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Roy Leeper and Gaylord Hall collection of Miné Okubo papers

Creator:
Okubo, Miné, 1912-2001  Search this
Names:
Central Utah Relocation Center  Search this
Hall, Gaylord  Search this
Hamilton, Howard  Search this
Leeper, Roy  Search this
Tono, Doris  Search this
Tono, Harry  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Sketches
Illustrated letters
Date:
circa 1940-2001
Summary:
The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.
Scope and Contents:
The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.

Biographical materials consist of Roy Leeper's medical licenses. The bulk of the collection is comprised of Miné Okubo's letters, many of which are illustrated, to Hall and Leeper discussing her health, career, their purchase of her artwork, and mutual friends. Other correspondents include Howard Hamilton and Doris and Harry Tono. Writings and notes by Okubo inlcude a statement about the pricing of her artwork and a list of artwork. Leeper and Hall's personal business records concern the purchase and loan of Okubo's artwork for exhibitions.

Printed materials include a 1944 edition of Fortune magazine devoted to the internment of Japanese Americans during World War II. The issue includes reproductions of Okubo's illustrations of life in the World War II internment camp in Topaz, Utah. Photographs include snapshots of Okubo at an exhibition with her art and of works of art. Sketches and drawings depict mostly cats and flowers.
Arrangement:
The collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, 1942-1994 (1 folder; Box 1)

Series 2: Correspondence, 1957-2001 (0.8 linear feet; Box 1)

Series 3: Writings and Notes, circa 1940-circa 1970 (3 folders; Box 1)

Series 4: Personal Business Records, 1957-1998 (0.1 linear feet; Box 1)

Series 5: Printed Material, 1944-2000 (0.3 linear feet; Boxes 1-3)

Series 6: Photographs, circa 1940-circa 1990s (3 folders; Box 1)

Series 7: Artwork, 1960s-1997 (0.1 linear feet; Boxes 1-2)
Biographical / Historical:
Miné Okubo (1912-2001) was a Japanese American painter, illustrator, and author. She is known for her book Citizen 13600in which she described her experience at the Topaz War Relocation Camp in Utah through prose and drawings.

Born in Riverside, California in 1912, Okubo began her arts education at Riverside Junior College and transferred to the University of California, Berkeley where she completed her BA and MA in Fine Arts (where she first met Roy Leeper). In 1938, she received an award to travel and study under Fernand Léger in Paris. When World War II began in Europe, she moved back to California and worked under the Federal Arts Project. She produced some solo murals and also assisted Diego Rivera on his Treasure Island mural Pan American Unity, (1940).

In April of 1942, Miné Okubo and one of her brothers were sent to the Tanforan Assembly Center under Executive Order 9066, which forcibly interned over 100,000 Japanese and Japanese-American citizens living on the West Coast of the United States. Six months later, they were sent to the Topaz War Relocation Camp in Topaz, Utah. There, Okubo taught art in the camp's school and often sketched camp life. She was art editor for the camp newsletter Trek, a supplement to the Topaz Times.

In 1944, Fortune magazine published a sympathetic special edition on the Japanese and Japanese American internment during World War II. The magazine hired Okubo to illustrate two of the articles. She was permitted to leave the camp and move to New York City, where she remained for the rest of her life, working as a painter and illustrator. She wrote and illustrated a book about her experiences in the Topaz confinement camp, Citizen 13600, which won the American Book Award in 1984. Miné Okubo died in 2001. Medical doctor Roy Leeper befriended Miné Okubo while they were both students at the University of California. Later, he and his partner dentist Gaylord Hall were reintroduced to Okubo and her artwork by a mutual friend. They began a life-long relationship with Okuba, both as friends and collectors.
Related Materials:
Riverside City College in Riverside, California also holds the Miné Okubo papers.
Provenance:
Roy Leeper and Gaylord Hall donated the collection of Miné Okubo papers in 2001.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Art patronage  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Asian American illustrators  Search this
Asian American authors  Search this
Women painters  Search this
Women illustrators  Search this
Women authors  Search this
Japanese Americans -- Forced removal and internment, 1942-1945  Search this
Genre/Form:
Photographs
Drawings
Sketches
Illustrated letters
Citation:
Roy Leeper and Gaylord Hall collection of Miné Okubo papers, circa 1940-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.okubmine
See more items in:
Roy Leeper and Gaylord Hall collection of Miné Okubo papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ba7aefa2-e800-4bfb-af53-665a6038106d
EDAN-URL:
ead_collection:sova-aaa-okubmine

Oral history interview with Nelson Aldrich Rockefeller

Interviewee:
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Extent:
12 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 July 24
Scope and Contents:
An interview of Nelson Aldrich Rockefeller conducted 1972 July 24, by Paul Cummings, for the Archives of American Art. Rockefeller speaks of his family's art collection, and the influence of growing up surrounded by art; his interest in architecture; his involvement with the Museum of Modern Art and the Metropolitan Museum of Art; the development of his own collection; his methods for collecting.
Biographical / Historical:
Nelson Aldrich Rockefeller (1908-1979) was a collector, patron, governor of New York, and U.S. Vice-President under Gerald Ford.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 1 digital wav file. Duration is 49 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Art patronage  Search this
Art patrons -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rockef72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93acf8fa7-93db-419c-a672-f5e7018c466b
EDAN-URL:
ead_collection:sova-aaa-rockef72

Organization of Independent Artists records

Creator:
Organization of Independent Artists  Search this
Names:
Hera, 1940-  Search this
Klem, Tom  Search this
Shaffer, Mary  Search this
Extent:
28.4 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
circa 1970s-circa 2003
Summary:
The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.
Scope and Contents:
The Organization of Independent Artists records measure 28.4 linear feet and date from circa 1970s to circa 2003. The records include administrative records, correspondence, exhibition and installation files, artists' files, financial and legal records, printed material, seven scrapbooks, and photographs.

Administrative records include scattered files about the board of directors/trustees, the advisory board, membership, events, gallery rental space, loans, other organizations, and the general history of the OIA. Also found are exhibitions lists, schedules, and proposals, as well as drafts of OIA printed materials. Correspondence with artists, board members, donors, financial institutions, and other organizations is found in many of the files.

Exhibition and installation files comprise the bulk of the records and include files for the Annual OIA Salon Show, the OIA Sculpture Garden assembled annually on the grounds of the Manhattan Psychiatric Center on Ward's Island, several shows of Selections from the Slide Files, as well as numerous other group exhibitions and installations.

The artists' files contain a variety of materials, including photographs, and are found for Hera, Tom Klem, Mary Shaffer and a few others. Financial and legal records document the organization's many grant applications, invoices and bills paid, tax materials, and legal issues. Printed materials include OIA newsletters, show announcements and brochures, and exhibition materials and clippings. There is one clippings scrapbook and six scrapbooks of exhibition materials. Photographs depict exhibitions and installations as well as artwork; additional photographs of exhibitions are also filed with the exhibition files.
Arrangement:
This collection is arranged as 8 series:

Missing Title

Series 1: Administrative Records, circa 1976-2002 (3.5 linear feet; Boxes 1-4)

Series 2: Correspondence, circa 1976-2002 (0.8 linear feet; Boxes 4-5)

Series 3: Exhibition and Installation Files, circa 1970s-circa 2003 (13 linear feet; Boxes 5-18)

Series 4: Artists' Files, circa 1980s-circa 1990s (0.2 linear feet; Box 18)

Series 5: Financial and Legal Records, circa 1970s-circa 2002 (6.9 linear feet; Boxes 18-25, 29)

Series 6: Printed Material, circa 1970s-circa 2002 (3.1 linear feet; Boxes 25-29, OV30)

Series 7: Scrapbooks, circa 1977-2000 (0.7 linear feet; Box 28)

Series 8: Photographs, circa 1980s-circa 1990s (0.2 linear feet; Box 28-29)
Biographical / Historical:
The Organization of Independent Artists (OIA) is a non-profit arts organization founded in 1976 by Warren Tanner, Arnold Wechsler, and Renee Meyer. The organization's mission is to sponsor artist-curated group shows and enable exhibitions of emerging and mid-career artists in public spaces throughout the New York City area outside of the usual commercial and alternative gallery venues.

OIA activities have included organizing public space exhibitions and displays of artwork, publishing a quarterly newsletter, maintaining a slide registry of artists' work and extensive artists' mailing lists, and arranging studio tours. The Arts in Public Spaces Program was initiated in 1976 with the passage of the Public Buildings Cooperative Usage Act, a public law that encourages the use of public space in federal buildings for cultural and educational activities. Participating professional artists have included Thornton Willis, Joan Thorne, Vincent Longo, Mimi Gross Grooms, Hannah Wilke, Nancy Spero, Richard Mock, and Joyce Kozloff, among others. By 1986, OIA had facilitated the display of more than 5,000 works of art in forty public exhibition sites, which included courthouses, libraries, building lobbies, public parks, college campuses, and hospital grounds in all five boroughs of New York City, and over 2,000 artists had participated it its Art in Public Spaces program.

Other exhibition collaborations have included Cork Gallery at Lincoln Center, General Services Administration, John F. Kennedy Airport, Long Island University in Brooklyn, Longwood Arts Center in the Bronx, New York City Department of Cultural Affairs, Port Authority Bus Terminal, Queens Museum in Flushing Meadow Park, Snug Harbor Cultural Center on Staten Island, U.S. Federal Courthouse in Brooklyn, and the grounds of the South Beach Psychiatric Center on Staten Island. Since 1979, the annual OIA Sculpture Garden at the Manhattan Psychiatric Center on Ward's Island has afforded hundreds of artists the opportunity to construct and install large-scale outdoor work in an urban environment, and many artists have received individual commissions, one-person shows, and have sold art work as a direct result of their participation.

Other OIA exhibition programming has resulted in ten to twelve artist-curated shows per year, and has assisted the artist-curator by identifying and negotiating exhibition locations, as well as producing announcement cards and posters, providing insurance, hosting the artists' reception, advising and assisting with publicity, and undergoing extensive fundraising for artists' and curators' fees.
Provenance:
The Organization of Independent Artists records were donated in 2003 by the organization via Geraldine Cosentino, Director.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art patronage  Search this
Function:
Artist-run galleries -- New York (State)
Genre/Form:
Scrapbooks
Photographs
Citation:
Organization of Independent Artists records, circa 1970s-circa 2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.orgainda
See more items in:
Organization of Independent Artists records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7ace1ad-bd03-4a3e-b81c-db5be1d7b6ca
EDAN-URL:
ead_collection:sova-aaa-orgainda

Antonio Salemme papers, 1907-1965

Creator:
Salemme, Antonio, 1892-1995  Search this
Subject:
O'Brien, Peter F.  Search this
Osgood, Lydia  Search this
Read, William A. (William Augustus)  Search this
Type:
Sound recordings
Citation:
Antonio Salemme papers, 1907-1965. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century -- History  Search this
Art patronage -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8775
(DSI-AAA_SIRISBib)210958
AAA_collcode_saleanto
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210958

Antonio Salemme papers

Creator:
Salemme, Antonio, 1892-  Search this
Names:
O'Brien, Peter F.  Search this
Osgood, Lydia  Search this
Read, William A. (William Augustus), 1858-1916  Search this
Extent:
525 Items ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1907-1965
Scope and Contents:
Correspondence, photographs, exhibition materials, interviews, sketches, and a scrapbook.
REELS D252-D253: Correspondence, primarily with his benefactors Miss Lydia Osgood and Mr. William A. Read; portfolio of Salemme's drawings; photographs of Salemme and his sculpture; photographs of the Italian front during World War I; and clippings.
UNMICROFILMED: 2 phonograph records of an interview of Salemme with Peter O'Brien and an accompanying illustrated article about the interview.
Biographical / Historical:
Painter and sculptor; Williams Township, near Easton, Pa. Died 1995. Born in Gaeta, Italy. Worked in New York City until 1962 when he moved to Pennsylvania. His brother, Attilio Salemme, was also an artist.
Provenance:
Material on reels D252-D253 lent for microfilming 1966; unmicrofilmed material donated 1978 all by Antonio Salemme.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Sculptors  Search this
Topic:
Sculpture, Modern -- 20th century -- History  Search this
Art patronage -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.saleanto
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90b553366-f76a-405e-86e4-7614bf93ec3a
EDAN-URL:
ead_collection:sova-aaa-saleanto

Roy R. Neuberger papers

Creator:
Neuberger, Roy R.  Search this
Names:
Africano, Nicholas, 1948-  Search this
Ajay, Abe  Search this
Austin, Darrel, 1907-  Search this
Avery, Milton, 1885-1965  Search this
Baldessari, John, 1931-  Search this
Baziotes, William, 1912-1963  Search this
Bearden, Romare, 1911-1988  Search this
Brooks, James, 1906-1992  Search this
Browne, Byron, 1907-1961  Search this
Calder, Alexander, 1898-1976  Search this
Constant, George  Search this
Davis, Stuart, 1892-1964  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hurd, Peter, 1904-1984  Search this
Kinigstein, Jonah, 1923-  Search this
Knaths, Karl, 1891-1971  Search this
Kopman, Benjamin, b. 1887  Search this
Lamis, Leroy, 1925-  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levine, Les, 1935-  Search this
Maccoy, Guy C., 1904-1981  Search this
Magriel, Paul David, 1906-  Search this
Marin, John, 1870-1953  Search this
Moller, Hans, 1905-  Search this
Morris, George L. K., 1905-1975  Search this
Orr, Elliot, 1904-1997  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Quirt, Walter, 1902-  Search this
Rivers, Larry, 1925-2002  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Roth, Frank, 1936-  Search this
Rothschild, Judith  Search this
Schueler, Jon, 1916-  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Snyder, Joan, 1940-  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Weber, Max, 1881-1961  Search this
Wight, Frederick Stallknecht, 1902-  Search this
Extent:
5.4 Linear feet ((partially microfilmed on 2 reels))
0.2 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1940-1979
Scope and Contents:
Correspondence, printed material, photographs; and "birthday books" containing drawings and writings by artists sent to Neuberger on his 50th and 75th birthdays.
REEL NSM 1: A "Birthday Book," 1953, for Neuberger containing drawings, sketches and written birthday greetings from 38 artists, compiled by Mrs. Neuberger. Contributors include Alexander Calder, Byron Browne, George Constant, Adolph Gottlieb, Jack Levine, Lyonel Feininger, Lee Gatch, Benjamin Kopman, Jonah Kinigstein, Karl Knaths, William Baziotes, Peter Hurd, Walter Quirt, Milton Avery, Ben Shahn, George L. K. Morris, Hans Moller, Guy Maccoy, Irene Rice Pereira, Max Weber, Stuart Davis, Charles Sheeler, Jacob Lawrence, Romare Bearden, Darrel Austin, Philip Evergood, Saul Steinberg, Elliot Orr, and John Marin.
REEL 4588: A scrapbook containing illustrated birthday cards from artists sent to Neuberger on the occasion of his 75th birthday (1978). Included are cards from Nicolas Africano, Abe Ajay, John Baldessari, Romare Bearden, James Brooks, Les Levine, Judith Rothschild, Joan Snyder, and Alan Sonfist, and others.
UNMICROFILMED: Material relating to Neuberger's activities as an art collector, patron, and trustee consisting of: clippings, exhibiton catalogs and announcements; photographs; and correspondence with Leroy Lamis, Sidney Laufman, Paul David Magriel, Larry Rivers, Frank Roth, Jon Rudolf Schueler, Hudson Walker and Frederick Stallknecht Wight.
ADDITION: Correspondence with artists and other prominent people including: Edward Albee, Alexander Calder, Merce Cunningham, Lyonel Feininger, Henry Geldzahler, Henry Moore, Gerald Ford, Robert F. Kennedy, John V. Lindsay, George McGovern and Nelson Rockefeller. Also included are a letter from Mr. and Mrs. John Walker relating to their trip to Europe to return the "Mona Lisa" to the Louvre in 1963; printed material relating to Nelson Rockefeller; and four lists of art related papers remaining with Neuberger.
Biographical / Historical:
Art collector, patron; New York, N.Y. Born 1903. A collector of primarily American art. President of the American Federation of the Arts, 1958-1968; a trustee and member of Friends of the Whitney Museum of American Art; honorary trustee of the Metropolitan Museum of Art; member of the executive committee of the Council of Friends, Institute of Fine Arts, New York University; and many other positions and memberships. A large part of his private art collection was donated to the Roy R. Neuberger Museum of the State University of New York College at Purchase.
Provenance:
"Birthday books" on reels NSM 1 and 4588 lent for microfilming 1963 and 1992 by Neuberger. He donated the unmicrofilmed material in 1975 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons -- New York (State) -- New York  Search this
Topic:
Art patronage -- New York (State) -- New York  Search this
Artists and patrons -- New York (State) -- New York  Search this
Artists' books  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Identifier:
AAA.neubroy
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed9bd2bc-13f3-4cf8-83fa-08ac83e43104
EDAN-URL:
ead_collection:sova-aaa-neubroy

Eloise and Otto Spaeth papers

Creator:
Spaeth, Eloise  Search this
Spaeth, Otto, d. 1966  Search this
Names:
American Federation of Arts  Search this
Archives of American Art  Search this
Dayton Art Institute  Search this
Spaeth Foundation  Search this
UNESCO  Search this
Brook, Alexander, 1898-1980  Search this
Calder, Alexander, 1898-1976  Search this
Congdon, William, 1912-1998  Search this
Girard, André  Search this
Hopper, Edward, 1882-1967  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Kuhn, Walt, 1877-1949  Search this
Lipchitz, Jacques, 1891-1973  Search this
Merton, Thomas, 1915-1968  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1937-1983
Scope and Contents:
Scrapbooks, correspondence, exhibition files, photographs, and printed materials.
REEL D181: Scrapbooks containing correspondence, clippings, reviews, and photographs relating to the Dayton Art Institute and to the Religious Art Exhibition held there in 1944.
REEL 63: Correspondence concerning a Spaeth Foundation commission to Jacques Lipchitz for a bronze bust of John F. Kennedy. Correspondents include Lipchitz, Jacqueline Kennedy, and Arthur Schlesinger, Jr.
REEL 1201: Correspondence concerning the Spaeth Foundation Religious Art Information Center; a Foundation prospectus; letters from Thomas Merton concerning his book on sacred art; correspondence dealing with the Annual Liturgical Congress Architectural Competition, an exhibition of architectural students' work, the Woodstock Center for Religion and Worship, and other aspects of art and religion.
REEL 1817 and scanned: Photograph of Alexander Brook taken by Peter A. Juley and Son.
UNMICROFILMED: Letters from Alexander Brook, Alexander Calder, William Congdon, Andre Girard, Edward Hopper, Walt Kuhn, Grant Wood, and others; correspondence concerning the American Federation of Arts, the Archives of American Art, Guild Hall, the Spaeth Foundation, UNESCO, and other art organizations; exhibition files of the AFA containing correspondence, printed material, and photographs; files on the "Films on Art" project developed by Otto Spaeth; correspondence and a scrapbook of Otto Spaeth concerning the Liturgical Arts Society; a scrapbook on the Spaeth's art collection; printed material and photographs used in AMERICAN ART MUSEUMS; photographs of paintings by John Singleton Copley, and other works of art and exhibition installations; Correspondence with Daniel Longwell, Harris K. Prior, and Thomas Brown Rudd regarding activities of the American Federation of Arts; Correspondence and clippings, 1963-1966, regarding the Lipchitz bust of JFK; letters, 1981-1983, from critic John Russell, and art collectors, Gertrude Schweitzer, Robert Osborn and Jean de Menil; and an exhibition catalog on Rico Lebrun, 1950; a letter to Otto Spaeth from Gala Dali regarding a loan of the painting "La Naissance du Noveau Monde," 1943; writings about Walt Kuhn, and an illustrated letter to Spaeth from Walt Kuhn.
Biographical / Historical:
Eloise O. Spaeth (1902-1998) was an art collector, writer and art patron from New York, N.Y. She and husband Otto Spaeth founded the Spaeth Foundation.
Provenance:
Material on reels 63 and 1201 lent for microfilming 1971 and 1977 by Eloise Spaeth. Unmicrofilmed material donated 1966-1988 by Spaeth. Material on reel D181 lent for filming 1965 and subsequently donated in 1977.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art and religion -- United States  Search this
Art patronage -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Busts  Search this
Identifier:
AAA.spaeeloi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921be0383-26c1-4a5d-b7a8-0ba9d670a723
EDAN-URL:
ead_collection:sova-aaa-spaeeloi

Gertrude Vanderbilt Whitney papers

Creator:
Whitney, Gertrude Vanderbilt, 1875-1942  Search this
Names:
American Ambulance Field Hospital (Juilly, France)  Search this
Greenwich House (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Whitney Studio Club  Search this
Cushing, Howard Gardiner, 1869-1916  Search this
De Meyer, Adolf, Baron, 1868-1949  Search this
Miller, Flora Whitney  Search this
Strelecki, Jean de, count  Search this
Watson, Forbes, 1880-1960  Search this
Whitney, Harry Payne, 1872-1930  Search this
Extent:
36.1 Linear feet
Type:
Collection descriptions
Archival materials
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Date:
1851-1975
bulk 1888-1942
Summary:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.
Scope and Content Note:
The Gertrude Vanderbilt Whitney papers measure approximately 36.1 linear feet and date from 1851 to 1975, with the bulk of the material dating from 1888 to 1942. The collection documents the life and work of the art patron and sculptor, especially her promotion of American art and artists, her philanthropy and war relief work, her commissions for memorial sculpture, and her creative writing. Papers include correspondence, journals, writings, project files, scrapbooks, photographs, artwork, printed material, two sound recordings, and miscellaneous personal papers.

Material relating to more personal aspects of Whitney's life include school papers, a paper doll book dating from her childhood, financial material, interviews, awards and honorary degrees, address and telephone books, committee files, and other items. Correspondence consists of incoming and outgoing letters concerning both personal and professional matters, including her patronage of the arts and sponsorship of artists, her sculpture commissions and exhibitions, and her war relief work and other philantrophic activities. Also found are family correspondence and correspondence received by the Flora Whitney Miller and the Whitney Museum of American Art after Whitney's death. Journals include personal ones that she kept periodically from the time she was a child to near the end of her life, in which she recorded her travels, her impressions of people, her experiences with friends, and her thoughts on art, among other topics; and social ones, in which she recorded dinners and dances attended, and people invited to different social gatherings, and in which she collected invitations received and accepted.

Scattered files can be found that relate to the Whitney Studio Club and the Whitney Museum of American Art, consisting of notebooks, catalogs, a financial report, and other material. Files relating to Whitney's own sculpture projects are more extensive and consist of correspondence, contracts, printed material, notes, financial material for proposed and completed commissions for fountains, memorials, and monuments. The Whitney Museum of American Art, rather than Whitney herself, seems to have kept these files. Files relating to Whitney's philanthropic activities span from the time just before to just after the First World War and consist of correspondence, minutes, reports, and printed material stemming from her contributions to charities and war relief organizations, her sponsorship of the war hospital in Juilly, France, and her support of the Greenwich House Social Settlement.

Whitney's writings include extensive drafts, and handwritten and typed manuscripts and copies of novels, plays, and stories, as well as some autobiographical and early writings, notes and writings on art, and clippings of published writings, documenting her principle means of creative expression towards the end of her life. Also found are some writings by others. Scrapbooks consist of clippings, photographs, letters and other material, compiled by Whitney, Flora Whitney Miller, and possibly others, documenting Whitney's public life, her sculpture commissions and exhibitions, exhibitions at the Whitney Studio, the war hospital in Juilly, France, the death of Harry Payne Whitney in 1930, and the sickness and death of Whitney in 1942.

Photographs include ones of the Whitney and Vanderbilt families, ones of Gertrude Vanderbilt Whitney (including portraits taken by Baron Adolf de Meyer and Count Jean de Strelecki), ones of various Vanderbilt and Whitney residences and of Whitney's studios, ones of Whitney's sculpture exhibitions as well as exhibitions at her studio, and ones of her sculptures, as well as some miscellaneous and unidentified ones. Artwork consists of sketchbooks and sketches by Whitney (including sketches for sculptures) and artwork by others (including a sketchbook of Howard Cushing's containing a sketch of her and albums of World War I lithographs) collected by Whitney. Also found amongst the collection are printed material (clippings, exhibition catalogs, programs, and publications) and blueprints (including drawings for Whitney's studio on MacDougal Alley and various of her sculptures).
Arrangement:
The Gertrude Vanderbilt Whitney papers are arranged into twelve series:

Missing Title

Series 1: Miscellaneous Personal Papers, 1888-1947, 1975 (Boxes 1-3, 33-34, OV 42; 2.5 linear feet)

Series 2: Correspondence, 1889-1949, 1959 (Boxes 3-9; 6 linear feet)

Series 3: Journals, circa 1886-1939 (Boxes 9-12, 33; 2.5 linear feet)

Series 4: Whitney Studio Club and Whitney Museum of American Art Files, 1921-1943 (Box 12; 0.2 linear feet)

Series 5: Sculpture Files, 1900-1960 (bulk 1909-1942) (Boxes 12-15; 3 linear feet)

Series 6: Philanthropy Files, 1902-1923 (bulk 1915-1920) (Boxes 15-17; 2 linear feet)

Series 7: Writings, 1889-1942, 1974 (Boxes 17-26; 10 linear feet)

Series 8: Scrapbooks, 1893-1942 (Boxes 26-27, 33, 35; 1.5 linear feet)

Series 9: Printed Material, 1859-1942 (Boxes 27-28, 36; 0.8 linear feet)

Series 10: Photographs, 1862-1942 (Boxes 28-32, 36-41, OV 43-51; 6.4 linear feet)

Series 11: Artwork, 1871-1930s (Boxes 32, 41, OV 52-54; 0.8 linear feet)

Series 12: Blueprints, 1913-1945 (OV 55; 0.1 linear feet)
Biographical/Historical note:
New York art patron and sculptor, Gertrude Vanderbilt Whitney (1875-1942), was the eldest daughter of Cornelius Vanderbilt II and Alice Gwynne Vanderbilt, and founder of the Whitney Museum of American Art.

Whitney was born January 9, 1875 in New York City, the. She was educated by private tutors and attended Brearley School in New York. From the time she was a young girl, she kept journals of her travels and impressions of the people she met, and engaged in creative pursuits such as sketching and writing stories. In 1896, she was married to Harry Payne Whitney. They had three children, Flora, Cornelius, and Barbara.

In 1900, Whitney began to study sculpture under Hendrik Christian Anderson, and then under James Fraser. Later, she studied with Andrew O'Connor in Paris. From the time she started studying sculpture, her interest in art grew, as did her particular concern for American art and artists. In 1907, she organized an art exhibition at the Colony Club, which included several contemporary American paintings. She also opened a studio on MacDougal Alley, which became known as the Whitney Studio and was a place where shows and prize competitions were held. (She also had other studios in Westbury, Long Island and Paris, France.) Over the years, her patronage of art included buying work, commissioning it, sponsoring it, exhibiting it, and financially supporting artists in America and abroad. From 1911 on, she was aided in her work by Juliana Force, who started out as Whitney's secretary, was responsible for art exhibitions at the Whitney Studio, and became the first director of the Whitney Museum of American Art.

The first recognition Whitney received for her sculpture came in 1908 when a project on which she had collaborated (with Grosvenor Atterbury and Hugo Ballin) won a prize for best design from the Architectural League of New York. The following year she received a commission to do a fountain sculpture for the Pan-American Building in Washington, D. C. She went on to do numerous other commissioned works over the next several decades, including: a fountain for the New Arlington Hotel in Washington D.C. (the design of which was reproduced in various sizes and materials, one cast being submitted to the 1915 Panama-Pacific International Exposition where it won a bronze medal and a later cast being installed on the campus of McGill University, Montreal, Canada in 1930); the Titanic Memorial (designed in 1913 and erected in 1930); the Buffalo Bill Memorial (1924) in Cody, Wyoming; the Columbus Memorial (1929) in Port of Palos, Spain; the Peter Stuyvesant statue in Stuyvesant Square (1939); and The Spirit of Flight (1939) for the New York World's Fair. In 1916, she had her first one-man show at the Whitney Studio, another at the Newport Art Association, and a retrospective at the San Francisco Art Association Palace of Fine Arts. A traveling exhibition in the Midwest followed in 1918.

During the First World War, Whitney was involved with numerous war relief activities, most notably establishing and supporting a hospital in Juilly, France. She made several trips to France during the war, keeping a journal and eventually publishing a piece on the hospital in several newspapers. Her sculpture during this period was largely focused on war themes. In 1919, she exhibited some of these works at the Whitney Studio in a show called "Impressions of War." In the years after the war, she was also commissioned to do several war memorials, including the Washington Heights War Memorial (1922) and the St. Nazaire Memorial (1926) commemmorating the landing of the American Expeditionary Force in France in 1917.

In 1918, Whitney opened the Whitney Studio Club, which served as pioneering organization for American art, putting on exhibition programs and offering social space and recreational amenities to its members (one point numbering over four hundred artists living in New York). She planned an "Overseas Exhibition" of American art, which traveled to Paris and other European cities in 1920-1921, and had her own shows in Paris and London in 1921. In 1928, the Whitney Studio Club was transformed into an art gallery, known as the Whitney Studio Galleries and directed by Juliana Force, which eventually became the Whitney Museum of American Art in 1931.

Whitney pursued creative writing throughout her life, but beginning in the 1930s writing became her principle means of creative expression. Over the years, she produced numerous manuscripts for stories, novels, and play. One novel, Walking the Dusk, was published in 1932 under the pseudonym L. J. Webb. Beginning in 1940, Whitney took a "Professional Writing" course at Columbia University with Helen Hull, which resulted in the production of numerous short stories. In 1941, she collaborated with Ronald Bodley to adapt one of her stories as a play and attempted to get it produced, although unsuccessfully.

In 1934, Whitney was involved in a custody battle for her niece, Gloria Vanderbilt (daughter of her late brother, Reginald Vanderbilt and his wife, Gloria Morgan Vanderbilt). In an agreement reached by the court, custody was awarded to Whitney and visitation rights to Gloria's mother. Litigation continued in the ensuing years.

In 1935, Whitney established the World's Fair Five Organization, with Juliana Force and four architects, to work on preparing a plan for the site of the 1939 New York World's Fair at Flushing Meadow, although the fair's own Board of Design ended up coming up with its own plan.

Whitney continued her work in sculpture, writing, art patronage, and philanthropy throughout the remaining years of her life. She died on April 18, 1942.
Related Archival Materials note:
Related material found in the Archives includes Research Material on Gertrude Vanderbilt Whitney compiled by Flora Miller Irving and the Whitney Museum of American Art artists' files and records, available on microfilm only (originals are located in the Whitney Museum of American Art). Also found in the Archives of American Art's Miscellaneous Exhibition Catalog Collection are a bundle of Whitney Studio Club and Mrs. H. P. Whitney's Studio catalogs and announcements.
Provenance:
The Gertrude Vanderbilt Whitney papers were donated in 1981 and 1991 by Whitney's granddaughter, Flora Miller Irving.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Philanthropists -- New York (State) -- New York  Search this
Topic:
Art patrons -- New York (State) -- New York  Search this
Women artists  Search this
Women sculptors  Search this
World War, 1914-1918  Search this
Genre/Form:
Lithographs
Photographs
Interviews
Sketchbooks
Diaries
Scrapbooks
Blueprints
Sketches
Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitgert
See more items in:
Gertrude Vanderbilt Whitney papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9db113d72-cc31-4974-85fe-3e99c53dd62e
EDAN-URL:
ead_collection:sova-aaa-whitgert
Online Media:

Larry Aldrich papers

Creator:
Aldrich, Larry  Search this
Names:
Aldrich Museum of Contemporary Art (Ridgefield, Conn.)  Search this
Larry L. Aldrich Foundation, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Extent:
630 Items
Type:
Collection descriptions
Archival materials
Date:
1949-1973
Scope and Contents:
Correspondence, 1953-1973, with the Museum of Modern Art and the Whitney Museum of American Art regarding, among other topics, purchase funds established for each museum by the Larry L. Aldrich Foundation, Inc., including lists of works of art approved for acquisition, and invoices; correspondence regarding Aldrich's private collection, including purchase invoices and cancelled checks, shipping and loan paperwork, and information on works from the collection consigned for sale at auction in 1963; printed material and exhibition catalogs from the Aldrich Museum of Contemporary Art, 1964-1971; and 9 photographs, including works from Aldrich's private collection (2 photographs), works acquired by the Museum of Modern Art (4 photographs), and 4 views of the Aldrich Museum.
Biographical / Historical:
Collector; New York, N.Y.; b. 1906; d. 2001
Provenance:
Donated 1972-1973 by Larry Aldrich.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art patrons  Search this
Topic:
Art patronage  Search this
Art -- Endowments  Search this
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Function:
Art museums -- New York (State)
Art Museums -- Connecticut
Identifier:
AAA.aldrlarr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96fc7b749-3d54-4b9d-a3f9-cdc9cf0f60b3
EDAN-URL:
ead_collection:sova-aaa-aldrlarr

Government Art Patronage, New York State Council on Arts

Collection Creator:
O'Connor, Francis V.  Search this
Container:
Box 20, Folder 16-17
Type:
Archival materials
Date:
circa 1968-1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.

The Artists' Questionanaires require permission from each artist before publishing, quoting, or reproducing. Contact Reference Services for more information.
Collection Rights:
Items created by Francis V. O'Connor: copyright held by Avis Berman. Artists' questionnaires: Authorization to publish, quote, or reproduce requires written permission from the individual artist. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Francis V. O'Connor papers, 1920-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Francis V. O'Connor papers
Francis V. O'Connor papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc6639c0-38a0-4837-aebd-41b75fdd37e5
EDAN-URL:
ead_component:sova-aaa-oconfran-ref1029

James Stillman letters relating to Homer Dodge Martin, 1882-1898

Creator:
Stillman, James, 1850-1918  Search this
Subject:
La Farge, Bancel  Search this
Martin, Homer Dodge  Search this
Martin, Elizabeth  Search this
Type:
Sketches
Citation:
James Stillman letters relating to Homer Dodge Martin, 1882-1898. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage  Search this
Art patrons  Search this
Art -- Economic aspects  Search this
Landscape painters -- New York (State)  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)5748
(DSI-AAA_SIRISBib)208587
AAA_collcode_stiljame
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208587
Online Media:

Hugh Stix papers, 1947-1963

Creator:
Stix, Hugh  Search this
Artists' Gallery (New York, N.Y)  Search this
Subject:
Longchamp, Gaston  Search this
Vanderbilt, Gloria  Search this
Museum Purchase Fund  Search this
Museum Purchase Fund  Search this
Citation:
Hugh Stix papers, 1947-1963. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage -- New York (State) -- New York  Search this
Theme:
Art Market  Search this
Record number:
(DSI-AAA_CollID)6733
(DSI-AAA_SIRISBib)208858
AAA_collcode_stixhugh
Theme:
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208858

Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920

Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Subject:
Inness, George  Search this
Vereshchagin, Vasili Vasilevich  Search this
Smyth, Frederick  Search this
Barye, Antoine-Louis  Search this
Century Association (New York, N.Y.)  Search this
Lambs (New York, N.Y.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
National Academy of Design (U.S.)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Union League Club (New York, N.Y.)  Search this
Lincoln Club (New York, N.Y.)  Search this
Merchants Club (New York, N.Y.)  Search this
Type:
Photographs
Scrapbooks
Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)7030
(DSI-AAA_SIRISBib)209163
AAA_collcode_clarthom
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209163
Online Media:

Roy R. Neuberger papers, 1940-1979

Creator:
Neuberger, Roy R. (Roy Rothschild)  Search this
Subject:
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Africano, Nicholas  Search this
Ajay, Abe  Search this
Austin, Darrel  Search this
Avery, Milton  Search this
Baldessari, John  Search this
Baziotes, William  Search this
Bearden, Romare  Search this
Brooks, James  Search this
Browne, Byron  Search this
Calder, Alexander  Search this
Constant, George  Search this
Davis, Stuart  Search this
Evergood, Philip  Search this
Feininger, Lyonel  Search this
Gatch, Lee  Search this
Gottlieb, Adolph  Search this
Hurd, Peter  Search this
Kinigstein, Jonah  Search this
Knaths, Karl  Search this
Kopman, Benjamin  Search this
Lamis, Leroy  Search this
Laufman, Sidney  Search this
Lawrence, Jacob  Search this
Levine, Jack  Search this
Levine, Les  Search this
Maccoy, Guy C.  Search this
Magriel, Paul David  Search this
Marin, John  Search this
Moller, Hans  Search this
Morris, George L. K.  Search this
Orr, Elliot  Search this
Pereira, I. Rice (Irene Rice)  Search this
Quirt, Walter  Search this
Rivers, Larry  Search this
Roth, Frank  Search this
Rothschild, Judith  Search this
Schueler, Jon  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Snyder, Joan  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Walker, Hudson D. (Hudson Dean)  Search this
Weber, Max  Search this
Wight, Frederick Stallknecht  Search this
Citation:
Roy R. Neuberger papers, 1940-1979. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage -- New York (State) -- New York  Search this
Artists and patrons -- New York (State) -- New York  Search this
Artists' books  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)9085
(DSI-AAA_SIRISBib)211278
AAA_collcode_neubroy
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211278

Eloise and Otto Spaeth papers, 1937-1983

Creator:
Spaeth, Eloise O., 1902-1998  Search this
Spaeth, Otto  Search this
Subject:
Kennedy, John F. (John Fitzgerald)  Search this
Calder, Alexander  Search this
Congdon, William  Search this
Girard, André  Search this
Hopper, Edward  Search this
Kuhn, Walt  Search this
Onassis, Jacqueline Kennedy  Search this
Lipchitz, Jacques  Search this
Merton, Thomas  Search this
Brook, Alexander  Search this
American Federation of Arts  Search this
Archives of American Art  Search this
UNESCO  Search this
Spaeth Foundation  Search this
Dayton Art Institute  Search this
Citation:
Eloise and Otto Spaeth papers, 1937-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art and religion -- United States  Search this
Art patronage -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Busts  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)9466
(DSI-AAA_SIRISBib)211664
AAA_collcode_spaeeloi
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211664

Aline Meyer Liebman papers, 1906-1978

Creator:
Liebman, Aline Meyer, 1879-1966  Search this
Subject:
O'Keeffe, Georgia  Search this
Stieglitz, Alfred  Search this
Strand, Paul  Search this
Weston, Edward  Search this
Adams, Ansel  Search this
Benton, Thomas Hart  Search this
Bluemner, Oscar  Search this
Borglum, Gutzon  Search this
Lachaise, Gaston  Search this
Marin, John  Search this
Macdonald-Wright, Stanton  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Scrapbooks
Citation:
Aline Meyer Liebman papers, 1906-1978. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Art patronage -- New York (State) -- New York  Search this
Modernism (Art) -- Collectors and collecting  Search this
Photography, Artistic -- Collectors and collecting  Search this
Art, Modern -- 20th century -- United States -- Collectors and collecting  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women art patrons  Search this
Theme:
Women  Search this
Photography  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9850
(DSI-AAA_SIRISBib)212345
AAA_collcode_liebalin
Theme:
Women
Photography
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212345

Downtown Gallery records, 1824-1974, bulk 1926-1969

Creator:
Downtown Gallery (New York, N.Y.)  Search this
Subject:
Stella, Joseph  Search this
Stieglitz, Alfred  Search this
Storrs, John Henry Bradley  Search this
Sunami, Soichi  Search this
Spencer, Niles  Search this
Stasack, Edward  Search this
Steichen, Edward  Search this
Steig, William  Search this
Van Vechten, Carl  Search this
Varian, Dorothy  Search this
Walters, Carl  Search this
Webb, Electra Havemeyer  Search this
Tam, Reuben  Search this
Tannahill, Robert Hudson  Search this
Tseng, Yu-ho  Search this
Valente, Alfredo  Search this
Pippin, Horace  Search this
Pattison, Abbott L. (Abbott Lawrence)  Search this
Rattner, Abraham  Search this
Pollet, Joseph C.  Search this
Osborn, Robert Chesley  Search this
Pascin, Jules  Search this
Crawford, Ralston  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Siporin, Mitchell  Search this
Siegel, Adrian  Search this
Reynal, Kay Bell  Search this
Ray, Man  Search this
Saklatwalla, Beram K.  Search this
Rockefeller, Abby Aldrich  Search this
O'Keeffe, Georgia  Search this
Zorach, William  Search this
Zorach, Marguerite  Search this
Zerbe, Karl  Search this
Zajac, Jack  Search this
Yavno, Max  Search this
Wilde, Isabel Carleton  Search this
Weber, Max  Search this
Adams, Ansel  Search this
Breinin, Raymond  Search this
Broderson, Morris  Search this
Laurent, Robert  Search this
Brook, Alexander  Search this
Bry, Doris  Search this
Burlin, Paul  Search this
Carlen, Robert  Search this
Cikovsky, Nicolai  Search this
Coleman, Glenn O.  Search this
Klein, Carl  Search this
Kuniyoshi, Yasuo  Search this
Karfiol, George  Search this
Karolik, Maxim  Search this
Lawrence, Jacob  Search this
Lea, Wesley  Search this
Lane, William H.  Search this
Lewandowski, Edmund  Search this
Marin, John  Search this
Levi, Julian E. (Julian Edwin)  Search this
Levine, Jack  Search this
Nakian, Reuben  Search this
Newman, Arnold  Search this
Maya, Otto  Search this
Morris, George L. K.  Search this
Dove, Arthur Garfield  Search this
Dole, William  Search this
Doi, Isami  Search this
Davis, Stuart  Search this
Fredenthal, David  Search this
Felix Landau Gallery  Search this
Halpert, Samuel  Search this
Halpert, Edith Gregor  Search this
Guglielmi, Louis  Search this
Garbisch, Edgar  Search this
Karfiol, Bernard  Search this
Demuth, Charles  Search this
Hartley, Marsden  Search this
Cahill, Holger  Search this
Hart, George Overbury  Search this
Harnett, William Michael  Search this
Our Gallery (New York, N.Y.)  Search this
American Folk Art Gallery  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Ernest Brown & Phillips  Search this
Type:
Video recordings
Photographs
Motion pictures (visual works)
Citation:
Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution.
Topic:
Fraktur art  Search this
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Printmakers -- United States  Search this
Sculptors -- United States  Search this
Art, Modern -- 20th century -- United States  Search this
Artists -- United States  Search this
Weather vanes  Search this
Chalkware  Search this
Figureheads of ships  Search this
Folk art  Search this
Theme:
African American  Search this
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)6293
(DSI-AAA_SIRISBib)221206
AAA_collcode_downgall
Theme:
African American
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_221206
Online Media:

Donald Blinken papers, 1956-2011

Creator:
Blinken, Donald M.  Search this
Subject:
Vicente, Esteban  Search this
De Kooning, Willem  Search this
Guston, Philip  Search this
Citation:
Donald Blinken papers, 1956-2011. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)16174
(DSI-AAA_SIRISBib)366680
AAA_collcode_blindona
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366680
Online Media:

Donald Blinken papers

Creator:
Blinken, Donald M., 1925-  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Guston, Philip, 1913-1980  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1956-2011
Summary:
The papers of art collector and former United States Ambassador Donald Blinken measure .4 linear feet and date from 1956-2011. The collection is comprised of correspondence and printed material regarding several of the artists Blinken collected, including Willem de Kooning, Philip Guston, and Esteban Vicente.
Scope and Contents:
The papers of art collector and former United States Ambassador Donald Blinken measure .4 linear feet and date from 1956-2011. The collection is comprised of correspondence and printed material regarding several of the artists Blinken collected, including Willem de Kooning, Philip Guston, and Esteban Vicente.
Arrangement:
This collection is arranged as two series

Series 1: Correspondence, 1956-2011 (0.3 linear feet; Box 1)

Series 2: Printed Material, 1974-2008 (0.1 linear foot; Box 1)
Biographical / Historical:
Donald Blinken (1925- ) is an art collector in New York City and served as United States Ambassador to Hungary from 1994-1997. Throughout his career, Blinken has held leadership roles in investment banking, education, and arts patronage.
Provenance:
Donated to the Archives of American Art by Donald Blinken in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Citation:
Donald Blinken papers, 1956-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blindona
See more items in:
Donald Blinken papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93870d22d-27c3-4420-870d-da5bd92354e2
EDAN-URL:
ead_collection:sova-aaa-blindona

Oral history interview with Huntington Hartford, 1970 May 19

Interviewee:
Hartford, Huntington, 1911-2008  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Huntington Hartford, 1970 May 19. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Art patronage -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Art patrons -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13076
(DSI-AAA_SIRISBib)212713
AAA_collcode_hartfo70
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212713

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