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Art outlook

Topic:
Art outlook (periodical)
Names:
Grafly, Dorothy, 1896-  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1943-1949
1943-1949
Scope and Contents:
This microfilm collection of Art Outlook consists of forty-three issues of the monthly arts newsletter. Newsletters contain exhibition reviews, discussions of national and local art issues such as legislation and exhibition policies, articles on artists, and listings of gallery and museum exhibitions.
Biographical / Historical:
Art Outlook was a monthly arts newsletter edited by Dorothy Grafly and published by Philip Ragan Associates in Philadelphia, Pennsylvania. It ran from January 8, 1943 through the summer of 1949. In October, 1949, Grafly became publisher as well as editor and changed the name to Art in Focus. There were generally nine issues a year.
Related Materials:
The Archives of American Art also holds microfilm of Art in Focus, 1949-1980.
Provenance:
Lent for microfilming 1990 by the Philadelphia Museum of Art.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Exhibitions -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art calendars  Search this
Art criticism -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art publishing -- Pennsylvania -- Philadelphia  Search this
Function:
Publications -- Pennsylvania
Identifier:
AAA.artoutlo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artoutlo

Art in focus

Topic:
Art in focus (periodical)
Names:
Grafly, Dorothy, 1896-  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1949-1980
1949-1980
Scope and Contents:
This microfilm collection consists of Art in Focus newsletters containing exhibition reviews, discussions of national and local art issues such as legislation and exhibition policies, articles on artists, and listings of gallery and museum exhibitions.
Biographical / Historical:
Art in Focus was a monthly arts newsletter edited and published by Dorothy Grafly in Philadelphia, Pennsylvania from October 1949 to 1980. It was preceded by Art Outlook, also edited by Grafly and published by Philip Ragan Associates (1943-1949). There were generally nine issues a year, though some issues were missed toward the end of the run as Grafly's health declined.
Related Materials:
The Archives of American Art also holds microfilm of Art Outlook, 1943-1949.
Provenance:
Collected in 1990 as part of AAA's Philadelphia Arts Documentation Project. Microfilmed by the Free Library of Philadelphia.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Exhibitions -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art calendars  Search this
Art criticism -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art publishing -- Pennsylvania -- Philadelphia  Search this
Function:
Publications -- Pennsylvania
Identifier:
AAA.artinfocus
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artinfocus

Correspondence Files

Collection Creator:
Cahill, Holger, 1887-1960  Search this
Extent:
1.5 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1922-1979, 1993
Scope and Contents note:
This series consists of personal and work-related correspondence (primarily incoming correspondence) between Cahill and various friends and colleagues. While a large portion of the series documents Cahill's position as Director of the FAP, it also extends beyond those years and illuminates other aspects of Cahill's career including his interest in folk and Asian art, and his work as an art critic.

There is significant correspondence with the artist Stanton MacDonald Wright between 1936 and 1950, and with the artist Irene Pereira between 1950 and 1953. The series also documents research which Cahill conducted in the late 1940s on the development of the Index of American Design for his introduction to a book on the Index by the National Gallery of Art, published by the Macmillan Company. Correspondence from 1949 provides another angle on the historical details of the FAP through lengthy correspondence documenting Cahill's criticism of William Francis McDonald's book Federal Relief Administration and the Arts (Ohio State University Press, 1969).

There is a large amount of correspondence from July 1960 comprising sympathy letters to Dorothy C. Miller following Cahill's death. Correspondence from 1977 encloses a catalog of an exhibition organized by New York WPA Artists, Inc., at the Parsons School of Design in November 1977. The exhibition, New York City WPA Art, was dedicated to the memory of Holger Cahill.

See Appendix for a list of correspondents (with the exception of those microfilmed on reel 1105) in Series 2
Appendix: Correspondents in Series 2:
Abbott, Berenice: 1944 (letter to the Editor)

Abbott, John: [1946]

Abell, Walter ( -- Canadian Art): -- 1943-1944 (2 letters)

Adams, Charles C.: 1940

Alcopley, Mr.: [1952] (including typescript "Pictures of Alcopley" by Saburo Hasegawa); 1953-1960 (4 letters)

Alsberg, Henry G. (Director, Federal Writers' Projects): 1936 (4 letters)

American Council of Learned Societies: 1949

American Federation of Arts: 1949-1952 (3 letters)

American Folk Art Gallery: 1941

American Heritage: 1954

American Swedish Historical Foundation: 1949

Andrews, Robert Armstrong and Eleanor: [1960], undated

Art in America: 1953

Artists For Victory: [1942]

Artists League of America: 1945

Artists Union of Massachusetts: 1936 (telegram to President Roosevelt)

Arts Council of Japanese Americans for Democracy: 1944

Ashton, Dore: [1960]

Bach, Richard F. (Metropolitan Museum): 1924 and 1950

Bailey, Herbert: 1972 (letter from Naomi Bliven)

Baker, Donald: [1936]

Baker, Jacob (WPA): 1935-1960, undated (10 letters)

Barach, Frederica (Writers' War Board): 1944

Barker, Virgil and Ida: 1945-1960 (4 letters)

Barnard College: 1951 (2 letters)

Barr, Alfred H., Jr. (Museum of Modern Art): 1935-1960 (16 letters)

Barr, Tony: 1960

Batten, Barton, Durstine & Osborn, Inc.: 1950

Baur, John (Brooklyn Museum): 1946-1960 (6 letters)

Baylinson, Ada: 1950

Bear, Donald J. (Denver Art Museum): 1939

Beckmann, Mrs. Max: 1960

Bennington College: 1950

Benson, Emanuel M. (FAP): 1936-1940 (7 letters)

Berlandina, Jane: 1960

Bessinger, Frederic (artist): 1933

Biddle, George: 1936-1940

Biesel, Fred and Frances: 1941-1955 (13 letters)

Bird, Elzy: [1949]

Bittermann, Eleanor: 1951

Black, Mary: [1960]

Bliven, Naomi: 1972 (letter to Herbert Bailey)

Block, Edgar S.: 1950

Block, Lou: 1949

Bluemner, Oscar: 1934-1937 (3 letters)

Blue Ribbon Books: 1935

Blume, Peter: 1944 and 1950

Blumenfeld, Willow (Cahill's granddaughter): [1960]

Blumenschein, Ernest L.: 1936

Blumenthal, Joseph: [1960]

Bolotowsky, Ilya: 1960

Borgenicht, Grace (art dealer): [1960]

Boston Marine Museum: 1949

Boston: Museum of Fine Arts: 1950

Boulton, Margaret: 1936

Bragozzi, Tony and Olive (curator of David Rockefeller's collection): 1960

Breck, George and Ruth: [1960]

Brennan, Francis: 1960

Brook, Alex: 1959 (2 letters)

Brook, Gina (wife of artist Alexander Brook): 1960

Brooks, James and Charlotte: [1960]

Brown, Clara D. (antiques dealer): [1935]

Brown, Yaeger: 1943 (2 letters)

Bruce, Edward: 1937

Bucks County Historical Society: 1950

Bufano, Beniamino: [1940-1942], undated (3 letters)

Bulau, Alwin E.: 1952

Burnham, Ralph Warren (antiques dealer): 1933

Byron, Evelyn S.: 1942 (memo from Wilda Sawyer)

Bywaters, Jerry: 1960

Calder, Alexander: 1956 (photocopy) and 1960

Calkins, K: 1936 (2 letters to Constance Rourke)

Campbell, Robert B.: 1960

Carolina Art Association: 1935-1950 (5 letters)

Carroll, Bob: 1960

Carroll, Eleanor: 1936

Castelli, Leo: 1960

Catlin, Tod: 1960

Cavanna, Elise: 1960

Chamberlain, Betty: 1960

Chanin, Abraham and Maralt (Museum of Modern Art): [1960]

Chapin, Lucy Stock: 1932-1933 (2 letters)

Chapman, Suzanne: 1946-1949 (2 letters)

Charm -- (Barbara Lee Johnson): 1929

Chermayeff, Serge (Institute of Design): 1948

Chichester, Jim Hinchman (college friend of Elizabeth Holt): 1960

Church, Elizabeth D. (antiques dealer): 1935 (including 10 photographs of folk art)

Citizens Committee for Support of WPA: 1937

Claflin, Agnes: 1960

Clark, Stephen C.: 1939

Cleveland Institute of Art: 1950 (letter from Alfred Barr)

Coffey, Katherine: 1960

Coggeshall, Calvert and Suzanne: 1956-1960 (2 letters)

Cole, Mrs. Charley Tidd (Friends of the FAP): 1940 (letter from Martha Davidson)

Colie, Annetta (Elizabeth Holt's sister): 1960

Colin, Georgia and Ralph: 1960

Collier, Nina (Index of American Design): 1936 (6 letters)

Collins, Lloyd and Lib: 1960

Colman, Anne (FAP, Michigan): 1937 (2 letters)

Colonial Williamsburg, Incorporated: 1935-1960 (13 letters)

Colorado Springs Fine Arts Center: 1939-1960 (3 letters)

Columbia Broadcasting System, Inc.: 1939 (contract for Cahill to broadcast "What's Art to Me" program)

Columbia University: [1939]

Conklin, Franklin (Newark Museum): 1944

Connolly, Elizabeth (FAP, Southern California): 1940

Cooper, Charlotte Gowing (FAP, Ohio): 1937-1937 (4 letters)

Cooper, Samuel C.: 1941 (including certificate of dissolution for the American Folk Art Gallery); 1951 (3 letters)

Corcoran Gallery of Art: 1950 (3 letters)

Cornelius, Charles: 1936 (2 memoranda from others)

Cosmopolitan Fire Insurance: 1931

Coussirat, Elizabeth (Index of American Design): 1936 (6 letters)

Crampton, Rollin: 1960

Craven, Thomas: 1944 (2 letters)

Crawford, Phyllis: 1945-1960 (4 letters)

Crofut, Edward F. (WPA and Museum of Modern Art): 1936-1938 (3 letters)

Cronin, Agnes S.: 1939-1944 (2 letters)

Crosby, Hildegard (FAP, Illinois): 1937-1949 (8 letters)

Culler, Julia Abbott: 1935

Cummin, Hazel (Index of American Design): 1937 (5 letters)

Curran, Mary (FAP, Pennsylvania): 1937 (2 letters)

Daly, Matthew A. (WPA): 1936 (2 letters)

Dana, John Cotton (Newark Museum): 1924-1925 (4 letters)

Daugherty, D. H. (American Council of Learned Societies): 1949 (11 letters)

Davidson, Jo: 1944 (letter to the Editor)

Davidson, Martha (Friends of the FAP): 1939-1940 (3 letters)

Davies, Terry: 1960 (2 letters)

Davis, Charles (artist): mentioned in invitation dated [1938]

Davis, D. and Phyllis: 1960

Davis, George Earl: 1952

Davis, Lew and Mathilde: 1960

Davis, Stuart: 1936-1960 (5 letters)

Dehner, Dorothy: [1960]

Delson, Sidney: 1958-1959 (2 letters)

de Nagy, Tibor: 1960

Dentsch, Hilda: [1941-1960] (2 letters)

DeVoto, Bernard: 1949 (4 letters)

De Young Memorial Museum: 1939

d'Harnoncourt, Rene: 1944-1960 (5 letters)

Dickinson, Edwin: 1960

Dienes, Sari (artist): 1960

Don, Michael: 1939-1940 (2 letters)

Donati, Enric: 1960

Douglas, Eric: 1949

Downtown Gallery: 1935

Dows, Olin (Treasury Relief Art Project): 1935-1960 (5 letters)

Dunbar, Anna: 1960

Duntley, Seibert Q.: 1941

du Pont, H. F.: 1950 (2 letters)

Durieux, Caroline: 1943

Durham, Mr.: 1936

Dutt, Alska: 1956

du Von, Jay: 1941

East Liverpool, Ohio, Chamber of Commerce: 1939

Eaton, Allen: 1938 and 1945

Edwards, Paul (WPA, Washington, D.C.): 1941

Eglington, Laurie (Index of American Design): 1936 (2 letters)

Eilshemius, Louis M.: 1931-1939 (2 letters)

Emery, Humphrey J. (American Handicraft Council): 1939

Emil, Allan and Kate (art collectors): 1960

Emmerich, Andre: 1960

Engineer Replacement Center, Fort Belvoir: 1941 (2 letters)

Essex Institute: 1950

Evans, Ernestine: 1947 (2 letters)

Evergood, Philip: 1944 (letter to the Editor)

Fairweather, Sally: [1960]

Feininger, Julia: 1960, undated

Feitelson, Lorser and Helen: 1943-1960 (3 letters)

Ferber, Herbert and Lisi: 1960 (2 letters)

Ferren, John: 1949 (2 letters)

Field, George H. (Federal Works Agency): 1943 (2 letters)

Flanagan, Hallie: 1949 (3 letters)

Fleming, Philip B.: [1943]

Fogel, Barbara: 1960

Follmer, Frank J.: 1942

Force, Juliana: 1946

'47 -- Magazine: 1946

Frankenberg, Lloyd: 1937 and 1960

French, Helen: [1960]

Frick Art Reference Library: 1946

Fried: Rose Fried Gallery: 1953

Friends of the FAP: 1939 (13 letters)

Fuller, Buckminster: 1942-1949 (including a brochure about the Dymaxion House)

Fultz, Harry T.: 1942 (memo from Fred Biesel)

Gaskin, William: 1940-1961 (12 letters)

Gates, Marguerite (Public Library of Newark, N.J.): 1929-1935 (3 letters)

Gavert, Olive Lyford (Alfred Barr's secretary): 1960

General Services Administration: 1950

Gershoy, Toni: [1960]

Gibbs, Peggy (widow of artist Howard Gibbs): [1960]

Giedion, Siegfried: mentioned in letter dated Oct 07, 1951

Glarner, Fritz: 1949 and 1960

Glassgold, Cook Adolph: 1936-1940 (43 letters)

Goldberg, Albert L. (Illinois Music Project): 1940

Goldberg, Mike: [1960]

Goldwater, Louise and Robert: 1960

Goodall, Donald B.: 1960

Goodchild, Donald: 1939

Goodrich, Lloyd (Whitney Museum of American Art): 1948-1960 (7 letters)

Goodyear, A. Conger: 1935-1960 (5 letters)

Gordon, Jack (Whitney Museum of American Art): [1960]

Gorsline, Douglas W.: 1950 (2 letters)

Gowing, Lawrence: 1960

Graham, Ralph (FAP, Illinois): 1941-1942 (3 letters)

Graves, Morris: 1946

Green, Wilder: 1960

Greenberg, Clement: 1960

Greenwell, Darrell J. ( -- Ogden Standard Examiner): -- 1949

Griffis, Toni (Mrs. Hughes Griffis): 1960

Griffith, E. J. (FAP, Oregon): 1938 and 1960

Grossman, Mrs. I. Donald: [1960]

Guerrero, Jose and Roxane: [1960]

Guggenheim, Olga: 1960

Gwathmey, Robert: 1944 (letter to the Editor)

Hale, Bob (Metropolitan Museum of Art): 1960

Hall, Edward T. (Universal School of Handicrafts): 1939

Halpert, Edith: 1930-1960, undated (20 letters)

Hardin, Shirley: [1960]

Hare, Michael M.: 1948

Harper's Magazine: 1943-1944 (2 letters)

Harrison, Preston: 1934

Hart, "Pop": 1930-1932 (2 letters)

Hartigan, Grace: 1960

Hasegawa, Saburo: 1952 (letter to Franz Kline, including typescript "Pictures of Alcopley")

Hatch, John Davis: 1960

Hatcher, Harry and Doris: 1960 (3 letters)

Haupers, Clement (FAP, Minnesota): 1937-1949 (5 letters)

Haydon, Hal: 1955

Henley, Helen B. (Wadsworth Atheneum): 1937 (2 letters)

Herbert, David: 1960

Hess, Thomas: 1960

Hinckley, Robert H. (American Broadcasting Co.): 1960

Hirsch, Joseph: 1960

Hofmann, Hans and Maria: 1960 (2 letters)

Holt, Elizabeth (art historian): 1960

Holzhauer, Mildred: 1937-1940 (4 letters)

Hope, Henry R. (Indiana Univ.): 1948-1949 (2 letters)

Hopkins, Harry L.: 1936-1943 (13 letters)

Horr, Axel (artist): mentioned in invitation dated [1938]

House Beautiful: 1950

Houston: Museum of Fine Arts of Houston: 1955

Hunter, Howard O.: 1941

Hunter, Virginia and Russell Vernon Hunter: 1951-1960, undated (4 letters)

Huxley, Julia S.: 1942

Illinois Art Project: 1941-1942 (6 letters)

Index of American Design: 1936 (form letter)

Interior: Department of the Interior: 1950 (3 letters)

Inverarity, Robert Bruce (FAP State Dir., Washington): 1937-1950 (5 letters)

Isaacs, Betty and Julius: 1960

Jackson, Martha: [1960]

Jerry, Sylvester (FAP, Michigan): 1939 (3 letters)

Johns, Jasper: 1960

Johnson, Anna: 1952

Johnson, Buffie: 1960

Johnson, Irene Edith: 1960

Johnson, Philip C.: 1960

Jones, Anne (Mrs. E. Powis Jones): 1960

Kallen, Horace (publisher): 1960

Karpel, Ray and Bernard (Museum of Modern Art): [1960]

Kavanaugh, George R. (Berea College): 1936

Kaye, Harold: 1958

Kayser, Dr.: 1954

Keck, Caroline and Sheldon (art conservators): 1960

Kellogg, Elizabeth R.: 1949 (2 letters)

Kent, Rockwell: 1944

Kerr, Florence (Work Projects Administration): 1940-1942 (4 letters)

Keyes, Homer Eaton ( -- Antiques -- Magazine): 1936

Kiesler, Frederick J.: 1960

Kiplinger, Walter M.: 1941 (4 letters)

Kipper, Katrina (antiques dealer): 1935 (3 letters)

Kirby, Mr. O. A.: 1941

Kleinholz, Frank: 1944 (letter to the Editor)

Kline, Franz: 1952 (letter from Saburo Hasegawa, including typescript "Pictures of Alcopley") and 1960

Knight, Frederic (Artists' Coordination Committee): Nov 1936 (5 letters)

Knight, Harry: 1960

Knittle, Rhea Mansfield: 1936-1937 (2 letters)

Kokoschka, Oskar: 1944

Kootz, Jane and Sam: 1960

Kroll, Eleanor: 1937 (2 letters)

Kuniyoshi, Yasuo: 1944 (2 letters)

Labaudt, Lucien: 1943 (4 letters)

Lane, Harry: [1960]

Laning, Clair: 1960

Leech, Nancy T.: 1949

Leeds, Harold Eliot (architect): 1960

Legg, Alicia (Museum of Modern Art curator): 1960

Leggett, Eugene S. (National Emergency Council): 1936 (letter from Harry Hopkins)

Leicester, Louise B. (American Handicraft Council): [1940]

Lekakis, Michael: 1960

Lemmon, Warren W.: mentioned in letter dated Mar 08, 1940

Levine, Jack: 1960

Levy, Julian: 1944 and [1960]

Lewis and Clark High School: 1939

Lewis, Elizabeth Ray: 1943

Life -- Magazine: 1944 (4 letters)

Lipman, Jean and Howard: [1960]

Lipscomb, Isabel (Work Projects Admin.): 1941 (3 letters)

Lipton, Seymour: [1960]

Litchfield, Elizabeth (Museum of Modern Art): 1941 - [1960] (3 letters)

Lowenthal, Edith and Milton: 1960

Lundy, Margaret: 1938

Lunsford, Bascom Lamar: 1936

Lyles, Mary E.: 1935

Mabry, Tom and Ethel: 1960 (2 letters)

Macdonald-Wright, Stanton: 1936-1955, undated (60 letters)

Macdowell Colony: 1960

MacLeish, Archibald: [1943] (letter from Philip B. Fleming)

Macmillan Company: 1946-1959 (24 letters)

Magazine of Art: 1948-1951 (10 letters)

Mapes, Col. Milton C. (Civilian Camouflage): 1941

March, Frank A. (Project Control Division): 1941

Marcus, Marcia: 1960

Marg -- Magazine: 1956 (6 letters)

Marx, Ione F.: 1942

Maryland Historical Society: 1950 (2 letters)

Matisse, Patricia (Pierre Matisse Gallery Corp.): [1960]

Mattis, Astria: 1960

Maverick Maury (Congressman, Texas): 1936 (3 letters)

Mayor, A. Hyatt (Metropolitan Museum): 1960

Mazo, Sara (widow of Yasuo Kuniyoshi): 1960

McAndrew, Betty and John: 1960

McCormick, M. R.: 1938

McCrady, John: 1943

McCray, Porter (Museum of Modern Art): 1960

McDonald, W. F. (American Council of Learned Societies): 1944-1949 (3 letters)

McKeague, Robert I. (Community Service Projects Section): 1937-1940 (8 letters)

McMahon, Audrey (WPA): 1936-1941 (7 letters)

McPharlin, Paul (Michigan WPA): 1937 (7 letters)

Metropolitan Museum of Art: 1953

Miller, Dorothy C. (Museum of Modern Art): 1936-1956 (27 letters)

Miller, Emma Guffey: 1938

Minnesota Historical Society: 1952

Morgan, Anne: 1938-1939 (5 letters)

Morley, Grace: 1960

Morris, Lawrence: 1937-1939 (2 letters)

Morris, Suzy (Mrs. George L. K. Morris): 1960

Morrison, Richard: 1936-1949 (6 letters)

Morsell, Miss: 1938

Motherwell, Robert: 1960

Museum of Modern Art: 1936-[1960] (4 letters)

Myers, Bernard: 1948

Myers, John (art dealer): 1960

Nakian, Reuben: 1960

Nash, Susan Higginson: 1934 (2 letters)

Nathan, Reuben S.: 1949 (3 letters)

National Gallery of Art: 1943-1993 (27 letters)

National Institute on Education and the War: 1943

Navy: Department of the Navy: 1941

Neuberger, Roy: 1960

Neumeyer, Alfred (Mills College): 1944

Nevelson, Louise: 1960

Newhall, Beaumont: 1941

New Hampshire: University of New Hampshire: 1939

Newman, Barnett: 1960

Newmeyer, S.: [1936]

New Republic: 1949 (letter from Lloyd Goodrich)

New York WPA Artists, Inc.: 1977 (including exhibition catalog "Then and Now")

New Yorker: 1948 and 1952

New York Herald Tribune: 1948-1952 (3 letters)

New York Public Library: 1949 (including copies of Index of American Design correspondence dated 1935-1936)

New York State Historical Association: 1949-1951 (4 letters)

[New York Times]: 1944

Neyland, Harry: 1935 (letter to Mrs. Rockefeller with 13 photographs of folk art)

Norman, Charles: 1960

Norman, Dorothy (Stieglitz protegee): 1960

Norman, Geoffrey (Works Projects Administration): 1941 (3 letters)

North Texas Agricultural College: 1939

Northrop, F. S. C.: 1947

Northwest Missouri State Teachers College: 1939

Norton, Ann: [1960]

Norwegian Folk Art Museum: 1949 (2 letters)

Odegaard, Charles E. (American Council of Learned Societies): 1949 (3 letters)

O'Hara, Frank (poet and art critic): 1960

Okada, Kimi and Keryo: 1960

Olmsted, Harold S.: 1954

Olsen, Catharine M.: 1941, undated (3 letters)

O'Neill, John P. (Historic American Buildings Survey, Department of the Interior): 1936 (5 letters)

Organ, Violet: 1949

Ormsbee, Thomas H. (editor, -- American Collector): -- 1936 (letter to Ruth Reeves)

Osborn, Elodie: 1960

O'Steen, Alton (Alabama Dept. of Education): 1943

Pach, Walter: 1939 (photograph of letter to Friends of the FAP)

Parker, Margaret: [1960]

Parker, Thomas C. (Federal Art Proj.): 1936-1940 (14 letters)

Parkinson, Eliza (Museum of Modern Art trustee): 1960

Parr, Russell C.: 1936

Parsons, Betty: 1960

Pedlar, Sylvia: 1960

Pedro, Luis Martinez: 1947

Peixotto, Ernest: 1936

P.E.N. Club, The: 1948

People's Art Center Association, St. Louis: 1952 (5 letters)

Pereira, Irene Rice and George Reavey: 1950-1953 (21 letters)

Perry, Beatrice (Gres Gallery): 1960

Philadelphia Museum of Art: 1950

Pickens, Alton: 1955

Pietan, Norman: 1948 and [1949]

Pilgrim Society: 1949 (2 letters)

Pollack, Peter: 1960

Pollak, Frances M. (WPA): 1936-1949 (7 letters)

Pollet, Elizabeth (widow of artist Joseph Pollet): [1960]

Pollock, Jackson: 1952 (photocopy)

Price, R. Moore: 1945

Public Use of Arts Committee: 1939

Purcell, Ralph: 1949 (4 letters)

Pyle, Edward Frederick: 1939

Ramsay, John: mentioned in memo dated Mar 31, 1936

Reeves, Ruth: 1936-1949 (55 letters including field reports)letters)

Reines, Harriet: 1938

Reinhart, Ad: 1952-1959 (3 letters)

Reynal and Hitchcock, Inc.: 1937

Richardson, E. P. (Detroit Institute of Arts; Archives of American Art): 1951-1960 (7 letters)

Riefstahl, Elizabeth: 1936

Ritchie, Andrew C.: 1944 (2 letters)

Rivers, Larry: 1960

Robinson, Boardman: 1936 and 1960

Rockefeller Center, Inc.: 1934 (contract for the First Municipal Art Exhibition)

Rockefeller Foundation: 1949

Rockefeller, David: 1960

Rockefeller, John D., Jr., and Abby A.: 1934-1940 (4 letters)

Rockefeller, John III, and Blanchette: 1951-1960 (3 letters)

Rockefeller, Nelson A.: 1934-1960 (6 letters)

Rockefeller, Peggy: 1960

Roesen, Severin: mentioned in letter dated Mar 02, 1938

Roosevelt, Franklin D.: 1936-1940 (3 letters)

Rosenbaum, Belle ( -- New York Herald Tribune): -- 1949-1960 (4 letters)

Rosenwald, Janet: 1937 and 1960

Rothko, Mark: 1960

Rourke, Constance: 1935-1938 (57 letters)

Rowan, Edward B. (Treasury Department, Section of Painting and Sculpture): 1936-1943 (5 letters)

Rubenstein, Erica B.: 1945 (3 letters)

Rubenstein, Sarah (Museum of Modern Art): 1960

Russell, Morgan: 1950-1951 (2 letters)

St. Petersburg Federal Galleries: 1939

Sandoz, Mari (writer): 1960

Sawitzky, William (painting researcher): 1935 (2 letters)

Sawyer, Wilda A.: 1942

Saxon, Lyle: 1943

Schaefer, Bertha: [1960]

Scharf, Bill: [1960]

Scheidt, Melvin E. (War Relocation Authority): 1943

Schmidt, Katherine: 1944 and 1960

Schnitzer, Robert C.: 1949

Schwabacher, Ethel: 1960 (2 letters)

Scott, Cecil: 1960 (2 letters)

Scott, Phyllis C.: 1936-1937 (2 letters)

Scull, Ethel and Bob (art collectors): [1960]

Seckar, Alvena V.: 1946

Seeger, Charles: 1936

Selz, Peter and Thalia: 1960

Shaw, Charles: 1960

Simms, Agnes (artist): 1960

Siporin, Mitchell: 1943-1960 (4 letters)

Sloan, Helen (Mrs. John Sloan): 1951 and 1960

Sloane, William: 1945

Smedley, Agnes: 1947 (letter from Ernestine Evans)

Smith College: 1944-1950 (6 letters)

Smith, Ferdinand: 1952

Smith, Geneva: 1942 (memo from Frank J. Follmer)

Smith, Gordon M. (Index of American Design): 1936-1937 (8 letters)

Smith, Holly and Sam: [1960]

Smith, Joseph Lindon: mentioned in letter dated Mar 28, 1950

Smith, Laura: 1938-1939 (5 letters)

Smith, Louise: 1960

Smith, Margery Hoffman (FAP, Oregon): 1938

Soby, James Thrall: 1948-1960 (5 letters)

Soderblom, Nathan: 1922 (in Swedish)

Solomon, Saul (Cahill's doctor): 1960

Soyer, Moses: 1944 (letter to the Editor)

Spark, Mrs. Victor: 1960

Speck, Walter: 1939 (2 letters)

Spencer, Betty (Niles Spencer's first wife): 1960

Spencer, Catherine (Mrs. Niles Spencer): 1952-1960 (8 letters)

Stamos, Theodoros: 1960

Standards: National Bureau of Standards: 1941

State: Department of State: 1939 (3 letters)

Stavenitz, Alexander: 1937

Steegmuller, Francis: 1960

Stella, Joseph: 1936 (2 letters)

Sterner, Albert: 1935

Stieglitz, Alfred: 1932 and 1934

Stier, W. (Project Review Section): 1941

Still, Clyfford: 1953-1956 (4 letters)

Stix, Hugh: 1960

Stock, Joseph (artist): mentioned in letters dated 1932 and 1933

Stout, Rex: 1944

Strickland, Sidney: 1949 (2 letters)

Studio Publications, Inc.: 1951

Sunami, Soichi: 1960

Swasey, Jeannette: [1935]

Sweeney, Jim: [1960]

Tabak, Maynatalie (colleague of Jackson Pollock): [1960]

Taub, Alex: 1942 (memo from Buckminster Fuller)

Taylor, Francis Henry: 1939 and 1952

Taylor, Miss: 1936

Thomas, Yvonne (artist): 1960

Thomley, John: 1949

Thoms, Mr.: 1936 (letter from Matthew Daly)

Thorgurson, Nina: [1960]

Tobey, Mark: 1954 and 1960

Tobey, Judith (Resettlement Administration): 1936

Townsend, Gertrude: [1937]

Townsend, Mr.: 1938

Tranum, Carl K.: 1949 (2 letters)

Triggs, Clayton E.: 1940 (4 letters)

Turner, Katherine: [1935]

Tworkov, Jack and Wally: 1960

Uht, Charles (photographer of Nelson Rockefeller's collection): 1960

United American Artists: 1940

Valentin, Curt: 1954

Valentine, Chapin: 1932

Valentiner, W. R. (Detroit Institute of Arts): 1933

Varian, Dorothy: 1960

Viviano, Catherine (art dealer): [1960]

Volkmer, Jean (Museum of Modern Art conservator): [1960]

von Wiegand, Charmion (artist): 1960

Walker, Hudson D.: 1960

Walley, Jano and John: 1949 and 1960

Ward: 1925 and 1960 (3 letters)

War Department: 1938-1941 (5 letters)

Warren, William (FAP, Connecticut): 1937

Wasey, Jane: 1960

Washburn College: 1939

Washburn, Gordon (Albright Art Gallery): 1960

Washington: The State College of Washington: 1939

Watrous, Harry W.: 1936

Watson, Forbes: 1949

Webb, Aileen (American Handicraft Council): 1938 (4 letters)

Weber, Max: 1922-1960 (6 letters)

Weisenborn, Fritzi (Mrs. Rudolph Weisenborn): 1950

Wendt, Gerald (Time, Inc.): 1944 (2 letters)

Weston, Edward: 1936

Wharton, Frances L.: 1935 (2 letters)

Wheeler, Monroe (Museum of Modern Art): 1960

White, Francis Robert: 1944

White, Jim: 1960

Whitelaw, Robert N. S.: 1960

Whitney Museum of American Art: 1949 and 1979

Whyte, James C.: 1942

Wilfred, Thomas: 1960

Williams, Aubrey (WPA): 1936

Williamsburg Restoration, Incorporated: 1935 (4 letters)

Winchester, Alice ( -- Antiques -- Magazine): 1950-1951 (6 letters)

Winser, Beatrice: 1924-1944 (6 letters)

Winter, Anna K. (antiques dealer): 1935

Wisconsin: State Historical Society of Wisconsin: 1939

Woodstock Artists Association: 1960

Woodward, Ellen S.: 1936-1938 (3 letters)

Worcester, Wakefield (architect): 1936

Wright, Russell (industrial designer): [1960]

Wyn: A. A. Wyn, Inc.: 1951

Youngerman, Jack: 1960

Zegri, Armando (Galeria Sudamericana): 1960

Zimmerman, Fred and Dorothy: [1960]

Zorach, William: 1936-1960 (3 letters)
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via the Archives of American Art website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Holger Cahill papers, 1910-1993, bulk 1910-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cahiholg, Series 2
See more items in:
Holger Cahill papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-cahiholg-ref23

Art outlook, 1943-1949

Subject:
Grafly, Dorothy  Search this
Topic:
Art outlook (periodical)  Search this
Art -- Exhibitions -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art calendars  Search this
Art criticism -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art publishing -- Pennsylvania -- Philadelphia  Search this
Theme:
Art Theory and Historiography  Search this
Art Market  Search this
Lives of American Artists  Search this
Publications  Search this
Record number:
(DSI-AAA_CollID)10235
(DSI-AAA_SIRISBib)213317
AAA_collcode_artoutlo
Theme:
Art Theory and Historiography
Art Market
Lives of American Artists
Publications
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213317

Art in focus, 1949-1980

Subject:
Grafly, Dorothy  Search this
Topic:
Art in focus (periodical)  Search this
Art -- Exhibitions -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art calendars  Search this
Art criticism -- Pennsylvania -- Philadelphia -- Periodicals  Search this
Art publishing -- Pennsylvania -- Philadelphia  Search this
Theme:
Art Theory and Historiography  Search this
Art Market  Search this
Lives of American Artists  Search this
Publications  Search this
Record number:
(DSI-AAA_CollID)10389
(DSI-AAA_SIRISBib)213760
AAA_collcode_artinfocus
Theme:
Art Theory and Historiography
Art Market
Lives of American Artists
Publications
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213760

Ed Colker papers

Creator:
Colker, Ed, 1927-  Search this
Names:
Atelier Desjobert  Search this
Haybarn Press  Search this
United States. Army  Search this
Barnet, Will, 1911-2012  Search this
Johnson, J. Curtis  Search this
Konner, Melvin  Search this
Norris, Kathleen, 1947-  Search this
Pease, Deborah  Search this
Takaezu, Toshiko  Search this
Walker, Jeanne Murray  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Video recordings
Date:
1944-2020
Summary:
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.
Scope and Contents:
The papers of painter, printmaker, educator and administrator Ed Colker are dated 1944-2020 and measure 3.4 linear feet. Colker's painting, printmaking, and Haybarn Press, as well as his career as an art teacher and university administrator, are documented through biographical materials, correspondence, interviews, writings, subject files, printed material, and photographs. There is a 0.2 linear ft. addition to the collection donated in 2020 that includes lists of works of art, exhibition information, letters to Colker, talks and lecutres by Colker, printed material and miscellany.

Biographical materials include official letters regarding Colker's performance in the Army, caricatures of him, diplomas, resume, awards, and certificates.

Correspondence, mainly professional in nature with a few scattered personal letters, concerns Colker's academic and artistic work, Haybarn Editions, exhibitions, projects, and various interests. Poet correspondents are J. Curtis Johnson, Kathleen Norris, Deborah Pease, and Jeanne Walker; translators include Melvin Konner and others.

Interviews with Ed Colker, conducted between 1982 and 2008 for various purposes, are preserved as 1 sound cassette and published transcripts. Also found are 1 sound cassette, 1 videocassette, and a published transcript of interviews Colker conducted with Will Barnet and Toshiko Takaezu in 1981 and 1994 respectively.

Among Colker's writings are the published versions of several articles and the manuscript of an unpublished one; two proposed books for students of design and typography; lectures delivered to students (3 videocassettes), miscellaneous writings, notes, and 1 videocassete of readings by artists from one of Colker's Haybarn Press poetry portfolios.

Subject files document many of Colker's professional interests, activities, projects, and relationships. Also of note are files about Haybarn Press.

The bulk of the printed material consists of exhibition catalogs, announcements, and school catalogs. Almost all is about or mentions Colker, or features reproductions of his work. Of note is the first and only issue of Re-Art: A Reflection of Current Ideas on the Arts (1954), published by Colker and Gene Feldman.

Photographs are of Colker and his family; Colker at events related to his artistic, academic, and publishing activities; artwork by Colker, and his work as reproduced in Haybarn Editions. Also found are an exterior view of the barn studio and one of printers working at Desjobert Press.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Materials, 1946-circa 2011 (Box 1; 1 folder)

Series 2: Correspondence,1954-2011 (Box 1; 0.3 linear feet)

Series 3: Interviews, 1981-2008 (Box 1; 0.2 linear feet)

Series 4: Writings, 1961-1990s (Box 1; 0.5 linear feet)

Series 5: Subject files, 1952-2013 (Boxes 2-3; 1.3 linear feet)

Series 6: Printed Material,1944-2011 (Box 3; 0.7 linear feet)

Series 7: Photographs, circa 1960s-2010 (Box 4; 0.2 linear feet)

Series 8: Unprocessed Addition, circa 1963-2020 (Box 5; 0.2 linear feet)
Biographical / Historical:
Ed Colker (b. 1927) is a painter, printmaker, educator, and administrator who has worked in Chicago, Philadelphia, and New York City. Colker founded the not-for-profit fine art publisher Haybarn Press. He is married to artist Elaine Galen and resides in Mt. Kisco, NY.

After high school, Colker was awarded a scholarship and began his art education at the Pennsylvania Museum School of Industrial Arts. He interrupted his studies to serve in the U.S. Army (1944-1946). He graduated in 1949, by which time the school had become the Philadelphia Museum School of Art; today it is the University of the Arts. He taught art in the Philadelphia area before moving to New York City in 1956. Later, Colker earned degrees from New York University (B.S. Ed, 1964; M.A., 1985).

Colker taught art and design courses at the University of Pennsylvania, University of Illinois at Chicago Circle, Cornell University, Pratt Institute, and Philadelphia College of Art. By the 1980s, he had become an administrator as well as a professor. Throughout his academic career, Colker published and lectured widely, served as a visiting artist, acted as a consultant, and participated in professional organizations. He occasionally organized exhibitions and served on exhibition juries.

Since 1960, under the imprints Editions du Grenier, Haybarn Editions, and Haybarn Press, Colker has published limited edition books, portfolios, broadsides, individual pages, and folders of poetry. Most are accompanied by Colker's etchings and lithographs inspired by the texts. Haybarn Press, under the Ambor Edition imprint, also produced four portfolios with text and drawings by Elaine Galen, 1996-2008. From its inception, the work of Haybarn Press has been featured in many exhibitions of book arts. Colker also participated in group shows throughout the United States and enjoyed solo exhibitions of his paintings and prints. Haybarn Press productions and Colker's prints and paintings are in the permanent collections of Brown University, Cornell University, Harvard University, Library of Congress, Museum of Modern Art, New York Public Library, University of Arizona Museum of Art, and others.

Now retired from university administration and teaching, Colker continues to operate Haybarn Press and occasionally serves as an exhibition juror and visiting artist.
Provenance:
Donated by Ed Colker in 1991, 2013 and 2020.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- United States  Search this
Painters -- United States  Search this
Topic:
Printmakers -- United States  Search this
Painting, Modern -- 20th century -- United States  Search this
Printing  Search this
Art -- Study and teaching  Search this
Transcripts  Search this
Design  Search this
Educators -- United States  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Identifier:
AAA.colked
See more items in:
Ed Colker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-colked

Spencer Fullerton Baird Papers

Creator::
Baird, Spencer Fullerton, 1823-1887  Search this
Extent:
39.3 cu. ft. (74 document boxes) (3 half document boxes) (5 3x5 boxes) (oversize material)
Type:
Collection descriptions
Archival materials
Manuscripts
Black-and-white photographs
Sketches
Drawings
Date:
1833-1889
Introduction:
The Spencer F. Baird Papers are the combination of several different deposits. One group was originally labeled "Private" by the Smithsonian Institution Archives at the time they were received. Another group came to the Smithsonian from Lucy Hunter Baird (Baird's daughter), or from her estate after her death.
Descriptive Entry:
The Spencer F. Baird Collection documents Baird's personal and professional life. Included are records from his career as administrator at the Smithsonian Institution (SI), the United States National Museum (USNM), the United States Commission of Fish and Fisheries (USCFF), and to a lesser extent, Dickinson College. Some of the collection postdates Baird's life, including condolences to family members, the lobbying efforts to compensate Baird's widow and daughter for Baird's unpaid service at the USCFF, and correspondence between Baird's biographers and acquaintances. Also, there are documents which predate Baird's life, including mementos from Baird's wife's family.

Spencer F. Baird was a prolific letter writer. This collection includes a correspondence register which lists incoming and outgoing correspondence, 1850-1853; and Baird's private correspondence, incoming and outgoing, 1845-1888. Correspondents include family members, naturalists, personal acquaintances, politicians, field collectors, publishers, newspaper reporters, medical physicians, merchants, business associates, government officials, staff members, and scientific organizations.

Other materials relating to Baird's life include diaries and journals, newspaper and journal articles, photographs, drawings, personal miscellany, medical miscellany, and fiscal matters. Papers relating to Baird's family include correspondence, photographs, genealogical information, drawings, and mementos.

Papers relating to Baird's scientific interests, especially in the synonymy of North American fauna and flora, include specimen lists; a draft of the synopsis of North American birds; monograph drafts; extracts from scientific publications; bibliographical references; portions of Baird's translations of the Iconographic Encyclopedia; an unbound German version of the Bilder-Atlas; and lithographs.

Papers relating to Baird's career as a professor at Dickinson College include drafts of annual reports and lecture notes.

Materials concerning the American Association for the Advancement of Sciences (AAAS) include correspondence, member lists, meeting announcements, fiscal records, and circulars sent out to AAAS members in 1852.

Papers relating to SI and the USNM contain Baird's drafts of SI annual reports, including drafts of annual reports for the USCFF; diaries, mostly documenting library and visitor activities; lists and distribution records of SI publications and specimens; correspondence, mostly concerning specimens; memoranda; and circulars sent to SI correspondents, 1875.

Materials relating to explorations in which Baird distributed equipment and information to field collectors and collaborators include correspondence, reports, account books, lists, and receipts for equipment purchased.

Papers relating to the USCFF include documentation relating to the Chenowith Case of 1885; the lobbying efforts to compensate the Baird family for Baird's unpaid service as USCFF Commissioner; reports and expense receipts; newspaper articles; correspondence; and memoranda.

Papers relating to Baird's daughter, Lucy Hunter Baird, include typescripts of entries extracted from her father's journals and correspondence, including notations, and correspondence with family members and acquaintances.

Papers relating to the biographers (George Brown Goode, William H. Dall, and Lucy Hunter Baird) include correspondence with Baird acquaintances; and a photograph of the Baird family home in Carlisle, Pennsylvania, 1914.

Oversize materials include certificates of membership to scientific organizations, diplomas, Baird drawings, a German lithograph portrait with Baird's handwriting, 1855, and a photograph of Baird, circa 1880.
Historical Note:
Spencer Fullerton Baird, a zoologist and administrator, was born in Reading, Pennsylvania on February 3, 1823. After his father's death in 1833, Baird's family moved to Carlisle, Pennsylvania, where other family members resided. Baird attended Nottingham Academy in Port Deposit, Maryland, during 1834, and Carlisle public school from 1835 to 1836. Baird then attended Dickinson College where he received an A.B. degree in 1840. During the fall of 1841, Baird was a medical apprentice under Dr. Middleton Goldsmith in New York City, but by January 1842, he decided not to pursue further studies in the medical field. He continued his education at Dickinson College and received an M.A. in 1843.

As a child in Carlisle, Baird developed an interest in natural history nurtured by long treks through the countryside in the company of his oldest brother, William, an accomplished amateur ornithologist. By 1840, Baird began a period of intensive studies and specimen collecting of natural history in the New England and mid-Atlantic states.

Baird was given an honorary professorship at Dickinson College in 1845. A year later, he received a permanent position at Dickinson in which he served as librarian and curator of the college's natural history collections, as well as professor of natural history.

In 1850, Baird left Dickinson College to become an Assistant Secretary of the Smithsonian Institution (SI). He served in this capacity from 1850 to 1878. In May 1878, Baird was elected the Smithsonian's second Secretary. Baird served as Secretary until his death on August 17, 1887.

During his long career at the SI, Baird oversaw the development of the United States National Museum (USNM), the holdings of which increased from some 6,000 specimens in 1850 to over two and one half million at the time of his death. In addition, Baird oversaw a vast network of natural history collectors, administered the USNM, served as mentor and friend to a generation of young naturalists such as Robert Ridgway, William H. Dall, Robert Kennicott, and William Stimpson, and continued to produce scientific work of real distinction.

From 1871 to 1887, Baird served as the first Commissioner of the Commission of Fish and Fisheries, an unpaid position he held concurrently with his Smithsonian post. As Fish Commissioner, Baird pioneered in the development of economic ichthyology in North America; established the Marine Biological Station at Woods Hole, Massachusetts; organized the expeditions of the Fish Commission's research ship, Albatross; and coordinated the state fish hatcheries.

Baird's main scientific work was in ornithology, herpetology, and ichthyology, and several of his publications remained definitive works for decades. His meticulous description and technique influenced the American ornithological community to such degrees that he was credited with founding the so-called Bairdian school of ornithology. Baird also edited and translated the Bilder-Atlas zum Converzation Lexicon from German to English. The American version, Iconographic Encyclopedia of Science, Literature and Art, was published in 1852.
Chronology:
February 23, 1823 -- Born in Reading, Pennsylvania, third child and third son of Samuel Baird, II, and Lydia MacFunn Biddle; named after Spencer Fullerton, a distant relative who died a few months prior to Spencer F. Baird's birth.

1833 -- Samuel Baird, II (born 1786), died of cholera, Reading, Pennsylvania.

1834 -- Baird family moved to Carlisle, Pennsylvania (Cumberland County), to live near mother's relatives. Spencer F. Baird attended Nottingham Academy near Port Deposit, Maryland, for six months.

1835-1836 -- Attended Carlisle day school.

1836 -- Entered Dickinson College in Carlisle.

1838 -- Began keeping meteorological record of the Carlisle vicinity; and began collecting birds with oldest brother, William McFunn Baird, who was also an amateur ornithologist.

1839 -- Began keeping journal of activities, and specimen collections.

1839 -- Visited the Academy of Natural Sciences, Philadelphia; and conducted surveying trip with an uncle along the Schuykill River, near Philadelphia.

June 4, 1840 -- First letter to John James Audubon regarding a new species of fly catchers.

June 9, 1840 -- Received A.B. degree from Dickinson College.

January 1841 -- Attended the Periodical Library Association meeting. Field trip, hiked 83 miles.

March-August, 1841 -- Hiked 565 miles.

Fall 1841 -- Medical apprentice under Dr. Middleton Goldsmith, New York City.

January 1842 -- Ill with flu, returned to Carlisle; decided not to pursue a career in medical sciences.

March 1842 -- Field trip, hiked 105 miles.

1842 -- Walked to Baltimore, then traveled by train to Washington; examined specimens collected by the Wilkes Expedition stored at the United States Patent Office.

1842 -- Declined to join John James Audubon's expedition to the Yellowstone River Valley (Montana) due to poor health and family anxieties.

July 13, 1843 -- Received M.A. degree from Dickinson College.

1844 -- "Birds of Cumberland County," co-authored with William M. Baird, published.

1845 -- "Trees and Shrubs of Cumberland County," co-authored with William M. Baird, published.

Fall 1845 -- Elected honorary professor of natural history without pay at Dickinson College, and curator of the college's natural history cabinet.

1846 -- First visit to Boston.

August 8, 1846 -- Married Mary Helen Churchill (born 1821).

Fall 1846 -- Elected full professor of natural history with pay at Dickinson College.

1847 -- Recommended for Curator of the Smithsonian Institution's natural history collections.

February 8, 1848 -- Birth of daughter, Lucy Hunter Baird.

1848-1851 -- Translated the Bilder-Atlas zum Conversation Lexicon from German to English; renamed the Iconographic Encyclopedia of Science, Literature and Art, published 1852.

1849 -- Field trip to western Virginia. Became seriously ill with dysentery; later recovered.

July 5, 1850 -- Appointed Assistant Secretary of the Smithsonian Institution (SI).

October 5, 1850 -- Started as Assistant Secretary of the SI.

November 3, 1850 -- Transported two freight cars of personal natural history collection to SI.

1850-1854 -- Permanent Secretary of the American Association for the Advancement of Sciences (AAAS).

1851 -- Attended AAAS meeting at Cincinnati, Ohio. Field trip with J. K. Kirtland.

1853 -- "A Catalogue of North American Serpents," published.

1854 -- "A Catalogue of North American Mammals," published.

1856 -- Received Doctor of Physical Science degree, Dickinson College.

1857 -- "A Catalogue of North American Birds," and "Mammals of North America," volume 8, Pacific Railroad Report published.

1858 -- "Birds of North America," volume 9, Pacific Railroad Report published.

1859 -- "Reptiles and Amphibians of North America," volume 10, Pacific Railroad Report published.

Summer 1861 -- Field trip to New Jersey, New York, New England. Attended conference in Montreal, Canada.

Summer 1862 -- Field trip to New York and New England; first visit to Woods Hole, Massachusetts.

1864 -- "Review of North American Birds, 1864-1866," published.

January 24, 1865 -- Smithsonian Institution building fire.

1870-1878 -- Scientific editor for the Harper's Weekly.

1871-1887 -- Commissioner of the United States Commission of Fish and Fisheries (USCFF); served without pay.

Summer 1871 -- Woods Hole, Massachusetts.

Summer 1872 -- Eastport, Maine.

Summer 1873 -- Peake's Island, Maine.

Summer 1874 -- Noank, Connecticut.

1874 -- "A History of North American Birds," co-authored with Robert Ridgway and Thomas M. Brewer, published.

Summer 1875 -- Woods Hole, Massachusetts.

1875-1876 -- Member of the Board of Directors for the International Exposition of Philadelphia (United States Centennial). Coordinated SI, USCFF, and USNM exhibits.

March 1877 -- Visited Florida.

Summer 1877 -- Glouchester, Massachusetts. Delegate at the Halifax, Nova Scotia (Canada), Fisheries Conference.

May 18, 1878 -- Death of Joseph Henry, SI's first Secretary.

May 19, 1878 -- Elected SI's second Secretary.

Summer 1878 -- Gloucester, Massachusetts.

Summer 1879 -- Provincetown, Massachusetts.

1879-1881 -- USNM building under construction; opened 1881.

Summers 1881-1887 -- Woods Hole, Massachusetts.

1884 -- USCFF's temporary buildings at Woods Hole burned; permanent structures built.

1885 -- James Chenowith, an examiner for the United States Department of the Treasury, accused the USCFF of misappropriation of funds for staff living quarters; USCFF acquitted.

1886 -- Doctorate of Law from Harvard University.

August 19, 1887 -- Died at Woods Hole, aged 64.

1888 -- Congress compensated Baird's widow and daughter for Baird's unpaid service as USCFF Commissioner, and for the USCFF's use of Baird's home for offices, $50,000.00.

1890 -- Death of Mary Helen Churchill Baird, aged 69.

1913 -- Death of Lucy Hunter Baird, aged 65.

1915 -- "Spencer Fullerton Baird," by William H. Dall, published.
Oversize:
This collection contains oversize material.
Restrictions:
(1) Some items cannot be reproduced because of legibility and bindings; (2) record unit partially microfilmed.
Topic:
Ichthyology  Search this
Natural history  Search this
Ornithology  Search this
Genre/Form:
Manuscripts
Black-and-white photographs
Sketches
Drawings
Citation:
Smithsonian Institution Archives, Record Unit 7002, Spencer Fullerton Baird Papers
Identifier:
Record Unit 7002
See more items in:
Spencer Fullerton Baird Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru7002

Dar kollektsii sovremennogo prikladnogo iskusstva ot fonda Ėrmitazha (SShA), 1948-2013 : katalog vystavki = Gifts from America, 1948-2013 : modern and contemporary applied arts from the Hermitage Museum Foundation (USA) : exhibition catalogue

Title:
Дар коллекции современного прикладного искусства от фонда Эрмитажа (США), 1948-2013 : каталог выставки = Gifts from America, 1948-2013 : modern and contemporary applied arts from the Hermitage Museum Foundation (USA) : exhibition catalogue
Gifts from America, 1948-2013
Contributor:
Piotrovskiĭ, M. B (Mikhail Borisovich)  Search this
Drutt, Helen Williams  Search this
Rodzianko, Paul  Search this
Drutt, Matthew  Search this
Author:
Gosudarstvennyĭ Ėrmitazh (Russia)  Search this
Subject:
Gosudarstvennyĭ Ėrmitazh (Russia)  Search this
Physical description:
174 pages : color illustrations ; 25 cm
Type:
Exhibitions
Exhibition catalogs
History
Place:
United States
Russia (Federation)
Saint Petersburg
Date:
2014
20th century
21st century
Topic:
Decorative arts--History  Search this
Jewelry--History  Search this
Art, American  Search this
Art  Search this
Call number:
NK808 .D37 2014
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1067795

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