Me.) -- Art
Topic:
Landscape painting -- New Hampshire  Search this
Greeting cards  Search this
Women artists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7044
(DSI-AAA_SIRISBib)209177
AAA_collcode_seliemil
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209177

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