Harry Lewis, nos. 104 and 106 Wisconsin St., Milwaukee, Wis. Search this
Photographer:
Harry Lewis, nos. 104 and 106 Wisconsin St., Milwaukee, Wis. Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Scope and Contents:
on back: Harry Lewis, Landscape, Marine and Stereoscopic Photographer, (London School)) with Milwaukee References.
General:
Historic Series title : Gems of Nature and Art/New Series: Artistic Size--Stereoscopic Studies
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for
appointment in writing. Please direct reference inquiries to the Archives of American
Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
[walkway with urns in front, house hidden by trees]
Publisher:
Harry Lewis, nos. 104 and 106 Wisconsin St., Milwaukee, Wis. Search this
Photographer:
Harry Lewis, nos. 104 and 106 Wisconsin St., Milwaukee, Wis. Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Scope and Contents:
on back: Harry Lewis, Landscape, Marine and Stereoscopic Photographer, (London School)) with Milwaukee References.
General:
Historic Series title : Gems of Nature and Art/New Series: Artistic Size--Stereoscopic Studies
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for
appointment in writing. Please direct reference inquiries to the Archives of American
Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Harry Lewis, nos. 104 and 106 Wisconsin St., Milwaukee, Wis. Search this
Photographer:
Harry Lewis, nos. 104 and 106 Wisconsin St., Milwaukee, Wis. Search this
Extent:
1 Stereograph (b/w)
Container:
Box 4
Type:
Archival materials
Stereographs
Scope and Contents:
on back: Harry Lewis, Landscape, Marine and Stereoscopic Photographer, (London School)) with Milwaukee References.
General:
Historic Series title : Gems of Nature and Art/New Series: Artistic Size--Stereoscopic Studies
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for
appointment in writing. Please direct reference inquiries to the Archives of American
Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Access to original images by appointment only. Researcher must submit request for
appointment in writing. Please direct reference inquiries to the Archives of American
Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Access to original images by appointment only. Researcher must submit request for
appointment in writing. Please direct reference inquiries to the Archives of American
Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 47
Type:
Archival materials
Photographs
Date:
[ca. 1935-1937]
Scope and Contents:
Job Number: 29403
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American painters -- Washington (D.C.) Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 47
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Portraits
Date:
[ca. 1935-1937]
Scope and Contents:
Job Number: 29403
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American painters -- Washington (D.C.) Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Portraits -- African American women -- 1930-1940
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Autry and Michaux appear to be signing autographs. According to Chris Smith, co-author of the forthcoming revision of "Blues and Gospel Recordings, 1890-1943," the event is the Melody Ranch Radio Program of January 28,1940, summarizing the program as follows: "Melody Ranch Radio Program - Gene Autry from Washington, DC - Songs and Melody of America. Thank you from ER to Gene and other artists for the campaign to stamp out Infantile Paralysis. Discusses Fort Meyer Horse Show, President's birthday balls on 30th, ER's favorite horse-Dot retired to country, usually rode Tiffany in Washington, mentions son John's horse Palomine. Elder Michaux, Pastor, Church of God, Washington D.C. and his Choir sing Negro Spirituals. From the hills of the Great South West, singer Pappy Chesshire. From New England the "Ambassador of Good Will", singer Billy B. Van. From Washington D.C. the Barber Shop Quartette, Washington Chapter #9 of the Society of the Preservation of the Barber Shop Quartet. From Chicago, Orin Tucker, band leader, and singer Virginia Verel. Washington DC." Also identified by Jay Bruder, 18 May 2016.
General:
Agfa Safety Film edge imprint. No caption on negative.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Autry and Michaux stand at microphones, apparently reading program script, with Michaux's robed choir behind them, while Eleanor Roosevelt sits nearby; members of band in foreground. According to Chris Smith, co-author of the revision of "Blues and Gospel Recordings, 1890-1943," the event is the Melody Ranch Radio Program of January 28,1940, summarizing the program as follows: "Melody Ranch Radio Program - Gene Autry from Washington, DC - Songs and Melody of America. Thank you from ER to Gene and other artists for the campaign to stamp out Infantile Paralysis. Discusses Fort Meyer Horse Show, President's birthday balls on 30th, ER's favorite horse-Dot retired to country, usually rode Tiffany in Washington, mentions son John's horse Palomine. Elder Michaux, Pastor, Church of God, Washington D.C. and his Choir sing Negro Spirituals. From the hills of the Great South West, singer Pappy Chesshire. From New England the "Ambassador of Good Will", singer Billy B. Van. From Washington D.C. the Barber Shop Quartette, Washington Chapter #9 of the Society of the Preservation of the Barber Shop Quartet. From Chicago, Orin Tucker, band leader, and singer Virginia Verel. Washington DC." Also identified by Jay Bruder, 18 May 2016. Negative uncaptioned. Agfa Safety Film edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 8" x 10".)
Container:
Box 101
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington D.C. -- Photographs
Date:
ca. 1935
Scope and Contents:
Artist in smock holding a paint palette and brush, standing next to a painting on an easel of the Crucifixion: Jesus on the cross. There is a plinth with pots of paint on top of it in front of the artist. Ink on negative: caption. No edge imprint. No Scurlock number.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 20
Type:
Archival materials
Photographs
Date:
1935
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Art -- Exhibitions -- 1930-1940 -- Washington (D.C.) Search this
African American women artists -- 1930-1940 Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 20
Type:
Archival materials
Photographs
Date:
1935
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American women artists -- 1930-1940 Search this
Art -- Exhibitions -- 1930-1940 -- Washington (D.C.) Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 20
Type:
Archival materials
Photographs
Date:
[ca. 1930]
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American women artists -- 1930-1940 Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 110
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
November 1963
Scope and Contents:
Group of four men standing in front of two framed paintings. Two of the men are holding a microphone. No ink on negative. Ink on envelope: caption and "8 glossy". "KODAK - SAFETY -- FILM" edge imprint. Retouching on face with New Coccine.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 20
Type:
Archival materials
Photographs
Date:
[ca. 1930]
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Art -- Exhibitions -- 1930-1940 -- Washington (D.C.) Search this
African American women artists -- 1930-1940 Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 21
Type:
Archival materials
Photographs
Date:
[ca. 1930]
Scope and Contents:
Exhibition installation photograph. Ink caption on negative edge. Defender Safety Base edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American women artists -- 1930-1940 Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 8" x 10".)
Container:
Box 126
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Copy photographs
Place:
Washington (D.C.) -- African Americans
Date:
undated
Scope and Contents:
Job Number: 24493
Copy photograph of a painting--portrait of man dressed in academic regalia. Ink on negative: "G H.U. Prof. Geo. Lightfoot (Painting)." "Kodak Safety Film" edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Paintings -- Photographs -- 1930-1940 -- Washington D.C. Search this
Genre/Form:
Photographs -- 1930-1960 -- Black-and-white negatives -- Acetate film
Copy photographs
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 24
Type:
Archival materials
Photographs
Copy negatives
Date:
1939
Biographical / Historical:
Lois Mailou Jones: painter and teacher; b. in Boston, 1905; taught at Howard Univ. in Washington, 1930-77; d. June 9, 1998 in Washington at age 92 (N.Y. Times, June 13, 1998).
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Women artists -- 1930-1940 -- Washington (D.C.) Search this
African American women artists -- 1930-1940 Search this
African American artists as teachers -- 1930-1940 -- Washington (D.C.) Search this
African American painting -- 1930-1940 -- Washington (D.C.) Search this
Paintings -- Photographs -- 1930-1940 -- Washington D.C. Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Copy negatives
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 24
Type:
Archival materials
Photographs
Copy negatives
Date:
1939
Biographical / Historical:
Lois Mailou Jones: painter and teacher; b. in Boston, 1905; taught at Howard Univ. in Washington, 1930-77; d. June 9, 1998 in Washington at age 92 (N.Y. Times, June 13, 1998).
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women artists -- 1930-1940 -- Washington (D.C.) Search this
African American women artists -- 1930-1940 Search this
African American artists as teachers -- 1930-1940 -- Washington (D.C.) Search this
African American painting -- 1930-1940 -- Washington (D.C.) Search this
Paintings -- Photographs -- 1930-1940 -- Washington D.C. Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Copy negatives
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 25
Type:
Archival materials
Photographs
Copy negatives
Date:
1938
Biographical / Historical:
Lois Mailou Jones: painter and teacher; b. in Boston, 1905; taught at Howard Univ. in Washington, 1930-77; d. June 9, 1998 in Washington at age 92 (N.Y. Times, June 13, 1998).
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women artists -- 1930-1940 -- Washington (D.C.) Search this
African American women artists -- 1930-1940 Search this
African American artists as teachers -- 1930-1940 -- Washington (D.C.) Search this
Paintings -- Photographs -- 1930-1940 -- Washington D.C. Search this
African American painting -- 1930-1940 -- Washington (D.C.) Search this
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Copy negatives
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
