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Flore y Canto: Reflections From Nuevo Mexico, Exhibition, Museum of International Folk Art, Museum of New Mexico, Santa Fe, NM

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 10, Folder 9
Type:
Archival materials
Date:
2002
Scope and Contents note:
(exhibition announcement; letter to TYF from Tey [Nunn], Museum of International Fold Art, Museum of New Mexico, 10/30/2002; press release; clipping; draft sections of catalog)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref691

Art of the Santera, Exhibition, Museum of International Folk Art, Museum of New Mexico, Santa Fe, New Mexico (see also: Museum of International Folk Art)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 1, Folder 56
Type:
Archival materials
Date:
circa 1992, 1996
Scope and Contents note:
(catalog; clippings)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref95

Will Shuster papers, [undated] and 1914-1970

Creator:
Shuster, Will, 1893-1969  Search this
Shuster, Will, 1893-1969  Search this
Subject:
Henri, Robert  Search this
La Farge, Oliver  Search this
Scott, Winfield Townley  Search this
Sheridan, John E.  Search this
Wheelock, Warren  Search this
Nash, Willard Ayer  Search this
Karig, Walter  Search this
Sloan, John  Search this
Public Works of Art Project  Search this
Place:
United States -- Social conditions -- 1933-1945 -- New Mexico
Topic:
Art, American -- New Mexico -- Santa Fe  Search this
Art festivals  Search this
New Deal, 1933-1939 -- New Mexico  Search this
Art and state -- New Mexico  Search this
Federal aid to the arts -- New Mexico  Search this
Mural painting and decoration -- 20th century -- New Mexico  Search this
Theme:
Lives of American Artists  Search this
Diaries  Search this
Record number:
(DSI-AAA_CollID)13458
(DSI-AAA_SIRISBib)211861
AAA_collcode_shuswill
Theme:
Lives of American Artists
Diaries
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211861

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
The Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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Eugene Kingman papers, 1932-1975

Creator:
Kingman, Eugene, 1909-1975  Search this
Kingman, Eugene, 1909-1975  Search this
Topic:
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10534
(DSI-AAA_SIRISBib)214006
AAA_collcode_kingeuge
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214006

Museum of Fine Arts, Museum of New Mexico files, 1897-1984

Creator:
Museum of Fine Arts (Museum of New Mexico)  Search this
Museum of Fine Arts (Museum of New Mexico)  Search this
Subject:
Archuleta, Felipe Benito  Search this
Barela, Patrociño  Search this
Jiménez, Juan Ramón  Search this
Peña, Amado Maurilio  Search this
Topic:
Hispanic American artists  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)5514
(DSI-AAA_SIRISBib)214018
AAA_collcode_musefina
Theme:
Latino and Latin American
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214018

Guide to the Beatrice Medicine papers

Creator:
Medicine, Beatrice  Search this
Extent:
28 Linear feet (65 document boxes, 1 box of oversize materials, 1 box of ephemera, 1 shoebox of index cards, 1 map drawer)
Culture:
Oglala Lakota (Oglala Sioux)  Search this
Native American  Search this
American Indian -- Education  Search this
Type:
Collection descriptions
Archival materials
Correspondence
Place:
Standing Rock Sioux Tribe of North & South Dakota
Date:
1914, 1932-1949, 1952-2003 (bulk dates, 1945-2003).
Summary:
The Beatrice Medicine papers, 1913-2003 (bulk 1945-2003), document the professional life of Dr. Beatrice "Bea" Medicine (1923-2005), a member of the Standing Rock Sioux tribe, anthropologist, scholar, educator, and Native rights activist. The collection also contains material collected by or given to Medicine to further her research and activism interests. Medicine, whose Lakota name was Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman," focused her research on a variety of topics affecting the Native American community: 1) mental health, 2) women's issues, 3) bilingual education, 4) alcohol and drug use, 5) ethno-methodologies and research needs of Native Americans, and 6) Children and identity issues. The collection represents Medicine's work as an educator for universities and colleges in the United States and in Canada, for which she taught Native American Studies courses. Additionally, because of the large amount of research material and Medicine's correspondence with elected U.S. officials and Native American leaders, and records from Medicine's involvement in Native American organizations, the collection serves to represent issues affecting Native Americans during the second half of the 20th century, and reflects what Native American leaders and organizations did to navigate and mitigate those issues. Collection materials include correspondence; committee, conference, and teaching material; ephemera; manuscripts and poetry; maps; notes; periodicals; photographs; training material; and transcripts.
Scope and Contents:
The papers of Beatrice Medicine reflect Medicine's interests as an academic and an activist, and contain correspondence, committee, conference, and teaching material, ephemera, manuscripts and poetry, maps, notes, periodicals, photographs, and training material (see series scope notes for further details on contents). The majority of the material is printed matter that Medicine collected, with less of her own work included. Taken together, the collection reflects issues affecting Native Americans during the second half of the 20th century, as well as the network of Native American leaders and organizations that navigated these issues. Student papers, letters of recommendation, evaluations, and documents containing personally identifiable information are restricted.
Arrangement:
The collection is divided into 24 series:

Series 1: Native American Culture and History, 1954-1962, 1967-1975, 1978-1989, 1991-1997, 1999-2002

Series 2: Appropriations, Economics, and Labor, 1955, circa 1970-1980, 1988, 1993, circa 1995-2000

Series 3: Archaeology, 1935-1950, 1952-1973, 1987-1995

Series 4: Native American Artists, Authors, Crafts, Film, and Poets, 1951-1969, 1972-2002

Series 5: Census, Demographic, and Poll Data, 1974, 1984-1986

Series 6: Civil Rights, 1972, 1980, 1983-1997

Series 7: Committee Material: Correspondence, Meeting Minutes, and Memos, 1985-1995

Series 8: Conference Material, 1955-1962, 1965, 1968-1974, 1976-2002

Series 9: Correspondence, 1952, 1959, 1962, 1966-2000

Series 10: Education: Native American Institutions and Teaching Material, 1948-2002

Series 11: Ephemera: Campaign, Pow-Wow, and Other Event Buttons, and Calendars, 1973, 1976, circa 1980-2000

Series 12: Health: Alcohol and Drug Addiction and Recovery, Disabilities, Healthcare, Mental Health, Nutrition, and Wellness, 1955, 1965, 1969-1999, 2004

Series 13: Historic Preservation, 1942, 1956, 1960-1969, 1979, circa 1985-1998

Series 14: Invitations, 1966-1979, 1982, 1991-2002

Series 15: Linguistics: Native American Languages, 1961, 1963, 1975, 1978-1981, 1987-1995

Series 16: Manuscripts, 1964-2003

Series 17: Maps, 1982-1991

Series 18: Museum Material: Native American Museums, Exhibit Preparation, and the National Museum of the American Indian, 1949, 1962, circa 1976-1998

Series 19: Oversized Material, 1962, circa 1965-1996, 1999

Series 20: Published material: Journals, Magazines, Monographs, and Newsletters, 1914, 1932, 1944, 1946-1947, 1952-2003

Series 21: Reports, 1947-1949, 1956-1998

Series 22: Training Material, 1968, 1988-2000

Series 23: Women and Gender, 1962, 1965, circa 1970-1997

Series 24: Restricted Material, 1972, 1978, 1987-1999
Biographical / Historical:
A member of the Standing Rock Sioux tribe, Beatrice "Bea" Medicine—also known by her Lakota name Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman"—was born on the Standing Rock Indian Reservation in Wakpala, South Dakota on August 1, 1923.

As a young adult, she studied at the South Dakota State University on the Laverne Noyes Scholarship, where she attained her B.A. in Anthropology in 1945. Between 1945 and 1951, Medicine worked a variety of teaching positions, including for three American Indian institutions (see Chronology for Medicine's complete work history). In 1951, Medicine went back to school and worked as a research assistant until she earned her master's degree in Sociology and Anthropology from Michigan State University in 1954. For the remainder of her life, Medicine served as faculty, visiting professor, and scholar-in-residence at thirty-one universities and colleges in the United States and Canada, teaching cultural and educational anthropology courses, as well as Native American Studies. As an educator, Medicine carried out her research on a variety of issues affecting Native American and First Nation communities, including: 1) mental health issues, 2) women's issues—professionalization, sterilization, socialization, and aging, 3) bilingual education, 4) alcohol and drug use and abuse, 5) ethno-methodologies and research needs, and 6) socialization of children and identity needs. Medicine's research in American Indian women's and children's issues, as well as her research in gender identity among the LGBT community was among the first to document the narratives of the members of these groups.

In 1974, Medicine testified alongside her cousin, Vine Deloria, Jr., as an expert witness in the Wounded Knee trial (United States v. Banks and Means). Following this, Medicine returned to school to pursue her Ph.D. in Cultural Anthropology, which she completed in 1983 at the University of Wisconsin. With her experience as a researcher, educator, activist, and Lakota woman, medicine sought to create more opportunities for multicultural and bilingual education for minority students, especially those of Native American descent. Such education, she believed, provided students a means to preserve and legitimize their own cultural identity, debase negative stereotyes, and be recognized as individuals who are capable of academic and economic achievement.

Medicine was an active member of the American Anthropological Association (AAA) and pursued her educational agenda further through the establishment of the Committee of Anthropologists in Primarily Minority Institutions (CAPMI) (1987-1995), which brought anthropologists out of retirement to teach at minority institutions. (See Chronology for a complete list of organizations and committees in which Medicine was involved.) The program was short-lived but provided a space for minority students to confront a field that historically misrepresented them, reclaim their narratives and languages, and instigate positive change as potential future anthropologists.

Medicine officially retired on August 1, 1989, but continued to be active in AAA and was honored many times for her contributions to the field of anthropology. Some of her recognitions include the Distinguished Service Award from AAA (1991) and the Bronislaw Malinowski Award from the Society for Applied Anthropology (1996). One of Medicine's highest honors, however, was serving as the Sacred Pipe Woman at the 1977 Sun Dance. Medicine continued her research into retirement, and went on to publish her first book in 2001, Learning to Be an Anthropologist and Remaining "Native": Selected Writings. Medicine died in Bismarck, North Dakota on December 19, 2005. Medicine's final work, Drinking and Sobriety Among the Lakota Sioux was published posthumously in 2006. In honor of her life's work and dedication to education, the Society for Applied Anthropology (SfAA) created the Bea Medicine Award, a scholarship travel grant for students to attend the Annual Meeting of the SfAA.

Chronology: Beatrice Medicine

1923 August 1 -- Beatrice Medicine (also known by her Lakota name, Hinsha Waste Agli Win, or "Returns Victorious with a Red Horse Woman") is born on the Standing Rock Indian Reservation in Wakpala, South Dakota.

1941-1945 -- Receives scholarship: Laverne Noyes Scholarship, South Dakota State University

1945 -- Receives Bachelor of Arts, Anthropology, South Dakota State University.

1945-1946 -- Teacher, Home Economics, Haskell Indian Institute (B.I.A.)

1947-1948 -- Health Education Lecturer, Michigan Tuberculosis Association

1948-1949 -- Teacher, Santo Domingo Pueblo, United Pueblos Agency, Albuquerque, New Mexico

1949-1950 -- Teacher, Navajo Adult Beginner's Program, Albuquerque Indian School

1950-1951 -- Teacher, Home Economics, Flandreau Indian School

1950-1954 -- Fellowship: Illinois Federation of Women's Clubs Fellowships

1951-1954 -- Research Assistant, Sociology and Anthropology, Michigan State University

1953-1954 -- Fellowship: John Hay Whitney Foundation Fellowship

1954 -- Receives Master of Arts, Sociology and Anthropology, Michigan State University. Fellowship: American Council of Learned Societies Fellowship

1954- -- Charter Member, American Indian Women's Service League

1955-1958 -- Teaching and Research Assistant, University of Washington

1956 -- Honor: Outstanding Alumna, South Dakota State University

1960 -- Mentioned as "Who's Who Among American Indians"

circa 1960 -- Alpha Kappa Delta, Sociology Hononary Phi Upsilon Omicron, Home Economic Honorary

1960-1963 -- Lecturer, Anthropology, University of British Columbia

1960-1964 -- Board of Directors, Native Urban Indian Centers in Vancouver, British Columbia and Calgary, Alberta

1963-1964 -- Lecturer/Sociology and Teacher/Counselor, Mount Royal College, Indian Affairs Branch Receives grant: American Council of Learned Societies Research Grant

1965 -- Lecturer, Social Science, Michigan State University

1966 -- Psychiatric Social Worker, Provincial Guidance Centre, Calgary, Alberta, Canada

1966-1967 -- Receives grant: Career Development Grant, National Institute of Mental Health

1966- -- Member, National Congress of American Indians (Education Issues)

1967 -- Receives grant: Ethnological Research Grant, National Museum of Canada

1967-1968 -- Lecturer, Sociology and Anthropology, University of Montana

1968 -- Teacher, "Cultural Enrichment Program," Standing Rock Indian Reservation, South Dakota Cited in "The Role of Racial Minorities in the United States," Seattle, Washington

1968 March -- Speaker: "The Pow-Wow as a Social Factor in the Northern Plains Ceremonialism," Montana Academy of Sciences

1968 May -- Speaker: "Patterns and Periphery of Plains Indian Pow-Wows," Central States Anthropological Society

1968 June -- Speaker: "Magic Among the Stoney Indians," Canadian Sociology and Anthropological Association, Calgary, Alberta

1968 August -- Speaker: "Magic Among the Stoney Indians," International Congress of Americanists, Stuttgart, German Speaker: "The Dynamics of a Dakota Indian Giveaway," International Congress of Americanists, Stuttgart, German

1968-1969 -- Director, American Indian Research, Oral History Project and Assistant Professor of Anthropology, University of South Dakota

1968-1970 -- Consultant, Text Book Evaluation Committee, American Indians United

1969 -- Assistant Professor, Teacher Corps, University of Nebraska

1969 September -- Speaker: "The Red Man Yesterday," Governor's Interstate Indian Council, Wichita, Kansas

1969 December -- Speaker: "The Native American in Modern Society," Northwestern State College

1969-1970 -- Assistant Professor, San Francisco State University Speaker: "The Indian in Institutions of Higher Learning," Annual Conference, National Indian Education Association

1969-1975 -- Member, Editorial Board, American Indian Historical Society

1970 -- Mentioned for second time as "Who's Who Among American Indians" Steering Committee Member, Indian Ecumenical Convocation of North America Member, Planning Committee Indian Alcoholism and Drug Use

1970 August -- Speaker: "The Role of the White Indian Expert," 2nd Annual Conference, National Indian Education Association

1970 October -- Speaker: "The Ethnographic Study of Indian Women," Annual Convention, American Ethnohistorical Soceity

1970 November -- Speaker: "The Anthropologists as the Indian's Image Maker," Annual Meeting, American Anthropological Association Speaker: "The Anthropologist and Ethnic Studies Programs," Annual Meeting, American Anthropological Association

1970-1971 -- Associate Professor, Anthropology, San Francisco State University Member, Mayor's Committee on the Status of Women, San Francisco, California

1971 -- Member, Native American Scholars Board, Steering and Selection, American Indian Historical Society

1971 May -- Speaker: "Ethnic Studies and Native Americans," National Education Association

1971-1973 -- Pre-Doctoral Lecturer, Anthropology, University of Washington Consultant, American Indian Heritage Program

1972 -- Honored in "Potlatch" ceremony by Makah Tribal people at the National Indian Education Conference for contributions to Indian education Receives grant: American Council of Learned Societies Travel Grant, Americanist Annual Meeting, Rome, Italy Curriculum Advisor, Lakota Higher Education Center, Prine Ridge, South Dakota

1972 March -- Speaker: "Warrior Women Societies," Northwest Anthropological Conference

1972 April -- Chairperson and Speaker: "Racism and Ethnic Relations," Society for Applied Anthropology

1972 June -- Chairperson, Native American Studies Symposium, International Congress of Americanists, Mexico

1972 August -- Speaker: "Warrior Women of the Plains," International Congress of Americanists, Rome, Italy

1972 November -- Speaker: "Native Americans in the Modern World," Southwest Minnesota State College

1973 -- Expert Witness, Yvonne Wanro Trial, Spokane, Washington Member, Organization of American States, First Congress of Indigenous Women, Chiapas, Mexico Speaker: "Self-Direction in Sioux Education," American Anthropological Association Speaker: "North American Native Women: The Aspirations and Their Associations," presented as a Delegate to the Inter-American Commission on Indigenous Women, Chiapas, Mexico

1973-1974 -- Visiting Professor, Anthropology, Native American Studies Program, Dartmouth College

1973-1976 -- Member, Committee on Minorities in Anthropology, American Anthropological Association

1973- -- Consultant, Human Services Department, Sinte Gleska Community College

1974 -- Expert Witness, Wounded Knee Trial, Lincoln, Nebraska Speaker: "Indian Women's Roles: Traditional and Contemporary," Annual Meeting, American Anthropological Association

1974-1975 -- Visiting Professor, Anthropology, Colorado College

1975-1976 -- Visiting Associate Professor, Anthropology, Stanford University

1975-1977 -- Member, Steering Committee, Council of Anthropology and Education, American Anthropological Association

1976 -- Visiting Professor, Educational Anthropology, University of New Brunswick Expert Witness, Topsky Eagle Feathers Trial, Pocatello, Idaho Panelist, White House Conference on Ethnic Studies, Washington, D.C.

1977 -- Expert Witness, Greybull Grandchildren Custody Case, Portland, Oregon American Indian representative to the World Conference on Indigenous People, Geneva, Switzerland Honor: Outstanding Alumna, South Dakota State University

1977 August 18 -- Medicine serves as Sacred Pipe Woman at the Sun Dance, Green Grass, South Dakota

1977-1980 -- Education Consultant, National Congress of American Indians, Washington, D.C.

1978 -- Cited in the Directory of Significant 20th Century American Minority Women, Gaylord Professional Publications Biographical Sketch in "Moving Forward" of the Bookmark Reading Program, Third Edition

1978 August -- Speaker: "Issues in the Professionalization of Native American Women," Annual Meeting, American Psychological Association

1978-1982 -- Advanced Opportunity Fellow, Department of Anthropology, University of Wisconsin-Madison

1979 -- Visiting Professor, Department of Education Policy Sciences, University of Wisconsin-Madison

1979 August -- Honorary Doctorate of Human Letters, Northern Michigan University Speaker: "The Dakota Indian Memorial Feast: Reservation and Urban Manifestations," International Congress of Americanists, Lima, Peru

1980 -- Member, Nominations Committee, American Anthropological Association Biographical Sketch in "Native American Indian Personalities, Historical and Contemporary," Dansville, New York: The Instructor Publications, Inc.

1981 -- Visiting Professor, Graduate School of Public Affairs, University of Washington-Seattle Speaker: "Linguistically Marginated: The Transformation of Dominated Speech Varieties," American Anthropological Association

1982 -- School of Social and Behavioral Science Academic Planning, California State University Speaker: "Policy Decisions: Federal Regulations and American Indian Identity Issues," Annual Meeting, American Anthropological Association

1982-1983 -- Anthropology Department Curriculum Committee, California State University

1982-1985 -- Associate Professor of Anthropology, Coordinator, Interdisciplinary Program in American Indian Studies, California State University Coordinator, Interdisciplinary Program in American Studies Program, California State University

1982- -- President, Assembly of California Indian Women

1983 -- Receives Ph.D., Cultural Anthropology, University of Wisconsin Expert Witness, Fortunate Eagle Trial, Reno, Nevada Award: Outstanding Woman of Color, National Institute of Women of Color, Washingtonton, D.C. (for anthropological contributions) Award: Outstanding Minority Researcher, American Educational Research Association Publishes book with Patricia Albers: The Hidden Half: Indian Women of the Northern Plains Honor: Significant Academic Book (The Hidden Half), Choice, Association of Colleges and Research Libraries, American Library Association

1983-1984 -- Student Affirmative Action Coordinating Council, California State University

1983-1986 -- Member, Executive Board, Southwest Anthropological Association Member, Governing Board, Common Cause

1984 -- Member, Advisory Board of National Research for Handicapped Native Americans, North Arizona University Scholarly Publications Award Selection Committee, California State University Award: Faculty Award for Meritorious Service, California State University Speaker: Field Work Methods: "Ties That Bond," Committee on the Status of Women in Anthropology," Annual Meeting, American Anthropological Association Speaker: "Career Patterns of American Indian Women," Council of Education and Anthropology, Annual Meeting, American Anthropological Association

1984 November -- Faculty Award for Meritorious Service, California State University

1984-1985 -- Participant, Chancellor's Office Grant to "Cross-Cultural Perspectives in the Social Sciences," California State University

1985 November -- Speaker: Conference on "The Native American: His Arts, His Culture, and His History," West Virginia State College

1985-1986 -- Board of Directors, Naechi Institute on Alcohol and Drug Education

1985-1988 -- Professor, Department of Anthropology and Director, Native Centre, University of Calgary

1985-1989 -- Member, Malinowski Awards Committee, Society for Applied Anthropology

1987 -- Honor: Outstanding Minority Professorship Martin Luther King and Rosa Parks Visiting Professor, University of Michigan

1987-1995 -- Member, Committee of Anthropologists in Primarily Minority Institutions, American Anthropological Association

1988 August 1 -- Medicine officially retires.

1989 -- Volunteer (Committee of Anthropologists in Primarily Minority Institutions, American Anthropological Association), Standing Rock College Honor (twice): Outstanding Minority Professorship Martin Luther King and Rosa Parks Visiting Professor, Wayne State University.

1990 -- Honor: "Outstanding Contributions for the promotion of sex equity in Education," Illinois State Board of Education Honor: Outstanding Lakota Woman, Standing Rock College

1991 -- Honor: Distinguished Service Award, American Anthropological Association. Medicine was the first American Indian to receive this award.

1991 -- Visiting Professor, Saskatchewan Indian Federal College Visiting Professor, Colorado College Visiting Professor, Anthropology, Humboldt State University

1992 -- Visiting Distinguished Professor, Women's Studies, University of Toronto

1993 -- Visiting Professor, Rural Sociology, South Dakota State University Award: Distinguished Native American Alumna Award, South Dakota State University

1993-1994 December -- Research Co-ordinator, Women's Perspectives, Royal Commission on Aboriginal Peoples

1994- -- Adjunct Professor, University of Alberta

1995 -- Scholar in Residence, Minnesota Historical Society, St. Paul Visiting Scholar, Museum of Anthropology, University of British Columbia Award: Ohana Award, Multi-Cultural Counseling Excellence, American Association of Counselors

1996 -- Award: Bronislaw Malinowski Award, Society for Applied Anthropology. Buckman Professor, Department of Human Ecology, University of Minnesota

circa 1997- -- Associate Professor of Anthropology Emeritus, Department of Anthropology, California State University

2001 -- Publishes book: Learning to Be an Anthropologist and Remaining "Native": Selected Writings.

2005 -- Award: George and Louise Spindler Award, Council on Anthropology and Education, American Anthropological Association.

2005 December 19 -- Medicine dies during emergency surgery in Bismarck, North Dakota.

2006 -- Book: Drinking and Sobriety Among the Lakota Sioux is published posthumously.

2008 -- The Society for Applied Anthropology creates the Bea Medicine Award.
Provenance:
The papers were donated to the National Anthropological Archives by Beatrice Medicine between 1997 and 2003, and by Ted Garner in 2006.
Restrictions:
Materials relating to student grades, letters of recommendation, and evaluations have been restricted.
Rights:
Contact the repository for terms of use.
Topic:
Alcohol  Search this
Gender imagery  Search this
Discrimination  Search this
Linguistics -- Research -- United States  Search this
Photographs  Search this
Lakota Indians  Search this
Genre/Form:
Correspondence
Citation:
Beatrice Medicine papers, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.1997-05
See more items in:
Guide to the Beatrice Medicine papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1997-05

Richard Hill Photographs of Native Americans

Creator:
Hill, Richard W., Sr.  Search this
Extent:
25 Prints (silver gelatin)
Culture:
Iroquois  Search this
Tuscarora  Search this
Seminole  Search this
Indians of North America -- Southern States  Search this
Indians of North America -- Northeast  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Date:
circa 1972-1978
Scope and Contents note:
Informal photographic portraits depicting Iroquois, Seminole, and other Native American people. Images document the preparation of fry bread, a lacrosse player, a corn-husk doll maker, an Iroquois dancer, a longhouse wedding party, a Seneca wood carver making a water drum, a Seneca basketmaker, and a Seneca flute maker.
Biographical/Historical note:
Richard W. Hill, Sr. is a Tuscarora artist, writer, educator, curator, and museum consultant. He studied art at the Art Institute of Chicago and earned a masters degree from the State University of New York (SUNY), Buffalo. He taught at McMaster University, Mohawk College, Six Nations Polytechnic and SUNY Buffalo, and he served as director of the American Indian Art Museum in Santa Fe, New Mexico. He was also Assistant Director for Public Programs and an exhibition catalog writer for the National Museum of the American Indian. Hill's artwork includes photography, painting, carving, beading, and basketweaving.
Local Call Number(s):
NAA Photo Lot 83-35
Location of Other Archival Materials:
The Canadian Museum of Civilizations in Quebec, the Woodland Indian Cultural Center in Brantford, Ontario, the Cleveland Museum of Art, the Philbrook Museum of Art in Tulsa, Oklahoma, the Indian Arts and Crafts Board in Washington, DC, and the Seneca Iroquois National Museum in Salamanca, New York, hold artwork by Hill.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Cooking  Search this
Artisans  Search this
Dolls  Search this
Lacrosse  Search this
Weddings  Search this
Dance  Search this
Flute makers  Search this
Wood-carving  Search this
Genre/Form:
Photographs
Citation:
Photo lot 83-35, Richard Hill photographs of Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.83-35
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-83-35

The Wingspread collector's guide : Santa Fe, Taos

Title:
Collector's guide to Santa Fe and Taos
Collector's guide to Santa Fe & Taos
Author:
Wingspread Communications  Search this
Wingspread, Inc  Search this
Physical description:
v. : ill. ; 22 cm
Type:
Directories
Place:
New Mexico
Santa Fe
Taos
Date:
1991
1990-
20th century
Topic:
Art  Search this
Artists  Search this
Artisans  Search this
Art museums  Search this
Call number:
NK1125 .C68
AP1 .W775
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_715451

Correspondence

Collection Creator:
Hammersley, Frederick, 1919-2009  Search this
Extent:
3.1 Linear feet (Box 3-6, 37)
Type:
Archival materials
Date:
circa 1900-2009
Scope and Contents:
Personal and professional correspondence spans Hammersley's first year in college through the end of his life. There is correspondence with galleries, museums, professional associations, colleagues, family, and friends. Letters from his sister, Susie Hammersley Stone, are particularly detailed. Also included in this series are letters that document Hammersley's mentoring of several students in his classes at Pomona College. Photographs, clippings, and other miscellaneous enclosures are also to be found in some of the letters.

Correspondents include Karl Benjamin, William Brice, Robert Chuey, Wayne Entice, Claudine Humblet, Stanley Kiesel, Rico Lebrun, and John McLaughlin, among many others. Galleries and museums represented in Hammersley's correspondence include the Corcoran Gallery of Art, Dallas Museum of Fine Arts, Heritage Gallery, Laguna Art Museum, New Mexico Museum of Art, San Francisco Museum of Art, and Santa Fe East Gallery
Arrangement:
Materials are arranged alphabetically by name of correspondent. Miscellaneous folders for the alphabet contain single letters from individuals. Drafts of outgoing letters are arranged chronologically.
Collection Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization of the 2015 and 2018 additions. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hammfred, Series 2
See more items in:
Frederick Hammersley papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-hammfred-ref68

Museum of Fine Arts, Museum of New Mexico files

Creator:
Museum of Fine Arts (Museum of New Mexico)  Search this
Names:
Archuleta, Felipe Benito, 1910-1991  Search this
Barela, Patrociño, -1964  Search this
Jiménez, Juan Ramón, 1881-1958  Search this
Peña, Amado Maurilio, 1943-  Search this
Extent:
12 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1897-1984
Scope and Contents:
Primarily files on approximately 200 artists of New Mexico and the Southwest containing biographical data, inquiries from researchers and owners of paintings requesting information on artists, photocopies of correspondence between artists and the Museum of Fine Arts and others, exhibition announcements, catalogs and invitations, press releases, clippings, and printed material. Also found is correspondence of the director Edward Hewett and curator Paul Walter. Microfilm reel contents are as follows: [Note several files were microfilmed out of alphabetical order - those names are listed both in the alphabetical list as well as by reel number]
REEL 3370: Clinton Adams, Kenneth Adams, Frank G. Applegate, Felipe Archuleta, Merle Armitage, Patrocino Barela, Bert Barnes, Charles Barrows, (Gustave Baumann -see reel 3436), (Donald Beauregard - see reel 3185), (Josef Bakos-see reel 3214), Harrison Begay, George Bellows, Tom Benrimo, Oscar E. Berninghaus, Earl Biss, George W. Blodgett, Howard Bobbs, Homer Boss, Elizabeth and Stanley Breneiser, Dorothy Brett, Lawrence Calcagno, T.C. Cannon, Gerald Cassidy (filmed out of sequence on reel 3214), Kenneth M. Chapman, Russell Cheney, Allan Clark, Regina Tatum Cooke, Irving Couse, Russell Cowles, Catherine Critcher, Doris Cross, Woodrow Crumbo, Andrew Dasburg.
REEL 3371: Robert Daughters, (Randall Davey - see reel 3436), Eleanor De Ghize, Giuseppe De Olmi, John Diehl, Clare Dieman, Thurman Dillard, Gussie Du Jardin, Dorothy Dunn, Ralph Douglass, Herbert Dunton, Charles Du Tant, Edward G. Eisenlohr, (Fremont Ellis - see reel 3436), Robert C. Ellis, Robert M. Ellis, George (Jorge) Fick, Harry Fonseca, Louise Ganthiers, Leon Gaspard, Boris Gilbertson, Laura Gilpin, Lloyd L. Goff, Ruben E. Gonzalez, R.C. Gorman, Allan Graham.
REEL 3372: Lez Haas, Arthur Haddock, Arthur and Norma Hall, Juan Hamilton, Frederick Hammersley, Una Hanbury, Alonzo Hauser, William Penhallow Henderson, E. Martin Hennings, Joe H. Herrera, Velino Herrera, Victor Higgins, Hilaire Hiler, Alexandre Hogue, Allan Houser, Oscar Howe, Odon Hullenkremer, Peter Hurd.
REEL 3373: Wilson Hurley, Foster Hyatt, Joseph A. Imhof, Rebecca Salsbury James, Luis Jimenez, Louise Crow.
REEL 3185: Donald Beaugregard (filmed out of sequence), Fred Kabotie, Dora Kaminsky, Buffalo Kaplinski, Aaron Karp, Anna E. Keener, Ramon Kelley, Yeffee Kimball, Paul Kinslow, Gene Kloss, Janusz and nancy Kozikowski, Otto Kuhler, Greg La Chapelle Armond Lara, Karl Larsson, Barbara Latham, Tom Lea, Ralph Leon, Earl Linderman, Janet Lippincott.
REEL 3186: Larry Littlebird, Harlan and Nell Lizer, Gisella Loeffler, Charles Loloma, George Lopez, Robert Lougheed, Reginald Loving, William Lumpkins, Thomas S. Macaione, Sara Mack, Maria Martinez, Charles Mattox, Ila McAfee, Roderick Mead, Ralph Meyers, (Alfred Morang - see reel 3436),Jesús Bautista Moroles, Forrest Moses, Ira Moskowitz, Carol Mothner, Ann Moul,Lee Mullican, Arthur Musgrave, Datus Myers, Gerald Nailor, Dan Namingha, Bruce Nauman, Eugene Newmann, John Nieto, Frederick O'Hara, (Georgia O'Keeffe-filmed out of sequence on reel 3214), Sheldon Parsons, Ralph M. Pearson, Tom and Louise Perkinson, Amado Peña, Tonita Peña, Bert G. Phillips, Aline Porter, Kenneth Price, Jean Promutico.
REEL 3187: Juane Quick-to-See Smith, Robert D. Ray, Kevin Red Star, Doel Reed, Gail and Zachariah Rieke, Eliseo Rodriguez, Warren E. Rollins, Julius Rolshoven, Alfonso Royban, Ford Ruthling, Sibyl Saam, Birger Sandzén, Paul Sarkisian, Frank P. Sauerwein, Howard Schleeter, Albert Schmidt, Fritz Scholder, Agnes Sims.
REEL 3188:: Eric Sloane, Vladan Stiha, Earl Stroh, Beth Ames Swartz, Quincy Tahoma, Agnes Tait, Richard Thompson, Andy V. Tsinajinie, Walter Ufer, Theodore Van Soelen, Pablita Velarde, Carlos Vierra, Harold Joe Waldrum, John Wenger, Harold E. West, Randy Lee White, J. R. Willis, Henriette Wyeth, Beatin Yazz, Webb Young, John Young-Hunter.
REELS 3436-3437: Gustave Baumann, Randall Davey, Fremont Ellis, Alfred Morang, Willard Nash, Will Schuster and John Sloan (includes ca. 50 letters, many illustrated, from Sloan to Will Schuster, 1922-1951.)
REEL 3214: Jozef G. Bakos, Gerald Cassidy and Georgia O'Keeffe.
REEL 3292: Copies of correspondence, 1917-1924, of the Museum of Fine Arts Director Edgar L. Hewett and curator Paul A. F. Walter with artists, including Gustave Baumann, Oscar E. Berninghaus, Ernest L. Blumenschein, Gerald Cassidy, E. Irwin Couse, Helena Dunlap, W. Herbert Dunton, Marsden Hartley, E. Martin Hennings, Robert Henri, Victor Higgins, Leon Kroll, Walter Pach, Bert G. Phillips, Doris Rosenthal, Walter Ufer and others.
Biographical / Historical:
Art museum; Santa Fe, New Mexico.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming by the Museum of Fine Arts, Museum of New Mexico, in 1984 as part of AAA's Texas Arts Documentation Project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Artists -- Southwestern States  Search this
Artists -- New Mexico  Search this
Topic:
Hispanic American artists  Search this
Latino and Latin American artists  Search this
Function:
Art museums -- New Mexico -- Santa Fe
Identifier:
AAA.musefina
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musefina

Photo of Teodoro Vidal in Santa Fe, New Mexico, 1988. Written on the back: "Near the International Folk Art Museum in Santa Fe, New Mexico. T Vidal, 1988."

Collection Collector:
Vidal, Teodoro  Search this
Container:
Box 2, Folder 4
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Teodoro Vidal Collection, 1592-1992, Archives Center, National Museum of American History.
See more items in:
Teodoro Vidal Collection
Teodoro Vidal Collection / Series 1: Personal Papers / 1.2: Vidal Personal Photographs, 192?-1954 / Personal Photos: Teodoro Vidal. Note: all the photos are in color, except the contact sheets
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0712-ref226

Exhibition Records

Collection Creator:
Larsen, Jack Lenor, 1927-2020  Search this
Extent:
0.7 Linear feet (Boxes 1-2)
Type:
Archival materials
Date:
1986-1990
Scope and Contents note:
This series is comprised of records of exhibitions at the Bellas Artes Gallery in Santa Fe, New Mexico and the Erie Art Museum in Erie, Pennsylvania, both curated by Larsen. Also found is correspondence, other business documentation, slides and printed material.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jack Lenor Larsen papers, 1941-2003. Archives of America Art, Smithsonian Institution.
Identifier:
AAA.larsjack, Series 3
See more items in:
Jack Lenor Larsen papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-larsjack-ref51

Will Shuster papers

Creator:
Shuster, Will  Search this
Names:
Public Works of Art Project  Search this
Henri, Robert, 1865-1929  Search this
Karig, Walter, 1898-  Search this
La Farge, Oliver, 1901-1963  Search this
Nash, Willard Ayer, 1898-1943  Search this
Scott, Winfield Townley, 1910-1968  Search this
Sheridan, John E., 1880-1948  Search this
Sloan, John, 1871-1951  Search this
Wheelock, Warren, 1880-1960  Search this
Extent:
12 Reels (ca. 3000 items (on 12 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Place:
United States -- Social conditions -- 1933-1945 -- New Mexico
Date:
[undated] and 1914-1970
Scope and Contents:
Correspondence with John Sloan and others, writings, poems, original art works, scrapbooks, photographs, and Shuster's own descriptions of his work.
Reel NDA 3: Instructions, releases, speeches, manuscripts notes, photographs of Shuster's PWAP murals in New Mexico; and a typescript of a comedy written by Shuster.
Reels 169-177: 400 letters, 1917-1968, including correspondence with Robert Henri, Edgar Varese, John S. Velie, Walter Karig, and family members. Other materials consist of diaries, 1918, 1928, 1933-1934, 1937-1962, and 1964-1969; photographs of Shuster, family, and friends, and his work; original drawings, watercolors, oils and etchings; sketchbooks; poems, lectures, and stories by Shuster; a record of his works; scrapbooks, 1920-1928, 1923-1935, and 1935-1963; and material relating to John Sloan, who was Shuster's close friend and his teacher in 1920.
Reel 277: Materials relating to John Sloan, including letters from him 1922-1951; notes by Winifield Townley Scott recording conversations with Helen Shuster and Mrs. Sloan after Sloan's death and commenting on Sloan's work, tributes by Oliver LaFarge and others, and clippings. Additional correspondents are John Sheridan, Robert Henri, Warren Wheelock, Willard Nash, and the Veterans Administration, concerning Shuster's medical disability. Also included are poems by Shuster, 1925-1939, and other Santa Fe residents, including Scott; and correspondence and printed material relating to Shuster's participation in various Santa Fe festivals.
Reel 4283: Five letters from Sloan to Shuster. Three letters are illustrated and contain detailed instructions and advice on etching technique. A fourth letter, dated Jan 2, 1922, includes a recipe for gesso preparation and an offer from Sloan to pay Shuster's entry fee to "show in the Independents." Sloan in his two page letter, dated January 3, 1947, comments on the pace of his work; his participation in a "Mr. & Mrs. Exhibition" at the Laurel Gallery; a production of Eugene O'Neill's "The Ice Man Cometh"; and the Whitney Annual.
Arrangement:
Letters arranged chronologically.
Biographical / Historical:
Painter, printmaker, and writer active in Santa Fe, N.M.; b. 1893; d. 1969
Provenance:
The material borrowed from Will Shuster in October 1964 (reel NDA 3) was part of a project of AAA to document New Deal art projects throughout the U.S. The bulk of the Will Shuster papers (reels 169-177, 277) were lent by his widow, Selma Dingee Shuster. Five letters from John Sloan (Reel 4283) were lent in 1989 by her estate.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters  Search this
Printmakers  Search this
Topic:
Art, American -- New Mexico -- Santa Fe  Search this
Art festivals  Search this
New Deal, 1933-1939 -- New Mexico  Search this
Art and state -- New Mexico  Search this
Federal aid to the arts -- New Mexico  Search this
Mural painting and decoration -- 20th century -- New Mexico  Search this
Identifier:
AAA.shuswill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shuswill

Contemporary Arts Museum exhibition catalog, "Juarez Series: Terry Allen"

Creator:
Allen, Terry, 1943-  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Date:
1975
Scope and Contents:
Exhibition catalog, "Juarez Series", held at the Contemporary Arts Museum, Houston, Tex., Nov. 7-Dec. 8, 1975, with annotations by Terry Allen.
Biographical / Historical:
Artist; musician; Santa Fe, N.M.
Provenance:
Donated 1998 by Terry Allen and Jo Harvey Allen.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Conceptual artists -- New Mexico  Search this
Identifier:
AAA.alleterr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-alleterr

Eugene Kingman papers

Creator:
Kingman, Eugene, 1909-1975  Search this
Extent:
1 Microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1932-1975
Scope and Contents:
Four loose-leaf books documenting Kingman's career containing biographical information, letters, clippings and photographs of Kingman and his paintings and lithographs; newspaper clippings, magazine articles and exhibition catalogs; a transcript of an interview of Kingman by his daughter Elizabeth A. Kingman, 1970, "Art, Environment, and Museums: A Well-Known Artist Defends Generality;" a story line, summary remarks and a paper by Kingman relating to the Llano Estacado exhibition, Museum of Texas Tech University, Lubbock, Texas, 1973; and an illustrated paper by Kingman, "Applying the Philosophy of Design: Art Museums," presented at the Mountain-Plains Museum Conference, Abilene, Kansas, 1974.
Biographical / Historical:
Painter, lithographer, designer, administrator; Santa Fe, New Mexico.
Provenance:
Microfilmed as part of the Archives of American Art's Texas project.
Lent for microfilming 1984 by Elizabeth Y. Kingman, Kingman's widow.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to quote requires written permission from Elizabeth Y. Kingman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New Mexico -- Santa Fe  Search this
Designers -- New Mexico -- Santa Fe  Search this
Lithographers -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Painting, American  Search this
Function:
Art museums
Identifier:
AAA.kingeuge
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kingeuge

Claudia DeMonte and Ed McGowin papers

Creator:
DeMonte, Claudia, 1947-  Search this
McGowin, Ed, 1938-  Search this
Extent:
7.2 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1960-2018
Summary:
The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.
Scope and Contents:
The papers of Claudia DeMonte and Ed McGowin measure 7.2 linear feet and date between 1960 and 2018. The papers primarily document Claudia DeMonte's career as a painter, and to a lesser extent her husband's career, through correspondence with family, friends, colleagues, and art institutions; notebooks, poetry, and other writings; scrapbooks; curriculum vitas, awards and certificates, commissions, and other professional activity; exhibition announcements and catalogs, newspaper clippings, magazine articles, and other printed material; sketchbooks and other artwork; personal photographs, portraits, of artwork, and other photographic material.

Correspondence includes letters and postcards to and from family, friends, colleagues, and art institutions.

Writings includes a file of poetry written by DeMonte, manuscripts of books written by DeMonte, and a series of notebooks. Some of the notebooks are a combination of notes and sketches.

Scrapbooks consist of eight scrapbooks consisting of mixed material such as notes, photographs, sketches, and printed material.

Professional material consists of awards and certificates, a large number of calendars, commision work including an art project for the University of Northern Iowa completed by both DeMonte and McGowin, and a number of VHS and Betamax cassettes documenting DeMonte's career and interviews in connection with her Women of the World exhibition.

Printed material consists of newspaper clippings, magazine articles, exhibition announcements and catalogs, exhibition posters, and newsletters.

Artwork consists of a file of drawings and some sketchbooks.

Photographic material consists of photographs and slides of DeMonte, her artwork, and some of her exhibitions. There is also a file of photographs of DeMonte and McGowin at the White House with First Lady Laura Bush, and there are personal photographs of DeMonte and McGowin traveling and with family and friends.
Arrangement:
The collection is arranged into seven series.

Series 1: Correspondence, 1967-2013 (1.7 linear feet; Boxes 1-2)

Series 2: Writings, 1975-2013 (0.5 linear feet; Boxes 2-3)

Series 3: Scrapbooks, 1967-2009 (1.0 linear feet; Box 3, 9-10)

Series 4: Professional Activity Files, 1964-2013 (1.7 linear feet; Boxes 3-5, 9)

Series 5: Printed Material, 1960-2018 (1.9 linear feet; Boxes 5-7)

Series 6: Artwork, circa 1973 (0.1 linear feet; Box 7)

Series 7: Photographic Material, circa 1977-2010 (0.3 linear feet; Boxes 7-8)
Biographical / Historical:
Claudia DeMonte (1947- ) was born and raised in Astoria, New York City. She has more than 100 one-person shows and 600 group exhibitions nationally and internationally, including exhibitions at the Corcoran Museum, Modern Art Museum of Fort Worth, Mississippi Museum, Tucson Museum, Flint Institute of Art, Museum of the Southwest, etc.

Her work is in numerous museum permanent collections, including the Brooklyn Museum of Art, Stamford Museum, Boca Raton Museum, and in major corporate collections such as those of Hyatt Regency Hotels, Exxon, Citibank and Siemens. Her public commissions have come from the New York City Department of Cultural Affairs, Brooklyn Library System, Queens Supreme Court, Prudential Life Insurance, the State of New Mexico, and New York City School Construction Authority.

DeMonte is also the curator of "Women of the World: A Global Collection of Art." This traveling exhibition, with accompanying books, includes works of women from 177 countries dealing with the images of women.

DeMonte's work is heavily influenced by her travels to over 80 countries, her interest in the roles of women in contemporary society and Outsider Art, a collection compiled with her husband, artist Ed McGowin.

For 33 years, DeMonte has served on the faculty of the University of Maryland, where she was named Distinguished Scholar Teacher and Professor Emerita. In 2006, She was awarded an Honorary Doctorate from the College of Santa Fe.

DeMonte presently lives with her husband in New York City and Kent, Connecticut.

Ed McGowin (1938- ) was born in 1938 in Hattiesburg, Mississippi and grew up in Mississippi and Alabama, receiving the M.A. from the University of Alabama. He has had one-person exhibitions at the Corcoran Gallery in Washington, D.C.; the Baltimore Museum; and the Museum of Modern Art of the City of Paris, France. Since 1979, McGowin has executed major outdoor commissions for numerous public and private organizations, often collaborating with his wife, Claudia DeMonte.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Claudia DeMonte conducted by Liza Kirwin between February 13 and April 24, 1991; and the Ed McGowin papers, 1962-1998.
Provenance:
The Claudia DeMonte and Ed McGowin papers were donated in 1994 by Claudia DeMonte and in 2020 by Claudia DeMonte and Ed McGowin.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Citation:
Claudia DeMonte and Ed McGowin papers, 1960-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.democlau
See more items in:
Claudia DeMonte and Ed McGowin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-democlau

Peter A. Juley & Son collection

Photographer:
Ward, De Witt  Search this
Peter A. Juley & Son  Search this
Juley, Peter A., 1862-1937  Search this
Juley, Paul, 1890-1975  Search this
Extent:
700 Linear feet ((approx. 127,000 negatives, with black-and-white study prints))
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
circa 1896-1975
Summary:
The Peter A. Juley & Son Collection is comprised of approximately 127,000 photographic negatives documenting the work of more than 11,000 American artists. Included in the collection are 4,700 photographic portraits of artists.
Scope and Contents:
This collection is comprised of 127,000 negatives from the Peter A. Juley & Son firm documenting the American art scene from 1896 up until 1975.

The Juleys photographed the work of turn-of-the-century painters such as Childe Hassam, Thomas Eakins, and Albert Pinkham Ryder; ash can school artists such as Robert Henri and John Sloan; the avant-garde group associated with Alfred Stieglitz; regionalists of the 1930 and 1940s such as Thomas Hart Benton and Grant Wood; abstract expressionists such as Hans Hoffman and Robert Motherwell; and sculptors such as Daniel Chester French and William Zorach.

The Juley collection also holds some 4,700 photographic portraits of artists. These images capture some of the best-known artists of the twentieth century, including Thomas Hart Benton, Alexander Calder, Stuart Davis, Edward Hopper, Frida Kahlo, Jacob Lawrence, Barnett Newman, Diego Rivera, and Grant Wood. Many of the portraits depict artists at work in their studios or at home with their families and offer glimpses into the artistic and social climate of the period.

Group photography by the Juley firm records the histories of the National Academy of Design and Art Students League and documents important summer art colonies at Provincetown, Massachusetts; Woodstock, New York; Old Lyme, Connecticut; and Ogunquit, Maine.

In addition to the negatives produced by the Juley's, the firm also acquired valuable negatives from other fine arts photographers, including Myra Albert, A. B. Bogart, George C. Cox, Walter Russell, A. E. Sproul, and De Witt Ward, to broaden its holdings.
Arrangement:
The collection is arranged in two series:

Series I: Photographs of art works, arranged alphabetically by artist, then by assigned negative number (673 linear feet)

Series II: Photographical portraits, arranged alphabetically by sitter name (26 linear feet)
Biographical / Historical:
Peter A. Juley (1862-1937) came to the United States in 1888 from the small German town of Alf, on the Mosel, where he was a telegrapher for the post office. How he first became interested in photography and fine arts is not known, but around 1896 he opened a small portrait studio in Cold Spring, New York, where he also worked as a staff news photographer for Harper's Weekly between 1901 and 1906. His assignments included photographing the funeral of President William McKinley and President Theodore Roosevelt's national tours. Around 1907 Juley moved the business to New York, where his son Paul P. Juley (1890-1975) joined him. A few years later they hired an assistant, Carlton Thorpe, who remained for the life of the firm.

Throughout the firm's long history from 1896 to 1975, Peter A. Juley and Son became the largest and most respected fine-art photography studio in New York, serving museums, galleries, art dealers, private collectors, corporations, conservators and many prominent artists. As members of New York's Salmagundi Club of artists, the Juleys served as official photographers for the National Academy of Design, the New York Public Library, and the Society of American Artists. In the summers, when many artists left the city to teach at colonies in Woodstock, New York, Old Lyme and Mystic, Connecticut, and Gloucester, Massachusetts, the Juleys joined them to take photographs. Combining business with pleasure, they even traveled to the West Coast, where they recorded Diego Rivera completing the murals of the San Francisco Stock Exchange, and on one of their trips they photographed artists of New Mexico's Taos and Santa Fe colonies.

When Peter died in 1937, Paul moved the studio to 225 West 57th Street, a few doors down from the Art Students League and across the street from Carnegie Hall, where many artists had studios. Throughout the 1950s and 1960s, Paul continued photographing the works of art associated with the Art Students League and the National Academy of Design. He retired in 1975, at the age of eighty-five.
Provenance:
Purchased from Paul Juley, 1966.
Restrictions:
Researchers may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Rights:
Copyright to photographs from the Juley Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Topic:
Artists -- United States -- Portraits  Search this
Portrait photography  Search this
Art, American -- Photographs  Search this
Genre/Form:
Photographs
Negatives
Citation:
Peter A. Juley & Son Collection, Smithsonian American Art Museum.
Identifier:
SAAM.Photo.JUL
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_collection:sova-saam-photo-jul
Online Media:

Ann Bromberg photograph collection

Photographer:
Bromberg, Ann  Search this
Names:
Begay, Dorothea  Search this
Extent:
5 Photographs (20 x 24 inches)
Culture:
Diné (Navajo)  Search this
Type:
Collection descriptions
Archival materials
Photographs
Place:
New Mexico
Date:
1996
Scope and Contents:
This collection contains 5 gelatin silver prints that were shot by photographer Ann Bromberg on the To'hajilee (Canoncito) Reservation, N.M. in 1996. The photographs depict informal, outdoor portraits of Diné (Navajo) sheepherder Dorothea Begay and include photographs of Begay posing with her sheep herd, walking outdoors, and standing next to an enclosed sheep corral or pen. Photographs from this collection were part of the traveling exhibition Ranch Women of New Mexico that ran from 1996-2011. All five prints are signed by Ann Bromberg.
Arrangement:
5 photographs organized in 1 box.
Biographical / Historical:
Ann Bromberg is a professional photographer and independent filmmaker. Born in New Mexico, Bromberg has exhibited her work internationally and her photographs are in the permanent collections of the New Mexico History Museum, the Santa Fe History Museum, and the Roswell Art Museum to name a few.

Dorothea Begay was born and raised just west of Albuquerque, New Mexico in the To'hajilee (Canoncito) band of Diné (Navajo) community. Begay was 78 years old and working as a sheep herder when Bromberg shot the photographs in the collection.
Related Materials:
Other Ann Bromberg photographs from her Ranchwomen of New Mexico series are in the New Mexico History Museum in Santa Fe, N.M.
Provenance:
Donated by Ann Bromberg in 2013.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Sheep ranches  Search this
Livestock  Search this
Herders -- New Mexico  Search this
Herding  Search this
Indians of North America -- New Mexico -- Photographs  Search this
Genre/Form:
Photographs
Citation:
Identification of specific item; Date (if known); Ann Bromberg photograph collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.088
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-088
Online Media:

Grace Nicholson: Inventories and Clippings

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Collector:
Johnson, Frederick, 1904-1994  Search this
Churchill, Frank C. (Frank Carroll), 1850-1912  Search this
Davis, Edward H., b. 1862  Search this
Churchill, Clara G.  Search this
Harrington, M. R. (Mark Raymond), 1882-1971  Search this
Harvey, Byron  Search this
Emmons, George Thornton  Search this
Gridley, Marion E. (Marion Eleanor), 1906-1974  Search this
Wildschut, William  Search this
Stiles, William F., 1912-1980  Search this
Verrill, A. Hyatt (Alpheus Hyatt), 1871-1954  Search this
Skinner, Alanson, 1886-1925  Search this
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Harvey, Fred  Search this
Keppler, Udo J., 1872-1956  Search this
Lothrop, S. K. (Samuel Kirkland), 1892-1965  Search this
Barrett, S. A. (Samuel Alfred), 1879-1965  Search this
Pepper, George H. (George Hubbard), 1873-1924  Search this
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Hodge, Frederick Webb, 1864-1956  Search this
Collection Director:
Dockstader, Frederick J.  Search this
Heye, George G. (George Gustav), 1874-1957  Search this
Collection Source:
Force, Roland W.  Search this
Burnett, Edwin K.  Search this
Container:
Box 262A, Folder 3
Type:
Archival materials
Date:
1928 - 1968
Restrictions:
Image number 011 "Holiday Handcraft" has been removed from the slideshow due to culutral sensitivity.
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 6: Collectors
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-ref14859
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