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Robert Franklin Gates papers

Creator:
Gates, Robert Franklin, 1906-1982  Search this
Names:
American University (Washington, D.C.). Fine Arts Dept. -- Faculty  Search this
Jack Rasmussen Gallery (Washington, D.C.)  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Taylor, Prentiss, 1907-1991  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Christmas cards
Photographs
Scrapbooks
Date:
1910-1988
bulk 1928-1988
Summary:
The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.
Scope and Content Note:
The papers of Washington, D.C. area painter and art instructor Robert Franklin Gates date from 1910-1988, bulk 1928-1988, and measure 2.3 linear feet. Found within the papers are biographical materials; letters from government agencies, museums, galleries, and colleagues; business records primarily concerning transactions with the Jack Rasmussen Gallery; artwork including scattered drawings by Gates and block prints by Joe Goethe and D. Neufeld; two scrapbooks; printed materials; and photographs of Gates, family members, models, artwork, and exhibition installations. There are also photograph albums and miscellaneous photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department.

Biographical material includes resumes, biographical accounts, award certificates, records for employment through a State Department Specialists Grant, address lists, teaching notes, writings about Gates, and a guest book signed by colleagues celebrating Gates' forty years at American University. There is a also a group of Navy Department records documenting Gates' employment designing three-dimensional photo-surfaced topography models for use by troops during World War II.

Letters are primarily from the U.S. Treasury Department and the Federal Works Agency discussing commissions, including the painting of post office murals in Maryland and West Virginia, and from various museums and galleries discussing exhibitions and other art-related activities. There are one or two letters each from colleagues Alice Acheson, Adelyn Breeskin, Charles Burchfield, Alida Conover, John Gernand, Duncan Phillips, Henry Varnum Poor, and Prentiss Taylor. Some letters are Christmas cards decorated with original block prints.

Business records primarily document Gates' interaction with the Jack Rasmussen Gallery in Washington, D.C., but also include miscellaneous sales records and pay stubs from American University.

Artwork consists of scattered drawings of modern houses by Gates and abstract sketches by others, and small block prints by Joe Goethe and D. Neufeld. Two Scrapbooks contain clippings, exhibition announcements and catalogs, and scattered letters.

Additional printed material includes clippings, exhibition announcements and catalogs for Gates and others, prospectuses for art exhibitions, press releases, calendars of events, booklets about color and lenses, brochures for art schools and books, and an unannotated calendar containing a reproduction of one of Gates' paintings.

Photographs are of Robert Gates, various family members including Gates with his first wife photographed by Prentiss Taylor, models, artwork, and exhibition installations. There are two photograph albums and unbound photographs documenting a 1936 voyage to the Virgin Islands commissioned by the U.S. Treasury Department. Images of this trip are of Gates and colleagues including Mitchell Jamieson, the ship Doris Hamlin, the crew, markets, a cock fight, miscellaneous buildings, town squares, and the countryside of the Virgin Islands.
Arrangement:
The collection is arranged into 7 series. Each series is arranged chronologically:

Missing Title

Series 1: Biographical Material, 1928-1975 (Box 1, OV 4; 34 folders)

Series 2: Letters, 1930-1988 (Box 1; 25 folders)

Series 3: Business Records, 1961-1982 (Box 1; 5 folders)

Series 4: Artwork, circa 1962 (Box 1; 6 folders)

Series 5: Scrapbooks, 1932-1939 (Box 1-2; 4 folders)

Series 6: Printed Material, 1916-1988 (Box 2; 48 folders)

Series 7: Photographs, 1910-1982 (Boxes 2-3, OV 4; 20 folders)
Biographical Note:
Robert Franklin Gates was born on October 6, 1906 in Detroit, Michigan. He studied at the Detroit School of Arts and Crafts, and from 1929 to 1930 attended the Art Students' League in New York. Between 1930 and 1932, Gates studied under C. Law Watkins at the Phillips Gallery Art School in Washington, D.C., later becoming an instructor in life drawing and painting there. During this time, he met fellow student Margaret Casey, and they married on January 7, 1933. Between 1934 and 1938, Robert Gates was an art instructor at the Studio House in Washington, D.C.

In 1934, Gates received a commission from the U.S. Treasury Department Section of Fine Arts to create a series of watercolors of Charles Gardens, South Carolina, and from 1929-1940, murals for post offices in Bethesda, Maryland, Oakland, Maryland, and Lewisburg, West Virginia. In 1936, the Treasury Department also commissioned Gates and fellow artists Mitchell Jamieson and Prentiss Taylor to create series of watercolors of the Virgin Islands, arranging for several voyages there.

Between 1937 and 1942, Gates was a guest instructor at the University of Florida, taught art classes at Hood College in Frederick, Maryland and at the Washington County Museum of Art in Hagerstown, Maryland. He also taught at the Phillips Gallery Art School in Washington, D.C. while his wife was employed as the school secretary. In 1938, Gates received a summer scholarship to study under Henry Varnum Poor at the Colorado Springs Fine Arts Center.

During World War II, Gates worked as a civilian technician for the Navy Department doing model making and camouflage design, receiving the Distinguished Civilian Service Award for his work.

After the war, and the closing of the Phillips Gallery Art School, Gates attended classes taught by Bill Calfee at American University. In 1946, he joined the faculty and eventually becane chairman of the Art Department in 1954. Robert and Margaret Gates were divorced sometime in the mid-1950s. From 1966 to 1967, Gates was Artist-in-Residence at the U.S. Embassy in Baghdad, Iraq, under the Department of State Educational and Cultural Exchange Program. In 1967, he married his second wife, Sarita, while in Baghdad.

Gates is represented in the permanent collections of the American University, the Baltimore Museum of Art, the Corcoran Gallery of Art, the Dumbarton Oaks collection, the Phillips Collection, and the Lewisshon collection.

Robert Franklin Gates died on March 11, 1982 in Alexandria, Virginia.
Related Material:
Also in the Archives of American Art are the papers of Gates' first wife Margaret Casey Gates, 1934-1988,
Provenance:
The Robert Franklin Gates papers were donated in 1995 by Sarita W. Gates, the artist's widow, via legal representative Bradford G. Weekes III.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Art teachers -- Washington (D.C.)  Search this
Topic:
World War, 1939-1945 -- Art and the war  Search this
Post office buildings  Search this
Mural painting and decoration, American  Search this
Genre/Form:
Drawings
Christmas cards
Photographs
Scrapbooks
Citation:
Robert Franklin Gates papers, 1910-1988, bulk 1928-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gaterobe
See more items in:
Robert Franklin Gates papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d311e740-03de-4049-91d8-ab87870ebc27
EDAN-URL:
ead_collection:sova-aaa-gaterobe
Online Media:

Zubel Kachadoorian letter, 1955 Nov. 8

Creator:
Kachadoorian, Zubel John, 1924-2002  Search this
Subject:
Reeve, Claire  Search this
Citation:
Zubel Kachadoorian letter, 1955 Nov. 8. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- Michigan -- Detroit  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10375
(DSI-AAA_SIRISBib)213709
AAA_collcode_kachzube
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213709

Carl and Olga Milles papers, 1933-1951

Creator:
Milles, Carl, 1875-1955  Search this
Milles, Olga Granner, 1874-1967  Search this
Subject:
Mussolini, Benito  Search this
Milles, Ruth Anna Maria  Search this
Citation:
Carl and Olga Milles papers, 1933-1951. Archives of American Art, Smithsonian Institution.
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)9802
(DSI-AAA_SIRISBib)212240
AAA_collcode_millecar
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212240

Oral history interview with Zubel Kachadoorian, 1974 Apr. 1-13

Interviewee:
Kachadoorian, Zubel John, 1924-2002  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Zubel Kachadoorian, 1974 Apr. 1-13. Archives of American Art, Smithsonian Institution.
Topic:
Painting, American  Search this
Educators -- Michigan -- Detroit -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11718
(DSI-AAA_SIRISBib)212771
AAA_collcode_kachad74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212771

Richard Haas papers

Creator:
Haas, Richard, 1936-  Search this
Extent:
6 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Date:
1937-2012
Summary:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.
Scope and Content Note:
The Richard Haas papers measure 6 linear feet and are dated 1937 to 2012, bulk 1970-2012. His work and career as a muralist, printmaker, and educator are documented by correspondence, writings, printed material, sketchbooks, and photographs.

Haas's correspondence relates to commissions, exhibitions, lectures, publications, teaching, and other professional activities. Correspondents include clients, galleries, professional organizations, critics, artists, architects and others. Also found is small amount of personal correspondence. Writings and notes by Haas include artist's statements, notes, lectures, a travel diary, papers and class notes from his undergraduate and graduate student days. Writings about him are a New Museum exhibition catalog text and a student paper. Subject files relate to Haas's professional activities and interests. They document exhibitions and projects, relationships with galleries, membership and participation in various organizations, and routine business matters. Sketchbooks (17 volumes) contain drawings, sketches, and a few watercolors, along with scattered writings and notes.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Materials, 1990, 2009 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1964-2008 (Box 1; 1 linear feet)

Series 3: Writings and Notes, circa 1954-2012 (Box 2; 0.8 linear feet)

Series 4: Subject Files, 1970-2011 (Boxes 2-4; 2.2 linear feet)

Series 5: Printed Material, 1956-2012 (Boxes 5-6; 1.2 linear feet)

Series 6: Artwork, 1954-2005 (Box 6; 0.1 linear feet)

Series 7: Sketchbooks, 1976-2009 (Box 6; 0.5 linear feet)

Series 8: Photographs, 1937-2006 (Box 6; 0.1 linear feet)
Biographical Note:
Richard Haas (b. 1936) is a mural painter of "architecture of illusion," his term describing the trompe l'oeil architectural subjects for which he is best known. His work as a printmaker also focuses on architecture, with iconic buildings of New York and other cities serving as subject matter. Hass is also an educator who has taught painting and printmaking at University of Minnesota, Michigan State University, Bennington College in Vermont, and School of Visual Arts in New York City.

During World War II, the Haas family moved from Spring Green, Wisconsin to Milwaukee. As a teenager, Richard spent two summers working with his great uncle, a master stone mason employed by Frank Lloyd Wright at Taliesin. He proved to be less interested in stonework than in exploring Wright's library and watching the young architects draw. He considered becoming an architect, but eventually concluded the artistic side of architecture was more attractive than the day to day work of an architect.

After graduating from the University of Wisconsin, Milwaukee (B.S., 1959), Hass worked as an art teacher in a Milwaukee high school. He attended graduate classes at University of Wisconsin, Milwaukee where visiting artist Jack Tworkov was his teacher. At the University of Minnesota (M.F.A., 1964), Haas studied with Peter Busa and Malcolm Myers. As an assistant professor at Michigan State University from 1964 to 1968, Haas's colleagues included Angelo Ippolito and Charles Pollock, and he met a number of important artists and critics who visited the campus. Haas moved to New York City in 1968 and soon accepted a part-time position teaching printmaking at Bennington College. He commuted weekly between New York and Vermont for the next decade.

During the 1960s Haas was a Color-field painter. He also continued making etchings and lithographs, and by 1970 several galleries were selling his architectural prints. His first outdoor mural, painted in the So Ho section of New York City in 1975, attracted attention and commissions followed. Mural commissions include: Boston Architectural Center (1977); Edison Bothers Store, Inc., St. Louis (1984); Home Savings of America, multiple locations in Florida and California (1990-1991); City of Huntsville, Texas (1991); Federal Building and Courthouse, Kansas City, Kansas (1994); and Yorkville Mural, New York City (2004.)

Haas, who began exhibiting while still a student, has participated in a large number of group shows and enjoyed many solo exhibitions. He was elected a National Academician, National Academy of Design, was granted a Guggenheim Fellowship, and has been a MacDowell Fellow. Among other honors, Haas has received the American Institute of Architects Medal of Honor, New York City Municipal Art Society Award, Doris C. Freedman Award for Public Art, and the Jimmy Ernst Award of the American Academy of Arts and Letters.

Mr. Haas, who works in New York City, is represented by David Findlay, Jr. Gallery. His wife, Katherine Sokolnikoff, is a sculptor and arts administrator; they live in Yonkers, New York.
Related Material:
An interview of Richard Haas conducted January 13 and March 16, 2009, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.
Provenance:
Donated by Richard Haas in 2012.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Educators -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Muralists -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Genre/Form:
Watercolors
Sketchbooks
Travel diaries
Drawings
Sketches
Photographs
Citation:
Richard Haas papers, 1937-2012, bulk 1970-2012. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.haasrich
See more items in:
Richard Haas papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91efc1077-30a8-4bd5-a702-b003b7c4a817
EDAN-URL:
ead_collection:sova-aaa-haasrich

Percy Ives papers, circa 1890-1994, bulk circa 1890-circa 1930

Creator:
Ives, Percy L. (Percival L.), 1864-1928  Search this
Subject:
Detroit Museum of Art. School  Search this
Type:
Glass negatives
Photographs
Sketches
Citation:
Percy Ives papers, circa 1890-1994, bulk circa 1890-circa 1930. Archives of American Art, Smithsonian Institution.
Topic:
Art--Study and teaching--Michigan--Detroit  Search this
Artists' studios--Photographs  Search this
Arts administrators--Michigan--Detroit  Search this
Portrait painters--Michigan--Detroit  Search this
Portrait painting--United States  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9282
(DSI-AAA_SIRISBib)211477
AAA_collcode_ivesperc
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211477
Online Media:

Charles Pollock papers, 1875-1994

Creator:
Pollock, Charles C. (Charles Cecil), 1902-1988  Search this
Subject:
Pollock, Jackson  Search this
Type:
Photographs
Sketches
Cartoons (humorous images)
Citation:
Charles Pollock papers, 1875-1994. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- New York (State) -- New York  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Expatriate painters -- France -- Paris  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8942
(DSI-AAA_SIRISBib)211128
AAA_collcode_pollchar
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211128
Online Media:

Marian V. Loud papers, ca.1905-1956

Creator:
Loud, Marian V. (Marian Violet), 1880-1956  Search this
Subject:
Detroit Society of Women Painters and Sculptors  Search this
Detroit Federation of Women's Clubs  Search this
Type:
Scrapbooks
Citation:
Marian V. Loud papers, ca.1905-1956. Archives of American Art, Smithsonian Institution.
Topic:
Painting -- Michigan -- Detroit  Search this
Women artists  Search this
Women painters  Search this
Women authors  Search this
Women educators  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7915
(DSI-AAA_SIRISBib)210083
AAA_collcode_loudmari
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210083

Richard Thomas papers, 1968-1979

Creator:
Thomas, Richard C., 1917-1988  Search this
Subject:
Cranbrook Academy of Art  Search this
Citation:
Richard Thomas papers, 1968-1979. Archives of American Art, Smithsonian Institution.
Topic:
American studio craft movement  Search this
Metal-work  Search this
Theme:
Lives of American Artists  Search this
Craft  Search this
Record number:
(DSI-AAA_CollID)9244
(DSI-AAA_SIRISBib)211439
AAA_collcode_thomrich
Theme:
Lives of American Artists
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211439

Rudolph Schaeffer papers

Creator:
Schaeffer, Rudolph  Search this
Names:
East & West Gallery (San Francisco, Calif.)  Search this
Rudolph Schaeffer School of Design  Search this
Adams, Ansel, 1902-1984  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
Frey, Caroline  Search this
Frey, Fred  Search this
Tobey, Mark  Search this
Wright, Frank Lloyd, 1867-1959 -- Photographs  Search this
Extent:
13.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Place:
Japan -- Description and Travel
Date:
1880s-1997
Summary:
The collection measures 13.3 linear feet, dates from the 1880s-1997 and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.
Scope and Content Note:
The collection measures 13.3 linear feet, dates from the 1880s-1997, and documents the life and varied career of Rudolph Schaeffer, artist, designer, teacher, writer, collector of Asian art, and pioneer in the field of color study who founded the Rudolph Schaeffer School of Design in San Francisco in 1926. The papers include biographical information, correspondence, subject files, writings, diaries, journals, artwork, scrapbooks, sound recordings, and photographs.

Correspondence documents Schaeffer's personal and professional activities as well as the Rudolph Schaeffer School of Design. Subject files contain various combinations of correspondence, photographs, printed material, and drawings reflecting Schaeffer's activities, projects, and interests. Within the subject files is correspondence with artists, including Mark Tobey. Extensive writings include manuscripts for published and unpublished articles and drafts, notes, and manuscripts of several unpublished books including Collected Lectures of Rudolph Schaeffer on Color and Design, Color and Design, Prismatic Color Theory, and Rhythmo-Chromatics, all undated. Diaries include a volume recording Schaeffer's 1936 trip to Japan. 42 volumes of journals, compiled between 1954 and 1987, contain entries on a wide range of subjects including lists of errands, invitation lists, class notes, drafts of letters, notes including staff assignments and staff meetings, autobiographical notes and reminiscences, and musings on religion and philosophy.

The Artwork series houses artwork by Schaeffer and his students. Found are hand-made Christmas cards, designs, sketches, and sketchbooks. Seven scrapbooks document Rudolph Schaeffer's career, his school and former students, and the San Francisco art scene. They contain printed material, photographs, letters, and a small amount of artwork. Volume 3 is devoted to East West Gallery, and volume 7 documents Rudolph Schaeffer's 90th Birthday and the 50th Anniversary of the Rudolph Schaeffer School of Design.

Most untranscribed sound recordings (audio cassettes and reels) are of lectures by Schaeffer and others delivered at the Rudolph Schaeffer School of Design.

Miscellaneous records includes a series of hand-baticked fabric samples from the Wiener Werkstatte, as well as transcripts of an oral history with Schaeffer and other interviews.

Printed material concerns the career of Rudolph Schaeffer, his school and former students, the San Francisco art scene, and general art topics. Included are articles and a book by Schaeffer, catalogs and other items produced by the Rudolph Schaeffer School of Design, and miscellaneous items about or mentioning Schaeffer and his school. Items of note are announcements of courses taught by Schaeffer in Piedmont and San Francisco prior to the opening of his school, and theatre programs from productions with sets and some costumes designed by Schaeffer in the early 1920s.

Photographs are of artwork, people, places, events, stage designs, and miscellaneous subjects. Artwork includes some designs by Rudolph Schaeffer; people include Schaeffer, his family, friends, and students. Of particular note are a photograph of Frank Lloyd Wright's visit to the Rudolph Schaeffer School of Design, and one of Rudolph Schaeffer and Imogen Cunningham. Places include interior and exterior views of the Rudolph Schaeffer School of Design at its St. Anne Street and Mariposa Street locations. Also included are photographs by Ansel Adams of the home of Ed and Caroline Fey.
Arrangement:
The collection is arranged as 10 series:

Missing Title

Series 1: Biographical Information, 1900-1988 (Box 1; 0.1 linear ft.)

Series 2: Correspondence, 1906-1989 (Box 1, 19; 0.5 linear ft.)

Series 3: Subject Files, 1907-1988 (Boxes 1-2, OV 16; 1.3 linear ft.)

Series 4: Writings, circa 1910-1987 (Boxes 2-6, 15, 19, 21; 4.2 linear ft.)

Series 5: Artwork, 1911-1957 (Boxes 6-15, 19, 21 OV 17; 0.6 linear ft.)

Series 6: Scrapbooks, 1933-1976 (Boxes 6, 14, 19; 0.6 linear ft.)

Series 7: Sound Recordings, 1949-1986 (Boxes 11-13; 1.2 linear ft.)

Series 8: Miscellaneous Records, 1905-1986 (Box 7, 19, 22; 0.8 linear ft.)

Series 9: Printed Material, 1906-1994 (Boxes 7-8, 15, 19, 22; 1.2 linear ft.)

Series 10: Photographs, 1880s-circa 1988 (Boxes 8-10,15, 20, 22, OV 18; 1.8 linear ft.)
Biographical Note:
Rudolph Schaeffer (1886-1988), a proponent of the Arts and Crafts movement, aspired to unite technology, science, and lifestyle in order to live in harmony with nature. An individual with many talents and interests, he was best known for his work in the field of color study and as a teacher and the founder of the Rudolph Schaeffer School of Design in San Francisco.

Born on a farm in Clare, Michigan in 1886, Rudolph Schaeffer displayed musical and artistic talent from a young age. Although he initially wanted to become a professional musician, he began focusing more on art when his musical abilities were compromised by an improperly set broken wrist. Schaeffer received his first formal art training as a high school student and then attended the Thomas Normal Training School in Detroit, where he studied music, art, and design. He continued studying independently, developing interests in calligraphy and metal craft.

In 1907, Schaeffer taught manual training courses in the Columbus, Ohio, public schools. The following summer he traveled to Paris and London. While in London he saw an exhibition of Josef Hoffman's modern interiors that had a great impact on his own design ideas. He then returned to Michigan and taught in schools close to home. In 1909, Schaeffer attended a design course in Minneapolis taught by A. E. Batchelder, director of Throop Polytechnic Institute in Pasadena. Both Batchelder and his course were strong influences on Schaeffer, as was Ralph Johnot, a proponent of Arthur Wesley Dow's design principles. In 1910 Schaeffer joined the faculty of Throop Polytechnic Institute, where he remained for five years.

The U. S. Commission on Education selected Schaeffer to be part of a delegation of twenty-five American teachers sent to Munich for several months in 1914 to investigate the exemplary industrial design curriculum offered in their secondary schools. Schaeffer subsequently expected to begin teaching at the Manual Arts High School in Los Angeles at the start of the 1914 school year, but World War I erupted while he was in Germany and his return to the United States was delayed so long that another teacher had to be hired to fill his place.

In 1915 Schaeffer was a manual training instructor at the California College of Arts and Crafts (formerly the Hopkins School), and taught design and metal crafts at the University of California Berkeley. For a number of years afterwards, he did free lance design work, taught private classes, and ran a small summer school in his Piedmont studio. Schaeffer was a visiting professor at Stanford University in 1918 when he was drafted and sent to drafting and surveying courses by the Army. Between 1917 and 1924 Schaeffer was on the faculty of the California College of Arts and Crafts where he taught design, color, handicrafts, and interior design. During this period he developed a new approach to teaching color and design based on the prismatic color wheel.

During the early 1920s Schaeffer worked as a set designer and as Art Director of Greek Theatre at the University of California at Berkeley, Schaeffer began applying prismatic color theory to set and costume design. He also designed sets for productions in Detroit. In 1925, Schaeffer saw the Paris Exposition and researched interior and stage design while in France.

The Rudolph Schaeffer School of Design which, in its early days was called the Rudolph Schaeffer School of Rhythmo-Chromatic Design, opened on St. Anne Street in San Francisco's Chinatown in 1926. In 1951 the school then moved to Union Street on Telegraph Hill where it remained for nearly a decade. In 1960, the school purchased a former boys' school on Mariposa Street, Portero Hill. Rudolph Schaeffer lived in a small cottage built for him at the rear of the property where he designed and tended a remarkable "Peace Garden."

The Rudolph Schaeffer School of Design was best known for its courses in color and interior design. Schaeffer was the first person in the United States to teach prismatic color theory, is credited with being the first to use the term "interior design" rather than "interior decoration" and the first to incorporate the use of models into interior design coursework. In 1959 the school's courses were expanded from 2 to 3-year programs and a diploma was awarded. Former students include many successful interior designers, textile designers, furniture designers, industrial designers, commercial artists, color consultants, teachers, and master flower arrangers.

In addition to the interior design and color diploma courses, the school offered a summer session, classes for children, a brief lecture series for the general public, and a wide variety of classes including advertising art, architecture and design, art history, art in public schools, calligraphy, color design, color for television, color for weavers, color theory, design, drawing, environmental aesthetics, fashion design, fashion illustration, flower arrangement, industrial design, interior design, Notan, sculpture, space planning, textile design, and weaving. Always struggling financially and sometimes lacking adequate enrollment, the school nevertheless managed to stay open for nearly 60 years. In 1984, the Board of Directors voted to remove Schaeffer from the board and close the school. Two years earlier the board had forced Schaeffer to retire, appointed him Director Emeritus, and brought in a new director charged with making the institution financially solvent, reorganizing the curriculum, and working toward accreditation. Unable to separate himself from the school (though he had done so legally when it was incorporated in 1953), Schaeffer balked and refused to cooperate with plans for revitalizing the institution.

One of the aims of the Rudolph Schaeffer School of Design was to interpret Asian esthetic principles. To this end the East West Gallery was established at the school in 1950. A membership organization, it offered exhibitions, lectures, concerts, and other programs that encouraged cultural integration. Exhibitions alternated between East (Asian art and artifacts from Rudolph Schaeffer's collection or other sources) and West (student work or work of local artists illustrating the influence of the Asian esthetic on contemporary art and design). East West Gallery was a membership organization, the first space of its kind in San Francisco for Asian art and operated in each of the school's locations.

In addition to running the school Schaeffer was involved in many other activities. He wrote several articles about flower arrangement, color, and color theory that were published in popular magazines. In 1935, he published Flower Arrangement Folio I (said to be the first on the subject published in this country) and in 1942 edited and wrote the introduction to Sunset's Flower Arrangement Book by Nell True Welch. Over a period of many years, he worked on several monographs on color, design, and "rhythmo-chromatics." None were ever published.

A sought-after speaker on the subjects of color, interior design, flower arrangement, and myriad other art topics, Schaeffer frequently served as a juror for art exhibitions and flower shows. From the 1930s on, the San Francisco department store Emporium used his services as a color consultant, as did Dutch Boy paints, and numerous textile and clothing manufacturers. Builders also asked Schaeffer to select interior and exterior colors for suburban housing developments.

Schaeffer worked on planning and designing the decorative arts exhibition at the 1939-40 Golden Gate International Exposition. In 1943-44, he participated in the Red Cross's Arts and Skills program, using color therapy with shell-shocked soldiers in a psychiatric unit.

The Rudolph Schaeffer Collection of Asian Art began as a collection of ceramics, both historical and contemporary examples chosen for their form and color, which he used for flower arrangements and in set-ups for still life classes. It soon expanded to include color prints, paintings, screens, and other works of art and portions were exhibited frequently in the East West Gallery. Selections from this collection were exhibited in Kansas City in 1960 and at the Asian Art Museum of San Francisco in 1976.

The City of San Francisco declared June 26, 1986, Schaeffer's 100th birthday, "Rudolph Schaeffer Day" and it was observed with great fanfare. He died at home on March 5, 1988, a few months before his 102nd birthday.
Provenance:
The Rudolph Schaeffer papers were donated in 1991 by Rudolph Schaeffer and the Rudolph Schaeffer School of Design administrator Peter Docili, and in 1999 and 2000 by James Alexander, a friend of both Schaeffer and Docili, who had been storing portions of Docili's estate after his death in 1998, with the assistance of Frances Valesco, a fiber artist and researcher. An addition was received in 2007 by William Woodworth, a close friend and caretaker of Schaeffer's and in 2017 and 2018 by Frances Valesco.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- California -- San Francisco  Search this
Topic:
Artists -- California -- San Francisco  Search this
Designers -- California -- San Francisco  Search this
Art -- Collectors and collecting -- California -- San Francisco  Search this
Art, Asian  Search this
Art -- Study and teaching  Search this
Artists -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Color -- Study and teaching  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Christmas cards
Designs
Interviews
Sketchbooks
Sketches
Sound recordings
Transcripts
Citation:
Rudolph Schaeffer papers, 1880s-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.scharudo
See more items in:
Rudolph Schaeffer papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e577bb5b-7a69-4e35-a266-06d309085a6a
EDAN-URL:
ead_collection:sova-aaa-scharudo

Marian V. Loud papers

Creator:
Loud, Marian V. (Marian Violet), 1880-1956  Search this
Names:
Detroit Federation of Women's Clubs  Search this
Detroit Society of Women Painters and Sculptors  Search this
Extent:
5 Volumes ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Scrapbooks
Date:
ca.1905-1956
Scope and Contents:
A diary, 1905, of a European trip Loud took, including notes, a sketch, photographs, and printed material; and four scrapbooks containing letters, photographs, sketches, and printed material pertaining to her family, the Liggit School, the Detroit Society of Women Painters and Sculptors, and the Detroit Federation of Women's Clubs.
Biographical / Historical:
Painter, writer, lecturer, teacher; born Medford, Mass. Studied in Munich and in New York. Attended the Liggett School, and graduated in 1901. Was a faculty member of the Detroit School of Design, 1911-1916, and the Liggett School, 1916-1945. Lectured in art history at the School of the Society of Arts and Crafts, 1932-1952. Was chairman of the fine arts committee of the Detroit Federation of Women's Clubs and the president of the Detroit Society of Women Painters and Sculptors.
Provenance:
The lender, Thomas Brunk, does research on women artists in Detroit, Mich.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art teachers -- Michigan -- Detroit  Search this
Painters -- Michigan -- Detroit  Search this
Topic:
Painting -- Michigan -- Detroit  Search this
Women artists  Search this
Women painters  Search this
Women authors  Search this
Women educators  Search this
Function:
Arts organizations -- Michigan
Genre/Form:
Scrapbooks
Identifier:
AAA.loudmari
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d5d5fd3c-86d4-4d9c-ba8f-b8e5db8f1c41
EDAN-URL:
ead_collection:sova-aaa-loudmari

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving  Search this
Japanese tea ceremony  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990c0174f-3e27-4a2f-bccb-8d302a50d30d
EDAN-URL:
ead_collection:sova-aaa-butt09
Online Media:

Mary Chase Stratton papers

Creator:
Stratton, Mary Chase Perry, 1867-1961  Search this
Names:
Pewabic Pottery (Firm)  Search this
Freer, Charles Lang, 1856-1919  Search this
Lux, Gwen  Search this
Perry, William Walbridge, Dr.  Search this
Photographer:
Steichen, Edward, 1879-1973  Search this
Extent:
0.5 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Date:
circa 1846-1959
Summary:
The papers of ceramicist and educator Mary Chase Stratton measure 0.5 linear feet and date from circa 1846 to 1959. The collection provides scattered documentation of Stratton's career through artwork including a lithograph signed by Gwen Lux; an award to William Stratton and an honorary degree to Stratton; correspondence from Stratton's father and a few others; personal photographs of Stratton, family members, and photographs of works of art; and a photograph of Charles Lang Freer by Edward Steichen. Also found are printed materials including a brochure for Pewabic Pottery, and several writings.
Scope and Contents:
The papers of ceramicist and educator Mary Chase Stratton measure 0.5 linear feet and date from circa 1846 to 1959. The collection provides scattered documentation of Stratton's career through artwork including a lithograph signed by Gwen Lux; an award to William Stratton and an honorary degree to Stratton; correspondence from Stratton's father and a few others; a partial license to dig for gold in the Colony of Victoria; personal photographs of Stratton, family members, and photographs of works of art; and a photograph of Charles Lang Freer by Edward Steichen. Also found are printed materials including a brochure for Pewabic Pottery, and several writings.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Mary Chase Stratton (1867-1961) was a ceramicist and educator, and a founder of Pewabic Pottery in Detroit, Michigan.

Stratton was born in Hancock, Michigan, to Dr. William Walbridge Perry and Sophia Barrett Perry. Stratton and her mother moved to Ann Arbor after the murder of Dr. Perry in 1877. Stratton's artistic interests were encouraged by her mother who hired art teacher Lily Chase to instruct her. The family later moved to Detroit where Stratton became a prominent figure in the art world. She co-founded Pewabic Pottery with Horace J. Caulkins around 1903 and after a few years in business they found a permanent home for the pottery studio in a Detroit building designed by William Stratton, who would become Stratton's husband in 1918.

The studio, now a National Historic Landmark, created architectural tiles found at the Basilica of the National Shrine of the Immaculate Conception, the Kingswood School for Girls in Cranbrook, the Cathedral Church of St. Paul in Detroit, and numerous other public buildings. Stratton taught at Wayne State University and the University of Michigan where she established the ceramics department.

Stratton died in 1961.
Related Materials:
Also found in the Archives of American Art are the Pewabic Pottery records, 1891-1973.
Separated Materials:
The Archives of American Art also holds microfilm of material lent by Mrs. Ella Peters, secretary to Stratton, for microfilming on reel 593 including a 144-page unpublished autobiography of Mary Chase Stratton. Loaned materials were returned to the donor and are not described in the collection container inventory.
Provenance:
The collection was donated by Mary Chase Stratton in 1961. Some material was lent for microfilming in 1973 by Mrs. Ella Peters, secretary to Stratton.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- Michigan -- Detroit  Search this
Educators -- Michigan -- Detroit  Search this
Topic:
Women artists  Search this
Women ceramicists  Search this
American studio craft movement  Search this
Genre/Form:
Drawings
Citation:
Mary Chase Stratton papers, circa 1846-1959. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stramary
See more items in:
Mary Chase Stratton papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d8318ad4-64c0-49ee-a802-db3e2ed54e9d
EDAN-URL:
ead_collection:sova-aaa-stramary

Oral history interview with Glen Michaels, 1981 July 1

Interviewee:
Michaels, Glen, 1927-  Search this
Interviewer:
Rospond, Mary Chris  Search this
Subject:
Grotell, Maija  Search this
Sepeshy, Zoltan  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Glen Michaels, 1981 July 1. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture -- Technique  Search this
Sculptors -- Michigan -- Interviews  Search this
Artists' materials  Search this
Record number:
(DSI-AAA_CollID)12291
(DSI-AAA_SIRISBib)212095
AAA_collcode_michae81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212095
Online Media:

Oral history interview with Walter Midener, 1981 Aug. 3

Interviewee:
Midener, Walter, 1912-1998  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Walter Midener, 1981 Aug. 3. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Michigan -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12737
(DSI-AAA_SIRISBib)212148
AAA_collcode_midene81
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212148
Online Media:

Oral history interview with Walter Midener, 1974 July 10-17

Interviewee:
Midener, Walter, 1912-1998  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Walter Midener, 1974 July 10-17. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculptors -- Michigan -- Detroit -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13295
(DSI-AAA_SIRISBib)212903
AAA_collcode_midene74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212903

Oral history interview with Guy Palazzola, 1974 June 16

Interviewee:
Palazzola, Guy, 1919-1978  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Guy Palazzola, 1974 June 16. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Painters -- Michigan -- Ann Arbor -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11921
(DSI-AAA_SIRISBib)212986
AAA_collcode_palazz74
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212986

Oral history interview with Richard Thomas, 1978 May 5-17

Interviewee:
Thomas, Richard C., 1917-1988  Search this
Interviewer:
Barrie, Dennis, 1947-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Richard Thomas, 1978 May 5-17. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Educators -- Michigan -- Bloomfield Hills -- Interviews  Search this
Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12006
(DSI-AAA_SIRISBib)213158
AAA_collcode_thomas78
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213158

Oral history interview with Aarre K. Lahti, 1964

Interviewee:
Lahti, Aarre K., 1908-1993  Search this
Interviewer:
Ehrlich, Heyward  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Aarre K. Lahti, 1964. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculptors -- Michigan -- Ann Arbor -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12368
(DSI-AAA_SIRISBib)212817
AAA_collcode_lahti64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212817

Oral history interview with Glen Kaufman, 2008 January 22-February 23

Interviewee:
Kaufman, Glen, 1932-  Search this
Interviewer:
Shea, Josephine, 1958-  Search this
Subject:
Allrich, Louise  Search this
Constantine, Mildred  Search this
Cook, Camille J.  Search this
Grotell, Maija  Search this
Johnston, Meda Parker  Search this
Lambert, Ed  Search this
Larsen, Jack Lenor  Search this
Liebes, Dorothy  Search this
McCutchen, Earl  Search this
Page, Charlene  Search this
Rossbach, Ed  Search this
Strengell, Marianne  Search this
Thompson, Bill  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Cranbrook Academy of Art  Search this
Reserve Officers Training Corps  Search this
Type:
Sound recordings
Interviews
Place:
Denmark -- description and travel
Europe -- description and travel
Illinois -- Chicago -- Description and travel
India -- description and travel
Japan -- Description and Travel
Ohio -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Glen Kaufman, 2008 January 22-February 23. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Japan -- Kyoto  Search this
Textile artists -- Georgia -- Athens  Search this
Textile artists -- Japan -- Kyoto  Search this
Record number:
(DSI-AAA_CollID)16155
(DSI-AAA_SIRISBib)366203
AAA_collcode_kaufma08
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366203
Online Media:

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