Search Results

Creator:

Maril, Herman  Search this

Names:

Federal Art Project  Search this

Extent:

10.6 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1934-1986

Scope and Contents:

The papers of painter and printmaker Herman Maril measure 10.6 linear feet and date from 1934-1986, Included are biographical information, files regarding exhibitions, artists and institutions, and printed material.

Biographical / Historical:

Herman Maril (1908-1986) was a painter, printmaker and teacher in Baltimore, Md.

Provenance:

Donated 1978-1981 by Herman Maril with the bulk of the material donated 2018 by the Herman Maril Foundation via David Maril.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Art teachers -- Maryland -- Baltimore.  Search this

Painters -- Maryland -- Baltimore  Search this

Printmakers -- Maryland -- Baltimore  Search this

Identifier:

AAA.mariherm

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92807ebb8-b025-4377-a959-bab6c2cf66d1

EDAN-URL:

ead_collection:sova-aaa-mariherm

Owners:

Houston Independent School District  Search this

Creator:

Karavias, Kellie  Search this

Burton, Carol  Search this

Provenance:

Garden Club of Houston  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Texas -- Houston -- Houston

Gregory Lincoln Education Center (Houston, Texas)

Scope and Contents:

16 digital images (2015-2017) and 1 file folder.

General:

Gregory-Lincoln Education Center is a fine arts magnet pre-K through 8th grade school on a 15- acre campus with many low-income and food-insecure students. In the 2011-2012 school year 14 raised gardens beds for vegetables, berries and herbs were installed and planted; the curriculum is called the Cultivated Classroom. Students grow organic food that they prepare and eat while learning about sustainability, science, math, reading, social studies and nutrition. Staple crops include squashes, tomatoes, cruciferous vegetables such as cabbage and cauliflower, berries, lettuces, beans and okra, some flowers and herbs. Other vegetables are planted each year on a trial basis. The initial garden has been expanded to include four more raised beds, 20 fruit trees, a chicken coop called The Chick-Inn, a grape arbor at the entrance, and a pollinator garden. The lay-out includes a reading circle, tool shed, compost center, picnic tables, a wash station and benches. Learning about healthy eating is an important aspect of the program, including acquiring food preparation skills for a lifetime, and cooking and learning about careers in the food industry at a nearby restaurant. Helpers in the garden include school staff, Urban Harvest employees, parents, and neighborhood volunteers who participate in a monthly "dig-it" day of weeding, mulching, and additional planting. The Garden Club of Houston supports this program through financial contributions to Urban Harvest, a non-profit that promotes community gardens.

Persons associated with the garden include: Houston Independent School District (owners, 1966- ); Urban Harvest (sponsor, 2011- ); Kellie Karavias (culinary arts teacher, 2011- ); Carol Burton (Urban Harvest coordinator, 2011- ) Names (role and dates of ownership/involvement). Example: Metropolitan District Commission (playground, Victory Garden, 1953- ); City of Cambridge (Morse School, 1953- ); Carl Koch (1912-1998) (architect, 1955); Design Partnership of Cambridge (renovation architects, 1999); Jane Hirschi, Director of City Sprouts (non-profit assisting in creating and maintaining school garden, 2001- ); Patricia Beggy (Morse school principal, 2004- ); Juliet and György Kepes (enamel panels artists, 1957); Tomie Arai (silk-screened mural artist, 1999).

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Texas -- Houston  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File TX199

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Texas

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb647c315c9-ec7a-475e-9a9e-7766fe89f17c

EDAN-URL:

ead_component:sova-aag-gca-ref32840

Creator:

Woods, Gurdon G., 1915-  Search this

Names:

Otis Art Institute  Search this

San Francisco Art Institute  Search this

DeFeo, Jay, 1929-1989  Search this

Siegriest, Louis Bassi, 1899-1989  Search this

Siegriest, Lundy, 1925-  Search this

Extent:

0.8 Linear feet

0.2 Linear feet (Addition)

Type:

Collection descriptions

Archival materials

Drawings

Date:

1948-1987

Scope and Contents:

Correspondence; notes and writings by Woods and his students; printed material; photographs of Woods and his work; 4 sketches and drawings by his students, undated; 1 certificate from San Francisco Art Institute, undated, various subject files, 1948-1981.

Included are: correspondence with Grace McCann Morley, Jock Reynolds, Richard Hayton, Sean Elwood and others, 1960-1987; notes and writings by Woods and his students; student drawings by Joan Brown and others, and original Christmas cards received; clippings, 1955-1978; files on the San Francisco Art Festival, 1950-1951, San Francisco Art Association, the San Francisco Art Commission, the San Francisco Museum of Art, and other events and topics; gallery announcements, posters and exhibition catalogs;

writings by Woods including commencement addresses, lectures, proposals and one manuscript "New Prospects in Design Education"; proposals for long range development of the visual arts program at the University of California at Santa Cruz (1970-1979); and photographs and slides of Woods and his artwork.

ADDITION: One b&w photograph of Louis Siegriest and his son Lundy; one b&w photograph of Jay DeFeo, ca. 1960; and two exhibition catalogs on the Siegriests, 1980 and 1986; newspaper review of Woods' 1993 exhibit.

Biographical / Historical:

Sculptor and art instructor; San Francisco and Santa Cruz, California.

Provenance:

Material donated 1991 and 1992 by Gurdon Woods.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Occupation:

Art teachers -- California -- Santa Cruz  Search this

Sculptors -- California -- Santa Cruz  Search this

Topic:

Art -- Study and teaching -- California  Search this

Sculpture, American -- California  Search this

Sculpture, Modern -- 20th century -- California  Search this

Function:

Art festivals

Genre/Form:

Drawings

Identifier:

AAA.woodgurd

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92fdc7766-105f-4af9-8bc2-6c19c54bf26b

EDAN-URL:

ead_collection:sova-aaa-woodgurd

Creator:

Brook, Alexander, 1898-1980  Search this

Subject:

Bacon, Peggy  Search this

Biddle, George  Search this

Brett, Catherine  Search this

Covarrubias, Miguel  Search this

Pollock, Jackson  Search this

Spencer, Niles  Search this

Knee, Gina  Search this

Bouché, Louis  Search this

Type:

Photographs

Watercolors

Sketches

Transcriptions

Scrapbooks

Sketchbooks

Interviews

Etchings

Illustrations

Citation:

Alexander Brook papers, 1900-1982. Archives of American Art, Smithsonian Institution.

Topic:

Post-impressionism (Art)  Search this

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Theme:

Diaries  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6833

(DSI-AAA_SIRISBib)208960

AAA_collcode_brooalex

Theme:

Diaries

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208960

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

YouTube Videos

Uploaded:

2020-07-13T12:00:29.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_ZedfsdiS8PY

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2011-02-02T13:36:23.000Z

YouTube Category:

Education  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_6fzjnolxAAY

Creator:

Archives of American Art  Search this

Type:

YouTube Videos

Uploaded:

2011-10-21T16:53:02.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

SmithsonianAAA

Data Source:

Archives of American Art

YouTube Channel:

SmithsonianAAA

EDAN-URL:

edanmdm:yt_srwnHaoxBWQ

Creator:

Cooper Hewitt, Smithsonian Design Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2020-06-01T00:00:11.000Z

YouTube Category:

Education  Search this

Topic:

Design  Search this

See more by:

cooperhewitt

Data Source:

Cooper Hewitt, Smithsonian Design Museum

YouTube Channel:

cooperhewitt

EDAN-URL:

edanmdm:yt_ECzoCaIjaKM

Creator:

Sharrer, Madeleine  Search this

Names:

Sharrer, Honoré, 1920-2009  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1968-1990

Summary:

The scattered papers of Madeleine Sharrer measure 0.2 linear feet and date from 1968 to 1990. Found are biographical materials including a biographical sketch by Perez Zagorin, and photographs of Sharrer, her works of art, students and their artworks, and a dismantled photo album of works of art.

Scope and Contents:

The scattered papers of Madeleine Sharrer measure 0.2 linear feet and date from 1968 to 1990. Found are biographical materials including a biographical sketch by Perez Zagorin, and photographs of Sharrer, her works of art, students and their artworks, and a dismantled photo album of works of art.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Madeleine Ellen Sachs Sharrer Poland (1898–1988) was a painter active in New York, California, and Connecticut, and was the mother of painter Honoré Sharrer.

As a young woman Sharrer studied in Paris at the Acadèmie Colarossi and the Acadèmie de la Grande Chaumière and in New York with Charles Hawthorne and George Luks. Madeline Sharrer was her daughter Honoré's first art teacher, and remained a lifelong professional confidante and advisor to her daughter throughout her life.

Provenance:

Donated 1975 by Reginald Poland, Sharrer's husband, and in 2007 by Perez Zagorin.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Connecticut  Search this

Painters -- New York (State)  Search this

Painters -- California  Search this

Topic:

Portrait painting  Search this

Women artists  Search this

Women painters  Search this

Citation:

Madeleine Sharrer papers, 1968-1990. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.sharmade

See more items in:

Madeleine Sharrer papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b2b659d6-3120-4f4e-bbbb-ad6c5c70c549

EDAN-URL:

ead_collection:sova-aaa-sharmade

Interviewee:

Halpert, Edith Gregor, 1900-1970  Search this

Interviewer:

Phillips, Harlan B. (Harlan Buddington), 1920-  Search this

Names:

C.W. Kraushaar Art Galleries  Search this

Daniel Gallery  Search this

Downtown Gallery (New York, N.Y.)  Search this

Ferargil Galleries  Search this

Grand Central Art Galleries  Search this

M. Knoedler & Co.  Search this

Montross Gallery  Search this

New Gallery (New York, N.Y.)  Search this

Bacon, Peggy, 1895-1987  Search this

Barr, Alfred H., Jr., 1902-1981  Search this

Barrie, Erwin S., 1886-1983  Search this

Benton, Thomas Hart, 1889-1975  Search this

Brackman, Robert, 1898-  Search this

Bridgman, George Brant, 1864-1943  Search this

Brixey, Richard de Wolfe  Search this

Cahill, Holger, 1887-1960  Search this

Calder, Alexander, 1898-1976  Search this

Cary, Elisabeth Luther, 1867-1936  Search this

Chase, William Merritt, 1849-1916  Search this

Coleman, Glenn O., 1887-1932  Search this

Crowninshield, Frank, 1872-1947  Search this

Daniel, Charles, 1878-1971  Search this

Davis, Stuart, 1892-1964  Search this

Demuth, Charles, 1883-1935  Search this

Deskey, Donald, 1894-  Search this

Dove, Arthur Garfield, 1880-1946  Search this

Dudensing, F. Valentine, 1892-1967  Search this

Fergusson, John Duncan, 1874-1961  Search this

Field, Hamilton Easter  Search this

Force, Juliana, 1876-1948  Search this

Ford, Ford Madox, 1873-1939  Search this

Frost, Robert, 1874-1963  Search this

Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this

Goodyear, A. Conger (Anson Conger), 1877-1964  Search this

Greenberg, Clement, 1909-1994  Search this

Halpert, Samuel, 1884-1930  Search this

Hartley, Marsden, 1877-1943  Search this

Hirsch, Stefan, 1899-1964  Search this

Hopkinson, Charles, 1869-1962  Search this

Hopper, Edward, 1882-1967  Search this

Johns, Jasper, 1930-  Search this

Kline, Franz, 1910-1962  Search this

Knox, Seymour H., 1898-1990  Search this

Kroll, Leon, 1884-1974  Search this

Kuhn, Walt, 1877-1949  Search this

Kuniyoshi, Yasuo, 1889-1953  Search this

Laurent, Robert, 1890-1970  Search this

Lawrence, Jacob, 1917-2000  Search this

Levine, Jack, 1915-2010  Search this

Levy, Julien  Search this

Locke, Charles, 1899-  Search this

Luks, George Benjamin, 1867-1933  Search this

Léger, Fernand, 1881-1955  Search this

Marin, John, Jr., 1915?-1988  Search this

McBride, Henry, 1867-1962  Search this

Mellon, Paul  Search this

Mercer, Henry Chapman  Search this

Montross, N. E. (Newman E), 1849-1932  Search this

Noguchi, Isamu, 1904-1988  Search this

O'Keeffe, Georgia, 1887-1986  Search this

Pascin, Jules, 1885-1930  Search this

Picasso, Pablo, 1881-1973  Search this

Pollock, Jackson, 1912-1956  Search this

Pound, Ezra, 1885-1972  Search this

Rivera, Diego, 1886-1957  Search this

Robinson, Edward G., 1893-1973  Search this

Rockefeller, Abby Aldrich  Search this

Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this

Saklatwalla, Beram K.  Search this

Sandburg, Carl, 1878-1967  Search this

Shahn, Ben, 1898-1969  Search this

Sheeler, Charles, 1883-1965  Search this

Siporin, Mitchell, 1910-1976  Search this

Soutine, Chaim, 1893-1943  Search this

Steichen, Edward, 1879-1973  Search this

Stein, Gertrude, 1874-1946  Search this

Stella, Frank  Search this

Stern, Louis E., 1886-1962  Search this

Stieglitz, Alfred, 1864-1946  Search this

Tannahill, Robert Hudson  Search this

Vollard, Ambroise, 1867-1939  Search this

Weber, Max, 1881-1961  Search this

Whitney, Gertrude Vanderbilt, 1875-1942  Search this

Williams, William Carlos, 1883-1963  Search this

Wittenberg, Philip, 1895-1987  Search this

Zerbe, Karl, 1903-1972  Search this

Zorach, Marguerite, 1887-1968  Search this

Zorach, William, 1887-1966  Search this

Extent:

436 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Date:

1962-1963

Scope and Contents:

An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.

Halpert speaks of her childhood in Russia and growing up in New York City; working at Bloomindale's, Macy's, Stern Brothers, and Cohen Goldman; her marriage to artist Sam Halpert, his health, and living in Paris in 1925; becoming an art student at the Academy of Design and feeling that Leon Kroll was an excellent art teacher until he began to correct her drawings; when George Bridgman thought she was ruining his class; the Lincoln Square Arcade, when she and Ernest Fiener and Robert Brackman would rent Conan's studio evenings and bring in instructors; how Newman Montross influenced her more than anybody about showing her art that she loved; burning all of her work because Kroll said she had no talent; receiving a painting from John Marin; her friendship and working relationship with Abby Rockefeller and other family members.

She recalls opening the Downtown Gallery, in Greenwich Village, in 1926; a brief history of modern art; many artists helping decorate the new Daylight Gallery in 1930 and the first show being called "Practical Manifestations of Art"; meeting Robert and Sonia Delaunay in France; when she refused to allow Ezra Pound to speak at one of the gallery lectures because of his anti-Semite remarks and William Carlos Williams and Ford Madox Ford argued with her over it; experiencing jealousy and professional attacks from other dealers; the successful "Pop" Hart show and book in 1929; the "Thirty-three Moderns" show in 1930 at the Grand Central Galleries; the Jules Pascin show in 1930; in America, most of the art buyers supporters of culture were women, until the WPA and World War II, when it became fashionable for men to be involved; Ambroise Vollard's advice on selling art; handling the frustrations of working in the art field; friendships with Stuart Davis,Charles Sheeler, and Ben Shahn; how artists work through dry periods in their creativity and the "Recurrent Image" show; a discussion on modern art galleries of New York City, such as Daniel, Knoedler, Ferargil, the New Gallery, 291, the Grand Central, Kraushaar, and Montross; her travels through Pennsylvania and Maine for good examples of folk art for the gallery; the "The Artist Looks at Music" show; the non-competitive spirit of the early modern American artists; of being saved financially in 1940 by selling a William Harnett painting to the Boston Museum and then renting new space for the gallery.

Also, Mitchell Siporin bringing Halpert and Edmund Gurry to Mitchell Field during World War II for a camouflage show and consequently Downtown Gallery artists and others were enlisted in the camouflage corps for the U.S. Air Force; Charles Sheeler and his wife find Halpert a house in Newtown, Conn.; her decision in 1933 to push folk art for acquisition by the William Rockhill Nelson Gallery in Kansas City, Missouri; her great concern about what to do with her folk art literature collection; dismay and that no one writes about the history of folk art and those responsible for its creation and popularity; Louis Stern hiring her to organize a municipal exhibit in Atlantic City, N.J., with Donald Deskey designing the furniture and Holger Cahill managing the publicity; Joe Lillie helping her meet Fiorello La Guardia and Joe McGoldrick in 1934 about a municipal show in New York City, but it is moved to Radio City Music Hall through Nelson Rockefeller; the "Salons of America" show; wanting articles written about art for love rather than art for investment; working with Aline Saarinen on her book, "Proud Possessors;" letters from Stuart Davis, William Zorach and others that hurt her feelings; enjoying giving educational lectures and considering retirement because of ill health; the desire to write a book on the history of trade signs in folk art; feeling that the young artists are being ruined by too much support without working for it; planning to write a book entitled, "Unsung Heroes," about artists brave enough to experiment; organizing a show in Russia at her own expense; later representing the U.S. in art at the "American National Exposition"; the agitators and success of the exposition; Alfred Stieglitz and Georgia O'Keeffe.

Halpert also recalls Juliana Force, Gertrude Vanderbilt Whitney, Yasuo Kuniyoshi, Buckminster Fuller, George Luks, Edsel Ford, Max Weber, Danny Diefenbacker, Hamilton Easter Field, Frank Stella, Glenn Coleman, Margaret Zorach, Diego Rivera, Frida Kahlo, Henry Mercer, Romany Marie, Edward G. Robinson, Paul Mellon, Charles Pollet, Alex Brook, Lunca Curass, Dorothy Lambert, Duncan Candler, Frank Rhen, Louis Rittman, Bea Goldsmith, Arthur Craven, Robert Frost, Philip Wittenberg, Caesar de Hoke, Richard deWolfe Brixey, Seymour Knox, Walt Kuhn, Elisabeth Luther Cary, Charles Locke, Duncan Fergusson, Mrs. Solomon Guggenheim, Bob Tannahill, David Thompson, Marsden Hartley, Erwin Barrie, Robert Laurent, Conger Goodyear, Henry McBride, Edward Hopper, Charles Daniel, William Merritt Chase, Charles Hopkinson, Thomas Hart Benton, Frank Crowninshield, Alfred Barr, Lord Duveen, Jacob Lawrence, John Marin Jr., Karl Zerbe, Franz Kline, Arthur Dove, Julian Levy, Jack Levine, Valentine Dudensing, Peggy Bacon, Stefan Hirsch, Gertrude Stein, Isamu Noguchi, Jasper Johns, Chaim Soutine, B. K. Saklatwalla; Fernand Leger, Pablo Picasso, Ben Shahn, Charles Demuth, Alexander Calder, Jackson Pollock, Edward Steichen, Carl Sandburg, Clement Greenberg, and others.

Biographical / Historical:

Edith Halpert (1900-1970) was an art dealer from New York, N.Y.

General:

Originally recorded on 7 tape reels. Reformatted in 2010 as 27 digital wav files. Duration is 32 hrs., 27 min.

Provenance:

This interview is part of the Archives of American Art History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. The transcript was microfilmed in 1996.

Occupation:

Art dealers -- New York (State) -- New York  Search this

Topic:

Art -- Economic aspects  Search this

Camouflage  Search this

Folk art -- Collectors and collecting  Search this

Women art dealers  Search this

Sponsor:

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.halper62

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94b057b9a-c3f9-4586-8d44-ee2d58857127

EDAN-URL:

ead_collection:sova-aaa-halper62

Creator:

Kainen, Jacob  Search this

Kainen, Ruth Cole.  Search this

Names:

Addison Gallery of American Art  Search this

Australian National Gallery  Search this

Baltimore Museum of Art  Search this

British Museum  Search this

Brooklyn Museum  Search this

Corcoran Gallery of Art  Search this

Corcoran School of Art (Washington, D.C.)  Search this

Middendorf Gallery  Search this

National Gallery of Art (U.S.)  Search this

Smithsonian American Art Museum  Search this

Acton, David, 1953-  Search this

Agee, William C.  Search this

Berman, Avis  Search this

Broun, Elizabeth  Search this

Butler, Bryce  Search this

Cole, Phoebe  Search this

Fine, Ruth, 1941-  Search this

Fort Wayne Museum of Art  Search this

Frohlich, Newton, 1936-  Search this

Gilkey, Gordon  Search this

Gorky, Arshile, 1904-1948  Search this

Halasz, Piri  Search this

Harrison, Carol  Search this

Holden, Donald  Search this

Holladay, Wilhelmina Cole, 1922-  Search this

Hopps, Walter  Search this

Jackson, John Baptist, 1701-1780?  Search this

Jordon, Jim  Search this

Kalonyme, Louis  Search this

Lunn, Harry, 1933-1998  Search this

Morse, Peter  Search this

Nordland, Gerald  Search this

O'Connor, Francis V.  Search this

Pollack, Jerome  Search this

Powell, Richard J., 1953-  Search this

Purcell, Ann  Search this

Rand, Harry  Search this

Reynolds, Jock  Search this

Ries, Martin, 1926-  Search this

Solman, Joseph, 1909-2008  Search this

Steinberg, Leo  Search this

Taylor, Joshua Charles, 1917-  Search this

Taylor, Prentiss, 1907-1991  Search this

Tejera, V. ((Victorino))  Search this

Thornton, Valerie  Search this

Weber, Joanne  Search this

Extent:

33.3 Linear feet

Type:

Collection descriptions

Archival materials

Photographs

Diaries

Transcripts

Videotapes

Visitors' books

Lectures

Prints

Greeting cards

Interviews

Scrapbooks

Date:

1905-2009

bulk 1940-2001

Summary:

The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diaries, calendars, inventories, interview transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Scope and Content Note:

The papers of painter, printmaker, and curator Jacob Kainen measure 33.3 linear feet and date from 1905 to 2009, with the bulk of the material from 1940-2001. The bulk of the collection consists of correspondence/subject files including personal correspondence to and from friends and family members and professional correspondence and records concerning Kainen's activities as an artist, curator, teacher, and art collector. The collection also contains biographical material, writings, diary and journal entries, calendars, inventories, interview and "dialog" transcripts, printed material, photographs, works of art by other artists, and nine scrapbooks.

Biographical materials include items concerning Kainen's career as a curator and artist, in addition to a useful bibliography, detailed biographical outline, and a copy of an FBI report compiled on him. Also included are five videocassette recordings of Kainen.

Alphabetical correspondence/subject files comprise the bulk of the collection and include both Jacob's and Ruth's correspondence with family, friends, colleagues, artists, art critics, curators, museums, arts organizations, galleries, and many others. There is a significant amount of correspondence with David Acton, the Addison Gallery of Art and Jock Reynolds, William Agee, Australian National Gallery, Baltimore Museum of Art, Avis Berman, the British Museum, Brooklyn Museum, Elizabeth Broun and the Smithsonian American Art Museum, Bryce Butler, Pheobe Cole, the Corcoran Gallery and School of Art, Richard Field, Ruth Fine, Fort Wayne Museum of Art, Newton Frohlich, Gordon Gilkey and the Pacific Northwest College of Art, Arshile Gorky, Piri Halesz, Carol Harrison, Donald Holden, Wilhelmina Holladay, John Baptist Jackson, Jim Jordon, Lou Kantor, Harry Lunn Jr., Middendorf Gallery, National Gallery of Art, Peter Morse, Gerald Nordland, Francis O'Connor, Jerome Pollack, Richard Powell, Ann Purcell, Harry Rand, Martin Ries, Joseph Solman, Leo Steinberg, Prentiss Taylor, Victorino Tejera, Valerie Thornton, Joanne Weber, and numerous family members.

Writings are by and about Jacob Kainen. Kainen's writings include articles, lectures, exhibition catalog essays, notes, travel notebooks, short stories, poems, and written statements about his artistic motivations and justifications. There are writings about Kainen by Avis Berman, Ruth Cole Kainen, and others. The bulk of the numerous diary entries are from Ruth Cole Kainen's diaries, many of which concern Jacob and their family. There are also annotated and revised diary entries. There is one folder of diary entries and one folder of journal entries by Jacob Kainen and two dismantled journal-like notebooks. The papers include daily calendars and travel itineraries from 1972 through 2001.

The papers include transcripts of formal interviews and informal conversations with Jacob Kainen. Transcripts are of informal dinner, telephone, and general conversations between friends, colleagues, artists, and Ruth Cole Kainen. Included are conversations with Avis Berman, Walter Hopps, Harry Rand, Joshua Taylor, and several others. Many of these transcripts were also annnotated by Jacob and Ruth Kainen. Also found are numerous transcripts of more formal interviews with Kainen by art historians, art critics, and students.

There are inventories, appraisals, and lists of sold and not sold paintings, as well as color photographs of some of Kainen's works of art. Also found are inventories of the Kainens' art collection. Printed materials include Kainen's exhibition catalogs and announcements, clippings of articles by and about Jacob Kainen, and an exhibition guestbook.

Photographs are of Kainen with his family and friends, at exhibition openings, and working in his studios. Works of art by others includes handmade greeting cards, limited edition prints, and portfolios given to Jacob Kainen. Nine scrapbooks containing news clippings and exhibition publications document the entirety of Kainen's career as an artist.

Arrangement:

The Jacob Kainen papers are arranged into 11 series.

Missing Title

Series 1: Biographical Material, 1938-2001 (Boxes 1, 32; 0.8 linear feet)

Series 2: Correspondence/Subject Files, 1936-2003 (Boxes 1-12, 32-33; 11.8 linear feet)

Series 3: Writings, circa 1920s-2002 (Boxes 12-13, 33; 1.6 linear feet)

Series 4: Diaries, circa 1952-2002 (Boxes 13-18, 33-38; 10.0 linear feet)

Series 5: Calendars, 1953-2008 (Boxes 18-20, 38; 1.7 linear feet)

Series 6: Transcripts, circa 1975-1994 (Boxes 20-21, 38; 1.4 linear feet)

Series 7: Inventories, 1927-2001 (Boxes 21-22; 1.0 linear feet)

Series 8: Printed Material, 1938-2003 (Box 22, 38, OV 31; 0.6 linear feet)

Series 9: Photographs, 1905-2000 (Boxes 22-25, 38, OV 31; 3.3 linear feet)

Series 10: Works of Art by Others, 1942-2000 (Boxes 25-26, OV 31; 1.2 linear foot)

Series 11: Scrapbooks, 1936-1998 (Boxes 27-30, 38; 1.3 linear feet)

Biographical Note:

Jacob Kainen (1909-2001) was a painter, printmaker, and curator who worked primarily in Washington, D.C.

Born on December 7, 1909 in Waterbury, Connecticut, Jacob Kainen moved with his family to New York City in 1918. Kainen studied at the Pratt Institute in Brooklyn from 1927 until 1930, and at the Art Student's League. In the early 1930s, Kainen became involved in social causes and formed close friendships with the early abstractionists, including John Graham, Arshile Gorky, and Stuart Davis. He joined the Artists' Union and a contributor to its journal, Art Front, along with Stuart Davis and Harold Rosenberg. Jacob's participation in the Artists' Union was later investigated by the FBI.

From 1935 until 1942, Kainen worked for the Graphic Arts Division of the Works Progress Administration in New York City and began exhibiting with the New York School. It was during this period that he married Bertha Friedman. Jacob and Bertha had two sons together, Dan and Paul, and divorced in 1968.

In 1942, Kainen made a life-changing decision to leave New York City and move to Washington, D.C. to accept what he thought would be a temporary position as a scientific aide in the Division of Graphic Arts at the Smithsonian Institution. Kainen quickly became Assistant Curator and Curator in 1946. He served as Curator for twenty years, completely reshaping the department and building the graphic arts collection. His print exhibitions brought the work of S.W. Hayter, Josef Albers, Adja Yunkers, Louis Lozowick, Karl Schrag, José Guerrero, Louis Schanker, Werner Drewes, and Boris Margo to Washington audiences - graphic work that might not have been shown that early in the area.

1947 marked the opening of the Washington Workshop Center for the Arts, where Kainen served as a teacher and guide to several important artists, helping to make the workshop a magnet for new talent and instrumental in furthering the careers of several artists. Although Kainen taught Gene Davis and Alma Thomas and introduced Morris Louis to Leon Berkowitz, he never considered himself a member of the "Washington Color School."

In 1949, the Corcoran Gallery of Art held a retrospective of Kainen's prints and three years later Kenneth Noland organized Kainen's first painting retrospective at Catholic University. Kainen's paintings from the 1940s illustrated a shift away from social realism toward abstract expressionism. In 1956, Jacob Kainen received a grant from the American Philosophical society to conduct research in Europe for his monograph on the English woodcut artist, John Baptist Jackson. He traveled to Europe again in 1962 to study paintings and prints from the Mannerist Period.

From 1966 until 1970, Kainen worked as the Curator of prints and drawings at the National Collection of Fine Arts (now the Smithsonian American Art Museum). He married Ruth Cole in February of 1969. Kainen retired from the Smithsonian a year later to devote himself full-time to his art, but continued to serve as a special consultant to the Smithsonian American Art Museum for nineteen years. In 1971 and 1972, Kainen taught painting and the history of printmaking at the University of Maryland. A retrospective of Kainen's paintings was held in 1993 at the National Museum of American Art (SAAM).

Throughout his artistic career, Kainen experimented with different mediums and explored different styles, yet he identified himself as a painter. Jacob Kainen participated in at least twenty-five one man shows and several group exhibitions. His works are in collections across the United States and abroad, including the National Gallery of Art, the Metropolitan Museum of Art, the Art Institute of Chicago, and the British Museum. He worked in his studio up until the time of his death on March 19, 2001 at his home in Chevy Chase, Maryland.

Related Material:

Found among the holdings of the Archives of American Art is an oral history interview of Jacob Kainen conducted by Avis Berman in 1982 for the Archives' "Mark Rothko and His Times" oral history project. Also found are microfilm copies of Bertha Kainen's correspondence with Avis Berman regarding Berman's essay about Jacob Kainen.

Separated Material:

The Archives of American Art also holds microfilm of material lent for microfilming (reels 565, 2147-2149, and 2200) including correspondence, writings by Kainen, and papers relating to the Smithsonian Institution Loyalty Board's investigation of Jacob Kainen from 1942-1954. Most, but not all, of the loaned materials were included in later gifts. Loaned materials not donated at a later date remain with the lender and are not described in the container listing of this finding aid.

Provenance:

Jacob and Ruth Kainen first lent the Archives of American Art material for microfilming from 1973-1981, the bulk of which was included in the later gifts. Papers were then donated in multiple accretions between 1981-2007 by Jacob and Ruth Kainen, and in 2009 from the estate of Ruth Kainen via executor Teresa Covacevich Grana. Also in 2003, eight photographs of Jacob and Ruth Kainen were transferred from the National Portrait Gallery to the Archives of American Art.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Curators -- Washington (D.C.)  Search this

Art teachers -- Washington (D.C.)  Search this

Topic:

Painting, Modern -- Washington (D.C.)  Search this

Painting, Abstract -- Washington (D.C.)  Search this

Artists' studios -- Photographs  Search this

Art -- Collectors and collecting -- Washington (D.C.)  Search this

Printmakers -- Washington (D.C.)  Search this

Genre/Form:

Photographs

Diaries

Transcripts

Videotapes

Visitors' books

Lectures

Prints

Greeting cards

Interviews

Scrapbooks

Citation:

Jacob Kainen papers, 1905-2008, bulk 1940-2001. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.kainjaco

See more items in:

Jacob Kainen papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw974ec158d-d417-4d06-931d-44a4af17ab27

EDAN-URL:

ead_collection:sova-aaa-kainjaco

Creator:

Cecere, Ada Rasario, 1894 or 1898-1971  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1938-1972

Summary:

The scattered papers of painter and muralist Ada Cecere measure 0.2 linear feet and date from 1938 to 1972. Found are letters from artists, galleries, institutions, and museums, and photographs of Cecere's works of art.

Scope and Contents:

The scattered papers of painter and muralist Ada Cecere measure 0.2 linear feet and date from 1938 to 1972. Found are letters from artists, galleries, institutions, and museums, and photographs of Cecere's works of art.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Ada Rasario Cecere (1898-1983) was a painter, muralist, and designer active in New York City, New York, and Rome, Italy. Ada Rasario was born in New York and studied art in Paris and Rome. She married Gaetano Cecere, a Roman sculptor and together they settled in Manhattan. She was president of the Pen and Brush Society. Cecere died in New York in 1983.

Provenance:

Ada Cecere donated her papers to the Archives of American Art in 1972.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Muralists -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Designers -- New York (State) -- New York  Search this

Art teachers -- New York (State) -- New York  Search this

Topic:

Mural painting and decoration  Search this

Women artists  Search this

Women painters  Search this

Women designers  Search this

Women educators  Search this

Women muralists  Search this

Citation:

Ada Rasario Cecere papers, 1938-1972. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.ceceada

See more items in:

Ada Rasario Cecere papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f1903057-4920-40d2-8013-ea68c4608d83

EDAN-URL:

ead_collection:sova-aaa-ceceada

Collection Creator:

Clark, Edward, 1926-2019  Search this

Extent:

Includes one sound cassette containing a recorded interview.

Container:

Box 5, Folder 13

Type:

Archival materials

Date:

1995-1997

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.

Collection Citation:

Ed Clark papers, 1923-2017. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

See more items in:

Ed Clark papers

Ed Clark papers / Series 5: Professional Activities / Projects and Exhibitions

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw980fb0f62-55f4-43c8-b30d-e057d57bd0d3

EDAN-URL:

ead_component:sova-aaa-clarked-ref150

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2021-09-30T13:03:22.000Z

YouTube Category:

Entertainment  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_Ai2CXIf9NRE

Creator:

Smithsonian Education  Search this

Type:

YouTube Videos

Uploaded:

2018-05-23T00:14:13.000Z

YouTube Category:

Education  Search this

Topic:

Education  Search this

See more by:

SmithsonianEducation

Data Source:

Smithsonian Education

YouTube Channel:

SmithsonianEducation

EDAN-URL:

edanmdm:yt_UBfleABrMro

Creator:

Rosenthal, Doris Patty, 1889-1971  Search this

Citation:

Doris Rosenthal papers, 1932-circa 1971. Archives of American Art, Smithsonian Institution.

Topic:

Women painters  Search this

Women artists  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8382

(DSI-AAA_SIRISBib)210556

AAA_collcode_rosedori

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210556

Creator:

Robineau, Adelaide Alsop, 1865?-1929  Search this

Citation:

Adelaide Alsop Robineau papers, 1977, 1904-1929. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women ceramicists  Search this

Women educators  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)8339

(DSI-AAA_SIRISBib)210511

AAA_collcode_robiadel

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210511

Creator:

Smithsonian American Art Museum  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2014-09-17T20:12:40.000Z

YouTube Category:

Education  Search this

Topic:

Art, American  Search this

See more by:

americanartmuseum

Data Source:

Smithsonian American Art Museum

YouTube Channel:

americanartmuseum

EDAN-URL:

edanmdm:yt_zOgNeomiRqM

Creator:

Sleigh, Sylvia  Search this

Names:

Artists in Residence (Gallery: New York, N.Y.)  Search this

Soho 20 (Gallery)  Search this

Women in the Arts Foundation, Inc  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1961-1983

Scope and Contents:

Files containing correspondence, printed material and miscellany on the Women in the Arts Foundation, Inc., the Artists in Residence Gallery, and Soho 20, all in New York City; 196 photographs of Sleigh's paintings; catalogs, announcements, and clippings concerning Sleigh.

Biographical / Historical:

Sylvia Sleigh is a portrait painter, figure painter, and instructor from New York, New York.

Provenance:

Donated 1979-1983 by Sylvia Sleigh.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

Occupation:

Art teachers -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Identifier:

AAA.sleisylv

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90a970476-158f-4e44-9592-03a8a4505674

EDAN-URL:

ead_collection:sova-aaa-sleisylv

Creator:

Lark, Sylvia, 1947-1990  Search this

Citation:

Sylvia Lark papers, 1971- 1999, undated. Archives of American Art, Smithsonian Institution.

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Women printmakers  Search this

Theme:

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6197

(DSI-AAA_SIRISBib)216467

AAA_collcode_larksylv

Theme:

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216467