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Patti Warashina papers

Creator:
Warashina, Patti, 1940-  Search this
Names:
Lee Nordness Galleries  Search this
Currier, Anne, 1950-  Search this
Kottler, Howard, 1930-1989  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lucero, Michael, 1953-  Search this
Sperry, Robert, 1927-1998  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Photographs
Date:
circa 1900-1991
bulk 1970-1989
Summary:
The papers of ceramicist and sculptor Patti Warashina (b. 1940) date from circa 1900 and 1957 through 1991, bulk 1970-1989. The collection consists of 4.8 linear feet of correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.
Scope and Content Note:
The Patti Warashina papers measure 4.8 linear feet and date from circa 1900 and 1957 through 1991 (bulk 1970-1989). The collection documents the artistic and teaching career of Seattle-based sculptor and ceramicist Patti Warashina predominantly through correspondence and printed material reflecting the many ceramic and craft exhibitions and other projects Warashina participated in throughout the United States, and her associations with other ceramicists. Also included are biographical documents, writings, art works, several photographs, and a video.

Biographical material includes family trees, diplomas, awards, and documents relating to Warashina's family Japanese internment during WWII. Correspondence, 1968-1991, relating to exhibitions and other projects, is with galleries, museums, purchasers, publishers, and others, among them the Lee Nordness Gallery (N.Y.), Morgan Gallery (Kansas City), and Theo Portney Gallery (Seattle). Additional correspondence files contain letters received, 1977-1990, many addressed to Warashina and her husband Bob (Robert Sperry), from friends, colleagues, former students and family members, including Nancy Carmen, Anne Currier, Deborah Horrell, Matthew Kangas, Howard Kottler, Marvin Lipofsky, Michael Lucero, and others.

Ten photographs, circa 1900-1944, are portraits of Warashina's relatives and family, and several snapshots, circa 1970s, are of former students and works of art. Printed material, 1961-1990, includes newspaper and magazine clippings, programs, journals, newsletters, exhibition announcements, exhibition catalogs, and workshop announcements for Warashina's various sculpture and ceramic lectures. Writings include both published and unpublished works by Warashina, including an artist's statement for a possible lecture at the 1986 conference of the National Council on Education for the Ceramic Arts (NCECA). Also found here are handwritten notes on a panel discussion titled Cultural and Racial Heritage: Sources and Imagery in which Warashina was a participant along with artists Aminah Brenda Lynn Robinson, María Brito Avellana, and Indira Johnson. Art work consists of blue line drawings for her sculpture "Red Earth," 1986 as well as a pen and ink sketch of Warashina by an unidentified artist. A videocassette, 1987, is of the television program "The Big A: Different Ways of Seeing", in which Warashina appears briefly.
Arrangement:
The Patti Warashina papers are arranged as seven series based primarily on type of material. The correspondence in Series 2 is arranged chronologically for exhibitions and projects and general letters received. Additional letters received are arranged by name of author.

Missing Title

Series 1: Biographical Material, 1974-1991, undated (Box 1; 3 folders)

Series 2: Correspondence, 1957, 1967-1991, undated (Boxes 1-3; 2.0 linear feet)

Series 3: Photographs, circa 1900- circa 1959, 1971, undated (Box 3; 3 folders)

Series 4: Printed Material, 1961-1990, undated (Boxes 3-6, OV 7; 2.0 linear feet)

Series 5: Writings and Notes, 1984, 1986, 1989, undated (Box 6; 4 folders)

Series 6: Artwork, 1986, undated (Box 6; 2 folders)

Series 7: Miscellany, 1987, undated (Box 6; 2 folders)
Biographical Note:
Patti Warashina is a Japanese American ceramicist and sculptor. She was born in 1940 as Masae Patricia Warashina in Spokane, Washington to third generation Japanese emigrants. She received her undergraduate degree from the University of Washington, Seattle, where she studied with sculptors Robert Sperry, Harold Myers, Rudy Autio, Shoji Hamada, Shinsaku Hamada, and Ruth Penington. She received her first solo exhibition in 1962 at the Phoenix Art Gallery in Seattle the same year she graduated with an M.F.A. from the University of Washington. Warashina later married fellow student Fred Bauer and from 1964 to 1970 exhibited as Patti Bauer.

Influences in Warashina's art include California funk and sculptural ceramics. Her work is best known for its whimsical themes expressed through low-fire highly colored figurative images. Together with fellow artists Robert Sperry, Howard Kottler and Fred Bauer, she brought national recognition to the department of ceramics at the University of Washington's School of Art beginning in the 1980s.

Patti Warashina is a recipient of several awards for achievements in the field of crafts, most recently the Twining Humber Award granted by Seattle's Artists Trust in 2002. She received the Governor's Award of Special Commendation for the Arts in 1980 in addition to grants from the National Endowment for the Arts in both 1975 and 1986. In 1978, Warashina was awarded a World Craft Council Travel Grant which allowed her to conduct research on the ceramic arts process in Japan, Hong Kong, Singapore, Thailand, Bali and the Philippines. Warashina's teaching career spans over 30 years and includes positions at the University of Wisconsin, Eastern Michigan University, and at her alma mater where she has taught for over 25 years. Her work is featured in several museum collections in both the U.S. and abroad including the American Craft Museum in New York, the Seattle Art Museum and Henry Art Gallery, the Smithsonian American Art Museum's Renwick Gallery (Washington, DC), the Art Gallery of Western Australia, and the Ichon World Ceramic Center in Korea. Since her marriage to ceramicist Robert Sperry in 1976, she has used Patti Warashina as her professional name. Patti Warashina is a resident of Seattle, Washington.
Provenance:
The Patti Warashina papers were donated by the artist to the Archives of American Art in 1991.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- Washington (State) -- Seattle  Search this
Sculptors -- Washington (State) -- Seattle  Search this
Topic:
Japanese American families -- Photographs  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American sculptors  Search this
Asian American ceramicists  Search this
Women artists  Search this
Women ceramicists  Search this
Women sculptors  Search this
Genre/Form:
Video recordings
Photographs
Citation:
Patti Warashina papers, circa 1990-1991, bulk 1970-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.warapatt
See more items in:
Patti Warashina papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw959631d63-cd0b-4c29-b6df-dadc4b149ee0
EDAN-URL:
ead_collection:sova-aaa-warapatt
Online Media:

Kamekichi Tokita Papers, circa 1900-circa 2010, bulk 1900-1948

Creator:
Tokita, Kamekichi, 1897-1948  Search this
Subject:
Callahan, Kenneth  Search this
Tokita, Shokichi  Search this
Tokita, Elsie  Search this
Art Institute of Seattle  Search this
Seattle Art Museum  Search this
Hotel Cadillac (Seattle, Wash.)  Search this
Henry Art Gallery  Search this
Public Works of Art Project  Search this
Minidoka Relocation Center  Search this
Group of Twelve (Seattle, Wash.)  Search this
Type:
Photograph albums
Photographs
Sketches
Scrapbooks
Diaries
Citation:
Kamekichi Tokita Papers, circa 1900-circa 2010, bulk 1900-1948. Archives of American Art, Smithsonian Institution.
Topic:
World War, 1939-1945 -- Japanese Americans  Search this
Asian American art  Search this
Asian American artists  Search this
Japanese American art  Search this
Japanese American artists  Search this
Asian American painters  Search this
Art, American -- Northwestern States  Search this
Painting, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Art, Modern -- 20th century -- Northwestern States  Search this
Japanese Americans -- Forced removal and internment, 1942-1945 -- Diaries  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10444
(DSI-AAA_SIRISBib)213849
AAA_collcode_tokikame
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213849
Online Media:

Val Laigo papers, 1954-1998

Creator:
Laigo, Val M., 1930-1992  Search this
Type:
Video recordings
Citation:
Val Laigo papers, 1954-1998. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Mural painting and decoration -- 20th century -- Washington (State) -- Seattle  Search this
Theme:
Asian American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10455
(DSI-AAA_SIRISBib)213863
AAA_collcode_laigval
Theme:
Asian American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213863

Linda Farris Gallery records

Creator:
Linda Farris Gallery  Search this
Farris, Linda  Search this
Names:
Barry, Lynda, 1956-  Search this
Bruskin, Grisha, 1945-  Search this
Clough, Charles, 1951-  Search this
Landfield, Ronnie, 1947-  Search this
Luce, Charles, 1947-  Search this
Lucero, Michael, 1953-  Search this
Markovitz, Sherry  Search this
Nevelson, Louise, 1899-1988  Search this
Noah, Barbara  Search this
Pepper, Beverly  Search this
Extent:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Type:
Collection descriptions
Archival materials
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Date:
1969-1995
Summary:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.
Scope and Contents:
The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials. Business correspondence is with galleries, dealers, publishers, museums, and other businesses. Administrative files are varied and include advertising and promotion materials, exhibition schedules, mailing lists, guest books, a scrapbook, and gallery history.

Artists' files are found for many contemporary American artists that interested Linda Farris or were represented by the gallery. The contents of each file vary but many include photographs and slides, writings, correspondence, and printed materials. Files for Lynda Barry, Grisha Brusking, Charles Clough, Ronnie Landfield, Charles Luce, Michael Lucerno, Sherry Markovitz, Louise Nevelson, Barbara Noah, and Beverly Pepper are particularly rich. Exhibition files are for Linda Farris Gallery exhibitions and include printed materials, correspondence, loan and consignment agreements, and photographs.

Event files cover anniversary celebrations, lectures, panel discussions, and receptions. There are 17 sound cassette recordings of "Art Now" lectures and "Focus" panel discussions. Scattered reference files contain collected materials on subjects of interest to the gallery. There are scattered financial, sales, and legal files. Sales records cover 1970-1979.

Linda Farris' personal papers contain printed materials about her and the gallery and other materials concerning her professional and curatorial work outside of the gallery. There is also a transcript of an oral history with Farris and a news interview.

Printed materials include published books and magazines, clippings and exhibition catalogs and announcements.

Photographs are scattered throughout adminstrative files, exhibition files, event files, and Linda Farris' personal papers.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Correspondence, 1975-1991, undated (Box 1; .7 linear feet)

Series 2: Administrative files, 1970-1995, undated (Box 1-2, 14; 1 linear feet)

Series 3: Artists and Exhibition files, 1969-1995, undated (Box 2-9, 15; 6.6 linear feet)

Series 4: Events files, 1971-1990, undated (Box 9, 14; 0.6 linear feet)

Series 5: Reference files, 1969-1994, undated (Box 9-10; 0.6 linear feet)

Series 6: Financial, Sales and Legal files, 1970-1995 (Box 10; 0.4 linear feet)

Series 7: Linda Farris Papers, 1972-1995 (Box 10-11; .9 linear feet)

Series 8: Printed Materials, 1970-1995 (Box 11-14; 2 linear feet)
Biographical / Historical:
The Linda Farris Gallery was Seattle's leading venue for contemporary art during its twenty-five years of operation.

Linda Farris opened Gallery East in Bellevue in 1970, and a year later moved to Pioneer Square in Seattle, changing the name to Linda Farris Gallery in 1973. The gallery continued to present contemporary art there until closing in December 1995. Art dealer Linda Farris began representing a group of promising artists, all graduates of the University of Washington. Greg Kucera of the Greg Kucera Gallery noted in an article for the Seattle Weekly, "Their work could be loosely seen as a movement, complete with aesthetic interrelationships, convenient marriages, an unintelligible manifesto in the form of Dennis Evans' quirky pronouncements…" From the same article he states, "Her avant-garde gallery changed forever the nature of being an art dealer in Seattle." It was among the three or four most influential galleries in the Pacific Northwest.

The gallery held exhibitions of many nationally known contemporary artists, including Sam Francis, Louise Nevelson, and Robert Rauschenberg, as well as Northwest artists Jeffrey Bishop, Dennis Evans, Sherry Markovitz, Nancy Mee, Norie Sato, and Patti Warashina. The latter group started with the gallery and remained loyal at the time of its closing in 1995.

Art dealer, collector and free-lance curator Linda B. Farris (1944-2005), a native of San Francisco and a graduate of the University of California, Berkeley (1966), was an active participant in and style setter for the Seattle art world for the twenty-five years she was in business. As a member of the art community she actively supported the Henry Art Gallery at the University of Washington, Pilchuck Glass School, and Seattle Art Museum's Contemporary Art Council, and served on the boards of directors of Henry Art Gallery and Factory Visual Arts. Farris curated "Eight Seattle Artists" in 1981 for the Los Angeles Institute of Contemporary Art and "Self Portraits" in 1983 for the Los Angeles Municipal Art Gallery. She also led the movement to keep Henry Moore's "Vertebrae" from leaving Seattle, and instituted a series of talks, panel discussions, performances, and tours in her gallery, and in and around Seattle.

This note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Related Materials:
An oral history interview with Linda Farris conducted in 1975 by Sally Swenson, is located in the University of Washington University Libraries Digital Collections.
Provenance:
The Linda Farris Gallery records were donated to the Archives of American Art by owner Linda Farris in 1995 at the time she closed the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Avant-garde (Aesthetics)  Search this
Art -- Washington (State) -- Exhibitions  Search this
Art, Modern -- 20th century -- Washington (State) -- Seattle  Search this
Artists -- Northwestern States  Search this
Transcripts  Search this
Function:
Art galleries, Commercial -- Washington (State)
Genre/Form:
Interviews
Scrapbooks
Lectures
Photographs
Sound recordings
Visitors' books
Citation:
Linda Farris Gallery records, 1969-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lindfarr
See more items in:
Linda Farris Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a88eaff1-cd31-4f5b-a7bf-1e2648ae6b2d
EDAN-URL:
ead_collection:sova-aaa-lindfarr
Online Media:

Mary Dill Henry papers

Creator:
Henry, Mary, 1913-  Search this
Extent:
0.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1987-1989
Summary:
The scattered papers of painter, designer, and mosaicist Mary Dill Henry measure 0.3 linear feet and date from 1987-1989. Found are biographical material, correspondence, photographic material, and printed material.
Scope and Contents:
The scattered papers of painter, designer, and mosaicist Mary Dill Henry measure 0.3 linear feet and date from 1987-1989. Found are biographical material, correspondence, photographic material, and printed material.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Mary Dill Henry (1913-2009) was a painter, designer, and mosaicist from California and Seattle, Washington, whose work was characterized by geometric abstraction. She studied at the San Francisco Art Institute and worked at Hewlett-Packard drafting engineering renderings. Later, she created mosaics for the outside of the Hewlett-Packard offices. Henry's work is in the collections of the Seattle Art Museum, Tacoma Art Museum, Portland Art Museum, Institute of Design IIT, Microsoft, Safeco, and Hewlett-Packard, among many others.
Provenance:
Henry's friend and patron, Artemas A. Ginzton, donated the Mary Dill Henry papers to the Archives of American Art in 1992.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California  Search this
Designers -- California  Search this
Mosaicists -- California  Search this
Printmakers -- California  Search this
Painters -- Washington (State) -- Seattle  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women printmakers  Search this
Citation:
Mary Dill Henry papers, 1987-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.henrmary
See more items in:
Mary Dill Henry papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96f309de2-917b-4377-b0b6-e0a3e2d478b8
EDAN-URL:
ead_collection:sova-aaa-henrmary

Oral history interview with Joanna Eckstein, 1983 April 7

Interviewee:
Eckstein, Joanna, 1903-1983  Search this
Interviewer:
Ragen, Suzanne  Search this
Subject:
Tobey, Mark  Search this
Seattle Art Museum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joanna Eckstein, 1983 April 7. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage -- Washington (State) -- Seattle  Search this
Art, American -- Northwestern States  Search this
Art patrons -- Washington (State) -- Seattle -- Interviews  Search this
Theme:
Art Collectors  Search this
Record number:
(DSI-AAA_CollID)12765
(DSI-AAA_SIRISBib)212428
AAA_collcode_eckste83
Theme:
Art Collectors
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212428
Online Media:

Oral history interview with Kenneth Callahan, 1982 October 27-December 19

Interviewee:
Callahan, Kenneth L., 1905-1986  Search this
Interviewer:
Prince, Sue Ann  Search this
Subject:
Anderson, Guy  Search this
Graves, Morris  Search this
Tobey, Mark  Search this
Seattle Art Museum  Search this
Group of Twelve (Seattle, Wash.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Kenneth Callahan, 1982 October 27-December 19. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Record number:
(DSI-AAA_CollID)12975
(DSI-AAA_SIRISBib)212430
AAA_collcode_callah82
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212430
Online Media:

Oral history interview with Anne Gerber, 1983 Feb. 24-Apr. 21

Interviewee:
Gerber, Anne  Search this
Interviewer:
Focke, Anne  Search this
Subject:
Henry Art Gallery  Search this
Seattle Art Museum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Anne Gerber, 1983 Feb. 24-Apr. 21. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- Washington (State) -- Seattle -- Interviews  Search this
Art patronage -- Washington (State) -- Seattle  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Art patrons -- Washington (State) -- Seattle -- Interviews  Search this
Theme:
Art Collectors  Search this
Record number:
(DSI-AAA_CollID)13276
(DSI-AAA_SIRISBib)212433
AAA_collcode_gerber83
Theme:
Art Collectors
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212433
Online Media:

Oral history interview with Val Laigo, 1989 July 12

Interviewee:
Laigo, Val M., 1930-1992  Search this
Interviewer:
Lau, Alan Chong  Search this
Subject:
Nakane, Kazuko  Search this
Bennett, Doug  Search this
Callahan, Kenneth  Search this
Chong, Fay  Search this
Dusanne, Zoe  Search this
Horiuchi, Paul  Search this
Jones, Quincy  Search this
Katayama, Mits  Search this
Nordness, Lee  Search this
Okada, Frank S. (Frank Sumio)  Search this
Orozco, José Clemente  Search this
Picasso, Pablo  Search this
Ritchie, Bill  Search this
Rivera, Diego  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino  Search this
Voorhees, Clark G. (Clark Greenwood)  Search this
Washington, James W.  Search this
Charles and Emma Frye Art Museum  Search this
Foster/White Gallery  Search this
Mexico City College  Search this
Seattle University  Search this
University of Washington  Search this
Northwest Asian American Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Val Laigo, 1989 July 12. Archives of American Art, Smithsonian Institution.
Topic:
Asian American art  Search this
Asian American artists  Search this
Computer Art  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Muralists -- Mexico  Search this
Theme:
Asian American  Search this
Record number:
(DSI-AAA_CollID)12747
(DSI-AAA_SIRISBib)224926
AAA_collcode_laigo89
Theme:
Asian American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_224926
Online Media:

Oral history interview with Ramona Solberg, 2001 March 23

Interviewee:
Solberg, Ramona L., 1921-2005  Search this
Interviewer:
Halper, Vicki  Search this
Subject:
Day, Russell  Search this
Hall, Laurie  Search this
Harrington, LaMar  Search this
Ho, Ron  Search this
Hu, Mary Lee  Search this
Larsen, Jack Lenor  Search this
Lipofsky, Marvin  Search this
Maloof, Frieda  Search this
Maloof, Sam  Search this
Marshall, John  Search this
Pence, Coralyn  Search this
Penington, Ruth  Search this
Slemmons, Kiff  Search this
Tompkins, Don  Search this
Woell, J. Fred  Search this
Worden, Nancy  Search this
Central Washington State College  Search this
Edison Vocational School  Search this
Bellevue Art Museum (Wash.)  Search this
American Craft Council  Search this
University of Washington  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ramona Solberg, 2001 March 23. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Technique  Search this
Jewelers -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)12835
(DSI-AAA_SIRISBib)226997
AAA_collcode_solber01
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_226997
Online Media:

Oral history interview with Flora Mace, 2005 August 17-18

Interviewee:
Mace, Flora, 1949-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Calder, Alexander  Search this
Chihuly, Dale  Search this
Handler, Audrey  Search this
Kirkpatrick, Joey  Search this
Moore, Ben  Search this
Morris, William  Search this
Stankard, Paul  Search this
Wheaton, Frank  Search this
Wheaton, Mary  Search this
4-H Youth Development Program (U.S.)  Search this
Contemporary Glass Gallery  Search this
International Farm Youth Exchange  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Plymouth State College  Search this
University of Illinois.  Search this
University of Utah  Search this
Wheaton Glass Village  Search this
Type:
Interviews
Sound recordings
Place:
Norway -- description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Flora Mace, 2005 August 17-18. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Depression in women  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Theme:
Craft  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13288
(DSI-AAA_SIRISBib)255870
AAA_collcode_mace05a
Theme:
Craft
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255870
Online Media:

Oral history interview with Joey Kirkpatrick, 2005 August 17-18

Interviewee:
Kirkpatrick, Joey, 1952-  Search this
Interviewer:
Herman, Lloyd E  Search this
Subject:
Burford, Byron  Search this
Calder, Alexander  Search this
Chihuly, Dale  Search this
Cohen, Reba  Search this
Demetrion, James  Search this
Doty, Mark  Search this
Dove, Arthur Garfield  Search this
Edwards, Steven Dale  Search this
Giacometti, Alberto  Search this
Handler, Audrey  Search this
Hinds, Chuck  Search this
Mace, Flora  Search this
Moore, Ben  Search this
Morris, William  Search this
O'Keeffe, Georgia  Search this
Patrick, Peggy  Search this
Ragovin, Howard  Search this
Scanga, Italo  Search this
Schiele, Egon  Search this
Tagliapietra, Lino  Search this
Vigeletti, Sylvia  Search this
Art Institute of Chicago  Search this
Des Moines Art Center  Search this
Iowa State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck School  Search this
University of Iowa  Search this
Type:
Interviews
Sound recordings
Place:
Iowa -- Description and travel
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Joey Kirkpatrick, 2005 August 17-18. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics -- Study and teaching  Search this
Decorative arts  Search this
Sculpture -- Technique  Search this
Glass art  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12851
(DSI-AAA_SIRISBib)255873
AAA_collcode_kirkpa05
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255873
Online Media:

Oral history interview with Flora Mace

Interviewee:
Mace, Flora, 1949-  Search this
Interviewer:
Herman, Lloyd E.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
4-H Youth Development Program (U.S.)  Search this
Contemporary Glass Gallery  Search this
International Farm Youth Exchange  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Plymouth State College -- Students  Search this
University of Illinois. -- Student  Search this
University of Utah  Search this
Wheaton Glass Village  Search this
Calder, Alexander, 1898-1976  Search this
Chihuly, Dale, 1941-  Search this
Handler, Audrey  Search this
Kirkpatrick, Joey  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
Stankard, Paul, 1943-  Search this
Wheaton, Frank  Search this
Wheaton, Mary  Search this
Extent:
3 Items (sound discs (3 hrs., 25 min.) Audio, digital)
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Norway -- description and travel
Date:
2005 August 17-18
Scope and Contents:
An interview of Flora Mace conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, which she shares with Joey Kirkpatrick, in Seattle, Washington.
Ms. Mace discusses growing up in New Hampshire, in a house that her family had lived in for generations; various family businesses, including clam-shucking; how her mother suffered from depression throughout her childhood; her grandparents, who played a large role in her upbringing; joining the 4-H and becoming a skilled shepherd; her family's hunting, fishing, and gathering, on which they survived during her childhood; the various art projects she did with her mother and grandmother, including making wreaths for friends and relatives; building tree houses out of scrap wood; trapping animals and making their pelts into clothes for her dolls; saving up her money from after school jobs and the 4-H competitions to buy tools; getting a scholarship from her grandmother's old employer to go to college; attending Plymouth State; her involvement in college athletics, including field hockey, skiing, and softball; early artistic influences, especially Alexander Calder; traveling to Norway on the International Farm Youth Exchange; attending the University of Illinois for graduate school and being their sculpture technician; attending a summer workshop at the University of Utah with Dale Chihuly; being invited by Chihuly to go to Pilchuck Glass School to continue her work; becoming an artist-in-residence at Wheaton Glass Village; having her first show at the Contemporary Glass Gallery (later the Heller Gallery) in New York; the growth of the studio glass movement in the late 1970s; and finally going to Pilchuck Glass School for the first time in 1979, where she met Joey Kirkpatrick. The continuation of Mace's story, and her lifelong collaboration with Kirkpatrick, is discussed in a joint interview of Kirkpatrick and Mace. Mace also recalls Bill Morris, Ben Moore, Audrey Handler, Paul Stankard, Mary and Frank Wheaton, and others.
Biographical / Historical:
Flora Mace (1949- ) is a glass artist from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian's American Art Museum's Renwick Gallery and currently lives in Seattle, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hrs., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Depression in women  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mace05a
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97a282c98-cc3f-4a72-963c-5c245fbcf0ea
EDAN-URL:
ead_collection:sova-aaa-mace05a
Online Media:

Oral history interview with Anne Gerber

Interviewee:
Gerber, Anne  Search this
Interviewer:
Focke, Anne  Search this
Names:
Henry Art Gallery  Search this
Seattle Art Museum  Search this
Extent:
5 Sound cassettes (Sound recording)
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1983 Feb. 24-Apr. 21
Scope and Contents:
An interview of Anne Gerber conducted 1983 Feb. 24-Apr. 21, by Anne Focke, at the artist's home, in Seattle, Wash., for the Archives of American Art's Northwest Oral History Project.
Gerber speaks of her family background; her education; her marriage; her and her husband's interest in fair housing and other social issues; her early interest in art and collecting; the Seattle Art Museum, the Henry Gallery, and other galleries; and other interests, including music and architecture.
Biographical / Historical:
Anne Gerber is a collector and patron from Seattle, Wash.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Topic:
Art -- Collectors and collecting -- Washington (State) -- Seattle -- Interviews  Search this
Art patronage -- Washington (State) -- Seattle  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Art patrons -- Washington (State) -- Seattle -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gerber83
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98183c953-ad60-431e-9d06-4cb3c1ea80dc
EDAN-URL:
ead_collection:sova-aaa-gerber83
Online Media:

Oral history interview with Ramona Solberg

Interviewee:
Solberg, Ramona  Search this
Interviewer:
Halper, Vicki  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Bellevue Art Museum (Wash.)  Search this
Central Washington State College -- Faculty  Search this
Edison Vocational School -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Washington -- Students  Search this
Day, Russell  Search this
Hall, Laurie  Search this
Harrington, LaMar, 1917-2005  Search this
Ho, Ron  Search this
Hu, Mary Lee, 1943-  Search this
Larsen, Jack Lenor  Search this
Lipofsky, Marvin, 1938-2016  Search this
Maloof, Frieda  Search this
Maloof, Sam  Search this
Marshall, John, 1936-  Search this
Pence, Coralyn  Search this
Penington, Ruth, b. 1905  Search this
Slemmons, Kiff  Search this
Tompkins, Don  Search this
Woell, J. Fred, 1934-  Search this
Worden, Nancy  Search this
Extent:
35 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2001 March 23
Scope and Contents:
An interview of Ramona Solberg conducted 2001 March 23, by Vicki Halper, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Solberg's apartment, Seattle, Washington.
Solberg speaks of her family background and childhood in Seattle; her jewelry studies with Ruth Pennington at the University of Washington in Seattle and her use of found objects; her service in the Unites States Army; attending the Edison Vocational School on the GI Bill and pursuing a masters degree in jewelry at the University of Washington; studies with Coralyn Pence; her travels to Mexico and her fascination with pre-Columbian objects; enameling in Norway; collecting beads from around the world; her book, "Inventive Jewelry-Making" (New York: Van Nostrand Reinhold, 1972); leading tours for a Seattle-based group, "Friends of the Crafts," to the Middle East, Asia, Antarctica, and elsewhere for 16 or 17 years; teaching at Central Washington State College and creating her first bead and found object pieces there in 1956; her fondness for turquoise, lapis, and coral; inviting Don Tompkins to teach at Central Washington State College; Tompkins's "tongue-in-cheek" use of metals; her desire to make jewelry that can "shake, rattle, and roll"; teaching and workshops; her use of preliminary sketches; her soldering technique; fasteners; the weight of her jewelry; the "restraints of jewelry"; her lack of interest in making matched sets and bracelets and rings; the lack of social commentary in her work; her series of pieces inspired by the book, "Watership Down;" the influence of Fred Woell and his use of "American throw-aways"; her involvement with the Northwest region of the American Craft Council; her association with a group of jewelers in the Northwest including Ron Ho, Laurie Hall, Nancy Worden, and Kiff Slemmons; making beaded fibulas; curating exhibitions such as Ubiquitous Bead (1987) and Ubiquitous Bead II (1998) at the Bellevue Art Museum in Seattle; exhibitions at Facèré Jewelry Art Gallery in Seattle and the Henry Art Gallery at the University of Washington in Seattle; working in small spaces; getting into the exhibition Objects: USA "through the back door"; her status as an international artist; pricing her work; her pieces in museum collections; and her health. She recalls Russell Day, Jack Lenor Larsen, Sam and Frieda Maloof, John Marshall, Marvin Lipofsky, LaMar Harrington, Mary Lee Hu, and others.
Biographical / Historical:
Ramona Solberg (1921-2005) was a jeweler from Seattle, Washington. Vicki Halper is a curator at the Seattle Art Museum.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 2 hr., 13 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art -- Technique  Search this
Jewelers -- Washington (State) -- Seattle -- Interviews  Search this
Women artists  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.solber01
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b1828bbb-30f3-403c-9455-424d2bde6e1a
EDAN-URL:
ead_collection:sova-aaa-solber01
Online Media:

Oral history interview with Joanna Eckstein

Interviewee:
Eckstein, Joanna, 1903-1983  Search this
Interviewer:
Ragen, Suzanne  Search this
Names:
Seattle Art Museum  Search this
Tobey, Mark  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1983 April 7
Scope and Contents:
An interview of Joanna Eckstein conducted on 1983 April 7, by Suzanne Ragen, in Seattle, Washington, for the Archives of American Art's Northwest Oral History Project.
Eckstein speaks of her family background; education; the development of her art and poetry interests; the Seattle art scene prior to the opening of the Seattle Art Museum; the Museum's collecting policy and administration; art in public and private places; and her thoughts on aging well. She recalls the painter Mark Tobey. The interview is followed by Eckstein's speech on the history of the Seattle Art Museum delivered to the Docent Council at the Museum.
Biographical / Historical:
Joanna Eckstein (1903-1983) was an art patron from Seattle, Washington.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav file. Duration is 3 hr., 22 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington, and Montana.
Topic:
Art patronage -- Washington (State) -- Seattle  Search this
Art, American -- Northwestern States  Search this
Art patrons -- Washington (State) -- Seattle -- Interviews  Search this
Function:
Art museums -- Washington (State) -- Seattle
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.eckste83
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw937242987-564d-4016-9166-852eebee48df
EDAN-URL:
ead_collection:sova-aaa-eckste83
Online Media:

Oral history interview with Kenneth Callahan

Interviewee:
Callahan, Kenneth, 1905-1986  Search this
Interviewer:
Prince, Sue Ann  Search this
Names:
Group of Twelve (Seattle, Wash.)  Search this
Seattle Art Museum  Search this
Anderson, Guy, 1906-1998  Search this
Graves, Morris, 1910-  Search this
Tobey, Mark  Search this
Extent:
75 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 October 27-December 19
Scope and Contents:
An interview of Kenneth Callahan conducted 1982 October 27-1982 December 19, by Sue Ann Kendall, for the Archives of American Art's Northwest Oral History Project.
Callahan speaks of his childhood in Montana; his education; working as an illustrator; early shows of his work; mural commissions; the Northwest arts community, particularly Morris Graves, Guy Anderson and Mark Tobey; changes in his subject matter and interests; the increasing abstraction in his painting; the fire in his studio; his relationship with the Seattle Art Museum, where he worked as a curator for 20 years; collectors he has known; experimenting with other media; and contemporary art and its future.
Biographical / Historical:
Kenneth Callahan (1905-1986) was a painter, muralist, writer, and curator from Long Beach, Washington.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 27 min.
Provenance:
This interview is part of the Archives' Northwest Oral History Project, begun in 1982 to document the Northwest artistic community through interviews with painters, sculptors, craftsmen, educators, curators, and others, in Oregon, Washington and Montana.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Interviews  Search this
Topic:
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Art, American -- Northwestern States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.callah82
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4fd83e5-f7a4-412d-add2-aa314479d613
EDAN-URL:
ead_collection:sova-aaa-callah82
Online Media:

Oral history interview with Val Laigo

Interviewee:
Laigo, Val M., 1930-1992  Search this
Interviewer:
Lau, Alan Chong  Search this
Nakane, Kazuko  Search this
Names:
Charles and Emma Frye Art Museum  Search this
Foster/White Gallery  Search this
Mexico City College -- Students  Search this
Northwest Asian American Project  Search this
Seattle University -- Students  Search this
University of Washington -- Students  Search this
Bennett, Doug  Search this
Callahan, Kenneth, 1905-1986  Search this
Chong, Fay  Search this
Dusanne, Zoe, 1884-1977  Search this
Horiuchi, Paul, 1906-  Search this
Jones, Quincy, 1933-  Search this
Katayama, Mits  Search this
Nordness, Lee  Search this
Okada, Frank S. (Frank Sumio), 1931-2000  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Ritchie, Bill  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Tamayo, Rufino, 1899-  Search this
Voorhees, Clark G. (Clark Greenwood), 1871-1933  Search this
Washington, James W., 1911-2000  Search this
Extent:
42 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 July 12
Scope and Contents:
An interview of Val Laigo conducted 1989 July 12, by Alan Lau and Kazuko Nakane, for the Archives of American Art Northwest Asian American Project, in Laigo's home, Seattle, Wash.
Laigo speaks of learning how to paint at age eleven with watercolors; growing up with a heart condition known as Eisenmenger's Complex; teaching at Highline High School and creating a wolverine as the school's mascot; the inclusion of his life story in a Filipino oral history project; singing for an orchestra called the Gentlemen of Rhythm, at the Filipino Catholic Youth Activities events and other venues; Doug Bennett as an influence in composition and design; being a student at Seattle University and joining Art Equity in approximately 1951; remembering his painting, "Madonna" being shown at the Seattle Art Museum; his first show at the People's Furniture Store and later with Fay Chong at the Hathaway House; Zoe Dusanne became his agent; his introduction to the MacPaint software program and his first piece of computer art; his desire to study Mexican muralists, Diego Rivera, Jose Orozco, David Siqueiros, and Rufino Tamayo and becoming at student at Mexico City College; his life in Mexico with the woman who would become his wife; the strong influence of Nick Damascus on his painting; how his palette changed to brighter colors after living in Mexico; his health crisis there that lead him to abandon his work towards a master's degree and return to Seattle in 1959; having to start over from the beginning at the University of Washington; Tommy Kwazume hiring him at Boing as an artist in 1960; Lee Nordness and the RCA Victor album cover; his negative experience with Margaret Reed while showing at the Panaca Gallery; his exhibit at the Frye Art Museum in 1969 and criticism by Clark Voorhees; his Mexican experience having influenced his vigor and scale; the Lost Generation series; his comment about Picasso not being able to paint; encouragement from his family to pursue art training; the murder of his father in 1936; his mother's success as a new painter; and his work, "Dilemma of the Atom" featured on the cover of an RCA Victor record album. Laigo also recalls Perry Acker, Foster White Gallery, David Mendoza, Fred Mendoza, Tom Tooley, Ray Sadirius, Quincy Jones, Oscar Holden's Orchestra, Fred Cordova, Mits Katayama, Rudy Bundis, Kal Chin, Paul Horiuchi, James Washington, Dick Kirsten, Frank Okada, John Matsudaira, Walter Froelich, Bill Ritchie, John Counts, Don Fenton, Kenneth Callahan, Fred Run, Barry Ferrell, Ken Harms, Andrew Chin, Ben Dar, Ruth Mora, and others.
Biographical / Historical:
Val Laigo (1930-1992) was a Filipino American painter based in Seattle, Washington. Val Laigo was born in Naguilian, La Union, in the Phillipines. His family moved to the United States in 1931 and to Seattle in 1941. Laigo's full name Valeriano Emerenciano Montante Laigo.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 48 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Washington (State) -- Seattle  Search this
Topic:
Asian American art  Search this
Asian American artists  Search this
Computer Art  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American muralists  Search this
Muralists -- Mexico  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.laigo89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a8fb211-d3b2-4e6d-9727-b2bc260466e6
EDAN-URL:
ead_collection:sova-aaa-laigo89
Online Media:

Oral history interview with Dorothy Malone, 1983 Jan. 27

Interviewee:
Malone, Dorothy, 1912-  Search this
Interviewer:
Ragen, Suzanne  Search this
Subject:
Anderson, Guy  Search this
Callahan, Kenneth  Search this
Fuller, Richard E. (Richard Eugene)  Search this
Graves, Morris  Search this
Tobey, Mark  Search this
Seattle Art Museum  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Dorothy Malone, 1983 Jan. 27. Archives of American Art, Smithsonian Institution.
Topic:
Northwest school of artists  Search this
Art -- Northwestern States  Search this
Record number:
(DSI-AAA_CollID)12184
(DSI-AAA_SIRISBib)212439
AAA_collcode_malone83
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212439
Online Media:

Oral history interview with Earl T. Fields, 1965 June 9

Interviewee:
Fields, Earl T., 1900-  Search this
Interviewer:
Bestor, Dorothy K., 1913-  Search this
Subject:
Federal Art Project (Wash.)  Search this
New Deal and the Arts Oral History Project  Search this
Group of Twelve (Seattle, Wash.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Earl T. Fields, 1965 June 9. Archives of American Art, Smithsonian Institution.
Topic:
Federal aid to the arts  Search this
Painters -- Washington (State) -- Seattle -- Interviews  Search this
Photographers -- Washington (State) -- Seattle -- Interviews  Search this
Theme:
Photography  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12273
(DSI-AAA_SIRISBib)213461
AAA_collcode_fields65
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213461
Online Media:

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