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"Araby's Daughter", (painting)

Artist:
Carter, D. M.  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Figure female  Search this
Literature--Moore--Lalla Rookh  Search this
Mythology--Asian--Peri  Search this
Control number:
AECI 04920025
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_95176

The Beach of Orient Point, (painting)

Artist:
Smith, A. Cary  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Landscape--Beach  Search this
Landscape--New York--Orient  Search this
Control number:
AECI 04930167
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_95378

The Peri, (painting)

Artist:
Carter, D. M.  Search this
Type:
Paintings
Exhibition Catalogs
Date:
1876
Topic:
Literature--Moore--Loves of the Angels  Search this
Mythology--Asian--Peri  Search this
Literature--Poetry  Search this
Control number:
AECI 04990276
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_96612

Japanese Evil Spirits, (drawing)

Artist:
Unknown  Search this
Type:
Drawings
Exhibition Catalogs
Date:
1876
Topic:
Mythology--Asian--Japanese Spirits  Search this
Fantasy  Search this
Control number:
AECI 04560659
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_90638

Japanese Evil Spirits, (drawing)

Artist:
Unknown  Search this
Type:
Drawings
Exhibition Catalogs
Date:
1876
Topic:
Mythology--Asian--Japanese Spirits  Search this
Fantasy  Search this
Control number:
AECI 04560660
Data Source:
Pre-1877 Art Exhibition Catalogue Index
EDAN-URL:
edanmdm:siris_aeci_90639

Camp-Meeting by Hugh Bridport and and Kennedy & Lucas after a painting by Alexander Rider

Maker:
Kennedy & Lucas  Search this
Rider, Alexander  Search this
Bridport, Hugh  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 12 1/2 in x 18 1/2 in; 31.75 cm x 46.99 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
ca 1832
Subject:
Children  Search this
Dancing  Search this
Music  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2961
Catalog number:
60.2961
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Religion
Clothing & Accessories
Domestic Furnishings
Art
Morality & Religious Prints
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a1-2841-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325242

[Camp Meeting] by Hugh Bridport (graphic artist) and Kennedy & Lucas after a painting by Alexander Rider

Lithographer:
Kennedy & Lucas  Search this
Artist:
Rider, Alexander  Search this
Lithographic artist:
Bridport, Hugh  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
image: 12 1/2 in x 18 1/2 in; 31.75 cm x 46.99 cm
Object Name:
lithograph
Object Type:
Lithograph
Place made:
United States: Pennsylvania, Philadelphia
Date made:
ca 1832
Subject:
Horses  Search this
Communication, newspapers  Search this
Children  Search this
Music  Search this
Credit Line:
Harry T. Peters "America on Stone" Lithography Collection
ID Number:
DL.60.2957
Catalog number:
60.2957
Accession number:
228146
See more items in:
Cultural and Community Life: Domestic Life
Religion
Clothing & Accessories
Domestic Furnishings
Art
Morality & Religious Prints
Peters Prints
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-ce93-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_325366

Edward Gay and Gay family papers

Creator:
Gay, Edward, 1837-1928  Search this
Gay, Duncan, 1865-1948  Search this
Names:
Artists' Fund Society  Search this
Gay, Ingovar  Search this
Gay, Martha Feary  Search this
Learned, Helen Gay  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Sketchbooks
Date:
1852-1983
Summary:
The papers of Edward Gay and the Gay family measure 2.6 linear feet and date from 1852 to 1983. Found within the papers are biographical materials on Edward and Duncan Gay; personal correspondence from Edward Gay, his wife Martha Feary Gay, and other family members; artwork by Edward and Duncan Gay; writings; printed materials; and photographs of Edward and Duncan Gay, their family, and their work.
Scope and Contents:
The papers of Edward Gay and the Gay family measure 2.6 linear feet and date from 1852 to 1983. Found within the papers are biographical materials on Edward and Duncan Gay; personal correspondence from Edward Gay, his wife Martha Feary Gay, and other family members; artwork by Edward and Duncan Gay; writings; printed materials; and photographic materials of Edward and Duncan Gay, their family, and their work.

Papers of Edward Gay include legal documents; family and business correspondence, including correspondence from fellow artists; writings, including reminiscences by Martha Gay; printed materials; artwork, including one sketchbook; a small selection of business papers related to the Artists' Fund Society; and photographs of Edward and Martha Gay, their homes, and Gay's artwork.

Papers of Duncan Gay include biographical materials; family correspondence; printed material; artwork, including three sketchbooks and sketches of house plans; and photographic materials of Duncan Gay, his travels, and his artwork.

Gay family papers consist primarily of correspondence to Ingovar Gay and Helen Gay Learned, and photographs of the Gay family, extended family members, and friends.
Arrangement:
The collection is arranged as 3 series.

Missing Title

Series 1: Edward Gay Papers, 1852-1983 (0.8 linear feet; Box 1, OV 4-5)

Series 2: Duncan Gay Papers, 1870-1983 (0.5 linear feet; Boxes 1-2)

Series 3: Gay Family Papers, 1888-1970 (1.3 linear feet; Boxes 2-3)
Biographical / Historical:
Landscape painter Edward Gay (1837-1928) lived and worked in Mount Vernon and Cragsmoor, New York and was known for his works depicting the local countryside of upstate New York and the Hudson River Valley.

Born in Mullingar, Ireland to Richard and Ellen Gay, his family immigrated to Albany, New York in 1848. After showing an early affinity for art, Gay began his studies in the studio of local landscape painters William and James Hart. Under the Harts' advisement, Gay traveled to Karlsruhe, Germany in 1862 to continue his studies with Johann Wilhelm Schirmer and Karl Friedrich Lessing. After returning to America in 1864, Gay married the art critic Martha Feary and lived for a short time in New York City before moving his family to Mount Vernon and eventually purchasing a home there in 1870. He exhibited in museums and galleries throughout America and painted murals for public libraries in Mount Vernon and Bronxville, New York. Gay was a member of the National Academy of Design, New York Artists' Fund Society, and Lotus Club, and was a recipient of the National Academy's George Inness Gold Medal and the Society of American Artists' Shaw Prize.

Duncan Gay (1865-1948), Edward Gay's eldest son, was also an artist. Duncan worked as a draftsman and designer for Louis Comfort Tiffany, where he remained employed prior to becoming a self-employed artist and stained glass designer.
Provenance:
The papers were donated in separate accessions beginning in 1959 by Edward Gay's daughter, Dorothy Gay Gordon. Additional materials on Edward Gay were donated by Gay's grandson, Richard G. Coker, in 1974. From 1983 to 1995, materials on Edward and Duncan Gay and the Gay family were donated by Susanne G. Linville, Duncan Gay's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Landscape painting -- 20th century -- New York (State)  Search this
Landscape painting -- 19th century -- New York (State)  Search this
Landscape painters -- New York (State)  Search this
Genre/Form:
Photographs
Sketches
Sketchbooks
Citation:
Edward Gay and Gay family papers, 1852-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gayedwap
See more items in:
Edward Gay and Gay family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a4fe1aa3-8043-4eba-99a4-d05ff49c2d7f
EDAN-URL:
ead_collection:sova-aaa-gayedwap
Online Media:

Edward Gay Papers

Collection Creator:
Gay, Edward, 1837-1928  Search this
Gay, Duncan, 1865-1948  Search this
Extent:
0.8 Linear feet (Box 1, OV 4-5)
Type:
Archival materials
Date:
1852-1983
Scope and Contents:
Papers of Edward Gay include biographical materials, including a marriage certificate and property deeds. Correspondence is with his wife, Martha Feary, and his children, as well as business correspondence with collectors, artists, museums, and galleries. Artists of note include George Inness, Thomas Moran, and Eastman Johnson. Correspondence with William Arkell includes mention of the Artists' Fund Society's 1880 boat trip in Canajoharie, New York.

Writings include a biography on Gay, a poem, and an untitled manuscript by Martha Feary. Materials related to the Artists' Fund Society relate to membership accounts and a petition signed by artists.

Printed materials include clippings, exhibition announcements and catalogs, and a pamphlet on the history of Mount Vernon, New York written by Gay's daughter, Dorothy Gay Gordon. Artwork consists of one sketchbook, an engraving, and sketches in oils and in graphite and ink. Photographs are of Edward and Martha Gay; their homes in Mount Vernon, Cragsmoor, and Stoneridge; and Gay's artwork.
Arrangement:
Materials are arranged by document type.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Gay and Gay family papers, 1852-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gayedwap, Series 1
See more items in:
Edward Gay and Gay family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96aa50067-a7f8-44a6-90e7-4675bcf386db
EDAN-URL:
ead_component:sova-aaa-gayedwap-ref12

Artists' Fund Society

Collection Creator:
Gay, Edward, 1837-1928  Search this
Gay, Duncan, 1865-1948  Search this
Container:
Box 1, Folder 18
Type:
Archival materials
Date:
circa 1881-1889
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Gay and Gay family papers, 1852-1983. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Gay and Gay family papers
Edward Gay and Gay family papers / Series 1: Edward Gay Papers / Subject File
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9977a7ab1-f92e-40ba-9a60-3c8442de82e2
EDAN-URL:
ead_component:sova-aaa-gayedwap-ref36

"Private Papers," Memoirs

Collection Creator:
Cummings, Thomas Seir, 1804-1894  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
circa 1825-circa 1860s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Seir Cummings papers, circa 1824-1983, bulk circa 1824-1894. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Seir Cummings papers
Thomas Seir Cummings papers / Series 1: Thomas Seir Cummings Papers / Writings and Notes
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fa760da0-afdc-46c0-88c1-76bdd54cd636
EDAN-URL:
ead_component:sova-aaa-cummitho-ref10
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Artists' Fund Society of Philadelphia

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 58, Folder 10
Type:
Archival materials
Date:
1837-1840
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 15: Other Organizations
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw918e78adf-4785-4c0f-af54-89ba3f3bac85
EDAN-URL:
ead_component:sova-aaa-natiacad-ref969

Russell, Xanthus, and Mary Smith family papers

Creator:
Smith family (Philadelphia, Pa.)  Search this
Names:
Smith, Mary Priscilla, 1819-1874  Search this
Smith, Mary Russell, 1842-1878  Search this
Smith, Russell, 1812-1896  Search this
Smith, Xanthus, 1839-1929  Search this
Extent:
5.12 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Writings
Scrapbooks
Tintypes
Drawings
Daguerreotypes
Ambrotypes
Photographs
Sketches
Date:
1793-1977
bulk 1826-1977
Summary:
The Russell, Xanthus, and Mary Smith family papers comprise 5.12 linear feet and are dated 1793-1977, bulk 1826-1977. Correspondence, writings, artwork, financial records, printed material, miscellaneous items and photographs provide documentation of the lives and works of painter, illustrator and poet, Russell Smith, and his son, painter Xanthus Smith, and scattered documentation of the lives of his wife, painter and educator Mary Priscilla Smith, and daughter and painter Mary Russell Smith.
Scope and Content Note:
The Russell, Xanthus, and Mary Smith family papers comprise 5.12 linear feet and are dated 1793-1977, bulk 1826-1977. Correspondence, writings, artwork, financial records, printed material, miscellaneous items and photographs provide documentation of the lives and works of painter, illustrator and poet, Russell Smith, and his son, painter Xanthus Smith, and scattered documentation of the lives of his wife, painter and educator Mary Priscilla Smith, and daughter and painter Mary Russell Smith.

Family papers include correspondence, writings, printed material, and miscellaneous items. Correspondence, the bulk of which is comprised of letters to and from Russell and Xanthus Smith, covers both personal and professional matters. Among the correspondents are family, friends, colleagues, and arts organizations. Writings, printed material, and miscellaneous items in this series refer either to the entire Smith family or multiple individuals. Miscellaneous items also concern Horace Binder, father-in-law of Xanthus Smith.

The Russell Smith papers are comprised of biographical information, writings, artwork, and financial records. Biographical information includes some personal documents such as passports and marriage certificates. Among Russell Smith's writings are an autobiography, transcripts of correspondence, and notes. Artwork consists of loose pages and sketch books containing sketches and drawings in pencil, ink, and watercolor. His financial records are cash books recording professional and personal expenses, and receipts and memorabilia from the family's 1851-1852 travels in Europe. The printed material consists of loose clippings and a scrapbook of clippings from Philadelphia newspapers, as well as a small number of exhibition catalogs.

The Xanthus Smith papers consist of biographical information, artwork, financial records, and printed material. Among the writings are his unpublished autobiography, biographies of his father and sister, impressions of the Centennial art exhibition, journals, notes, and poems. Artwork consists of loose sketches in pencil and ink, and sketchbooks containing sketches and finished drawings in pencil and ink, some colored with gouache or watercolor washes. Financial records are cash books recording personal and professional expenses. Printed material includes clippings and a scrapbook.

The Mary Smith papers consist of writings, sketches, and printed material. The papers of her mother, Mary Priscilla Smith, are comprised of writings and printed material.

Photographs are of people, artwork, and miscellaneous subjects. People represented are Russell and Mary Priscilla Smith, their children Xanthus and Mary Smith, and several other relatives including Xanthus's wife and Russell's sister, granddaughter, and uncle. Photographs include ambrotypes, daguerreotypes, and tintypes, along with glass negatives and a small number of original prints. Copy prints have been produced from the glass negatives and other cased photographs. Photographs of artwork are of paintings by Russell Smith, Xanthus Smith, and other artists.
Arrangement:
The collection is arranged as 6 series:

Missing Title

Series 1: Smith Family Papers, 1793-1977 (Box 1; 0.9 linear ft.)

Series 2: Russell Smith Papers, 1805-1954 (Boxes 1-2; 1.2 linear ft.)

Series 3: Xanthus Smith Papers, 1850-1953 (Boxes 3-4; 1.9 linear ft.)

Series 4: Mary Smith Papers, 1852-1877 (Box 5; 4 folders)

Series 5: Mary Priscilla Smith Papers, 1839-1874 (21 folders)

Series 6: Photographs, circa 1845-1934 (Box 6-7, MGP 3, Black Cabinet; 0.9 linear ft.)

Microfilm reel numbers and frames are referenced at folder headings in parenthesis when known. Glass plate negatives are housed separately and closed to researchers.
Biographical Note:
Russell Smith (1812-1896) was a native of Glasgow, Scotland whose family came to the United States in 1819 and settled near Pittsburgh. The Smith children were educated at home, and Russell showed an early interest in art. His first formal training in portraiture and landscape painting was in Pittsburgh under James Reid Lambdin. Around 1827, Smith began painting backdrops for theaters and within 6 years had achieved a national reputation for his theatrical painting. In 1835 he moved to Philadelphia to paint for the Walnut Street Theater, and soon received commissions to paint for theaters in Boston and Washington. Around this time, he also began writing poetry. Even while engaged in theatrical work, Smith continued to paint landscapes which were exhibited at the Pennsylvania Academy of the Fine Arts and the Artists' Fund Society of Philadelphia as early as 1834.

Russell Smith married Mary Priscilla Wilson, a flower painter and teacher of French and drawing, in 1838. By the 1840s, in addition to painting landscapes and theatrical backdrops, Smith was advertising his services as an "illustrator for lectures on various branches of natural science painted in distemper." He accompanied the scientific expeditions of geologists William Barton Rogers and Henry Darwin Rogers to Virginia and the Susquehanna and Juniata River valleys of Pennsylvania in 1844 and 1845 as an illustrator. During this period, Smith also traveled extensively in New Hampshire and upstate New York for summer painting expeditions. The Smiths traveled to Europe with their two children in 1851-1852, touring Wales, Scotland, Switzerland, Italy, the Netherlands, London, and Paris. Smith visited major museums and private collections, as well as architectural attractions, making sketches and keeping detailed notes of the trip.

Smith continued painting landscapes well into old age, even though his long out of fashion works were rejected with increasing frequency by the juries of the Pennsylvania Academy of the Fine Arts. He died in 1896.

Born in Milestown, Pennsylvania in 1819, Mary Priscilla Smith (1819-1874) studied at a female seminary in Germantown, Pennsylvania operated by noted educator William Russell (Russell Smith's uncle) in Germantown, Pennsylvania, and at Charles Picot's school in Philadelphia. She eventually became a teacher of French, drawing, and painting at the Picot school, and later taught at a school established by William Russell in Philadelphia.

At her husband's urging, Mary Priscilla Smith, already an accomplished flower painter, began painting figures and landscapes, and participated in exhibitions of the Artists' Fund Society exhibitions. After becoming a mother, she painted very little but taught her children, Xanthus and Mary, to draw and paint. Mary Priscilla Smith died in 1874.

Xanthus Smith (1839-1929) was born in Philadelphia and was educated at home. During the family's European tour of 1851-1852 he saw a wide variety of art and, upon returning home, began painting with enthusiasm. Around 1858 he enrolled in a cast drawing class at the Pennsylvania Academy of the Fine Arts.

At the start of the Civil War Xanthus Smith enlisted in the Navy, where he served as clerk to the commander of a flagship guarding Port Royal, South Carolina. He began producing detailed drawings of the ships both for official purposes and his own enjoyment. After the war, he continued painting ships and exhibited many of these paintings at the Pennsylvania Academy of the Fine Arts. Further commissions of Civil War subjects followed, and Xanthus Smith was soon recognized as the foremost painter of Civil War naval battle scenes.

In the 1880s, Xanthus Smith began painting European landscapes, probably based on his father's sketches made during their 1851-1852 tour of Europe. By the 1900s, he was concentrating on portraiture and figure subjects, and continued painting well into old age. His final years were spent in an unsuccessful attempt to publish his autobiography, "An Unvarnished Tale." Xanthus Smith died in 1929.

Mary Russell Smith (1842-1878) was born near Jenkintown, Pennsylvania. Her mother provided her with instruction in flower painting and she sketched animals and insects independently. At age fourteen Mary Smith completed her first oil painting and by 1858 had begun compiling a list of her completed pictures. She was encouraged by her parents to pursue a career as a professional artist. From 1859-1869, and in 1876 and 1878, Mary Smith exhibited at the Pennsylvania Academy of the Fine Arts. She also participated in exhibitions at the National Academy of Design in New York, and in the 1876 Centennial Exhibition held in Philadelphia.

From early childhood, Mary Smith enjoyed raising poultry, and chickens became her favorite painting subject. Her paintings of chickens were popular with Philadelphia art collectors, and sought after in England.

Always sickly, Mary Smith died of gastric fever in 1878. At her request, Russell Smith established the Mary Smith Prize, awarded annually by the Pennsylvania Academy of the Fine Arts, for the best painting exhibited by a woman resident of Philadelphia.
Provenance:
The Smith family papers were donated to the Archives of American Art in 1978 and 1979 by Franklin R. Smith, a family descendent.
Restrictions:
The collection is partially microfilmed. Use of material not microfilmed requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Pennsylvania  Search this
Painters -- Pennsylvania  Search this
Illustrators -- Pennsylvania  Search this
Poets -- Pennsylvania  Search this
Topic:
Works of art  Search this
Painting, Modern -- 19th century -- Pensylvania  Search this
Landscape painting  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sketchbooks
Writings
Scrapbooks
Tintypes
Drawings
Daguerreotypes
Ambrotypes
Photographs
Sketches
Citation:
Smith family papers, 1793-1977, bulk 1826-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smitfami
See more items in:
Russell, Xanthus, and Mary Smith family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b2e5c68c-39d1-4cbc-afb7-9d2eff30ac80
EDAN-URL:
ead_collection:sova-aaa-smitfami
Online Media:

Artists' Fund Society of New York

Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw981c860b0-9df4-4379-924b-f44510e25cea
EDAN-URL:
ead_component:sova-aaa-archamea-ref144

Catalogue of American Paintings and Drawings by F.O.C. Darley, N.A.

Container:
Box 1, Folder 33, Item 1
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C / Artists' Fund Society of New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93fcdccee-b437-4c31-ba60-9fd785ab622e
EDAN-URL:
ead_component:sova-aaa-archamea-ref145

Thirteenth Annual Report of the Artists Fund Society

Container:
Box 1, Folder 33, Item 2
Type:
Archival materials
Date:
1873
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C / Artists' Fund Society of New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9709630c2-b69d-48fc-a341-2888149d1067
EDAN-URL:
ead_component:sova-aaa-archamea-ref146

Catalogue of the Thirteenth Annual Sale of Paintings

Container:
Box 1, Folder 33, Item 3
Type:
Archival materials
Date:
January 28, 1873
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C / Artists' Fund Society of New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97c0717a8-c697-4fe0-a9c3-26ada8cc01a0
EDAN-URL:
ead_component:sova-aaa-archamea-ref147

Fourteenth Annual Report of the Artists Fund Society

Container:
Box 1, Folder 33, Item 4
Type:
Archival materials
Date:
1874
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C / Artists' Fund Society of New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9133f829d-5a53-41e9-b313-f4ec661131a6
EDAN-URL:
ead_component:sova-aaa-archamea-ref148

Catalogue of the Fifteenth Annual Sale of Paintings

Container:
Box 1, Folder 33, Item 5
Type:
Archival materials
Date:
January 26, 1875
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C / Artists' Fund Society of New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9503bcb14-448f-4ee7-8a77-9cec96c0b756
EDAN-URL:
ead_component:sova-aaa-archamea-ref149

Charter and Constitution

Container:
Box 1, Folder 33, Item 6
Type:
Archival materials
Date:
February 9, 1875
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
See more items in:
Miscellaneous art exhibition catalog collection
Miscellaneous art exhibition catalog collection / Series 1: Art Exhibition Catalogs: A-C / Artists' Fund Society of New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw960586b9f-83c6-4406-afb9-1444989e9aa4
EDAN-URL:
ead_component:sova-aaa-archamea-ref150

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